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little-p-eng-engineering · 2 months

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Little P.Eng.'s Comprehensive Seismic Structural Services Aligned with ASCE 7-22 and NBCC Standards

In an era where architectural ambition pushes the limits of engineering, safeguarding structural integrity against natural calamities, particularly seismic activities, becomes paramount. This detailed exposé delves into the sophisticated seismic structural engineering services provided by Little P.Eng., a firm renowned for its compliance with the latest American Society of Civil Engineers (ASCE) 7-22 standards and the Canadian National Building Code (NBCC). Their work spans across Canada and the United States, encompassing a diverse range of buildings and non-structural elements, reflecting the pinnacle of safety, reliability, and innovation in modern construction.

1. Introduction

The unpredictable nature of seismic activities has long posed a significant challenge to the realms of construction and civil engineering. Within this volatile environment, Little P.Eng. has emerged as a beacon of reliability, offering cutting-edge seismic structural engineering services across Canada and the United States. Their adherence to the ASCE 7-22 and NBCC codes ensures not only the structural integrity of vast construction undertakings but also the safety and longevity of non-structural elements, affirming their position at the forefront of seismic resilience in contemporary infrastructure.

2. Understanding Seismic Structural Engineering

2.1. The Science of Earthquake Engineering

Before delving into Little P.Eng.'s specialized services, one must understand the core principles of seismic structural engineering. This discipline focuses on making buildings and non-structural components resistant to earthquake shocks through specialized planning, design, detailing, and, subsequently, construction. It encompasses geological science, material engineering, and structural analysis to develop structures capable of withstanding seismic disturbances.

2.2. Evolution of Seismic Codes: From ASCE 7-10 to ASCE 7-22

Seismic building codes are dynamic, evolving in response to the continuous advancements in engineering research and catastrophic lessons learned from each seismic event. The transition from ASCE 7-10 to ASCE 7-22 is a reflection of this evolution, marking significant strides in risk reduction and structural robustness, emphasizing not just human safety but also post-earthquake functionality and rapid recovery for communities.

3. Little P.Eng.’s Integration of ASCE 7-22 in Seismic Structural Engineering

3.1. Innovations in Seismic Design Philosophies

Little P.Eng. employs a forward-thinking approach to integrate the innovations outlined in ASCE 7-22. These include state-of-the-art seismic design philosophies involving base isolation, energy dissipation devices, and performance-based seismic design (PBSD), allowing for structures that are more flexible, absorb and dissipate seismic energy, and maintain structural integrity during earthquakes.

3.2. Site-Specific Hazard Analysis and Geotechnical Considerations

One of the critical aspects of ASCE 7-22 is the emphasis on site-specific hazard analyses. Little P.Eng.'s engineers led by Meena Rezkallah carry out comprehensive geotechnical evaluations, considering soil-structure interaction, liquefaction potential, and site-specific seismic hazard assessments. By understanding the geological variances across different regions in North America, they ensure that each design is intrinsically aligned with its environmental context.

4. Adherence to NBCC Standards: Expanding Safety Parameters Across Canada

4.1. Bridging Policies between Countries

While their services in the United States predominantly adhere to ASCE standards, Little P.Eng. seamlessly bridges engineering policies between the U.S. and Canada by aligning their practices with the NBCC. This code compliance not only underscores their versatility in handling cross-border projects but also reflects their commitment to upholding the highest safety and professional standards in every geographical locale.

4.2. Understanding NBCC’s Seismic Provisions

The NBCC has distinct seismic provisions, necessitating specialized knowledge and an adaptive engineering approach. Little P.Eng.'s expertise in Canadian seismic codes ensures that structural and non-structural components comply with regional regulations, catering to Canada's unique seismic challenges, especially in high-risk provinces.

5. Comprehensive Services for Buildings and Non-Structural Elements

5.1. Diverse Building Typologies

Little P.Eng.'s portfolio encompasses a variety of buildings, from residential high-rises and expansive commercial complexes to critical facilities like hospitals and emergency response centers. Each building type presents unique challenges, and the firm’s nuanced, context-oriented approach to seismic retrofitting and sustainable design practices sets industry standards.

5.2. Protecting Non-Structural Components

Beyond the buildings themselves, Little P.Eng. extends its engineering prowess to safeguard non-structural elements. These components, often overlooked, can pose significant hazards during seismic events. From architectural elements to mechanical and electrical systems, the firm implements exhaustive strategies to enhance the safety of these components, thereby protecting human life and minimizing economic loss.

6. Future Directions and Continuous Advancements

6.1. Embracing Technological Innovations

As the field of seismic structural engineering advances, Little P.Eng. remains committed to incorporating new technologies, including artificial intelligence and machine learning, for predictive analysis, design optimization, and risk management. Their continual investment in technology positions them as a leader in future-proofing structures against earthquakes.

6.2. Contribution to Global Seismic Safety Standards

Harnessing Advanced Engineering: Little P.Eng.'s Comprehensive Seismic Structural Services Aligned with ASCE 7-22 and CNBCC Standards in North America

7. Conclusion

Little P.Eng.’s comprehensive seismic structural engineering services, grounded in the latest ASCE and NBCC standards, represent a confluence of scientific mastery, innovative engineering, and a deep commitment to safeguarding human lives and investments. Their work across diverse building typologies and non-structural components in Canada and the United States cements their stance as a pivotal player in shaping resilient, sustainable, and safe urban landscapes. As seismic activity remains an unpredictable threat, the foresight and innovation of firms like Little P.Eng. are society's best bet for a safer tomorrow.

References

[1] American Society of Civil Engineers. (2022). Minimum Design Loads and Associated Criteria for Buildings and Other Structures (ASCE/SEI 7-22). ASCE.

[2] National Research Council Canada. (2020). National Building Code of Canada.

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Little P.Eng.

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design optimization

earthquake resilience

energy dissipation

building codes

seismic design

advanced materials

non-structural components

CNBCC

technological innovations

cross-border projects

geotechnical considerations

mechanical systems safety

base isolation

sustainable construction

electrical systems safety

Seismic structural engineering

critical infrastructure

artificial intelligence

urban resilience

construction techniques

seismic retrofitting

site-specific analysis

predictive analysis

professional standards

safety regulations

risk management

performance-based design

global seismic standards

Engineering Services

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Seismic Bracing Experts

Located in Calgary, Alberta; Vancouver, BC; Toronto, Ontario; Edmonton, Alberta; Houston Texas; Torrance, California; El Segundo, CA; Manhattan Beach, CA; Concord, CA; We offer our engineering consultancy services across Canada and United States. Meena Rezkallah.

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nnctales · 11 months

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Bendable Concrete Block: A Revolution in Construction Material

Introduction In the vast realm of construction materials, a revolution is taking place: bendable concrete blocks. Imagine a world where concrete – a brittle, rigid material – can flex and self-repair. Sounds like a fantasy, right? However, researchers and engineers are turning this dream into reality, using a remarkable fusion of innovation, scientific discovery, and technological application.…

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#Bendable Concrete #Concrete Technology #construction innovation #Construction materials #Durability #earthquake resistant buildings #ECC #Engineered Cementitious Composites #Flexible Concrete #future of construction #Resilient Infrastructure #Self-healing Concrete #Smart City Construction #Structural Safety #Sustainable Construction Materials #sustainable infrastructure

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dajiandengineers · 1 year

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wheelsgoroundincircles · 3 months

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1964 Chevrolet Cheetah

Also known as ‘Killer Cobra’

The 1964 Chevrolet Cheetah – a name that evokes both exhilaration and trepidation, whispered in hushed tones as “the Killer Cobra.” This ferocious feline wasn’t your average Corvette; it was a fire-breathing, lightweight monster built to slay Ford’s Shelby Cobra on the racetrack, and its story is as wild as its performance.

Born from Rivalry:

In the early 1960s, the Cobra was tearing up tracks and stealing headlines. Chevrolet couldn’t stand the sting of defeat, so they turned to Bill Thomas, a legendary Corvette expert with a reputation for tinkering. Thomas’ mandate was simple: build a car that could devour Cobras whole.

Unleashing the Beast:

The Cheetah was a radical departure from the curvy Corvette. Forget rounded fenders; this beast was all sharp angles and aerodynamic efficiency. A lightweight fiberglass body clothed a modified Corvette chassis, powered by a monstrous 375-horsepower small-block V8. Independent suspension and NASCAR-inspired brakes promised razor-sharp handling and brutal stopping power.

Taming the Cat:

But the Cheetah was a fickle beast. Its lightweight construction and raw power made it unforgiving at the limit. Steering was twitchy, and the unforgiving suspension demanded a skilled hand on the wheel. This wasn’t a car for Sunday drives; it was a high-wire act on four wheels, reserved for experienced racers with nerves of steel.

A Taste of Victory:

Despite its wild temperament, the Cheetah tasted victory. A few privateer teams managed to outmaneuver and outrun Cobras on smaller tracks, proving Thomas’ concept had merit. But factory support fizzled out due to high costs and safety concerns, and only 25 Cheetahs were ever built.

Leaving a Legacy:

The Cheetah’s life was short, but its impact is undeniable. It proved that American manufacturers could build serious race cars to rival the best Europe had to offer. It pushed the boundaries of design and performance, even if it wasn’t always easy to control. And it cemented Bill Thomas’ reputation as a master car builder with a penchant for the audacious.

