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#25 things challenge
boyfridged · 5 days
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in your fic “paint it over” is that how you imagine jason making it out of the explosion at the end of utrh? not exactly the events that follow, but the preferable characterization of bruce digging jay out of the rubble and carrying him to help. and how do you think jason made it out canonically (without the help of bruce) also!!! what are your thoughts on the specifics of jason’s scar and how he’d behave toward it. i liked the part of your fic where jason was temporarily unable to speak due to the trauma his neck received. i think the scar is something that rests on the junction of his shoulder/neck, and that can be hidden with whatever clothes he wears -> no one knows he has it (or how he got it) either. i like to imagine while bruce knows his batarang made contact with jason’s throat it’s never fully registered to him that it scarred until he sees it for himself (and while i believe bruce would turn the moment in head over and over again until it’s engraved in his brain, his delayed realization—to me—is due to his repression of the occurrence)
oh i adore this whole ask. some of it i explained in my notes, but this fanfic is quite dear to me, so i will elaborate.
short answer to whether this is how i imagine jay making it out of the explosion: not exactly?
the premise that i wanted to explore with paint it over is almost the opposite of a fix-it, and definitely not what i believe it should be in canon.
what i wished to explore there is, however, the part of utrh that is perhaps the most shocking to many readers: that bruce leaves jason to die.
in-universe, i think the answer why it happens is surprisingly simple enough: bruce does not come because he is just... not there. my understanding is, that in a way, the events of under the red hood did not happen. there is nothing to follow. that purple mist in the finale of the utrh, that is often read as a force resurrecting jason (not technically wrong, either)- i believe that is the timeline already rewriting itself, making the whole story into something that was not.
and the reason for the above is the infinite crisis. if i'm not wrong, it's also the inifinite crisis miniseries where bruce meets dick right after the explosions in (or of) bludhaven-- that in batman clearly happens in the background of his confrontation with jay. however, in infinite crisis (#4, just checked it now), bruce tells dick: "i wanted to make sure...you're alright... i was in new york when it hit. got here as soon as i could." which could be a lie or a matter of the editorial not being synced enough- but i'm willing to give them a benefit of the doubt given how it ties with that sudden, stunted ending of utrh.
this makes sense for canon for several reasons. in the animated movie, since it spares us the infinite crisis tie-in, bruce says of the whole incident: this changes nothing. it changes nothing because although aditf isn't, utrh is a tragedy; it changes nothing because since his death, jason is necessarily always pushed at the peripheries of the narrative, no matter how much the fate itself tries to fix it, becoming a tragic footnote. the dead have one right and it's the right to remain silent. and that is ironically ensured on a cosmic level, with his violent attempt at being seen hidden in the folds of the timeline. you can also see it clearly in canon -- i believe it was not until the infinite frontier that the events of utrh got just tangentially mentioned (before that, even lobdell barely touched upon it). other than that, they have no consequences; they are barely ever spoken of; they seem to slip out even from jay's solo comics.
this move was necessary for batman, as a character and as a title: let's say bruce does hold red hood as he does in the alt cover of annual 25 (and the cover of the deluxe edition of utrh.) that would implore a reckoning with his failure and his (suddenly non-productive) grief that would either reconstruct the whole myth or lead to some terrifying implications. these terrifying implications are, essentially, what paint it over is about. it's about the worst happening and about there being no way back from it. and jason, in receiving what he wanted (his father's love and care) wants to deny that reality. they both want to. yet even jay cannot ignore it completely -- and i chose to use the batarang injury to emphasize it.
and about the scar: i mentioned it briefly before, but in the au jason aggravates the wounds on purpose, hence it will scar worse and cause long-term issues for his voice. it's a theme i also keep in some of my other stories (to come...) and i very much think this is what would happen in canon if he had to take care of that injury. yet as it healed, i believe he'd take to hiding it, mostly. still, as it stands, my primary take might be that in canon (if it was to follow the interference into the timeline from the crisis at least) jason would simply end up with no scar at all, and only memories for evidence of what happened, which is perhaps worse for him too (but of course better for bruce. and as it happens, this is bruce wayne's story and everyone else is just living in it- or dies in it- for better or worse. and if we're ignoring that metaphysical timeline bullshit, as you said, i believe bruce would repress it all anyway.)
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rigelmejo · 2 years
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This is the lovely post by MoonIvy that inspired me to get myself back into reading chinese by the way:
And this is MoonIvy's other amazing post, which includes a list of everything they read so far in order of difficulty which is a great reference list if you are looking for something to try, and includes some suggestions on listening study things you can try too.
MoonIvy is part of the group managing the Heavenly Path site I keep mentioning, that just has so many phenomenally organized media recommendations, a good guide to starting to read, and lots of linked resources:
#rant#reading#resources#chinese resources#rec list#so in these posts moonivy mentions some good starting places for HSK 4 people to push into reading#and i agree at about hsk 4 you can handle 1 a ton of graded readers (from 500 hanzi to 2000 as you go)#and 2 u can eventually handle native novels at hsk 4. thats when i pushed into native novels#i would say though. my own difference in learning#is i personally found it motivating and enjoyable to read WAY above my level at times.#i personally always go between 1 easier thing for myself and 1 harder thing to read. i felt that kept my#reading level both progressively increase while also giving me easier stuff to practice extensive reading#and for me it was HIGHLY motivating to read 100 pages of priest in print 2 years in#HIGHLY motivatkng to read tian ya ke with a click dictilnary 10 months in.#to see chapters go from 1.5 hours to read to 50 minutes to 40 minutes to 25 minutes.#so for me. i would say if you WANT to read something way above your level? just go ahead#you can always bounce between easier and harder stuff#i find a good balance worked better for me. and also i tend to learn better when massively challenged ToT#idk why i think its just cause its familiar. id read my parents novels at age 8. ToT it feels#more like how i leafned my native language to simply read my foreign language the same#though i know it demotivates some people. in contrast i find keeping some harder stuff on hand#reminds me to challenge myself and not idle at the level im at.#so i say? assume u can do ANYTHING with success. and do it. and when it burns u out or is not fun anymore?#go do something easier u Know is Easy. (and it sure will feel easy after the Anything before lol)#then u get confidence doing it easy. and remember ur#still capable of Anything so try again when ur ready.
