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sorif-202 · 3 months

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Oblivion Astor Piazzolla Oboe English Horn Bandoneon

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Oblivion By Astor Piazzolla for tango septet, oboe and English horn Enjoy this beautiful rendition of "Oblivion" by Astor Piazzolla, featuring the oboe, English horn, and bandoneon. This haunting and romantic melody will transport you to the streets of Buenos Aires. Don't miss this unique combination of instruments in one of Piazzolla's most iconic pieces. Listen now and experience the passion and emotion of this Argentine tango masterpiece. SUBSCRIBE OR YOU WILL LOSE! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝ -------------------------------------------------------------------------------------------------------------------------------------------------------- ✨edibiaggi ✨ The channel needs your support: Please subscribe: 🔶@edibiaggi Don’t forget to like, subscribe, and ring the notification bell🔔 -------------------------------------------------------------------------------------------------------------------------------------------------------- 🎬CHECK OUT OUR OTHER VIDEOS 👇 ▶️He Touched Me - Unaccompanied Oboe - Gaither/Heffler ➥ • He Touched Me - Unaccompanied Oboe - ... ▶️Beethoven Sonata for Horn and Piano in F Major, Op. 17 ➥ • Beethoven Sonata for Horn and Piano i... ▶️Händel-Entrance to the Queen of Sheba-Humbert Lucarelli and Edino Biaggi oboes ➥ • Händel-Entrance to the Queen of Sheba... 👀👀 Video Hashtag 👀👀 #OblivionEnsemble#PiazzollaTrio#OboeEnglishHornBandoneon#TangoOblivion#PiazzollaCover#MusicCollaboration#ChamberMusicMoment#OblivionTrio#PiazzollaSounds#WoodwindTango#BandoneonHarmony 🔶🔍Related Searches 🔍🔶 "Oblivion Piazzolla Oboe English Horn Bandoneon" "Piazzolla Oblivion Trio Performance" "Astor Piazzolla Woodwind Ensemble" "English Horn Bandoneon Duet Oblivion" "Tango Music Ensemble Oblivion" "Piazzolla Trio Live Performance" "Oblivion Astor Piazzolla Instrumental" "Bandoneon and Woodwinds Tango" "Oboe English Horn Piazzolla Cover" "Piazzolla Trio Chamber Music" Oboe & English horn: Edino Biaggi Bandoneón: Guido Gavazza Arranger: Pablo Galimberti Piano: Manuel Martínez Jazz Guitar: Facundo Jaimes Violin 1: Pablo Galimberti Violin 2: Lucia Prokopovsky Viola: Lucas Soria Cello: Gabriela Fernández Bass: Mauro Rodríguez Audio Tech: Martin Actis Video Tech 1: Ignacio Blaconá Video Tech 2: Maxi Quintero Video Tech 3: Juan Blanco Video Tech 4: Diego Fidalgo Video Editor: Ignacio Blaconá Piano Tech: Mauricio Echeverri Please subscribe for more videos!🔔 Turn on notifications so you don't miss a new video! 🔔 🙏Thanks For Watching🙏

#youtube #video #youtube video

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krispyweiss · 3 months

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EP Review: The Brother Brothers - Our Vinyl Sessions

With a full band at their back and their familial harmonies and adroit compositions at the fore, the Brother Brothers continue their evolution on Our Vinyl Sessions.

Adam and David Moss’ series entry results in a three-song EP with an expanded sonic palette that complements, rather than overwhelms, the identical twins’ roots as an unaccompanied duo playing acoustic guitar, fiddle and cello.

These elements - and the Brothers’ Everly-cum-Milk Carton Kids vocal sensibilities - remain on the Sessions’ renditions of “Tugboats,” “Stumbling Rose” and “Cairo IL.” It’s the muted colors of drums and electric six-string and bass guitars that give them extra sparkle and point toward the Moss Brothers’ future.

Grade card: The Brother Brothers - Our Vinyl Sessions - A

2/5/24

#the brother brothers #adam moss #david moss #the everly brothers #the milk carton kids #2023 albums

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kehoboluq · 2 years

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Appalachia waltz cello pdf

APPALACHIA WALTZ CELLO PDF >>Download (Telecharger) vk.cc/c7jKeU

APPALACHIA WALTZ CELLO PDF >> Lire en ligne bit.do/fSmfG

56: Variations on an Appalachian folk melody. Score (4 pages) and two parts (violin, 'cello). folder 9 Waltz in A-flat, opus 39, no. 15. Classical music scores, sheet music and songbooks from all publishers. Fantasia and Waltz on a theme from Rossini's Ricciardo e Zoraide $14.20 Classical & arrangement works. Free sheet music › Violin › Folk. Active criterias: VIOLIN - FIDDLE Appalachia Waltz (unaccompanied violin). Cello party: pièces original pour violoncelle et piano, vol. 1. Lemoine, c1999. 27030 H.L. ISMN M-2309-7030-3. Score (48 p.) + part. + sound CD. $34.95. Téléchargez comme PDF, TXT ou lisez en ligne sur Scribd. Signaler comme contenu inapproprié Clarinet in B b 2 Appalachian Spring Closer 3 Ways to Make Your Piano Playing Jazzy (with PDF Download). Pianote. Pianote Appalachia Waltz (Version for Cello) (Solo Cello Version). Yo-Yo Ma. Appalachia and The Song of the High Hills are The former, opening with a sturdy cello the seventh is a graceful waltz, the ninth a.

https://www.tumblr.com/kehoboluq/697802566263865344/bsbhrm501a-pdf-writer, https://www.tumblr.com/kehoboluq/697802435229581312/correctional-officer-exam-questionspdf, https://www.tumblr.com/kehoboluq/697802435229581312/correctional-officer-exam-questionspdf, https://www.tumblr.com/kehoboluq/697802435229581312/correctional-officer-exam-questionspdf, https://www.tumblr.com/kehoboluq/697802566263865344/bsbhrm501a-pdf-writer.

