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#I love you DOLL!
onlinegameaddicts · 2 years
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.. so i updated my refs for four of my pokepasta designs!! they’re meant to be blake(snow on mt silver), gold/…(lost silver), kris(i love you,DOLL!) and glitchy(glitchy red)!! extra hcs down here
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j0ur3nys-3nd · 1 year
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tooquirkytolose · 19 days
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~The Most Beautiful Woman in The World~
Download on itch.io for extra content!
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spookberry · 8 months
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The monster high couple ever imo
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providnce · 2 months
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Drive-Away Dolls (2024) — dir. Ethan Coen
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mblue-art · 3 months
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BAD SANSUARY // [29] glow for owl-bones's event !
pov u attacked the little error doll he gave u w/ sooo many smoochies and he felt all of it
alt. vers. under the cut !
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MARELLA'S 12TH TUMBLR ANNIVERSARY CELEBRATION @rachelsennot requested: Russian Doll or Poker Face
Hey, man. Didn't you get the news? We're about to die. It doesn't matter. I die all the time. Me too.
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burnorgetburned · 8 months
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EVEN MORE CLARA DOLL DETAILS:
So you know how the Dolls have their own distinctive clothes?
Guess who else has their own distinctive clothes!
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That’s right. The multiple Homuras are actually Clara Dolls.
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And that’s why ‘Homura’ is smiling.
Here they are! The one with the striped hat is Nekura (Gloominess or Pessimism) and the one with the flower is Mie (Vanity).
Here’s their descriptions from the art book.
[The second one to come was Gloominess. Walking out with a tapping sound, she sneered at Good-for-Nothing. “This is Good-for-Nothing! How very unbecoming.” These dolls are only disciples of Freedom, and are devoted to their lust for it.]
[The tenth to come running is Vanity. She exaggeratedly avoids Good-for-Nothing's head and says a few words. “I wouldn't be able to bear dirtying my cape with that sticky blood!” These dolls make fun of the witch's self-mutilation.]
Good-for-Nothing is Homura, by the way, but the Clara Dolls seem to consider Good-for-Nothing to be good for something after all after she splits Madoka. She turns into the Devil, and the Clara Dolls are stated to be “okay” with the Devil. If the young voices in the trailer belong to the Clara Dolls, then they also call her “Akuma-sama” now. Something like Mistress Devil, implying a sense of respect.
[… if they are not summoned, they will simmer. There are orders they will comply with, and also orders they will disobey. What they are and the witch herself's own magic are not well understood.]
At the end of Rebellion, Homura gave Madoka her ribbon back. She declared that they might become enemies in the end. Honestly, I thought that Homura would try her best to avoid Madoka entirely. The trailer suggested that Homura was meeting Madoka, though. Here’s the answer: it wasn’t Homura herself, but Gloominess, who wants freedom.
Now, I’m not sure how this situation works out. Do Clara Dolls have free will? Are they obeying Homura’s orders? Acting out Homura’s true emotions? Is Homura perhaps directly puppeteering them in order to fulfill her goals, or do they act on their own?
I find it likely that it’s a mix of both: some of them obey her, and some of them will try and fulfill her (probably very conflicting) desires, as familiars usually do. Gloominess is likely part of Homura who wants the freedom to talk to Madoka, for example, but Vanity seems to me like a Clara Doll who is obeying Homura. After all, she still needs magical girls to fight wraiths, at least until she finds a way to wipe them out.
[I'm Vanity (Mie). I'm pushing myself to the limit for someone.] And she is, of course. All of the theatrics, the calls, the organization of magical girls. These are things that Vanity is shown to engage in. All of this is for Madoka.
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We see with Gloominess, at least, that she seems to be fulfilling a specific desire: in the background are white spider lilies. Instead of the red spider lilies that mean death, final goodbyes, and lost love, white spider lilies mean a hope for the future and a fresh start. Maybe this really is the first meeting for these two in a while, and she wants to be friends again?
Or maybe, being Gloominess, she wants to warn her about something.
[I'm Gloominess (Nekura). Forcing smiles tires me out.]
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Then there’s this Homura.
Nothing about her clothes is very different. She is wearing ribbons as Homura in the wraith universe does, but look closely: the ribbons are different. They have some wavy stripes on them, while Madoka’s ribbons are plain. She does not correspond to any known Clara Doll.