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aller-geez · 6 months
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Spent the last 12 hours working on this Essential Expressions template for my favorite boy, Remington :3
If it didn’t take me so much blood sweat and tears I would do one of these for each of the 12 OC’s 😭
But for now, just Rem has these expressions, and the OC snz meme one 😂
Not that anyone cares anyway 😂😂
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carewyncromwell · 1 year
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“And the big bad man and his big bad clan, Their hands are stained with red... Oh, how quickly they forget... They aren't gonna help us --  Too busy helping themselves! They aren't gonna change this:  We gotta do it ourselves... They think that it's over, but it's just begun!”
~“Only the Young” by Taylor Swift
x~x~x~x
“And so…esteemed members of the Wizengamot…based on the overwhelming evidence – the factually bankrupt, inflammatory anti-Muggle and Muggle-born leaflets sent out by the defendant’s Commission and promoted by the defendant herself; the transcripts of trials overseen by the defendant that spell out blatant corruption and unsanctioned cross-examination techniques, including having Dementors present during all trials and actively refusing to give any defendant proper legal representation; the testimony of over fifty Ministry employees, speaking to the defendant’s close working relationships with known Death Eaters and to her own willingness to overlook Wizarding Law to advance herself and her Commission’s political aims; the countless memos written in the defendant’s own hand condemning nearly a thousand people, including over a hundred children, to unjust captivity; and the defendant’s well-known reputation among her ex-students, her coworkers, and even her own family for enjoying the suffering of others and persecuting fellow wizards and witches not just for their blood, but also for suffering from medical conditions like lycanthropy and blood maledictions – all of which the defense has offered no suitable defense for, aside from incorrectly asserting that the defendant was ‘simply following orders’ from her superiors…I think there is no question as to her guilt, or to what justice would be appropriate.
Although I – as a private citizen of the Wizarding World – agree with Minister Shacklebolt’s measure to remove the Dementors from Azkaban prison…I must acknowledge that if there were ever a case for a criminal from our world deserving the Dementor’s Kiss…it would be Dolores Jane Umbridge. But because we – unlike the defendant – have a code of honor before us that we will not break just to achieve a political objective…I believe it’s our solemn duty to ensure this basilisk in human skin never walks free again.”
~Carewyn Cromwell, prosecutor for the trial of Dolores Umbridge // January 1999
x~x~x~x
About two-and-a-half years ago, I drew a concept for Carewyn as a lawyer for the Ministry of Magic, and...yeah, looking back at that concept, I knew I could improve on its visual, if I tried it again! 
Carewyn Cromwell was still a fresh-faced, idealistic young lawyer of twenty-five when she became the Chief Prosecutor behind the Ministry of Magic’s trials of ex-Death Eaters after the end of the Second Wizarding War in 1998. That very same year Carewyn also became the legal guardian of one of the Muggle-born children she defended in court (a drawing of whom is also coming soon!), even while unmarried and only living in a small flat in London. Despite her relatively short time with the Ministry, however, the fashionable young prosecutor left a strong impression, not only taking charge and putting Dolores Umbridge under citizens’ arrest when the Death-Eater-controlled Ministry fell, but also in fiercely advocating for those who had been most hurt during the War. The Daily Prophet was eager to spotlight the young Cromwell in their articles, both flatteringly and otherwise, simply because of how much fascination such a pretty and paragon, and yet stoic and ruthless woman evoked in both reporters and the paper’s readership. There were even several points, both during and after the trials, when Carewyn’s name was floated by the Prophet as some possible future replacement for Ministry Shacklebolt, or even just as a permanent member of the Minister for Magic’s support staff -- but Carewyn, thoroughly disinterested in working directly in politics, instead remained steadfast in her pursuit of legal justice. 
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apieceofsushi · 2 years
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ENA NATION RISE UP ITS YOUR TIME-
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anakinh · 2 years
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genuinely terrified of going into the cr tag because the fandom is insane so idk what the common response is but listen. if the bell’s hells didn’t spent half of that fight running around screaming doing nothing they would’ve gotten otohan far past “bloodied-ish”.
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sonoda-oomers · 9 days
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i discovered stardew valley mods pretty early on playing (but i think i already finished the community center by then) and it irreversibly changed my experience and i still can't tell if it was for the worse or not. like i used the cjb item spawner to get so much gold and got endgame items with it... a few years later i would use the same cheat commands on the same save to have. less gold. to actually have to work towards goals
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loish · 4 months
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Story time: I’ve had acne since I was 11. I inherited it from my dad. After almost 25 years of taking hormones to treat it, I went off the pill last year because I was tired of the side effects. The acne came back, and even though I had prepared myself for that beforehand, it’s still really challenging. I can’t help but feel a sense of shame when my skin breaks out. At the same time, I would never judge anybody else for having blemishes. Skin texture is such a complicated thing and I have so many emotions around it. So here are some drawings of pretty girls with blemishes - it helps me process some of these complicated feelings. And hugs to all of you who also suffer from skin problems - you’re not alone! 
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ragingsagittarius · 4 months
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what’s it like to be able to talk to ppl without ur brain screaming at u to not be annoying on repeat the entire time
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feminist-space · 5 months
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Cat in the Hat:
"The German Health Minister gave an important update on the Covid situation yesterday.
I’ve written up the section of his speech from the video below for easy reading.
It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."
https://x.com/_catinthehat/status/1732092683508678954
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Prof. Karl Lauterbach
Health Minister, Germany
4 December 2023
"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.
There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.
We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.
We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.
This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.
What is the overall assessment of the situation now?
We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.
So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.
At this point, I can only say the following - this is particularly important to me:
First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.
Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.
Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.
Please protect yourself from severe infections.
Please protect yourself from long Covid.
Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."
Alt text is included in all images of this post.
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fans4wga · 10 months
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"The studios thought they could handle a strike. They might end up sparking a revolution"
by Mary McNamara
"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.
Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.
This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.
More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.
But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.
Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.
Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”
“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”
If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.
“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”
Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.
A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”
When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.
Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)
Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.
Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.
Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.
The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”
Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.
Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.
At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.
It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."
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poke-cove · 1 year
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OH MY GOD I FINALLY GOT AROUND TO FIGHTING ELESA FOR MY FOURTH BADGE AND SHE WAS SO MUCH TOUGHER THAN I THOUGHT SHE'D BE
I had to fight a fucking war of attrition with Ellipse, Leech Seed and a LOT of healing items but SHIT MAN I DID IT
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csuitebitches · 7 months
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How to Wake Up Early
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I always wanted to be one of those girls who would wake up early, go for a run and be super productive with their mornings. The issue is - i really love sleep. Every time i would start a routine, i would eventually fail. I would wake up to turn the alarm off, think to myself “5 mins more” and boom- it’s suddenly 8:30 am and i need to leave for work in less than 1 hour.
Two videos on YouTube really changed my mind. One was Andrew Huberman’s, and the other was Jihyo, a k-pop star.
I came across Andrew Huberman’s video about dopamine, and somehow, it helped me to understand why the difficulty waking up early is so important. Now I’m no expert of neuroscience, but let me explain to the best of my abilities.
Dopamine is essentially the build up to the reward; it is not the reward. It is the satisfaction and happiness you feel (when your body releases), after you have achieved something that was painful/ required you to struggle a bit. In order to receive this reward, you have to feel pain, because pain and satisfaction are directly related to each other. Satisfaction without pain is useless and does nothing for you essentially.
That got me wondering: for me, waking up early is difficult. It’s painful. I dont want to do it. But if I do it, its my first win of the day. It’s the first challenge I have overcome of that day, and I always do feel amazing after. The dopamine release after the struggle of waking up and winning the battle of not going back to sleep is definitely there. I feel more confident because a) I have done the “right” thing b) selfishly, i can do something so simple that a lot of people struggle with c) it weirdly makes me feel more confident and like I’m doing the first step of being an adult right.
Jihyo’s video was quite random - she did some show where it shows her daily life when she’s not working. Parts of it made me feel like she’s unable to just relax with herself (probably because her body and mind are so used to chaos, performing, her girl group living together for so many years) so she busies herself a lot. I took the positives from the video; she’s extremely disciplined which I admired, she gets her chores done, she’s good at ensuring that her space is truly her space.
So I decided to build a relatively foolproof routine; but mind you, it does require quite a bit of willpower.
I’ve developed a habit of waking of waking up at 5 am. I head straight for a 30-45 minute meditation and then at least an hour long workout. I stack my habits that way; right after meditation, I put on my running shoes. I used to really struggle with waking up, even if I had to wake up late. This is the strategy that worked me, see if it works for you.
1. Reset your space the night before
This makes you feel less stressed in the morning and also genuinely makes you feel like you have your shit together. Put your clothes away, keep your bag in its place, clean up your desk, reorganise your make up and skin care products. You’re going to go to sleep and wake up to a clean space.
Make sure you define both your bedtime and wake up time. My bedtime is 9:30 pm - so i manage my chores, reading, dinner, everything around that.
2. Early dinner
I’ve noticed that early dinners help me sleep better. I’ve built the habit of casually walking for 25-30 minutes post dinner (not right after eating, after about 15 mins). I’m not walking fast to a point where I’m sweating and puffing, I’m casually strolling outside. During this time, I don’t listen to music, interact with anyone or my phone. I use this time to connect with myself and think about whatever I feel like.
3. No devices before sleeping
I don’t want to stimulate myself before sleeping, so I prefer reading before bed. If you don’t like reading, you can instead do your skincare, maybe revise some physical study notes, etc.
4. Using Alarmy app
This app is torture and I swear by it. This little thing makes you a solve a challenge of your choice in order to make the alarm stop, like math problems, puzzles, etc. I chose 5 math problems.
5. Keep your phone across the room
Don’t charge it near your reach. Keep it as away from you as possible.
6. Stand for two minutes after shutting off the alarm
Don’t allow yourself to snooze, or go back to bed. This is the part that really requires you to tell yourself: “i am not going back to sleep. I’m going to wake up and do the things I have to do for my own benefit.” Remember - the states of heaven and hell are not outside of you, they’re inside you. They are mental states. You have to fight with your lazy demon and tell him/her/whoever that NO; we are NOT going back to bed.
I charge my phone across the room so that forces me to walk first thing in the morning. To stop myself from going back to sleep, after i have shut the alarm off, i just stand for 2 minutes. I dont sit, or go back to bed. I stand and tell myself, we’re doing this. We’re going to wake up and have an amazing day.
Your mind is like a child with tantrums and mood swings. Your rational self has to discipline your mind the way a parent would to a child.
7. Turn a small light on
Not something that is jarring or overwhelming, but enough to help you start waking up. I turn my phone’s flashlight on and keep it on my desk.
8. Be consistent, even on weekends
The biggest mistake you can make is not being consistent. Your body doesnt recognise weekends, your mind does. Your body doesn’t know that tomorrow is Monday, so its time to wake up early. By staying consistent (yes, I wake up at 5 am on weekends too), it allows my body to develop its own body clock and not wrecking the system I’ve kept in place.
What do I do if I have a late night?
It really depends. Let’s say I come home relatively early (+2 hours around my bedtime) around 11 pm, and im in bed by 11:30. I’ll wake up somewhere close to 5 am, like 6 am instead. The next day I ensure I’m in bed by the bedtime I’ve kept for myself and wake up at 5 am again.
If I come home really late, like 3 am - i keep my alarm exactly 8 hours from that time. I need to get sleep, but oversleeping is an issue and that wont allow me to wake up early the next day. I want to get enough sleep where im rested for the day, but not excessively. Unfortunately, sleeping so late would definitely mean that i wont be able to fall asleep at my dot 9:30 pm bedtime, but i turn the lights off and get ready to sleep by then anyway, and mentally prepare for my 5 am wake up call.
