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Oooookay :) If It All Fell part 4 tomorrow ♡
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late-to-the-fandom · 8 months
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anewstartrekfan · 4 months
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Spitballing Strange New Worlds s3 episode ideas, Spock edition:
(With Sam Kirk crashing the blog at the end)
Keep in mind I’ve only seen s2.
Assuming Christine is written out of the show for a little bit so the Doctor Korby romance can happen, maybe explain just how Spock was able to know that Rayna was going to die from being overwhelmed with emotions she was just experiencing for the first time in requiem for methuselah? I mean I assumed he was speaking from personal experience when I first saw it, but it could also be him diagnosing the situation based on what he was taught as a Vulcan.
So far strange new worlds (and from what I’ve heard Discovery too) has gone out of its way to show how Spock ended up in the mindset he was in about emotions and stuff. I think it would be cool if Spock either met someone else, or the events of episode 10 rekindle the Spock/Christine romance, Spock feels something entirely new, and then immediately regrets it when Chapel reveals she’s either engaged, in love with Korby, both, or some bad stuff dies down between him and whoever else he meets. This hypothetical relationship with a random alien doesn’t even have to be romantic.
Let’s say Spock gets caught on an alien world, meets a native, is stuck with them for a bit, and then in a life or death situation, the alien chooses to save Spock when we’d know that before meeting Spock, this character wouldn’t have done this, and somehow dies as a result. I’m thinking poison. Which would play into not only Spock’s actions in Requiem for Methuselah, but also Devil in the Dark. Wherein Spock at first wanted to try to reason with the Horta, but the second Jim was in danger he did a 180. It’s not that Spock would be against nonhuman entities learning human emotions. It’s that he would be far more cautious than Jim was.
“The joys of love made her human, and the agonies of love destroyed her.”
And while Spock is solidifying his stance to be more closed off, Other characters, Pike maybe? could finally open up to their friends. Maybe add some character development for Sam to explain why he’s so competitive with Kirk. Make it beyond daddy issues. Maybe make it mommy issues?
Oooo! I’ve suggested before that Jim and Sam’s mom maybe died on Tarsus IV. Maybe the reason Sam didn’t go on the command track like Jim was that becoming a xenoanthropologist would allow him to understand dead alien cultures discovered on various planets the federation may wish to occupy, or know how to communicate with living natives. And this would allow settlers/colonists to be warned about the local widelife like say, an exotic fungus that infects most of the food supply?
I work Tarsus IV into everything.
Since (in this hypothetical plot line) maybe there were native aliens to Tarsus iv, but because no one could communicate with them or even tried, the colonists weren’t able to be warned about the fungus. It would also be cool because of how it would naturally contrast Jim’s reaction to the massacre.
Jim wanted to be there when the disasters happened to save everyone.
Sam wanted to prevent the disasters from happening to save everyone.
Fun to spitball.
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spaceprincessleia · 10 months
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Officially moved from my “I can’t write conversations” era to my “I always have to write the convo first” era
They’re good for structure
Also kind of makes me want to write a script one day, like the Aphra script
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cloudwhisper23 · 1 year
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Okay. So.
I'm in that writing rut (you probably know the one. and if you draw instead, you also probably know. actually, all art creators probably know exactly what I'm talking about here) that makes me feel like everything I've ever written is completely worthless. Do I believe this? No. I have evidence otherwise.
My issue (not that I'm blaming anybody here, I know we all have our own lives) is that I don't feel like I'm reaching people. I have one interactive reader, and I'm not entirely sure if he counts because he's my boyfriend. Some of my mutuals are reading my writing, but again, it's starting to feel very superficial because they're my mutuals. Of course they're saying nice things about my writing. They're mutuals.
There... just seems to be a disconnect. I don't have readers, or at least, I don't have vocal readers. Anon is turned on for a reason, but nobody wants to talk to me about my writing, aside from the aforementioned people. No asks, no comments, nothing. Maybe you're sick of hearing me say that I don't put much stock in likes (similar to other users on this site) but honestly, that's the truth of it. What's a like to someone who feels inadequate in their writing? To me, the answer is nothing. A like doesn't say much.
Sure, it says "Hey, this was cool." Does is say anything else? Not really. Does it tell me that you want to see more? No. Of course not. Let's say it's a series of chapters and books on Ao3 not getting any indication that people actually want to see it through to the end. What does that mean? The author probably will move on to other things, regardless of the pressure to actually bother finishing something through to the end. That was my goal, but it's starting to crumple. And if people don't care about my writing, then I'm going to stop posting it. The ask-box one-shots have been giving me more energy to write than anything else. Heck, I might just focus on turning some of those into proper stories. I certainly have ideas for how I could. I probably should, quite frankly. I've got time before my current readers even reach the end of what I've write (looking at you, Discord). And they may be disappointed that I didn't give them what I've been talking about forever (which if I listed here would be spoilers, not that you seem to care), but I can still write those excerpts, even though the story is frozen.
You just won't get to see them anymore. And you probably won't care. So I may even deactivate @thereareothersfnaf if this goes long enough. Which it might.
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satoruinfinity · 2 years
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I’ve been writing this Toji imagine and I was blushing the whole time 🫠🥲
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words-and-coffee · 7 months
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Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē
[ID: A poem titled: Kupu rere kē. [in italics] My friend was advised to italicise all the foreign words in her poems. This advice came from a well-meaning woman with NZ poetry on her business card and an English accent in her mouth. I have been thinking about this advice. The convention of italicising words from other languages clarifies that some words are imported: it ensures readers can tell the difference between a foreign language and the language of home. I have been thinking about this advice. Marking the foreign words is also a kindness: every potential reader is reassured that although you're expected to understand the rest of the text, it's fine to consult a dictionary or native speaker for help with the italics. I have been thinking about this advice. Because I am a contrary person, at first I was outraged — but after a while I could see she had a point: when the foreign words are camouflaged in plain type you can forget how they came to be there, out of place, in the first place. I have been thinking about this advice and I have decided to follow it. Now all of my readers will be able to remember which words truly belong in -[end italics]- Aotearoa -[italics]- and which do not.
Next image is the futurama meme: to shreds you say...]
(Image ID by @bisexualshakespeare)
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noperopesaredope · 6 months
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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myouicieloz · 1 month
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no rage at all just peace
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Did someone say part 5 is filled with literally only Az and the reader because I just said that actually
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elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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pixellangel · 27 days
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"boop war" this and "tumblr pvp" that. are we not all bonding? have you not met people you would have never heard of? do you not look at the url of the stranger who booped you and think wow, i just met someone who thought of me, even if its just for a boop, before hitting the boop button on them as well? do you not gain joy from this? even in the heat of battle, our humanity shows itself. we glance into the eyes of an opponent who holds our gaze ever so slightly too long for someone who's supposed to be an unfeeling soldier and we think to ourselves i'll miss you, stranger before we inflict a killing blow. the boops show us we're human
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cryptixotic · 3 months
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Be real with me. You're sitting in a bar and a 𝔴𝔞𝔯𝔩𝔬𝔯𝔡 𝔬𝔣 𝔱𝔥𝔢 𝔰𝔢𝔞 with a massive sword rams into the door. Do you or do you not laugh
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yeehawpim · 5 months
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lgbtlunaverse · 3 months
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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