#He's just the most overhyped character in my mind right now. Like everyone wants him to be a big deal and I just don't cares dfghjkgh | Explore Tumblr Posts and Blogs

gimme-mor · 3 years

Text

ACOTAR THINK PIECE: ELAIN ARCHERON, UNTOUCHABLE

*DISCLAIMER*

This will be a long post.

Please take the time to read this post in its entirety and truly reflect on the message I am trying to send before commenting. My goal is to use my background in Gender and Women’s Studies to deconstruct the comments I have seen on Tumblr and Twitter and bring awareness to the ACOTAR fandom.

The reason I am tagging “Elriel” in this post is to call attention to the arguments in the Elriel fandom that: weaponize Elain’s femalehood to shame real life people for their opinions about Elain’s character and her relationship with Lucien; victimize Elain’s character in fandom discussions; and coddle Elain’s character, which limits fandom discussions about her narrative development and prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions in the same way that the fandom holds other characters accountable for their actions and inactions. It is for these reasons that I WILL NOT remove the “Elriel” tag from this post because all of the above points contribute to the toxic discourse surrounding Elain’s character.

I urge those who use these arguments to understand their implications, why they are problematic, regardless of intent, and reexamine their contributions to the ACOTAR fandom. I WILL NOT tolerate anyone who tries to twist my words and say I am attacking people and their personal shipping preferences. In fact, I AM CRITIQUING THE ARGUMENTS THEMSELVES NOT THE PEOPLE USING THE ARGUMENTS.

Also, I highly encourage the Elriel fandom to read this post because it addresses how the concept of choice as an argument enables arguments to exploit social justice and feminist languge in order to vilify Elucien shippers, among other problematic things.

Elain Archeron is one of the most polarizing characters in the ACOTAR fandom. Though opinions about Elain vary, arguments in the Elriel fandom cite society’s perception of traditional female characters in comparison to non-traditional female characters as the reason behind the hate, and this belief is used to provide an explanation as to why other characters in the series are favored over her. In the series, Elain is portrayed in a wholly positive light and this image carries over into the Elriel fandom, painting her character as a good and kind female who has been unfairly wronged and a victim of circumstances that were out of her control. When arguments in the Elriel fandom oppose other viewpoints in the fandom, they fall into one of three categories:

Category 1: Weaponize Elain’s femalehood to shame real life people for their opinions

Maybe people who hate Elain are just jealous of her in a weird way similar to when someone hates the pretty, nice, and charming girl in school just because she is too perfect

Disliking Elain is misogynistic

What happened to feminism? What happened to women supporting women? What happened to she can say no? All of that disappears the second you force Elain to be with Lucien

Elain antis are misogynistic

All Eluciens are Elain antis

Antis claiming they’re feminists when in reality they hate on Elain and Feyre but love Nesta

Elain antis are such sore losers. Y’all were that bunch of people who could not get over being rejected from hanging out with the cool kids so y’all are projecting your hatred towards pretty people now to get validation

I don’t get how Elain’s love for gardening equals boring for some people. I’m sorry your misogyny finds traditionally feminine activities boring

Why are you attacking a female? What did Elain do? Where are your feminist voices?

The fandom is misogynistic towards Elain

If people loved Elain they would ship Elriel

If you hate Elain it says a lot about your feelings toward women

If you hate Elain because she has no “development” then you must hate Azriel because otherwise you’re misogynistic

Eluciens are turned off by the idea of a woman that has the autonomy to reject a man for the simple reason that it is her choice

Eluciens are all about feminism and “it’s HER choice” until it comes down to females not wanting a male

Eluciens don’t respect Elain’s feelings when they ship her with someone that was part of her trauma and makes her feel uncomfortable

The way some Elucien shippers completely disregard how uncomfortable Elain is around Lucien is so hilariously not funny. Prioritizing being mates over Elain’s feelings is just regressive

It’s hard as a fan of Elain to see someone ship her with a person who makes her physically uncomfortable to be around. Wouldn’t you want both characters to be happy to be around each other

Imagine if SJM saw all the awful things her “stans” had to say about Elain

It’s true that we know comparatively little about her, but is she really boring or do you just not value stereotypically feminine traits?

So y’all are just gonna tell me you prefer Elucien over Elriel? Even though Lucien treats Elain as if she’s something that belongs to him? The only reason he wants to be with her is because she’s his mate, he doesn’t respect her, doesn’t treat her as his equal, even though that’s what mates should be? He doesn’t bother to look past what’s on the outside to see her for who she is. And Elain is obviously repulsed by the idea that she should belong to anyone or have no choice in who she can be with. Azriel is her friend and the only person who sees her quiet strength. He has so much faith in her, in her abilities; he’s the one who kept her company when no one else did, he’s the only one who bothered to see her for more than her brokenness. You’re going to tell me you still prefer Elucien over Elriel?

The more I see Gwynriels that ship Elucien out of their hate for Elain, the less I can understand Elain stans that ship Elucien. Pls Elain has made it very clear that she doesn’t want Lucien, why would you ship her with him? Do you hate her too? Smh

The real question would be, if you care and understand Elain why would you ship her with Lucien (where she canonically shrinks when he is near)?

People crying over Helion and Lucien’s mom not getting to be with each other and her being forced into a relationship she didn’t want, but also ship Elucien? Just say you hate Elain

When Elain’s book is out, Gwyn stans will look like clowns and I will laugh because they set her up by shipping her with Azriel just because they hate Elain. Watch them play the victims now because Elriels are clapping back the hate they’ve sent towards Elain

As romantic as wanting girl who is visibly uncomfortable around a guy who caused her trauma to end up with the said guy. Guess their standards for romance are in hell

Category 2: Victimize Elain’s character

Gwynriels only want Gwyn with Azriel because they despise Elain

Gwyn stans and Gwynriels are Elain antis

No one in the books dislike Elain, so why are there so many people who do?

Elain hasn’t done anything wrong or questionable to warrant the hate she gets

Not having Elain’s POV makes it easy for people to be swayed a certain way about her character if you already don’t relate to her in some way

It’s been years since this series came out and we haven’t gotten a lick of an Elain POV, but people still hate her for what? We don’t know her thoughts, dreams, or aspirations

We haven’t even had Elain’s perspective yet and people are passing these judgments off on her

Elain antis who say she’s boring are just cruel when she has obvious symptoms of PTSD like Feyre and Nesta

Gwyn is one of the most overhyped characters and that’s only because most people hate Elain and they couldn’t wait to find a random girl to ship Azriel with

Nesta was abusive to her sisters but Elain (who has only ever been kind) is painted as the villain

From the text we know that Elain is the epitome of feminine stereotypes (gentle, gardening, baking, non confrontational for the most part). Yet people still call her boring or deny that she has any interesting character traits?

You can’t love Nesta and hate Elain

People hate Elain because of internalized misogyny and lack of taste. All the girl does is tend to her garden and mind her business and they treat her worse than Tamlin

Does Gwyn deserve all this support? Of course yes! She is amazing! But where’s that support when Elain was in the same situation as she? Where’s that support for her right now? Why do they idolize Gwyn for her interactions with Azriel and hate Elain for having any interaction with him?

It’s not even a ship war anymore, they just hate Elain

People hate Elain for no reason

Some of y’all don’t like feminine traits and it shows

We know less about Eris and Helion but people don’t call them boring. Why would rejecting femininity make Elain more interesting?

Elain has had a lot forced upon her

The main reason I believe most people love Gwyn so much is to get Azriel away from Elain. It’s not a secret that Elain has been a widely hated character for years so suddenly we get a new female who has a minimal amount of interactions with Azriel and BOOM. New ship that once again doesn’t make sense (just like Azriel x Emerie after ACOFAS)

Elain hasn’t done something so terrible for her to get this hate. At this point some of you are just being misogynistic and you don’t want to accept it. Don’t call yourselves feminists and then say bs like this, it’s embarrassing. She’s pretty and everyone agreed to hate on her

Just a personal feeling, but I feel like a lot of the Elain hate stems from internalized misogyny. That to be a strong female lead, you need to pick up a sword and fight. That to be strong, you need to adapt traditionally masculine traits

Elain is feminine. She is beautiful. She loves to bake and garden. She is docile, quiet, observant, and a people-pleaser. All traditionally feminine traits. Yet for some reason, she’s like the worst in these people’s eyes?

I think also maybe a lot of people can’t relate to her femininity? That her being so beautiful and quiet doesn’t allow for the people who dislike her not to self-insert? Most of the hate stems from people not wanting Elain to be with Azriel. It’s mean, but maybe the people who hate Elain literally just can’t self-insert if they have a story and that’s why they’re vehemently against it?

Poor Elain. The Cauldron dealt her a bad deal. Upon emerging as Fae, she is immediately declared by Lucien as his mate, never mind that she was already engaged to a prick. Her love life is not good

It blows my mind how they really think that they can compare all the shit that Elain gets with some dumb jokes about Gwyn on Twitter (and yes, the “hate” towards her started mostly because Elriels are clapping back, it was bound to happen)

I would think of it as anti-feminist with Elain and Lucien because she has consistently stated that she does not want him so if she was forced to embrace the bond that would be taking away her right to have a choice but with Az she feels comfortable around so if they were mates then Elain would be happy and feel safe which again should be the priority for women to feel safe in their relationships with anything and to not be forced into any type of situation aka the mating bond in this

Category 3: Coddle Elain’s character

Elain has value the way she is, in all her domestic girly glory. Not every character has to be badass

We don’t speak of Elain’s flaws frequently because everyone else already speaks badly of her, mainly in an unfair way

There is definitely something deeper going on with Elain but by no means will she ever be evil or any less feminine. That goes against everything we already know about her

It’s ok to critique Elain because she needs growth but y’all keep forgetting the shit her and her sisters went through

The last “bad” thing Elain did in ACOTAR was not help Feyre when they were impoverished and I’m tired of people acting like she’s a terrible character when it was their father’s responsibility. It happened 4 books ago and Feyre has forgiven both Nesta and Elain

Elain’s character and the evil Elain theory are a great example of the trend where people only consider female characters interesting if they reject femininity

We don’t know enough to hate Elain

Many people want Elain to turn evil (which in my opinion seems to come from a place of internalized misogyny)

However we don’t tend to talk about her faults, at least not publicly, as that has been, and still is, done to death, and I--personally, at least--find it much more fun to theorise about potentially interesting aspects of the overall plot, than dwell on negatives

And ultimately, I would be shocked if Elain has a more karmically-charged story than Nesta, considering that Elain’s “wrongs” are so much less severe and bad than Nesta’s, and Elain has already apologized for them (or paid the price in other ways, like through what Graysen did)

I guess I also think Elain has suffered and been punished enough. I hope her story is about finding hope in terrible situations, and learning to love her new life, and choosing her own path after everything that has been done to her. I don’t think she needs to be punished anymore or face any additional trauma

Also, why is she being judged on her decisions as a human at all? Fae are monsters to humans! They enslaved them for thousands of years, and the Wall was erected to keep them out

Like I’m sorry, but think Elain would want to leave her ONLY FAMILY AND FRIENDS for the Spring Court where she has no one because--oh look, lots of flowers!--is the craziest thing I have ever heard

Her sisters are in the Night Court. Her nephew is in the Night Court. Her closest friends (Nuala and Cerridwen) are in the Night Court. Her love interest is in the Night Court. Her extended family is in the Night Court. Her home is in the Night Court

SJM isn’t going to keep two sisters together and split up the third. Especially not keep Feyre and Nesta together and separate Elain. They were either all going to end up in separate places, or together. Not 2 here and 1 there

Compared to the other female characters in the series, Elain is the only character whose femalehood is at the center of conversations; this is because arguments in the Elriel fandom fixate on it when discussing her character. While Elain, Feyre, Nesta, and Mor are all representations of white womanhood and white beauty, Elain epitomizes the most fragile version of white womanhood. It’s easy to blame society’s perception of traditional female characters in comparison to non-traditional female characters when it comes to the discourse surrounding Elain’s character because it: falls in line with the fixation on Elain’s femalehood to silence opposing viewpoints; is a simplistic explanation that fails to tackle the underlying issues with Elain as a character, the same issues that are downplayed in-universe; absolves Elain of her wrongdoings; prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions within the series; and diminishes the impact Elain’s actions and inactions have on those around her. It’s not that Elain is hated in the fandom because she’s a traditional female character; it’s the fact that arguments in the Elriel fandom deflect a critical analysis of Elain’s character because she’s a traditional female character who embodies the ideal white woman in need of protection. White fans and white-aligned fans of color, especially white women, have a tendency to vehemently defend, gatekeep, and coddle white female characters in fandom; this makes it difficult for other fans to engage in critical discussions about these white female characters because they’re viewed as flawless and all around perfect characters despite evidence to the contrary. Since Elain is viewed positively by the other characters in the series, it has rendered her character untouchable to any perceived slight or criticism in fandom discussions because those negative opinions challenge what has been said about her character thus far. And as a result, her character has been placed on a pedestal and implicitly hailed as the epitome of white womanhood; and when she’s criticized, it’s seen as a direct attack against white womanhood. Arguments in the Elriel fandom: exploit feminist language and perpetuate white feminist tactics under the guise of defending Elain’s character; center Elain in conversations about female oppression in the ACOTAR world and uphold white feminist ideologies in their critique of ACOTAR’s patriarchal society; and use the fragile white woman narrative to victimize Elain in Lucien’s presence, playing into racial biases that are associated with white supremacy’s defense of white womanhood.

Feminism is a social movement that seeks to promote equality and equity to all genders, and feminists work toward eradicating gender disparities on a macro-level, in addition to challenging gender biases on a micro-level. As feminism became more mainstream, a flat and oversimplified version of feminism emerged: mainstream feminism. The mainstream feminist movement is meant to represent all women, but rarely does it center conversations around issues that concern most women. The problem with mainstream feminism is that it’s just a popularized version of white feminism. White feminism has relied extensively on an individualized understanding of women’s oppression, exclusively from the lens of privileged white women. White feminism only focuses on the oppression experienced by white, able-bodied, affluent, educated, cishet women; and it views gender as the key mode of privileged white women’s oppression, isolated from the privileges granted by their other social identities. White women can be and are oppressed under the patriarchy but only because they are women; their identity as women does not exempt them from the privileges granted by their whiteness. The term white feminist does not mean any feminist who is white, but refers to feminists who prioritize the concerns of privileged white women as though they are representative of all women. However, the term is not exclusive to white people. Because white feminism is so pervasive, people of other racial and ethnic backgrounds often buy into white feminism, believing that if they work hard enough, they may be able to reap its rewards.

Just like white feminism, mainstream feminism only recognizes the identity of being a woman, assumes that all women share common experiences of gender oppression, fails to address other social identities in relation to overlapping systems of oppression, and disregards privilege in relation to various social identities. Just like white feminism, mainstream feminism is palatable because it doesn’t seek to challenge the systems in place, instead its goal is to succeed within them. Essentially, mainstream feminism and white feminism are extensions of performative feminism. Performative feminism is a type of performative activism that’s used to describe feminist views that are surface level and solely for the benefit of one type of person. It’s a pretense which often has nothing to do with genuine activism. Arguments in the Elriel fandom normalize and promote performative feminism because the topic of feminism is only referenced when discussing Elain. This indicates that these arguments are engaging in disingenuous discourse to push a personal agenda within the ACOTAR fandom, and it becomes more apparent when they use white feminist tactics to shut down opposing viewpoints:

White feminists weaponize and exploit feminist language to silence the opinions of other women, especially when they’re called out for their problematic behaviors

White feminists use the phrase “Women supporting women” to defend other white feminists who exhibit problematic behaviors instead of holding them accountable

White feminists weaponize phrases like “Women supporting women” and “You just hate women” to attack other women who disagree with them on any given topic

White feminists use phrases like “All women face challenges” and “Stop pitting women against each other” to sidestep conversations about privilege

White feminists divert conversations away from privilege and towards the Trauma Olympics to equate their struggles to the oppression of marginalized people

White feminists skirt around the realities of other forms of oppression and discrimination, downplaying the experiences of marginalized people

White feminists diminish or ignore the ways in which gender oppression affects other marginalized people

White feminists paint those they harmed as aggressive, mean, or divisive when confronted with the ways they have harmed a marginalized group

White feminists deflect criticism by focusing on the anger or emotions being expressed rather than the issue that is being discussed, invalidating the concerns of marginalized people

White feminists speak over marginalized voices in an attempt to sound “woke”

White feminists get defensive and insist there’s no way they could be a part of the problem because of what they’ve done to help marginalized groups already

White feminists say they don’t see color in an attempt to obscure racial issues that need to be addressed

White feminists center and victimize themselves in conversations about racism, which derails necessary conversations from taking place

White feminists who are white weaponize the intersectionality of their race and gender to avoid accountability

Feminism is not meant to be approached from an individualistic perspective nor is it only about addressing the experiences of privileged white women, it involves addressing the intersections of race, class, gender, sexuality, (dis)ability, and other social identities as well; and it involves addressing how these social identities relate to privilege. Moreover, feminism is not about women upholding complete loyalty to other women because of a shared gender identity, and to claim that it does implies that women should be held to different emotional standards than men. If men are able to dislike and criticize other individual men, real or fictional, without their characters being compromised, why aren’t women granted that same privilege?

It’s clear that SJM set up the ACOTAR world to mirror a patriarchal society, and that the imbalance of power between males and females stems from sexism. Arguments in the Elriel fandom analyze the ACOTAR world through a feminist lens to show how ACOTAR’s patriarchal society, to which the mating bond is innately tied, contributes to female oppression and limits their agency. When choice and free will are emphasized as part of Elain’s arc, they imply that Elain, through the mating bond, experiences female oppression under ACOTAR’s patriarchal society because of her identity as a female with that identity being the focal point of her oppression in the world. Elain is one of the most privileged characters in the ACOTAR world: she’s High Fae; she’s the sister of the High Lord and High Lady of the Night Court, which gives her access to wealth and political influence because of that connection; she’s able-bodied; she was magically blessed by the Cauldron; and she lives in Velaris, a place that grants females autonomy and power because of the beliefs of Rhysand and Feyre. Arguments in the Elriel fandom trivialize female oppression in the ACOTAR world because they disregard the fact that Elain’s privileges prevent her from experiencing female oppression in the same way that other marginalized females in the world do. The mating bond being one such example because those around Elain are not forcing the bond on her, instead they’re allowing Elain to reach a decision about the bond for herself; a privilege that other marginalized females in the world probably wouldn’t have. Just because Elain has endured hardships in her life and is a female in a patriarchal society, they do not erase the privileges she holds within the ACOTAR world. The failure to include Elain’s privileges in discussions about Elain being a female in a patriarchal society feeds into white feminist ideologies because white feminism operates from a very narrow perspective; it doesn’t take other intersecting identities into account when it examines gender oppression, leaving no room for discussions about privilege (or lack thereof) in relation to those intersecting identities. When discussing oppression in hierarchical societies, it’s imperative that privilege is also included in the conversation because privilege and oppression are not mutually exclusive; they equally affect the ways in which people navigate those societies through their social identities.