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makingqueerhistory · 10 months
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Nah Myung-won, 26, was a participant who identified zirself as an asexual -- meaning ze doesn’t feel sexually attracted to anyone, regardless of their gender. Nah said ze only realized zir sexual orientation after reading a news article published by a foreign news outlet, written in a foreign language. “There was a phase where everything was confusing,” Nah said. “All I wanted to do was to have coffee or watch movies with my romantic partners, while they obviously wanted other things. Things became clear when I finally got access to information on asexuality and there were other people like me.” Nah said asexual individuals often encounter ill-informed comments from both straight and queer individuals, many of which ze found to be violent. “I’ve heard things like, ‘you just have not met the right person,’ or ‘you should explore more to know for sure – maybe you are a lesbian,’” ze said. “So I thought it was important to be here, to challenge what is often defined as ‘normal,’ both in queer and straight communities.”
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steddiealltheway · 8 months
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I just BARELY made the deadline in my time zone, but I did it! This is for Lex's Summer Challenge, Dialogue prompt #25 :) Thank you @thefreakandthehair for organizing this!! <3
It's New Year's Eve, and Steve is not excited. 
The kids have all mostly agreed to stay together, setting off fireworks at the Wheeler's house. Robin has a band thing, meaning she will try to cozy up with Vickie but chicken out before the New Year's kiss. And Steve... he plans on checking in on Max who hasn't confirmed if she is going to Mike's. 
Things have been rough for her since Billy passed only a few months ago. She hates the trailer she had to move to, and as far as Steve can tell, her mom isn't around much. And if she is, she isn't sober. 
The worst thing is that Max doesn't open up to anyone, but there isn't much Steve can do about that. What he can do is drive to her place and bring her dinner. 
He goes about making her way too much spaghetti and makes the drive over. The sun is starting to go down, but he just hopes he can make it home in time to put on headphones and pass out before people start celebrating the new year.  
He just doesn't want to make it anyone else's problem that he no longer likes the look or sound of fireworks – flashes triggering migraines and memories of Russian torture – so he's put a plan in place. Luckily, everyone should be too busy with New Year's celebrations to pay him any attention. 
He pulls up to Max's trailer and parks outside, walking up to the door and knocking quickly. He waits a few seconds, listening for the sound of footsteps coming to the door, but they don't come. He pulls his jacket a little tighter around himself, shifts the tub of spaghetti from his left side to the right, and knocks again.  
After waiting a few minutes, Steve turns and notices the sun is now on the horizon. 
He glances around the trailer park, cursing himself for not bringing his walkie. His eyes land on a van at the trailer across the way that looks somewhat familiar. He notes that there are no negative thoughts that accompany looking at it, but rather, he feels a bit indifferent to it. 
He starts walking that way, hoping he knows the owner, and further hoping that they're nice enough to let him use their phone. He walks up the steps and knocks before stepping down. 
Luckily, this time he hears the sound of footsteps from inside and a bit of muffled cursing before the door swings open. 
Oh. That's how he knows the van. 
Eddie Munson looks down at him, totally bewildered, and shifts uncomfortably, eyes flickering toward the spaghetti while asking, "What are you doing here?" Before he can answer, Munson gets a look of realization and answers himself, "Right, my great supply." 
"No," Steve says quickly. "I just need to use your phone." 
Munson quickly stiffens again. "Why?" 
Steve sighs and shifts the tub again which has started to feel heavier with every passing moment. "My friend lives over there," he says, throwing his thumb over his shoulder, "And I need to check if she's okay." 
"No way," Munson says, hands coming up before he crosses his arms, "No way I'm letting you use my phone to call some hookup." 
"It's not a hookup. She's in middle school." 
"What?" Eddie asks, looking even more horrified. 
"Not like that!" Steve says and runs his free hand through his hair. "She's friends with a group of kids that I babysit." 
"And why do you want to call her?" 
Christ. "Because I'm worried about her, okay? She's not someone who asks for help, and she's not answering the door. I just need to know if she's safe at her friend's house." 
Eddie stares at him for a few more seconds then asks, "What’s the spaghetti for?" 
"Her." 
He's fixed with the same suspicious stare until Eddie finally nods his head and opens the door for Steve to come inside. Eddie gestures to where the phone is and leans back against the kitchen counter, crossing his arms and watching his every move. 
Steve tries to shrug it off as he dials the Wheelers and waits for one of them to answer. 
"Hello?" 
Steve smiles and politely replies, "Hi, Mrs. Wheeler, it's Steve." 
"Oh, Nancy is currently-" 
"No, no," Steve cuts her off, seeing the way that Eddie is starting to tense up. "I wasn't calling about Nancy. I was just wondering if Max was there with the other kids. I stopped by to check on her, but she didn't answer the door." 
Steve can feel his heart thud in his chest as he waits for the reply. "That's very kind of you. But she's with the boys right now. Did you want me to pass a message to her?" 
"No," Steve says in relief. "No, I just wanted to make sure she was okay. Thank you, Mrs. Wheeler. Happy New Year." 
"Happy New Year, Steve," she replies and hangs up. 
Steve puts the phone back and turns to Eddie. "Thanks, man. I owe you one." 
Eddie tilts his head to the side and narrows his eyes. "Why do you care about her so much?" 
Steve sighs and gestures toward the counter with the container of spaghetti in hand. "Can I?" Eddie nods in response, so Steve sets it down. He runs a hand through his hair and asks, "Do you remember Billy Hargrove?" 
Eddie scoffs, "Like I could forget the asshole." 
Steve nods. "Well, Max was his step-sister." 
"Oh," Eddie says, shifting uncomfortably. 
Steve shrugs. "They didn't have the greatest relationship, but she's been really closed off since...” he trails off uncomfortably, trying not to remember the moment he died. 
Eddie nods his head. “Right.” 
Steve nods back and gestures toward the spaghetti, changing the subject. “You can have that by the way as a thank you for letting me use your phone. I really appreciate it. And hey, Happy New Year.” 
Eddie’s jaw drops slightly as if he wants to say something but none of the words come out. So, Steve walks to the front door and opens it. He doesn’t even move a step down the stairs before a big firework lights up the sky as the loud noise rings out. 
