Okay! I saw it! Let's talk about it!
AHHHH! It was so good! It was ALMOST everything I wanted. There were a couple moments I felt like Bones was trying to minimize the gravity of this apology. Specifically, the lack of transition of Izuku's eyes.
When Katsuki first confronts Izuku, and starts at the beginning of their story (them being shown as young children) Izuku's eyes are completely void.
As Izuku begins to realize what's happening (when they reach their middle school timeline) we see his eyes coming back.
By their high school timeline he looks stunned and his eyes are lightening and becoming wider.
As he hears his name, his eyes have come back entirely.
By the end, his eyes are clear, present, his pupils are blown wide and light has finally returned them.
In the manga Horikoshi very intentionally shows Izuku's eyes becoming lighter and more present with every line that Katsuki says. Almost as if, Katsuki is slowly bringing Izuku back to life. Bones opted to leave those details out and that super sucks. This scene is so beautiful and powerful because even though it is BAKUGO'S moment, it's HIS apology that he's been agonizing over for months, it's still equally about both of them. It's still their give and take. It's so /them/ meeting each other where they're at, no matter what, and filling a role for each other that no one else could possibly fill. And by removing Izuku's part in that, you miss the full impact.
BUT it would be wrong of me not to acknowledge all the wonderful things Bones DID do in the episode. The rest of the animation was genuinely stunning. And Okamoto did an amazing job of bringing Katsuki's words to life. He made him so soft and I will forever be grateful for his portrayal. At first I was a bit upset he didn't do the pause indicated in the manga before saying Izuku's name but honestly...I like the change. I like that Katsuki says "Izuku" so confidently and without reserve. Because he knows he can. And he knows Izuku will accept it despite the fact that he probably shouldn't. It was a very nice change.
I loved that we got more shojo glow throughout, I also loved how they handled Katsuki's catch scene and Izuku finally feeling safe enough to sleep. That wasn't in the manga people! The catch was, yes, but NOT the panning in on Izuku's face as he relaxes into Katsuki's arms and falling asleep! That was a nice bonus touch that [not completely] helps balance out the loss of the eyes animation.
Overall, the handling of chapter 322 was done with a care I can appreciate. I can't wait to see how they handle our boys next big scene. 💚🧡
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yea yea, i'm an absolute believer in the fact that spawn astarion indulges in some kinky stuff and having the freedom to choose sends him on a bit of a sexual exploration journey
but also have you considered him having moments that are so soft, so gentle? when he's losing himself in the warmth and the endless kisses? when he can shut his mind off and just allow the physical sensations, the touch to guide him? there's not a single hint of worry, no anxiety trailing behind his thoughts. it just feels natural, it feels good. he can close his eyes, truly relax and allow all of that to engulf him. completely lose himself in his lover's body.
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I was rereading second half of DN this weekend and I swear to god I can't believe anime just skipped this particular plot.
Bc a) Mello has more active part in story and actually had his own way of using Near b) those two kinda cooperating is sexy as hell c) more Mogi bc Mogi is amazing
(I really like the Polish translation of this moment "He is manipulated but not necessarily with he notebook" which imho has slightly different connotations)
Also, this fucker doing this I love him so much the little bastard
And this
(also Near and Light just hating each other so much is so so entertaining, like honestly their dynamic is 👌)
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