Rather than attributing Elain’s uncomfortability to her new life as a Fae female or the mating bond itself and her trauma to the Cauldron, the King of Hybern, or Ianthe, they’re placed on Lucien to cast his character in a negative light. Moreover, fandom discussions portray Lucien as a possessive character to further emphasize Elain’s discomfort despite the inaccuracy of this characterization in canon. Arguments in the Elriel fandom play into racial biases when it comes to Lucien (a male character of color) because they mischaracterize his character in order to victimize Elain (a white female character), placing her character in the role of the white damsel in distress. In Western society, the concept of womanhood has been conceptualized from a Eurocentric perspective with femininity and feminine attributes favoring white women. It’s the idea that a certain type of femininity is only inherent to white women as they are seen as the embodiment of an ideal womanhood. White womanhood has been a symbol of innocence and purity, and white women have been viewed as fragile beings in need of protection. The reason white womanhood functions within white supremacy is because it’s the same idea that has motivated white men to kill and beat black and brown men. The so-called protection of white women has been used as a justification for the horrific violence committed by white men because black and brown men were stereotyped as aggressive and seen as a threat to the virtue of white women. The white damsel in distress trope considered white women as worthy of protection because of their perceived innocence and purity; women of color were not granted that same treatment because they did not fit into the ideal image of womanhood. Over the years, this trope became a means for white women to exercise limited power in a patriarchal society with white women weaponizing their status as the damsel much to the detriment of black and brown men. It’s through the white damsel in distress trope that white supremacy sustains its dominance in Western society. The misrepresentation of characters of color in fandom, the dismissal of their importance to the overall story, and using them as tools in arguments centered around white characters are the foundation of fandom racism; they’re examples of how racism moves silently in fandom spaces. Instead of examining their behavior and taking constructive criticism from fans of color, white fans will often double down on their bigotry and center their uncomfortability in the conversation when confronted with their complicity in fandom racism. White fans expect fans of color to swallow fandom racism in its many forms in order to not ruin the experience of fandom, dismissing the fact that racism is prevalent in nearly every aspect of society. This mentality ensures that no one is held accountable for the harm they caused and alienates fans of color in fandom spaces.

To reiterate what I mentioned in my first think piece: terms like “oppression”, “the right to choose”, “feminist”, “feminism”, “anti-feminist”, “anti-feminism”, “internalized misogyny”, “misogyny”, “misogynist”, “sexist”, “sexism”, “racist”, “racism”, “classist”, “classism”, “discrimination”, and “patriarchy” are all used in specific ways to draw attention to the plight of marginalized people and challenge those who deny the existence of systems of oppression. Yet these words and their meanings can be twisted to attack, exclude, and invalidate people with differing opinions on any given topic. When social justice and feminist terms are thrown around antagonistically and carelessly to push a personal agenda, it becomes clear that these terms are being used to engage in disingenuous discourse and pursue personal validation rather than being used out of any deep-seated conviction to dismantle systemic oppression. Being an ally, activist, or feminist is not an identity, it’s a practice. It requires: ongoing self-reflection; holding ourselves accountable; listening to marginalized people; educating ourselves; dismantling implicit biases; challenging those around us who are exhibiting problematic behaviors; and action behind our words.

It’s important to be aware of the language that is used within the fandom when defending or critiquing characters and ships. It’s also important to question how an argument is framed and why it’s framed the way that it is to critically examine the intent behind that argument: is it used as a tool to push a personal agenda that reinforces problematic behaviors, or is it used as an opportunity to share, learn, enlighten, and educate?

-----------

Tagging: @spell-cleavers @bookofmirth @m0bulidae @ilya-boltagon

#elain archeron #elriel #acotar fandom #acotar: fandom critical

333 notes · View notes

pogokitten · 3 years

Text

Lost and Found

By @pogokitten for @lost-lunar-wolf

Rating: Teen (for swears)

Relationships: Peter Parker & Tony Stark

Characters: Peter Parker, Tony Stark, Pepper Potts, Happy Hogan, Ben Parker, May Parker

Summary: People lose things all the time, keys, toys, favorite socks. It happens, it’s just a part of life. But sometimes these lost items make their way to soulmates. It’s phenomena as old as civilization itself. You lose your favorite hair tie and poof, it just appears near your soulmate for them to find and eventually return. Romantic or Platonic, it’s expected that everyone stumbles over some of their soulmates' lost items here and there. Some people just end up waiting longer than others.

Or: The platonic soulmate AU where Tony and Peter find and hold onto a lot of each other’s stuff over the years.

Tony is speed walking through his mansion the first time it happens. He’s not paying attention, tie barely on straight and coffee almost sloshing out of his cup as he rushes for the door. He’s late for a meeting and usually he wouldn’t care, but Obie has been up his ass about this one. Something about a grouchy general that thinks Stark Industries weapons are overpriced and overhyped needing convincing.

So when Tony stumbles on something caught under his dress shoes, he finds himself cursing colorfully as splashes of coffee dot the marble floor. He glares down at the offending object when he has his footing, fully expecting it to be a tool or something that migrated out of the workshop.

The engineer stops short and stares however, when he takes in the soft blue baby binky on his floor.

Tony is no stranger to having strange things in his house, being an eccentric billionaire and all, but he has absolutely no clue how a pacifier of all things has ended up on his floor.

Tony scoops the binkie off the floor examining it, completely baffled.

It looks new if the bright color and barely chewed appearance is anything to go by. Tony wracks his brain for any possible reason a pacifier could have made its way into his home. This wasn’t a week for the cleaners so it wouldn’t be something of theirs, and the only other people who have been in his house since yesterday were Happy and Pepper.

The engineer knows Happy himself is allergic to children, but doesn’t he have a sister or something? Does she have a kid? Maybe it got mixed up in Happy’s things? It’s not the most plausible explanation.

As for Pepper, Tony’s pretty fucking sure she doesn’t have a kid. He knows from her comments that she doesn’t have much in the way of family anymore and that she’s single. Maybe one of her college friends has kids? Could one of their kid’s binkies have ended up in her purse during a visit or something?

The theory’s not great, but that’s at least more believable than Happy being the culprit, and for the life of him, Tony doesn’t know where else the thing would have come from.

Tony stuffs the pacifier into his pocket and continues out the door resolving to ask Pepper about it later.

---

Tony never ends up asking Pepper about the binky.

He came home from an extremely long day at the office spent schmoozing the stuffy general and tossed the thing out of his pocket along with his keys onto a cluttered table in the workshop. He then proceeded to drink the night away to dull the built up tension. When JARVIS wakes him up the next morning, the pacifier is a distant memory due to his ragging hangover and Obie calling to talk business.

It’s not until a few months later that the binky even crosses Tony’s mind again.

It’s another typical day in the life of a party addicted billionaire genius, when Pepper pages him through JARVIS to help her into the house. Tony finally emerges from his lab for the first time that day, muttering equations under his breath. He’s lost in his own head, still focused on the designs he’s been hammering out downstairs.

So Tony nearly falls on his ass when he steps onto something that slides under his feet in the entryway. The engineer is quick to catch himself, heart still racing from the near drop, and looks around irritably for damn banana peel or whatever it was that almost killed him.

He quickly spots what looks like a scrap of fabric nearby. Grumbling, Tony snatches it off the floor and realizes it's not a pocket square or a tie like he thought.

No, it’s a lovey.

He gapes at the toy with wide eyes.

The blanket bit of the toy is a soft yellow fabric, the stuffed animal portion a smiling dog with floppy ears. It’s a bit love worn and could probably use a wash, but it doesn’t seem especially old.

It also absolutely shouldn’t be here.

No one else has been in the mansion for the last two days except for him, and Tony knows the lovey wasn’t there this morning.

“JARVIS, did someone break into the house to leave baby toys for me to trip on, and you just neglected to tell me?” Tony asks.

“Of course not, sir,” the AI says, sounding almost offended, “No one has been inside of the mansion aside from yourself and I would have alerted you to a perimeter breach.”

“Then how is this here?” Tony questions, holding the toy up to the nearest camera.

“It simply appeared in the foyer, sir,” JARVIS tells him.

“That’s impossible, things don’t just appear.”

“It is possible, sir. I thought it would be obvious,” the AI refutes, a hint of a smirk in his tone.

Tony rolls his eyes. “Not in the mood right now, J.”

“I believe that your soulmate has lost both the toy in your hand and the pacifier you found approximately three months ago,” JARVIS explains.

Any sort of snappy retort dies in Tony’s throat and he snaps his gaze back to the lovey he’s holding.

Soulmates were not something that Tony Stark had thought about often in the past two decades of his life.

Growing up he’d been as intrigued by soulmates as any child his age, waiting to find mysterious clothes or toys like many of his peers. He’d waited and hoped and looked for years, anything to ease the loneliness of the Stark Mansion. Only to find himself at the age of fifteen without a single lost and found object to his name. That had been when he started to doubt, when he stopped looking for items that weren’t his and steered away from conversations about soulmates.

It’s not unheard of to not have a soulmate until adolescence and beyond, but after he hit twenty-one, Tony had concluded that the cosmos hadn’t bothered to give him one. That, or his soulmate had died before they’d had anything to lose besides their life.

He is well past the age where he would have gotten a romantic soulmate bond, but a platonic or familial one…

It’s pretty common knowledge that a lot of parents and children share a familial soulmate bond, and it’s not like Tony is the most...celibate...person in the world. He’s been careful about his fun, but could it have happened? Or was this some random kid who had gotten stuck with Tony Stark as their ‘shared soul’ by the misfortune of fate?

Tony stares at the lovey in shock while his thoughts race for a long enough amount of time that Pepper irritably rings the doorbell again. Still practically in a trance, Tony opens the door for her on autopilot.

Pepper bustles into the mansion carrying several packages of mail and one of his freshly dry cleaned suits, strands of her vibrant hair escaping the usually tidy bun they’re usually pinned up in.

“Finally! I’ve been standing out there holding all these boxes for ages! Really, Mr. Stark what in the world did you order that’s so-?”

“Pep…” Tony manages to choke out, the nickname and his tone catching her attention.

His PA puts the mail and dry cleaning on a side table and turns back to him, concern on her face.

“Mr. Stark?” she asks.

With a slightly trembling hand he holds the lovey out to her. “I… I found this. And a binky a while ago. I’ve got… I’ve got a soulmate.”

“Oh… Mr. Stark-” Pepper’s mouth opens in shock as she takes in the toy, before her eyes crinkle in a smile, “Tony, that’s wonderful.”

“God look at this thing,” Tony chuckles, and to his slight horror, it’s a bit of a wet sound, “Between this and the binky, the kid can’t be more than half a year, huh?”

“I’d say so.” Pepper says smiling down at the little plush toy.

Tony swallows. “Do you think he’s mine?”

His PA looks back up at him, eyebrow raised slightly. “He?”

“Just a feeling.”

“A feeling, huh?” Pepper smiles, “Well he is yours. Your soulmate. It doesn’t matter if this child is yours biologically, because you’re going to care about them either way right?”

Tony nods, unable to voice any of his vulnerable thoughts. Too many emotions are still swirling inside, crowding his mind.

“Besides I don’t think he’s blood related to you,” Pepper tells him.

“How do you know?” Tony asks.

She gives him a bit of smirk. “Just a feeling.”

Tony gives a little laugh, giving her a grin in return. But eventually he looks back at the toy in his hands and feels it slip off his face. In his bones, he already knows that the bond he and his soulmate will have is going to be a familial extension of a platonic soulmate bond. Or more accurately, a paternal one. And that absolutely scares the shit out of Tony.

“What’s wrong?” Pepper questions, peering down at his whitening knuckles.

“Even if he’s not mine by blood, I don’t want to be like my dad,” Tony confesses in a rush, “I can’t keep the cycle going… I-”

“You won’t,” Pepper cuts him off, “The fact that you’re worried about that at all is proof enough that you care, and that you want to be better than Howard. So you will be.”

Tony doesn’t say anything to that, gaze dropping back to the lovey in his hands. He wants to be better than his father, but can he be? He’s been following in Howard Stark’s promiscuous alcoholic shadow for a long time now. But he owes it to this kid, and Pepper, and hell, even himself to try and be better.

Pepper eventually clears her throat. “Will that be all Mr. Stark?”

Tony gives her a genuine smile, the kind that is reserved only for the few people he trusts and cares for. “That will be all Ms.Potts.”

***

Peter sits on the couch in his aunt and uncle’s apartment pouting. The adults are standing near the doorway, talking. Sure he loves Aunt May and Uncle Ben, but he loves his Mommy and Daddy more, and they’ve been going on trips so much lately. They just went on a trip a few weeks ago and now they’re going on another one. And this one is so far away.

“We should probably head out. Thanks so much for looking after Pete this week,” Peter hears his dad say.

“Of course, we love having Peter,” May tells him.

“Don’t go!” Peter jumps up from the couch and tackles his mom’s leg.

“It’s not for long sweetheart,” she soothes, brushing his hair back, “Daddy and I have to go to a few boring meetings. You’ll have more fun here with Uncle Ben and Aunt May.”

“But I’ll miss you!” Peter whines.

“And we’ll miss you kiddo, but we’ll be back before you know it,” his dad says, kneeling down to hug him.

Then his dad picks him up so his mom can hug them too. Peter likes it when they all hug like that, it makes him feel warm and super safe.

“Love you. Bye-bye,” Peter mumbles into the embrace sadly.

He knows by now that no amount of begging will get them to stay, but that doesn’t stop him from trying at least a little bit every time.

His mom kisses his forehead. “And we love you Peter.”

Peter’s parents set him down and hug his aunt and uncle before they step out of the apartment and are gone. Peter’s eyes feel hot, but he doesn’t want to cry. He’s six, so he’s almost big now. Mommy said it was okay to cry no matter how old you are, but most of the other boys at school just make fun of Peter for it.

Aunt May cards her fingers through his hair. “Why don’t you go get settled, sweetie. Then we’ll all go to the park so you can play and feed the birds?”

Peter nods, subdued, and shuffles to the small guest room with his backpack and suitcase.

He sniffs back tears while he makes quick work of his suitcase, throwing his clothes haphazardly into the dresser, but takes much more care with his backpack.

Peter unzips it, double checking that all of his prized possessions are there. His dumb inhaler that he has to carry everywhere, check. His GameBoy and the handful of games he has, check. Toebeans, his stuffed snow leopard, check. His three favorite action figures at the moment, check. And… Peter panics for a moment before he feels his hand close around cold metal.

With a sigh of relief, Peter pulls the tool from his bag.

The screwdriver is small, the perfect size for Peter’s little hands. It’s old and its red handle is worn. Uncle Ben told him it’s for putting together small delicate things since it’s way too small for normal sized screws. Daddy said the screwdriver had turned up in Peter’s crib when he was just a few weeks old. He had explained that it belonged to Peter’s soulmate and that they must have lost it.

Peter’s soulmate must usually be good about not losing things though, since Peter hasn’t found that much stuff. So far it’s just been things like nuts and bolts or a couple of pretty neckties. Peter’s pretty sure his soulmate must be a grown up, since they never seem to lose fun stuff, like toys. Ned’s soulmate always loses toys, like My Little Pony dolls and plastic dinosaurs.

Still Peter keeps all the things he finds, even if they’re usually kinda boring. Uncle Ben and Daddy always say it’s important to return lost items, and there’s no way Peter would ever be mean to his soulmate. Especially when holding his soulmate's screwdriver makes him feel better whenever he’s sad. It’s familiar and it makes him feel safe, like his parents’ hugs.

Staring down at the screwdriver, Peter wonders what lost stuff his soulmate has from him.

...Maybe they’ve got that bouncy ball he lost two weeks ago? It was a really good one. He hopes they have fun with it.

Still Peter can’t wait to meet his soulmate, even if they are old. Mommy told him to be patient, but Peter’s never really been the best at that. Daddy said they would meet when the time was right and he and his soulmate needed each other most. Whatever that means.

“Peter! Come on, let’s hit the park!” His uncle calls.

The boy quickly puts the screwdriver back and zips his bag closed, swinging it onto his shoulders. “Coming, Uncle Ben!”

His aunt and uncle lead him from the apartment, his little hand clasped in his uncle’s calloused one.

Uncle Ben gives his hand a squeeze and a gentle smile when Peter looks up at him. “Buck up champ, your parents will be back before you know it.”

“Yeah,” Peter smiles and never once that week did he think Uncle Ben would be wrong.

***

They’ve just finished a meager dinner of mostly tasteless stew, and Tony wants nothing more than to collapse after another day of hard labor. He’s lost track of how many days he’s been in this godforsaken cave, no longer having any concept of time after being hidden away underground. Since that first week, most days have been the same. Tony and Yinsen desperately trying to craft the instrument of their escape without being caught, all while making their captors believe they’re cooperating.

It's a terrifyingly fine tightrope they’re walking.

At least he’s finally getting used to the constant pain of the reactor in his chest, something he’s very likely to live with for the rest of his life. However long that may be.

Tony has just stood and turned away from the fire, intending to finally sleep, when he stumbles over something in his exhausted state. He glances down half-heartedly, expecting a rock or a divet in the cave floor only to freeze when he sees it.

It’s an action figure of some sort. Clearly a superhero of some kind, his outfit is red and white with a helmet that hides his face. Tony thinks he’s flicked passed this show on TV once or twice. Power...Something. Power Riders..? No that’s not quite it.

Tony picks the toy up, feeling his lip quirk slightly despite himself.

“Stark?” Yinsen questions, coming over to look at what he’s holding.

“My kid...my soulmate,” Tony explains with a sad little huff of laughter at the other man’s raised eyebrow, “They must have lost this.”

“My children are the same, always misplacing their things,” Yinsen tells him with a nostalgic smile, “What are they like?”

“Well…” Tony heaves out a breath, blinking away the sudden urge to cry, “He’s a little boy if I had to guess, probably around seven or eight since that’s how long I’ve been tripping over his toys. He likes action figures and Legos, considering how many he loses, but I don’t...really know. I… I never got to meet him.”

And it’s true, he hasn’t. And god it feels like everything’s been a waste. He never even got to meet the little kid who’s stuff he’s been stumbling over for years. And now Tony’s in a cave held captive by terrorists with shrapnel near his heart, the only thing keeping him alive being the electromagnet in his chest and the knowledge of a missile his captives want him to build.

Yinsen puts a hand on his shoulder, giving it a reassuring squeeze. “You have not gotten to meet him yet.”

The engineer nods then, his jaw set. “Not yet.”

