What Is Webcomics?
The obvious answer is “comics on the internet”, but...
Sooooo... like this?
...No, not like that.
When some comics are distributed via the internet, we call them “digital” comics, but others are “webcomics”. Even if we aren’t sure how to explain the distinction, we can tell the difference!
And this is despite the fact that some of the creators of successful long-running webcomics, like Ryan North and Chris Hastings, have moved very successfully into the world of comic books, and at least one creator of a popular long-running webcomic (Phil Foglio) came from that world, without this ever really blurring that line. So we can conclude that the difference isn’t just in who makes them
Webcomics Is Free
An obvious difference is in the business model. There are comics that fall on the “digital” side of that imaginary line that use a “pay what you choose” type of model, but generally there is some expectation that each member of the audience pay for the content directly
Contrariwise, the usual business model of webcomics is for the content itself to be available free, while the artist is supported by ad revenue, or by selling merch, or by the generosity of fans.
In many ways, it’s similar to the distinction between movies and television
Webcomics Is Crude
Another common distinction between webcomics and comics that happen to be on the web is an obsession going back to the early roots of the form with using shortcuts to allow a visual story to be told without, in many cases, much in the way of drawing ability. This ranges from pixel sprites, to clip art, to stick figures.
Previously mentioned webcomic superstar, Ryan North, took this tendency to the formalist limit by creating a single page of simplistic pixel art for his Dinosaur Comics and then, for going-on 20 years and 4000 pages, only changing the words every day. Below is my favorite page of Dinosaur Comics, but they’re all the same. Except for having different words.
(When I was thinking about this tendency of webcomics, it reminded me of a comic I loved back in the early 2000s, that I was going to describe as a “webcomic except in print”. But upon further investigation, I discovered that Get Your War On had been a webcomic all along, just one that happened to also be printed in a few US cities’ leftist newspapers. Below is an early one, probably the first that I saw, and a perfect representation of why it was such a vital outlet for those few of us not caught up in the war fever in those dark Bush years...)
Even those webcartoonists not trying to avoid drawing don’t necessarily have the patience to actually learn to draw before beginning to publish. Webcomics are well known for sometimes stark evolution in their art, and possibly none moreso than my personal favorite webcomic, El Goonish Shive:
There are definitely major exceptions to this tendency. Many webcomics are gorgeously, lushly illustrated (even from the beginning.) Below is half of a particularly lovely page of a webcomic ode to transhumanism titled Dresden Codak:
The thing that ties these disparate works together, from those with art that’s crudely sketched, to cleverly sidestepped, to beautifully fully realized, is each has a singular creative vision. In stark contrast with their big bro the comic books, webcomics are distinguished by relatively little collaboration and practically zero editorial meddling. These are the works of passionate amateurs who (sometimes) gradually found ways to make a livelihood from their passion
Webcomics Is Bite-Sized
But beyond the business side of it, and even the low entry barriers and amateurist zeal, the thing that really sets webcomics apart from the comic books to the point of seeming almost a different medium and linking them more closely to even-older sibling the newspaper comics, is the different pacing and structure caused by being released in tiny, tiny chunks
But that’s enough for now, we can talk about the impact on the form of coming out in bite-size installments.... next time!
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I wasn't shitting you guys btw I actually made the one-sided radiostatic playlists
here is my lyrical masterpiece. both the vox version and the alastor one. done my best to make it as lyrically accurate as possible. @styrofauxm @onesidedradiostatic i hope you enjoy this (go check out the full lyrics for the songs on google if you can't listen to it but i recommend it because all of these are bangers) feat. my stupid commentary and vox's pathetic wet cat energy
Click to listen to the Vox one on YouTube
1. the hearse — matt maeson
thought this one fit so well lyrically. the "what was it like to feel in love" part i interpreted as vox asking himself that rather than alastor
❞ i am the man we both couldn't stand, i can't wash off the dirt from my hands, what was it like to feel in love? [...] i will never go backwards, i will never be free, i will never run faster; will you sink down to me? ❝
2. i'm just ken — ryan gosling
i'm not even adding lyrics to this one, everyone should have seen the barbie movie and this song at this point. this just HAD to be in there. can you feel the kenergy?
