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oldfilmsflicker · 8 months

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new-to-me #674 - Vampire humaniste cherche suicidaire consentant (Humanist Vampire Seeking Consenting Suicidal Person)

#2023 in films #Vampire humaniste cherche suicidaire consentant #Humanist Vampire Seeking Consenting Suicidal Person #Ariane Louis-Seize #52 films by women #directed by women #TIFF

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filmografie · 4 months

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Favorite films watched for the first time in 2023:

The Long Farewell (1971), dir. Kira Muratova

Black Peter (1964), dir. Milos Forman

Providence (1977), dir. Alain Resnais

The Ascent (1977), dir. Larisa Shepitko

Death in Venice (1971), dir. Luchino Visconti

Black Narcissus (1947), dir. Michael Powell and Emeric Pressburger

Do the Right Thing (1989), dir. Spike Lee

Pather Panchali (1955), dir. Satyajit Ray

Loving Couples (1964), dir. Mai Zetterling

L’Atalante (1934), dir. Jean Vigo

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haveyouseenthis2023film · 5 months

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Summary: Miles Morales returns for the next chapter of the Oscar®-winning Spider-Verse saga, an epic adventure that will transport Brooklyn's full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered.

Release Date: June 2, 2023

Director: Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson

Rating: PG

Everyone and their 5th cousin has likely seen this movie, or so it seems, but if you’ve managed to avoid it, you should definitely go watch it! It lives up to the hype and is an amazing sequel, amazing animated film, amazing superhero film, amazing Spider-Man film, and amazing film in general!

reblog for larger sample size :)

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cigarrw-s · 3 months

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How To Have Sex (2023) dir. Molly Manning Walker

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agentnico · 4 months

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Poor Things (2023) review

Yorgos Lanthimos may be the new Quentin Tarantino when it comes to feet fetishes in cinema, as there are so many Emma Stone feet shots in this movie… so many. Also, her little toe is oddly square shaped, just saying.

Plot: An incredible tale and fantastical evolution of Bella Baxter (Emma Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter's protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.

At first I was very much a fan of director Yorgos Lanthimos’ directing style, with him managing to take any event or piece of dialogue and turn it into deadpan awkwardness. As such, his indie films The Lobster and The Killing of a Sacred Deer both are great examples of entertaining postmodern cinema with each one featuring a dystopian visual style. That being said, his last film The Favourite, even though it was a hit with the critics and the award ceremonies, for me did not hit the same. It felt much more reserved compared to the director’s previous efforts, and his usual weird style just came off crude and the humour for me personally did not land. Nicholas Hoult was a hoot though, but when isn’t he! Anyway, going into Poor Things I was hoping for more of the original magic which I’ve seen from Lanthimos in his earlier works, and the trailers with their vibrant visuals really sparked my interest, so I went in with high hopes.

So in terms of the visuals, Poor Things may just feature some of the best and most imaginative sets of any movie of 2023. Starting off the first part in black-and-white, very reminiscent of the old Universal monster flicks, but then 30 minutes in transforming into a technicolour dream world with colours popping Wizard of Oz-style, with every shot reminiscent of a vivid painting, with the use of the fisheye lends to create a somewhat watercolour effect to the backgrounds. The movie looks and feels artificial, which connected well with the narrative of this Frankenstein’s monster type woman learning and discovering everything with a brain that’s both her’s and not. Oh, and she happens to also wear rainbow glasses, so I can only imagine how much more stranger the world must look through her eyes.

The film’s biggest asset is its acting. Emma Stone is phenomenal as she has to play a grown woman with the brain of a baby, and then show us that woman growing into her brain (or maybe show us the baby growing into the woman?) over the course of the film. She really does throw herself into the role and it’s the type of role that awards shows will delightfully seek their teeth into. Willem Dafoe as the maker of Bella felt like a character that walked straight off a David Lynch fantasy, from the prosthetic make-up to his performance as the mad scientist that falls for his creation. But the real stand out here is Mark Ruffalo who simply is on another level. Playing the slimy player who only sees women through the male gaze, and attempts to take advantage of Bella’s naive outlook life for his own physical pleasure, it’s the kind of character you are supposed to despise, but gosh did I love everything Ruffalo was doing in this film. He was truly hilarious with every piece of his line delivery successfully painting the pathetic nature of his foolish character. Most critics will be showering Emma Stone with praise and deservingly so, however I believe Mark Ruffalo should not be overlooked and may be the actual MVP of the whole movie.