After that, Tony makes sure to keep the action figure close during his time in the cave with Yinsen. It’s almost obsessive how many times he checks that it’s still in the same place. But it’s like a little spark of hope in their dark cavern, a tangible reminder that there’s a life out there for him to return to, if he can just escape this hell.

Tony’s got to make sure he’s there to give all those toys back to the kid someday, after all.

***

Peter blinks awake sluggishly when May shakes his shoulder. “Come on. Get dressed sweetheart, breakfast is almost done. I know you don’t want to, but the two weeks the school let us have is up.”

Right. He’d been trying so hard not to think about it, he nearly forgot.

“Yeah,” he mumbles.

Peter pulls his aching body, sore from tossing and turning, out of bed while rubbing sleep from his eyes. Last night was definitely one of the worst nights he’s had these past two weeks. The teen had spent the first half of it shifting restlessly, unable to sleep, then he’d cried for at least an hour or two before finally succumbing to his exhaustion.

The boy shuffles into his clothes, not even bothering to check what he’s wearing. Moving to the bathroom, Peter cringes at his reflection after he finishes brushing his wild curls. He’s pale as a ghost, but his eyes are red and watery. Dark shadows sit under them, marks of the past two weeks of mostly sleepless nights.

He looks horrible. Like he’s a zombie or is deathly ill. There’s no way people won’t notice. The teen is really not looking forward to all the pitying looks and whispers he’s going to get just from the news he’s sure has gotten around, let alone how he looks like a ghost. Peter really doesn’t want to go back to school today...or well ever. Going back to “normal” after Ben… Well, it just doesn’t seem possible.

Unbidden more tears spring to his eyes.

Peter sighs, dropping his gaze back to the sink.

To his surprise an unfamiliar pair of sunglasses are sitting on the porcelain edge. Peter picks them up examining them, already aware that they don’t belong to May...or Ben. They’re a nice pair of sunglasses from what he can tell. The lenses are a deep red so dark it looks black, the frames a dark burnished metal. Clearly some really expensive name brand that probably costs near the apartment’s monthly rent.

Impulsively, Peter slips them on and checks out his reflection in the mirror. To his relief, they do a great job of hiding his red rimmed eyes and the dark shadows underneath them, perfect for his first day back to school. And he can admit, although they’re a smidge big, he does look pretty cool in them.

Peter slides them off and slips them into his hoodie pocket so that May doesn’t see. She probably wouldn’t approve of him trying to wear them all day. But hopefully his teachers will give him some leeway since they’ve probably all heard what happened.

Worst comes to worst, he can just lie and say he has a migraine or something.

He eats a solemn and slightly charred breakfast with May, sharing a long and tight hug with her before he forces himself to head out. As soon as he’s clear of their building, Peter slips the sunglasses back onto his face.

On the streets, no one gives him a second glance, but it is New York after all and that’s just the norm. The real test starts when he finally makes it to the front steps of his school. There are some kids milling around outside chatting about their weekends in the few minutes before the first bell. He slips past them easily enough, with only a few brief glances thrown his way.

In the hallway some of the students and teachers do give him lingering looks, but he keeps the glasses on and his head down and the whispers are minimal. When Peter finally makes it to his locker, he breaths out a sigh of relief. The sunglasses do attract a few lingering looks, but no one has commented on his distressed state.

He keeps them on for the rest of the day, sighting a migraine when asked. None of the teachers seem keen to try and force him to take them off, as expected. Peter’s pretty sure it’s just because none of them want to be responsible for making him cry or have a breakdown.

He ends up wearing the sunglasses a few more days that week, on the mornings after rough nights. The sunglasses almost feel like a shield, protecting him from prying eyes. It feels a bit like his soulmate is there, letting Peter hide behind them. They make him feel safe, and like he’s not an open book for the first time since that fatal gunshot rang out.

Eventually, after the rubbed raw pain of Ben’s death has faded a bit, the glasses end up tucked away with the little red screwdriver in the box that holds his most precious items.

***

Tony really wants a drink, despite all his promises to Pepper. He really has been trying to lay off since they finally got back together after such a long break. Not to mention he’d gotten black out drunk so many times in the first few weeks after Siberia that the few people left in his life had come together and begged him to stop before he killed himself. Tony’s a lot older than he was when he went out drinking every night after his parents were killed, and the drinking isn’t nearly as gratifying as it was then.

He hates that it’s still a struggle to not seek alcohol out on his own.

Now more than ever, especially after Ultron and the media dubbed “Civil War”, Tony wonders if he’s even managed to do any good in the world as Iron Man. More and more it seems like he just makes bigger messes than the ones he tries to clean up. Sure, he’s had his good moments, but they feel like they pale in comparison to all his missteps.

Not to mention how even when it’s a group failure, most of the world is content in letting just him take the fall. Everyone else seems to get off scot-free while Tony and his loved ones are left in the blast radius of the aftermath.

The engineer sighs, heading back to his lab after taking a stressful SI call in his office upstairs. FRIDAY opens the door for him without comment and he heads towards the single worktable he’s managed to set up so far in the compound. But then Tony blinks at the backpack that’s now sitting on top of the letter and dinosaur tech Rogers mailed him.

The bag is dark blue and little worn, something inexpensive that’s easily bought at big box stores. Feeling a bit excited, almost like he’s opening a present, Tony pulls the first zipper open. This isn’t the first backpack his kid’s lost, but it is weird that it’s happened at least four times this year alone.

Inside he finds a handful of pens and pencils, a mostly blank notebook with some pretty high level physics in it, an advanced calculus textbook that’s seen better days, and a change of clothes. There’s no name of course, because the universe hates to “ruin the surprise” as the saying goes, but it still tells Tony a bit more about the type of person his kid is.

Obviously the kid is incredibly smart, although Tony already knew that from finding the kid’s advanced biochem notebook in the first lost backpack and seeing the sort of stuff he was working on (Some of which seemed to be of the kid’s own initiative and was complex enough that Tony himself had needed to brush up on the subject to decode it).

He also knows that the kid must not come from a super wealthy household going by the cheap bag and worn clothes. Of course he already knew that too. Most of the stuff that the kid’s lost is generally well taken care of, but always inexpensive. That knowledge had certainly gotten Tony to fund a lot more scholarships for advanced school programs around New York City. Not that he knows where the kid is other than somewhere in America, but it still made Tony happy funding the future.

Smiling slightly, Tony puts everything back in the bag and is about to take it to store with the rest of the kid’s stuff when he catches sight of the pin buttons decorating the front. One is a Star Wars one with some nerdy meme on it, but the other one has the Iron Man mask on it. He lets out a surprised and almost wet laugh. Even after all these years he's still the kid’s favorite.

Tony will never forget the first Iron Man drawing he’d found that the kid had done, or the first action figure of himself he’d tripped over in the lab. Tony remembers preening like a peacock and showing the toy off to Pepper, Rhodey, and even Happy for the next week.

Somehow, despite all the shit he’s done, Tony must have done something right to end up as his kid’s hero. Becoming a superhero might not be why he originally set out to be Iron Man, but somewhere along the way he learned that he couldn’t just stand by and let people get hurt. Tony may not be as much as a pure hearted superhero as the spider kid, but it’s nice to have a reminder that he’s still got people to live up to.

Speaking of the kid, Peter is eager for sure. He’s smart as a whip and has a good heart despite all the times the universe has shit on him. And young as he is, the spiderling is using his superpowers with a maturity that most kids his age wouldn’t have. That and he did really well in Germany.

Tony looks back at the backpack frowning. Iron Man won’t be around forever, as much as Tony hates to admit it, he is getting old. And with almost all of the Avengers in the wind, he needs to make sure there are still heroes, real heroes, for the world to believe in.

Tony nods to himself and pulls up the design for the Iron Spider suit.

***

Peter pulls himself out from under the rubble of the collapsed warehouse, gasping for breath, limbs still shaking. Behind him the rubble shifts and tumbles further and the teen is quick to scramble away from it, coughing at the dust it kicks up. For a moment he just stands there trying to catch his breath and still his shaking.

Holy shit, that just happened. The Vulture dropped an entire building on him and left him to die. Peter can feel the embers of his panic trying to crawl up his throat and reignite. He already knows this incident is gonna be nightmare fuel to rival the ones he has about Ben’s death. Just like that night, Peter feels like he lost something of himself, only this time it was lost under the rubble and not in a puddle of blood.

But he thankfully doesn’t have time to dwell on it.

There’s no telling how far Toomes has gotten while he was trapped under the warehouse. Peter needs to move now if he wants to stop the villain from stealing dangerous Avengers tech. If that stuff gets out on the streets no one in New York City, or maybe even the country would be safe. The thought of what kinds of people Toomes could sell those weapons to is horrifying.

People are in danger, and even if Peter messes up or disappoints Mr. Stark again, he can’t let anyone get hurt when he has the power to stop it.

So, still trembling slightly, Peter raises his arm and shoots off a web, swinging into the night after the Vulture.

He doesn’t give a single thought to his Spider-Man mask, lost and left behind in the debris.

***

Tony is in the Avengers Compound again when he finds it.

Moving all the old Avengers tech to the compound has proven to be a nightmare. He’s still got the government up his ass after the “Civil War” debacle. Not to mention the modified alien weapons on the streets that both the DODC and FBI have been too incompetent to get a handle on, or even find the source of. But he’s still so busy with SI, the Accords, and the move upstate that he doesn’t have the time to track the guy properly at the moment.

And this Vulture guy really is below the Avengers’ pay grade like he told Peter. They were never really in the business of taking down arms dealers, not even high tech ones.

Tony sighs. He is starting to feel bad about taking back the kid’s suit. Sure, Peter was being reckless in it, but hadn’t Tony done the same in his? And Peter had the excuse of being an actual child. Not to mention sooner or later, the kid is going to remember that his powers don’t come from the suit. He’s going to run into a crime he can’t ignore and he won’t have the one thing that keeps him safe.

Tony had been telling the spiderling he didn’t want to be like his old man before the ferry shitshow, and what had he done as soon as Peter slipped up? Screamed at him, taken away the suit, and basically told the kid he didn’t want to have to deal with him anymore. And before that he had barely interacted with Peter after the whole thing in Germany, and yeah, Tony had some good excuses for that, but it was all still the exact same shit Howard would have done.

As much as Tony doesn’t do feelings, maybe he should call the kid up and apologize soon. It’s already been a few weeks.

Tony has just collapsed onto his desk chair in his workshop and started massaging at the tension headache sitting at the front of his skull when it catches his eye. A strange flash of red on his work table that wasn’t there just a moment before. Tony already knows it’s not something of his considering how little he’s been using this lab up until now.

His lip is already twitching up fondly as he reaches for it, wondering what the kid lost this time. He grabs the fabric object and pulls it out from under the stack of blueprints it’s ended up under.

For a moment nothing makes sense.

He’s holding Spider-Man’s mask.

The first one, from the kid’s onesie suit with the googly-eyed goggles sewn in. It’s soaking wet and covered in concrete dust. There are also a few smears of darker red that take a moment to register as blood to the engineer. All he can do is stare at it in utter confusion for a few seconds.

Then it suddenly makes so much fucking sense and Tony is so damn stupid. Of course It’s Peter, of course it’s always been the kid. Of fucking course his soulmate is the superpowered genius orphan with a guilt complex as big as his own. Of course it's the kid who agreed to help fight when Tony needed him the most. It was right in front of his face and he’s an idiot for not realizing that he found his soulmate nearly six months ago.

A soulmate who he’s been foisting off on Happy and refused to grow close to out of paranoid fear. A soulmate who’s looked up to Tony his whole life despite how shitty of a person Tony is. A soulmate who has obviously gone out in his homemade onesie of a suit and has obviously been wounded recently, if the fresh blood on the mask is anything to go by.

“FRIDAY, call the Forehead of Security,” Tony orders, vaguely realizing that his hands have started to tremble.

As soon as the line connects, Tony is speaking before his friend can get a word in. “Happy, where’s the kid?”

“Tony- what?” Happy asks, sounding baffled, “Who? Parker?”

“Yes. What other kid do we both know? Where is he?” Tony questions.

“Why are you asking me? I don’t know. You have his number don’t you? Or just call his-” Happy cuts himself off, and for a moment Tony thinks the connection dropped until he hears Happy swearing, “Shit! Shit!”

“What?” the engineer demands.

There's a long moment of silence and Tony thinks he might actually hear Happy gulp. “The plane. It just went down.”

“Oh God, that’s what he’s doing,” Tony breathes out, heart clenching, “Peter’s there, Happy! He’s trying to stop it and he’s going to get himself killed!”

“What? How do you know? Besides I thought you took his suit?”

“I did! But I found his old Spider-Man mask covered in dirt and blood!” Tony practically shouts into the phone, the fear he feels coming out easier as anger.

Happy is silent for a moment, maybe stunned at the outburst. “Tony what are you talking about? You’re upstate-”

“You aren’t getting it,” Tony cuts him off, feeling panic starting to win over anger, “I just found it in the lab! The lab that Peter has never set foot in! On my work table that was clear about five minutes ago!”

“What..? But that means...” there’s a sharp intake of breath from the other end of the line, “Oh God. Shit- Okay. Coney Island that’s where-”

“I’m on my way,” Tony says, shoving Peter’s mask into his pocket and stepping into a suit, hoping with everything he has that the kid, his kid, is okay.

Then he’s blasting out of the lab’s launchpad, streaking through the sky towards the glowing beacon of New York City in the far distance as fast as the suit can take him. He tries to call Peter from his HUD but it goes straight to voicemail and Tony tries not to lose it completely.

---

When Tony finds Peter, bleeding, battered, and unconscious on top of the Cyclone coaster he greys out. FRIDAY is feeding him info on the kid’s condition and giving him instructions, but even as Tony’s body moves to follow her recommendations, it’s like he’s not even there. Or maybe he is but only in flashes, like his brain is skipping.

One moment Tony’s picking the kid up as if he’s made of porcelain and the next he’s shooting off into the air, streaking back towards the compound since he stupidly moved upstate and left Peter without support in the city. It feels like Tony blinks and he’s landing again and Helen and her team are taking Peter’s limp blood covered body from Tony’s arms. He thinks Pepper calls him, and then Happy.

He has no idea what he says to either of them.

And then, what must be hours later, it feels like Tony finally wakes up in the compound’s medby, sitting at Peter’s bedside. The kid’s old mask is still bulging out of his pocket. He pulls it out and stares at it for a bit before looking back at his kid, his soulmate, laid out in the narrow bed.

Peter in his hospital scrubs is smaller and paler than Tony has ever seen him against the crisp white sheets. Not that he’s seen much of the kid, a dark part of his thoughts remind him. The kid’s broken ribs and head wound are bandaged, and he’s got an air cast for a wrist fracture. Helen’s got him hooked up to a complicated IV drip of some sort and FRIDAY is keeping careful track of the spiderling’s vitals on a nearby monitor.

Tony doesn’t remember too much of what Helen said about Peter’s injuries, other than they were somewhat severe and he’d lost a good bit of blood, but they thankfully hadn’t had to operate. Although he remembers there had been a fair amount of stitches needing to be done on the kid’s torso. That and something about having to give him an insane amount of pain meds to even touch his metabolism.

Peter shivers in his sleep and Tony hesitates for a moment before pulling the blankets up higher and tucking the teen in. After a few minutes the shivering stops, and tentatively Tony takes one of Peter’s hands in his. The kid’s hand is cold and a bit clammy in his, but Tony doesn’t mind. His curls are adorably wild and the engineer has to resist the urge to brush them out of Peter’s face.

Tony doesn’t know how long he sits there holding his soulmate's hand, going over in his head again and again what he could possibly say to the kid, before he feels Peter grip his hand back weakly.

“Finally back with us, Pete?” Tony asks with a softness he didn’t know he possessed when the spider kid’s eyes start to slit open.

“Mis’r S’ark?” the teen slurs still half asleep.

Tony manages a weak grin. “The one and only.”

“Wha’ are you doin’ here?” Peter mumbles squinting his eyes open a bit more.

Tony squeezes the kid’s hand. “Didn’t want you to wake up alone and freak out.”

The physical contact and words seem to get through some of Peter’s drowsiness and confusion because he blinks rapidly then snatches his hand out of Tony’s own. The engineer tries not to feel stung by the action.

“Oh my god, your plane! Toomes! Is he okay, is anyone hurt?!” the teen asks frantically.

Tony is quick to stop the spiderling from trying to sit up. “The only one hurt was you, kid.”

Peter slumps back against the pillows. “That’s good.”

“It’s really not. Peter, you could have-” Tony cuts himself off and breathes out a long sigh, not wanting to lecture the kid while he’s still recovering.

The kid is giving him a wary look, like he’s waiting for Tony to lose it on him again. It makes him feel like even more of a piece of shit. So he does the only thing he can think of and holds the Spider-Man mask out to the kid.

“I found this,” Tony says abruptly.

“Oh. At the old warehouse?” Peter asks, taking it from him without meeting his eyes.

“No. In my lab.”

The spider kid’s head pops up at that, confused. “But, Mr. Stark, I’ve never been to your lab. And I had it for part of the fight with Toomes.”

Tony nods and clears his throat. Well, now or never. “I know. But you did lose it.”

Peter’s brow furrows in confusion. Tony sees it dawn on the kid after a few seconds, his eyes going wide and shooting up to stare at the engineer.

“You… So you’re…” the kid stutters.

“Yeah, kid. I’m your soulmate and I’ve got several boxes full of old toys, clothes, and backpacks that I’ve been holding onto for a long time,” Tony tells the boy feeling a little choked up.

Peter doesn’t say anything, he’s still staring at Tony looking completely gobsmacked. When the silence continues to stretch on, the engineer feels his insides squirm with insecurity. After everything that’s happened, maybe Peter doesn’t want to deal with such a shitty soulmate. Tony’s not sure he’d be too forgiving after the last few months of no contact and a near deathmatch with a supervillain that probably could have been avoided.

When Peter still doesn’t manage to get a word out, Tony lets himself deflate. “I don’t blame you if you don’t want anything to do with me anymore. I know I’m not anyone’s first choice of well…anything generally, and you deserve a better soulmate and mentor... But give me another chance, Pete. It won’t be perfect at first but let me try and fix-”

“That’s-!” Peter bursts in suddenly, cutting him off, “That’s not true Mr. Stark. The whole ‘not anyone’s first choice’ crap, I mean. You were...one of my first heroes and- and you still are. Both in a science and superhero sense. And yeah you, uh, do really suck at the whole…emotional availability thing, but you just need practice. Probably.”

Tony finds his mouth twitching up, especially when Peter’s ears go red at the last bit. The kid is endearingly honest and awkward.