Steve freezes. He feels his breathing getting shaky and shallow as he remembers the fireworks exploding on that spider looking thing’s back. 
He closes his eyes tight, trying to fend off the images, but the darkness only reminds him of the black that slowly devoured his vision when the Russians knocked him out.  
“Hey, hey,” a soft voice says, “I’ve got you.” 
Steve notices the way he’s somehow on the ground with his back pressed against something warm and that same heat wraps around his torso. He blinks back into reality a bit as warm hands run up and down his arms slowly. “You okay?” 
Steve sinks back into Eddie’s arms and closes his eyes. "Fireworks aren't exactly... my favorite thing." 
Eddie breathes out sharply through his nose. “Yeah, I kind of picked up on that.” 
Steve just nods, allowing himself to be comforted for a few seconds before he tenses up and begins to stand up. “Sorry,” he apologies as he makes his way back to the front door. “Don’t know what got into me.” 
He puts his hand on the door handle, moving his body to block Eddie’s view from his shaking hand. 
“Hey,” Eddie says close behind him, “Just stay until the fireworks stop. I don’t want you driving into my trailer on the way out or something.” 
Steve turns and asks, “Are you sure?” 
Eddie nods and gestures to the container. “Plus, there’s no way I can eat this whole thing on my own.” 
Steve is about to say that he’ll be fine when another firework goes off outside, startling him again. “Okay,” he agrees, wondering how the hell this is going to end up. Steve “The Hair” Harrington and Eddie “The Freak” Munson spending New Years together. 
Eddie hands Steve the container and grabs two bowls and forks before walking off. Steve follows behind him to what he assumes to be Eddie’s room, slightly confused about the change in scenery. 
“Sorry it’s a mess. I wasn’t expecting visitors,” Eddie says awkwardly shoving things around. 
Steve just smiles as he looks at the room. “I like it. It feels comfortable,” he confesses. And it does. With the way his parents force him to keep a spotless room that never feels lived in, it’s nice to be in a bedroom that really reflects someone. 
Eddie considers him for a moment and just nods as he takes the container and sets it on his dresser alongside the bowls before pointing at his stack of tapes. “I’m going to guess our music taste isn’t really similar, but feel free to dig through for something you might like that’ll drown out the fireworks.” 
Steve’s heart skips a beat at the thoughtfulness before he makes his way to the tapes, digging through several unfamiliar names that he kind of wants to ask about, but instead he can’t help but ask, “So, what are you doing alone on New Years?”  
Eddie scoops himself a generous amount of pasta as he answers, “Gareth is at a school thing, Jeff is with his family in New York, and Grant’s parents kind of don’t like me.” 
“Why’s that?” 
Eddie fixes Steve with a look. “I’m not exactly ‘meet the parents’ material, and it doesn’t help that I used to hold band practice in his garage and would play louder whenever they told us to quiet down.” 
Steve smiles. “I would love for you to do that to my parents. God, they would be so pissed.” He grabs another tape and instantly smiles and holds it up to Eddie. “I love Queen.” He immediately puts it into the cassette player and turns the volume up enough to block out additional noise while still being able to hear Eddie talk. 
He turns and finds Eddie handing him a bowl and fork with a soft smile on his face, “You know, you’re not what I thought you’d be.” 
“Yeah?” Steve asks. 
Eddie nods and sits cross legged on his mattress. “Honestly, I thought you’d be an asshole. You know. King Steve and all that shit.” 
Steve runs a hand through his hair as he sits next to him. “I don’t think I’m ever going to live that down.” 
“You will if you get out of Hawkins,” Eddie says, shoveling a forkful of spaghetti in his mouth. 
Steve twirls his pasta and stares at it. “I don’t know if I’ll ever leave here,” he confesses. 
“Why not?” 
“I’m not smart enough to make a living somewhere else. Plus, if I move, my parents likely won’t support me – my dad likes keeping me under his thumb. And the kids need me to drive them around.” And they need him in case Hawkins gets another dose of Hell, but he can’t tell Eddie that. “Plus, I don’t think there’s anywhere that would accept me, a former jock and asshole whose only friends are children and Robin. And they’re all so smart that they’ll eventually realize they’re dumb for keeping me around.” He stabs at his spaghetti before putting the bowl down and resting his head in his hands. “I don’t know, man.” 
There’s a pause, and Steve hears a dull thud from a firework outside the trailer even over the music that startles him a bit. It’s so damn annoying that something small like this can reduce him to this. 
“Run away with me.” 
Steve head slowly comes up. “What?” 
Eddie wipes his mouth and sets his bowl on his side table. “Run away with me,” he repeats. “After I graduate, I’m going to run like hell out of here. Come with me to find a place that accepts a former jock and a...” he trails off and looks away nervously. “Uh, a freak,” he awkwardly fills in. 
The bowl in Steve’s hand suddenly feels like it’s in the way, so he sets it on the floor before turning to Eddie and leaning closer to him, hands itching to reach out. “Come on, you can tell me what you were really going to say.” 
Eddie searches his eyes before laying back on his bed dramatically, trailing his hands over his face. “You know what I was going to say. You’ve heard the rumors. Everyone has.” 
Steve has heard several rumors about Eddie, including one about how he worships the devil and does satanic rituals on top of his trailer in the middle of the night. But he has a feeling he knows which rumor he’s talking about. “Yeah, but rumors are rumors for a reason. You never know which ones are true.” 
Eddie sighs and looks up at Steve. He looks like he’s on the verge of telling him before he asks, “So, why aren’t you with your friends tonight? The kids or Robin.” 
He looks down at Eddie for a few moments, wondering if he’ll drop the question, but he holds his ground. Steve shrugs. “Robin is at the thing with all the band kids, chickening out with her crush, and the kids don’t want their babysitter around. Plus, they want to launch fireworks or play Dungeons and Dragons or something.” 
Eddie perks up and sits up on his elbows. “Dungeons and Dragons? The kids you babysit play that?” 