3. too many friends — placebo
less about alastor, more about vox's existential crisis
❞ my computer thinks I'm gay, i threw that piece of junk away on the champs-elysées as I was walking home. this is my last communique, down the superhighway. all that I have left to say in a single tome... ❝
4. creep — radiohead
i mean isn't this literally his theme song?
❞ when you were here before... couldn't look you in the eye. you're just like an angel. your skin makes me cry. you float like a feather in a beautiful world. i wish I was special. you're so fuckin' special. but I'm a creep, i'm a weirdo, what the hell am I doin' here? ❝
5. where evil grows — the poppy family
y'all seen the sonic movie? we need to see vox do that dance.
❞ i like the way you smile at me, i felt the heat that enveloped me and what i saw i liked to see. i never knew where evil grew. i should have steered away from you, my friend told me to keep clear of you but something drew me near to you ❝
6. one of us — ava max
i had to edit this one a bit in the video and cut out the part about the kissing because that for sure didn't happen
❞ one of us would die for love; one of us would give it up. one of us would risk it all; one of us won't even call. one of us could say goodbye, never even bat an eye... ❝
7. colorblind — amber riley
more pathetic wet cat energy brought to you by yours truly
❞ i don't think that i'll ever find that silver lining or reason to smile. you know i used to paint such vibrant dreams, now I'm colorblind, colorblind. when did my heart get so full of never mind, never mind? did you know that you stole the only thing I needed? ❝
8. arcade — duncan lawrence
more pathetic wet cat energy brought to you by yours truly
❞ a broken heart is all that's left. i'm still fixing all the cracks. lost a couple of pieces when i carried it, carried it, carried it home. i've spent all of the love I saved. we were always a losing game; small town boy in a big arcade, i got addicted to a losing game... all i know, all i know: loving you is a losing game. ❝
9. if i can't have you — skylar astin
i picked the version from zoey's extraordinary playlist on purpose because the context of this scene is that the dude who sings it hires a bunch of singers and dancers to confess in a public space as you, the viewer, sit there and cringe at him as he gets rejected. if that doesn't have vox energy, i don't know what does.
❞ i'm good at keepin' my distance (lie), i know that you're the feelin' I'm missing. you know that I hate to admit it but everything means nothin' if I can't have you. i can't write one song that's not about you, can't drink without thinkin' about you. is it too late to tell you that everything means nothing if I can't have you? ❝
10. do you want me (dead)? — all time low
when vox asks himself whether alastor wants him or wants him dead it's definitely the second option.
❞ i let it ride on a bet, i doubled down on a sinking ship; need a second to catch my breath: do you want me? or do you want me dead? oh, give it up for at least a second; i'm getting sick of your bullshit attitude and how you walk around like you shine brighter, it's killing me, so what do you say? do you want me? or do you want me dead? ❝
11. push — ryan gosling
i can't just put one musical number from the barbie movie in and not include the other one that fits equally as well.
❞ said, i don't know if I've ever been good enough. i'm a little bit rusty and I think my head is cavin' in. and I don't know if I've ever been really loved by a hand that's touched me, and I feel like something's got to give and I'm a little bit angry, well, this ain't over, no, not here, no; not while I still need you around. ❝
Ice-cold rejection & vicious mockery: Alastor's version
the contrast of this is the best part.
Click here to listen to the Alastor one on YouTube
1. little big boy — madds buckley
he doesn't go easy on him. this is 0 compassion and 100% roast.
