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#Billie Bowman
sixqueendom · 10 months
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sprnklersplashes · 2 years
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at the risk of playing into stereotypes heathers has added a new ensemble character and um...
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it’s giving off a certain vibe
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ulrichgebert · 1 year
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Heathers hingegen, das vergnügliche High-School-Musical voll Mord, Selbstmord, Rufmord, sexueller Gewalt und Mobbing braucht keine Spezialeffekte und nur eine extrem unspektakuläre, kleine Bühne und verlässt sich total auf Talent und Hotness seiner jugendlichen Darstellerriege, um irgendwie auch wieder mehr Spaß zu machen, als es der Thematik nach eigentlich sollte.
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idridian · 2 months
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you want to live? don't hold your breath this isn't life; it's living death.
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ghostlypawn · 2 years
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here are four more lower quality pics too <3
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rocohen20 · 1 month
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Stanger Things Recs- Fan Edits & Fan Art
In the past year or so I got into the Stranger Things' fandom. I thought it would be a fun way to have a never-ending compilation of fandom related content. I am on Tumblr and Youtube, so most of the content here are from said websites. My favourite character is Steve and as a result of it most of the following links will be more about the older kids and less about the little kids.
I hope you enjoy it!
Fan Edits
General
-I'm Just a Kid, by n0connections
As for a general edit for this show, this is a perfect edit. This show deals with literal kids trying to save the world, and with each passing season more and more kids get involved, and the seriousness of the situation grows. It isn't fun to talk and the trauma for the show runners, but the fans aren't afraid of it and have the different ways to
show and explore those traumas.
This video cotained only canon compliant segments. Combined with the song "I'm just a kid" who is filled with teenage angst and about how you are alone in the world. The song elevated and validated their experience.
On a more personal note, hearing this song was such a blast and nostalgic to me. And I still knew all the lyrics even though it's been a while.
-Tokyo Drift, by musicalchaos07
A fun compilation of the driving on the show along with an apropriate song.
-D&D, by kxsslikerealpeopledo
The voice clip is funny in itself, but the characterisation is on peak, especially Steve's.
-Treat, by mourntheantagonist
It's just funny and hilarious. I like the friendship dynamics it illudes to.
-Big Happy Family, by sailorbuckley
I just love videos who assign characters their part of a found family.
Steve Harrington & Dustin Henderson
-Hawkins' Hendringtons, by n0connection
Gilmore Girls AU, the opening credits. Every variation of Steve is actually Dustin's parent I eat right up.
Steve Harrington & Robin Buckley
-Besties, by rogueddie
The friendship between Steve and Robin is some of the best thing on the show. I love how they took a silly, borderline memable, song who fit perfectely with their dynamic.
My favourite part is how the line "Girls in bikiny are waiting for me" is accompanied Steve's little giggle before he tries to flirt in scoops ahoy.
-I'm Not Suicidale, by djohawke
This edit is like a primer for many of the well used headcanons for Steve. Personally I like to read the stories where Steve is suicidal and his fiends- especially Robin care about him. However, what I appreciate even more is Steve having suicide ideation. Him caring so much for the kids and his friends, that his own personal safety is dead last in his list.
Steve Harrington
-Nail, Hair, Hips, Hills, by thirdeye1234
This song is full of attitude just like Steve. It just fit.
-You're On Your Own Kid, by MockingJamie
This edit is a 4 season recap of Steve as a character and his arch. The song goes hand in hand with the character. Out of all the different "You're On Your Own Kid" edits, for all the different fandoms, this edit is by far the best. I've seen this video a million times. I've cried to it, and it made me feel so many different emotions. It also made me fall in love with the song (it was part of my most played songs of the year).
-Not Everything Has a Happy Ending, by rogueddie
A beautiful edit which shows all the angst and hardship Steve's been through in 4 seasons. A nice validation for all those fanfics about Steve's whump.
-Fantasy, by kat-writes
The song says it all, Steve is definetely a fictional crush and this edit portrays it spectacularly.
-Don't Trust Me, by gideoncharov
Something about the combination of the song with the images just sums "King Steve" perfectly. He is confident and he knows he is the hot shit.
-Demons, by MDR Productions
I think this edit and the song ties perfectly into "Mom Steve". Time and time again we see how he is readily to protect anyone he knows and love. Also it ties with all the tropes of "Steve Harrington has a dark past" such as "Steve Harrington has Bad Parents" or neglected Steve.
-Another One Bites the Dust, by Grable424
It's an incredible, fun, funky edit. The song is setting the perfect mood. But what really makes this edit so good is how she shows the contradictary in Steve as a character- the confident smooth guy, the clumsy unaware guy, the bortherline patheric guy, the protector physical guy.
-Style, by mendessip
A fun little Taylor Swift edit. I'm not gonna lie, every time I watch this edit I feel personally called out by the ending.
-1985, by Navi Fire-frost
Right of the bat I love the song choice, and she really did an excellent job with the editing to fit the words. I love how some lines are really on tune with the scenes- "His wife underwhelming cooking" along with the indignant look of Robin. "Some people really had to fight for survive and some people were white guys in 1985" along with Jonathan and Steve.
However the perfect lines were about how some people were living through the AIDS crisis and some people were Italian. Both of them goes perfectely with "Bisexual Steve Harrington" and "Italian Steve Harrington" respectfully.
Also the end of the song is just perfect. As someone whose father was 19 in 1985 and like Steve he is mostly dresses in polo shirts and the general style of Steve, I felt relatable. Also I thought it was fitting also for Joe Keery himself. In Kevin Pollak Chat Show he spoken about how Steve is reminding him of his dad, who was roughly the same age as Steve in the 80s and also dresses in a preppy style.
-The Innocence is Gone, by electricmunson
It's short but it's really explain perfectectly how season 4 unashamedly put Joe Keery like that. They knew exactly what they were doing and a lot of the fans can't complain.
-WAP, by rafescurtainbangz
I wouldn't mind to get a full edit to this song.
Steve Harrington/Eddie Munson
-Hellfire Band AU, by bachaboska
As a fake trailer it is edited so much like a real one. I love the editing and especially the choice of song.
-This boy is dangerous, by emsgoodthinkin
I love the song with the images the creator chose. It also ties with the type of stories where Steve was aware of Eddie's atraction for him, and not only that Steve is confident and have no problem to flirt right back. I love "Confident Bisexual Steve Harrington".
-Steddie as Canon, by eddielove
This edit is really good and shows a different version of season 4. There are a lot of fanfiction with the plot of Eddie entering the story earlier than season 4. A personal favourite take of mine is secretly dating Steddie, until the events of season 4 let the secret out to the rest of the party. The stories that goes hard into their shared senior year together are a really appreciated and fun to read.
-Head Over Hills, by eddielove
I just love the song, and the emotions of the song along with the peak 80's vibe of it. The softness of the song along with the editing is perfect and it once again ties to the secretly dating before season 4 angle.
-And your Best Friend Too, by emsgoodthinkin
The vibe and the clips just show off their attractiveness. But also it really give the vibes of all the threesome of Steve/Eddie and another character. I don't always read thressome fics of them, but some of them just hit. With the vibe of this video, it ties with the character who is attractive and is torn apart while needing to choose between Steve and Eddie. Every one has his own aspects they really love. Eventually after tearing themselves apart the boys put mercy on the charachter and tell them how they don't need to choose just one of them, they can have both.
-I want to Swoon You Baby, by windlass262
It's just adorable. The art is pretty and I love how flustered Steve get because he was never swooned before.
-Everybody Wants To Rule the World, by aexphr
It's a cute edit and change of the original scene. It's a pretty much sum the dynamics of this ship.
-But You Broke Mine, by unanuvola
I just love the nerative. It also fit with a lot of the fics where Steddie was a thing priar to season 4, they broke up and the events of season 4 bring them back together.
Tommy Hagan/Steve Harrington/Carrol Perkins/Nancy Wheeler
-Boys & Girls, by pr1nce-steve
I just adore the stories where they goes hard into the friendship of Tommy, Carol and Steve. Extra bonus if it include Tommy/Steve/Carol thing that Nancy abruptly stopped and that's why Tommy and Carol hated her so much. This edit is exactly about this scenerio.
Tommy Hagan & Steve Harrington & Billy Hargrove
-Something 'Bout You, by gayfiction
Steve has a face that people like to beat up.
Billy Hargrove
-What's In Your Head, by xPsychoLoveProdzx
This edit and the next both used the song Zombie but in different ways. The lyrics really fit with Billy's story and charachter. This edit follows the canon, but it makes you understand the charachter better. I love it when the chosen music dictated the nerative, and this is a fine example for it.
-Zombie, by GreyMagick
I really liked how it portrayed the continuation of the cycle of abuse. How Neil mistreats Billy, and Billy mistreat Max. The music inhances the massage by talking about how history is repeating itselfs
-Teen Idle, by queen-helaenas-pet-spider
This song is a lot about mental health and regrets about your teens. It fits with Billy really well, especially this part of the song. It just the perfect vibe for him.
-My Castle's Crumbling Down, by mourntheantagonist
This song, like many of Taylor Swift's songs put a vivid imagery in my head. If you're looking at the rest of my page, you would see primarily ice hockey related content. And this song is really really NHL coded. However, when it comes to the bridge it is the perfect Billy coded. The bridgeis literally about the silence before the storm. How despite how people made you to be the villain you are still standing tall and will make him take back their opinion. Which is exactly how Billy was at his last minutes. I watched this edit in loops many times.
-Comfortably Numb, by luckylocus
The song really fits with Billy being flayed by the mindflayer.