More Than a Machine:

Today, the Chevrolet Cheetah is a coveted collector’s item, a piece of automotive history frozen in time. Owning one is like owning a piece of racing DNA, a reminder of a time when cars were raw, brutal, and exhilarating. The “Killer Cobra” might have a reputation for being untamable, but for those brave enough to handle it, it offers an unmatched experience, a chance to dance with a legend on four wheels.

So, the next time you hear the name “Cheetah,” remember it’s not just a car. It’s a roar of defiance, a testament to innovation, and a reminder that sometimes, the greatest rewards come from taming the wildest beasts. Remember, the Cheetah might be gone, but its spirit lives on, a fire-breathing phantom on the racetracks of our imagination.

#Chevrolet Cheetah #car #cars #muscle car #american muscle #chevrolet #cheetah

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visit-new-york · 8 months

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Chrysler Building: A Shimmering Icon of Art Deco Elegance

In the heart of Manhattan's bustling skyline, one architectural masterpiece stands tall, capturing the imagination of all who gaze upon it. The Chrysler Building, a shimmering beacon of Art Deco elegance, is not just a skyscraper but a symbol of New York City's enduring spirit and architectural innovation. With its captivating history, exquisite design, and a touch of old-world glamour, the Chrysler Building continues to enchant and captivate, leaving an indelible mark on the Big Apple's iconic skyline.

The Chrysler Building, completed in 1930, was the brainchild of architect William Van Alen. Its distinctive design is a symphony of style, blending Art Deco with influences from the Machine Age. The tower rises to a staggering 1,046 feet, making it one of the tallest buildings in the world at the time of its completion. Its crowning glory, the iconic stainless steel spire, reaches even higher, ultimately soaring to 1,476 feet. This bold architectural choice, combined with the building's tiered setbacks and intricate ornamentation, immediately sets it apart from its contemporaries.

The Chrysler Building's spire is nothing short of a masterpiece. Composed of seven concentric stainless steel arches, it seems to ascend endlessly into the sky, a testament to human ambition and ingenuity. The polished metal glimmers and reflects the ever-changing hues of the New York City skyline, giving the building a dynamic and ethereal quality. The spire's tip is adorned with a spectacular sunburst design, a symbol of hope and optimism that encapsulated the spirit of the Roaring Twenties.

Beneath the shimmering façade, the Chrysler Building holds a treasure trove of architectural marvels. The lobby, in particular, is a breathtaking work of art. A soaring, marble-clad space is adorned with ornate, artful details, including intricate friezes, Egyptian-inspired motifs, and a magnificent ceiling mural by artist Edward Trumbull. The lobby's elegance and opulence transport visitors to a bygone era of sophistication and glamour.

The Chrysler Building's enduring legacy goes beyond its architectural significance. It has played a prominent role in popular culture, making appearances in numerous films, television shows, and works of literature. Its silhouette, unmistakable and timeless, is a symbol of New York City itself, representing both the city's storied past and its ever-evolving future.

Yet, beneath its polished surface and captivating design, the Chrysler Building harbors an air of myth and mystery that adds to its allure. One enduring legend is the tale of a secret spire race between the Chrysler Building and the Bank of Manhattan Trust Building (now known as 40 Wall Street), a nearby skyscraper under construction at the same time. This tale, though perhaps more myth than fact, only deepens the intrigue surrounding this architectural wonder.

The construction of the Chrysler Building was not without its challenges. The architects and builders had to contend with the limitations of 1920s technology, including the absence of modern safety measures and equipment. Nevertheless, the determination and expertise of the builders triumphed over adversity, resulting in an enduring symbol of human achievement.

As we look ahead to the future, the Chrysler Building continues to stand as a symbol of resilience and creativity. While no longer the tallest building in New York City, its timeless elegance and iconic spire remain a source of inspiration for architects, artists, and dreamers alike. Recent renovations and preservation efforts ensure that this shimmering gem will continue to grace the Manhattan skyline for generations to come.

For those who wish to experience the magic of the Chrysler Building firsthand, tours are available to explore its exquisite lobby and learn more about its history and architectural significance. Standing in the shadow of its gleaming spire, visitors can connect with the past, marvel at its beauty, and imagine the countless stories that have unfolded within its walls.

In a city that is constantly changing and reinventing itself, the Chrysler Building remains a steadfast symbol of New York City's enduring spirit, artistic excellence, and architectural innovation. Its shimmering spire reaches for the heavens, while its hidden treasures and legendary history capture the hearts and minds of all who encounter it. As an icon of Art Deco elegance, the Chrysler Building is not just a skyscraper; it's a living testament to the dreams and aspirations of a city that continues to inspire the world. It's a reminder that in the ever-evolving urban jungle of Manhattan, the Chrysler Building's brilliance still shines as brightly as ever, inviting all to partake in its timeless allure.

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#Chrysler Building #new york city #new york #new-york #newyork #urban #nyc #ny #manhattan #city #usa #United States #buildings #travel #journey #outdoors #street #architecture #visit-new-york.tumblr.com

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robfinancialtip · 3 months

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Join Paula, a digital nomad and travel writer, as she shares her experience with the innovative Halo Collar. Working from home in a small condo with a tiny yard, Paula faces the challenge of fostering dogs and cats from the local animal shelter. Thanks to the Halo Collar, she can provide her furry friends with a sense of well-being and safety during their short stay.

In this video, Paula explores the numerous features of the Halo Collar, expressing gratitude to the company for sending her the product. Living in close proximity to neighbors, Paula uses the collar's GPS-enabled virtual fence to set boundaries for the dogs, ensuring they stay safe and respecting her neighbors' spaces.

Paula highlights the ease of use of the Halo Collar, especially praising its association with renowned dog behavior expert Cesar Millan. She demonstrates how to put on the dog collar and discusses its vital features, including GPS tracking and the virtual fence. The collar's impact on fostering dogs becomes evident as Paula emphasizes the importance of building strong bonds and creating a sense of safety and security for the animals.

The Halo Collar 3, described as the perfect blend of innovative technology and understanding dog behavior, proves effective for dogs of various personalities. Paula appreciates the included dog training features, allowing her to spend more quality time with the dogs and increasing their chances of being adopted into forever homes.

For Paula, the Halo Collar 3 has been a lifesaver, enabling her to continue fostering dogs in her small condo and providing peace of mind. She encourages viewers to share their stories and feedback, emphasizing the potential positive impact on countless wonderful dogs out there. Subscribe to Paula's channel for more insights and to be part of her journey with the Halo Collar 3.

#Youtube

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bonefall · 3 months

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i was wondering, how different are BB!Windstar, BB!Riverstar, and BB!Shadowstar in Modern Starclan than they were alive? Esp compared to BB!Skystar and BB!Thunderstar.

Windstar is waaaaaaaaaaay different. Modern cats have completely forgotten that she was kind of a bitch. Of all the founders, I'd actually say that she's the most different. They de-girlbossified her.

Her revelation from Gray Wing the Wise was that she had a taste of battle and choked on it; ergo, she should expand her horizons. She spent the later half of her leadership doing just that, encouraging her cats to trade, forming alliances, and collaborating heavily with Shadowstar on technological advances. She was so loved that ShadowClan constructed a cairn at her burial-- a mound of stones around her body.

In life, she never lost her intensity. Though she took the revelation to heart, she often held grudges, took part in skirmishes against the others, and displayed a lot of bias within her heavily-hierarchical Clan. She could even be cruel and unfair in her judgements. Moth Flight personally experienced this in life, as The Wind Runner held her parentage against her before she'd proven herself useful.

In BB, Moth Flight is the daughter of Cloud Flight and Wind's terrible ex-mate, Branch. Windstar's kittens are Morning Awakener and Dustiest Muzzle.

(note: Names still might change. Park cat names are titles, three words at most, which are collected over their lives. Traditionally, a king bestows these titles, but in WindCo it's their parent. I feel like it fits her to have three kits called Big One, Middle One, and Little One tbh, lmao)

In death, these less savory aspects have been filed down by the sands of time. She's remembered as intelligent and jovial, loud and singsong. Her real build was lanky and wiry, but she's imagined to be as fat as a rabbit thanks to her trading and innovation. She gets associated with the matriarch doe that runs a warren.

(Gorselike Fur is depicted as harelike.)

The stories give her a king-like air to her. Most of the post-battle WindClan tales open up with her being approached in her camp, describing the kittens that took over after her death as 'heirs,' because the Wind Coalition didn't have deputies until Riverstar's death and a succession crisis.

In contrast, Shadowstar is actually the least changed founder. Her revelation was that she had failed to break her own legacy (remembered through history as failed to be compassionate, as her "legacy" of being the descendant of Broken Shadow is forgotten) and someone else would be broken for her. That turned out to be her nephew, Sun Shadow.

After winning a staring contest with One Eye, Sun Shadow won the right to become the God of the Sun. It is said that if someone else wins a staring contest with him, THEY will become the next god, so Sun Shadow defends his position viciously.

At night, he must rest, and his aunt is there to shelter him. This is why there is day and night-- as Shadowstar allows him to sleep in her embrace.

(Post-Lake there are actually arguments between River and Shadow "philosophers," who fight over if Sun Shadow is actually laying down to rest in Riverstar's embrace instead. Blood has been spilled. Average college professor discussion.)

So, as a patron, she's associated with shelter, safety, rest. Sanctuary. It's something that ShadowClan heavily values about itself at various points through history. So Shadowstar is seen as gentle, protective, and pragmatic. Someone who deeply regrets how she lost sight of the value of life, and will now fight to defend the cats under her charge.

Not all too different from who she was in life.