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epersonae · 2 years

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Multiples of 7 for the Spotify thing <3

7. The song that had me bawling when they played the opening in my Wrapped story! I've mentioned Hair Match a bunch of times, but this is actually the FIRST song on that playlist, and it's a song that Ryn asked me to play for them on laptop over the phone while they were in inpatient in the spring, and I loved the original, and so I built a whole playlist out of bookending this at the beginning and the original at the end, and I hadn't heard it since the morning Ryn died. They said it was the best playlist they'd ever gotten.

14. This was one of my first cassette tapes, when it was new and I was in junior high, and then it was on my main fic writing playlist, and then on our Reckoning playlist, which I put for the first time in a while when I went for a walk the morning after Ryn died.

21. This is the one song on That Album that actually reminds me less of this grief, and more of the strange grief of after I left my ex.

28. Oh look, more Bach!

35. Ryn put this on a playlist for me, and that's how it ended up on the master "Romancé" playlist, which was one of my regular rotations until September. It's surprisingly fun.

42. I believe also Romancé playlist, also from Ryn? Not 100% sure tho. Iron and Wine does do some good covers.

49. Bach continuing to rock

56. I found out recently that these guys started as *Christian music* (from a former evangelical friend who was deep in that scene) and I haaaaate that I can't tell Ryn because it's that kind of curséd knowledge that you have to share. Also I love that they put this on a playlist for me, even though it's a song that was big when I was younger.

63. I think I put this on a playlist for them? Possibly because Spotify kept adding it to the end of other playlists. I made one called "the algorithm loves you" out of stuff it threw in after playing a whole list.

70. There's no fucking numbers on this playlist, at least not in the android app, so I've been counting by hand, and when I posted Get Famous it was by approximating how many songs per screen. But apparently that was wrong, and Get Famous is #70, so here's number 69: even more Bach

(suite #3 was my favorite to play, actually)

(I've hit the limit, so I might continue later, or maybe not, we'll see)

#spotify wrapped #77 is also Bach

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dustedmagazine · 3 years

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Julius Hemphill — The Boyé Multi-National Crusade for Harmony (New World Records)

Julius Hemphill · The Boyé Multi-National Crusade for Harmony by Julius Hemphill

In a career that spanned only 25 years, reed player Julius Hemphill left an indelible mark with his music, as a player, organizer, composer and mentor. One could focus in on his work with Black Artists Group in St. Louis in the late 1960s, creating a collective that fused music, dance, film, theater and poetry with a sense of social activism and with his Mbari label, a model for artistic self-determination. Or one could jump to his move to New York in the 1970s where he was an active participant in the loft scene, performing solo, as a leader, with dancers and poets, helping to transform the sound of free jazz in collaboration with other Midwest transplants like Charles “Bobo” Shaw, Lester Bowie, Baikida Carroll, Abdul Wadud and Oliver Lake. There’s also his leading role in developing saxophone ensembles, from his appearance on Anthony Braxton’s “Composition 37” along with Oliver Lake and Hamiet Bluiett in 1974 which foreshadowed Hemphill, Lake, Murray and Bluiett’s formation of the World Saxophone Quartet a few years later to his establishment of a sax sextet. There’s the mark he left on musicians who came up under his influence like Tim Berne and Marty Ehrlich. And then there’s his compositions, with acclaimed early pieces like “Dogon A.D.” and “The Hard Blues” to suites like “Roi Boyé and the Gotham Minstrels” or “Flat-out Jump Suite” to “Steppin’” to the through-composed chamber music that he wrote toward the end of his life to Long Tongues: A Saxophone Opera, a large-scale theatrical piece that was performed a handful of times but was never recorded.

But for all that activity, Hemphill’s discography was never extensive, and most of what he put out is now out of print. Which makes this expansive boxed set scrupulously compiled by Marty Ehrlich from Hemphill’s archives at NYU invaluable. Over the course of seven discs, the collection documents Hemphill’s music from 1977 to a posthumous performance of his chamber pieces in 2007 at the Isabella Stewart Gardner Museum in Boston. Each disc stands on its own. Disc 1 documents performances of ensembles including his potent quartet with Olu Dara, Abdul Wadud and Warren Smith as well as a piece by a rare meeting with John Carter. Disc 2 captures a performance in duo with Abdul Wadud, amongst his most fruitful ongoing partnerships. Disc 3 collects the earliest performances of the box by a trio with Carroll and drummer Alex Cline from tiny venues in New York, Berkeley and Philadelphia in 1977. Disc 4 is given over to through-composed chamber works while disc 5 documents his solos and collaborations with poet K. Curtis Lyle and dramatist Malinké Elliott. Disc 6 is the most varied, collecting a variety of different groups. And Disc 7 closes things out with recordings from Woodstock, NY in 1979 by a previously undocumented group featuring Hemphill, Carroll, Dave Holland and Jack DeJohnette.