Narrative wise this is a fun feminist spin on the Frankenstein formula, that is a loud and proud shout to female autonomy for those who may have found Barbie a bit too cheesy and perky, yet I do find the movie to be overly cynical against its own good. It's like Lanthimos approached the film in the same way the mad scientist played by Willem Dafoe in the movie approaches his medical experiments -- with a cool eye and a lot of curiosity, but very little heart. And for the bubbly and big eyed Bella that is full of life and excitement, the film she’s in is the polar opposite. Look, I admired the film for what it was, but the romantic within me wanted a bit more of the, as the French would say, ‘amour’. Also there was just too much sex for my viewing pleasure. Again, I don’t mind a lil’ hanky-panky in my films, but when I’m sat in a dark theatre surrounded by many perverts with 90% of what I’m watching being humans doing the thrusting and the throbbing, it is a tad uncomfortable. You can also imagine what my fiancée thought when I told her afterward about the movie’s heavily erotic side.

Poor Things is very much a film that screams the director’s unique and distinct style and I truly respect it for that, however I personally feel like its not my cup of tea as it was a bit too cold for my liking. There wasn’t really a character I could connect or sympathise with, and even though Mark Ruffalo is funny as hell, his character is a piece of scum and a half. Again, kudos to the whole production team and cast for a great niche slice of art house cinema, but it’s too creepy for my liking.

Overall score: 7/10

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salvadorbonaparte · 4 months

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2023 in Films

I watched way too many films this year. Here are my opinions on some of them

January

Las Cosas Del Querer (1989) - Amazing if you love sad hot people and flamenco

Canadian Bacon (1995) - Incredibly silly and Alan Alda plays the US president

Nope (2022) - A highlight of the year

February

Hellraiser (1987) - This film is actually about miscommunication in this essay I will-

Predestination (2014) - Time Travel and Gender Moments

Malignant (2021) - Camp horror masterwork

Late Phases (2014) - Mediocre werewolf film with some really interesting comments on ageism, ableism, suburbia and religion

March

Sterne (1959) - Plays into some problematic stereotypes from today's perspective but revolutionary for its time, first German film to address the Holocaust

Major League (1989) - A film I only watched to confirm that it uses a weird phrase I also found in my thesis project

Carry On Screaming (1966) - Camp. Gay. Horror. Parody.

Glen or Glenda (1953) - A product of its time and no longer up to date in its understanding of gender but surprisingly revolutionary in its compassion and earnestness despite the bad reviews

April

Taxi Driver (1976) - Isn't it frustrating when annoying people tell you a film is good and then it's actually good?

June

Mr Deeds Goes To Town (1936) - Mr Deeds has autism swag

El Espíritu de la Colmena (1973) - I really wanted to like this because civil war era Spain and Frankenstein are super up my alley but unfortunately it was so much slower than expected

Das Boot (1981) - Very long and claustrophobic but holds up to the hype

Weird: The Al Yankovic Story (2022) - RIP King

July

Nimona (2023) - His big wet eyes bewitched me

First Blood (1982) - You're telling me the film is about Americans fighting an enemy they view as simultaneously weak and dangerous, escalating the situation, and then sending more and more men into a rainforest to die through guerilla warfare after being warned again and again they can't win this? sounds familiar

Barbie (2023) - Insert a bunch of pink emojis

Everything Everywhere All at Once (2022) - Made me crave bagels

Jojo Rabbit (2019) - God I love war satires

Sweet Liberty (1986) - Alan Alda having fun and also using his own film as a therapy session

The Majestic (2001) - A rewatch but it's so tragically underrated, Jim Carrey is very good in dramatic roles and McCarthy-era media is like catnip for me

Joker (2019) - This is just Taxi Driver with extra steps

August

Tin & Tina (2023) - Probably one of the worst films I have seen in a while

Battle of the Sexes (2017) - I love women

Four Lions (2010) - The ending really got me, I love when satire gets serious

The Sheriff and the Satellite Kid (1979) - Can we talk about how the theme song is just going "I'm the sheriff" "yes you're the sheriff"

Happiness (1998) - Nauseating but in a "good film but what the fuck" way

They Call Him Bulldozer (1978) - Italian Lagaan

The Talented Mr Ripley (1999) - Sad and Gay

Twister (1996) - So much better than expected

Magnolia (1999) - Cloudy with a chance of frogs, a really long but really good film and I'm not entirely sure I got it