“What I mean is, that I’ve been trying to follow your footsteps for a long time now. And I forgive you for the whole…ghosting me thing, and I don’t blame you for taking the suit after the ferry. And I want to be your soulmate if you’ll still have me after I crashed your plan, and-” Peter cuts off his own rambling and looks down, still flushed with embarrassment, “Sorry, I’m totally still freaking out that it’s you.”

“You and me both kid, I don’t know what I did to deserve compassionate, responsible, superhero Peter Parker as my soulmate,” Tony tells the kid, and immediately shoots for a joke to cut away from the vulnerability of that statement, “Even if you’re a little shit that gives me grey hair, especially with all the all the times I’ve nearly broken my neck tripping on your stuff over the years.”

“Well, I don’t know what I did to deserve Tony freaking Stark as my soulmate, even if he only loses boring crap like ties and metal scraps. Seriously, Ned’s soulmate lost Nintendo DS games and all I had to show from mine were socks or nuts and bolts. You made me so lame, Mr. Stark,” Peter whines dramatically, a spark of mischief in his eyes.

“Oh yeah, and it doesn’t ruin my very polished image as Tony Stark, billionaire genius, to trip over your Legos while out in public?” the engineer teases back, ruffling the kid’s hair.

Peter gives him a big innocent grin in response like the smartass he is and Tony just rolls his eyes.

The engineer leans forward and opens his arms in invitation. “C’mere spiderling.”

Peter lights up and gingerly leans into the embrace, careful of his injured ribs. He lets out a soft sigh of contentment and Tony won’t admit to anyone that the sound makes him melt a bit.

“Is this actually a hug this time, since there’s no door to get?” Peter questions with false innocence after a few moments.

Tony snorts. “Yes, you little shit it’s a hug.”

Peter’s laughter in his ear is the best thing he’s heard in months.

“So, when do we get to return each other’s stuff? Can we do it now?” the spider kid asks when they break apart, excitement shining in his eyes even as they began to droop with fatigue.

“Not till you’re healed, first of all. And we’ll have to take a day to do it. It’s a lot to go through. You’ve lost a lot of stuff over the years, kiddo,” Tony tells him, helping to settle the drowsy kid back under the bedsheets.

“We’ve got time,” Peter yawns, “Besides, if I didn’t lose anything, then how would you ever know to come find me and give it back Mr. Stark?”

Smiling fondly Tony finally gives in and starts combing his fingers through Peter’s hair. “I’ll always come find you, Pete.”

The spiderling gives a happy sleepy murmur in response before he slips back into sleep.

***

A few weeks later, after May had found out about everything, superhero alter egos and soulmates included, Peter is finally ungrounded enough to be allowed to go to the compound one weekend. May and Tony had talked a lot in the last few weeks and she had come to terms with everything. Well, after a lot of yelling at least. But now she was glad that Peter had another adult to care for him and watch over him.

Peter wasn’t just teasing about his not losing much over the years. He’s only brought over about three cardboard boxes worth of forgotten items. It’s a stark contrast to the eight or so big plastic bins that Mr. Stark keeps Peter’s things in. To be fair, he knows Mr. Stark has an eidetic memory which makes it pretty easy to keep track of most of his things, while Peter seems to be a bit more of a disorganized genius.

Mr. Stark starts in on his collection first, cooing over Peter’s baby toys and books while the teen sputters in embarrassment. In retaliation Peter just shoves the entire box of screws, nuts, bolts, and other assorted metal bits of various sizes at his mentor with a huff. Even Mr. Stark admits that it would be pretty boring stuff for a kid to find. Although Peter does confess to using a few spare parts in his refurbishing of tech he’d found in the trash.

“Oh wow, I always wondered what happened to my red Power Ranger!” Peter exclaims when he spots the bright flash of red and white in the box of toys Mr. Stark has just opened, “I was so sure one of the other kids at school had stolen it.”

“I found that guy when I was in Afghanistan,” his mentor divulges quietly.

Peter freezes half way through grabbing the toy. “What?”

“When… When I was kidnapped, I tripped over it in the cave the Ten Rings kept us in. I carried him around with me the whole time after that. That little dude went through the ringer with me then,” Mr. Stark explains ruefully, his eyes locked on the battered action figure.

The expression on Mr. Stark’s face is hard to decipher. It’s sad and haunted, but there’s also some deep fondness as he looks at the plastic Power Ranger. Obviously there are a lot of heavy memories tied to the toy, good and bad.

“You should keep it, Mr. Stark,” Peter says firmly, gently pushing the action figure back into his mentor’s hand.

Surprised, Mr. Stark seems to shake himself out of whatever stupor he’d fallen into. “You sure, kid?”

“Yeah.”

Mr. Stark doesn’t have to say anything, but Peter can tell. His Red Ranger means a lot to his mentor. It’s not something Peter wants to take away from him. Mr. Stark gives him a warm smile, his genuine one that he saves only for a select few people, and sits the toy on his work desk in a place of honor.

“Are you good to keep going?” Peter asks uncertainly.

He’s still not sure where the lines are with his mentor yet. They’ve slowly been getting closer over video calls and texts while Peter was grounded, but they’re both still waffling in that awkward phase when you first start actually getting to know someone.

Mr. Stark gives him a soft smile. “Yeah, kid. I’m fine.”

A bit later, after they’ve gone through and reminisced over all Peter’s baby stuff, Tony pulls a big binder out of one of the bins.

“I loved finding your drawings,” his mentor admits, “Rhodey, well you’d know him as War Machine, hung some up on the fridge as a joke when I showed them to him. And then, before I knew it, I was putting them up there myself.”

“You did what?!” Peter gapped, “Mr. Stark!”

“Oh come on kid, your artwork was adorable. Especially after the Battle of New York and I started finding a lot more Iron Man drawings. I even had a few of them framed,” his mentor grins.

Peter gives him a flat look. “You did not.”

In response, Mr. Stark just raises an eyebrow and pulls a framed colored pencil drawing of Iron Man out of one of the bins. It’s not a bad likeness, done on lined notebook paper depicting Iron Man blasting a giant monster out of the sky. Peter vaguely remembers having drawn the thing when he was bored during math class a few years ago. The teacher confiscated it when she saw he wasn’t paying attention and Peter never did get it back.

The teen hides his red face behind his hands. “Oh my God.”

Iron Man literally put Peter’s childhood artwork up on his fridge like a proud dad. He doesn’t know if he wants to preen or hide from knowing that.

Mr. Stark just laughs and claps him on the shoulder. “Don’t be like that, kid. Come on, I can’t not be proud of my kid’s artwork.”

Peter feels himself turning an even deeper shade of red. His kid.

Stuttering out something incomprehensible, Peter reaches for one of his boxes of Mr. Stark’s lost items. Still chuckling, his mentor leans over his shoulder to see what he’s digging through. He makes a surprised noise and reaches down to extract something from the collection.

It’s a very familiar small red screwdriver.

“Well, what do you know? That’s my favorite screwdriver from when I was in MIT. I put DUM-E’s circuit board together with that.”

“Seriously? That’s so cool, Mr. Stark. My parents told me they found it in my crib when I was just a few months old. I used to take it everywhere with me when I was little,” Peter recounts with a small smile.

Mr. Stark’s eyes crinkle, a subtle upward quirk to his lips. “I can see you took good care of it.”

“I’m glad I could finally bring it back to you,” Peter tells him earnestly.

He’ll miss the screwdriver a lot more than he wants to admit, but it’s something so important to Mr. Stark. This is the tool his mentor but his first AI together with. He deserves to finally have it back.

“Keep it, Pete,” Mr. Stark places the tool in Peter’s hand and fold’s the teens fingers over it, “You’ve obviously given it a good home.”

Peter looks up at him. “Are you sure?”

“It couldn’t be in safer hands, kid,” his mentor affirms.

Peter beams in response. He’d been so impatient to meet his soulmate when he was a kid, but now he knows it was well worth the wait. And there’s no one he’d want more as his mentor, father figure, or soulmate than Tony Stark.

@friendly-neighborhood-exchange

#irondad and spiderson #irondad #spiderson #the friendly neighborhood exchange #fanfiction #MCU fanfiction #my writing

47 notes · View notes

dumplingfaye · 3 years

Text

Here’s my top 30 strongest characters in Black clover

(I’m trying to be extremely fair but there is some biased so if there’s someone that doesn’t make that much sense why they’re highly ranked it’s because I’m biased one character in particular and I’m doing this because someone made a absolutely god awful top 15)

Charlotte Roselei .30

if you wonder why she’s ranked so low it’s because even though she fought Vanica and won that was when Vanica was weaker and once Vanica went 100% she creamed Charlotte plus her magic was only effective because it was cursed magic if she fought any of the other dark triad members she would have probably lost

Lumiere Silvamillion Clover/Licht .29/.28

if you’re wondering why they’re so low on the list it’s because they couldn’t defeat Zagred and contrary to some people’s beliefs Zagred is actually extremely weak at least compared to the other Devils

Zagred .27

he’s very powerful what can I say but he’s pretty low on the list because well he is smart however when it comes to fighting he’s very bland and does the exact same thing over and over

Luck Voltia/Leopoldo Vermillion/Charmy Pappitson/Mimosa Vermillion .26/.25/.24/.23

a basic summary they all have true magic and intern they all have ultimate magic (Luck has Elven magic as well which also gives him an extra boost) (Leopoldo is a Royal and trains a lot so he doesn’t gets left behind)” not that that helps”(Charmy is a hybrid of a human and a dwarf)and (Mimosa is a Royal as well as a recovery mage but that doesn’t mean that she can’t put up a good fight)

Nozel Silva/Fuegoleon Vermillion 22/.21

(Nozel to tell the truth i’m not actually sure how much powerful he’s gotten over the last six months but he’s probably going to play a big role soon so this is also kind of his biased) as for (Fuegoleon to tell the truth I kind of think he’s pretty weak but maybe he has spirit dive so that’s why he’s here if he doesn’t well he’s not even on the list in that case)

Zora Ideale .20

you’re probably wondering why he’s here This isn’t me being biased because I’m kind of indifference towards Zora but he’s here because his magic is quite interesting he can reflect someone’s attack and double its power and he possibly even has more tricks up his sleeve after all it has been six months

Magna Swing: .19

now you’re probably wondering why he’s so low on the list after all he beat Dante well that’s actually pretty simple it’s because to me this is actually kind of me being biased I don’t actually like Magna in fact I actually hate him but to me personally I think his trump card is for very pacific conditions for starters we know that Dante is extremely strong right when it comes to magic but when it comes to intellect or physical strength he has none so to me if Magna fights someone with either of those things or God for bid both I personally think he would lose but this could just be my bias talking

Gaja .18

he fought the wizard king to a stalemate and he was able to fight Devil Lolopechka to an even degree when he wasn’t even trying to hurt her but she was trying to hurt him (I could be wrong please don’t get mad at me keep in mind this is just my opinion)

Julius Novachrono(at prime) .17

Julius at his prime everyone stroke his power and even though Yami trained for six months he was still weaker than Julius he only became stronger after he surpassed his limits

Yami Sukehiro .16

(dimension slash/Equinox)(death thrust)(Black hole) etc.

Jack the Ripper .15

if I’m being honest I’m pretty sure if he fought Magna he would probably lose (because he has a weak body and doesn’t have that much intellect) but because his magic is so versatile that he can adapt to the magic attribute it’s against he possibly could do incredible things with it even though I kind a wish he would die I don’t like him either

Devil Lolopechka .14

To tell the truth I’m not exactly sure if she’s stronger than anyone who’s on the list but I assume she is at the very least I know she’s stronger than Charlotte but because she’s a devil she’s probably stronger than most of the other characters

Zenon Zogratis /Yuno Grinberryall .13/.12

if I’m being honest I don’t actually know who’s stronger because even though at the beginning of their fight (of course not in their first one) Yuno was indeed winning the fight but after Zenon went 100% it came to a stalemate so I’m not exactly sure who is stronger (one is a devil user) and the other (is a spirit user) so 50/50 ╰(0 ~ 0)╯

Dante Zogratis/Vanica Zogratis: .11/.10

I mean they’re both stupid and they’re both strong and I didn’t put them in the same boat as Zenon because when Vanica heard that “Yami was defeated by Zenon” she said that he might not be as strong as she hoped implying that she was stronger than Zenon plus Dante has the king of all devils so that’s why there here

Dorothy Unsworth .9

this might be my bias talking but because she has her own world (created by magic) she can conjure up anything she wants and of course she’s gotten stronger over the six months so that’s why she’s highly ranked

Mereoleona Vermillion .8

She’s fighting a demon God and even though her magic is being absorbed she can still fight so yeah

Noelle Silva/Acier Silva .7/.6

to me personally they don’t actually have that many differences when it comes to strengths because both of them defeated Vanica and sure Vanica was weaker when she fought Acier but (Acier had to protect both of her children plus she died because of Megicula’s interference) and Acier was able to leave a permanent mark on Vanica

Nacht Faust .5

(OKAY if I’m being honest this is extremely biased I really like him a lot) but Nacht was able to cream Asta and Liebe for two days straight and while they were being cured he wasn’t (I mean it’s possible he was but I didn’t see it and neither did you” except in Fanart”) and they were able to defeat Dante and fight on par with Yami when they were weaker and out of breath and not even working in conjunction with each other so yeah and when he fought Naamah and Lilith he was able to perform a spell that is on the same level as supreme devils and the only reason why they were able to break through it is because Naamah and Lilith burn/freeze everything even invincible concepts/constructs and they were the strongest Devils we’ve seen so far at that pint in time and even though they were playing with him at a stalemate they were still stronger than anything they faced before and he was able to keep them busy for a little while wow this one was long

Naamah and Lilith .4

I just said it before but they’re able to burn/freeze everything you need including invincible concept/constructs anyhow they’re basically extremely strong and they could cream everyone on the list except the people who are higher than them

Megicula .3

well he/she (I don’t want to assume genders and be wrong) basically trashes on everyone in mere instant

Asta & Liebe .2

Devil union is just that over powered I mean it’s able to take out transformations such as spirit dive possibly other devil unions and of course normal spells such as Valkyrie dress or princess healing flower robe as well spirit of hellfire etc. able to dispel mana-zone based rooms is able to cut through any type of magic even if it’s a physical being and the sword themselves already pack a punch by themselves so with extra power that’s just over powered

Lucifuge/Lucifero .1/.0

Who the fu*k did you think was going to be number one/number zero Seriously who they’re literally the main bad guys in this arc it is impossible to tell what they’re capable of but whatever it is we know that they can kill anyone they want in an instant without even trying this isn’t me overhyping them this is a factual thing they are practically the most overpowered creatures in Black clover we have yet to see them and frankly I don’t think we want to I mean both of them killed really kind people Lucifero killed Licita Lucifuge I mean technically he didn’t kill Morgan (Morgen died because he interfered with the Devil ritual) but they killed Nacht and Morgan parents and if we’re being honest their parents well they kind of did deserve death

#Black clover #Black clover Asta #Asta #Black clover Liebe #Black clover Nacht #Black clover Nacht Faust #Nacht Faust #Black clover Noelle #Noelle #Black clover Noelle Silva #Noelle Silva #Black clover Yuno #Yuno #Black clover Yuno Grinberryall #Yuno Grinberryall

7 notes · View notes

dykeredhood · 3 years

Text

Decided I’d answer all the Witcher-y questions that @inthishousewelovejoeybatey put together (from here)

The Trials: Would you ever become a Witcher?

Hell yes, please load me up with herbs and mutagens – I’ll miss my pretty brown eyes, but in exchange I’ll get night vision and an even more piercing glare. I think I’m hardy enough to withstand everything they put the lil witchers through with only a minimum of shrieking

Monsters: What monster would you be?

I’d be a noonwraith – being associated with fields bursting with grain and also abducting mortals to make them dance with me until they die is enticing

Butcher of Blaviken: Have you ever been in a fight?

Not really? I’ve had to sock a few people, like the guy who introduced himself to me at a university party and then kissed me full on the mouth. That was followed by a surprisingly coordinated right hook, since I was already pretty drunk by then. The I was at a nightclub in Scotland (hoping to head back to Sneaky Pete’s when it’s safe to travel 🙏🏼) and someone was getting far too handsy with me out on the dance floor, so I caught him with my elbow a few times across his jaw and brow bone and that put a stop to things.

Her Sweet Kiss: What was your first kiss like?

I’m going to show restraint and hold off on putting that 3oh3! song in here. It was awkward and we were both in middle school and it was just both us fumbling all “ok I guess this is how you do this” it was also while we were at Disneyland in a Haunted Mansion doom buggy

Lute: Do you play any instruments?

I played the flute (and piccolo) all through grade school up until university, and I actually bought myself a flute to re-learn how to play it, since that’ll be a nice hobby to engage in again

The Path: Do you like to travel? Favorite place you’ve visited?

I love traveling, and I was meant to head on trips to the east coast and down to Anaheim this year (if we didn’t have the pandemic sweep in and screw everything up there 😭). My favorite place I’ve visited has been Scotland – Edinburgh was lovely and seeing Hadrian’s Wall was fantastic (the segment of Hadrian’s Wall I visited was Birdoswald Fort though). I have a lot of fun strutting through the airport with my bootheels clicking on the hard floor and having a dirty martini at the bar before I board my plane. I did make it up to Chicago in Feb 2020 for C2E2, right before things started getting really serious with coronavirus in the US, and I’m really glad I at least got that bit of traveling in

Ballads: What’s your favorite song?

If we wanna choose something that probably would exist in the Witcher land, I’ve been vibing to these songs:

Prickle Holly Bush/Charge of the Highland Cattle

Otherwise I’ve been recently vibing to The Wiggles, and this song really stands out, also the MCU could NEVER - Super Anto

Chaos: Do you believe in Magic?

I’m not going to rule out the possibility of magic, but it’s not really anything I’ve observed with my own two eyes. I will encourage my plants to grow with kind words and a reminder that they all come from good hardy stock

Child Surprise: Do you want children?

I don’t have what it takes to be a good mother – I know how to look after a child and give them good nutrition and everything, all that academic stuff. I don’t think I have the capacity/skill to be suitably nurturing toward a child, and with all that in mind, I cannot bring a new child into the world that I’m responsible for caring for when I don’t feel like I can be a well-rounded and quality parent that that child would deserve. I’m happy to be the fun auntie who’ll bring gifts of interesting candies and knives during the holidays, but I can’t be ANYONE’S mother

Destiny: Do you believe in destiny?

No, not in the slightest. Destiny would probably have me be some man’s agreeable & repressed wife with a quaint house and a couple kids that I end up emotionally abusing because that’s all I’m goddamned used to and I cannot subject anyone to that treatment, my having gone through it is ENOUGH

Igni: Be honest, you would use Igni for simple, daily matters like warming the tub or lighting a candle, wouldn’t you?

