what's your process for coloring like? the look of that elendira is so textured and interesting, i can't figure out how you do it
AA THANK YOUU ^__^ !! textures & brushwork are my favorite things abt my art, so im happy you find it interesting hehe . its SOO cool to look at & so much fun to draw imo
i prefer to color by building in layers , if that makes sense 🤔!! hundreds of them !! such that i'm always drawing on Top of previous layers, working from big & messy blocks of color to, eventually, small and refined blocks of color until it feels processed enough. as a result, i rarely ever erase (!!) and i rarely ever draw lineart aside from the initial sketch
a rough, patchy textured brush is key here, as it'll give you dimension and variability w/ your colors. i recommend "Brush and various sets of fountain pen style (万年筆風ブラシと色々セット)" on Clip Studio (ID: 1679706) !! :3
im terrible with explanations though, so i'm going to show a step by step of that elendira drawing if you dont mind :3
sketch layer !! because i mostly render through color alone, i try to make this as close to the finished thing as possible . ^__^ i hateee drawing the same thing over and over and like the expressivity and movement of my sketches anyways , so the more i can preserve at this step, the better. if u were to look at a side by side of my sketches and finished pieces, youd notice a lot of those og lines are present in the final drawing :3
2. flats !! pretty self explanatory, but the solid background gives me an idea of where the figure begins & ends while the colors themselves help distinguish whats what . i stick to ambient lighting @ this point because im usually not sure what i want to do with the overall palette or lighting yet . having two tones (ex, dark and light in her hair or dark and light on her skin) can also help in identifying key features early on that u wanna preserve. as you build layer by layer, sometimes these areas will remain untouched and i think it makes for a rly lovely feel at the end
3. start blocking !!! to be totally honest with you, i dont really know what i do here HAHAHA. like i just scribble the shit out of it, usually focusing on what i might want to do with lighting (ex: grey areas to accentuate folds in her costume). i think i like to start "erasing" the sketch where possible by coloring on top of it .. like if you look at her hat or her arm , you can tell i'm starting to get a sense of the shapes i like vs the ones i dont. it's at this point that the final image starts to emerge in my mind , like im gradually pulling her from a tarpit of scribbles until shes recognizable lol. chipping away at the marble until i can free her. tbh.
4. keep blockingg...when u think u are done , block some more . as you can probably see, the brushwork becomes more intentional as i add more shape, with specific focus on line weight. this is also where the patchiness of that textured brush comes in - notice how none of the colors seem totally uniform (ex: the red cross or the original sketchlines for her waist). you can see bits and pieces of the layers underneath pushing through and i really like that !! ^__^ its very fun and sketchy to me, so i try to keep them around. those areas are also great to colorpick from, because it'll give you "new" colors to work w/ that are already part of your palette.
5. GRADIENTS & GRADIENT MAPS !! TONE CURVE !! COLOR PICKER !! this is the best stage tbh. flatten your image so its all on one layer and just go crazy with all the color settings in ur program. add gradient layers and set them to darken, or overlay, or subtract, orrr. lighten or dodge glow or divide or soft/hard light.! OR!! edit the hue, saturation, luminosity and contrast.and then color pick from these edits, block even more on top of ur image, flatten, color edit again, etc. etc. until u feel satisfied.
ANYWAYSS . i hope that makes sense @__@ sry i wrote this out and deleted it like 23 times trying to make it make More sense but thats what ive got HAHA i hope its useful though :3 !
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Fun fact about us: we really, really like doing crossovers, whether between different Things or just between different AUs of the same Thing. We deeply enjoy throwing things into each other and seeing the relative "normal" interact, tinkering with different potential outcomes of the same general thing, fucking around with culture clash and alternate realities, and all of that fun stuff.
Unfortunately, we also get into flavors of media that isn't quite finished a lot, and we often really want to throw together AUs that we have to write ourself together with things, which means that we're nearly constantly running into the same handful of roadblocks: it's really hard to write about stuff when people have no idea what you're talking about, and it's also really hard to write about stuff when you don't know half of what's going on.