Billy Hargrove & Max Mayfield
-I don't relate to You at All, by babylove176
It shows perfectedly the messy relationship between Billy and Max. The song fit seemlesly as well.
Billy Hargrove/Steve Harrington
-Hairy Cam, by shieldofiron
I'm sorry, but I am too is so into the hairy chest of Joe Keery. He looked so hot in those scenes in season 4, and this video is an appreciation, as well as a Billy/Steve video dedicated to Steve's hairy chest.
-They Scream, by saberghatz
It's a fun spirited edit, with the soundtack of 'Dirty Dancing', what not to like.
-Billy Asking Steve Out, by fizzigigsimmer
It's a short, funny edit. Poor Eddie.
-Pants, by giurochedadomani
This Tik Tok and speech is hilarious on its own, and it really fits with Billy's and Steve rivalry and suposed sexual tention and homoeroticy.
-Billy Survives, by saberghatz
This is phanominal editing. It's looks like a legit trailer. I really liked the use of the songs, especially 'Climbing Up The Hill'. Also I'm a sucker for the line "Am I dreaming or is it you Harrington?"
-Shower Scene, by martianclown
I just love the Tommy bashing in that one.
-A Tough Year, by ickypuppi3
I just love this edit and it makes me want to read a whole 50k fic about Jason Carver pov about having to suffer the sexual tension and pining of two of the team stars.
-Grindr, by ickypuppi3
I just love this sound, and all of its form. Also it fits perfectedly with all the fics were Billy is a closeted gay man, and Steve is just oblivious to Billy's crush.
-Go to Bed, by mourntheantagonist
I love the stories and edits where Steve is the one with the say in the relationship with Billy. Billy loves every second of it.
-Stop Looking At Me, by clownwix
I love the art and the soundbite.
-Admit it, by clownwix
Once again, the art. And season 3 Steve is really is a treat.
-Whore, by mourntheantagonist
I love the soundbit and the accent of Dave Mitchel, along with the twist.
-Swear, by valtoon
It fits Billy's personality just right.
Murray Bowman
-Over This Teenage Dream, by findafihgt
I think it's a fun edit to characterize him. Also the song and the images remind me of the Altracation between Murray and Steve in chapter 25 of the incredible fic of Jackrabbit Underneath by Grey_Lark.
Fan Arts
General
-Camp Strangers, by tubesock86
I just love the art so much. It gives the vibes exactly right without spelling it. It also feel like a perfect AU for the show, while still keeping the same vibe. Also it really give me the vibes of "Fear Street, Part 2, 1978 (which coincidentally starring Sadie Sink). Especially with the camp counslers of the movie.
-Steve Plays DnD, by habken
It's a cute little comic. It also go well with all the fics and headcanons of Steve finally wore down enough to try playing DnD, and how most of the time it doesn't go smoothly.
-Steve's Clothes. by poisonyvs
I love the concept. Steve and Robin are the type of friends who wear each other clothes.
-It's Always Sunny in Hawkings, by tubesock86
I love when talented people recreate random photos for a different fandoms. Out of all the pictures to recreate out of "It's Always Sunny in Philadelphia" this is the perfect picture.
-Corroded Coffin Album Cover, by artbean
-Corroded Coffin Second Album, by artbean
Those two links are an incredible, creative design of Corroded Coffins' Albums.
Steve Harrington
-Steve's Colage, by skepsis
It's a perfect, cute, colage of Steve.
-Bathroom Floor, by rilinhyl
I love the watercolor painting. It's soft but also not at the same time and I find myself wanting to look at it for a very long time.
-Crop Top, by steddicameraroll
I love the style of Steve on the show, and I think he looks really good in it, but we were robbed.
Steve Harrington/Eddie Munson
-Steve Harrington- Kinktober Latex, by dreaminginpencil
It's sexy, it latex, and it leave too little and too many for the imagination.
-Hockey Player Steve, by fernandesart
-Hockey Player Steve, Figure Skater Eddie, by fernandesart
Those two are a headcanon of the creator, Steve is a hockey player, Eddie is a figure skater. It goes perfectely with many of the romance hockey book, enemies-to-lovers (especially "Ice Breaker").
Also, the fact that Joe Keery played hockey growing up, and is a hockey fan is just perfect for this head canon.
-Stay, by vivalsky
It's just really really good. I love the details and how it paints a whole story. I love how Steve is wearing Eddie's vast but I love how he paired it with the short gym shorts- the perfect combination between the old and the new Steve.
I want to think that Steve invited Eddie to his house to "hang out", Eddie let himself in and trying to find Steve. When he went upstairs towards his room, the door is closed. He knocked on the door one, as a warning, before he let himself in. He walks in to the perfect image of Steve, wearing his old gym shorts. This pair is short, and with a the position of Steve's leg, there are some hidden gems being reveiled. When Eddie raises his eyes a bit he balatedely realize that Steve is wearing his Dio vast. Since what happened with Vecna Steve didn't return the vast, and Eddie couldn't complain.
I also really love the implication, without showing any sorts of nudity.
-Kissing, by litteleststarfighter
I just love the yellow sweater of Steve, and I love the expose skin between the two of them.
-Steddie, cigarettes, by boohonya
As I said earlier, I love when poeple recreating random pictures. I also love how in this specific picture it could be read as homo erotic or as a romantic, indirect kiss.
-Frat Bros, by unspecifiedfigure
Like I said, I love all the recreations of random bros photos.
-Beach, by snewok
Another recreation of a photo. I love the vibes of this, it fits great with all the "eddie is pining and super attracted to Steve" fics.
-By the Poll Side, by inflomora-art
I really love the colors and the position of the two of them. Steve's house is private so they would feel more comfortable to be intimate without the fear of uninvited eyes watching.
It's also remind me of chapter 4 of Step With Me Into Indecency, by wilting_aspen. I highly recommend this story.
-Bathroom Bar, by ah-jiing
A sexy, slightly smutty art. It reminds me of the story you can feel his heart, but you know he's mean , by oklahoma.
-Gym Class, by ahhrenata
I love it, I just love when people are reffering to the fact that they shared a senior year. Especially the juxtaposition between athlete Steve and two-times senior Eddie.
-Horro Camp, by littlestarfighter
This Camp AU is more on the realistic side. And I love how you can feel how unsure they are, even slightly scared.
Steve Harrington & Dunstin Henderson
-Steve+ Dustin- season 2, by fennethianell
They are just adorobale together, I really liked their bonding in season 2.
Steve Harrington & Robin Buckley
-Stobin Sharing a Bed, by kaspurrcat
They would 100% share a bed, so I love everything about it.
-Vampire Stobin, by sentient-trash
I love the vibes of the original painting, and how he took it and put his own twist in it. Also I love how he put Steve in the dress and Robin in the suit.
-Friendship Goals, by ioannushka
It's adorobale and exactly how I see their friendship in my mind.
Robin Buckley/Chrissy Cunninghum
-Buckingham, by glitterfang
I like watching and reading about the two of them. It's fun and the art is pretty.
Billy Hargrove
-Bily Playing Basketball, by aggressiveviking
I love the idea of him putting his curls in a tie. I know how annoying it can be all the hair in the way in the middle of the game.
-Female Billy, by valtoon
I love how she kept the aggresiveness and the dominant fitures of his face. I love the hair as well.
Billy Hargrove/Steve Harrington
-Giving a Hand, by generalghosty
I love this scene, and especially this part.
-Hockey Bros, by akioukun
I love the Hockey AU. But especially I love how they seemed Buddy Buddy, but judging by Billy's face you can see the complicated emotions between the two of them.
Max Mayfield/Lucas Sinclair
-Lumax, by vampirade
It's such a happy, beutiful painting. I love seeing the contrast of the colors between them.
Will Byers
-Zombie Boy, by willnmike4l
I really liked the color scheme and the style.
I hope you enjoyed it. I'm working on part 2 with different espects of the fandom.
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whileiamdying · 10 years
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IKE & TINA TURNER: THE GREAT RHYTHM & BLUES SESSIONS
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The 1980’s have treated Ike and Tina Turner quite differently. Tina has become a contemporary superstar recording somewhat glossy “Pop” material (albeit of high quality). Ike, meanwhile, has struggled, having to deal with a variety of legal problems while seeing his personal problems with Tina dragged through the media incessantly. In the process, his once immense contribution to R&B history has been somewhat overshadowed.
There was an earlier time, though, before the general public was made aware of their personal trials and tribulations, when the Ike and Tina Turner Revue was one of the hottest, most durable, and potentially explosive of all rhythm and blues ensembles. Fronted by Tina, one of the rawest, most sensual, and impossibly dynamic voices in black music, the Ike and Tina Revue was an ensemble that dripped musical discipline while manifesting nearly unbearable tension, the combination eventually giving way to wave upon wave of catharsis. At their height, only the James Brown Revue could operate on the same level.
The Ike and Tina Turner story starts deep in the heart of the pre-World War II Mississippi Delta. It was in the jumping town of Clarksdale that Ike was born in the fall of 1931. As a child he was fascinated by the piano playing of blues man Pinestop Perkins (whom he heard via Helena, Arkansas’ King Biscuit Radio Show). Before he was eight the youngster could be heard rattling his own set of 88’s. Less than ten years later he had joined a large swing ensemble going by the name the Top Hatters and run by a local saxophone playing dentist.