However, there’s mentioned to be a fifteenth Clara Doll that is not yet born: Ai, representing love. This could be her. Is it love for others? Or love for herself? I’m hoping it’s the latter, but very likely it’s love for Madoka and her friends. This would explain why she’s trying to fight Homucifer in the poster, as Homura believes that she’s a danger to everyone else.
How can this be? Well, here’s a few options:
- The Clara Dolls are grown-up familiars. They ate souls, and they became a copy of their witch. This is a process that was explained to us in the original series, where some magical girls are stated to farm familiars by letting them eat people so that they would grow souls/grief seeds.
- The Clara Dolls are not familiars, or wraiths, but instead a secret third thing. “What they are and the witch’s own magic are not well understood”, as said in the Rebellion art book. They could be magical constructs of a different kind, but I do think that this would get into overcomplicated explanations quickly, so I favor the familiar explanation.
- The Clara Dolls could be familiars, but instead of eating souls they’re simply powerful enough to change their shape. Their strength is equal to the strength of a magical girl…. when Homura was a witch, before Homura became something more. It could also be energy from the contracts making them stronger. Maybe it’s me being sentimental, but I don’t like the idea of Homura letting anyone’s soul be nommed on.
Now, before there’s a panic about how they’ll juggle fifteen extra characters, here’s a few thoughts:
- Just because they seem different doesn’t mean they’re actually different. It might be that the Clara Dolls are a way for Homura to present herself. As Vanity, she might show off more, or have dramatic flourishes like her throne and her dress. As Gloominess, it might be that she doesn’t believe that her plans will work, so she tries to do what makes her happy. It’s likely that the Clara Dolls are just extra ways to explore Homura’s character. They’re parts of her soul, after all, and right now she is extremely powerful. She might simply want to keep her true self away from humans.
- They could work like projections. Homura wants more bodies to work with, but she has to filter herself through the Dolls’ personalities. This could result in a lot of juicy character interactions, as the things she tries to keep hidden are closer to the surface.
- Will ‘Ai/Mystery Homura’ fight against Devil Homura? Very likely! How can this be when they’re the same person? Well, who hates Homura more than Homura? That’s right. Nobody. Anyone can fight and argue with their self, it’s just usually not on the level that a reality-warper like Homura can manage.
If this is true, there’s plenty of interesting directions they can take it.
- Because the Clara Dolls have a degree of separation from Homura, they can show other characters things that Homura herself has ignored or locked away. Bad memories, affection for her friends, the resentment she must feel - everything from concern to a cry for help can be plausibly shown through them as the actors.
- Manuke (Stupidity) is specifically more naive/sincere than the others. Maybe interacting with this Doll would show the Quintet that there’s something more going on than a Devil who wants to hurt other people.
- If Ai represents a love for other people, Ai can have a strange character arc where she learns to value Homura/herself, and become self-love.
- On the other hand, Ai can represent self-love from the start, and because Homura looks very fucking unhealthy in the trailer, she only wants to stop her because she’s hurting herself. This option plays into the themes of self-sacrifice and happiness, which I believe to be some of the major themes that they’re going for.
- The poster could be misleading and Ai ends up fighting everyone but Homura. I find this the funniest option.
- Homura can hug herself. It’s possible. In fact, every character can hug Homura 15 different times.
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Smiles are a Clara Doll’s default expression. We have yet to see Homura smile for real.
Is this going to get very ambiguous and confusing? Probably. But rewatching for details was the fun part in Rebellion, so I’m looking forward to it!
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rendevok · 1 year
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The sensation of waking up next to you ❤️💙
+bonus doodle:
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…and they mimir’d happily ever after the end. ❤️
(ID under cut!)
Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.
Page 2
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.
Page 3
On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.
The sun shines through the blinds of the window.
Phoenix finally notices his observer, and turns to look at him.
Page 4
Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.
Page 5
They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.
They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.
Page 6
Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.
Bonus image
A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.
End ID.]
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the-lost-kid · 5 months
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heart. lungs. liver. nerves.
heart. lungs. liver. nerves.
heart. lungs. liver. nerves.
heart. lungs. liver. nerves.
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prettywcry · 12 days
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nimpnawakproduction · 7 months
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The ultimate reference sheets for all of Vash's outfits in Trigun maximum (with commentaries)
IT IS DONE. I'M FREE. Now I can forget all about Trimax and draw Trigun stampede designs only hahaha (just kidding I have things for Trimax on the stove).