Ehrlich kicks off the in-depth booklet that accompanies the box with the following quote by Hemphill from a 1994 interview in Bomb. “Well, you often hear people nowadays talking about the tradition, tradition, tradition. But they have tunnel vision in this tradition. Because tradition in African-American music is wide as all outdoors.” Each disc of this set gives proof that Hemphill’s music completely embodied that ethos.

Ensembles

Julius Hemphill · The Boyé Multi-National Crusade for Harmony by Julius Hemphill

Hemphill was always a thoughtful ensemble leader, thinking not only about the blending of sonorities of specific instrumentation but also about the particular voices that his collaborators brought to the mix. Trumpet players, most often Baikida Carroll but also Olu Dara, were chosen as a timbral foil but as importantly for their sense of concise freedom, rich harmonic sensibility, open timing and ability to traverse the snaking open-minded melodicism of the leader’s compositions with aplomb. Hemphill noted about Carroll, “I consider the opportunity to bear witness to the eloquent beauty of Baikida’s music a distinct honor. . . Baikida Carroll is polarized, poised, at a matchless point between lyricism and fire. I hope he remains so.” Cellist Abdul Wadud, whose arch approach toward counter-melody and loping pulse, filling the roll of bass while adding an additional solo voice, was also a crucial member of the saxophonist’s groups. Then there are the drummers he regularly enlisted – Charles “Bobo” Shaw, Phillip Wilson, Warren Smith, a very young Alex Cline – each of whom brought their own unique grasp of malleable propulsion and multi-hued percussive colorations. All of this served as the perfect counterbalance for Hemphill’s biting tone, voluble articulation, multifaceted embrace of open groove, abstracted blues and lithe dynamism as a soloist.

The box is a treasure-trove of unreleased recordings of Hemphill’s groups. Disc 1 contains an extended live set by Olu Dara, Abdul Wadud and Warren Smith from a European tour on the heels of their recording of the oft-overlooked Flat-Out Jump Suite, here, trading the open-ended collective improvisations of the studio recording for fiery readings of two previously unrecorded pieces as well as the breakneck “At Harmony” which Hemphill utilized in various arrangements over the years. “Air Rings” by a quartet with Carroll, Philip Wilson and guitarist Jehri Riley presages the oblique angularities that Hemphill would explore in the 80s with his JAH Band with a heady solo by the trumpet player while also showcasing Wilson’s spry, polyrhythmic sensibility.

Disc 3’s documentation of sets by The Janus Company, a trio with Carroll and a then-21-year-old Cline on drums, is a revelation. The open form of the pieces like “#4” allow for probing playing by all three and the interplay between the two horn players and Cline’s spare, finely-wrought vigor. The disc is capped off by a live recording of a set by the trio joined by Abdul Wadud and here, the music takes on a spirited intensity. The circuitous collective improvisation segues into an abstracted jaunt through “Dogon AD,” a standout of the box.

The final disc of the set captures a live performance by a quartet of Hemphill, Carroll, Dave Holland and Jack DeJohnette from 1979 at a small venue in Woodstock, NY when all four were living in the area. Though this was never a regularly working unit, their extended improvisations taking off on three of Hemphill’s pieces are gripping. The four quickly establish a jubilant collective balance, leaving ample room for solos and group interaction. Holland is in fine form and the recording does a great job of capturing his lissome arco playing and gamboling sense of pulse at play off of DeJohnette’s orchestral textures and supple drive. Carroll and Hemphill are strikingly charged for the performance, each delivering torrid solos and reflective ensemble collaboration throughout.

Solo and Text

Julius Hemphill · The Boyé Multi-National Crusade for Harmony by Julius Hemphill

Any assessment of solo saxophone improvisation demands that one spend time spent digging into Hemphill’s discography. With Blue Boyé and Roi Boyé and the Gotham Minstrels, the reed player threw himself into explorations of structures he developed for both unaccompanied and multi-tracked saxophone. The pieces revealed a keen formative ear, stripping his compositional approach to their elemental frameworks. From his early days in St. Louis, Hemphill also dove in to collaborations with poets, pitting his solo excursions against the fueled narratives of writers like Watts Writers Workshop poet K. Curtis Lyle and dramatist Malinké Elliott. Disc 5 begins and ends with solo excursions, bookending live performances of Hemphill with Lyle and Elliott. While the set with Lyle is gripping throughout, the set with Elliott is dazzling, capturing multi-tracked musings constructed from “Bells,” a recording of a structure of resonant metal played with mallets and sticks at a salvage yard in Oregon, Hemphill’s horn and Elliott’s readings of text that draws on Ralph Ellison’s novel Invisible Man as a meditation on the Soweto Youth Uprising in 1976. The 22-minute suite moves across five “voices,” from orator to hipster to preacher, each positing a differing viewpoint of underlying dissent and frustration, notably the chilling skronk of “Soweto 1976 A Suite in Five Voices Part V Carnival Barker.” Listening to the closing “Solo Soprano Saxophone with Bells recording” is a teaser for a full-blown album that was never to be realized.