“Yeah. And don’t make fun of them for it. They talk about it all the time, and I think it sounds cool,” Steve says, always quick to defend Dustin even if he’s into weird nerdy shit. 
Eddie sits up entirely and looks at Steve excitedly. “You think Dungeons and Dragons is cool?” he asks in disbelief. 
Steve shrugs in response. “It’s not really my thing, but yeah.” 
“Dude, I’m the leader of Hellfire. You know, the Dungeons and Dragons club at school? What are the kids' names?” 
“Dustin, Lucas, and Mike.” 
Eddie bounces up and down excitedly. “Holy shit, I thought Dustin was kidding when he said he was friends with you.” 
It suddenly clicks, Dustin had mentioned Eddie’s name before, but Steve had never really thought about it as Eddie Munson of all people. “Shit, Dustin talks about you all the time, I just never connected the dots.” 
“He doesn’t shut up about you. The kid adores you. He’d kill me if I took you away from here.” 
“And he’d kill you if you ever left.” 
Eddie smiles and nudges Steve. “Looks like we’re both stuck here.” 
Steve smiles back at him, eyes tracing over Eddie’s face. He’s not sure why he’s never really noticed him before. He guesses he’s always been so stuck in his own shit that Eddie just kind of passed him by somehow. But he’s finally noticing his dimples, and the way his eyes are so deeply brown and easy to get lost in, and his lips looks so full and- 
Eddie lightly shoves him back, a pink blush appearing on his cheeks, “Eat your spaghetti before it gets cold.” 
Steve grabs his bowl and does as he’s told, watching as Eddie gets up to turn up the music a little louder. When he sits back on the bed, the two eat in comfortable silence, letting the music fill the space. Steve’s not sure if he’s ever been able to warm up to someone so quickly, but it makes sense that he’d be able to bond with someone who loves Dustin. 
The song ends and goes into the next. Steve finishes his last bite of spaghetti and laughs as “Somebody to Love” starts playing. He puts his bowl down and lays back on the bed, letting the song wash over him. He sings the lyrics under his breath until he hears Eddie doing the same thing and turns to look up at him. They lock eyes just in time to sing, “Can anybody find me somebody to love?” 
Eddie laughs and lays next to him joining him through the rest of the song. Steve feels ridiculous, but Eddie makes a show of playing air guitar, yelling, “I know how to play this!” Steve just laughs and watches him, feeling his heart beat a little faster in a way it hasn’t for somebody else in a while. 
He sings the rest of the song, mainly focusing on Eddie and the way he so easily gives into the music, unafraid of what Steve might think. As it comes to an end, Steve feels something shift inside him, but Eddie is quick to laugh, “Steve Harrington how can you be struggling to find somebody to love?” 
Steve smiles sadly. “I think I’ve been looking in the wrong place all along, but I’ve been starting to think that maybe I’m unlovable.” 
Eddie scoffs and moves closer to him. “If you think you’re unlovable then there’s no hope for the rest of us.” 
Steve has to move closer to hear him over the music and talk without shouting. “Does that include you?” 
“What do you think?” Eddie asks, tilting his head with a curious smile. 
“I think,” Steve starts, unsure of how he’s going to finish the sentence, “If there’s no hope for you either, then maybe...” 
“Maybe?” Eddie prompts. 
Steve’s eyes glance down at Eddie’s lips. “Maybe...” He looks up at Eddie’s eyes, seeing the confusion, slight fear, and hope. “Maybe you should finish what you were going to say earlier.” 
“Steve...” Eddie says, “You can’t be asking me...” 
“Then, I’ll ask you. Is it midnight yet?” 
Eddie’s eyebrows furrow in confusion. “Not even close.” 
“What if I lie and say that it is so I can ask you for a New Years kiss?” Steve asks boldly. 
Eddie’s breath hitches. “Then, I’d say yes and start counting down from ten.” 
“Nine,” Steve says immediately. 
“Eight,” Eddie replies, shifting onto his knees. 
“Seven.” Steve scoots closer, leaning in to brush their noses together. 
“Six,” Eddie exhales. 
“Five.” Steve’s hands come up to hold onto the back of Eddie’s head. 
“Four.” Eddie’s hands press into Steve’s back to bring him closer. 
“Three.” Steve tilts his head, already brushing his lips against Eddie’s, sending a shiver down his spine. 
“Two,” Eddie whispers, hands gripping on tighter, left hand tracing up between his shoulders to slot their torsos together. 
“One,” Steve says, barely finishing the word as he presses his lips against Eddie’s, finally ending the longest countdown of his life. 
He deepens the kiss immediately, tasting spaghetti and a hint of something that is purely Eddie which he finds entirely intoxicating. 
The music fades from one song into the next, and Steve’s pretty sure a firework goes off in the silence, but he’s too distracted by Eddie to really respond to it. He feels Eddie’s arms tighten around him, slowly guiding him down to lay back on the bed. 
Eddie breaks the kiss to look down at Steve. “This okay?” he asks. 
Steve nods and says, “Happy New Year.” 
Eddie smiles and shakes his head in disbelief. “Happy fucking New Year.” 
He finally understands why people cheesily talk about fireworks going off during a kiss. And maybe even with everything, fireworks aren’t too bad if this is what he can associate them with. 
2K notes · View notes
repulsiveliquidation · 2 months
Text
Alone || Leah Williamson
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warnings : mentions of bullying, death, loneliness, rude namecalling. smut is at the end but i promise there is a happy ending. words in bold are from a poem above, but i can't remember who wrote it!
I like being alone was something that you always convinced yourself of growing up. Dad was always high on some binge drinking spree with his equally deadbeat friends and Mum tried her best to be a parent but with a useless father and barely any money coming in, you quickly learned how to keep yourself occupied and take care of yourself.
One day, the police showed up at your door and knocked. Mum stopped folding the laundry and you poked your head in just in time to hear the officers tell your mother that your father had tried to rob the local liquor store and was shot by the police who arrived on the scene. Having been ostracized from the community long ago due to your father’s behavior, the news of his death only increased the cold shoulder you and your mother got from the town.