#And Riverstar will come up soon because ASC will end in a few months #But he is absolutely incomprehensible at this point #Closest thing to a biblical angel. He personifies water.#Spirituality overhauls #BB!Windstar #BB!Shadowstar #Better Bones AU #BB!StarClan

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suniverseastro · 2 years

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ASTROLOGY OBSERVATION #9

Locations that indicate problems with parents:

+ Sun 8th: their father can be aggressive, rude, repressive, controlling, dominating, putting anger on them

(Similar to Moon 8th)

+ Sun, Moon hash aspect with Chiron, Pluto

+ Sun square/opposite Moon

+ Moon in Capricorn

+ Sun 4th, etc (still updating more information)

Jupier promiant makes the person have talent and do well in teaching

3rd Jupiter loves to read, they learn a lot from hand-made works. They can compose stories, write articles, newspapers, participate in propaganda and communication activities

Mercury 5th: can imitate the voice, act out the types of characters that they find interesting and impressive. Have a good relationship with children. They like to have fun learning, be creative, innovate, have many different interests so they may feel they don't have much time to develop which is the best, they can get confused with this , is also picky in choosing hobbies and forms of entertainment. They are good at talking and expressing their feelings. Warm words. But when they feel things are inauthentic, distrustful, boring, they have a very different face: stubborn, irritable, disengaged or very dramatic.

Mars position in Virgo, Capricorn is very efficient people, they are patient, hard working and detailed, very organized, well run.

Mars in Libra, Cancer: haha, they often have few enemies because of their unwillingness to conflict and fight. One does not like conflict, the other needs to ensure safety. That doesn't mean they don't have the ability to fight, just that they look less aggressive

Mercury in Scorpio: likes mysteries, horror, detective stories. They are the ones who can put the other person's ideas into words, if they feel they have something difficult to say, have trouble saying it, they will be great psychologists, or reluctant. Their jokes are often dark and deep and if you are relaxed they are really fun and relaxing

Venus Capricorn trine Saturn: extremely serious in love, they can write a long list, a series of bullet points about the norms, ethics, and responsibilities of each person in the relationship. They want to be in a relationship where the partner will build a good financial foundation, commit, develop, and plan together after they have children.

Gemini/3rd may like to learn but they may not like school

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boys-with-gunss · 3 months

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𝐙𝐄𝐑𝐎 𝐃𝐀𝐘 (𝟐𝟎𝟎𝟑) 𝐀𝐍𝐀𝐋𝐘𝐒𝐈𝐒

I never stop yapping about Zero Day, he here's literally all my thoughts on it right now so I can stfu for a couple days.

Table of Contents:

Film Summary

Andre Kriegman

- Character Overview

- Character Analysis

- Strengths & Weaknesses

- Conclusion/TLDR

Calvin Gabriel

- Character Overview

- Character Analysis

- Strengths & Weaknesses

- Conclusion/TLDR

Cal and Andre

- Similarities and Differences

-Who really is the "Leader"?

Film "Critique"

Overall Conclusion

Sorces

Zero Day full movie, making of, and screen test (free)

Also quick disclaimer, obviously I take direct information from the movie itself, but some of my information is paraphrasing of character wiki's (which are made by fans) so if any of it is inaccurate, just lmk and I'll correct it. Sources will be linked at the end

FILM OVERVIEW (spoilers)

Basically, Zero Day is a 2003 film centered around characters Cal Gabriel and Andre Kriegman, two teenagers who document their plans to commit a shooting at their high school via video tapes with the intent that after they're done, authorities/media will get a hold of them and send out their message. The entire film is supposed to be like "found footage" type stuff, the entire film is just these tapes they recorded, then at the very end, security camera footage of their school after the carry out their plan. That's essentially the gist of the film and basically all you need to know.

ANDRE KRIEGMAN

𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗢𝘃𝗲𝗿𝘃𝗶𝗲𝘄: Andre Kriegman is Cal's best friend, born in Köln, Germany, his parents immigrated to the United States whilst he was still very long. He was on the track team, worked on the school paper occasionally, and was an active member of the science club at his school. He as brown hair and eyes, and average build, and has some mild acne. He's has a pessimistic sense of humor and overall world view. He's hard headed, selfish, methodical, and orderly with a short temper. He tends to take charge and likes things done the way he plans. He's intelligent for his age and uses that to his advantage

𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗔𝗻𝗮𝗹𝘆𝘀𝗶𝘀: Andre is a natural "leader", he's very assertive and gets upset when things don't go his way, go off track, or when there's a risk it won't work out. We see this numerous times throughout the film, usually when Cal does something off plan (for example, the poem Cal presented about the shooting, Andre for very upset with him as it could risk them getting found out. Then the time when Cal wanted to write a letter to Chris after they stole from him, Andre objected multiple times because he didn't want ti being traced back to them before the shooting took place. Also we tend to see most of the plan being put together by Andre, like how he came up with the safety deposit idea, the idea of making a 'Will & Testament' type tape and leaving it in the car, breaking into Chris's, stealing his father's guns, etc, etc. You get the point. Rachel, Cal's " love interest" said hersslf that Andre seemed to be the leader of the Cal and Andre army of two and how she was more scared of him.)

Sources say Andre has an INTJ personality type (Introverted, INtuitive, Thinking, and Judging), his XwX is unknown. INTJs are usually focus on the big picture, are very logical, are very organized, and tend to be lead by reason rather than emotion. They're analytical, innovative, and strategic. We see examples of almost all of these things when viewing Andres character in the film, I'll just go through them one by one and provide a rating based on how well it fits him.

Focusing on the big picture - 7/10, obviously the main goal was to shoot up the school and kill as many as possible, and Andre was set on that and it was what the both were building up to the whole time, Andre mainly focused on that and that alone. Though he also focuses on a lot of the little details in the steps, which obviously lead up to the "big picture", but he spent a lot of time thinking over the specific. For the most part all of the things in the film that weren't directly related to the shooting or the "off-topic" stuff was caused mostly by Cal. (Ex: Scenes with Rachel, the prom, his monologues, getting Andre to go with him to read his poetry and getting him to drive with his eyes closed, etc.)

Logical/Analytical- 7/10, like I said before, he's very intelligent and had a well thought out plan, but the reason I rate this a 7/10 was mostly because his original plan was to shoot up the school and then just leave in a car with almost nothing and go from state to state with Calvin, which would be near impossible for two teenagers and in the long an short run, very, very unethical and illogical.

Lead by reason - 5/10, from the tapes we saw, the whole point of the shooting was to send a message, to show the consequences of the mistreatment Andre had faced. While those seem like I guess "good" reasons, they're really not. His actions are a result of his anger and his want for revenge. We saw it in the very beginning of the film where he and Cal threw eggs at Brian Hoff's (wrestling team captain who was a dick to them) just because they were mad at him and they could. I'd rate him lower but I have him a 5 because while his reasons for doing what they did weren't very reasonable, he executed the steps leading up to it and the act itself well.

Innovative - 10/10, Andre was good at creating solutions to almost every problem that interfered with their plan. For example, making his fathers gun shorter, thus more concealable. Not only was he good at creating things physically, but he found ways to benefit him and Cal through simple things, such as convincing Chris to take them shooting so he and Cal could learn how the guns work. Andre was also shown to be the more manipulative, finding small ways to move along he and Cal's plan by just interacting with people.

Strategic - 9/10, he executed his part of the plan very well and aroused zero suspicion and planned everything he did almost perfectly, the only reason I gave him a 9 was because of his idea to literally break into Chris's house while there were tons of people right across the street. I understand it was basically the only option, but it's not very ethical.

𝗦𝘁𝗿𝗲𝗻𝗴𝘁𝗵𝘀 𝗮𝗻𝗱 𝗪𝗲𝗮𝗸𝗻𝗲𝘀𝘀𝗲𝘀:

Strengths - intelligence, quick thinking, agility/speed, manipulation

Weaknesses - Primarily anger driven, unrealistic goals, inability to "stand up for himself" without literally murdering tons of innocent people

𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻/𝗧𝗟𝗗𝗥: Andre Kriegman is the perfect example of a leadership role, his intelligence plans a big factor in everything he does and he's great at subtle manipulation to help get to his end goal. He has sort of a "mastermind" type personality because all his traits together are really what made him able to do his part of the plan (even if in reality he isn't the mastermind, neither is Cal though, and they both realize this). Though he's aware his intelligence and he's selfish, which has him set unrealistic goals, while he's not necessarily overconfident in himself and he knows that some things are just plain stupid to go through with, he doesn't think, but hopes, he can get away with it anyways.

CALVIN GABRIEL

𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗢𝘃𝗲𝗿𝘃𝗶𝗲𝘄: Cal Gabriel is Andre's best friend, I assume who lived Connecticut his whole life. He played the guitar and sitar in his schools six-piece band and is survived by his parents and younger brother and sister. Cal has a seemingly great family and he's seen as a relatively nice and likeable and charming boy. He doesn't have trouble gettin along with people and Rachel really did like him a lot and overlooked his negative traits as Andre influencing him. He's obviously not been made fun of or bullied to the extent Andre has, but there's been instances. Calvin, on the outside is just such a "normal" kid some people see him as boring (ex: Rachel's friends at prom). Overall, on the outside he just seems like any other kid, he's not exactly outcasted like Andre either as people actually seem to like him. Though on the inside he's much more manic and impulsive and unstable.

𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗔𝗻𝗮𝗹𝘆𝘀𝗶𝘀: While with Andre, no one suspected him because he was manipulative, no one suspected Cal because he was deceptive and persuasive. He was good at putting on a front when interacting and was such a normal, friendly kid no one thought he could've been capable of something like what he did, and perhaps it wasn't his intention to out on a front at all, it was just second nature (Examples include: Him making Andre believe he was going to go alone with the original plan, the getaway car plan, until the very last second, him convincing Andre to do things just for the fun of it, like burning stuff and driving with eyes closed, and literally every single one of his interactions with characters other than Andre). Though sometimes in front of others he gets burnt out and starts showing how he really is. For example, the party he and Andre were at, he walks outside and sits on the porch, obviously overwhelmed and just becomes disconnected and quiet, practically the only thing he said in that scene was "I'm just not good at parties.", which shows while he is a very likeable person, perhaps the reason he's so close with Andre is because Andre doesn't have any other friends he has to hand out with like Rachel does, he doesn't get so burnt out and overwhelmed because he only has to focus on Andre, who he sees as very similar to him (even if they aren't that similar at all, which we'll get into later). He's very impulsive and manic as shown through the whole film. He just does stuff because he can and he knew the whole time be wasn't going to live to see the consequences or rewards (ex: the poem, going to prom with Rachel, joking around all the time, messing with the student during the shooting scene). Cal is seen as being more hesitant/remorseful about the shooting because of incidents such as him writing a note to Chris after stealing his guns, and him lagging behind Andre when they ran into the school. I personally don't see this as the case though as I think the only thing he felt remorseful about was the stealing from Chris, he said it himself in one of his solo tapes, that's why he wrote the note. Also I think the reason he lagged behind was because he was carrying more than Andre and Andre was on the track team, so obviously Andre would be faster. It's very clear though that through the entire movie and shooting he wasn't remorseful at all. Maybe he was hesitant in the beginning as in the tape he recorded outside he said something now "I'm ready for Zero Day NOW" and he said how he wanted to keep the feeling of being ready so he wouldnt back other, which can mean he was hesitant at first but he eventually stopped, we see him become more and more eager throughout the tapes as well.

Sources say Cal has an ISFP 4w5 personality type (The Artist/Adventurer personality type, Introverted ObServant, Feeling, Prospecting). ISFP are usually quiet, sensitive, flexible, relaxed, warm, artistic, adventureous people who are aware of their needs and desires, have a strong set of practical skills, want to live in the moment, and are emotion driven, though they are also seen as sometimes scary and hard to know. I think this is the most accurate for Cal than anything else ever could be, I'll explain why by doing the same thing I did for Andre and rating how well Cal fits these traits. Because we know his XwX, there's a lot more to go off of, so I might group up similar traits.

Quiet/Warm - 5/10, while on the outside and interacting with other people he was very friendly and humorous yet soft spoken, like we see when he was talking with Rachel's friend in the limo, during the shooting scene he was very much the opposite. HE was the one screaming and shouting, HE was the one kicking and knocking over things and losing his temper, HE was the one taunting and teasing the students, which came as a surprise to many because it was a complete switch from the character he was throughout the entire movie. I gave him a 5 because its a middle ground, as he both equally fits and doesn't fit these traits depending on the situation, which brings me to the next trait...

Flexible - 10/10, during the main part of the film, the tapes, he really just went along with whatever Andre said, while sometimes he just did whatever he wanted, he adapted quick to everything and didn't have a set order he wanted to go in like Andre.

Sensitive - 5/10, I wouldn't say Cal is sensitive to others, sure there's moments when he can come off as sensitive or defensive, like when Rachel said she knew Cal was going to show Andre the tape and he immediately defended himself on it and seemed to take it personal. But I think he's not as sensitive to others emotions as he is to his own, though I can't really rate this as we don't see him interact much in a situation where he could be sensitive aside from with Andre, who's his best friend, so he'll obviously be more comfortable and take any reprimands or insults from him not seriously.

Relaxed/adventurous/desire to live in the moment - 10/10, throughout the entire film, very rarely was he tense and he didn't seem concerned at all for the consequences of anything he did because he knew the whole time he was going to end up killing himself, as to Cal the shooting was like a suicide mission, but to Andre it was for revenge and to prove a point and send a message. Because he knew it would end in suicide for him anyways, he lived in the moment, like I said before in examples of his impulsiveness, he went off track from the plan just because he could and it was his chance before he died. He burnt his stuff because he could, he made fun of the poets just because he could, he went to prom with Rachel because he could, he didn't care at all.

Aware of needs, desires, and wants/emotion driven - 10/10, the entire time Cal knew he wanted to kill himself, and he did whatever he wanted before the shooting because he knew he wanted to, and he went through with the shooting because that's what he wanted to do.

Artistic - 10/10, Maybe he didn't like draw or paint and stuff, but he was still very artistic in many ways. In the tapes of him where he's by himself, the way he words things is somewhat poetic, also it's the fact that he literally wrote a poem. Also Calv is seen wearing a Pearl Jam shirt at one point, which could be a reference to their 1992 single Jeremy, which is primarily based on the story of a 15-year-old boy who brought a gun to school and proceeded to kill himself with it in front of his English class, which in itself is something very poetic as well and the story is very similar to Cal's intention behind the shooting. This shows how he expresses himself through more literary art forms and not necessarily how normal people would express themselves, which by the way, the urge to be different or to express emotions differently to be unique is a common ISFP trait.

Strong set of practical skills - ??/10, we know of his ability to deceive and persuade, but those aren't really practical skills, we don't honestly see many examples of practical skills in Cal, so I can't really rate him on this.

Hard to know - 10/10, practically every interaction he had never completely showed his true personality, which in itself proves he's hard to know. Also the kids in the Limo just didn't like Cal for some reason despite him just being nice and normal the whole prom and ride there and back, which can mean Cal is just a hard person to understand and like when you actually interact with him, despite seeming so nice and likeable to people who've either never interacted with him in any way, or to people that are close to him.

Scary - 10/10, he murdered multiple innocent people, and the fact he even thought of doing it in the first place is horrifying.

𝗦𝘁𝗿𝗲𝗻𝗴𝘁𝗵𝘀 𝗮𝗻𝗱 𝗪𝗲𝗮𝗸𝗻𝗲𝘀𝘀𝗲𝘀:

Strengths - Deception, persuasion, likability, normalcy, knowing what he wants and how to get it

Weaknesses - impulse, emotional drive, instability,

𝗖𝗼𝗻𝗰𝗹𝘂𝘀𝗶𝗼𝗻/𝗧𝗟𝗗𝗥: Cal's character is the perfect likeable character, and that's what makes the movie so interesting, because the main characters, especially Cal, who is shown to actually be the most violent and unstable, are so likeable, the way they interact with others seems so normal and friendly. Cal is a character who knows what he wants, and has a strong impulse, which just makes him go for it. He's artistically expressive and partially because of that he's a hard to understand and know, though he doesn't have trouble keeping friends. He's good at putting on fronts and that's part of the reason no one suspected him, because he was so normal.

SIMILARITIES AND DIFFERENCES

Through the movie, Calvin stresses how similar he and Andre are, but maybe they aren't that similar at all.

Similarities:

Both are social outcasts without many friends

Both wanted to do something like Zero Day before they even met, Calvin states this he also states they never had to talk about doing it, they just knew they both wanted to and started planning

Both condone things like Zero Day in general

Very obviously both mentally unstable

Both deal with a power struggle

They make joking threats

God complex

Relatively uninvolved with anything unrelated to each other or Zero Day

Emotion driven

Differences:

Cal has a less hard time getting people to like him and isn't bullied as much as Andre

Cal is suicidal, manic, and impulsive while Andre had a will to live, for a while at least and tends to stick to a plan and is very oderly

Calvin is very artistic while Andre honestly doesn't really seem to have any special qualities about him

Cal saw Zero Day as a suicide mission, Andre saw it as a way to send a message

Cal is more laid back and carefree and "fun" then Andre. During the shooting too we see Cal laughing and shouting and taunting and teasing just for fun, while Andre wasn't doing much of any of that.

Andre was manipulative, Cal was deceptive

Andre is very pessimistic whole Cal always seems to be optimistic

Andre has a more leader like an assertive personality and Cal just tends to follow along because he doesn't really care what they do as long as it ends in him killing others and himself.

Cal liked to wait to kill the students because he thought it was funny, but had no hesitation killing himself, meaning he overall had zero value for life in general, whether it be others or his own. Andre liked toying with some of the students but generally didn't waste time and just killed them immediately (unless he saw that Cal wanted to fuck with them first) but after the shooting was over, he was hesitant to kill himself, which shows how he values himself over others and doesn't want to die but would rather die by his own bullet then a police officers because he felt he was too good for it, which highlights his inflated sense of self worth and god complex.

SO WHO REALLY IS THE "LEADER"?

Short answer, neither. Cal and Andre like to see them both as "leaders" because they want to be seen as powerful, but neither of them are leaders at all, you can't have two leaders of the same plan, especially when the two people have completely different end goals. Andre is meant to seem like the leaders simply because he's more assertive and comes up with a lot of the ideas, though we see Cal can be equally assertive and while he takes a more careless approach he still executes Zero Day the way he plans, which is a leade trait. Also we see both Andre and Cal order each other around. This may seem like both are leaders, but this just isn't true. Cal said that the whole time, even before they met, they always wanted to do something like Zero Day and the built up their own plans and were only motivated to executed it when they met. He says neither of them had to say anything about wanting to do Zero Day, they just knew, and they worked together to make a plan. There was never a leader, Cal and Andre were both equally involved, neither one was more powerful than the other, they were equals who's different strengths and weaknesses put together actually benefitted the both of them.