Duos

Julius Hemphill · The Boyé Multi-National Crusade for Harmony by Julius Hemphill

Hemphill made a handful of great duo recordings including meetings with Oliver Lake, Warren Smith and Peter Kowald. But his partnership with Abdul Wadud was one of his most long-lasting and most fruitful. The two made two recordings, both of which are long out-of-print, so it is particularly welcome that Disc 2 contains an entire set of their partnership. While the provenance of the recordings is unknown, Ehrlich found the cello parts for five of the pieces which appear to be written specifically for the duo. Ehrlich describes the pieces in the booklet for the set, noting that “Chromatic, open-ended melodic lines are placed in contrasting juxtapositions. The music has a sense of abstraction, while individual gestures evoke melodies known and felt. All of this sets up a charged emotional space for the improvisations to unfold.” The two navigate the countervailing parts with spirited zeal, moving seamlessly between unrestrained melodicism, bounding groove, thorny angularity, infectious free funk and hurtling intensity. They are entirely in synch throughout, their voices intertwined, prodding the pieces forward while leaving ample space for each other’s arcing flights. Hemphill touches on free-bop runs at times while Wadud moves in and out of the pocket, tossing off flittering pizzicato lines then diving off into flights of fiery arco. While all of the pieces are prime Hemphill, Ehrlich notes that none of the pieces from this set appear anywhere else in the archive or on commercial recordings, another element that makes this disc significant.

Composition

Julius Hemphill · The Boyé Multi-National Crusade for Harmony by Julius Hemphill

During Hemphill’s last decade, he received a few commissions to compose music for chamber ensembles, though these pieces were scantily recorded or performed. Disc 4 documents two performances of these works, one from 1987 at the Isabella Stewart Gardner Museum in Boston and another from 1981 at Soundscape in Manhattan. The disc kicks off with “Parchment,” a solo piano piece written for and performed by his partner Ursula Oppens. Hemphill rarely utilized piano in his groups, but here, he plies shard-like chords as fragmented, lyrical motifs emerge with unhurried deliberation. Hemphill’s arrangements of Mingus pieces for string quartet included here might seem an anomaly until one thinks about the arrangements of Ellington/Strayhorn pieces he did for World Saxophone Quartet. Recasting Mingus’ potent melodies for string quartet is a bit of a mixed bag. While he revels in the lush harmonic depth of the instrumentation, it’s only on his chart for “Better Get Hit in Your Soul” that things really click due in main part to the funky cello line that goads things along. The two extended pieces for mixed wind and brass quintet are much stronger. The expanded instrumental palette offers the composer timbral depth with John Purcell and Ehrlich moving back and forth between saxophones and clarinets, the pairing of Purcell on oboe with Janet Grice’s bassoon and trumpet player Bruce Purse and Ray Anderson on trombone and tuba filling out the tonal range. The groups attacks the arrangements with unbridled swagger, especially when the pieces open up for sections of improvisation which the group jumps on. Hemphill honed these skills with his large ensemble, his saxophone sextet and in his piece Long Tongues and one wonders where this avenue might have led had he lived longer.

Any of these discs, taken separately, would be a welcome addition to Hemphill’s discography. Taken together, they provide a wide-ranging, illuminating view even to those who’ve long immersed themselves in his music. Ehrlich concludes the booklet notes with this quote from the reed player. “This music is blues-driven. In terms of what has gone on before. Now where it goes from here — where it is going from here — may not be the same thing, ’cause it has to change, or it’ll die in my opinion. You know what I mean? The traditions keep on turning over! People keep looking rearward for the tradition. The tradition in this music is forward! Forward! Not what you did last week, but this week! You see what I’m saying? Now . . . that’s a hard road.” Diving in to the seven discs of The Boyé Multi-National Crusade for Harmony, one is struck by how much Hemphill championed that tenet throughout his career and, indeed, drove the tradition forward in all of his artistic pursuits.

Michael Rosenstein

#julius hemphill #The Boyé Multi-National Crusade for Harmony #new world records #dusted magazine #albumreview #box set #michael rosenstein #jazz #free jazz #improvised music

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gravity-rainbow · 1 year

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#yo-yo ma #bach #mood #Spotify

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pryceonpurpose · 3 years

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Rare:

How rare is it for us as humans to exist, to walk the earth?

How rare is it that you exist?

We’re all different and have something that sets us apart from another. Yet we keep comparing ourselves to others and their circumstances. People will set bars soooo high for themselves, don’t meet it, then crush themselves for it.

I used to do this and still have minor moments of it. I catch it now though and I’m aware of it. Lol, I chuckle a bit ...when I worked my 9-5, I would stay up late the night before but tell myself I had to get up at 5am to have a productive day, then I’d wake up late from not getting enough sleep, then be late to work and then beat myself up for it, mentally. This took a toll on me. Emotionally. I felt defeated.

Once I realized the disservice I was doing to myself I stopped immediately. I started to be kinder to myself. Spoke to myself differently. Prepared and conquered. Now, I get up early without an alarm. 1, because I quit my job ...had to realize although I loved what I did, I didn’t love it as much as I love what I do now, and 2, I have self defined purpose. I give myself a reason to get up in the morning and to have a successful day.. there are things I need to do for me.