Doubt (2008) - Somehow I watched 5 films with Philip Seymour Hoffman that month because I was haunted by his ghost or something

September

The Terminal (2004) - I assumed this to be more of a classic romcom but the whole concept (based on a true story) is so terrifying and tragic that it made me feel all emotions at once

Apocalypse Now (1979) - I knew a lot of trivia about the film but for some reason I didn't know anything about the cast so every single actor was a surprise and made me go "!!!", Also I kinda wanna write an essay about it

October

Bloodbath at the House of Death (1984) - Some of the gay jokes absolutely killed me

Last Night in Soho (2021) - I'm Not Like the Other Girls to Time Travel Murder Nightmare Pipeline, actually I really enjoyed this one but it's also super silly

The Banshees of Inisherin (2022) - How do you say poor little meow meow in gaeilge

The Menu (2022) - I go to the murder restaurant I order the beesechurger, I was super surprised there's no cannibalism but tbh that would have been low hanging fruit

The Eyes of Tammy Faye (2021) - Explains a lot about religion in the US, I love that she was pro lgbt, also I googled her ex husband and he has a prepper/survivalist thing going on now and scams more people

The Darjeeling Limited (2007) - we can't eat pray love ourselves out of this one boys

Holes (2003) - Hated the book as a teenager for school reasons but gave the film a try and really enjoyed it

Renfield (2023) - I expected werewolves but I enjoyed it nevertheless, My Chemical Romance is on the soundtrack, it's very silly, the effects are great

Interview with the Vampire (1994) - Oh people weren't lying about it being homoerotic

The Big Lebowski (1998) - I've had days that feel like that

November

Pappa ante Portas (1991) - Funnier now that I'm an adult, basically half the jokes my mum makes are from this film

The Meg 2: The Trench (2023) - I watched this while sick and really wanted to see a giant shark fight a giant octopus and boy did it deliver

Puss in Boots: The Last Wish (2022) - Very nice animation style

JFK (1991) - I actually fell asleep halfway through because it's so long but can we talk about how this film is just A-listers but has some of the worst wigs and makeup I've seen

Bottoms (2023) - A spiritual sequel to Heathers

December

When Harry Met Sally (1989) - They deserve each other (derogatory) but that one restaurant scene was pretty funny

The Royal Nanny (2022) - one of the many Hallmark films my mum made me watch and this is perhaps the worst one, incredibly sexist even for a Hallmark film and they clearly mean Mi5 but say Mi7 which was a WW2 propaganda service? Also they really want me to believe there is a British prince called Colin and that he doesn't look like his family tree is a circle?

I forgot the title but there was also the one where two people get stuck in a time loop while trying to make a sponsored youtube video about baking and I didn't really pay attention much but man that was bad

#film log #films #2023 in films #this is mostly just my letterboxd review lmao

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lcatala · 4 months

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My top 6 movies discovered in 2023

I watched 52 new-to-me movies in 2023. Not nearly enough , as I could only find 6 movies that stood out sufficiently to be worthy of a personal top, in what was otherwise a pretty meh year — yes I'm a picky watcher — and yeah The Boy and The Heron didn't make the top, you can read the long rambling I wrote about it if you want to know why; I haven't watched Barbie, Oppenheimer or the Super Mario Bros. Movie, and haven't watched any Marvel-related movie since 2015.

6: Nimona (2023)

I didn't really expect to like the animated adaptation of N. D. Stevenson's comic, and I went in reluctantly, only because a lot of people who seemed trustworthy recommended it. Despite having some of the flaws I've come to expect in modern 3D animation, this was a very good surprise. You can read my detailed review here.

5: Suzume (2022)

The plot of Suzume stays very much within the bounds of the "modern artsy anime film", with a rather predictable 3+1 acts structure and an exploration of themes and human interactions which has some subtlety and nuance but overall stays very safe and on-the-surface. Nothing offensive, but nothing truly groundbreaking either.

But.

Suzume had, by far, the best animation of any movie I've seen this year. This movie is an absoluteely beautiful, every-frame-a-painting kind of deal. If I was to rank every animated I've ever seen solely by the quality of their animation, Suzume would easily be in the top 10.

4: Cape Fear (1962)

American cinema achieved maturity during the New Hollywood era that started in the late 1960s, marking a shift toward more naturalistic and more adult filmmaking and themes. But there were a few notable precursors before that.

