i’m so sick of writers who proudly proclaim that they don’t read and directors and actors and other filmmakers who smugly say that they rarely watch movies or any artist who acts like an audience is stupid for connecting with their work like what the fuck is wrong with you that you hold such contempt such derision for the art that you have chosen to make the art that so many people dream of the opportunity to make the art that brings meaning and connection to people’s lives it’s unbelievably disrespectful to both your audience and the art-form and if you can’t muster basic respect for either your art-form or your audience then kindly fuck off and do something else
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fav part of gideon the ninth is for the first pre-canaan house chunk of the book, she's all "ugh I'm so normal surrounded by all these weirdo goth freaks when I blow this popsicle stand everyone will see how cool and normal and charming I am" and then she gets to canaan house and realizes that while she might have been a normie jock in the ninth house she is not exempt from being a goth weirdo who hides important doors behind tapestries and sneaks around in the dark so she doesn't have to talk to people. like we talk about her being a jock forced to be goth but nature v nurture babey she's not shedding that bone freak skin anytime soon
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really enjoying the dungeon meshi ships like it appears to be two lovely lesbians having a childhood friends to lover arc and then two gay dudes who are complete freaks in exactly opposite ways
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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Jazz is murdered in her Gotham apartment.
Red Hood is chasing the assailant and some bats come to help. Despite their best efforts, the assailant gets away. The bats have him cornered when he runs into the wall. Literally. He doesn’t come out the other side. They search everywhere but the assailant vanished without a trace.
Some weird government guys dressed in all white come and assess the scene. They are very official. Practically interrogating the officers on the scene and insisting on talking to the vigilantes who chased the assailant. After gathering all of the information they can, they tell their chief “The woman is dead. No, Phantom is not here. He was never here. No, she doesn’t appear to have become one of them.” They leave a card with GCPD to call in case anything changes. (Hood refers to them as “cryptic fuckers” or “dementor wannabes” from here on out)
Hood is pissed that the murderer got away, that secret government officials encroached on his territory, and that this woman seems to not be getting the justice she deserved. He knows how that feels. Not on his watch.
After Hood knows the autopsy has been completed, (he’s dealt with enough murder cases to gauge when it will be complete) he breaks into the morgue to take a look for himself. He opens the door to her slab, rolls her out and gets scared half to death when she thanks him for letting her out. She goes on to say she hasn’t figured out how to go intangible yet but Danny figured it out quick so it’s gotta be somewhat easy. Hood is trying his darnedest to not have a heart attack because she scared the crap outta him.
Meanwhile Danny’s wondering why he hasn’t heard from his sister in a few days.
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that ivan loves till is the most obvious thing about them
but. does ivan know that…?
the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love?
probably not. and part of the reason is the one he loves himself
because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this
and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"
but ivan can't be satisfied with just watching
he… wants. ivan wants till’s attention, till’s affection—
surely this selfish wanting can’t be love
...no wonder he was never able to express his feelings straightforwardly when he belittles them so much
but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all
only showing affection when till can't see it, right until he knows he's going to die
but ivan's feelings for till are all he still has of himself... to think of them as shallow...
I've seen this translated as "I should've been kinder" to him (till) or to her (sua)
but really, the one he should've been kinder to was himself
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