After Turner served a stint in the capacity of disc jockey for Clarksdale’s WROX, a number of former Top Hatters came together under a new guise, Ike Turner and the Kings of Rhythm. By March 1951 the Kings of Rhythm, through the intercession of B.B. King, cut four sides for Sam Phillips’ Memphis Recording Service. Phillips, in turn, leased the recordings to Chess Records in Chicago who issued two of them under saxophone player/vocalist Jackie Brenston’s name. Part boogie and part incipient rock and roll, “Rocket 88” by Jackie Brenston and the Delta Cats became a number one R & B hit in the spring of 1951. Ironically, Ike Turner’s first taste of Success didn’t even mention his name.
From late 1951 to 1956 Ike proceeded to play the role of talent scout and producer [or the California-based Modern Recording Company (taking a brief timeout in 1953 to record a few tracks by Billy “the Kid” Emerson, Johnny O’Neal and himself for Sam Phillips’ fledgling Sun label). During his tenure with Modern he waxed sides by the likes of Elmore James, B.B. King, Rosco Gordon, the King Biscuit Boys, Johnny Ace, Junior Parker and, of course, the Kings of Rhythm.
Having moved his base of operations to East St. Louis in 1955, Ike also changed record company affiliations, recording the Kings of Rhythm and producing others for Cincinnati’s King/Federal complex. Perhaps the most notable record he was associated with at King was Billy Gayles’ incendiary “I’m Tore Up.” By 1958 Turner had moved his activities to Eli Toscano’s Chicago-based Cobra and Artistic labels. A couple of records were Issued by Toscano before Turner recorded two further releases for a local St. Louis label, Stevens Records, under the name Icky Renrut in 1953 (the pseudonym was a device designed to circumvent outstanding contractual obligations elsewhere).
It was at this point that Tina entered the picture. Born Anna Mae Bullock in Nutbush, Tennessee in November 1939, Tina spent the first fourteen years of her life living in a number of small, largely rural western Tennessee hamlets with names such as Brownsville, Ripley, and Spring Hill. Her mother had moved to St. Louis in 1950. Five years later Tina followed suit. There she met Ike and the other Kings of Rhythm at what had become the band’s home base, the Club Manhattan in East St. Louis. Her sister, Alline Bullock, was dating drummer Gene Washington. Anna Mac Bullock was all of sixteen.
After a few months of nightly inveterate Kings of Rhythm worship, Tina got up and sang with the band. Astonished by her combination of emotion and up-against-the-wall power, Ike Turner let her take the occasional spot with the band. Soon he offered Anna Mac Bullock a job. Still in high school, she had acquired a new vocation.
In 1960 the Kings of Rhythm cut a demo of the Ike-penned “A Fool In Love”. Copies were dutifully sent to all the important independent record companies then recording R & B. Only one, Juggy Murray’s Sue label, expressed interest. Murray was sure he smelled a hit and, in his mind, Anna Mae Bullock was the key. After flying to St. Louis and impressing this notion upon Ike, he signed the band to a four-year deal. Ike, wisely, changed the name of Anna Mae to Tina, and the Kings of Rhythm became the Ike and Tina Turner Revue. A new age had dawned in the lives of all concerned.
“A Fool In Love” climbed its way to the #2 R & B slot while stopping at #27 Pop. Other hits quickly followed on Sue over the next four years including “I Idolize You”, “It’s Gonna Work Out Fine”, “Poor Fool” and “Tra La La La La”. All were Top 10 R & B and all also saw some Pop action, “it’s Gonna Work Fine” being the most successful going all the way to #14.
The Ike and Tina Turner Revue had arrived. Ike, though, unfortunately combined an acute sense of impatience with a workaholic personality. The result meant that Ike subscribed to the John Lee Hooker school of doing business; i.e. record at any opportunity for anyone who happened to be willing to put cash on the barrel head, regardless of their taste in packaging or their ability to promote or distribute the product. The results were threefold: Ike and Tina are perhaps the most over recorded R & B ensemble of all time; the various records issued under their name tend to be uneven, at times suffering from substandard material; and sorting the various recordings out tends to be problematic. That said, they still managed to place twenty-five records on the R & B charts for nine separate companies between 1960 and 1975.
The Ike and Tina Revue was always hyperactive, constantly playing shows (often a mind boggling three hundred plus a year), rehearsing and recording. The latter occurred virtually anywhere they found themselves with a few days to kill and an available studio. After sessions were completed, Ike would debate on who he would sell the tapes to. Such practices make it near impossible to precisely date these recordings but they appear to have taken place in 1967 or 1968, the sessions conducted in Memphis at the Royal Recording Studio, the same studio that Willie Mitchell and Hi Records would use to cut all of AI Green’s, Ann Peebles’ and Syl Johnson’s early seventies hits. They were originally issued over the course of a series of albums released in 1968 and 1969 on Ike’s Pompeii label, distributed at the time by the Atlantic subsidiary, Atco Records.
Ike took production credit and wrote a number of the songs. Also prominent in the composition department is one Mack Rice. A former member of The Falcons, Sir Mack Rice had scored big with “Mustang Sally” on Blue Rock in 1965. When Ike Turner ran into him in Memphis he was working for Stax Records both as an artist and writer. His “It Sho Ain’t Me” is closely modelled on the Stax sound developed by Otis Redding on ballads such as “I’ve Been Loving You Too Long”, the latter a song that Ike and Tina would do well with in 1969. In contrast, Rice’s “Betcha Can’t Kiss Me” is a mid-tempo chugger fueled by Tina’s ever impassioned vocal pyrotechnics. The Chipmunk effect on the backup vocals is just a little too cute. Asked about it in 1990, Mack Rice just laughed and said that was Ike’s idea.
Other highlights abound, where Tina’s concerned most notably with Ike’s own “I’m Fed Up” and Wayne Carson Thompson’s “You Got What You Wanted.” On these and other songs included here, Ike has created arrangements set in keys that at various points are nearly too high for Tina’s range. The result is a characteristic strain that manifests itself in much of what Tina sung in her years with Ike. It’s a technique that Isaac Hayes and David Porter used to great advantage with Sam and Dave at Stax. In recent years Tina has said that she didn’t like singing this way. That may be the case, but the results are undeniably chilling. Ike contributes his share as well, turning in strong bluesy stinging guitar lines on B.B. King’s “Rock Me Baby” and Bobby Blue Bland’s “I Smell Trouble.”
Three of the songs included here, “It Sho Ain’t Me”, “Too Hot To Hold”, and “Beauty Is Just Skin Deep” were released as forty-fives under three different monikers; Ike and Tina Turner, Tina Turner and the Ikettes respectively. Those listening closely will notice that it is not Tina singing on the latter; rather it’s a typically anonymous Ikette. Typically, anonymous because Ike felt that if people knew their names and they had hits, the individual Ikettes would be able to leave and start careers of their own. Instead, this way he owned the name “The lkettes,” paid the singers salary that entailed roadwork and sessions, and kept all the royalties himself. “Make ‘Em Wait” was the flip side of the “Beauty Is Just Skin Deep” and is definitely sung by one of the Ikettes and, to these ears, “Poor Little Fool” is also delivered by one of the backing girls.
None of these records were hits in the era of rampant psychedelia but such does not belie their eminent quality. Ike may have been a dubious businessman but nonetheless he was an absolute master of rhythm and blues guitar, he possessed a fine ear, a superb band and, in Tina, one of the great rhythm and blues voices of all time. Enjoy.
— Rob Bowman
Rob Bowman is a journalist/musicologist living in Toronto, Canada.
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Spring Training:
Willie Calhoun assigned 24
Wilmer Difo assigned 30
Jake Bauers assigned 60
Matt Bowman assigned 61
Ryan Weber assigned 62
Billy McKinney assigned 63
Michael Hermosillo assigned 68
Ian Hamilton assigned 71
Tyler Danish assigned 72
James Norwood assigned 74
D.J. Snelten assigned 78
Tanner Tully assigned 80
Demarcus Evans assigned 87
Nick Ramirez assigned 93
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spilladabalia · 1 year
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Orphan - Ambition
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oughttobeclowns · 2 years
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Review: Legally Blonde, Open Air Theatre
Review: Legally Blonde, Open Air Theatre Not liking this would be like putting a half loop stitch on china silk
Lucy Moss refreshes and reinvigorates Legally Blonde the musical in iconic style at the Open Air Theatre “If you’re wrong, we look desperate AND homophobic” The Open Air Theatre isn’t a venue one necessarily associates with taking risks, so getting SIX co-creator Lucy Moss to direct a wonderfully diverse and queered-up revival of Legally Blonde feels like an excitingly big swing. Quite how it…
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pbj-katz · 8 days
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The Surreal Murder of Stephanie Marsland
Stephanie Marsland died Friday, March 15th, 2019, she had turned 16 only three weeks earlier. They found her on the east side of Yew Dr., approximately a quarter before four in Harpy, Colorado. During the initial examination, experts determined she had died only 15 minutes prior to the discovery.
Drowning.
She was face down in a puddle of maybe 4 inches of water; it had rained through the night before, and into the day, stopping only an hour before school was released. The pothole that held the water was the infamous Silly Billy hole. The name, well disputed on who had given it to the pothole, was in front of the house of William Harris, an elderly man who, as many of the folks who lived in Harpy would have claimed, had been living in the house before the town was even built. Despite the rumors right after his death from a heart attack three days later, William Harris was not the one to find the girl. No, that task was left to 10-year-old Sean Abshear, who sat on the ground with wet cement soaking into his brand new jeans and screamed until someone pulled him away from the sight.
“Those jeans, they were stained. I had to throw them away. Spent nearly 90 dollars on them and threw them away because Sean didn’t have the common sense to knock on a door. He gets that from his father.” His mother, Kimberly Abshear, would tell their neighbor Beverly Turner when asked what had happened that day. But of course, when Beverly went over to the Abshear’s house, she was looking for the gruesome details.
