Can someone please either validate me or send me to the Corner of Shame? This is very silly but I'm wondering.
So. I was talking to my sister the other day about movies and such, and she told me of one she recently watched with this one actor. And I casually mentioned how much I hated him. Not in a "he's a bad actor" or "he's a bad person" way. Nothing to do with whether I find him attractive or not. Just in a "he looks the most punchable guy on earth and I have this irrational rage against him" way, to the point that I just can't watch movies with him without being annoyed.
My sister looked at me like I was crazy because, "what do you mean you hate the guy". And I told her yeah? That's normal? Don't you have at least one person you can't stand for no reason?
Sister was like 😬😬😬 No??? Which is wild to me, because I could easily name 50 (which I did - not 50 but we were getting close to 20 before i got too annoyed lmao).
Now she thinks I'm slightly insane (/j) (I made myself angry and may have referred to a few individuals as "stupid" and "obnoxious"), and I kinda don't believe I am the only person alive who feels this way. But also she's an incredibly empathetic extrovert, while I'm a very low empath socially anxious creechur so. There's that?? I guess ?? Idk.
Can anyone relate to this? Or am I the weird one?
Also wait. Little disclaimer: I am not generally a violent person AT ALL. Do i get annoyed and angry easily? Yeah. Do I feel like bitch slapping someone right across their stupid face? Yeah, sometimes, sure. Do I do something about it? Not really.
I can be real bitchy and extra sarcastic and petty SURE, but that's the most I'll do if I am legitimately angry. Mostly I just go to my room and cry 🥺 (crying when angry yes it me). So yeah. Before yall think I have unsolved anger issues.
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Goldilocks: can we talk?
Lewis has been waiting for this text since he went jogging in the morning. His new friends would clown on him for going back, they don't get it, why Lewis goes back every time. Lewis just mumbles, 'That's my best friend, man.'
Lewis waits outside Nico's apartment complex, the guards all know him -- let him in easily, and the concierge rings up the elevator for him.
"Lewis," Nico breathes, opening the door. His hair is artfully tousled, and his white linen shirt is unbuttoned obscenely low, barefeet on his marble floors. "I didn't think you'd come."
When have I ever not? Lewis thinks, sullenly. Nico calls, and Lewis comes -- that's how they work.
"Man, you can't pull that shit that you did--" Lewis brings up the previous night but is interrupted by Nico.
"I went too far, I agree." Nico makes an approximation of looking contrite, failing. He curls up like a cat on the leather sofa, giving Lewis no choice but to sit beside him.
Nico had called, distraught, voice high pitched and whining -- a million miles an hour, and no substance abuse that caused it. How much he hates his university, he hates his professors, something about a grading dispute that Lewis couldn't be arsed to follow, then begging him to come over.
Lewis, who'd been out drinking with his friends, a free week between races, was jostled by them asking who called, if it was his ~girlfriend~ they'd hollered.
"It's just --" Lewis paused, "A buddy of mine. Fuck off." He'd shoved them off, all of them on whiskey and rum on Lewis' card.
"A buddy." Nico's voice had turned ice cold, and even tipsy Lewis knew this would blow up in his face, way bigger than it needs to be.
Sure enough, Nico had hissed, "No one cares if you're gay in Monaco, Lewis. Those friends of yours only care you're a bigshot racing driver paying for their crap."
The Nico in front of him has none of that nasty snarl to his voice, he's looking at Lewis through those disarming blue-green eyes all sincere. It must be the weekend, Lewis realises in a stray thought that isn't admiring how beautiful Nico is. Nico's too busy with classes to meet otherwise. Lewis' life is split into race weekends and not. Days of the week all blur together when it's not a Thursday - Sunday.
"I have a present for you." Nico produces a thin box from behind him, tied in a silk bow.
Lewis raises his eyebrow at him, skeptic. "You have a complete freak out on me and now you've got a present?"
Nico's mouth twists in displeasure, those catlike eyes narrowing. "I did not have a mental breakdown. I was just testing you. And I went too far. It wasn't productive of me."
Sure, whatever you say. Lewis refuses the urge to roll his eyes.
Nico holds the gift box out insistently. "Just open it. I promise you'll like it."