If I had the ability to conjure up fire with my hands whenever I wanted? Absolutely – no more matches or lighters for me, we use magic now

Axii: If you could influence someone’s mind, what would you make them do/say?

I’d want to compel greasy politicians to give a shit about their subjects constituents

Otherwise I couldn’t justify controlling anyone’s mind (aside from in a kinky context but even then, I’d prefer to be the one who’s magically compelled to do things)

Speak normally: Favorite Witcher quote

The entirety of the scene where Ciri demands Geralt tell her a bedtime story (because how can she fall asleep without a story?) and even the dryad traveling with them gets invested in the story he tells about the fox and the cat.

Unbearably crotchety and cantankerous: What is your personality like?

I sure do have a lot of personality (anyone who’s met me in person can attest to this). At work I can get metallic and uptight, and outside of work it’s a little better, I enjoy snarky banter with my friends and my laugh sounds like a lumberjack (or Disney villain). To everyone’s apparent surprise, my apartment is pretty messy, but I know where the things I need are. Except for (apparently) where I put my flute, I thought I put it in a certain box and it’s not THERE. Back to my actual personality, I can be abrasive at times but I really enjoy helping my friends.

Doublet: Favorite outfit of Jaskier’s

Anything that includes his fancy plum bonnet with an egret’s feather – a hat with a flamboyant plume always gets me

The White Wolf: Favorite Geralt (Books, Games or Show)

Tbh my favorite Geralt is book!Geralt, he’s so snarky and the way he becomes the designated dad of almost everyone he meets just melts my heart (the way he met lil Ciri in the books is far superior to how they did that whole scene in the Netflix series)🫀 and I really like the Yorkshire/Scottish accent he has in the audiobooks

Geralt of Riva: Thoughts on Geralt

He is my DAD and also ME and in some instances I want to RIDE HIM (these are all separate instances and moods please do not show this to Freud). My father is a ballet dancer, he’s also really knowledgeable because he’s an engineering professor, and he doesn’t exactly have the most welcoming personality, so the comparisons there are obvious. (The School of the Wolf uses a lot of ballet inspired movements with how they train witchers how to fight, and it really stresses practicing enough to have that good technique and muscle memory in your body which is HUGE if you want to move swiftly and without injury)

Geralt’s whole exchange with Visenna where he’s upset that she knew what would happen if she (essentially) handed him over to her a Witcher and then she did it anyway really landed with me since my mother studied early childhood development and then went on to fucking give me PTSD. Geralt also canonically loves giving head and I would be all over that, let’s be real

Jaskier: Thoughts on Jaskier

Jaskier has been overhyped by the Witcher Netflix fans — this isn’t even me being surly, it’s honestly more me being practical. I’m glad y’all enjoy his character, and Joey Batey is a great fit for the role, but here’s the damn thing: Dandelion is more of only intermittent character in the books and I love to see his antics when he shows up, but he’s just not featured as prominently as the rest of the Witcher fam. He’s such a disaster slut, and I love how he’ll be affable with everyone, becoming fast friends with the dwarves and dressing up all roguish like them. The part from the books where he acquired an assassin’s knife to stick in his belt but it keeps poking him when he bends forward so he just leaves it somewhere is charming

Yennefer of Vengerberg: Thoughts on Yennefer

I want a powerful sorceress wife. It’s sweet the way she interacts with lil Ciri, but I really don’t care for how she keeps calling her “ugly one” – even if it’s meant to be affectionate, it’s not something good for a little one to constantly be hearing.

Ciri: Thoughts on Ciri

PROTECT HER – she’s so earnest when she’s training to be a witcher at Kaer Morhen and Geralt is such a DAD and it’s really lovely (esp when she’ll run up all “praise me, Geralt!!” and then he does – it melts my heart 🥺). There’s entirely too much trauma porn involving Ciri in the books, though; I know bad and distasteful things happen in the Witcher land, but it feels excessive, especially seeing that she’s still a young woman trying to make her way in the world and all. She’s skilled and fierce and I wanna be girlfriends with her

#my writing #at least my responses to the questions are #personal #yknow what I’m also gonna tag for filing purposes #this additional tag for reference #Witcher OC #the Witcher

15 notes · View notes

captain-azoren · 3 years

Text

Legend of Korra books 3 & 4

Finished rewatching books 3 and 4 of Korra. Here on my thoughts on them and the series as a whole after seeing it again after so many years.

I think books 3 and 4 are pretty solid. Aside from a few flaws, I think 3 is the overall best with the best pacing. I think a big issue with book 2 was that it was trying and failing to juggle a very big cast and multiple subplots that made it feel like a mess. That’s not an issue with 3 or 4, where every character has a relevant purpose and plot threads come together more naturally.

4 does this a little bit worse as I think the plot kind of starts and stops a couple of times, but it’s not terrible. Kuvira’s build up as a villain is very shaky when compared to Amon and Zaheer, but still better than Unalaq’s arc going down the drain. It really does seem like the worst parts of her villainy are told and not shown (those being the reeducation camps and slave labor). I think they could have shown at least one of these camps instead of just seeing the escapees that Varrick and Bolin meet.

I still think the Red Lotus are the best antagonists in LoK just for having the best arc overall. They had Amon’s intrigue, stayed consistent in their motivations like Kuvira, and they have the most dimensions overall just from the little bits of interaction we see of them. What’s more, they didn’t disappoint me in the end.

The Colossus I didn’t mind or find out of place. It just doesn’t bother me when the show has had Koizilla and giant drills in AtLA. I can understand how the mechanics of it work as well. I didn’t feel like my suspension of disbelief was broken considering everything else. I think fans who dislike it are more bothered by it breaking the setting further away from fantasy and into sci-fi.One question though, why does a spirit energy canon need a rifled barrel?

Mako is a much better character in 3 and 4 because he’s finally allowed to be someone other than a love interest. His interactions with Bolin can be really fun and it’s kind of a shame how often they’re separated. I also noticed on a rewatch that he does make a good detective, having good perception and coming up with ideas. It’s better than the pro-bender he started out as and probably his best strength.

I think I actually like Mako now whereas before he was the most forgettable, and I think he deserves some looking into. A lot of the hate comes from him being put into really tough spots where he just can’t win. Mako goes from being extremely aloof to being a loyal but beleaguered straight man to the group.

Raiko I feel similarly to Mako. I think he’s another guy who keeps getting put into tough spots with no easy solution. He doesn’t really deserve hate either, and honestly probably made the best decisions he could as a president (I know from experience how bad they can be...) Him being hated and voted out in the comics seem like Bryke was over correcting, something they seem to do a lot.

Suyin I have mixed feelings on. She really does seem like someone Bryke really wanted fans to like and agree with, but they shilled her a bit too much and at the expense of Lin. Su’s apology to Lin at the end of their dispute felt kind of half-hearted, and despite being justified, the whole thing is framed as Lin being the one in the wrong, stuck in the past, unable to move on after Su had changed. We don’t see Su change though, and Su keeps acting like what she did wasn’t that big a deal, so it falls flat.

What’s more, Su continues being a big presence into book 4, and I think I have to agree with Kuvira that Su should have at least done something to help the EK out. It really does make Su come off as kind of a cowardly hypocrite who’s so afraid of looking like a dictator that she doesn’t even try to help. She doesn’t want to be treated like royalty or an authoritarian, but if you look at Zaofu the place is already set up like a small kingdom, with the Beifongs being the divine bloodline descended from Toph, the strongest bender to ever live. Su is a queen in all but name, and if she was so afraid of looking like a dictator she could have just given up the power like Kuvira was supposed to have done. Su just rubs me the wrong way from start to finish, and it’s partly because the show doesn’t challenge her or make her change. It just expects us to see her as being right, and she just isn’t.

Bolin being a lava bender I remember being really excited for, because it was something I predicted when I first saw it years ago. I don’t have a problem with how he discovered it. It’s not the best way I’d like see someone discover a new power, but I think it’s better than when Korra finally got airbending (though that didn’t bother me too much either). It just kind of made sense to me and finally gave something else to stand out besides comic relief.

The air kids got better in 3 and 4 too. Meelo got less annoying, Jinora was more fleshed out, and I actually really like Ikki in book 4.

Now Korra and Asami. I think Korra is maybe at her most static in book 3, but her arc in book 4 is the most interesting as she had to build herself back up. I don’t agree with some of the things that are just told to the viewer, like how she needed to learn from her enemies. At the finale Korra says she had to suffer to learn compassion, but it’s not like Korra wasn’t a compassionate person already. Korra’s arc seemed more centered on dealing with trauma and finding her purpose in a world that seemed hellbent on telling her she wasn’t needed. I don’t know if that was some kind of meta commentary, but it does work.

I do like Korra’s overall development from where she was in book 1. If I had to put it into words, I think her story is about trying to fulfill a role that she’s been groomed for her whole life, trying to live up to expectations, pushed into doing what others want her to do, failing those things, then finding the strength and resolve to achieve success on her own terms, even if it’s not what everyone wants. Korra gradually learns to stop being a tool for world leaders to use to keep order or power. It’s not always done well, but it’s there.

It’s nice to see her and Asami be friends after the love triangle stuff. It’s kind of surprising, but they didn’t really interact all that much in the first two books all things considered. Asami doesn’t change a whole lot throughout the series, but her reconnecting with her dad at the end felt satisfying.

I’ll be honest, I never really saw Korrasami happening and didn’t view much of their interactions as being romantic in nature. I think only the letter writing and their reunion seems a little shippy, but not very obvious. That said, I can buy the two of them finally realizing they might be attracted to each other at the finale, as a beginning to their relationship. The real problem is that shippers and even Bryke overhyped this moment up as it being ENDGAME rather than treating it as what is was, a spark of attraction. Korra and Asami aren’t in love yet, they’re just going on their first official date.

I do like them being together though. It seems a lot healthier than other potential relationships, and let’s be real here; Asami NEEDED something to make her happy because holy shit has she be through a lot by the end of the series. Dumped by Mako twice, almost lost her company and lost her dad after she forgave him. Give the poor rich girl a break.

So, final thoughts on the series as a whole; it’s not as good as AtLA, but that’s mostly on the execution. LoK was messy and had issues, but it did eventually smooth things out after a lot of course correcting. There are things I don’t like, but not enough for me to write it off, and it has plenty of strengths that make it deserving of a watch if you keep an open mind.

I remember ThunderCats 2011 getting a lot of flak too, and that’s one of my favorite shows ever despite its glaring flaws, so I really can’t work up the energy to trash LoK. I know plenty of people can connect to it even if I don’t, at least not fully, and I honestly do believe that overall LoK’s strengths outweigh its flaws, even if it can be inconsistent and unpolished.

LoK may take place in the same world as AtLA, but it is a very fundamentally different series, and beyond a few very core basics of storytelling I think it’s a little unfair to compare the two. It’s not the masterpiece it could have been, but at the end I still enjoyed it. I might have more thoughts later, but these are what I have for now.

#Legend of Korra #The Legend of Korra #lok #tlok #korra #mako #bolin #asami #asami sato #korrasami

15 notes · View notes

edwardslostalchemy · 4 years

Note

the thing that kills me about bakugou is when the plf go "having a powerful quirk means i'm better than you"and basically advocate for eugenics, it's horrible and corrupt, but when bakugou does it, it's lol funny and 'oh that gremlin.' in a recent chapter he made fun of the past OFA holders for having 'weak' quirks and dying and he said these things in front of Toshi, who has himself given so much. just...what was the point of him knowing about OFA if he was just going to be a disrespectful ass?

I have no idea why it was necessary for him to know, tbh. I think it was a waste of an opportunity to give him growth by NOT telling him. And honestly, I agree that k*tsuki and the plf have similar ideals because they’re elitists. :/ They think they’re better than others. Unironically, the lov wanting k*tsuki on their side would have been like, them all sharing this same thought. Idk, I just don’t like him. The things he says and does are played off as comedic relief now and it’s honestly so annoying. He needs to be brought down from his pedestal.

(I have multiple messages so I am putting them all in one post under a read more, I hope it works, but if somehow it doesn’t, I’m really sorry. My computer says it works, but mobile doesn’t show it. This will be a long post.)

Anonymous said:

You know... I wouldn’t mind Bakugou winning vs Ochako so much if his blast had simply redirected enough rubble for him to make it though the pelting, and the fight had ended with an actual visible inflicted injury on his part, like a cut on his face, that stuck around for the rest of the tournament. Make the close call have more concrete, visible consequences for him then his arms aching a bit.

I agree with this completely. That thing about his arms aching doesn’t show much of the consequences at all. And he gets over it rather quickly. I hate that he has so much plot armor.

Anonymous said:

Ngl i dont ship Todo/deku (dont really ship Izuku with anyone lol) but its such a nice ship like?? People can ship what they want but why ship Baku/deku when Tododeku is RIGHT THERE. I would rather have todo/deku be the twin stars like.. Todoroki having to overcome his fathers legacy and be a better hero then his father ever could be while Izuku perpetuates all mights legacy and carries the legacy of One For All?? Poetic cinema

+ I SENT AN ASK ABOUT PREFERRING TODO/DEKU TO BAKU/DEKU AND I WANTED TO ADD SOMETHING SKSKS. we could totally have an "its your power" moment. Izuku getting Todo to accept his left side and Todo getting Izuku to remember that OFA is his power now.

Todo/deku is really the poetic cinema we need and deserve. Idk why people like b*kud*ku, that’s what they prefer, but the ship itself is not healthy in the slightest and I find it pretty disturbing. I agree with you, nony. Everything you said is correct.

Anonymous said:

If I'm gonna be honest the whole "he was raised in a household of screaming and abuse" isn't a good enough reason as to why Bakugo has no chill. Like we've seen people like Todoroki raised in a household much worst but he didn't come out as a jerk or bully. I'd like to see more of Bakugo's interactions with his parents but for the most part the dad seems like a pushover and his mom is just loud at times. But no where close to Endeavor. So yeah Bakugo shut up challenge

Yeah, idk how their dynamic works, it’s just mitsuki screaming at k*tsuki while his dad tries to intervene, but doesn’t do a good job about it. I don’t like that she smacked his head. But I think people really stretch it to give him a tragic backstory when in reality, he doesn’t have one. He is a spoiled brat. Shouto has proven how to be a better person. He’s just a better character in general.

Anonymous said:

This might be long but I want to get something off my chest and I love your blog so I used to like bk//dk. If you asked me why. It's because I was enamored by the fanon ver of this pair with a better bkg and the whole appeal of childhood 'friends'/reconciliation trope it had going on and some fans have convinced me that their relationship wasn't as bad as it's portrayed before UA and that bkg was only like that because of society and thinking Izuku was "looking down" at him. 1/3

Thinking about it. it's really stupid and the verge of victim blaming but anyways. What stopped me from liking it and instead hating the pair is that after dk vs kc 2 I was expecting the improvement in their relationship, for a moment I thought we got it. But in reality it's just bc we haven't seen them interact much after the overhaul arc and before the joint training arc.Then the joint arc came and the 2nd internship arc came and whoo boy, I feel like I was cheated on. 2/3

Rather than making bkg's behavior improve towards Izuku, He's still as much of an asshole who belittles him, mocks him ,acts like he can't stand him but less threats of killing him combined with Izuku who just takes it because he's a nice person. But the narrative acts like their good friends now and I have been feeling so frustrated with this, I wanted a mutual relationship with mutual respect on both sides and bk//dk hasn't reached that part and it shouldn't take this long for it to be. 3/3

Thank you for sharing this with me, nony!! I appreciate it. It’s really sad that their relationship hasn’t improved at all. It’s so long overdue and now things are played as comedic relief like him hurting Izuku with his spike and also being extremely disrespectful during the ofa meetings. Their relationship isn’t healthy and it isn’t friendly, no matter how canon wants to paint it that way.

Anonymous said:

the only reason bkg gets to know OFA is because he guilted Izu into telling him a half truth in S1 then guilted AM and Izu with his tantrum in S3 He also had the privilege to know Izu since childhood and saw AFO so he had the advantage Izuku would have never told him otherwise. Same time Izuku's friends don't "deserve" to know about OFA, rather, Izuku deciding to tell them himself will make the revelation to them more special since its Izu deciding to tell a piece of himself than being forced to

HOT TAKE

@havocsss said:

i just wanted to say i appreciate your opinion on bnha about bakugo (bc someone finally said it 👀) and you put into words for me how i feel abt that character - and that's partly why i just can't watch it. he's the bully that everyone idolises and gets let away with murder and naaaah mate that's not how it works

Thank you, I’m glad to hear it. I don’t like that he, a literal bully who has suicide baited Izuku and has hurt him with his explosion quirk, is the fandom’s favorite and the most popular character. Literally any other character would have been better to stan than him. He’s everywhere and I can’t enjoy part of the series because of him always being there. It’s so annoying. I will continue to yell about why he is not a good character until horikoshi gives us the development he desperately needs AND an apology to Izuku for being so abusive to him. And yes, bullying is abuse.

Anonymous said:

I know that feeling. I also greatly dislike Bakugou. He almost ruins the manga for me at times. I can't even think of a plot with Izuku where Hori won't try to include him in some way. I tried reading metas abt him, tried to look at him in a different light but I realised that I really hate his personality, combined with his overhyped popularity just makes me can't stand him. I wish I could even just be neutral for him but that's being a challenge.

Yeah, he’s not a good character. Very infuriating and annoying. We do not stan him in this house.

Anonymous said:

I feel like if Aizawa actually knew that Bakugou used to bully Izuku he'd probably whoop Bakugou's ass

OOF I’d like to see him expel him.

Anonymous said:

I like how it's framed like I'm supposed to feel sorry for Bakugou because he feels manpain for not being the strongest in the class. Like the dude went from a regular school to the best of the best and he still expected to be the strongest person there is with no challenge?

Awww, is the spoiled brat sad? Good. He can die mad about it.

Anonymous said:

If Aizawa did the combat training instead of All Might he would've stopped Bakugou the first time he used his gauntlets and automatically failed him and I really wish that would've been the outcome

Tbh he should have been expelled for trying to kill a classmate.

Anonymous said:

Oh yeah I remember that character entrance when he just basically I insults his partner for training. Look I love the kid but if I was a teacher I would've flamed him so hard like there could've been a hostage, that weapon could have went off, his partner could've been captured. That's how you ended up failing the license exam

OOF. When will he learn.

Anonymous said:

Um excuse the ever living fuck out of me but I just saw a fic that was bakugou/consequences where Izuku attempted suicide and you know what the ship was?? My pure green son who deserves the world and his literal bully/abuser are you SHITTING ME???? I try very hard not to hate ships I do really try but I just CAN'T with this ship it disgusts me

It's not a healthy ship. I am disturbed by this fic and I don’t even know what it’s called and I don’t want to know. Eww.