Within four months, Silly Billy, who had been filled with asphalt every year only to return deeper and more vengeful each year, would disappear. As if overnight, the town of Harpy would close Yew Dr., and reopen it three weeks later, freshly paved.
“I guess something good came from that girl’s death.” Fred Bowman stood on his porch early in the morning, looking out on the new street. Standing just outside the door, his husband felt a shiver crawl up his back, the only other person who could have heard.
That girl.
“Stephanie was an angel; she had this bright future. We had just started talking about colleges, about her major, about growing. She wasn’t stupid, she wouldn’t have lain down in a puddle, she wouldn’t have killed herself.” Fiona Marsland told a student-made documentary almost a year to the date of her daughter’s death.
Stephanie Marsland was described as a kind-hearted, easygoing girl. She loved dogs, and her younger brothers, often described as a second mother to them. Over the 16 years she was alive, she had an influential impact on the town of Harpy, though mostly gone unnoticed. She would volunteer at events, or at the local hospital, but she was also a shy girl.
“She wouldn’t have won any popularity competitions, that’s for sure. The girl was smart, no question, but the girl was also dim. She could write a paper, and it would be this masterpiece, but the second the girl opened her mouth, nothing would come out. She had friends, I’ve seen her with friends, and she wasn’t ever without someone in the class to team up with, but once all eyes fell on her, she would freeze.” Launa Hempton, Stephanie’s sophomore biology teacher, would tell the police when they first launched their investigation. “No one hated that girl, or at least, I don’t think anyone would. There was nothing to hate, she probably didn’t have a single negative thought in her head. Poor girl, she probably passed out and fell into the wrong place at the wrong time.”
The most popular theory that passed around Harpy. On her way home, Stephanie lost consciousness and accidentally fell into Silly Billy, tragically drowning while no one was aware. But that could not be the case. In the official autopsy, the cause of death was purely drowning. There were no apparent reasons for her to lose consciousness; she was adequately hydrated and had food in her stomach. There were no indications of diabetes, drugs, or alcohol in her system. She did not suffer from anemia, seizures, or low blood pressure, and all her organs appeared to be in good health. Besides the post-mortem broken rib from the CPR, there was no trauma to the body, no blunt force, no sign of any sort of struggle, and no trauma to her body or genitals, her hymen was still intact with no signs of any sort of penetration.
Absolutely no sign of trauma.
In the case of Ms. Stephanie Marsland, her examination came back entirely unremarkable. In the ruling of her death, it appears, in my professional opinion, that she unequivocally drowned. No evidence indicated a fall; had she passed out as suggested, there would have been visible marks on her body, especially if she had completely lost consciousness and couldn’t protect herself. Any sort of wounds I found, three in total, at least a day old, if not older, please refer to my official records for more information on the wounds. Ms. Marsland was the picture of a healthy 16-year-old youth, I have doubts she had ever touched alcohol or any drug stronger than Tylenol. All foreign fibers and hairs came back explainable, again refer to my report. I signed off on the autopsy as drowning, with my report reading: Ms. Stephanie Marsland was in exceptional health, if she momentarily lost consciousness, she would have had lay down and rolled to the point her face found the water, she purposely placed herself into the water, or, and most likely, since an article of clothing seemed to have been removed from the body, she was placed there.
The investigation started within a few days of her death, teens were pulled from classes to answer questions, one of them being maybe Stephanie’s best friend. Jacklyn Pappas sat in front of the police, the grease pen drawn mustache for her dress rehearsal of Hamlet, playing Horatio, still on her face. The questions were straightforward, how long had she known Stephanie? (Since childhood.) How long have you two been friends? (Since childhood.) How well did she know her? (Better than anyone at that school, I would say.) When was the last time she had seen her? (As they dressed after PE.) Was Stephanie acting strange? (No.) Was she showing signs of distress? (I don’t think so.) Did she ever mention feeling sad, depressed, suicidal? (No, despite what people say, she was never a sad person.) What do people say? (Stephanie was suicidal because Justin Goodwin had no interest in her.) Who is Justin Goodwin? (A boy Stephanie did like, a boy that she felt she would never have a chance with.) Did she ever talk to Mr. Goodwin? (No, she was too shy.) Did that make her sad? (No, maybe a little, but she rarely talked about it, she was more focused on her future.) Was Stephanie wearing a bra that day?
Jacklyn could not recall precisely what color, maybe purple, but yes, Stephanie was wearing a bra that day. They had changed twice in front of each other, once for PE, and the second after, both times Jacklyn knew for a fact she was in a bra. To Jacklyn, she would have noticed if Stephanie had not, because, despite her petite frame, she was heavy-breasted. She was not one to go without a bra, not when she knew the attention her breast had already garnered with it on, and if there was anything that she hated more, it was the gawking she got when she began to fill out at the early age of 11. She had mentioned reduction surgery more than once, but it was a dream for when she was older.
When she was found face down in that puddle, Glenn Hopper, a retired medic three houses down from where the boy sat screaming, pulled her from the puddle and administered CPR, he noted the girl had no bra on. Even when her mother sobbed in the morgue with the bag of clothing that she had been wearing, she asked where the bra was. As if the fact this girl had drowned in a puddle did not raise enough eyebrows, the missing article of clothing did. The entire town seemed to agree unanimously that Stephanie lying face first in a puddle was acceptable, but they drew the line at the missing bra.
“She was really nice, she was pretty too, I don’t think many people saw that, but she was a pretty girl.” Franklin Singur had been recorded saying over the phone to the Just a Second in Time podcast. Later in the call, he mentioned to Theresa Hernandez more on the subject. “I know she had gone on one date, maybe a few weeks before her death, I don’t know if you would even call it that, but she had gone out with Lincoln Perry, and he was there that day, one of the last people to see her alive.”
“Did he do it?” Theresa would ask.
“No, no, it’s too easy, isn’t it? But no, Lincoln was just a bystander that day, the real beef was between Justin Goodwin, and Patrick Hawkins. Lincoln was probably home right after she left and had an alibi. I remember eyes were on him for a hot second, but off as if they were like, no, not Lincoln Perry.”
“What exactly do you mean the beef was between Justin Goodwin and Patrick Hawkins?”
The argument of precisely when Justin and Patrick’s abhor for one another began narrowed down to three separate incidents. When questioned by the police, Lincoln would recount the first one, as he had volunteered to talk to them the very second he heard of Stephanie’s passing. “Justin and Patrick never liked each other, Justin grew up in Harpy, where Patrick showed up in the second grade. He was always strange, Patrick, he had these jars, tiny jars, and in the jars he would put bugs. He had one friend, Drake, and Drake isn’t weird, we played basketball together, but even Drake never jumped to Patrick’s defense. We would call him weird, and where Drake would never join in, he would keep his mouth shut. Patrick started our school, and from day one Justin didn’t like the guy. It was never directly one thing, but I think what set it off was when, and we were kids, like seven or eight, but Justin opened those jars into Patrick’s lunchbox, and when he opened it all these weird insects scurried around the table. Everyone was screaming, but Justin was saying, ‘I told you, the freak eats them.’”
The next incident was told by Nicolas Banter after the case was closed when the official transcripts had been released, and the first set of true crime investigators clamped down. Henry James’ podcast, The Back Waters Crimes, would be one of the first to take an interest in the story. Although the broadcast lacked enough information to make it worthwhile, a patron tier granted the audience who contributed five dollars a month the ability to read transcripts of unreleased episodes.
Nicolas Banter: Leans back in his chair, chuckling at the report. Of course, that is the moment Link would say, the bugs.
Henry James: You think that wasn’t it?
Nicolas: No, this paints Justin in a negative light, as if he just judged the freak right off the bat. Yes, what Lincoln said was true, the two clearly hated each other the second their eyes met, but if it wasn’t for Patrick, it wouldn’t have escalated to this.
Henry: So, you think Patrick pushed Justin to spill the bugs in his lunch bag?
Nicolas: No, I know for a fact it was. Patrick envied Justin, his dad was a chief of police in a different county, about a week before Chief Goodwin arrested Patrick’s dad when he ran a stop sign, and then failed a sobriety test. You see, Patrick was in the damn car. I don’t know if he saw Goodwin and figured, or was told, but the next time he saw Justin he jumped on him, punching the shit out of him, screaming at him. I would not be surprised if the guy killed Stephanie, if COVID didn’t happen, I feel like the investigation would have ended differently.
Henry: What was he saying? To Justin, when he was hitting him?
Nicolas: ‘F—k you and f—k your pig father.’
The case never categorically went cold, but as the year ended, and the climb into 2020 happened, one year came, and it passed one piece of evidence reigniting interest in the case until it came to an abrupt halt late in March 2020, when the country shut down due to the pandemic. Only Drake Hamal knew a story that the other two were oblivious to, potentially explaining the true cause of the two boys’ mutual hatred. He penned his human-interest story in his college newspaper detailing the event.
Nearly three years ago, while I was in high school, a girl was found dead. She had been drowned in a puddle four blocks from my house. The biggest spotlight fell on two students that I had known since elementary school, an incident that occurred at school, and then developed through the day until escalating off campus. In the end, a girl was found dead, and the boy’s pointed fingers at the other, as they had done almost a decade before.