Lewis gives in, curiosity getting the better of him. Nico watches him open with some distant satisfaction as Lewis stops when he recognises it.
It's a box of chocolates, a box of chocolates from his hometown shop -- the smell immediately brings him back to walking down to school with dad. It had been a special confectionary shop, the most decadent chocolate Lewis has had in his life back then. And they'd shut down their store years ago.
"How did you--" Lewis asks in awe, biting into one and it tastes exactly like how he remembers it. Like biting into a memory. Rich, delicious, sweet.
"It wasn't hard," Nico says casually in a tone that implies it was hard, "I found the son on LinkedIn, got a good enough deal for ol' dad's recipe. Easy, really. Mostly customs was a bitch, you'd think I was buying a bomb."
"Nico, this is crazy, man." Lewis is oddly touched. It is very much like Nico to throw money at a problem until it goes away, but it's more that Nico remembered and in his own way, this was him trying. Lewis is so taken aback by the gesture, he doesn't consider this probably took Nico months to arrange, and not the previous night's outburst.
But Lewis goes a little stupid when Nico climbs on his lap, legs on either side, taking his fingers and making a show of licking them clean, sucking down on them. He sets the box aside, before fixing his attention on Lewis, the pale expanse of his bare chest and collarbone begging to be bitten and marked into.
"Let me make it up to you, Mr. Race Winner." Nico smiles, grinding down on him, and this is the part Lewis can't explain to his friends -- why he always goes back. No one else is as terrible and demanding and drives Lewis absolutely mad. There is no one else who compares.
Lewis does note that Nico does not apologize once. He can't really bring himself to care.
inspired by this post
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it's interesting, a few people on my post yesterday about the dandelion dynasty told me they were taking it as a rec for the series, but i didn't actually recommend the series in that post. it's making me think about whether i would rec it to people, a question i hadn't fully considered yet (as it is a very different question from "do i like this book?"). so this is me figuring out the answer to that question. i'll keep it spoiler-free (though i make no promises on brevity).
i just finished book 3 (of 4) and each installment has left me more invested than i was before, but the series started out very slow, and i didn't really get into it until halfway through book 2. i wouldn't be surprised if a lot of people bounce off the first book; i didn't, but only because 1) i almost never give up on a book that i've started (it's a character flaw of mine 😕) and 2) my trust in ken liu is ridiculously high because the other stuff i've read by him is so beloved to me. so my reaction to feeling kind of meh about book 1 was "okay, let's see where he's going with this" rather than "i guess this just isn't my cup of tea."
i should say that the problem might just be my own ignorance/lack of familiarity with the form. i don't read a lot of epic fantasy - in fact, lord of the rings is the one series that i have given up on reading a couple of times because it just left me totally indifferent. so if you like epics, you are starting out way ahead of me and can maybe just ignore the rest of this post lol, but i think i had to adjust to what the form is asking of me and what it's best suited to accomplish before i could get fully on board.
the main thing i struggled with is the writing, like the actual sentence-level mechanics of voice and style. this surprised me, because i usually find his writing very beautiful, or, when not beautiful, i can get a sense of the effect he means to achieve by employing a certain style. but in this series, the writing came across as kind of awkward and one-note to me at first, and i couldn't see a reason for it to be that way.* the dialogue especially - different characters don't really have different ways of speaking, they all feel pretty much the same. this was one of the main things i had to adjust to, but i do get it now. i don't just mean that i got used to the style and it doesn't bother me anymore, though that is true; i mean that i now understand the effect he means to achieve by employing this style, which gives it purpose and inextricably ties it to the story he's telling (this becomes especially clear in book 3, as it's directly related to a major theme of that book). if the style were different, he would be telling a different story; that's the sign of a successful execution, i think.