The most famous of those is of course Psycho (altho tellingly, it was from a British director). But Cape Fear followed close behind, and is another example of an early 60s movie which you don't expect to be this dark and this raw, starring an absolutely get-under-your-skin-terrifying Robert Mitchum — if you thought he was creepy in The Night of the Hunter, you haven't seen nothing yet…

3: The Outwaters (2022)

This was the biggest surprise of the year, watched the same day it was recommended to me, having heard absolutely nothing about it before that (I didn't even know this movie existed). I got treated to a no-budget yet beautifully-shot found-footage horror movie — in fact the best found-footage movie I have ever seen, with a lot of attention put toward making the gimmick plausible, making the characters realistic and likeable, making this look like the kind of actual footage you'd find on a personal camera — while also having amazingly beautiful cinematography — all while slowly building up the tension.

Because that's just the first half.

Oh yeah, it's one of these horror movies in which you think you know where the story is going, and then second half just explodes in your face and becomes completely, utterly batshit insane. This is on par with Men (2022) for how weird and fucked up the climax is. Don't expect any kind of explanation or closure here, the second half of this movie turns into one of the most fucked up and bizzare horror movies you'll ever see.

2: Godzilla Minus One (2023)

Yeah so this one was a surprise late-year hit for everyone, not just me. First live-action Japanese Godzilla film in 7 years, with rather tempered expectations — we all knew that Shin Godzilla was an odd one out, that the average Japanese Godzilla movie is not like that, that we shouldn't expect this kind of quality on a regular basis.

Well we played ourselves.

This was incredibly well made as a blockbuster — Japanese cinema has completely caught up on American cinema, for a fraction of the budgets — one of the best Godzilla movies ever made from an action and visuals point of view, and a reminder that Godzilla, as a character, can also be scary, a terrifying incarnation of destruction and disaster.

But somehow this also managed to be a powerful and well filmed drama — no lazy endless shot/reverse shot dialogues here, a lot effort is put into framing choices, blocking… — a movie that actually touches on difficult questions and goes against the message of many other war or action blockbusters.

When so many stories glorify the idea of sacrifying your life for a greater cause, here's one movie that says "hey maybe expecting people to sacrifice their life for your cause is actually pretty fucked up, and maybe it's actually better to choose to live for the sake of your loved ones than to die for the sake of your own pride". Yeah a Japanese movie is saying that, a Godzilla movie is saying that.

1: Skinamarink (2022)

So, speaking of low-budget independent horror, back in 2022 I had foolishly overlooked Skinamarink. I had vaguely heard that it was good, but no particular detail was mentioned that would have picked my interest, and the poster looked fairly generic, so I skipped it, even tho I should have been more intrigued — 2022 was already shaping up to be a really good year for horror films…

Skinamarink was a tough proposition from the get go, in the "experimental" kind of tough: an entire film made in the analog horror genre — usually short videos made to ressemble old media from the 80s and 90s, advertisements, warning messages, weather channels, documentaries and informercials, with a disturbing twist; a format usually made of short segments. Trying to tell a film-length story in that fashion is an entirely different exercise, but that's fine, I've sat thru Begotten (1989), I can do this.

Right away, this is not framed like a movie: it's more as if someone had negligently left an old camera on the floor — but this is not even found-footage, there is no camera in-story, we just happen to be seeing this world thru stolen, furtive points of view. The image is grainy, the sound is bad quality (subtitles are provided), the frames are often askew, you never even see the actors' faces. We get no narration, no exposition, just a succession of disjointed scenes that slowly form a story.

This shouldn't work. And for many people, this will not work. Most will turn this off not even 5 minutes in. But if you're among the exceptions, then howdy does it work. The format is not a gimmick at all — it's completely in service of the story. The grainy image, the low quality sound prey on your pattern recognition, never quite certain if something is there or not; the framing by a "forgotten" camera contributes to make the atmosphere hyper-real in its intimacy, yet alienating and uncanny.

The director of Skinamarink deals with one very specific topic: nightmares. Not the idea of nightmares, not the heightened nightmares of fiction, but the literal nightmares that real people have; he started by making short videos representing common nightmares that people would tell him about. When it came time to make a full-length feature film, he kept the same approach. Skinamarink doesn't really use any of the classic themes or structures of horror movies; it largely ignores that folklore and instead focuses on deep childhood fears, the kind of stuff your mind used to conjure up long ago and that you have forgotten but not erased from your brain.

