One thing I don't get about Netflix ATLA is when people say the adaptation is so much shorter than the original. But the thing is, the total runtimes are about the same. Twenty 20-minute episodes and eight fifty-minute episodes both come to 400 minutes, or about six and a half hours.
If you want to be nitpicky, there are five episodes of the original season one that weren't adapted at all -- "Imprisoned," "The Waterbending Scroll," "The Great Divide," "The Fortuneteller," "Bato of the Water Tribe," and "The Deserter" -- while an episode of season two, "The Cave of Two Lovers," was. So if you adjust the runtime to account for what was directly adapted, the Netflix version is actually an hour longer.
The reason the Netflix version feels so much shorter is because the writers insisted on making it much more serialized and combining all the stories together. The original feels like a series of adventures all woven together to develop these characters and their friendships over time, while the new just feels like some kids who knew each other for a week.
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i know there’s a lot to be said about the ember island players in general, but the whiplash at the ending is SO intense in such an interesting way. katara brings up the fact that it might not be a good idea to go, but they insist it’ll be fine and even when they’re upset with the performance for the insecurities it brings out, it’s all still very mundane upset.
but in the scene where zuko gets killed by azula, suddenly, everything shifts. they all look HORRIFIED. it is a stark reminder that they are in enemy territory, surrounded by people who would cheer their deaths. i think it’s actually very notable that zuko dies first, too, and that this is what triggers the change in tone, because he is FROM THIS NATION, HE USED TO BE THEIR CROWN PRINCE, and now, because they see him as a traitor, because he is on the other side, his death is something celebrated. if that’s how they think of HIM, what will they do when it’s everyone else’s turn?
the answer: nothing good. people are similarly celebratory when aang dies, and then there’s actor!ozai’s whole big speech about how nothing can stop him now and the fire nation’s glory and burning the world to ash, etc. and once again, just, sheer horror on all of their faces. which, fair! who wouldn’t be horrified in their shoes?
it’s also a reminder to our heroes (and, in fact, to the audience) of how deeply-ingrained the proganda in the fire nation is. because that’s fundamentally what this play is, despite the silly overtones. entertainment isn’t actually the point, even before the ending. it’s a byproduct, certainly, but if you look at how every character and interaction is performed, there’s a very clear intention: make these people look incompetent and ridiculous. why the hell would you want to root for these guys when you could root for the honor and glory of fire nation victory? is the point.
the arts can be used this way, to spread dangerous propaganda that warps information, as much as the lessons we see in a fire nation school aang goes to in “the headband.” there are kids YOUNGER than even aang or toph at this play, all internalizing these messages early. and it’s been this way for a long, long time.
it’s, imho, very important to understand that these are the stakes the characters are ending on before the finale.
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The thing about The Great Divide is that not only is it a useless episode plot wise but it’s also like. They have Appa. Aang just bought a bison whistle. Appa can literally take everyone out of the canyon so there’s no need for this whole journey
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Hear me out. Azula in the spirit temple. Aang is the bridge between the spirit world and the human world. Azula granted him the arguably ultimate spiritual occurrence of his life by making him undergo death itself. Every positive interaction between them is exclusive to atla's comic material. Ergo Aang is going to grant Azula the ultimate spiritual occurrence of her life in turn. Are you getting this
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People who have learned that every single action, line and thought bubble needs to serve the plot - forget that. It doesn't have to. It really doesn't have to. Sometimes you can just have fun with these characters. They can go to fucking McDonald's and they don't have to die, fight each other, hold hands or fight the big bad just for that to happen. They can just hang out
Something horrible can happen to a character and it doesn't have to serve anything but the character's development. There is nothing wrong with that. I mean even THAT can serve the plot in the long run, but it doesn't have to
I PROMISE you, you don't have to fuck around just for plot to happen. Not everything has a big purpose. Sometimes its just about having fun and playing with dolls
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beach day filler episodes need to be brought back because i need to know how my pookies will act when they're at the beach w their gang and so i can see what kinda fits they wear and learn about if they hate the beach or love the beach and see what shenanigans they get into so i can learn a deeper part of their personality and also so they can make me giggle
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Okay so I just managed to finish watching the new live action ATLA series and all I see is people getting mad about changes and this and that but I’m here to talk about my FAVOURITE change made.
The 41st division that Zuko saved being his crew on the ship. I L o v e that to no end. Just the fact that Zuko saved their lives entirely and yeah they’re kinda banished with him but they would be dead otherwise and ahhhh my gods it’s amazing. I think it’s an amazing addition to the story and I’m glad it was put there.
Sure I didn’t agree with some of the other changes but keeping in mind that it’s difficult to adapt cartoon to live action and that a lot of the original episodes when the show was coming out were fillers I think they did well including as much as they could even if it was put in the background. Like that one pub scene you can hear a patron mention that the avatar defeated the canyon crawlers or something along those lines.
Cabbage man was incredible as always 🥬✨
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If people talked about ATLA the way they talk about Steven Universe, Star Vs. TLOK and She-Ra.
"So Aang just ran away and froze himself at the bottom of the ocean, leaving innocent people to be conquered by the Fire Nation? What a selfish coward! He has blood on hands!"
"Ugh! The stupid chauvinistic crap Sokka says! The creators are misogynists!."
"Man, Katara is such a Mary Sue! The way she grew into a waterbender was so unrealistic. Bad writing!"
"Toph is blind? But how can we tell? A blind person can never do THAT! Nope, sorry. Not good enough. Doesn't count as real representation."
"Zuko is an irredeemable, imperialist brat, too easily forgiven.
He doesn't deserve a redemption arc. He should've been killed at the beginning. The creators clearly have a thing for "Draco In Leather Pants".
"The King of Omashu, Imprisoned, Jet, The Deserter, The Cave Of Two Lovers, Avatar Day, The Tales Of Ba Singh Se, ect. Pointless filler episodes with nothing to add. More examples of sunk-cost fallacy."
"Azula is a powerful young woman who slowly goes insane because Mommy and Daddy didn't love her enough? The creators hate women and want them back in the kitchens!"
"So we're shown that there're innocent people in the Fire Nation who don't support the war yet the Fire Nation are still the bad guys? Trying to earn woke brownie points much?
"Aang doesn't kill the Firelord but drains him of all his powers, ultimately sparing him!?! THE CREATORS ARE FASCIST SYMPATHIZERS!! OFF WITH THEIR HEADS!!!"
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