i said in the tags on yesterday's post that one reason the series doesn't have much of a fandom on here might be that the characters aren't natural blorbos. of course every character is probably the blorbo of somebody somewhere, but i don't know that these characters were designed to be blorbos, if that makes sense. not that they're plot devices either! every single one of them is conflicted and complicated and compelling, and most of them are followed over a period of many years, so we see them develop as people over time. but there is no protagonist, for example. you could also say that every character is a protagonist. the "list of major characters" at the beginning of book 3 is six pages long, and there are stories to be told about each of these characters, and none of them are told in isolation. but in a way, the characters themselves are not the point, or if they are, it's in aggregate - it's in the ways they're all complex, the ways they all have motivations that make sense to them (and that make sense to us, once we get to know them). and it's about power and the roles that the characters play in their society, rather than the roles the characters play in the story. or maybe those are the same thing! because ultimately, the main character of this story is the society. and the plot is the history of this society, rather than the journey or life of a single person or handful of people.**
(sidenote, there will be a period during book 1 when you will think to yourself, "wow, all the women characters are super one-dimensional and the narrative doesn't seem to respect them." this is on purpose. just keep going.)
the plotting is intricate while also feeling very organic. he's got dozens of plates in the air at once, he's maintaining them over a long period (these books are MASSIVE), and he's somehow making it seem like a real history, not like an author pulling strings. i haven't finished it yet, but my guess is that he's going to pull off a very satisfying conclusion that's at the same time very open-ended. definitely looking forward to it.
and the worldbuilding. oh, the worldbuilding. this is some of the most detailed, complex, realistic*** worldbuilding i've ever encountered, and he covers SO much ground. you want linguistic worldbuilding? you got it. philosophy? it's here. psychology of empire? coming right up. the nitty-gritty of everyday governance? buddy, pull up a chair. mechanical engineering? how much time you got?? (it better be enough time to read 3504 physical pages, because that's how long this series is.) and he's drawing on chinese history and cultural narratives rather than slapping lipstick on a tolkien clone (see his comments here, but stop reading at "In this continuation of the series" if you want to avoid spoilers). he WILL go on for a hundred pages about a single invention, but it's SO interesting that he is allowed. this is a story about how technology (including language, and schools of thought, and agriculture, and...) shapes, and is a product of, its time and place and people, so again, this is all to purpose. but it's also just. really cool.
the last thing i'll say, and this is mainly for other ken liu fans, is that one of the things i most love about his short stories is how they tap into emotions i didn't even know i had, as though they're reaching inside of me and drawing to the surface ways of experiencing consciousness and love and mortal life that i had no idea were in there. this series is not causing emotional revelation for me in the way his other stories do, which isn't a bad thing - i don't mean to say the series is not engaging or that it inspires no emotions! i just mean, iykyk. if you've read the paper menagerie and are expecting that experience, you will have a better time here if you leave those expectations at the door. i am invested in this book because it's engaging my intellect, curiosity, sense of wanting to find out what else the characters will learn and what's going to happen next...less because it's turning my heart inside out inside my chest. and like thank goodness, because i don't think i could survive four entire 900-page books' worth of that! but anyway. word to the wise.
tl;dr: yes, i recommend it, especially if you like epic fantasy. if you're a fan of ken liu's other work, this is quite different, so just know that going in!
*this opinion is of course subjective and not universally shared. for instance, see this review of book 3 (full of spoilers, so don't actually read it lol) which says "There's Liu's voice to hold onto, though — beautifully deployed here and fully in command of the language of his imaginary universe." so ymmv. maybe it's an epic fantasy thing.
**this is making me realize that the story is commenting on this very thing through a tension between bureaucracy (founded on interchangeability) and monarchy (informed by a specific personality). dude. that's so meta!
***though sometimes i'm like, "really? you scaled up that invention to use untested on the battlefield in the span of like two weeks? sure, jan." so sometimes he falls down a little on translation of ideas into logistics, but it makes for such a great story that i'll allow it.
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A cute little Coffee Shop AU with Swiftly (DnDads)
Every fandom needs its typical coffee shop AU and I couldn't find one yet for DnDads, so HERE WE GO :D + the 2 main characters are autistic (actually all the teens are autistic in my head but Taylor and Lincoln will be the main focus)
All the chapters I had already written for this AU are already posted by now, but I've decided to continue the story, so more chapters will come out eventually. In the mean time; indulge is some sweet silly swiftli.
Trigger warnings will be mentioned in the notes at the beginning of the appropriate chapter.
Lastly, I think there are 2 irl friends who follow me on this blog. If you're one of them: DONT YOU DARE TO READ ANY OF MY FICS please :)
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