Parents in your hometown seemed to teach their children bad manners from a young age; all the kids in school knew to stay away from you. No one sat with you at lunch, no one ever wanted you on their team for PE. God forbid you were paired up together for a group project, no one ever wanted your company.
Secondary school was rinse and repeat. No one sat with you at lunch, no one ever wanted you on their team for the science fair. Once, you were assigned the popular girl for the English project which was 25 percent of the class grade.
“You’re doing the whole thing yourself and you better not screw with my portion of the project, you got that you freak?” Megan warned, having cornered you in the girls’ changing room after class.
“I’d watch that tone if I were you, Meg,” came a voice from the end of the showers where you were cowering.
“Stay out of it Williamson or I’ll sock you!”
“I think you’re the only one about to leave here with a black eye Meg so I’d watch your tone.”
“You’re not defending the freak are you?”
“I’m doing what’s right, I’ve had it to here with your snarky attitude,” Leah challenged, grabbing the bully’s arm and pulling her away from you. “Leave her alone.”
“Fuck you, Williamson! Everyone will know you like the freak!”
“Call her that one more time and I’ll tattoo it across your forehead!”
Megan leaves the changing room with a loud huff and you hide yourself more in the shower cubicle. You’d never interacted with Leah Williamson before. You knew to stay far away from the popular girls and the captain of the girls’ football team was one of them.
Leah smiles kindly and reaches a hand out for you. You don’t take it immediately, half expecting her to make fun of you and demand you do her homework for her. Leah realizes this and shakes her head a little, sitting on the floor with you. You’re about to ask her to leave when she opens her mouth first.
“I’m sorry about her and all of them. You don’t deserve to be treated like that.”
“I’m used to it,” you mumble, pulling your legs to your chest and hugging them.
“I’m Leah.”
“I know who you are,” you answer quickly, pushing yourself up to your feet. “You don’t have to pretend to be nice to me,” you say just as the tears threaten to fall. You do not need Leah to see them, it’ll give her one more thing to tell everyone about.
You grab your torn backpack and rush out of the changing room before she can answer you.
Leah stands there a little hurt, her efforts of extending an olive branch failing only motivate her more. She knew about the whole scandal or whatever it was that happened all those years ago but learned at a very young age that Amanda hated it all.
“You treat that family with the same respect you give everyone else, Leah you understand? No one deserves such unkind neighbors.”
You do not know what compelled you to sit in the stands of Leah’s football game against a rival school. There was a ticket in your locker with a note hoping to see you there. Thinking it was a prank, you wanted to throw it away but decided against it, which meant that the cloudy England sky and shitty concession food was your plan for the afternoon.
“Hi, you got my ticket!”
You had your eyes glued to your phone, your hat pulled down over your eyes to block out the stares you normally got. But that familiar thick local accented voice rang loud in front of you, you looked up to see Leah grinning at you with her mother Amanda right behind her.
“You put the ticket in my locker?” you asked sheepishly, watching as Amanda sat next to you.
“Yes darling, her father couldn’t make it and she didn’t waste it so she wanted to give it to you.”
You look up at Leah and her grin is almost brighter than it was before. She was all dressed and ready for the game, hand reaching out to pat your head before running back onto the pitch.
“I’m so glad you’re here, I hope you stay the whole game!” she yelled out, jogging towards the rest of her teammates.
“She didn’t have to give me the ticket,” you mumble under your breath. More people are staring now, you could feel it. Amanda reached around your shoulders and rubbed your back, smiling down at you.
“No, but she insisted.”
Leah was relentless in her pursuit of you. There were more notes in your locker that were not malicious. They were written in the same writing as the first letter that had a football ticket in it, always signed LW.
Soon the letters became more personalized and directly from Leah. People talked a lot in this town and word got out fast that Leah was making friends with the freak. She didn’t seem fazed, the teasing she could endure; the bullying you normally received almost doubled overnight.
Ever since Leah started giving you the letters in person, all the people who had crushes on her had increased their hatred of you.
You were walking home after one of Leah’s games, headphones in and head down like always. You didn’t see them coming for you and didn’t hear them either. Megan and her girls had followed you the whole way until you turned into a dark alley; it was a shortcut to your house and you’ve never seen anyone else use it before.
Carla pulled your hair first. You turned and before you could defend yourself, Megan slapped you across the face. Alice tripped you as you tried to run away, slipping face-first into a muddy puddle left by the rain that morning. Rebecca, the ring leader, grabs your shoulder and turns you around, eyes seething with anger.
“I have wanted Leah Williamson for a very long time, you pathetic little bitch. What the fuck did you do to her in that bathroom that day when Megan was beating sense into your stupid brain huh?”
“Being a bully isn’t a quality I look for in a girl, Becca.”
Leah stands there with her kit still on and her hair sticking to her forehead. Her hands on her hips and chest heaving suggest she ran all the way here. She looks down at you before stepping towards you and reaching a hand out to you. You take it this time and she pulls you up and into a hug.
“Are you okay?” she asks, brushing your hair out of your face. You nod and she cups your cheek, thumb rubbing over your cheekbone that was slightly red from Megan’s slap earlier.
“What did I say about testing my patience, Rebecca?”
“Leah, she’s the town freak! What could you possibly see in her?”
“Everything I don’t see in you, Becca. What would your mother say if I let it slip over tea next week that her precious girl is a sly little liar? She doesn’t need to know about your little stunt with the principal I walked in on last week now does she?”  
“Don’t you dare!”
“Then you leave her alone,” Leah sternly warns, eyes shooting daggers at the fleeing girls.
“Come on, I’ll take you home. I saw them coming for you after the game and I followed them. I’m glad I found you in time!”
“Why are you being nice to me?”
“I think you know I like you a lot more than you’re letting yourself believe.”
“Why me, Leah?”
She takes your hand and walks towards the main road with you. You see Amanda in the car waiting, shaking her head at the two of you.
“Are you okay, love?” she asks you as you climb into the backseat with Leah. She hasn’t let go of your hand the whole time, rubbing the back of your palm with her thumb gently. You like the feeling of her hot skin on yours, it’s such a simple comfort and you can’t even remember the last time you felt it.