FILM "CRITIQUE"

I honestly have nothing bad to say about the film, even the low budget worked in the movies favor as it made it seem more realistic and unplanned, like how found footage films should be. The actors were amazing and did a good job of portraying the role of both "normal" high schoolers and mentally ill murders at the same time. I don't think I'd change a single thing about the film except for the fact that we lack some information on the main characters. Cal recording tapes by himself helps a lot in the area of knowing his character, but I wish they did something like that for Andre too.

OVERALL CONCLUSION

Overall this is one of my favorite movies ever and it's so underrated. If you haven't watched it, you should (despite me basically spoiling the entire thing). I literally stayed up all night from 11 am yesterday to right now today, so I think this is pretty good. Anyways if I missed some shit or I got something wrong, tell me, please. Anyways, here's the sources

SOURCES

ZERO DAY FULL MOVIE + MAKING OF + SCREEN TEST (FREE)

(Note: this movie is free on YouTube and widely available, but I know others aren't and with streaming services raising their prices, piracy is a completely valid alternative that I support. So if you can't afford or just don't want to pay for streaming services, hmu, I have links to good sites and torrents and resources and information on how to stay protected and keep your data encrypted when on them. I know, I know, I'm a real one.)

youtube

Anyways, that's my film analysis, go watch Zero Day, I put an entire day of my life into this so yeah, cool if you read all this.

- Ronnie🔥🔥💯

#Youtube #zero day #cal gabriel #andre kriegman #zero day 2003 #zero day movie #zero day fandom #film analysis #zero day film analysis #i love cal robertson #kid in an army t shirt #army of two #ron hates blondes #future archives #ron-hates-blondes

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storiesbyrhi · 3 months

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Witch!Reader x Bat/Vampire!Eddie Munson Series Masterlist The Grimoire The Timeline

Warnings: canon typical violence, horror genre typical violence/some infrequent gore, swearing, animal death, no beta, death in childbirth (mentioned, not described), abusive parents, suicide, spiders/bugs, grief/mourning; light smut; warnings updated each chapter.

Synopsis: No witch has stepped foot in Hawkins since 1845, but when Vecna opens the ground and poisons the town, a voice begins to call to you. Have you been brought back to this cursed place to heal the townspeople’s wounds, to save a hexed bat that always finds its way to you, or to redefine your history with a reunion 150 years in the making?

Chapter Summary: Pulling strings and aura reading. 3124 words.

1986

Hedy Lamarr: Golden Age movie star and inventor. George Antheil: avant-garde composer and inventor. Together, at the beginning of World War II, they developed a radio guidance system for the Allied Forces that could employ frequency hopping technology in order to overcome the issue of the Axis Powers’ signal jamming. Decades later, their innovation would become the basis for Wi-Fi and Bluetooth tech.

The Hollywood dinner party Hedy and George were both invited to would mark their meeting in 1940. Hedy hadn’t planned on attending.

“I hear you won’t be the only free thinker there, Hed,” Abby sing-songed from the passenger seat of Hedy’s car. “Maybe you should go. And besides, Janet’s parties are always so fashionable. I’m sure even more so now she’s married that little costumer designer of hers.”

And with that, Abby had pulled yet another set of strings. It was what she excelled at. Mostly, that was a good thing. She was a good witch. However, you hadn’t always seen eye-to-eye, especially since she was prone to stealing your clothes. When she cleared her throat, you noticed she was wearing the purple lace top you loved. Not lost on the road trip to Hawkins then.

“While it is in a witch’s nature to romanticise… well, everything... I must redirect your attention to what is clearly the most critical issue…” Abby started. She shot you a look. “Where is your angelic vampire now?”

Gillian looked at Sally. She had assumed you’d left Eddie in Hawkins. Certainly, he couldn’t be within the walls of the coven. A vampire couldn’t cross the hidden forest threshold.

You felt Kelsey move closer to you, standing behind you, closing ranks.

“Somewhere safe,” you told Abby.

“Can’t be more specific than that?”

“Fuck, Abby, does that matter?”

“I just want to know if you’ve made the same mistake twice. Did you bring a fox into the henhouse again?”

“I resent the implication of being a defenseless hen,” Kels complained.

The witches were talking among themselves once more, Abby planting a seed of fear in the coven. Eyes darted around, often flicking to you with accusatory stares. Your stomach was churning and Eddie was pushed as deeply into the corner of your pocket as he could go.

“Doesn’t this boil down to – do the means justify the ends? Because we have never abided by that before,”

“If the ends are the survival of the coven and the safety of the humans, then yes!”

Arguments were breaking out across the hall.

“Why didn’t she tell us about the vampire as soon as she happened across it?”

“Because we are a coven, not a hive mind. We are allowed to explore and learn for ourselves.”

You couldn’t gauge if a consensus was forming. Questions were coming hard and fast.

“Can we trust any of them again?”

“Where is the justice?”

“If it really is good, if… he has a soul… were there others?”

“What else have we been wrong about?”

“Even if it is good, what if it makes more, and they are the monsters we used to know?”

The tension was continuing to build. Those in the coven who were conflict-avoidant began to filter out of the hall. Whatever happened, what conclusion came, they would accept unconditionally. Other witches who had hitherto said nothing, began to share their opinions with those near them.

A voice called from within the crowd. A demand to be brought closer. Guðrún sat in her enchanted rocking chair, letting it glide just above the ground until she came to a stop before you. She was the oldest in the coven, having lived lives upon lives upon lives.

You knew Guðrún would scold Gillian and Sally later. To keep her in the dark about such important matters showed her a deep disrespect. That matter would be settled in private, among friends. You, though, the way she looked at you was as cold as ice.

“You are a healer. A rare and special gift for a witch. It comes as no surprise that you believed you saw life in something undead. When you tell your story, conviction yellow. Beloving pink.”

Guðrún was the only aura reader of the coven. Ancient wisdom gave her additional senses.

“But now. As you stand. Green turning bad. Not yet deception. Something concealed.”

Don’t break eye contact.

Don’t hold your breath.

Don’t roll over and show your soft belly.

“Too many. Too many hues. What is concealed… It is a… void. Not black, but a vacuum.”

Guðrún’s gaze trailed down to where Eddie was in your pocket. She couldn’t see him, but she could see the empty space around him where an aura should be.

Sally had figured it out the night before. The way you sat, careful of the way your jacket draped over body. Other physical cues. It was that, and that she just knew you. You’d never be parted from Eddie again. She kept the secret from her sister.

Gillian worked it out only then, following Guðrún’s line of sight. “You couldn’t unhex him completely? He returned to the bat form?” she asked you, stepping closer, ignoring the coven’s growing sense of anger and terror.

You said nothing.

She narrowed her eyes. “No. You did. But… This is how you got him through the gate… A trick of form?”

Realisation rippled outwards. For a moment, curiosity and anxiety were radiating from the coven in equal measures.

“If it is good, such a well behaved creature, then show us,” Abby called.

“He is not a show dog, Abigail,” you spat at her.

“Obviously not a dog. A bat. You’ve always had a penchant for the poetic. It’s a bit on the nose though,”

“Shut the fuck up, Abby,” Kelsey growled.

A strange sort of anticipatory silence fell across the hall. You knew what they were all waiting for.

…

1986, a few days earlier

“It smells nice,” Eddie commented.

He was sitting on the couch behind you. You’d dragged your coffee table altar closer to it, so you could sit between his legs on the floor and do your work.

“It’s the sage. You always say something when there’s sage.”

Your protection spell for Eddie had been finished, but in the eleventh hour, you had a stroke of inspiration.

The potion was a total risk. It was more guesswork than witchcraft. Almost a Hail Mary. You’d probably be throwing up into the mix out of stress if Eddie wasn’t gently playing with your hair.

It was symbiosis. He liked to have his hands on you. You liked his nails on your scalp. Everyone was kept sedated.

“It’s a good idea, my love,” Eddie told you, again.

“In theory,”

“And in practice. It will work.”

…

1986, a few days later

You knew what they were all waiting for.

“Remember that what you put into the world comes back tenfold,” you warned.

After one last look to Kelsey for support, you reached into your jacket and scooped Eddie up. While keeping your hand touching your chest, you uncurled your fingers to reveal the small bat.

Mostly, the witches were underwhelmed. Some, confused.

“Turn it back,” a voice from somewhere in the crowd said.

“Again. He is not a fucking show dog,” you sneered.

“Then how do we know it’s not dangerous?” Abby asked. “Who says as soon as it’s back in its vampire form, it won’t try to kill us all?”

She’s a good witch, you reminded yourself. A good witch. Part of your coven. But every family has the shit-stirring little sister that could stand to be brought down a peg or two. Alas, it was not the time nor place.

“Me,” you answered.

“And me,” Kelsey added.

“If you come pleading for absolution, the condition of an introduction is not too great an ask,” Guðrún declared. “If it is not a monster, then a meeting should pose no challenge,”

“The challenge doesn’t lie with me. It is with the coven,” you told her.

“You fear violence,”

“Yes. Should I not? Can you tell me all the colours emanating around us are peaceful blues? I know you see red and black and midnight tones. Why shouldn’t I fear this?”

Guðrún studied your face, briefly read the room. Before she could say anything else, and before Abby could move things along with a tug of a string, you let yourself really feel the fear. You wanted to puke.