Do you ever think about what you need to have a successful morning? What do you need to have or do to wake up happy?

You’re rare, the only person that knows what you need is you.

#waseoff podcast #podcast #waseoff #life #now #playwitrox #create #inspire #creative #2021 #blog a day #journey #purpose #rare #longisland #suffolk county #Spotify

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luvetlux · 4 years

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Johann Sebastian Bach, The six cello suites, Pablo Casals, 1936-39

Tracklist

Suite No. 1 In G, BWV1007 16:54

1-1 Prelude 2:28

1-2 Allemande 3:40

1-3 Courante 2:32

1-4 Sarabande 2:22

1-5 Menuet I & II 3:14

1-6 Gigue 1:50

Suite No. 2 In D Minor, BWV1008 19:41

1-7 Prelude 3:43

1-8 Allemande 3:54

1-9 Courante 2:16

1-10 Sarabande 4:06

1-11 Menuet I & II 3:19

1-12 Gigue 2:35

Suite No. 3 In C, BWV1009 20:14

1-13 Prelude 3:28

1-14 Allemande 3:45

1-15 Courante 3:14

1-16 Sarabande 3:30

1-17 Bourrée I & II 3:23

1-18 Gigue 3:04

Suite No. 4 In E Flat, BWV1010 22:29

1-19 Prelude 4:15

1-20 Allemande 3:45

1-21 Courante 3:55

1-22 Sarabande 4:09

1-23 Bourrée I & II 3:37

1-24 Gigue 2:35

Suite No. 5 In C Minor, BWV1011 22:31

2-1 Prelude 7:18

2-2 Allemande 3:17

2-3 Courante 2:03

2-4 Sarabande 2:45

2-5 Gavotte I & II 4:29

2-6 Gigue 2:20

Suite No. 6 In D, BWV1012 27:58

2-7 Prelude 5:06

2-8 Allemande 7:31

2-9 Courante 3:42

2-10 Sarabande 4:17

2-11 Gavotte I & II 3:04

2-12 Gigue 3:59

–

2-13 Adagio In A Minor From Toccata, Adagio And Fugue In C Major, BWV 564 Arranged By – Siloti* 3:53

2-14 Musette (Gavottes I And II) From English Suite No. 6 In D Major, BWV 811 Arranged By – Pollain* 3:45

2-15 Komm, Süsser Tod, BWV 478 Arranged By – Siloti* 3:27

2-16 Andante From Sonata No. 2 For Unaccompanied Violin, BWV 1003 Arranged By – Siloti* 3:36

2-17 Air From Suite No. 3 In D, BWV 1068 Arranged By – Siloti* 3:47

Companies, etc.

Phonographic Copyright (p) – HNH International Ltd.

Recorded At – Abbey Road Studios

Credits

Cello – Pablo Casals

Composed By – Johann Sebastian Bach

Engineer [Restorations] – Ward Marston

Liner Notes – Tully Potter

Notes

Tracks 1-1 to 1-6: Recorded 2.VI.1938, Paris

Tracks 1-7 to 1-18: Recorded 25.XI.1936, Abbey Road Studios, London

Tracks 1-19 to 1-24: Recorded 13.VI.1939, Paris

Tracks 2-1 to 2-6: Recorded 13-16.VI.1939,

Paris Tracks 2-7 to 2-12: Recorded 14, 15..VI.1939,

Paris Tracks 2-13 to 2-17: Recorded 3.VI.1938, Paris

Total playing time: 148:47

#bach #johann sebastian bach #pablo casals #the six cello suites

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just-the-hiddles · 5 years

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Tag Game! 21 Questions

Rules: Answer 21 questions and then tag 21 people you want to get to know better.

Tagged by: @lokislilcaribbeanprincess Thank you!

Nicknames: I’m just-the-hiddles here on Tumblr and Ao3.

Zodiac: Pisces

Height: 5′ 8 1/2″ yes the half matters.

Hogwarts house: Ravenclaw through and through

Last thing googled: Sexiest Shakespeare quotes. If read my stuff you know why!

Do you get asks: Sometimes, most of them were during a celebration drabble request, but still sometimes. I love asks and they don’t have to be requests! I enjoy answering questions too!

Amount of sleep: I honestly don’t know probably somewhere between 5-8 hours depending on the day.

Lucky number: 17

What are you wearing: black flats, purple pants, gray top.

Dream trip: United Kingdom or Greece

Instruments: Clarinet but it has been years, tried to teach myself piano.

Languages: English and bits of Spanish. I know some words in German and Croatian but not enough to carry on a conversation.

Favourite Songs: Like naming a favorite child! Here are some for the time being:

Slow Hands by Niall Horan

I Want Love by Elton John (you RDJ fans, have to see the video!)

Unaccompanied Cello Suite No. 1 in G Major by Bach (played by Yo-Yo Ma)

King of the Clouds by Panic! At the Disco (love this entire album!)

There are Worse Things I Could Do from the Grease Soundtrack

Random fact: I can not roll my “r”s. Like not even a little.

Aesthetic: Like in life? I don’t know...cozy. clean. simple. Haven’t really thought about it.

