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#Best Of 2017
strangledeggs · 10 months
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The Best Albums Of 2017
(A note that extends to all of these lists which I will attach to the top of each: if you want to see a full review of any specific album on this list, or are wondering why a particular album did or didn’t make the top 10, or are wondering why an album you like from the year in question isn’t on this list at all, send me an ask about it and I’ll try and respond!)
The Top 10
DAMN by Kendrick Lamar
Brick Body Kids Still Daydream by Open Mike Eagle
Describes Things As They Are by Beauty Pill
Antisocialites by Alvvays
A Crow Looked At Me by Mount Eerie
4:44 by Jay-Z
Oversleepers International by Emperor X
who told you to think??!!?!?!?! by milo
Talk Tight by Rolling Blackouts Coastal Fever
Sleep Well Beast by The National
The Rest
Whiteout Conditions by The New Pornographers
Out In The Storm by Waxahatchee
Playboi Carti by Playboi Carti
Triple Fat Lice by Aesop Rock & Homeboy Sandman
The Underside Of Power by Algiers
République Amazone by Les Amazones d’Afrique
Resolution by The Perceptionists
The Official Body by Shopping
Drool by Nnamdi Ogbonnaya
Fin by SYD
Harry Styles by Harry Styles
Laila’s Wisdom by Rapsody
Life Will See You Now by Jens Lekman
Life Without Sound by Cloud Nothings
American Teen by Khalid
Dakhla Sahara Session by Cheveu And Group Doueh
Big Fish Theory by Vince Staples
1992 Deluxe by Princess Nokia
Veins by Homeboy Sandman
A somewhat weak year, if my (still-forming) shortlists for the years to follow are any indication – only 29 albums made the cut here. Some of the top 10 were surefire picks: “DAMN”, though not my favourite Kendrick (which remains To Pimp A Butterfly), has grown on me a lot to the point that I now see it as one of the year’s greatest achievements – a surprisingly coherent collection of solid-to-excellent songs with only the loosest of threads connecting them all in some kind of “concept”; “Antisocialites” is a beautifully-produced nonstop hook-fest of an indie rock album; “Describes Things As They Are” deserves a special mention for bringing one of the year’s most unique sounds to the table, even as it traces its clear influences back to artists as diverse as The Dismemberment Plan and Arto Lindsay (great “Prize” cover in there). Others I had to think harder on, and I switched out “Sleep Well Beast” for “Whiteout Conditions” at the last minute here, my main justification being that on revisiting each, it seemed to me that The National had never sounded better than on their moody, murmuring 2017 album, while The New Pornographers, despite delivering another worthy entry to their now-formidable discography, had.
In retrospect, this was an interesting year for hip-hop (though when isn’t it these days?) beyond “DAMN”: it marks the breakthrough success of Open Mike Eagle, the triumphant return of Jay-Z (but hold the antisemitism next time, OK?), the introduction of the chaotic Playboi Carti and the album that might stand as Princess Nokia’s most definitive statement so far. It also saw the final entry of Aesop Rock & Homeboy Sandman’s enjoyable “Lice” trilogy of EPs, a fascinating experimental effort by Nnamdi that still stands as one of the most distinct-sounding (if not necessarily consistent) hip-hop albums I’ve heard in recent memory, and the first albums by Rapsody and Vince Staples to truly impress me.
Though it might be hard to say exactly when “poptimism” broke critical establishment mainstream at this point (and I’ll probably write more on that later), this year also strikes me as notable for not including a whole lot of representative entries that would appeal to that crowd’s sensibilities – at least not on my list, meaning I didn’t see many capital-P Pop albums worth mentioning here. That being said, the top 40 stuff gets a couple victories here in the form of the two depressive-leaning albums by Harry Styles and Khalid (Khalid’s is the better one, if you’re curious).
Speaking of depressive (though the word actually feels inadequate to describe this one), “A Crow Looked At Me” gets a last word in here for being the most anomalous album on this list – I didn’t think I’d even like it until I tried it, upon which I found less of an album than a powerful, personal meditation on death and loss that somehow achieved poetry by constantly trying to avoid it. After listening to it the first time, I thought I’d never want to hear anything like it again – that is until I heard its follow-up from the next year.
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comedybingbong · 1 year
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escuelahairstudio · 2 years
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Ed Sheeran and Beyonce's 'Perfect' Is Surging On Midweek U.K. Chart
Ed Sheeran and Beyonce’s ‘Perfect’ Is Surging On Midweek U.K. Chart
On her way she met a copy. The copy warned the Little Blind Text, that where it came from it would have been rewritten a thousand times and everything that was left from its origin would be the word “and” and the Little Blind Text should turn around and return to its own, safe country. A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy…
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allelitewrestlings · 2 months
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cubesoda · 10 months
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one Older!DTK Trio Doodle Dump Ultra Mega Supreme™ coming right up, sir!! Liz laments the loss of her status as Tallest (out of the three)
also Crona’s there
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holly-mckenzie · 3 months
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Matthew Patrick Quinn as Hades & Lana Gordon as Persephone
HADESTOWN created by Anaïs Mitchell & Rachel Chavkin
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endreal · 1 year
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I think smartphones-as-computing-platform have peaked (and maybe already jumped the shark?) for any practical purposes. There are only 3 things smartphones need from here on out: better battery life, more storage/user expandable storage, and better ergonomics
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dizzybevvie · 2 months
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no bc when Richie realises (but is in denial) that eddies dead and he slumps over into a hug and just sobs into him, and hes being dragged away from the body and screaming, its not even totally about Eddie. obviously he cares a fucking LOT about Eddie, he was in love with him etc etc, but ppl forget he also hasnt been able to process Stan's death either. he lost his best friend and the man he loved in less than a week.
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A follow up to my Stan and Eddie napping together drawing : )
@stanstanthebirdman inspired the idea of eddie fussing over stan's bandages and i kinda ran with it and made it an eddie and stan comfort moment :' )
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odetokeons · 1 year
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i love the tough, grumpy, intimidating, big guy and the small, but incredibly powerful and badass kid they reluctantly adopted cinematic universe
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This came to me like a vision
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disney-mystical-au · 3 months
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Duck doodles +Oswald (because they’re rotting my brain rn)
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escuelahairstudio · 2 years
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Justin Bleber Posts Tribute to His Bro: 'Relationships Are Worth Fighting For'
Justin Bleber Posts Tribute to His Bro: ‘Relationships Are Worth Fighting For’
On her way she met a copy. The copy warned the Little Blind Text, that where it came from it would have been rewritten a thousand times and everything that was left from its origin would be the word “and” and the Little Blind Text should turn around and return to its own, safe country. A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy…
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allelitewrestlings · 2 months
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delladuck · 3 months
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did i join the bandwagon and draw this instead of doing my homework? yes. was it worth it? yes.
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sillyrabbit81 · 10 months
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Henry Cavill as Captain Syverson Sand Castle (2017)
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