PH moved from Utah, his family was Mormons, as was JG, they belonged to the same church. Years later, PH finally revealed to me the exact details of what had occurred, a truth that I deeply regretted knowing. JG was no stranger to attending events put on by Mr. G, who was heavily involved in the church. The boys, who must have been seven, were left to watch a movie in JG’s family den, when the DVD skipped, and they both went up to the main house to inform the adults, but found the house empty. PH claimed that JG suggested checking upstairs, but they both ascended to the second floor upon hearing a noise. It was a relief, PH would tell me, they weren’t alone, but as he went to open the door, JG told him no, that he wasn’t allowed to when the door was shut, but PH still turned the knob.
PH’s parents plus JG’s mother were engaged in sexual relations as JG’s dad watched. He would tell me Mr. G sat in a chair tucked back in the corner, naked as the others were, but still never taking his eyes off what was unfolding in front of him. As a teenager, we were just about 15 when this story was told to me; he understood what exactly was happening, but there, as he saw what he would call a pathetic pig watch his wife take it, he felt as if Mr. G was who to blame, by extension, JG too.
Yes, they hated each other the second they met, the classic clashing of personalities, there PH would put his disgust for his own parents all on to whom he felt was liable. He claimed he was the one who pushed JG into the door, but JG would be the first one to throw a punch. Their parents would come out of the room still naked, to the scuffle. It would end with the H’s leaving, and within a week of the embarrassing tussle, JG’s father would be arresting PH’s father.
The article will tell the story of the incident that would lead to the fight outside of the school on the afternoon of March 15th, which would have been argued to lead to the death of Stephanie Marsland, an incident that would be better detailed in the official police report, besides the partial redaction. The report is:
Monday, March 25th, 2019
The past week I have had the pleasure of talking to one Mr. Patrick Hawkins and Mr. Justin Goodwin, son of Delt county’s Chief Goodwin. They eagerly shared the details of the events that transpired on Friday, March 15th, evidence securely gathered and awaiting processing. Mr. Goodwin’s testimony is as follows; rap star Gaze the Baptist came out with a new clothing line late the year before, selling out as fast as it had gone up. This clothing line included a $300 pair of jeans that Mr. Goodwin would claim he had been saving up to get and was one of the lucky ones to purchase. That week the package came, and despite Mrs. Goodwin’s protest of letting her son leave the house with those pants on, he would arrive at school in them. He would claim he was aware of Mr. Hawkin’s being a fan of this rapper, and when he showed up in the jeans, Mr. Goodwin is quoted as saying; “I knew I made a mistake, the look Patrick gave me was telling me I would not leave the school without regretting wearing them.”
The pants in question were taken from Mr. Goodwin and put on evidence, but later released back to the boy.
It had been noted that Mr. Hawkin’s favorite form of taking notes was in red pens, not just by Mr. Goodwin, but by other classmates and teachers. Some even were quoted as saying he would use variations of shades, but always red. In their shared 3rd period class, Mr. Goodwin would take his seat right before the late bell and proceed with the class as usual, taking notes and interacting as he would normally. At this moment in his story, he looked out the window for a long time, his face turning a slight red as he thought of his next words. He was called up to the front of the class to give his presentation, one he claimed he had spent weeks preparing, and as he stood the giggling started, and by the time he was in front of the class, everyone was laughing.
“Madison Thorpe even asked me if I needed a tampon, and that’s how the period jokes started.” He would tell us. On the left side, and into the middle of his buttocks, was a red stain. The pants, when presented as evidence, did not show any resemblance to blood stains. The stain had seeped into his pants, through his briefs, and stained his skin. “Even now, what? Two weeks later? I still have a goddamn stain on my ass.” This is where, unprompted, Mr. Goodwin would stand up, and present the stain on his buttocks, mostly faded but a clear pink blob. “It was that goddamn freak, and his goddamn red pens.”
When asked about the ink, Mr. Hawkins smiled but shook his head. “No, I didn’t do it, yes, it was funny, but the asshole deserved it.” When asked how he thought the ink got on his chair, Mr. Hawkins would tell us he was unsure, though he couldn’t have done it even though he knew he had a “reputation of red ink”, how the boy would put it. We questioned whether he perceived the targeting of Mr. Goodwin with red ink as a mere coincidence. “I got to class with two other people, while three others were already seated. I sit nowhere near Justin, if I wanted to do it, the others would have seen me.”
Both admitted to the lunchtime confrontation, where Mr. Goodwin went up to Mr. Hawkins and shoved him to the ground but was pulled away before it could escalate. In the next class, the two shared they were separated, but comments between the two were heard from other classmates. The last class, one shared with Ms. Marsland, ended while one boy was sent to the library and the other to the computer lab after a brawl almost broke out during quiet time.
Classmate, Peter Waller, told the police that it started when Mr. Goodwin went to turn a paper in, he went the long way around the desk to knock into Mr. Hawkins’ arm, prompting Mr. Hawkins to rise and was quoted saying; “Face me like a man.” Three others impeded the two before they were separated.
The real confrontation did not start until after school had gotten out.
[Redacted]
The redaction was blacked out in permanent marker in the unofficial report, but when typed out, a simple redacted was placed, ending the document. The blackout second was just about a page and a half long, but no other reports seem to mention what event took place after the school bell released the school. Edward Hobble, a private investigator, became interested in the case in his time, cooped up in his house during the shutdown. Hobble had grown up in a town near Harpy, and the case was brought to his attention by his son, who was writing his senior thesis on the case. 
At first glance, Hoddle quickly concluded that the details were clear and straightforward. His theory, his son would quote him saying in the 30 page paper on the Marsland, was that she probably had an anxiety attack, the girl had clearly had an issue there and laid down on the ground when she felt dizzy and must have rolled into the puddle. The missing bra didn’t catch his attention, it was the unofficial redaction that did.
“Goodwin’s father was the chief of police, and then more than a page was redacted the second they mentioned the girl’s name. If anyone knows what happened to that girl, it’s either or both boys.”
The only people who were aware of what happened the afternoon of March 15th were Justin Goodwin, Patrick Hawkins, Lincoln Perry, and Nicolas Banter. In none of the interviews of investigations, has it been released whether Lincoln or Nicolas mention that afternoon confrontation, or if that information was told, just once more redacted. The common theory in a true crime Reddit thread, about the Stephanie Marsland case was Chief Goodwin made sure the boys wouldn’t talk. It was not until u/ [deleted] took to the forum.
There is a common theory that Chief Goodwin silenced those involved in the Goodwin v. Hawkins, and while I can confirm that we were told to keep our mouths shut, we never had to sign anything. We were minors, for Christ’s sake, and it’s not because we killed that girl. We left school, the three of us, and Justin was steamed up. He had changed into his gym shorts, and yes, he had this giant ass stain on his ass, I’d be pissed too. It was common knowledge that Patrick frequently used the back way home, which ran behind Yew Dr. There was a stream along the bank that Justin walk to, especially after it rained, but that day he kept making this jerky movement, like he was trying to see up the bank. We heard whistling. That’s the thing about Patrick all these reports failed to mention, this weirdo would whilst, very out of tone, always he would walk by, whistling.
I think Link said something like ‘I think that’s Patrick’ or something, but before he could even finish Justin was charging up the bank, us behind him. Link was the one to want to put a stop to the violence, but even there as Patrick froze as we bobbed up that mound, I think we all had the same idea, we’d scare the freak.
Justin was calling this guy every damn name he could think of, he grabbed him by the jacket and was jerking at him; we joined in, pushing him. I don’t know what the hell the kid had in his backpack, maybe jars of bugs, [A comment that would not be made clear until later, and many who would respond to this post would question this one line in particular] but it was heavy, he kept losing his balance until he finally fell over. Justin grabbed him by his ankles, dragging him towards the bank, telling him he was going to shove his face into the water.
If you want my opinion, that’s the reason that Chief Goodwin went out of his way to keep us quiet, Justin threatening to dunk this kid, and then the girl was found dead less than an hour later that exact way. But Patrick kicked out hard, and Justin lost his grip.
We grabbed Patrick before he could get away and held him for Justin, who looked as if he could murder Patrick. I think we would have let him go from an expression alone, but a voice stopped it.
Stephanie was shy, it’s been told over and over, but honestly, I didn’t think she would have ever said anything there if she didn’t see Lincoln. He liked her a lot, and I think she liked him, they had gone on a few dates, but he said she was too nervous to even kiss him, but he’s a good guy, he probably never pushed it. I didn’t know much more about her, but there she was, her hands on her hips as if she was a goddamn superhero. She told us to let Patrick go, to leave him alone, that three against one was grossly unfair.
Shit, it was the most I had ever heard the girl talk. Link was embarrassed, he let go first and even took a few steps away from the freak. Justin, on the other hand, just looked at her as if she was on the same level as Patrick and told her to eff off. Now, I doubted anyone had ever spoken to Stephanie like that, but it did not phase her. She told him he was being a bully in class, and he was being a bully now.
If I remember correctly, he looked at Lincoln in a way to ask him to calm his girl, but no one said anything back to her. She went up to Patrick, put her hand on his arm, and they left together.
Patrick Hawkins was the last one to be seen with her alive.
Whatever happened to Stephanie Marsland, Patrick is the only person who knows.
At the time of the post, an overwhelming interest in Stephanie Marsland flooded the internet. The subreddit became divided between believers and skeptics, as nobody could confirm the identity of the person speculated to be Nicolas Banter.
According to U/BrutalStar, it was impossible for it to be him, as it was a throwaway account that was created and deleted on the same day. However, it was u/GodsPrankOnAbraham that pointed out that the details in the story seemed to match up well with the reports that would be released later in the week.
It wasn’t until YouTuber Tylor Kamer, who would tell his own story on this post that the truth came to light. In the video, Kramer retold the story of Stephanie Marsland, connecting the dots to this Reddit comment. But was it truly Nicolas Banter who posted the comment?