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arsenicandfinelace · 5 years

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The Person Behind the Blog

tagged (and ego-boosted) by @msstarhallow

1. Zodiac Sign: Cancer. I’m crabby and life-threatening, so very fitting.

2. Last thing I googled: Evening Wind by Edward Hopper (I did not use capitals or the words “by Edward”. I am not that fancy.)

3. Song stuck in my head: Over the Rainbow (just saw the Judy Garland movie)

4. Favourite musicians: Change constantly because I’m a fickle bitch, but right now Lizzo, Wardruna, Sheku Kanneh-Mason, Childish Gambino

5. Do you get asks: On occasion, and they make me feel verrrrry famous.

6. Amount of 💤: I usually get a full night’s sleep and yet I’m still tired, so that’s fun.

7. Lucky number: None.

8. What are you wearing: Jeans, hand-me-down hoodie from my sister’s business school, navy t-shirt stained with what might be chocolate, my on-campus slipper boots.

9. Dream Trip: Touring the most beautiful libraries in Europe (it’s in the works!)

10. Instruments you play: The clarinet, my own insecurities

11. Languages you speak: English, (Canadian) French, some German, a little Korean, like two sentences in Cantonese, a diaspora of swear words

12. Favourite song: Again, never keep a favourite song longer than a month, currently Good as Hell by Lizzo

13. Random fact: Early Modern European monarchs believed that “unicorn horns” could be used to counteract almost any poison, and would pay more for a single horn than a palace. The “unicorns” in question were actually beached narwhals, a species not discovered for another few centuries.

14. Cats or dogs: Dogs, although I am allergic to both.

15. Aesthetic: Soft butch on a good day.

16. 🎶 playlist on shuffle:

Unaccompanied Cello Suite no. 6 in D Major BWV 1012: Allemande - Yo-Yo Ma

봄봄봄 Bom Bom Bom - Roy Kim

Lueur d’été - Les Choristes

Turandot - “Nessun Dorma” - Andrea Bocelli

Welcome Home - Radical Face

Hey Mama (feat. Nicki Minaj) - David Guetta

Born to Die (Woodkid Remix) - Lana del Rey

I’ve Just Seen a Face - The Beatles

The Night King - Ramin Djawadi

I’d Love to Change the World (Matsubs Remix) - Jetta

Tagging @fcrestlass @lafayverte

#asks #tagged

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presumenothing · 5 years

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okay really niche question (and tbh you're the only person i know who knows both): how do you think a meeting between sara shelly futaba and conan/shinichi would go down?

(typing from mobile so what is formatting?? or readmores??)

ok so before i go on, an important psa @ all detco fans: WATCH MISS SHERLOCK Y'ALL. i promise you will not be disappointed (except by the continual lack of a season 2). here’s the link to all eight episodes, you can thank me later

alright, moving on though lbr here the first thing that would happen is me supersonic yelling from offscreen

so of course they could meet on a case, whether that means working the same case or something else – shinichi investigating sara shelly sherlock for whatever reason, or that old standby aka tokyo mpd fundraiser gala.

which is popcorn-worthy if for nothing but the concept of inspectors megure and reimon taking the opportunity to show off their consulting detectives at each other. (despite both being in division one – albeit different wards of tokyo – said inspectors do not work together or even get along to start with. megure disagrees with reimon’s lackadaisical lulz. reimon just mostly thinks he should Chill. said consulting detectives are not impressed. sherlock is specifically unimpressed with the food, and she’s maybe only here because shibata emotionally blackmailed her into turning up after some pr wreck she only had 99.5% responsibility in causing.)

(on the other hand satou and the rest have probably helped shibata out at one point at least, seeing as the poor man is probably overworked 24/7.)

(and on a mysterious third hand i just thought of how sherlock would react to sleeping kogoro and honestly? more popcorn potential right there.)

but even better concept: what if they met at some entirely non-detective related event? and i am absolutely going with conan instead of shinichi here, just for the additional comic factor of sherlock going “???? child?? how, small, what do i do with this” and picking him up for closer inspection at some point.

maybe it’s some world-famous string quartet’s concert that conan snuck into – i mean yes he did buy a ticket online under shinichi’s name, he’s not breaking any laws, he was brought up in a house of the arts for heaven’s sakes, but little kids really aren’t supposed to be attending such classy events without a guardian? and for obvious reasons he can’t ask ran along.

so here you have one lone conan, tux included: he got into the concert hall just fine with the age-old “my parents are already inside” adage, but at some point during the intermission someone realises that hey there’s a really little boya here seemingly without an attached adult, and conan (pity be on him?? he just wanted to listen to some music??) points unsuspiciously at the first unaccompanied grown person he spots in the not-very-crowded crowd and hurries off something about my music teacher is over there!! i’m just gonna– before further hurrying off in that direction.

…alas for him, while said adult is in fact unaccompanied and doesn’t mind being his alibi for now, she would also very much like to know how he figured out that tidbit. or how he deduced that she doesn’t just listen to music but also plays the viola.

(“cello!” conan corrects automatically, and promptly dies inside.

“oh really,” says sherlock, over conan’s babbling that he just guessed because well see onee-san there are three instruments in a quartet aren’t there!! which – nice try, tiny human, but sherlock knows what guessing looks like and this isn’t it.

hm. maybe she’ll have to re-evaluate her opinion of children – or at least the possibility of actually-intelligent children belonging to other people – after all.