This means that a decent chunk of our writing that is finished tends to stay in drafts - fics based on information that needs to be revealed in stuff we haven't yet written, fics based on media where half of the things we need to know aren't yet revealed in canon, and similar situations easily make up our second most common category of "finished but unpublished" and "finished except for That One Thing" fic (our first most common category is "we need to come up with a decent opening and writing a good hook is hard")
This is, of course, a hell of our own creation. A problem of our own authorship, that we still consistently fail to escape because of our sense of pride and unwillingness to turn out anything that isn't at least half-decent. Similar to the way that we force ourself to reread any media that we write fic of for the sake of accuracy before we can publish it. It makes things take longer, but allows us to ensure quality - though it may hold us back from a certain degree of self-indulgence, mischaracterization is the thing that bothers us most, and if we release a misreading or mischaracterization, that'll haunt us more than any level of soul-baring ever count.
Anyways, all of this is to say that peak self-indulgence for us looks like an isekai Dungeon Meshi/Runaway to the Stars crossover where we stick a handful of characters into the dungeon and let them just kind of cope with that for the forseeable future and the only thing stopping us from doing this is a sense of pride and the fact that Runaway to the Stars doesn't actually have finished & published books right now.
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There's this huge server I'm in just for some Roblox game updates and the mod team there are the most boring people ever. I understand restricting reactions as people can make explicit ummm ones that are not appropriate for a. Roblox Discord server. BUT THE MODS ARE SUCK KILLJOYS only people who have like level 50 in there can react to things and when they have. Fun. On announcement posts which everyone can read and see easily they're like "Reactions are a privilege not a right 🤓 Don't abuse this luxury" and it's like are you kidding me. No one is fun here. Also they banned the word midget
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If it's no trouble, could I get headcanons for Darkiplier and Anticepticeye with a male s/i who loves to listen to music with them and get them into new bands and songs?
sure thing anon!! i didnt expect to get any ego requests, i was super happy to see this in the inbox <3 hope ya like it
- mod malware
they both love to hear about the things you like; music included! granted, you won't often hear them say it out loud, especially from anti, but hey, it's the thought that counts, yeah?
outwardly, anti scoffs at whatever you're making him listen to, acting like its an inconvenience, but there's a reason he lets you play the music for him anyways. he often actually likes the songs and artists you introduce him to; even the ones that seem WAY out of character for him to enjoy. turns out he actually has pretty broad music taste
"dude, this song fuckin' sucks." (his head has been nodding to the beat since it started playing)
of course, his preferences lean more towards rock, death metal, breakcore, and dubstep, which is the type of music he'll blast loud enough to be heard through the entire house without any shame. but, if you occasionally make him listen to a sappy love song or a pop song too catchy for it's own good, you might catch him listening to it with headphones on at 3am.
he tends to get really into his music too, for lack of better phrasing. listening to music can change his entire mood, for better or for worse; naturally, he prefers music that'll get him fuckin pumped up !!!!
and then, we have dark. his taste in music is a lot more enclosed; he tends to prefer slower, gentle music, often in the circle of classical, jazz, swing, sometimes opera and even musical theatre when he's feeling more dramatic. he'd probably take a liking to the rocky horror picture show.
that being said though, he's willing to listen to whatever you'd like him to listen to; he can tell it means something to you, and he'll trust your judgement.
"hm, this is... interesting. who did you say composed this? i'll have to take a look into their catalogue later."
he's not super likely to actively enjoy or seek out a lot of the music you show him, as he generally just doesn't like a lot of modern music. there's definitely the occasional exception though.
maybe try to avoid stuff that's too energetic (anything that anti would like basically), as it can give him headaches.
i imagine trying to jam out with both of them would be a little difficult considering their very very opposing music tastes (anti thinks dark's music is boring, dark thinks anti's music is just mindless noise).
"listen, anti, there's a very distinct emotional turmoil present in the flow of the melody, one that-"
"blah blah blah, nobody cares about your 'emotional turmoil' old man. your music is shit, go argue with a wall"
... you're sure to find something they both like eventually, right?
and even if you don't, well, they'd probably both stay anyways. because if it makes you happy to share your music with them, then it'd be worth it in the end, without question.
maybe you'll find they secretly have an affinity for lady gaga or something :P
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