“Here with me,” Kamer’s voice came over a video of him doing his research. “Is the real-life Nicolas Banter. Hello Nick, thank you for joining me today.”
Transcripts come over the screen. “Hi Tylor, thank you for reaching out.”
“Now, you were there that day, as it has been presented in the evidence.”
“Yes.”
“I know you met with Henry James’s podcast right after the comment had popped up on Reddit, but I read over those transcripts, and it never mentions the comment.”
“I think I did the interview, man, I don’t know, a week, maybe more after the comment on the subreddit, and I doubt Henry knew about it. Maybe a month later, I received an email, and I swore it was going to ask me for another interview just about the comment, but no, it was just telling me he didn’t have enough evidence for a full episode and that he would be put it on his Patron. I shrugged it off, wasn’t too aware how much popularity in the comment had gained.”
“Now, Nick, let me ask the question we all have been wondering since the comment came to light a year ago. Was that you?”
“Yes.” The words come on as music plays, and a voiceover goes more into detail about the comment before returning to the interview, but the unedited interview continues. “I have friends and something of a community that I connect with on Reddit. The whole Stephanie Marsland case was never fully connected to me, and I get where it is now, I realized that from that subreddit alone, but at the time she had shown up and was dead. One of my friends, I only really know him on Discord, Reddit, and Xbox, but he was the one that brought it to my attention. At one point our school photos were posted, and he was like ‘Man, I think this is you, it’s your name, and looks just like you. You never told me you killed a girl.’ At that point, I was just a freshman in college, on my own for the first time, and there was my picture in connection with Stephanie. I just created an account and deleted it, and I get how that would look, but I really didn’t want my account to be covered in Stephanie Marsland post from then on. What I wrote was true, I got a call from Lincoln a few weeks after and he didn’t even need to ask me if I wrote it, he was just like ‘Man hope to Christ Chief Goodwin doesn’t see that.’”
“You said that he never made you sign anything, what did he say to get Lincoln react like that?”
“‘You boys keep your goddamn mouth shut if you don’t want to end up in a juvenile detention center, the girl was basically raped, and drowned, that shit will never scrub off your name.’ But she wasn’t, yeah, the whole bra thing is weird, like she was never touched other than removing the bra? That’s trophy shit you read about in serial killers, but, I don’t know, we were one of the last people to see her alive, so yeah, we stayed quiet.”
“The bra, they found it though.”
“They found a bra, yes, but that was a year later, tucked in a goddamn maple tree.”
The case was never exactly cold, the police department of Harpy would claim they were just waiting through the rest of the evidence, but in the end, everyone knew how it would end. It would be an accidental drowning, all the strangeness surrounding the rest would be explained simply as; she had a panic attack and laid down and rolled, the missing bra might be that she felt constricted and removed it, Patrick and Justin would be cleared, and Stephanie Marsland would be forgotten.
Until the end of March 2020.
Couple Dean Oster and Patty Hearst would walk over their property on the outskirts of Harpy, a 3-archer land that backed into woods, when Patty spotted something sticking out of a tree. She would tell the newspaper that she thought nothing of it at first, bird would bring strange things into those trees, but then as they got closer, she said she cried. “It was a bra strap from the back. Dean saw it and goes ‘what is that?’ but there I was sobbing. It’s not like we didn’t find clothing on our property before, teen would sneak there to have sex, but it wasn’t the fact it was a bra, but it was black with these purple hearts, almost a year to the day they found the little girl dead.”
The evidence description of the bra is as fallows;
Agency: Harpy PD
Case Number: 09-0747
Item Number: 1
Date/Time: 03/10/2020, 1407
Description and/or Location: The bra, in size 36C, is black in color with purple hearts measuring approximately 2/3rds of an inch adorning the straps and cups. The fabric is covered in debris from the maple tree where it was discovered, but is otherwise in a clean condition. It must have been placed there within a day or two since no rainwater had soaked into the padding.
The information was not released to the public immediately. Fiona and Dave Marsland, along with Jacklyn Pappas, were shown it, but none of them could definitively confirm or deny if it belonged to Stephanie. Fiona would tell the police that she didn’t think so, Stephanie was more into solid colors, while Jacklyn would say maybe because she could remember purple, but both agreed on one thing. While the cup size was correct, the strap size was not. Fiona had brought samples of her bras, all reading 34C.
One size off. When asked if she would buy the bra because she liked it, but could not find her size, so she bought the size up? Fiona would firmly say no, and when prompted on why, because she only liked solid colors.
It was true, in photos presented, or videos, or any sort of media that would show Stephanie, she was always in a solid color shirt. From the age she would have dressed herself, a photo album marked Stephanie through the years, one could guess around seven, she would be in a solid color shirt, and jeans, or solid color leggings. Even her jackets and sweaters were all solid colors. Not even a brand, just one color.
In the photos that would be posted to her timeline, or she would be tagged in following her death would show her smiling with others, or doing her volunteer work, or playing the piano, all in solid colors, all but one photo.
It went unnoticed, until one Tumblr thread uncovered one photo that, until then, had gone unnoticed. The post emerged almost two years after the death.
anyone else notice that they keep talking about stephanie only wore solid colors but what about this photo?
The photo in question had three faces blurred as two of the people sat on steps outside of what looked to be a school, the other, alongside Stephanie, stood almost out of frame, but smiling at who took the photo, her shirt one of pink with flowers, a heart blooming out of the bundle. An altered picture emerged those who sat on the steps were Jacklyn Pappas, a guy she had seen and the original poster of the photo, Dale Hoffman, Stephanie, and next to her, almost completely cut off, but still obviously looking at her, was Justin Goodwin.
Justin Goodwin would be found converted to Catholicism right out of school, and in college majoring in philosophy, preparing himself to someday gain priesthood out in Rhode Island.
“Stephanie Marshland?” He had been shocked by the name as he agreed to sit down with amateur documentarian Rodger Dwyer. “That happened, my, what four years ago at this point? The case has been closed.”
“You are not aware of the popularity the story had gained on the internet over the last few years?”
“No, my online presence was never consistent in high school, and since I graduated, I have been completely off.” He would take this moment to look down at his hands, folded in front of him, before picking up his head to look just off camera where Rodger would be sitting. “I’m glad that Stephanie’s story is being told, I have prayed for her since her death, I pray for her safety as she ascended to God’s embrace.”
“Since the closure of her case, there has a few things that have been brought up in connection with her. Of course, you were a junior when the missing article of clothing was found, but are you aware of the controversy behind it?”
He would delicately shake his head. “Yes, I remember a bra was found, but I do also recall it was not hers.”
“There was not enough evidence to conclude if it was hers or not, but that’s not it. It had hearts on it. Everyone, including her mother, said she would wear soiled colors.”
“I know nothing about that.”
“But when posting photos for her birthday, someone posted this one.” Rodger would hold out a photo to Justin, whose eyebrows would come together, then relax.
“They think there was a relationship between Stephanie and I.” How he said it was not a question. “I hate to disappoint, but there was nothing between me and the girl. This photo was taken during a class project. If I remember correctly, we were heading to my house to work on it, and I was unaware I was being photographed.”
“But do you see how it implicates you? You are looking right at her.”
“I was not, I can see how you would think that, but I was looking at who was just off camera, the real person I was in a relationship with. I believe I have an uncropped version of this, or at least one taken concurrently.”
Rodger allowed Justin to leave, and within 20 minutes, he returned, this time carrying a photo album. As expected, another photo in it appeared nearly identical to the one posted, but with noticeable differences. Stephine stood a few steps above, a shy smile on her lips as she gazed at the photo taker. Dale affectionately kissed Jacklyn’s cheek, while Justin grinned as if he were laughing. However, the photo posted only displayed Nicolas Banter, as it had been cut off.
“After Stephanie left with Patrick that day, Nick and I went back to his place, his ring camera caught us 15 minutes before she would be found dead, and his mother was with us until I left an hour after.”
“What happened between you and Nick?”
“The same reason I left Mormonism, why I left Colorado. There was a force greater than me, greater than my relationship, greater than the world I had known and loved. If it weren’t for Patrick, I think that force would have consumed me, but after an exposure to my relationship with Nick, the novelty wore off for him, and the year we had spent together meant nothing. God came to me one night in a dream, and I saw the light there, I saw my path, it led me here. I wish it was different that day, if Patrick had exposed us sooner, maybe, maybe I wouldn’t hold the vengeful hate my father distilled in me, and I would have forgiven. Stephine may have lived.”
“What happened to Patrick?”
Patrick Hawkins. Grew up in Utah, until his father gained a promotion, moving his family to Colorado. He was the only child of the couple, but the youngest of his father who had been married once before, two children from that relationship, the younger of the two being over 10 years older than Patrick.
By the time he was about to finish his junior year of high school, concerning online comments surfaced about how he ‘wished I could take a semi-automatic to those fuckers’ getting him expelled. Little is known about what exactly happened to Patrick, questioning from the police made its rounds, but even those investigating could not find much after he left Harpy High.
At the time of Stephanie’s death, a video from in the interrogation room surfaced, Patrick sitting there with his father as the cops talked to the boy. “Patrick, you were the last one to see her alive, you left with her, no one else can tell where you were from the time she died to the time that you arrived home two hours after she had died.”
Patrick, who had his hood up, did not move. If he speaks, no mic can pick him up.
This guy did it, open and shut, why are we even fighting it? The comment with the most likes on the video would read.
Then, a little over a year later, Patrick once more sat in the same room, same cop, but this time with his mother, who would be recorded saying; “He’s a 17-year-old boy, he made a comment, he doesn’t even own a gun. Why are we here? Those kids pick on him, those kids hurt him, kick him, they put bugs in his lunch!”