…not before she thoroughly interrogates this one first, though.)

#detective conan #miss sherlock #asks #ranichi17 #long post #yes they do mutually realise that they're both detectives at some point #but until then...... yakkity sax.wav #the beginning of a beautiful friendship #ft me doing the public duty of making this intersection less niche #w a t c h #t h i s #s h o w #eta @ all of u quietly liking this in the notifs: I SEE YOU #y'all'd better be watchin this show right up #or be yellin in my inbox if you already have #i'm waitin'

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journalofanobody · 5 years

Video

Johann Sebastian Bach Suites For Unaccompanied Cello Complete 2/2

#Complete 2/2

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plcyersandpieces · 5 years

Text

RWBY Character Image Song List 2019

Heyo folks! It’s the hiatus, so you know what that means--MUSIC TIME!

After a volume ends, I try go through an extensive list of characters in RWBY and pick out various musical themes from my collection for each character as a sort of “image song.” These are primarily instrumental pieces, and my collection consists of largely anime and videogame soundtracks that I’ve picked up over the years. The characters are those who were named and appeared in the show, with a couple of unnamed exceptions like Pilot Boi and the Shopkeep, or had a recurrent role in the overarching story like Summer.

Of course, these choices are subjective. Some may not agree with my choices for certain characters. However, my selections were based on what’s presented in canon, not any kind of headcanon. I take into account the character’s history and personality, as well as their personal growth. If they only appear in one episode, I try to take into account the context of their appearance as well as the small amount of personality presented.

So, without further ado--here’s the list! Characters are ordered in the volume in which they were introduced. Links to the songs are provided, and checked to be up-to-date. They are primarily YouTube links with the occasional Soundcloud or KHInsider link where I was unable to find anything on YouTube or the song wasn’t complete.

Volume 1

Team RWBY

Ruby Rose: Hopes and Dreams/SAVE the World/Last Goodbye - Undertale

Weiss Schnee: Primavera - Ludovico Einaudi

Blake Belladonna: The Wandering Isle - World of Warcraft: Mists of Pandaria

Yang Xiao Long: To the End of the Wilderness ver. Detonator - Wild ARMs 4/Music the Best: Rocking Heart

Team JNPR

Jaune Arc: Revived Power ~Battle With the Colossus~ - Shadow of the Colossus

Nora Valkyrie: Another Winter - Scott Pilgrim vs. the World: The Game

Pyrrha Nikos: Aloy’s Theme - Horizon Zero Dawn

Lie Ren: Yasuo, the Unforgiven - League of Legends

Team CRDL

Cardin Winchester: Those Without the Will to Live - Chrono Trigger

Russel Thrush: Village of the Barbarois - Vampire Hunter D: Bloodlust

Dove Bronzewing: Neko-ou - Neko no Ongaeshi

Sky Lark: Under Her Control - Final Fantasy VIII

Beacon Staff

Professor Ozpin: Treize Khushrenada: The Person who Makes History - Mobile Suit Gundam Wing

Glynda Goodwitch: The Silent Light - Chrono Trigger, arr. Rebecca E. Tripp

Professor Peter Port: Flying Boatmen/Serbia March - Porco Rosso

Doctor Bartholomew Oobleck: The Hunt: Going Green - Twister

Friends & Family

Summer Rose: Undertale - Undertale

Penny Polendina: Osanpo Desu - Azumanga Daioh

Sun Wukong: Zidane’s Theme - Final Fantasy IX

Villains

Adam Taurus: Black as Sin, Red as Blood - Wild ARMs 3

Hei “Junior” Xiong: DJ Sona - Kinetic - League of Legends

Melanie and Miltiades “Miltia” Malachite: Winter Fashion - Richard Neale

Roman Torchwick: Inkwell Isle Three - Cuphead

Cinder Fall: Evelynn, Agony’s Embrace - League of Legends

Others

Shopkeep-chan: Sore wa Himitsu Desu - Slayers Next Sound Bible II

Cyril Ian: Live Report - Undertale

Lisa Lavender: Death Report - Undertale

Volume 2

Team CFVY

Coco Adel: Chambermaid Swing - Parov Stelar

Fox Alistair: Silence ~Battle With the Colossus~ - Shadow of the Colossus

Velvet Scarlatina: There’s Only One Family Named Schrodinger - Wild ARMs 3

Yatsuhashi Daichi: Demon Lord Ninetails - Okami

Atlas Staff

General James Ironwood: Demacia Rising - League of Legends

Friends & Family

Neptune Vasilias: Super Galaxy Rumble - League of Legends

Zwei: Dogsong - Undertale

Villains

Emerald Sustrai: Medicine Eater - Tenkuu no Escaflowne

Mercury Black: Violator - Final Fantasy VII: Advent Children

Neopolitan: Lutece - Bioshock Infinite

Raven Branwen: Wars of the Last Wolves - Rurouni Kenshin: Tsuiokuhen

The White Fang

Tukson: Galka - Final Fantasy XI

The Lieutenant: Materia - Final Fantasy VII: Advent Children

Perry: Battle and Pleasure - Wild ARMs: AlterCode F

Deery: Wingly Forest - Legend of Dragoon

Grimm Eclipse (post-V2)