“I have everything to lose,” you said, voice cracking. Eddie’s tiny little bat hands clung to your shirt, your hands shielding him still. “I am entirely prepared to lose my place here. And, you know what happens to a covenless witch. I have spent weeks agonising over this. All the possible outcomes. Yet here I fucking am. Telling you, all of you, what I did. What I did wrong. Why I did it. Telling you that I was stupid and I feel embarrassed. But that I was in love. That I am in love. That I was hurt in an immeasurable way. But I have found a way from there to here, and that means something. It is worth something.”

Everybody was silent.

It was always going to come to this.

Turning to Kelsey, she pre-empted your request, casting darkness over the windows, then heading out the hall.

“His name is Eddie. Edward. He was twenty when he was turned. It was 1586. He had no choice. He’s almost finished The Lord of the Rings. He helps me forage. He does housework… Eddie has a list of cats throughout history he thinks are cool. His favourite is Unsinkable Sam… He’s… He’s not what you think he is.”

Still, nobody said anything.

Kelsey reappeared at your side, holding out a pair of sweatpants and a t-shirt. Taking them, you turned your back on the coven, standing close enough to Kels that you formed a small partition. Your teeth were trying to chatter, nervous energy screaming to get out of you.

Please. Please. Please.

You didn’t know who you were praying to.

You said the words, Eddie appeared.

The silence became a living thing. It ate up gasps and giggles. Words and wind.

Eddie dressed quickly, but not too quickly. No vampire speed. No sudden movements. He looked you dead in the eye, your reflection in that deep darkness. Hand in hand, you stepped to reveal him to your coven.

There was not a single face of indifference.

Becoming hyper-aware of everything in your surroundings, you first focussed on Sally and Gillian. Their slumped postures. Deep set frowns. Resignation. No threat.

Abby’s fast and shallow breathing. Blown pupils.

Guðrún was squinting so hard you could barely see her eyes. She could will it all she wanted, there was no aura to read. She had no better insight than you. Than any of the others. It made her feel powerless, but in that was grace. If she had no better vantage point, her vote meant nothing more. She ceded.

The grief was written all over Sara’s face as she moved silently through the coven. You stepped in front of Eddie, held a hand out to her.

“Bug, wait,” you asked. Sara – Bug – who you used to spend hours drying and pressing flowers with. Preserving colour and beauty. Happy in each other’s company.

“Don’t call me that. You don’t get to call me that anymore,” Sara snapped. “You walked by our side for centuries, but by a single moonlit night you betrayed us?”

“Sara-”

“No. She died in my arms… You were there. You tried to stitch her together. But her skin was too shredded. Too much blood loss. They ripped her apart and now… Now this?”

Sara’s grandmother was older than Guðrún but perished at the hands of Eddie’s colony. You had tried to heal her. Save her. There hadn’t been any hope though.

Sara’s hand moved in her pocket and you became acutely aware of why she had not said anything earlier. She hadn’t been in the room. Sara had disappeared and filled her pockets with the death dust. Most witches had stored theirs away, the need gone. Not Sara. Not ever.

She moved fast, her palms flung open and a deep breath out pushing dust up and at Eddie with supernatural speed and force. It would only take a single flake of it to kill him.

It all happened in an instant. The magic hit the border of the protection spell and Sara was showered in the dust, as if she had been the intended target. Simultaneously, Eddie hissed, an innate and unconscious reaction to an attack. And you grabbed him by the arm and yanked him backward, putting space between him and the coven.

Everyone froze, processing your warning of tenfold and the events that had transpired.

Tears streamed down Sara’s face. “You’re choosing him over us?”

Abby walked to her, wrapped an arm around her waist. “Bug,” she said softly.

“I’m asking to not have to choose,” you tried to explain.

Sara wasn’t listening, not to you, not to Abby, who was whispering something to her. Distracted by this, you did not see Alexis.

Alexis did not come for death. She came for pain. She held a dagger made from carnelian, steel, and crocodile scales. She drove the dagger through the air, but hit the spell border just as the death dust had. The spell was a mirror, it would reverse the magic back to sender.

Alexis’ blade spun from her hands and glided too quickly at her. It aimed for her heart, as she had aimed for Eddie’s. Its trajectory would have seen it plunge through her ribcage’s gaps and into her still-beating heart. If Alexis died, it would all be over.

But Eddie was there.

He moved in a blink and caught Alexis with one arm, holding her safely. His other grabbed the dagger, letting it slice through the side of the hand so he could catch it mid-air. The room held its breath. Alexis’ green eyes were wide and set on Eddie. She couldn’t look away, couldn’t pull herself from Eddie’s embrace.

“I mean you no harm,” he murmured quietly, just to her. “And I like your freckles.”

Eddie let Alexis go; she stumbled a few steps before steadying herself. He moved slowly again, turning to the coven and dropping the dagger, letting it clang against the floorboards.

You rushed to him, throwing your arms around him. “Are you okay?” Looking down, Eddie had already healed from the blade. You held him tightly. He closed his eyes and melted into you.

The witches watched. Some submerged in waves of grief, some choking on anger. Some could smell honeysuckle, a sure sign of true love. Others felt a ripple of change, their skin prickling with goosebumps.

You looked to the coven.

“This is… too much. It’s too much for me. And for each of you… But it’s done…” You shook your head, then shrugged. “I just… I don’t know… We have been guided by so many forces. By what we learn. By fate, and life, and death. By the systems of morality we take from the humans. By each other. And I don’t know what’s really right. So, I’ll make my own meaning now. It’s… yeah, it’s been working. What I’ve done in Hawkins. It is good. There’s good to be done there…”

It was resonating. Ev, Meg, and Hailey. Ash, Mel, and Kelsey. More and more witches, lost in a liminal space of post-purpose. What did it mean to be a witch without a goal? What did it mean to be a woman in 1986?

Eddie watched you. I will diminish, and go into the West and remain Galadriel, the book echoed in his head. You held yourself with the same loveliness as Galadriel. Not always, but now.

“I’m going back. Maybe I’ll stay there. Maybe I’ll find somewhere else that needs help. But I don’t belong here anymore. And, maybe that’s okay. Maybe it will… it will be okay…”

As your thoughts trailed off, you met Abby’s gaze. She nodded once, a promise that you would be left alone. You nodded back, then looked for Guðrún. She had already left, putting faith in the youth of the coven.

Some of the witches began to leave the hall. You had no way of knowing who you had hurt and if you would ever be forgiven, but you were willing to pay the price of that shame to keep Eddie.

Kelsey was the first to come to you. “I’m coming with you,” she announced fearlessly.

“Me too,” echoed Mel.

The others stepped up, nodding.

“You don’t have to do this,” you told them.

“And you don’t get to tell us what to do,” Meg replied.

“You’re right. Maybe you don’t belong here. But maybe you’re not the only one,” Ev said.

A deep exhaustion was taking over. Your energy was draining into the protection spell, the mirrored bubble around Eddie took so much of your magic to keep intact. All you had in you to do was nod. You’d argue with them another day.

“Hi,” from Ash then. She grinned at Eddie.

“Hi,” he replied, flashing her a trademark smile. He took your hand. “I, ah, look forward to meeting you all. But I believe it might be best if I depart. For now,”

“Yeah,” you agreed. “Do you wanna go ahead? I know this looks like a truce but it feels more like a stalemate. I’ll be on the road in a few hours... Sic fiat,” and the bat swirled through the air and out the open door. He flew up, up, up, until the wards of the coven were far below him.

Eddie covered miles of Catskills quickly, before finding a nice tree to huddle in, awaiting your arrival.

“You’re leaving already?” Kelsey asked.

“You don’t have to go right away,” Hailey told you.

“I’m causing more sorrow than joy being here. It’s not fair on the others,”

“What happened wasn’t fair to you,” Mel pointed out.

“I know. But… This isn’t black and white… But I’m kind of tired… Meg… Any cinnamon rolls ready? You know, for the road?”

You sat with your sisters, drinking tea and eating baked goods. They told you about their lives, about what the past few months had looked like for them. And while none of it was on the same scale as Henry Creel and revived vampires, you realised you were not alone.

When you imagined the path forward, you were always holding Eddie’s hand. You were the only witch walking though. However, all it took to build a coven was a couple of witches with overlapping notions of love, magic, and morality. Maybe there was room for more.

End Note: Thank you to @jo-harrington for teaching me about the very real Hedy Lamarr. If you don't know about her, she is absolutely worth a Google.

To the newest additions to the coven - @munson-blurbs and @littlesubbyflower. Thank you for being the face of objection.

And, to anyone that loves Catfish and the Bottlemen as much as I do... I had to do it. Hopefully, it wasn't too cringe lmaoooooo.

Grimoire is updated.

REBLOG AND TELL ME YOUR THOUGHTS AND FEELS!!!

Love yas.