❞ brimstone fire and eyes aglow, little big boy's making the whole world know his name. raised on pillars and shining lights, breathing smoke for the right to keep his place. never satisfied 'till they all see how big this little boy can be. well the water's rising; tide's comin' in. does little big boy know how to swim in a pond filled with fish bigger than him? ❝
2. i help you hate me — sunrise avenue
he's so helpful fr but it's not working unfortunately
❞ i broke many hearts throughout my days. yours was the hardest one to face. though, I've never been a saint, i still love you every day, just not the lover kind of way. i know you wanna see me falling out, falling out the window. i know you wanna see me crashing down, crashing with my plane. baby, i'm way too young to die but I'll help you get over me. ❝
3. no surprise — daughtry
this is one of my favorite bands, i'm glad i got to include this.
❞ it came out like a river once i let it out when i thought that i wouldn't know how. held onto it forever just pushing it down, felt so good to let go of it now. not wrapping this in ribbons, shouldn't have to give a reason why: it's no surprise i won't be here tomorrow, i can't believe that I stayed 'til today. there's nothing here in this heart left to borrow. there's nothing here in this soul left to save. don't be surprised when we hate us tomorrow. ❝
4. go screw yourself — avery
i can picture him 1:1 delivering a swing version of this when vox confesses to him
❞ i know i've been holding it in, the way i feel about you. something i've been dying to say but I don't know how you'll take it; oh please don't go; you should know these three words i've been holding back; trying to fight, i'mma let 'em out... these three words, gotta let you know, here I go: go screw yourself. i've had enough, yeah, now we're done. ❝
5. the audacity — emelyn
this one's such a bop honestly. had to cut it in the video because i can't picture alastor realistically crying over anything vox-related.
❞ think your opinions should be broadcast... even though no one's subscribing, listening or liking but by all means, keep whining. must be tough if life's so rough. you should buy a mic, start a podcast, even though, wait, nobody asked. [...] where do all these men find the audacity? no actually, i'm stunned by your stupidity. ❝
6. friends — halocene
this one had to be on here.
❞ have you got no shame? you're looking insane turning up at my door. it's two in the morning, the rain is pouring, haven't we been here before? [...] so don't go look at me with that look in your eye, you really ain't going away without a fight. you can't be reasoned with, i'm done being polite. i've told you one, two, three, four, five, six thousand times. haven't I made it obvious? haven't I made it clear? want me to spell it out for you? f-r-i-e-n-d-s ❝
7. can't catch me now — olivia rodrigo
he likes the attention def especially after his return
❞ bet you thought i'd never do it, thought it'd go over my head. i bet you figured i'd pass with the winter, be somethin' easy to forget. oh, you think i'm gone 'cause i left but i'm in the trees, i'm in the breeze, my footsteps on the ground. you'll see my face in every place but you can't catch me now. through wading grass, the months will pass, you'll feel it all around. i'm here, i'm there, i'm everywhere but you can't catch me now ❝
8. take a hint — victoria justice & elizabeth gillies
this is on every rejection playlist and it's gonna be on mine too. a bop even after all these years.
❞ ask me for my number, yeah, you put me on the spot. you think that we should hook up, but I think that we should not. you had me at "hello", then you opened up your mouth and that is when it started going south. [...] what about "no" don't you get? so go and tell your friends i'm not really interested. it's about time that you're leavin', i'm gonna count to three and open my eyes and you'll be gone ❝
9. no — madilyn bailey & megan nicole
more rejection for y'all. the world needs more mean aroaces and this playlist is my contribution.
❞ first you gonna say you ain't runnin' game, thinking i'm believing every word; call me beautiful, so original, telling me I'm not like other girls, i was in my zone before you came along, now i'm thinking maybe you should go ❝
10. oh no — marina and the diamonds
a classic.
❞ don′t do love, don't do friends; i′m only after success. don't need a relationship, i'll never soften my grip [...] i know exactly what i want and who i want to be. i know exactly why i walk and talk like a machine. i'm now becoming my own self-fulfilled prophecy. ❝
Reblogs are appreciated!
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