Dr. Merlot: Mad Poet - Wild ARMs: AlterCode F

Volume 3

Team ABRN

Arslan Altan: Path of the Huojin - World of Warcraft: Mists of Pandaria

Bolin Hori: Northern Country Kamui - Okami

Reese Chloris: Skate or Live - Scott Pilgrim vs. the World: The Game

Nadir Shiko: Johnny of the Robo Gang - Chrono Trigger, arr. hashel05

Team BRNZ

Brawnz Ni: Under the Progress - Parasite Eve

Roy Stallion: Maki Ya - Scott Pilgrim vs. the World: The Game

Nolan Porfirio: Boss Battle 2 - Legend of Dragoon

May Zedong: Pretty Pounding - Michael Clark

Team SSSN

Scarlet David: Pride of the Seas - World of Warcraft: Battle for Azeroth

Sage Ayana: Tides of War - World of Warcraft: Warlords of Draenor

Team NDGO

Nebula Violette: Look to the Skies - Angela Little and Lee Groves

Dew Gayl: Oklahoma - Downdraft - Twister

Gwen Darcy: The Cello Song (Unaccompanied Cello Suite No. 1: Prelude) - J.S. Bach, arr. Steven Sharp Nelson

Octavia Ember: Taliyah, the Stoneweaver - League of Legends

Atlas Contestents

Ciel Soliel: Thunder Plains - Final Fantasy X (HD Remaster)

Flynt Coal: Tank! - Cowboy Bebop

Neon Katt: Bit Rush: Arcade Ahri - League of Legends

Friends & Family

Qrow Branwen: Curse of the Worgen - World of Warcraft: Cataclysm

Winter Schnee: Freya’s Theme - Final Fantasy IX

Taiyang Xiao Long: Totems of the Grizzlemaw - World of Warcraft: Wrath of the Lich King

Amber: Vivaldi’s Four Seasons Techno - Vanessa Mae

Villains

Salem: Ley Lines - World of Warcraft: Legion

Volume 4

Mistral

Oscar Pine: Farm Boy - Final Fantasy VII (HD Remaster)

Li Ren: Eight Dog Warriors’ Theme - Okami

An Ren: Prologue - Okami

Atlas

Jacques Schnee: Shinra, Inc. - Final Fantasy VII

Whitley Schnee: Machiavellian Bach - Portal 2

Klein Seben: A Mole Man - Tenkuu no Escaflowne

Henry Marigold: The Grand Duchy of Jeuno - Final Fantasy XI

Pilot Boi: Sky Dance - Pyre

Menagerie

Ghira Belladonna: Valley of the Four Winds - World of Warcraft: Mists of Pandaria

Kali Belladonna: Queen Fury - Legend of Dragoon

Corsac and Fennec Albain: Shadow of Doubt - Tenkuu no Escaflowne

Ilia Amitola: Neeko, the Curious Chameleon - League of Legends

Villains

Arthur Watts: Karazhan Opera House - World of Warcraft: The Burning Crusade

Tyrian Callows: Darkmoon Faire Carousel - World of Warcraft: Mists of Pandaria

Hazel Rainart: Spirit Guard Udyr - League of Legends

Volume 5

Friends & Family

Mata: Stone Hill - Spyro Reignited Trilogy

Saber Rodentia: Night Howlers - Pyre

The White Fang

Sienna Khan: The Proving - Horizon Zero Dawn

Yuma: Revival of Alseides - Tenkuu no Escaflowne: The Movie

Trifa: Elise, the Spider Queen - League of Legends

Villains

The Branwen Tribe: Talon Sheath - Pyre

Vernal: Drawn to Strife - Horizon Zero Dawn

Professor Leonardo Lionheart: Sadness-colored Sandglass - Mobile Suit Gundam Wing

Volume 6

The Legends Lost to Time

God of Light: Okami White Light - Okami

God of Darkness: Emperor of Eternal Darkness - Okami

Jinn: Meridian, Shining - Horizon Zero Dawn

Ozma: Stormwind - World of Warcraft

Young Salem: Elizabeth - Bioshock Infinite

Friends & Family

Maria Calavera: Vamo’alla Flamenco - Distant Worlds: Music from Final Fantasy

Saphron Cotta-Arc: Adlehyde Castle Town - Wild ARMs: AlterCode F

Terra Cotta-Arc: Totally Busy - Wild ARMs 4/Music the Best - Feeling Wind

Adrian Cotta-Arc: Minako’s Ambition - Bishoujo Senshi Sailormoon Sailor Stars

Red-headed Woman: Canticle of Sacrifice - World of Warcraft: Legion

Other

Dee & Dudley: Shingakki 3 - Azumanga Daioh

Villains

Lil’ Miss Malachite: Tarren Mill - World of Warcraft: Taverns of Azeroth

Tock: Thrash Pack - Pyre

Caroline Cordovin: Ancient Civilization Exhibition - Wild ARMs: AlterCode F

#rwby #ruby rose #weiss schnee #blake belladonna #yang xiao long #team rwby #character theme list #character image song list #rwby character themes #rwby image songs #jaune arc #nora valkyrie #pyrrha nikos #lie ren #i ain't gonna tag everyone lol #but here you go

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