Anonymous said:

I see myself as Izuku cause I relate to him a lot and I just read something where Bakugou does what my abuser did to me to Izuku and now I'm having a very hard time stomaching the thought of him and like I really loved kiri/baku too but now I can't even think about it cause someone who shipped my notp thought it would be a good idea to make Bakugou an abuser and give Izuku Stockholm syndrome ☹

Oh nony…I’m so sorry to hear about that. That really sounds rough and I hope you’re feeling better. That sounds awful. I’m just…I’m appalled. Also giving Izuku Stockholm syndrome with this ship is just. Wow.

#anti bakugou #anti bkdk #iamtypinglike98madmen #havocsss #anonymous #tw abuse #if anyone needs anything tagged let me know

46 notes · View notes

cescalr · 4 years

Text

Why Is Draco Malfoy So Underrated?

A repost of a Quora answer because Quora hates me for some reason

@vivithefolle i take little convincing here I go -

SO!

You. Yeah, you. You, nebulous quora questioner, you think Malfoy is underrated, do you? Well I, CescaLR, am here to set the record straight. The following is the answer I posted to Quora, that was flagged with ‘answer may need improvement’, which means some asshole was trawling the answers to the question posted and didn’t like mine so they had the moderators hide it because said person doesn’t like differing opinions. This post is thereby an archive, so if my answer is never again allowed to see the light of day on Quora, at least my maths is visible elsewhere.

Hopefully, this entertains you, tumblr user reading this post. Also, as fair warning, if you do like Draco Malfoy and somehow stumbled across this post, I recommend skipping it.

Why is Draco Malfoy so underrated?

Fleur Lee-Ranger

Author of 857406 words of fanfiction and counting.

ANSWER:

HAHAHAHA.

Ha.

hah…..

For god’s sake, I hope you’re not serious.

Let’s look at YouTube, first:

Does 2.2 million f*cking views on a woobie Draco edit seem like he’s underrated to you? Any character that gets 2.2 million views on an edit that interprets the character in a sympathetic, caring light…. Jesus Christ. They’re not underrated.

You could make a clear argument for them being overrated, by matter of fact!

The first result is his entire life story, and a redemption of the Malfoy family as a whole, and it’s… super popular!

look at that! 70k likes versus 1.7k dislikes. Let’s use my favourite maths thing once again: Ratios!!

(I hate ratios. The things I do to prove a point, eh?)

This video has 5201431 million views. It has around 70k likes, 1.1k dislikes. We’ll round 5201431, as 70k and 1.1k are both rounded numbers and I can’t be bothered to deal with numbers that are too complicated right now, it’s nearly nine pm. 5201431 -> 5.2 million. It’s the rounded number YouTube itself uses on the search page - check the first image if you don’t believe me, and since YouTube thinks that’s good enough, so will we.

5200000 : 70000 : 1100

52000 : 700 : 11

Divide all by 11 (and round awkward numbers, because we’re already dealing in rounded numbers anyway, which is kind of bad practice, but it’ll do for this context):

4,727 : 64 : 1

As I’ve proven before (not on Quora, you can probably find it in the comments of one of my fanfictions, I’ll end up moving it over here one day when I find the right question), fandom content engagement rates are always pretty bad. But honestly? every four thousand or so views, you get 64 likes, compared to just one dislike. That’s great! That’s incredible! I’d kill for those kinds of ratings!!

(Draco’d probably wimp out, though. hehe. Jokes, jokes.)

As for his woobie video:

2.3m : 152k : 715

2300000 : 153000 : 715

Nice, don’t need to remove any superfluous zeroes. Bad, for… well, your hypothesis, to put it nicely, since that means there are only seven hundred and fifteen goddamn dislikes on this video, what the f*ck, why do so many people like this b*stard child.

Ahem. Sorry, that’s rude to illegitimate children like myself. There is nothing wrong with having unmarried parents.

…Anyway, lets slim down that ratio:

3217 : 214 : 1

Holy sh*t. I would do more than kill for this ratio. Oh my god.

That’s some great engagement there. So many likes! Clearly, Draco dearie is a very popular boy! He’d love that. I hate this on principle. God am I glad 13 year old me didn’t really use YouTube (I watched gaming content and little else, didn’t even find fandom content until 2015) or I’d have contributed one of those likes, probably.

Oh wait, no! Never mind! I can’t have contributed one of those likes, because this f*cking video was posted last year!!!!!

LAST GODDAMN YEAR!!!!

Do you understand that? Do you - do you have any idea how - just how difficult it is to get that many views that quickly and with that good an engagement???? Do you???????? It has been, get this, seven, seven whole f*cking months, Less time than it takes to make a baby, and this f*cking video has 2,265,900!!! million!!!! views!!!! With a ratio of 214 likes to one goddamn dislike.

oh my god.

oh my god

I’m having a minor mental breakdown. Jesus f*cking H Christ on a goddamn bike.

Look at these comments! Look at how many likes they have!! Oh my god!!!! Draco Malfoy might just be one of the most beloved characters ever to get this sort of reaction, for hell’s sake!

I don’t know what kind of dunderhead you are to not notice how f*cking popular this jackass little b*stard boy is, but god, the whiny little sh*t has more fans than oh, I don’t know. Someone really popular. Tom Holland? I don’t know celebrities. Sorry.

But my point is, for god’s sake, Malfoy isn’t underrated. I don’t know what rock you’ve been living under, my friend, but that sheer idolisation you so crave of your wimpy f*cking husband is right there in front of you! Just search his name, and you’ll see it front and goddamn centre. Those of us that don’t worship the ground he walks on are generally much more background.

For god’s sake, he’s a trope namer.

Draco In Leather Pants.

How much more evidence do you need than that?

Of course, I could be jumping the gun. You could be a fan of his that is frustrated by the fanon interpretation of his character. ‘Why is he reduced to a bad boy with a heart of gold when actually he’s a more complicated asshole with sh*tty morality and no backbone that gives a whole ass damn about his family but not much else?’ Good question! Blame Cassie Claire, though I suppose that’s my go-to for most things.

Seriously though; Draco Malfoy is not even remotely overrated. He’s a whiny, terrible, useless waste of space in the books; and in fandom, he’s transformed into a cool, collected, redeemable or outright good person who’s smart and talented and like, super hot you guys, doesn’t he look cute with Hermione/Harry/Insert Author’s Projected Character Here?!!!!

Also: Y’all are f*cking creeps for this shit:

THAT’S A SCENE FROM WHEN THE KID IS TWELVE, FOR GOD’S SAKE. I’m not even joking, half of you are nonces and I want nothing to do with you! ‘hot draco malfoy edits’ HE’S TWELVE

HE’S TWELVE

HE’S TWELVE.

Hot take time:

Draco Malfoy is overhyped, overrated, and oversexualised and I want all of this to stop, because you’re doing it to Tom Felton, when he was a child. A child! That’s creepy! Please do not make hot edits of children, thank you!!!!!

Someone call the police. I’m done with this f*cking fandom, oh my god.

(Also, if you think I edited that in like some sick weirdo might do, just go find that video and give it a watch. I wouldn’t if I were you, I’d believe me, because watching that video probably puts you on a watchlist somewhere.

It should.)

Okay. Deep breaths. It’s been a few months, this answer was flagged with the wonderfully opaque ‘this answer may need improvement’, and I’m back to refine this. I’m not taking anything out, but I’m adding some extra investigation. For posterity’s sake; the original answer only contained YouTube analysis. Let’s look through Archive Of Our Own, shall we?

As I showed in my answer re: the well-liked-ness of Lilly and Hermione, this is the number of total fics within the HP tag.

This is the number of tags when ‘Draco Malfoy’ is added to the ‘included characters’ filter.

So, in terms of ‘fandom work presence’ (AO3 is mostly fanfic, but it is not all fanfic, there are a few vids and some art on there, too) Malfoy’s ratio is thus:

254603:65469

3.8889… : 1

4 : 1

So, rounding up, for every four works on AO3, there is one that includes Draco dearie. Good lord, he’s pervasive, isn’t he? Can’t turn a corner in the fandom without seeing his pasty ferret face plastered all over the walls… lovely.

Now, once again - that wasn’t the best ratio. I didn’t remove bashing, for example, so not all those works will be positive (as in, since you think he’s underrated, that means - I assume - you think people don’t like him enough) so let’s go the long mile:

I will find a ratio for Mr Malfoy Jr’s fans, versus his haters, in terms of - how many fics bash Malfoy, and how many greatly enjoy his existence?

Add the bashing tag, and now let’s see how many fics there are with a) Draco in it, and b) Draco Bashing:

hahahhahagag;k;asdkf

Oh no!

Oh my god I dodn’t…. one second… give me just one second….

Right. Laughing fit over, okay. 17.

So, 65469 works with Draco present, 17 of which don’t like him overmuch, and 65452 like him just fine/present him as he appears in canon! Awesome. Of course, people who present him as he is in canon may not like him the way you want him to, so, not awesome? Hmm. I’m not sure how to filter for that. I suppose you wouldn’t want people who write him OOC, though, because that’s not rating him properly, is it? Should we add OOC to the bashing, to get people who don’t appreciate his… many positive character traits… to the extent that you would like?

Yes, I think we should.

Now, there’s no tag for ‘OOC Draco Malfoy’, because that would make my life too easy. And, I’m not going through 151 works to figure out which ones have Draco being the one OOC. If they’ve written one person OOC, and they’re self-aware enough to tag it, then I’m going to meanly assume they’ve written Draco OOC as well. When one person’s out of whack, I’ve found everyone else is, too, so I’m not just doing this to be a dick, I promise, it’s for a real, good, understandable reason, one that is not only because I really don’t want to have to do any maths more complicated than basic ratios.

So. 151 OOC works, 17 bashing works. 168 works of not properly appreciated Draco Malfoy, coming up, which takes our 65469 Draco works down to… 65301.

Well, that’s a lot, still.

So, there’s still some tags to remove, like Evil, and Abusive, and all that lark. I’ll go do that quickly, and come back with the maths.

(okay, but I do have to show this:)

(fourteen works in the ‘Evil’ draco tag?? are you serious???)

(oh and you can’t filter by Abusive Draco Malfoy, like that’s not a tag, so I can’t exclude it, but it really adds to the general atmosphere of ‘Draco Malfoy? Yeah he’s cool I like him’ that this fandom has going on, doesn’t it?)

Alright so! We really only could take away those 14 works. Okay.

By the way, just so you know - I didn’t exclude tags like ‘Death Eater Draco Malfoy’ and ‘Bully Draco Malfoy’ (if the latter even exists), because those are things that happen in canon, and when I think of a character as being ‘underrated’ I include not acknowledging their canon actions, the bad and the good. A character is only as good as their complexities run deep.

So.

For the ratio, I guess;

65469 : 151 : 17 : 14

4,676.3571… : 10.7857… : 1.2142… : 1

4,676 : 11 : 1 : 1

…

Hmm.

For every 4 thousand 6 hundred fics Draco appears in, 11 of them have OOC tagged, 1 of them has Draco Bashing tagged, and 1 of them has Evil Draco tagged. That is…

That is unfathomably good. I’m really, genuinely having a hard time picturing it. I really, honestly, don’t think there’s been a character as unquestionably overrated as Draco Malfoy in all of fandom, because, good lord, look at that ratio! People love the guy!

Let’s see the good draco malfoy tag, shall we?

Now, to be fair, most people don’t bother tagging any of this sort of thing, usually, so that’s a minor flaw in my ratio-ing. We can’t actually know exactly how many works laud Malfoy, or hate him, or feel ambivalent, because people don’t tag their shit properly. But I’m hoping this helps, at least a little. Anyway, 905! That’s a few. Not many, but certainly more than Evil or Bashing or even OOC.

65469 : 905 : 151 : 17 : 14

4,676.3571… : 64.6428 : 10.7857… : 1.2142… : 1

4,676 : 65 : 11 : 1 : 1

Yep. That’s not bad, not bad at all.

So. Most people seem to like him, if we’re honest. As I pointed out above, he’s a trope namer. If you didn’t click on the link for Draco In Leather Pants, here’s a brief summary from the TV Tropes page:

[ Transcription:

Sometimes, a fanwork will portray a villainous character in a more positive light. It can be done out of sympathy for the character, for shipping reasons, as a part of a role-reversal story, several of the aforementioned or for the variety of other reasons.

The common subjects of this treatment are characters who are wicked in a classy or cool way. A physically attractive villain is much more likely to be subject to this trope than a physically ugly one; Beauty = Goodness, after all, and shallow as it may be, it seems that, for some fans, this is the case even when the character's beauty only extends to their appearance. All Girls Want Bad Boys may be a factor with male villains getting a female fandom that views them through this lens. A badass villain will naturally be preferred by many of these over meeker heroic characters at times, as well. Ugly Cute villains also get this pretty easily. ]

So! There’s that. He named a trope all about appreciating a character perhaps (usually definitely) more than they deserve, so I wouldn’t call him ‘underrated’ by most general definitions of the word:

People seem to mostly believe him to be quite good, actually! Certainly enough to write about him a lot, to draw him a lot, to edit him a lot, to theorise about him a lot, to ship him with the main character so much that the 99th filter ever on AO3 was Draco Malfoy/Harry Potter.

Hey, actually, that’s a good idea! Which filter id is Draco Malfoy?

Now, if I’m not mistaken, it’s been a while since I had to do this -

Draco Malfoy was the 1589th tag canonised in the tag system of AO3. Let’s check the Draco Malfoy/Harry Potter tag (which I know for certain was 99) to make sure:

And lo and behold, I was right. That’s mad. That’s mad!!!!

Ooh, I’ve found a fun trick

To change which rss feed you’re looking at, copy the https:// link up to .atom in the speech marks, and change the highlighted number. That shows you what uses that tag_ids: - in this case, 93 is Draco himself. The 93rd tag, dedicated to Draco Malfoy. Good lord, that’s insane! I guess there really weren’t many other things to prioritize at the time, but that’s still silly to me.

Fluff and Angst appears to be the fiftieth tag canonised, for comparison. Sometimes when you replace the rss feed’s ‘tag’ in the address bar it takes you to the tag’s page instead of the feed, because that tag doesn’t have an rss feed. The more you know!

Anyway, back on track: I think all of that, rss feeds, youtube analytics, fandom presence, all kind of proves my point:

Draco Malfoy is not underrated. He is, arguably, overrated as a character, but unarguably very popular within the greater Harry Potter fandom. Unpopular characters don’t tend to get paired with the lead, at the very least - and you can’t turn around in the Harry Potter fandom without seeing Drarry somewhere, can you?

#anyway #anti draco malfoy #hp #hp fandom #harry potter #meta #fandom meta #quora #fandom bullshit #long post #sorry mobile users!! very sorry

47 notes · View notes

sonickedtrowel · 3 years

Note

1, 2, 4, 10, 20!!

Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

Oh boy so I’m sure I must have mentioned it at some point but I won’t turn down a chance to ramble about it again: me and @regalpotato are working on a Day of the Doctor rewrite and I’m pretty psyched about it! Basically, Eight is there rather than War (although War does make an appearance!) and also River is there, because Duh, and there are other Things going on that are different from the episode/novel, but that’s spoilers and also still partially cooking in my brain, lol. It’s at 11k-ish right now but still pretty early in the story, too early to probably say what I will love most. But I’m having a ton of fun with it, especially the dialogue, and currently torturing Ten in every way I can think of. You know, lovingly torturing. For the most part.

That is the really big thing I’m excited about, but I do still have two prompts left from a couple weeks back (I didn’t forget you, anons!) and those are milling around in my head too waiting for inspiration to strike. 2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

No secret that I love writing multi-Doctor / River stories, and in fact having somewhat recently finished an 8 and 11 / River fic I will have to be on my toes to not repeat myself too much haha. But I just love getting everyone together and letting them yell at each other for a while - the best honestly - and then later we get Revealing Conversations about Feelings, as well as POV changing chapters. Not to overhype it but! I think it’s gonna be fun! Putting the rest under a cut because I am long-winded lol.

4. Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like)

Hmmm I’ll pick something I like from the WIP that’s all my writing - this is from Night of the Doctor with Eight and Ohila, but it’s diverged from the original script here and iirc pretty much all new dialogue for Eight. I don’t normally write this sort of Doctor speech because I’m usually doing romance, but I can hear Paul McGann righteously shouting/soliloquizing in my head so I’m pretty happy with it: *** “What would you have me do?” the Doctor hissed. “What does your broken prophecy foretell? That I become one more loyal soldier in Gallifrey’s glorious army? I can join this fight and take a thousand lives, die a thousand deaths, and this war will still go on. The universe doesn’t need another soldier!” “Not a soldier,” said the Sister, “a warrior, with the power you’ve refused to wield. You could have destroyed the Daleks before they were even created.” “Yes, I could have done. And I didn’t, because I have no right! Whatever it is you think you can turn me into, Sister, you’ll continue to be disappointed. Because there’s one person who is always needed in a war: a good doctor, willing to help whomever they can. No matter if they’re despised, or called traitor— no matter who they lose or how many times they fail! There will always be more lives to save, and I’ll be there, helping, wherever I can. I only hope I’m strong enough to carry on doing it half as well as another doctor I knew.” ***

(Yes of course we have Liv Chenka references!) 10. How would you describe your writing process? It takes me forever to get ideas, but once I have a sort of general amorphous direction for the story and an emotional starting point for the characters, I just jump in. And then I keep getting shower thoughts about more and more stuff happening and what was supposed to just be some fun fluff starts growing a plot and getting wildly out of hand and this is just my life. I am very much not in control. 20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?) Ohhhh this is such a good question! Definitely going with There is a love I reminisce because there’s a lot going on under the surface in that fic and not all of it stated super explicitly. So um, huge spoilers below if you haven’t read it!

Manhattan and Trenzalore (both times) are essentially retconned, through a combination of River’s innate abilities and Eleven going around the timeline trying to do better after being confronted with his shortcomings in TNOTD. How the Doctor survived Utah is explained and it’s not because he was in a stupid robot. It spawns an implied post-Library reunion with River, Eleven and the Doctor’s oft-referenced and never quantified or named children from Gallifrey. It implies a different resolution to the Hybrid thing and an alternate series 10. And of course it uses BF’s far-superior Ravenous 4 plot twist to preemptively annihilate the timeless children crap, and a combination of Ravenous 4 and Doom Coalition 4 to make River basically a time goddess. But maybe my favorite thing was giving life to this headcanon of mine. IT CANNOT BE REFUTED! They’ve never said ANYTHING specific about his family so it’s free real estate baby!

*** “Yes, sorry to harp on about this, honey, but I think we can discuss the regeneration semantics later,” River cut in. “You’re saying I came back from your future to your distant past and just… stayed?”

“Well… yes, I think so. There were certain things we couldn’t discuss. I had always just assumed that I’d reached the end of my last regeneration and you weren’t too pleased with that, so… You know, describing it now, it does seem very irresponsible. But I don’t recall having any complaints.”