If you manage to enter into this very peculiar format, this very unusual and seemingly disjointed way to tell a story, and if you identify with the kind of fear material the movie is drawing on, this is a truly scary experience. Not really in a jump scare or suspense way, more like a deeply haunting and unsettling atmosphere, a strong ambient uncanniness where things are almost normal but just broken enough to give you a constant feeling of unpleasantness, of wanting to run the hell out of here while being trapped, a sense of horrible lurking threat while having nothing concrete to fight against or protect yourself from.

Of course, this isn't exactly a fun experience. This is very, very intense, I'm talking Antichrist-levels of playing with your nerves, and the story, as simple as it is, is tragically harrowing and cruel — you're essentially watching two young children getting psychologically (and eventually physically) tortured by a sadistic, unseen entity for a hundred minutes.

It's hard to recommend, and yet recommendations is how this movie ended up grossing 2 millions on a 15k budget — promotion included ! Most people actually didn't like the movie, but those who liked it liked it so much they can't shut up about it (case in point!) It's one of those horror movies that completely break the boundaries of the genre and do something truly new and unique. It's what horror should be for: imagination gone wild, format-breaking fantasy, and realism thrown out of the window.

#skinamarink #godzilla minus one #the outwaters #cape fear #suzume #nimona #2023 in films #top movies #movie review

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gritmultimedia · 1 year

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Stills from a music video we directed for Nxdia titled "What's It Like".

#music #nxdia #music video #cinemetography #cinematography #romance #young adult #cinema #2023 in films #pop culture

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tombombadildos · 1 year

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Polite Society kicked ass (literally)

#polite society #2023 in films

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qnot4u · 7 months

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wrote some nyff61 coverage on one the most entertaining films of the year, Richard Linklater's HIT MAN. Glen Powell unlocks a new level of stardom and has insane chemistry with Adria Arjona.

#film review #nyff61 #richard linklater #glen powell #new york film festival #hit man #2023 in films #movies #the before trilogy #glen powell edit #film analysis #in this essay i will #film and television

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toddbarrowcountry · 5 months

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oldfilmsflicker · 5 months

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new-to-me #961 - Polite Society

#2023 in Films #Polite Society #Nida Manzoor #52 films by women #directed by women

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filmografie · 5 months

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Favorite films watched in November 2023:

Anatomy of a Fall (2023), dir. Justine Triet

Chimes at Midnight (1966), dir. Orson Welles

The Landlord (1970), dir. Hal Ashby

Weiner (2016), dir. Josh Kriegman & Elyse Steinberg

Entre nous (1983), dir. Diane Kurys

A Woman Like Eve (1979), dir. Nouchka van Brakel

#2023 in films #films of 2023 #w23*#anatomy of a fall #justine triet #chimes at midnight #the landlord #orson welles #hal ashby #weiner #entre nous #diane kurys #a woman like eve #nouchka van brakel

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invictusrexx11 · 10 months

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My review of Indiana Jones and the Dial of Destiny.

Indiana Jones and the Dial of Destiny breathes new life into this iconic adventure franchise, offering an exhilarating and nostalgia-inducing cinematic experience. Director James Mangold expertly blends the classic elements that fans have come to love with fresh storytelling and modern filmmaking techniques. The result is a film that pays homage to its predecessors while also forging its own path.

Harrison Ford's return as the legendary archaeologist is a true delight. Despite his age, Ford effortlessly slips back into the role, bringing the same wit, charm, and ruggedness that made Indiana Jones such an enduring character. His performance is a testament to his talent and dedication, and it serves as a reminder of why he is the definitive Indy.

The film's direction is top-notch, with Mangold successfully capturing the spirit of the original trilogy while injecting it with a renewed sense of energy. The action sequences are thrilling, the set pieces are meticulously crafted, and the pacing keeps viewers on the edge of their seats.

Some may argue that the plot is formulaic or that certain elements feel familiar, these aspects contribute to the film's ability to transport audiences back to the golden age of adventure cinema. The Dial of Destiny is a worthy addition to the Indiana Jones saga, and it's a must-watch for any fan of the series. It delivers the excitement, humor, and heart that have defined the franchise for decades, ensuring an unforgettable cinematic journey.

A

#the dial of destiny #harrison ford #james mangold #indiana jones #movies #action #new movie #movie review #film critic #2023 in films #favorite films #films #favorite movies

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cigarrw-s · 4 months

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"I find the world a bitter and complicated place, and it seems to feel the same way about me. I think you and I have this in common."

The Holdovers (2023) dir. Alexander Payne

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youppiness · 1 year

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#jouer #histoire #palabras #voir #2023 in films #fou rire

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