Fic Taglist: @paranoidmunson @idkidknemore @paprikaquinn @stardustworlds @loz-brooke @wyverntatty @vintagehellfire @dark-academia-slut @scarletwitchwhore @becks1002 @mrsdollardog @heyndrix @luceneraium @rosaline-black @devilinthepalemoonlite @goldencherriess @iamwhisperingstars @wiltedwonderland @blueywrites @breezybeesposts @jadehowlettthewolf @spikesvamp79 @foreveranexpatsposts @tortoiseshellspells @wingedpeachjudgegiant @stardustmunson @live-love-be-unique @fangirling-4-ever @reanimated-alice @b-irock @gh0stlybunnie @myown-worstenemy-2003 @woozzz @cyberxlust @hiscrimsonangel @buckysbarne @m00nlight101 @word-wytch @spicysix @briasnow-blog @goth-cowgirl-03

All Eddie Taglist: @solomons-finest-rum @ruinedbythehobbit @sweetpeapod @thorfemmes @corrodedhawkins @grungegrrrl @lilzabob @averagemisfit03 @ches-86 @ilovecupcakesandtea @onehotgreasymechanic @hazydespair @mel-the-fangirl @eddies-hid3out @siren-lungs @aheadfullofsteverogers @hiscrimsonangel @dashingdeb16

#Mine #Burning Yarrow #Eddie Munson #Eddie Munson x Reader #Eddie Munson x You #Eddie Munson/Reader #Eddie Munson/You #Vampire!Eddie Munson

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constructionsafetynetwork · 6 months

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Earthquake-Resistant Building Design: A Guide to Safer Structures

In regions prone to seismic activity, earthquake-resistant building design is not a luxury but a necessity. The primary goal of such design is to ensure that structures can withstand the shaking and shifting of the earth without catastrophic failure. This is achieved through a deep understanding of geotechnical engineering principles, materials science, and the dynamics of seismic forces. By…

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#architecture #base isolation #building construction #building innovation #community resilience #construction technology #ductility in structures #earthquake preparedness #earthquake-resistant design #retrofitting #seismic codes #seismic safety #shock absorbers #smart materials #structural engineering

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probablyasocialecologist · 11 months

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These claims of an extinction-level threat come from the very same groups creating the technology, and their warning cries about future dangers is drowning out stories on the harms already occurring. There is an abundance of research documenting how AI systems are being used to steal art, control workers, expand private surveillance, and seek greater profits by replacing workforces with algorithms and underpaid workers in the Global South.

The sleight-of-hand trick shifting the debate to existential threats is a marketing strategy, as Los Angeles Times technology columnist Brian Merchant has pointed out. This is an attempt to generate interest in certain products, dictate the terms of regulation, and protect incumbents as they develop more products or further integrate AI into existing ones. After all, if AI is really so dangerous, then why did Altman threaten to pull OpenAI out of the European Union if it moved ahead with regulation? And why, in the same breath, did Altman propose a system that just so happens to protect incumbents: Only tech firms with enough resources to invest in AI safety should be allowed to develop AI.

[...]

First, the industry represents the culmination of various lines of thought that are deeply hostile to democracy. Silicon Valley owes its existence to state intervention and subsidy, at different times working to capture various institutions or wither their ability to interfere with private control of computation. Firms like Facebook, for example, have argued that they are not only too large or complex to break up but that their size must actually be protected and integrated into a geopolitical rivalry with China.

Second, that hostility to democracy, more than a singular product like AI, is amplified by profit-seeking behavior that constructs increasingly larger threats to humanity. It’s Silicon Valley and its emulators worldwide, not AI, that create and finance harmful technologies aimed at surveilling, controlling, exploiting, and killing human beings with little to no room for the public to object. The search for profits and excessive returns, with state subsidy and intervention clearing the way of competition, has and will create a litany of immoral business models and empower brutal regimes alongside “existential” threats. At home, this may look like the surveillance firm and government contractor Palantir creating a deportation machine that terrorizes migrants. Abroad, this may look like the Israeli apartheid state exporting spyware and weapons it has tested on Palestinians.

Third, this combination of a deeply antidemocratic ethos and a desire to seek profits while externalizing costs can’t simply be regulated out of Silicon Valley. These are fundamental attributes of the industry that trace back to the beginning of computation. These origins in optimizing plantations and crushing worker uprisings prefigure the obsession with surveillance and social control that shape what we are told technological innovations are for.

Taken altogether, why should we worry about some far-flung threat of a superintelligent AI when its creators—an insular network of libertarians building digital plantations, surveillance platforms, and killing machines—exist here and now? Their Smaugian hoards, their fundamentalist beliefs about markets and states and democracy, and their track record should be impossible to ignore.

#ai #artificial intelligence #silicon valley #technology #big tech

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entomolog-t · 11 months

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You know what G/t scenario I’m jonesing for?

A not so distant future where a breakthrough in science is made public; a procedure able to permanently shrink individuals to a fraction of their size. At first is just regarded as a very wild and crazy new technology, but soon society at large starts to find innovating ways to use it.

Its regarded with as almost prestigious in some professions; the ultimate display of dedication to ones craft. Surgeons, entomologists, mechanics, investigators and many other careers start having individuals willingly undergo this procedure in order to better master their craft.

To give up so much for one’s passion... Its regarded as admirable to some, and eccentric to others.

Soon though, there's top down pressure. Shrunken individuals are seen as fully dedicated to their craft, and generally more capable in their niche. There is preferential hiring. Individuals looking to get a leg up in these fields are slowly starting to feel pressured to undergo a life altering procedure.

Sure, theres massive benefits; A fat paycheck for one. But a fat paycheck with greatly reduced personal expenses?? An “easy” road to a life of luxury.

Obviously the personal cost is not easy. Its hard to live on your own so small.. not just hard but dangerous. You give up so much power. You are at the mercy of the kindness of those around you. Sure, they should obey the laws, but with the dangers present at such a small size “accidents” are bound to happen.

The social implications are strange. There is a general respect and admiration for the shrunken from some, and other who regard them as strange eccentric little beings, being guided by either wild obsession or shallow greed.... and then there are the opportunistic. Given the financial freedom of the shrunken, some people see them as a quick road to an easy life. They provide them the safety of having a large human around (transportation, protection, convenience) and reap the benefits of living as a “trophy wife/husband/partner.” The term gold digger applies but given the specificity of their niche they soon became known as leprechaun hunters, and rainbow chasers... people who search for the shrunken’s “pot of gold.”

Sure, they can offer some sort of symbiosis, but given the shallowness of their reasoning, these relationships often turn parasitic or even abusive. The power dynamic being a deeply dangerous one.

It’s got everything; angst potential, fluff potential, fearplay potential, culture/world building, career development!! I want this so bad.

Maybe I’ll write it.

But like, in posting this, maybe one of you will like it enough to write it too.

#G/t #g/t scenario #G/t prompts #Gt #giant/tiny #Macro/micro #size difference #SOMEONE PLEASE DO THIS OR ILL DO IT MYSELF #G/t tropes #Size shifter #Shrinking

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artist-issues · 6 months

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I feel saddened that Disney has lost their edge movie and villain wise. As Disney has had such a great rogues gallery in the past.

I really haven’t figured out what the new villains are missing. It’s either that there isn’t a true villain, like Abuela in Encanto or Namaari in Raya & the Last Dragon or Callisto in Strange World, OR the villain is a true villain, but because the message of the movie is poor, the villain comes off as poor, too.

I mean, I made a post about the formula of Disney a while back and how they need to remember what the pieces are for: the villains are one of those pieces. They’re supposed to embody the opposite of the movie’s message.

So in Wish, the message was weak. “You have the power to make your own wishes come true, so keep trying.” So King Magnifico was a weak character. He still almost-represented the opposite of the message, but because the message is so vague and the story didn’t build on it, he might be a “true” villain, but he’s not a good villain.

He represents the belief that “nothing you do on your own can make your wishes come true, so you should stop trying.” Kind of. Except, he himself believes that he has the power to make his own “wishes” (absolute power) come true—and everyone else’s. So his character falls flat. All that the audience is left to hold on to is Chris Pine’s charm, one-liners about his handsomeness, and empty stabs at chemistry with his wife.

What they could’ve done is had Magnifico be a true opposite to the movie’s message (vague as it is) and it might’ve been more impactful. Instead of being obsessed with keeping his own power safe (keeping his own wishes safe) he could’ve been the kind of King that is super-duper strict. Doesn’t even try to hide how strict he is. He could’ve had no magic, and in fact, magic is banned in Rosas and he tries to convince everyone that it doesn’t exist—

—because he believes the opposite of the movie’s message: “You have the power to make your own wishes come true, so keep trying.” He doesn’t believe anything good can com from reaching for “more.” Maybe the kingdom was magical once, and famous for being a place where new innovations and enchanted items came from, but then it was besieged because foreigners wanted it’s power when he was a young Prince, and the survivors were forced to flee to a secret island, and they re-established the kingdom of Rosas, but it was never the same.

Because now young Prince Magnifico starts his rule as fearful King Magnifico, and he believes that magic, and innovation, and “wishing” for too much outside of your comfort zone, only invites trouble. It’s best to lead a safe, tightly controlled life with no risks. But his good intentions turn into an obsession with keeping the kingdom hidden and under control. So King Magnifico frequently holds fear-based memorials of Rosas’ history, and why magic is bad, and punishes anybody who makes too much bustle or tries to leave.

Everybody in Rosas lives according to tight schedules and curfews. They serve the King by making their kingdom fortified, but carefully hidden. No buildings are built over a certain height limit (kind of like an allegory for not looking up, not getting too close to the sun, whatever) and all old relics of magic that the refugees kept over the years are meant to be turned in. The citizens keep themselves busy by adhering to a strict schedule, where everybody is given the same rations of food, the same quiet farming jobs, rotating market days, etc. Because the whole idea is, “we’re in a hidden kingdom. The world is still looking for Rosas to take advantage of it’s magic. They can never find us—hopefully they’ll forget about us and leave us in peace and safety if we stay hidden and keep to ourselves and get rid of magic.”

Of course, this whole setting changes King Magnifico from a charming showman going on and on about his own handsomeness to a strict protector who’s public persona is a benevolent father-figure just trying to keep everyone safe, but under the surface he’s a dictator using “safety” to control with fear.