“Ma’am.”
“No, do not ma’am me!”
“Mom.” Patrick would be heard saying. “I made a mistake, I’m aware of that. I had a bad day, and I shouldn’t have said anything.”
“You’re online, how did you have a bad day?”
“There’s there snapchat group chat that leaked, some people who hate me are in it. They said… they said I take it in the ass. I was defending myself, I posted publicly that it’s Justin Goodwin that takes it up the ass by Nick Banter, and it got back to Goodwin. I walk to through the graveyard when I feel too cooped up, and two days ago I was jumped by Justin. He kicked the shit out of me. I got home, and I felt so shitty, I lost it.”
From the two tapes, something became clear to Penny Upton, a popular true crime blogger, dove deeper into the connection between Patrick Hawkins and Stephanie Marsland.
The Surreal Case of Stephanie Marsland
‘Part 13
As those who have been meticulously following my investigation into the case of Stephanie Marsland may know from part 1, I had said Patrick was the one who did it, and though through the last four posts has been Patrick focused, I can say for sure today I have evidence to prove myself wrong. Patrick was the last one to see her alive, that we are aware of, yes, and where Patrick ended up going to jail for an unrelated incident, he did not kill Stephanie. Last week, I carefully reviewed two interrogation tapes numerous times as I prepared to write this post, yet something felt amiss. Why did he not get arrested the first time? The time he refused to answer?
The digging process was proving to be extremely difficult, but thanks to my favorite sleuth, NotAnotherCrimePost, she had provided me with an actual alibi for Patrick, one that I revisited the second video to realize he did not do it.
A house next to the graveyard has a nest camera pointed right at the entrance, that day, Patrick walked through the gate in the last 10 minutes of Stephanie’s life and did not leave until over and hour later. Stephanie herself stepping into view, alive and well, before stepping out as soon as Patrick was out of sight.
The fence around the graveyard is 10 feet high, with no other way in or out. The alibi was airtight. Patrick Hawkins did not kill Stephanie, and with no other evidence, I would have to definitively close this case in the manner that all of you know I hate the most, but I am firmly labeling it a freak accident.’
A freak accident. Stephanie Marsland died by accident, every story would report so, the Harpy PD would close the case as accidental. With the popularity the case would gain over the course of two years, it would never come close to the truth, either coming to the same conclusion, or burning out, or simply losing interest.
The closest to the truth that ever came to light, was one comment on a post that would get three likes, but never picked up by any of the investigators, a comment that one person would write, would post, and would forget about, never perusing how close they would be to asking the first right question to this case.
Who took the photo?
Back in the two photos, where Stephanie would intentionally dress in an unusual manner for herself, clearly smiling at the person who took the photo.
Each one would say it, each interview would give off the answer, but the questions were not being asked, and by the end of 2023, the case of Stephanie Marsland was officially no longer discussed, and the public would move on to newer cases, more interesting ones, ones that they would know the questions for. As for Stephanie, she was still dead, she still would be dead, and the truth would decay away with her.
The truth would be in a notebook, one that the only person who knew what happened that day would write in but would burn simultaneously before the bra would be discovered. A notebook that would be a confession that would disappear before a single person could read it.
The passage wrote out longhand, in a red pen, read as follows; She was beautiful, young, pure. She came to me one night needing help, and I wanted to help. I thought telling her she was beautiful would have her turn away from me, but she didn’t. The more often we spent together, the more she bloomed, her personality showed through her clothing, and the way she would smile more freely, especially for me. I knew of her shyness, but my god, if you could see how composed she was in private, you’d understand why I loved her.
I could not understand why she defended Patrick, why she went against Justin, but it irritated me. She looked at me; she knew I was there, and still walked away with him. Yes, I would be the first to admit I was jealous, she would leave with him, but no, she walked him to the graveyard; I doubted they spoke as they walked there. I stayed back, watching, making sure that freak did nothing to her, but before he went in he thanked her, that was it, then she started away when she spotted me.
The argument started, and I didn’t mean to get so angry at her, but I could not understand why she would defy me like that. She tried so damn hard to tell me I had nothing to envy, but the hell, I did. My anger, it gave her that panic attack, and she was breathing so hard that, I don’t know; she passed out. I held on to her, holding her up, unsure what to do. I loved her, but she made her choice to go with Patrick, and I would not let Justin get humiliated by him. She wasn’t supposed to die; I brought her over to Silly Billy in thoughts that she would wake up as soon as her face hit the water. Laying her down on her side, I removed the bra, and rolled her until she was face down into the water. The plan was to plant the bra on Patrick, so I went back towards the graveyard to wait for him. She wouldn’t name me, she was smarter than that to do it, she would just say she didn’t know or remember, but as I waited, that kid began to scream, and when I got back to where I had left her, she was dead.
The rest would be written on another date in a blue pen.
I knew I should have come forward sooner, but shit, this is murder. I still have the damn bra, but I think Justin suspects me, my plan was to turn myself in, but tonight I think I will have myself a fire.
The composer reread over his confession before tossing it into the fire in front of him, watching the pages get eaten away by the flames. Then, from his pocket, he pulled out her bra, his finger stroking over the fabric, more hesitant to throw it in.
“Dad?” Justin’s voice caused the composer to jump before looking back at his son, the bra shoved back into his pocket. “Are you okay?”
“Yes, yeah, I think, I think I’m going to go for a walk.” Chief Goodwin walked towards the front door.
“It’s nearly midnight.”
“Put the fire out before you go to bed.” He refused to look back at his son, already suspecting his sexual orientation, already the greater force that would drive Justin away.
“Dad? What’s going on?”
“One day, you’ll understand. Goodnight, son.” He stepped out of the house, setting his course into those woods. 
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supersonicart · 2 years
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Maxwell Alexander Gallery's 10 Year Anniversary Exhibition.
Opening on Saturday, October 15th, 2022 in Los Angeles, California is Maxwell Alexander Gallery's 10 Year Anniversary Exhibition.
"In the year 2012 we set off on a journey to create a better gallery experience: a gallery focused on artist wellbeing and building museum quality collections for collectors.  Our vision was clear from the beginning – to only show quality art, never filler.  We always knew we would be a destination, non-reliant on tourist support.  However, we never imagined the impact and disruption that we would bring to the American fine art scene in just 10 short years."
Featuring works by artists Thomas Blackshear, Eric Bowman, Scott Burdick, G. Russell Case, Len Chmiel, Kim Cogan, Nicholas Coleman, Glenn Dean, Mick Doellinger, Josh Elliott, Teresa Elliott, Danny Galieote, David Grossmann, Logan Maxwell Hagege, Brett Allen Johnson, David Kassan, Michael Klein, Joshua LaRock, T. Allen Lawson, Susan Lyon, Jeremy Mann, Serge Marshennikov, Ed Mell, Eric Merrell, John Moyers, Terri Kelly Moyers, Howard Post, Grant Redden, Billy Schenck, Matt Smith, Tim Solliday, Joseph Todorovitch, Kim Wiggins, and More.
Artwork is available through a lottery system - To learn more and see more artwork, visit Maxwell Alexander Gallery.