Trigun bookclub was an awesome initiative, I loved the manga with my all heart and wanted to honor Nightow's designs ;w; I also wanted to help my fellow artists with references for Vash's clothes because DEAR GOD it's difficult to understand how the hell he dresses himself in the morning. I have a lot of fun dressing and undressing him like a barbie doll. My hyperfixation is completely healthy.
I put a "read more" section to avoid spoilers :) !
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The July coat
The very first coat in Trigun chronology and the one he wores during the destruction of July ! There is not a lot of panels to take references but I tried to stay as close as possible to the manga. I don't know what number of prosthesis he had before but let name this one Prosthesis 1.
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Scars map
Next, nakey Vash ! There's A LOT of changes between one panel to another. Scars changes places and forms panel to panel and the design evolved from the first chapters of Trigun, the time we see him naked as Eriks and his undressed state while he was a prisoner on the Ark. I drew the scars that appeared more than once or were in clean view in a panel (but really you can do like Nightow and draw as many scars as you want without thinking about consistency, this boy has been in a meat grinder)
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After July underclothes
Or the jumpsuit that gave me grey hair. His suit does not make ANY sense, I don't know how the hell he dresses himself in the morning with this. My solution is that it's very long gloves and chaps strapped to a belt. The position and shapes of the belts changes IN EVERY PANEL. Same for his knee guards, sometimes they're here, sometime they cover his shins, sometimes they are tiny..... I gave up in the end and draw them as we see them in the very last panel he wears this suit. But damn he looks good in it.
Also in all of the 13 volumes, there is not a single panel with a clear view of his holster (I checked...) so here is my interpretation.
This is prosthesis n°2, the design is a little different from the first one so I guess Prosthesis 1 got destroyed (this happens a lot).
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After July coat
The very first Trigun coat he wears in the manga ! Very simple, very basic, it gives him impossibly wide shoulders but Vash deserves it. The first one is worn Post July until Vash's confrontation against Brilliant Dynamite Neon. The second one is the state of his coat after the sandsteamer incident. He loses his prothesis after his fight against Monev the gale. He meets Wolfwood with only one arm and stays that way while he fights Knives for the first time.
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Eriks
I took liberties with colors because there's no colored panels with Vash as Eriks. Yes I drew him without suspenders because he has them for like 5 panels and then Nightow drew him without them for the rest of Eriks arc so I made choices ;w;
I love the fact that Vash choose to wear tight jeans even in his casual outfits, this boy will not let his skin breath. This is now Prosthesis 3 ! It's way less advanced than the ones he wore in the rest of the manga, the other ones seem to replicate skin.
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After his years as Eriks
And now the first Maximum coat, he wears it until the famous Yuri hospital arc! Finally an undersuit that makes sense, I love it, too bad Nightow-san decided that I had to suffer and changed it again to add BELTS EVERYWHERE. We only see his legs in this part of the manga so I gave him the same top because I can.
The tubes he has on his waist are filled with bullets, he can connect them to his prosthesis to have a mini machine gun.
We are now at Prosthesis 4 !
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Hospitalization on the Home ship
The famous Yuri hospital phase! Vash definitely shared his wardrobe with Wolfwood, you can't tell me otherwise.
The first outfit still shows Prothesis 4 but he keeps it for like 5 minutes and lost it again against Nine-lives. I don't really know if the prothesis comes with the integrated glove or if there's synthetic skin under it but why would he keep the glove on if it's not intergrated?
The second pictures is the different outfits he wears during his convalescence. I took liberties with the colors, I drew this in like 10 minutes, everything seems easy when you don't have to draw BELTS. We are now on Prothesis 5 ! Nightow drew it as a regular arm so I guess Vash wears gloves on top of it??????
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Back on the road in pursuit of Knives
He wears this one after his stay at Home, throughout the Dragon's nest ark and until his 2nd fight against Knives.
I liked the design of his jumpsuit until I looked closer at the panels and saw that the design change ON EVERY ONE OF THEM. Knee guard on only one knee? No kneeguards? Two??? WHO KNOWS ??? I tried to make it work but really go wild with this one, even the author does not know how his pant looks.
Still prosthesis 5, BUT UNTIL WHEN?
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Prisoner on the Ark
THEY MASSACRED MY BOY. Did they even feed him at least in 7 months? Those pictures are the definition of the drenched kitty cat left under the rain. Give this man a blanket and a therapist.
Bye bye Prothesis 5 ! And see what I mean when I say that his outfit does not make sense????? It comes out in parts????