And the setting has to change Asha, too. Because you don’t grow up on a hidden kingdom where your whole life is on a tight, boring schedule and everyone keeps their heads down, and you’re the only one bubbly and ready to try new things. You don’t even know what that looks like; you’ve never seen anyone eager to dream or take risks or go exploring.

UNLESS, maybe your grandfather (who is barely a character in the original movie) remembers the old Rosas. And he has kept magic contraband from the time when innovation was the kingdom’s identity. And so while everyone else your age has grown up with hiding and boredom as the norm, you have a window into a world where things can be better and more magical. Sabino becomes what Scuttle was to Ariel, showing her pieces of a more wonderful world than the one she’s stuck in.

OR, instead of having a grandfather who makes her think magic and wishing is not what the King says it is, Asha could start the movie totally drinking the Kool-Aid. Maybe she, herself, agrees with the King, because she used to wish for things to get better and believe that her grandfather’s hidden magical artefacts were awesome when she was little…but then her dad got sick. And she wished and wished for him to get better, (but we’re actually shown that, instead of the throwaway line from Wish) and he didn’t, and it shattered her faith.

Or maybe she not only wished for him to get better, but she tried to do something and step out of line to make it happen. Maybe her dad got sick, and her grandfather took out like a magical cup from Rosas’ forbidden history, and said, “he might get better if we just got him to drink out of this, but the cup is broken” and like 7 year-old Asha really believed that was true, so she used a little tinkering gift she inherited to try and fix it. But it didn’t work, and he died, and so when we meet her she’s this pessimistic teen who loves her grandfather but kind of pities him and constantly has to shut him up and shut him down about magic because it doesn’t work and it’ll get him in trouble with the King.

But then through the course of the movie and an adventure that actually has good writing, she starts to have a little of that 7-year old hope that magic and wishing actually could make things better, even if it’s hard to pursue them and risky to take chances. And that brings her into conflict with the villain, who has the same belief she started with only more extreme, and the movie

..would actually be at least entertaining or even compelling, even if the message is kind of vague and bland.

I did not mean for this to turn into a Wish-rewrite, and I’m not even saying it’s a good one, I was just trying to process what’s wrong with Magnifico, the most recent Disney villain who falls flat, out loud 😅

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vylad243 · 27 days

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hiiii! 💕 I know you said you aren’t taking on too many requests atm, so it’s no pressure at all if you don’t feel like responding for a bit — your comfort is top priority after all! But here’s a bit of a fandom AU classic for you: radiostatic beauty and the beast AU.

Vox is a young, brilliant, beautiful, and talented up-and-coming overlord hoping to make it in the scene with his newfangled television idea — Hell still being in The Dark Ages (TM) at this time. He feels unsatisfied with his life and is ostracized/shunned by his fellow overlords and sinners who assume he’s stuck up and find his constant push for innovation odd (“what is this so-called electricity thing? We were doing JUST fine with the trashfires, thank you!”) Not helping matters is that he is also being actively “pursued” (aka harassed) by Valentino, who keeps proposing that they team up for business purposes but really just wants Vox’s soul/Vox all to himself and won’t take no for an answer. Despite his aspirations, Vox is content to live as happy and simple a life can have in Hell alongside his beloved personal assistant Papermint and Vark.

Things take a turn when, one day, Papermint goes out to run an errand while walking Vark and doesn’t return. Concerned for his assistant’s safety, especially after Vark returns Papermintless, Vox does some investigating (sidenote: I headcanon that Vox used to be a journalist when he was human, so he’d have the skillset) and after doing enough digging, realizes that Papermint had vanished around the premises of a seemingly abandoned and derelict hotel on the outskirts of Pride. Heading there himself, he finds himself taken aback when common household appliances start talking to him and notices a strange magical aura permeating the old building as he scopes it out. He eventually finds Papermint in the dungeon and is confronted by the imposing form of a giant, territorial wendigo — however he quickly recognizes the creature as Alastor, a former overlord who had mysteriously gone radio silent seven years ago and was presumed dead by the masses. He had caught Papermint trespassing on his property and had tossed him in the dungeon with plans to turn him into a future meal for attempting to steal from him: the poor assistant had tried to make off with a beautiful antique radio as a gift for Vox to cheer him up after Val’s latest stint had left him considerably heated and had wrongfully assumed the place was abandoned.

Vox, as you can imagine, is having absolutely none of this and barters with the Radio Demon to release Papermint and, in exchange, he’ll take his place as his prisoner and next meal—as it was his fault his assistant wound up in this predicament anyway, and besides it’s not like anyone will care if he’s gone anyway, right? Alastor is taken aback by this young demon’s gutless nature and sacrifice (and perhaps even a little flattered as well), but honours his wishes and let's Papermint go, arranging him a room to stay in and allowing Vox free reign of the hotel as long as he stays away from the forbidden radio tower. Vox is likewise just as confused by Alastor’s gentleman nature as anyone probably would be: having heard many, many stories before of the “terrifying and ruthless, bloodthirsty” Radio Demon, Vox is mostly shocked that he hasn’t been torn limb from limb yet. He finds himself adjusting to life at the hotel fairly quickly, finding the strange sense of solace it provides the much needed reprieve from his life back home, despite the occasional bouts of homesickness (missing Papermint and Vark in particular). He even quickly befriends and bonds with the enchanted staff, which includes a gothic raggedy Ann type doll named Velvette (who naturally is at the ready to give him a makeover at the drop of a hat), a vintage tea kettle set named Rosie, Niffty — a feather duster, and so on.

However, despite his terrifying appearance and reputation, Alastor is mostly just an awkward loner desperately seeking companionship and sees a worthy potential friend in Vox (although rest assured, the Radio Demon will not hesitate to rip you apart with his teeth if you cross him); living in exile after being cursed into this form by Lilith herself for his arrogance, Alastor has long since given up hope on breaking the curse and his content to live a quiet life in isolation with his enchanted servants. However something about this Vox creature draws his attention and fascination quickly turns into affection the longer the two interact and bond. It isn’t too long before Alastor realizes that he no longer wishes Vox to just be his friend, but his mate: with much of the help of the staff, he begins the process of attempting to court Vox over the span of a year — unfortunately, years in isolation has left the poor stag with the social skills of a rock, so Vox doesn’t immediately clue in on what’s going on but is flattered by the lovely and thoughtful gifts and increasing invites to dinner and dances. Unbeknownst to Al, Vox soon starts developing feelings of his own toward the terrifying but kind demon as well, but is too scared to act on them in fear of being rejected like he is with everyone else. Velvette, and the rest of the staff are all sighing and shaking their heads at the mutual idiocy of these two.

Unfortunately, their budding romance is put to the test when Alastor realizes that, by the end of this year, if his spell isn’t broken, then he will be permanently trapped in this state and will be lost to his animalistic urges, putting Vox at a great risk of getting hurt. He allows Vox the opportunity to go visit his family back home for some time and uses his absence to sneak out of the hotel and meet up with the princess — who had been letting him and his thralls hide away in her hotel this whole time — in secret, hoping to figure out how to finally break his curse before anyone gets hurt; Charlie is, unfortunately, unable to break the curse herself but informs him that if he performs one truly selfless act for someone he loves, then the spell will be broken and he will be restored to his former power.

And just beyond the gates of the hotel, things in Hell aren’t looking so hot either: Vox’s disappearance was initially brushed off, as was Papermint’s claims of the Radio Demon still being alive, but now — six months in without power and the media demon still not showing has made speculation rise. Things only go more out of control when Alastor himself is accidentally spotted on one of Vox’s still functioning security cameras leaving a secret meeting with the princess. Shit hits the fan and, ever the opportunist, Valentino seizes the chance to rile up both the public and his fellow overlords into taking down the Radio Demon before he becomes too “difficult to manage”, his efforts only strengthening when Vox suddenly reappears back in Pentagram City, still alive and singing the Radio Demon’s praises as he gleefully reunites with his beloved assistant and pet shark once more. Valentino tries to pressure Vox into staying away from the hotel even longer and becomes more aggressive/possessive in his advances as a result — accusing the wendigo of brainwashing him and projecting so, so hard in the process. Vox, fed up with the moth’s disgusting dehumanizing treatment of him, denounces him and tells him flat out that he’d rather die than be Val’s little plaything, inadvertently letting his feelings for Alastor slip in the process. Enraged at this final, brutal rejection, Val knocks Vox unconscious and keeps him locked up in his tower for a time, using his sudden disappearance and staged evidence to fake the media overlord’s murder and further rally up the people and leads them into an attack on the hotel — fully intending on killing Alastor so that Vox has nobody left to go to but him.

Meanwhile poor Al is beside himself with worry over his mate not returning but falls into despair at the thought that Vox has abandoned him the longer he fails to return, and meanwhile Vox desperately tries to escape Val’s tower, realizing that he really is in love with Alastor and vowing to kill Valentino himself should anything happen to his Radio Demon. He manages to get a distress message to Papermint, Vark and a stowaway Velvette, who help him break out and together, they race to go save Alastor before it’s too late.

This is quite a long one! While this is a great prompt, sadly this would be quite a large project and I don't want to do anything too big for prompts since I like to keep them to 1k-3k words. Maybe one day I'll shorten this down and make it into a prompt, but not right now

Thank you for the prompt regardless! It sounds really interesting!

#hazbin hotel #vox hazbin hotel #hazbin hotel alastor #anonymous #radiostatic

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