“No, I shouldn’t think you would.” River smiled, but her mind was racing. “How would that even work? Eventually, we’d come back round to when we first met on your end, and what, I wipe myself out of your memories? Selectively, for your entire lifetime? I think you might notice a little thing like that.”

“I suppose you must have had a plan for it, but I can’t remember it now. I just remember the two of us, together through the centuries.” He smiled fondly and River felt like the ache in her chest would strangle her. “I remember our family.”

“Our what?” she cried, as the older Doctor had a sudden choking fit.

“Our family. Our children and…” Dread slowly dawned on the young Doctor’s sweet face. “Oh, please, no,” he whispered. “Don’t tell me they’re… No, this happened! It happened in both versions of my memories!” He looked to his older self, panic-stricken. “Tell me you remember!”

“You had a family,” River soothed, as Babyface stumbled over his own tongue. “It just wasn’t with me.”

“What?” he laughed incredulously. “Who else would it be?”

“Your first wife, sweetie. I’m your second. Well, the second one that counts.”

“No, that’s— I’m sorry, that’s nonsense.” He turned to the older Doctor again. “You can’t tell her, is that it? Because she hasn’t done it yet? I’m sorry, River, maybe I shouldn’t have—”

“No!” Babyface shouted, finally collecting himself. “Yes, we— I had a family, on Gallifrey, before I ever left. River wasn’t there, obviously, because that’s not how anything works!”

“Who, then?” the young Doctor demanded. “Who was your first wife?”

“I— I— she was—” He opened and closed his mouth silently, looking increasingly horrified.

“You don’t like to talk about it,” River explained. “She passed away.”

“Yes, but just between me and myself,” the young Doctor pressed on with an utter absence of tact that made it easier than ever to see this was the same man before her, “who was she? And your children, what were their names?”

River hesitated, watching as the older Doctor wrestled with himself. These were details not even she had ever asked him for. She knew the general outline, of course, and that was enough. It was a hurt so deep and so impossibly ancient, she couldn’t truly imagine how distant it must be for him now. No sense in forcing him to open that door and dwell on it again.

“I, I don’t,” he finally muttered, looking almost fearful, “I don’t talk about it. I don’t think about it.”

“You’ve forgotten them,” the young Doctor said, voice low and furious. “How could you?”

“S-Susan,” Babyface stammered, wide-eyed. “I left Gallifrey with Susan.”

A relieved smile flashed across the young Doctor’s face. “And where did you suppose she came from?”

“No, she… I don’t…” Chair legs scraped abruptly across the tile as the older Doctor bolted up from his seat, white-faced, and stumbled back from the table.

“Doctor?” River stood, her hearts racing.

His eyes met hers for a split second, the strange terror in them sending a chill through her, and then he was gone like a shot.

“Doctor!” She made to chase after him, but his younger version was still clasping her hand.

“He’ll be fine,” he reassured her. “He’s just working it out.”

“Working it out?” she repeated, too stunned to reach out and grasp for the obvious. She turned to him in a daze. He smiled, and for a fleeting moment she fancied she could see the long contentment of a life she’d never dared dream of, etched in each little line on his older, younger face.

“I told you, River.” He laid his other hand over hers, warm and steady. “It was always you.” ***

#thank you so much for these they were great questions!!#i need to like shut up though these are such long answers lollllll #amillionmillionvoices

4 notes · View notes

ayankun · 4 years

Text

real quick before I get into season 6

So this is my second time watching Season 6 and I’m p. excited. This last week or so I’ve been dredging up bits and pieces, but most of it is a blur. It seems the memories that lasted this whole year were mostly of the huge armored truck and the nonbinary character who works at *spoilers*’s tech startup.

I’m curious to see if the second time through it’ll settle in like it belongs. I remember Season 5 really didn’t make any sense to me until I saw it again.

But really I’m just excited that in 11 hours I can watch the new stuff?!

But first, before I forget, here’s my last thoughts on Season 5.

So remember how I was surprised at Season 1′s structure, that it folded up nicely down the middle with some pretty tidy symmetry?

None of the other seasons do that.

Instead, I remember particularly strongly how jarring the end of the Ghost Rider arc was in the middle of Season 4. And then again when the (what I’m calling) Kasius arc also wrapped up mid-season.

I’m not sure when I read about it, but it probably was circa Ghost Rider, that they’d intentionally decided on what I’m pretty sure they called “pods” of episodes, these seasons-within-a-season sort of narratives.

Season 2 sort of kicks it off, what with the race to Terragenesis taking eps 1-10 and the Afterlife/splinter SHIELD stories filling 11-22. Then Season 3 has the monolith/Maveth mystery to start, followed by Hive & the Inhumans for the second half. S4 is super poddy, obviously branded as Ghost Rider/Agents of Hydra, and S5 also splits neatly into future!Lighthouse and present day!Lighthouse.

Two points to make on this:

Kasius is such a rockstar villain that I feel really bad for Hale/Ruby/Talbot. They’re so apples and oranges but having the highlight come first allows for unfavorable comparisons to be made. It’s like asking any well-to-do Kree to compare Xandarian snail to oops all berries.

Good thing they’d had all this practice writing complete stories in 12 eps, since I’m hoping Season 6 (and obvs Season 7) will still feel as fully formed as their longer antecedents.

Anyway, that first point is my major point for S5.

S3 already feels like the second half of S2, and its internal halves are the most similar to each other as any of the other “pods,” so it’s not like people have a reason to go around saying “I liked the first half of the season waaay better than the second.”

(although I might. I might say that, actually. but not because the halves were branded separately from one another)

And S4, though the two halves are barely identifiable as coming from the same show much less the same season, they’re both good. Robbie Reyes is perfect. The effort to incorporate new MCU topics/aesthetic from Doctor Strange is great. Robots who just want to be a real girl is my JAM. All the Framework cameos really make my day! And then Robbie Reyes comes back all deus ex machina (ironic) and saves the day, and

it makes sense that he does because the function and nature of the Darkhold was well established in part 1 and

it’s GREAT that he does because he’s perfect and we miss him.

Then here comes S5. I really really respect so much about the creative decisions that took the story where it went (ie, outside Papa MCU’s sphere of interference), and getting to reuse the same set in a different context while minimizing “on-location” shoots is just technical and financial genius, okay.

But there’s so much about the first half, in the future, that compels me waaaaaaay more than the gritty anger of the second half.

Kasius, WOW what a villain. Dominic Rains, everyone. I have nothing unkind to say about the performance, the character, anything. Impeccable. Spectacular. Perfection.

The mystery of the season opener! We had the tag scene where Coulson’s “in space” and plenty of time to ruminate on the how and why, especially with Guardians of the Galaxy Vol 2 coming out right as S4 ended and Thor: Ragnarok literally sizzling in the theaters at the same time as this season started. They answer the question by the end of the episode, but not before several characters come up with and pursue several different theories, and that’s fun.

What a way to capitalize on the Inhuman storyline your show’s been about for years now, without forcing Papa MCU to contend with all this good work you’ve been doing. Just go somewhere he can’t reach you (the future), and then un-write all of it anyway. V. tidy. Extra style points will be awarded.

LEITMOTIFS. If y’all’ve seen BSG, then you know Bear McCreary is a master of the art. But this season has so many good themes, my friends. The Daisy/Quake theme that’s been knocking around for a season is here in full force, and Sinara’s is the best bad guy theme you could have wanted, and dearest sweetest Flint has the best great guy theme you ever heard.

Just, while we’re here. Sinara. She says nothing for episodes (it feels like, I wasn’t counting) and her first line is a scornfully growled “compassion.” Give it up for Florence Faivre !!! She hardly has any lines but you always know exactly what she’s thinking and what she’s about. Sinara and Kasius have the richest on-screen chemistry of anybody on any show from any era fight me on this I dare you.

Mack’s coming down from his second life in the Framework, and that suuuuucks that these folks never have a moment to rest before barreling into their next story. But he gets to be a father to Flint! And Yo-Yo gets to be a mother!!! UGH why couldn’t they have brought Flint instead of Deke lololol oh well.

I think I know another reason why Lincoln seems overhyped to me. That other Inhuman, Ben I think his name is? He’s in like two episodes, serves a narrative purpose, and is disposed. I know Lincoln’s in like 18 times as many episodes but they have the same exact overall impact on my brain-hole. Imagine if it was Ben that came back with them instead of Deke. That’s how I feel about Lincoln. Like, how did this obviously disposable character make it this far?

Then you have Deke. You love to hate him. He’s a very well-fashioned character who is flawless in making you feel the way the showrunners want you to feel. That’s the kind of character that gets killed off twice and still comes back, and it doesn’t surprise you.

So, Enoch. Enoch is everyone’s favorite character, right? Right. Give me genderless robots with a soft spot for humanity ANY DAY. PLEASE where are they I need them. (I’m un-repressing memories of S6 and I feel like somehow I should be careful what I wish for) Man I remember with 1000% clarity the absolute glee I felt sitting down for the opening montage of S5 the first time, how ballsy weird it was, just watching this freaky bald alien of a man go swimming with some fun electro pop number playing in the background. 100/10 please make more television like this

More monoliths!! The time one is so pretty!

(remember when there were more monoliths and no one knew where they came from or what they did but then it didn’t matter because they got instantly exploded?)

The low-key obvious answers to the season’s questions, what with the Inhumans running all over the shop, Quake there to tear everything down and Flint there to put the pieces back together I’m not crying you’re crying

Oh man, and Simmons getting to mentor not one but two Inhuman youths to be confident and trust in themselves and their powers. What a ways from the fear-panic response to Daisy when she turned.

Also, yeah, it has to be said, this show’s blatant “you’re different and that’s okay” agenda sits very well with me. Agents of SHIELD says LGBTQ+ rights!

So anyway, part 2 falls a little flat for me because its strength is its themes, but I’m not really compelled by the stakes and definitely not by the villains and not really even by the intra-team drama.

Obviously S2 touched on parenthood, but it was pretty specific. S5 digs in and brings us a lot more on the topic.

Kasius desperately desires his father’s approval but very deeply despises the methods and the people who earn it.

Hale was indoctrinated by Hydra and was very earnest in wanting to uphold the values of the organization, until the organization (and Whitehall) shared with her their narrow appreciation of the gift of her loyalty. Even then, she struggles to make sense of this loyalty, only realizing too late that being a good Hydra pawn and a good parent are categorically mutually exclusive.

Ruby, obviously, is like a mini-Kasius, the brave-faced rebel who wears her mother’s disappointment on her sleeve like a badge of honor to pretend that it isn’t crippling her.

The Von Strucker kid, boy is he messed up (and his Hydra dad had something to do with it)

((echos of Ward are still heard even this far after his demise, and we know what his father figures were like))

Poor Talbot, got some brain damage and some Hydra conditioning on top of that, cracked that noggin wide open. He just wanted to do good by his family. Just wanted his son to know he loves him.

Polly and Robin. The daughter who needs constant special care because she’s stuck inside her own mind and the mother who’s been through hell and back and still manages to do her best. Even when she knows she won’t always be there for her daughter. Even when she knows she’ll be replaced.

May getting a glimpse at the life she and Andrew once talked about. Getting a chance to do right by that little girl.

Mack recovering from getting that same glimpse, from the echoing memories of a life time spent with his greatest regret erased. Being roped into being a thug and threatening that dad without knowing the meaning behind his threat -- being told that people like him don’t deserve the privilege of parenthood. But then getting to know Flint, and having Yo-Yo at his side while they fast track this kid through all the things he’s gonna need to know in order to be the Big Damn Hero the world needs him to be.

The timey-wimey promise that FitzSimmons will one day be parents to a brilliant daughter who will unfortunately give birth to a Deke.

Coulson and Daisy. Another parent placing enormous expectations on his daughter, desperate that she be ready for his responsibilities because his time is running out. A daughter who mishandles these expectations and refuses to stop fighting a losing battle, not because she’s not ready to step up, but because she doesn’t want to face the fact that she’s losing the man who raised her.

Anyway, aside from all this good Theme work, part 2 wades perfunctorily through musty remnants of the previous season, from The Doctor to The Russian. Which makes sense, because that season ended in a way that left so many loose threads -- but then this season comes along and summarily ties them up, all cute little bows, the lot of them. Dusts its hands. Nothing to see here. Move along now. Time’s up.

#Agents of Shield #aos

1 note · View note

thenightling · 5 years

Text

Issue 12 of The Dreaming

I finished reading issue 12 of The Dreaming. I think my biggest current problem with The Sandman Universe (other than the first six issues being nothing more than a drawn out Trump and Trump Supporter metaphor turning poor Merv into a racist) is the pacing.

At first it was just House of Whispers, which already disappointed me because I kind of hoped for an old school horror anthology with a New Orleans / Creole flare but instead it was a very slow, drawn-out plot. Issue 11 was finally fun. It took far too long to get there but it finally had the flavor I had been hoping for from the start. Too bad I don’t think it’s going to stick.

Now for The Dreaming. The Dreaming is the keystone of the four (soon to be five) Sandman Universe comics. And it should be the most engaging (I would hope). But instead the first six issues (which are now being sold as a single graphic novel) doesn’t even feel like a complete story. It feels like a build up and then a strange sort of petering out.

Let’s look at the events of the first twelve issues of The The Dreaming as a whole.

Issues 1 through 6 = The Dreaming’s falling apart.

Lucien seems to be going senile and is uncreating Merv’s friends on the steps of the castle (but somehow Merv is implied to be overreacting when this devastates him). Merv has become a racist against the “blank” “Soggies” that are pouring in seeking asylum. These child-like blank slates can be assimilated and made functional members of Dreaming society. (In Si’s efforts to be anti-racist he comes off as shockingly racist. Especially with terms like “Soggies” as not-subtle replacement for “Wetback.”)

Anyway, Merv thinks they’re a threat to his way of life as they are “taking away jobs.” So he unleashes Judge Gallows who is all for rounding up and penning these beings and promises to “make The Dreaming great again.” The metaphors are so ham handed and insulting it practically hurts the brain. It’s like Si Spurrier wanted to punish American Vertigo comics readers for electing Trump even though the majority of us didn’t actually vote for him. We already know how bad Trump is. You don’t need to tell us. We know penning up children is bad too. Most us are already fighting against this bullshit. Whose minds are you trying to change? Most comic book readers already know this stuff is bad.

And when the comic isn’t hammering the point of racism and Trump bad we get Dora. She’s the typical, hard edged, jaded and bitter, (“This is feminist, right?”) protagonist. Dora, who becomes boring within the first four issues, because it’s just everyone going “You’re so strange and different!” and “Gosh, I wish I know your origin!” “You’re not like us!” “I wonder what your big secret is!” It’s like having every character say “You’re special” over and over again to your original character in a fanfiction. Show, don’t tell.

Even this latest issue has the A.I. Wan (Or is it WAN?) yet again tell the readers how different Dora is. How extra super-duper special she is. While still dropping bread crumbs about her “Mysterious past.” It’s been over a year. I don’t care anymore. I barely cared to begin with. This is as overhyped as Marvel’s “This time we may actually tell you why Odinson is no longer worthy” and by the time they finally did, it was so anticlimactic no one cared anymore.

So to summarize:

1 through 6 = The Dreaming is falling apart. Merv is racist. Judge Gallows takes over because Daniel’s missing and Lucien is not seen as competent. And Dora has a super-extra-special secret! And Judge Gallows is dethroned and replaced with an uninteresting A.I. entity known as Wan. (Abel kills Cain to show you how messed up things have gotten) and Lucien is dying (sort of.) Oh, and lots, and lots of filler.

Issue 7 = We finally know why Daniel / Dream (the true ruler of The Dreaming) is missing... more or less. And we learn about Ivy, his love interest, and that she’s the daughter of Rose Walker (Daniel’s great-niece via his status as Dream of The Endless).

Issues 8 through 11 = Pretty much nothing happens other than filler. Lots and lots of filler. Oh, yes, and Dora has a super-extra-special secret!

issue 12 = Dora has a super-extra-special secret! Oh, and this enfeebled old man is a key player in what happened to Daniel and The Dreaming and appears to be having second thoughts about it. More vague build up to probably last a full year of filler and hints that also won’t actually go anywhere, again. Isn’t that swell?

It may SEEM like a lot has happened for some readers but I’m used to plots actually playing out by now. Dracula: The Company of Monsters told an entire, engaging story in just twelve issues. The original Sandman: Preludes and Nocturnes had a LOT more happen and get explained in a mere eight issues while hinting at things yet to be revealed without pounding you in the head with the extra-specialness of the secrets and never once relying on filler, repetition, and padding.

What Simon Spurrier is doing with Dora and the motivations behind what happened to Daniel is akin to if Neil Gaiman had a mention of Nada and the ‘terrible secret of why she’s in Hell” in every issue between Sandman 1 to issue 21, with no Tales in The Sand to explain anything, just a constant “Guess the dark secret!” pounding away at you in every issue. Imagine how bad Sandman would have been if it was written like that.

This issue wasn’t too bad but the pacing is so slow that it’s grinding. When you only get one issue a month you hope for more story, especially when comics are about five dollars a piece now (that’s individual issue price, not graphic novel compilations). Why is it Neil Gaiman was able to pack a well crafted and complex tale with loose threads for more to tell later in a mere eight issues? But here we are in issue 12 of The Dreaming and it’s just barely started, only hinting at the stuff that should have been revealed in the first arc? It’s frustrating.

I remind myself that this IS better than the last version of The Dreaming and at least Matthew the Raven hasn’t been killed off and swapped for a white raven. So... we have that. But this pacing is terrible. In fact if you remove the first six issues of this and replace it with a half-page summary of “The Dreaming is in chaos and an AI has appeared to take the throne” I don’t know if anyone would notice. And that’s not how a good story should be.