“Yes, Mrs. Williamson. Leah got me in time.”
“Please dear, I’ve told you to call me Amanda.”
“Mum, can she stay over tonight?” Leah chirps, holding your hand tighter. You blush a little, looking at her with a single thought in your head; you deserve to allow yourself a little bit of love.
“My mum is okay with it, I can stay.”
“Great! I’ve put a set of clean clothes in the bathroom for you too so…”
“Thank you, Leah,” you say quietly, eyes avoiding her piercing blue ones.
“Of course.”
The whole night goes by perfectly. Amanda cooks a delicious meal that you shamelessly have three servings of. Since it was a Friday night, Leah insisted on movie night. There were throw blankets and pillows all over the floor but you were hesitant to cuddle close to Leah. Having not made a single friend in years, you were scared that one wrong move could ruin the little bit of joy Leah had given you in such a short period.
Leah however, could not hold herself back anymore and was honestly quite annoyed at you. She had been showing her affection towards you for weeks and you were still hesitant to reciprocate them.
“You don’t like me back, do you? You’re just doing this to be nice.”
You look at Leah in horror. No, no, no! This was not how it was supposed to go.
“Leah,” you start, sitting up. “No one has ever wanted to be my friend my entire life. I have my useless dead father to thank for that. When you started giving me those letters, I genuinely thought you were planning some long term practical joke but tonight you’ve shown me that you truly want to be my friend, maybe more.” Leah sits up too and you continue.
“I’m scared, I haven’t done this in a long time. I don’t want to make a wrong move and scare you away. I want you so bad, if everything you’ve left in your letters is true then I want this, I want us. When you scored that goal last week when you rarely do, you looked at me. You did a hand heart towards me and I genuinely thought you were showing it to someone else in the crowd but you pointed at me.”
Leah had tears in her eyes, the tough captain of the school girls’ football team seemed moved by your words. She leaned in and you let her, pressing your lips to hers. You were sure you felt fireworks and that she did too. Her lips were soft and she loved that you smelled like her body wash.
You pulled away and blinked fast, hoping that she wasn’t a figment of your imagination. By the time you’d blinked about fifty times, she was still there, her stupid smug smile on her face.
“I really like you,” you tell her, head leaning on her shoulder as you turn your attention back to the TV.
“I really like you too,” she whispers, pressing a soft kiss to your forehead as she pulls you into her side.
In the days that come, Leah warned all those who regularly mess with you that they now mess with her too. She also warned that if she caught wind of people calling you names, especially freak, they would go home with it etched across their faces.
\\
You’re sat at the dinner table with Leah in your home years later. Grace is sitting on her playmat, totally engrossed in her building blocks. The sunset pours into the living room and you’ve never been happier in your life.
There’s nothing in your life you’d want to change. You thank your lucky stars that the Lioness sitting in front of you took a chance on you that year in secondary school. Life had only gone up since getting together at 17. You went to college and Leah played for Arsenal. It was hard when you moved for a year to Spain to study but Leah fought hard to make sure the connection was there, flying every other weekend to see you.
The moment you graduated, Leah proposed in front of all your friends. Yes, you made friends! The Spain host family you lived with was more than welcoming and gave you a sense of belonging that you had never felt before. The little community you built for yourself gave you a chance to heal and forgive all those people who wronged young you.
She looked up at you with a face of pure admiration. The ring glimmered in the sun, the diamond was the perfect carat for her perfect girl.
“I have never been surer of anything in my life, will you marry me?”
“Yes!”
\\
You’re both standing at the altar, hands held in front of all your friends and family. The Arsenal and Lioness girls are rowdy in the front, cheering their captain on. She had just shared her vows and it was now your turn.
“When I was little, I convinced myself that I liked being alone. I was always the last to be picked, last to be called, sometimes the teachers forgot about me. By the time I was in secondary school, I had accepted that I was going to be alone all my life. Until I met you,” you look up at Leah and see that she’s already got tears in her eyes. You continue, feeling a little emotional yourself.
“I was sure that you were playing a prank on me, wanting nothing more than to humiliate me in front of everyone like they always did. I waited and waited and nothing happened. You saved me from those girls that day and in the car ride home I knew you were different. For the first time ever, I wanted your company more than my own.”
//
“Don’t stop, please don’t stop…”
“Never, babygirl,” Leah coos, hands gripping your hips from behind as she fucks into your pussy hard. You whine into the mattress and grip the sheets, pushing your ass back into her hips. She angled her hips just right, hitting your sweet spot just enough to send you right off the edge.
“Leah!” you cried, reaching back to hold her strong thigh. She was relentless, pounding you through your orgasm. She flipped you over a minute later, her strap pushed back into your sensitive hole just milliseconds after pulling out. You’re about to squeal about being sensitive when she wraps her hand around your neck so lightly. It’s barely there but her skin on yours sends electric shocks through your system.
You buck up into her and bite your lip, forcing her cock straight into your pussy. She gives you that smug smirk that boils your blood and gets to work, rutting into you with purpose. Her hands knead your breasts religiously, face buried between them in an instant. You cradle her head that rests on you, legs widening for her subconsciously.
Your body submits to her willingly and you can barely think when the hand around your neck gently tightens. Your eyes roll into your head and you grin deliriously, oxygen leaving your head as quickly as it gets there.  
Her hips, although practically laying on you, do not relent, pounding into your pussy obediently. Her harness rubs your clit just right and you can barely make a sound to warn her before you gush all over her cock and your thighs. She squeezes your neck just a little harder than usual and it sends you straight into another orgasm right after the other.
She only slows down when you’re shaking like a leaf and turning a little pale, kissing you gently. You grin and reach out for her, she pulls her harness off and settles between your legs. You pat her head and kiss her forehead, fingers running through her blond hair. She presses kisses all over your neck and you sigh, grateful for the chance at a proper life the woman in your arms had given you.
“I love you, Leah,” you mumble into her hair and you feel the captain mumble her answer into your neck. You giggle and settle into the warm bed with the love of your life, excited to see what life has in store for the two of you.
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