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BUY PRINTS | FOLLOW ON INSTAGRAM
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hbowar-bracket · 3 months
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Albert Blithe 
Alex Penkala 
Alice 
Alton More 
Anna
Anthony 'Manimal' Jacks  
Antonio 'Poke' Espera  
Antonio Garcia 
Army Chaplain Teska  
Baba Karamanlis  
Bernard DeMarco   
Bill 'Hoosier' Smith  
Bill Leyden  
Billy Taylor  
Brad 'Iceman' Colbert  
Burton Christenson 
Capt. Andrew Haldane  
Carwood Lipton 
Charles (Chuck) Grant 
Charles Bean Cruikshank   
Charles K. Bailey  
Col. Robert Sink 
Cpt. Bryan Patterson  
Cpt. Craig 'Encino Man' Schwetje  
Cpt. Dave 'Captain America' McGraw  
Curtis Biddick  
Darrell (Shifty) Powers 
David Solomon  
David Webster 
Denver (Bull) Randleman 
Donald Hoobler 
Dr. Sledge  
Edward (Babe) Heffron 
Elmo 'Gunny' Haney  
Eric Kocher  
Eugene Jackson 
Eugene Roe 
Eugene Sledge   
Evan 'Q-Tip' Stafford  
Evan 'Scribe' Wright  
Everett Blakely   
Father John Maloney 
Floyd (Tab) Talbert 
Frank Murphy   
Frank Perconte 
Frederick (Moose) Heyliger 
Gabe Garza  
Gale 'Buck' Cleven  
George Luz 
Glenn Graham   
Gunnery Sgt. Mike 'Gunny' Wynn  
Gunnery Sgt. Ray 'Casey Kasem' Griego  
Hamm  
Harry Crosby  
Harry Welsh 
Helen  
Herbert Sobel 
Howard 'Hambone' Hamilton   
Jack Kidd  
James (Mo) Alley
James Chaffin  
James Douglass  
James Gibson   
James Miller 
Jason Lilley  
Jean Achten  
Jeffrey 'Dirty Earl' Carisalez  
John 'Bucky' Egan  
John Basilone  
John Christeson  
John D. Brady   
John Fredrick  
John Janovec 
John Julian 
John Martin 
Joseph 'Bubbles' Payne   
Joseph Liebgott 
Joseph Toye 
Josh Ray Person  
Katherine 'Tatty' Spaatz   
Ken Lemmons  
Lance Cpl. Harold James Trombley  
Larry Shawn 'Pappy' Patrick  
Leandro 'Shady B' Baptista  
Lena Basilone  
Lew 'Chuckler' Juergens  
Lewis Nixon 
Lt. Edward 'Hillbilly' Jones  
Lt. Henry Jones 
Lt. Nathaniel Fick  
Lt. Thomas Peacock 
Lynn (Buck) Compton 
Maj. 'Red' Bowman  
Maj. John Sixta  
Mama Karamanlis  
Manuel Rodriguez  
Mary Frank Sledge  
Meesh  
Merriell 'Snafu' Shelton  
Navy Hm2 Robert Timothy 'Doc' Bryan  
Neil 'Chick' Harding   
Norman Dike 
Old Man on Bicycle 
Patrick O'Keefe 
Phyllis  
R.V. Burgin   
Ralph (Doc) Spina 
Renee Lemaire 
Richard Winters 
Robert 'Rosie' Rosenthal   
Robert 'Stormy' Becker   
Robert (Popeye) Wynn 
Robert Leckie  
Rodolfo 'Rudy' Reyes  
Ronald Speirs 
Roy Claytor  
Roy Cobb 
Sammy   
Sgt. Mallard  
Sidney Phillips  
Stella Karamanlis
Teren 'T' Holsey  
Vera Keller  
Walt Hasser  
Walter (Smokey) Gordon
Warren (Skip) Muck 
Wayne (Skinny) Sisk 
Wilbur 'Runner' Conley  
William Guarnere 
William Hinton  
William J. DeBlasio  
William Quinn  
Winifred 'Pappy' Lewis  
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inbarfink · 3 months
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List of which songs are included on each Polka under the cut
Polkas on 45: "Jocko Homo" by Devo, "Smoke on the Water" by Deep Purple, "Sex (I'm a …)" by Berlin, "Hey Jude" by The Beatles, "L.A. Woman" by the Doors, "In-A-Gadda-Da-Vida" by Iron Butterfly, "Hey Joe" by Jimi Hendrix, "Burning Down the House" by Talking Heads, "Hot Blooded" by Foreigner, "Every Breath You Take" by The Police, "Should I Stay or Should I Go" by the Clash, "Jumpin' Jack Flash" by the Rolling Stones, "My Generation" by the Who
Hooked on Polkas: "Twelfth Street Rag" by Euday L. Bowman, "State of Shock" by The Jacksons and Mick Jagger, "Sharp Dressed Man" by ZZ Top, "What's Love Got to Do with It" by Tina Turner, "Method of Modern Love" by Hall & Oates, "Owner of a Lonely Heart" by Yes, "We're Not Gonna Take It" by Twisted Sister, "99 Luftballons" by Nena, "Footloose" by Kenny Loggins, "The Reflex" by Duran Duran, "Bang Your Head (Metal Health)" by Quiet Riot, "Relax" by Frankie Goes to Hollywood
Polka Party!: "Sledgehammer" by Peter Gabriel, "Sussudio" by Phil Collins, "Party All the Time" by Eddie Murphy, "Say You, Say Me" by Lionel Richie, "Freeway of Love" by Aretha Franklin, "What You Need" by INXS, "Harlem Shuffle" by The Rolling Stones, "Venus" by Bananarama, "Nasty" by Janet Jackson, "Rock Me Amadeus" by Falco, "Shout" by Tears for Fears, "Papa Don't Preach" by Madonna
The Hot Rocks Polka: "It's Only Rock 'n Roll (But I Like It)", "Brown Sugar", "You Can't Always Get What You Want", "Honky Tonk Women", "Under My Thumb", "Ruby Tuesday", "Miss You", "Sympathy for the Devil", "Get Off of My Cloud", "Shattered", "Let's Spend the Night Together", "(I Can't Get No) Satisfaction" - all by The Rolling Stones
Polka Your Eyes Out: "Cradle of Love" by Billy Idol, "Tom's Diner" by DNA featuring Suzanne Vega, "Love Shack" by the B-52's, "Pump Up the Jam" by Technotronic, "Losing My Religion" by R.E.M., "Unbelievable" by EMF, "Do Me!" by Bell Biv DeVoe, "Enter Sandman" by Metallica, "The Humpty Dance" by Digital Underground, "Cherry Pie" by Warrant, "Miss You Much" by Janet Jackson, "I Touch Myself" by Divinyls, "Dr. Feelgood" by Mötley Crüe, "Ice Ice Baby" by Vanilla Ice
Bohemian Polka: "Bohemian Rhapsody" by Queen
The Alternative Polka: "Loser" by Beck, "Sex Type Thing" by Stone Temple Pilots, "All I Wanna Do" by Sheryl Crow, "Closer" by Nine Inch Nails, "Bang and Blame" by R.E.M., "You Oughta Know" by Alanis Morissette, "Bullet with Butterfly Wings" by The Smashing Pumpkins, "My Friends" by Red Hot Chili Peppers, "I'll Stick Around" by Foo Fighters, "Black Hole Sun" by Soundgarden, "Basket Case" by Green Day
Polka Power!: "Wannabe" by the Spice Girls, "Flagpole Sitta" by Harvey Danger, "Ghetto Supastar (That Is What You Are)" by Pras featuring Ol' Dirty Bastard and Mýa, "Everybody (Backstreet's Back)" by the Backstreet Boys, "Walkin' on the Sun" by Smash Mouth, "Intergalactic" by the Beastie Boys, "Tubthumping" by Chumbawamba, "Ray of Light" by Madonna, "Push" by Matchbox Twenty, "Semi-Charmed Life" by Third Eye Blind, "The Dope Show" by Marilyn Manson, "MMMBop" by Hanson, "Sex and Candy" by Marcy Playground, "Closing Time" by Semisonic
Angry White Boy Polka: "Last Resort" by Papa Roach, "Chop Suey!" by System of a Down, "Get Free" by The Vines, "Hate to Say I Told You So" by The Hives, "Fell in Love with a Girl" by The White Stripes, "Last Nite" by The Strokes, "Down with the Sickness" by Disturbed, "Renegades of Funk" by Rage Against the Machine, "My Way" by Limp Bizkit, "Outside" by Staind, "Bawitdaba" by Kid Rock, "Youth of the Nation" by P.O.D., "The Real Slim Shady" by Eminem
Polkarama!: "Chicken Dance" by Werner Thomas, "Let's Get It Started" by Black Eyed Peas, "Take Me Out" by Franz Ferdinand, "Beverly Hills" by Weezer, "Speed of Sound" by Coldplay, "Float On" by Modest Mouse, "Feel Good Inc." by Gorillaz featuring De La Soul, "Don't Cha" by The Pussycat Dolls featuring Busta Rhymes, "Somebody Told Me" by The Killers, "Slither" by Velvet Revolver, "Candy Shop" by 50 Cent featuring Olivia, "Drop It Like It's Hot" by Snoop Dogg featuring Pharrell Williams, "Pon de Replay" by Rihanna, "Gold Digger" by Kanye West featuring Jamie Foxx
Polka Face: "Poker Face" by Lady Gaga, "Womanizer" by Britney Spears, "Right Round" by Flo Rida ft. Kesha, "Day 'n' Nite" by Kid Cudi, "Need You Now" by Lady Antebellum, "Baby" by Justin Bieber ft. Ludacris, "So What" by Pink, "I Kissed a Girl" by Katy Perry, "Fireflies" by Owl City, "Blame It" by Jamie Foxx ft. T-Pain, "Replay" by Iyaz, "Down" by Jay Sean ft. Lil Wayne, "Break Your Heart" by Taio Cruz ft. Ludacris, "Tik Tok" by Kesha
NOW That's What I Call Polka!: "Wrecking Ball" by Miley Cyrus, "Pumped Up Kicks" by Foster the People, "Best Song Ever" by One Direction, "Gangnam Style" by Psy, "Call Me Maybe" by Carly Rae Jepsen, "Scream & Shout" by will.i.am feat. Britney Spears, "Somebody That I Used to Know" by Gotye feat. Kimbra, "Timber" by Pitbull feat. Kesha, "Sexy and I Know It" by LMFAO, "Thrift Shop" by Macklemore & Ryan Lewis feat. Wanz, "Get Lucky" by Daft Punk feat. Pharrell Williams
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meduseld · 10 months
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There’s a lot of talk about The Terror (AMC, 2018) and its sci-fi adjacentness and resonance and all of that. But I haven’t seen anybody point out that the David Bowman x HAL exchange in The Year We Make Contact sounds like what was probably going through Henry Collins’ coke addled mind if he hallucinated Billy Orren as he was likely to do:
HAL-9000 : What is going to happen?
Dave : Something wonderful.
HAL-9000 : I'm afraid.
Dave : Don't be. We'll be together.
HAL-9000 : Where will we be?
Dave : Where I am now.
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noratilney · 4 months
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OC NEW YEARS CHALLENGE: day #1: what a tangled web we weave
Maia Smith + vulnerability
maybe this time - cabaret / anna white / munscap3 on instagram / dodinsky / a self-portrait in letters - anne sexton / scott leger / brett williams / the lion in winter - james goldman / stephanie kuehnert / tv - billie eilish / bluebonnet scene - robert julian onderdonk / khaled hosseini / oscar wilde / laurell k. hamilton / isabel durant on instagram / anne frank / chenchenwrites on twitter / naguib mahfouz / pinterest / i hate everything right now - sari moon / empire blue - brenna womer / pinterest / e. lockhart / pinterest / death on the nile - agatha christie / lauren bowman / haruki murakami / holly warburton / robert brault / oscar wilde
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