#The Sandman Universe #The Dreaming

8 notes · View notes

emptygcds · 5 years

Note

3, 6, and 10!

questions often left unanswered: mun edition !

as a mun, what are three of your biggest flaws when it comes to being someone’s rp partner?

oof, come for me — yass! okay.. one. i can lose muse for threads easily. i don’t lose muse in the connection itself, but unless we’re back n forthing something, it’s easy for me to like.. ask if it’s okay to drop n start something new after a while. most of the time, i can power through but sometimes.. i just need something different. and that’s why i have multiple threads ( some long, some short ) to kinda.. make up for it. i just need some development or my muse goes stagnant. two. my writing voice changes in ways that aren’t always very cohesive. what i mean is like for one reply, i’ll do an excellent job at describing the emotions and depth of the interaction and then other times i just end up with a lot of dialogue and a hint of action, and it’s very shoddy writing but sometimes? that’s all i managed to put out after staring at the reply for hours on end. it’s not the best i can do for my partners so i apologize for it. three. i feel like this is something everyone does, but i go through spurts of activity. like one week, i’m poppin’ replies out left n right and the next i’m.. my brain is absolute mush? so in those instances, i can forget to reply to messages. now i always will reply, i promise. but sometimes it may take a few extra hours, a few extra days — usually not longer than a few days, but i’m not gonna say it’s never taken me a week to get back to someone. but i’m easily drained and u kno.. i gotta recharge before i can get back in full swing.

is there a character that the rest of your fandom adores that you just don’t like/are indifferent to? who is the character and why?

this is gonna sound weird bc i’m such a dick grayson stan, but.. batman. i only pay attention to him when it involves my golden boy, tbh. i think he’s overhyped and i think he’s not shown much development in the many years he’s been, like, the face of dc apart from superman. and in reality some people never change, never see growth, and i understand that. but he lost my interest a long time ago. i understand his importance to dick grayson and i will always be a fan in some way because of that connection, but beyond that? don’t really care to keep up with him. also, not relevant to this question per se, but this ‘new’ version of dick grayson with the amnesia thing, going by ric and disowning his identity as a hero? that whole thing can fuck right off.

what’s something you really hate seeing on your dash that seems to be popular with almost everyone else?

oh, i don’t know if there’s anything in particular that comes to mind? i see a lot of overhype stuff ( star wars, riverdale, marvel, etc. ) but it’s not enough for me to hate it by any means. it’s just kinda something i scroll past most days because it’s not in my particular wheelhouse of interests, ya know? it’s not a big deal. i’m pretty chill with most everything, and i only follow people that i want to be following so it’s not like i don’t know what they’re going to post on the regular lol. if i really hated it and didn’t want to be seeing it, no one is forcing me to.

#benedictionwrites #‹ ask memes ↠ answered. ›#this a novel too adkjahdj sorry!

1 note · View note

seansobsessed-blog · 6 years

Text

Black Panther Review:

// Okay, okay, please don't kill me.

You might not agree, but it is my opinion.

And, please, don't shout me down, just, hear me out.

Okay...

I did NOT like the Black Panther movie.

Woah, WOAH, calm down! Look, it was enjoyable, but it had me leave the theater with a bad taste in my mouth. However, there was a lot of good in the film, but my mind decided to focus on the bad.

If you haven't watched the movie yet, do NOT read ahead! There are possible spoilers, and I do not want to ruin the movie for you, as most people found it a lot better than I. Thank you!

THE HEROES:

The heroes, while interesting, weren't that understandable. I struggled to relate to them, and, while T'Challa was very interesting as a whole, his feelings weren't coherent, or clear, and very hard to follow. Shuri was hilarious (eg: "WHAT ARE THOSE" cringe moment), but her relatable personality very short-lived. It seemed as if the creators couldn't define her character. In the beginning, she was a rebellious, witty character, but she soon turned into a bland, everyday supporting character. The only hero I really understood and loved was Okoye - she struggled with choosing between her duty to the throne and her loyalty to her friends. Sadly, the movie didn't focus much attention on that internal battle, only mentioning it in certain scenes. I would've loved to see more of that!

THE VILLAIN(S):

Don't even get me started on Erik Killmonger - the highlight of the film for me, or, at least, on of them. Unlike the heroes, Killmonger was easy to relate to, not literally, though, but you could see how his path wasn't just "I'm evil 'cause it's cool," instead, he had his reasons. He was a compelling, interesting, and wonderfully-built villain, possibly even reaching the standards of Loki. His opening scene was probably one of my favorites in the movie. Although I wish he wasn't dead, it's probable that he won't be coming back, but we can always be hopeful. Cross those fingers, people! Well, now that I think about it, it wouldn't make sense - Killmonger had, almost, a sliver of redemption at the end, which was a beautiful and powerful scene. However, don't forget about that other villain.

Ulysses Klaue, set up in Age of Ultron, was, in retrospect, boring. However, in Black Panther, his character was almost completely changed, and, although I loved the change, it was almost impossible to ignore. In Age of Ultron, Klaue cracked only one or two jokes (when not in danger) and seemed to be an overall "normal," bland character, but, in Black Panther, he cracked thousands of jokes while in danger and in custody, almost as if crazy, which he probably was. I want to be happy about it, because it suits him so perfectly, but the turnaround of his personality was, as I said before, almost impossible to ignore. Also, I mourned his death, for he was such a great villain, at least, in the Black Panther (NOT AGE OF ULTRON), and wished he had stayed alive for future films, but his death was necessary for the flight of Erik Killmonger's master plan.

SPECIAL EFFECTS/STUNTS:

One word - wonderful. Black Panther was visually stunning, and it brought justice to the Wakanda we all imagined. Also, it stayed true to the stunts used by Black Panther in Captain America: Civil War, although I would rather've had more continuity with characters and their buildups than stunts.

OPENING SCENES:

To start this off, I hate narration. While visually stunning, it made me feel like Thor: the Dark World all over again. The narration wouldn't have been any different, but I would've loved to seen it with T'Chaka teaching a young T'Challa about Wakanda's history, or even T'Challa teaching a young child/group of children. However, just starting off with the special effects gave me a sense of "bleh."

Another opening scene took place in Los Angeles, California, was brilliant in the unexpectedness and storyline. However, it took away the surprise that the man T'Chaka killed was his brother, which they should've left out until later.

The opening scene for T'Challa was perfect - it showed the after-affects of T'Chaka's death on, not only Wakanda, but T'Challa himself, and also gave a little excerpt of how clueless the outside world was of Wakanda's true nature. Also, in the fight, it showcased T'Challa's skill set and had some subtle humor, such as the joke about "freezing" when seeing Nakia - we all feel it, T'Challa, don't even worry about it, dude.

And, last, but DEFINITELY not the least, was Erik Killmonger's opening scene. He was perfectly set up as a crafty, clever, and interesting villain, especially with the surprise of Ulysses Klaue teaming up with Killmonger - I didn't expect to see him in the movie!

THE PLOT:

The plot was very interesting, but do you know what took away from it? Too long of an introduction. There wasn't much of the actual conflict of the movie, so it seemed choppy, almost like Age of Ultron or Thor: the Dark World. Black Panther was MUCH better than these, don't get me wrong, but it took certain bad elements from these.

THE TRAILER:

The trailer, for me, was misleading. For example, the music used was not for specific purposes, like in Guardians of the Galaxy Vol. 2, "Deep inside of me," but for pleasure. However, I misused these lyrics, such as "The revolution is live," which made me think that Killmonger was going to build an army and rebel against T'Challa. It may be my fault for the misinterpretation, but I hope you can see why I did.

CLOSING SCENES:

The end of Killmonger was one of the best and simplest scenes in the movie. It ended the villain nicely, but I met it with discontent, like many others. We loved the scene, but wished he hadn't died so that we could have him be as long-lasting as Loki did. He could've been such a great addition to the rest of the MCU, but don't be sad yet! Death doesn't usually mean anything for heroes, so... Fingers crossed? Although, like I said before, it wouldn't make sense after his small sliver of redemption.

THE MORAL:

What is the moral of the movie? Is it like Thor: Ragnarok, where the past comes back to haunt you (in the form of Erik Killmonger), is it loyalty, or is it the responsibility to know when to and when not to use power? There must always be ONE moral to a story, or, at least, morals that don't contradict the others. All three were great lessons, but they overlap and confuse the other ones.

END CREDITS SCENES:

The first end credits scene was a little bland, but had a nice touch of "what did he say?!" However, he already used it at the end of the actual film, so it seemed a little repetitive,

The second end credits scene was bringing out the fangirl in me! So, Bucky's not in cryofreeze anymore, and I'm guessing Shuri, or White Wolf, is helping him "heal" his broken-ish mind. This was a great surprise, and I was glad to be right about a second end credits scene, for my mother was doubtful. She owes me five bucks.

CONCLUSION:

Black Panther wasn't the worst movie ever, but it wasn't the best, either. It had a mix of good and bad, and, while good may have come out on top for the critics and rest of the audience, I left the theater disappointed. Unlike other MCU films, I was not overhyped, so that is not an excuse. However, it might be because I have such a high standard for these movies, so I noticed more bad than good. Despite that, I must be fair and take in other accounts, so, instead of giving Black Panther a 6/10, one being the worst and ten being the best, I give Black Panther a...

7/10

Be mindful, this is just my opinion, not fact. However, I have supporting facts that I viewed, and I am open to debate in the comments. What is not accepted is shouting me down and saying things like "How could you be so idiotic?" If you say anything like that, I will respond with a simple "Fuck off." Like I said, I am open to a respectful debate in the comments, or you can just give your opinion without debate.

Let me know what score you would've given Black Panther and tell me why! Thanks, everyone, and should I do more reviews like this? Please inform me!

#black panther #marvel #mcu #movie review #marvel movies #debate

8 notes · View notes

knightofbalance-13 · 7 years

Text

http://dudeblade.tumblr.com/post/166151533694/some-of-my-personal-thoughts

Kudos to anyone who can hype themselves up for volume 5, because after how much of a letdown volume 4 was for me, I donâ€™t want to risk myself getting disappointed. It made me get angry at aâ€¦ certain part in volume 4, and overhyping myself probably isnâ€™t going to be good for my health.

I don’t buy this for a fucking second: All you’ve done is lie and ignore facts just so you can claim to be disappointed and shove your agenda down people’s throats. You want to be disappointed so you can berate the show and as you have shown, you’ll do anything to keep up that narrative.

In all honesty, you should just go to one of the other toxic fandoms like Voltron or Steven Universe: At least the people there know not to take your ass seriously.

Look, these guys have made a name for themselves. As much as people would like to think that Roosterteeth is this massive company, theyâ€™re still just an indie company with a (relatively) small amount of people, and not a whole lot of effort going to the right places.

And yet you set up standards that not even big budget shows with large groups of people and massive companies backing them could live up to and when someone calls you out, you throw a hissy fit. Remember when I pointed out that RWBY was doing just as well as shows like Korra and such despite the numerous disadvantages the show has? You threw a hissy fit and lied throughout the whole thing. And yet you think I’ll take this seriously? The way I see it: you’re starting to get it through your fucking skull that your voice is not only a part of a vocal minority that is growing more despised everyday but said voice is being exposed in their bullshit and their credibility is tanking.

Boo fucking hoo.

Red vs. Blue was their first project. They told so much with so little. They didnâ€™t have famous voice actors or fancy fight animations, they just did it in a Halo engine. I explain this because, if it hadnâ€™t been for this, they would never be as big as it is now.

You talk as though RT only got famous off the work of another. Red Vs. Blue succeeded because it was funny and endearing and is still followed and loved to this day due to years of fantastic comedic timing and writing. And if I may point out: The only redeeming factor about RWBY was it’s action scenes in the first Volume. It only survived because of the action scenes which gave them enough time to develop and grow.

Nobody wants to see the same repetitiveness that is coming out of their (relatively) new flagship show. Itâ€™s starting to get a bit repetitive. Establishing character moments for characters that have already been established, introducing characters when we already have enough characters who donâ€™t have enough development. How long until even the most dedicated fan gets tired of the same old â€œJust wait! Youâ€™ll get your LGBT+ Representation. Trust us!â€ and joins the overly critical part of the rwde tag (Which is basically just the crtq tag to be honest (HEY-YO!))?

Never happened. Characters were never reintroduced that way. Seriously, name one instance.

While I might agree with that: The RWDE tag has proven time and time again they don’t know what the concept of a “one off” character is. Characters like CFVY, NDGO, SSN and so on have been cited as characters without development when they were never meant to be developed at all.

And what do you say about fans who have stuck this long? Weiss rose? hawkeyedflame? They are all examples of long term fans that go against you rnarrative. What does that say when the few who do leave do so for petty reasons like the setting changed, the show got darker or that a character died?

Gee, I don’t remember the last time anyone using the crtq tag sucide baited someone. Or lied, Or misinformed. Or attacked the creators. Or attacked someone for having a different opinion. Or showing a lack of human decency. guess you couldn’t stand there being a better version of you out there huh?

How much longer can this keep happening? Itâ€™s starting to feel as if they donâ€™t want to plan ahead. The recent Yang Trailer fiasco being enough proof. They could have had done all the trailers a month ahead of time so that we could have time to let it sink in, and talk about it and stuff. But instead, weâ€™re jumping right into it, then getting the official Volume 5 trailer right after. This scheduling thing is starting to become a bit of an issue here. They seem to write things without thinking ahead of how this would play out.

What fiasco? The trailer isn’t even out yet and mind you, the ORIGINAL trailers were spaced the same way. SO if you had no problems then, you should have no problems now.

And considering the RWDE tag talks about shit like the “asset stealing” and Shane’s Letter like their hotcakes: you don’t care about that kind of discussion. And considering it takes the average trailer a day to be dissected and reviewed by everyone: Its life span isn’t as long as you claim it to be.

â€œHey! How should we write this scene here?â€

â€œThe one where Blake is about to open up to her parents?â€

â€œYeah, actually, we didnâ€™t have the time yesterday to write what she was going to say, can we have Sun interrupt her instead?â€

â€œSure, I guess. What should it be for? Important information? The White Fang are there, maybe he saw something-â€

â€œNo. Just have him use some excuse because heâ€™s eavesdropping. We have this hilarious joke planned out where Blakeâ€™s sister-â€

â€œMother.â€

â€œ-Whatever, does the exact same thing. Itâ€™ll be funny!â€

â€œWait, you had the time to plan that, but not the time to figure out what Blake is going to say to her father? Why not ask Arryn? She knows Blake inside and out. Maybe she has some suggestions.â€

â€œWhat? And have her cut into my-â€

â€œOur.â€

â€œMY writing pay? HA! No thank you!â€

â€œAlright man. Youâ€™re the head writer.â€

â€œYeah. Yeah I am.â€

One Week Laterâ€¦

â€œOkay, so how about we have Sun try to explain that he had valuable information about the White Fang-â€

*THUNK!*

â€œWhy do you have your head on your desk right now?â€

Except if you look at what Blake said in EPisode 11, you’d know from the context of both conversations that what Blake said to Sun about leaving her team because she didn’t want to hurt them (You know, the question ghira asked) I her answer. And if ypu paid any attention to anything that isn’t a white male for you to screech at, you'd notice that Ghira and Kali have the EXACT same relationship as Blake and Sun does: Ghira being the serious, driven but socialy awkward one and Kali being the easy going, joking, social adapted one. Thus that joke is to show their paralells. If you were as critical as you say, you’d notice it. I did the very instant it happened, why can’t you?

I hope you liked my sketch of how I personally think that whole discussion went down. I had fun writing it.

And I had fun using it to show you have nno critical skills whatsoever. Keep going, you’re just proving me right. I would have also said: “Probably the same way a political party slanders it’s opponent like a group of immature children.”

And speaking of fun, I think that the writers arenâ€™t having any of it. I think they need some new blood in the writing room, and maybe get some women into their female-centered show or maybe some people who arenâ€™t white to help better portray their entire fictional race that acts as a stand-in for ALL RACIAL MINORITIES. - Iâ€™m still bitter about that if you couldnâ€™t tell.Â

Does that mean that Steven universe should kick off Rebecca Suagr because Steven is a male?

Or that their shouldn’t be a single male writer for MLP?

Or that characters like Tex and Carolina should have never been made because RvB is male centered?

Or that Monty, a man, shouldn’t have made a female centered show at all?

See, when you automatically assume that only women can write women and vice versa, not only do you limit what a creator do as well as spit on RWBY’s message of freedom of expression but it also implies you think that women and men are entirely different and that they can’t share any personality traits or experiences or anything the other gender. Which is basically the definition of sexism: Same thing goes with the race thing. And funniest thing is: Both women and racial minorities disagree with you so you exposed yourself as a racist and a sexist for nothing.

How much longer can the fanbase be baited for the representation that they outright promised several times? I mean, have you seen the notes section of this post for their Q&A? Thereâ€™s a split between the people who are (rightfully) pointing out that they said this last time, and still havenâ€™t delivered, and others who are basically saying â€œThey said â€˜yes.â€™ Now shut up!â€ How much longer can they keep this up? How much longer until even their most die-hard fans start to question them on their ability to write a character in the LGBT+ community? At this rate, I donâ€™t think it can last for very long.

So the side that ahs attacked them numerous times while demanding they make a Mary Sue while demanding it e clevery written is better than the side that respects the creators wishes and treats the as human beings? Because considering you have used LGBT people despite not being LGBT: You shouldn’t be one to talk.

And there you go again, putting yourself. You do seriously think that every LGBT person who watches RWBY watches it for an LGBT character and not the animaton, the music, the characters and their personalities, the plot or the world? Because if you do (and considering your history, you do): You think every LGBT person thinks the same way, acts the same way and wants the same thing. That’s homophobia you idiot. Congrats on seeing nothing but their sexuality and disrespecting their individuality.

Look, these guys seriously need to either get their act together, or someone needs to create some competition major for them. Itâ€™s getting obvious that they can be lazy with how theyâ€™re scheduling things because thereâ€™s no other American-Made Anime around to compete with them. If someone can create a show that can compete with RWBY for a Streamy, then they would be forced to improve and take harder criticisms.

Except that even in Japan, RWBY is booming even with conpetitors like My hero Academia, a Shounen anime written by a guy taught by the writer of One Piece, and Dragon ball Super, the successor to the anime that BIRTHED SHounen as we know it. It has been acknowledged by the creator of Blazblue of all people And that’s all with an admitted shotty translation. So what’s your excuse for that?

And by harsher criticism, you mean your personal opinions you want to force on the CRWBY. Because not once have you made a critique that wasn’t riddled with misinformation, edited parts and even outright lying all while even admitting you have a personal bias. You don’t care about RWBY: You just want to control.

Itâ€™ll be a win for everyone. Rwde will finally tone it down a notch because their voices are being heard and taken into bigger consideration, anti-rwde will calm down due to initial rwdeâ€™s calmness, fans will see improvement, and the actual show will improve. The show has to improve. Because if all itâ€™s going to do is introduce new characters to avoid giving development to ones that need it (Sage and Scarlet), then those characters may as well just be killed offâ€¦ I hope to every single God that I didnâ€™t just give them an idea.

Except RWDE doesn’t deserve to have their voices heard. You’ve all done irredeemable shit to the point I salivate at the thought of the LGBT character being introduced so I can indulge in my sadism. You’ve all shown a disturbing lack of human decency and respect to the point you think it okay to suicide bait people and use the dead for your own purposes. You lost the right to have your voices heard a long time ago: to the point you’re finally understanding youll never be heard so you pull this bullshit to manipulate people into hearing.

Well, let me say: You could start apologizing right now and continue until the end of Volume 9 and you wouldn’t be forgiven so nice fucking try.

#rw/de bullshit #dudeblade

3 notes · View notes