the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned.
Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner.
11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi!
Superman: That's a child. That's-- Bats that is a child. You let a child--?
Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?
Batman: This is Robin.
12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!!
Green Lantern: That's ... that's a different child. What??
Jason: I stole his tires :)
Batman: Tried to.
Jason, stage whispering to the League: basically did.
Green Lantern: that is a different kid, right?? I'm not seeing shit??
Batman: This is Robin.
14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello
Flash: Where do you even find these--
Tim: I found myself.
Batman: This is Robin.
17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!!
Superman: I give up.
Stephanie: I know, I have that amazing effect on people.
Batman: This is Robin.
13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there:
Green Lantern: WHY DOES HE HAVE A SWORD?!
Batman: ... he came with the sword.
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Jazz and Johnny got...way more involved that Danny will ever want to know.
And Jazz, very liminal, actually fell pregnant.
She opted to leave for a bit, have the baby, and adopt it out. It was half ghost and half very liminal human, she had no idea what the GIW would do to it.
So she left on an "extended study trip", gave birth, gave it over to the adoption agency, warned them there was a high chance the kid would be a meta, and went about recovering.
Unbeknownst to her, that baby was immediately stolen by one Sheila Haywood for the purposes of tax fraud.
From there, the baby was given to Willis Todd, after Sheila lied and said that he was the father.
From there, the baby was put under the care of Catharine Todd, who died far too young.
From there, the kid tried to steal Batman's tires so he wouldn't starve.
Fast forward, and Jason Todd, now an adult, decides to pay a visit to the new head Psychologist of Arkham to vet the lady.
He ends up staring into a set of eyes that mirror his own, and when he runs the DNA from the hair he stole off of her, it comes back positive that yeah.
That's his mom.
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I got a really tough question.
What’s your favorite Twst event of ALL TIME?
I like Harveston
this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!
however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.
obviously we need the best of both worlds now
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one thing i really appreciate about jinshi's character is how he has NEVER once actually had any intention of succeeding the throne. every time the idea is brought up he immediately detests it. so hes giving maomao as much as he possibly can, even though maomao has many qualms about it due to their difference in social status, but jinshi DOESNT CARE because hes NEVER cared about or wanted the status of crown prince! its been nothing but a burden to him! from his perspective the ONLY thing keeping the two of them apart are outside influences. he has no doubt within himself-- hes horribly down bad, in fact. but unfortunately his stupid JOB is getting in the way of him skipping off into the sunset with his favourite little cat
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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