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After his imprisonment on the Ark
The last suit in the manga! He keeps this coat until the end of the story. From this point, only his hair changes (or the color of his coat).
I adore the little angel wing symbol on his left arm, such a cute addition. Too bad it appears in one of the most traumatic event of his life.
Speaking of his jumpsuit...The return of belts.... But at least this outfit stays relatively coherent except for his kneeguards who appear and disappear panel from panel but most of the time he doesn't have any, so no kneeguard it is. Prosthesis 6 hello !
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Final battle and end of the story
It hurted to drew those outfits ;w; And working on the design of his coat when he fights Legato made me realize where Orange studio took inspiration to chose the colors for Vash's coat in the final episode of Stampede ! Great job ! I tried to color the same effects as one of the illustrations showing dark Vash but I'm not really good with colors..... He actually radiates energy but with some purple undertones, I took some liberties because those are my drawings I do what I want.
I'm not sure at 100% that he has a tuft of blond hair left when his outfit turns black but his hair is all black at the end of the fight. His prosthesis is destroyed at the end of the fight. He got another one in the final chapter. So 7 prosthesis throughout the story!
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carnivorousyandeere · 4 months
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Yanderes who seem like Kuuderes on the surface… a calm, steady demeanor that draws you in with the false promise of safety and stability… or perhaps their demeanor is more like an icy lake. A cold and impassive façade more delicate than you realize— one wrong move and you’ll break right through, falling into the depths below.
You could be with them for years before you realize how deep and bloody their affection for you truly is. Imagine being years-deep into a happy, ‘healthy’ relationship only to discover videos of you from years before the two of you actually met on an old usb drive, or your spouse’s hidden murder basement…
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milkywayes · 8 months
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something right
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puppyeared · 1 day
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updated xin ref
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sentientcave · 10 days
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Retirement Party
Price has retired from Military life, and he's not handling the change well. But on the one year anniversary of him hanging it up, his boys bring him something special to help keep him busy. You.
Chapter Two - An Understanding
< Prev Chapter -
Contains: No Y/N, Kidnapping, Forcible relocation, Generally creepy behaviour, Alcohol mention, Smoking mention (Tobacco), I guess this might count as human trafficking?, Dubcon everything because Reader is terrified (non-sexual), plus-sized reader, fem/afab reader, There is something fucking wrong with these guys for real, More reader details given, but we're still pretty vague about it. Even though it is hard for me. No promises for future chapters though.
~3.8k - MDNI - Dark fic! Please mind the content warning above
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The captain looks at you for a long moment, dark blue eyes wide with surprise as he takes you in. You have to admit that he’s handsome, dark brown hair and well-groomed facial hair (muttonchops, no less) flecked with silver, and a nice nose that skews to the large side. It gives him a friendly, approachable demeanour, despite the weight of his stare. His heavy attention shifts from you to the other three, and his expression turns serious. “Lads,” he says, his voice a rumble that you can feel through your own body. “Please tell me this isn’t what it looks like.”
“Weeeel. It might be,” Johnny says apprehensively. “But I did my research, sir. She’ll be perfect for ye, ye’ll see.”
“She’s a good girl,” Ghost adds. “Sweet as can be. Won’t be any trouble for you.”
“Already moved her in and everything.” Gaz gestures around the room, looking rather too proud of their work.
The captain nods slowly, taking in the new additions to the space. “So you did. And did this pretty little thing agree to having her life upended, or did you lads just decide for her?” His arms shift around you, and you feel almost protected, oddly enough, even though by the size of him, he’s just as dangerous as the others. Probably even more dangerous, the way they defer to him, standing in a line like cadets, eager for his approval.
“Not… Not exactly,” Gaz admits. “I mean, we didn’t ask. But this’ll be better for her. She was living in a real rat hole before. Tiny little apartment in a shite neighbourhood. Was only a matter of time before something bad happened. We’re just looking out for her.”
Johnny shuffles his feet. “Dealt with a few neds while I was doin’ reconnaissance, even. Poor lass coulda been in real trouble if I hadna been there. Bawbag employers would ask her to stay past the last bus to watch the bairns an’ no’ even offer her a ride or ta pay fer a cab.”
“It wasn’t that far a walk,” you protest, glaring at Johnny. As if it’s any of his business. “And they did offer to drive me, I just wasn’t— It doesn’t matter! You had no right—”
The captain shushes you, and your words wither on your tongue, your cheeks turning hot under his stern blue gaze. He cups your jaw and turns your head to face him again, the rough pad of his thumb stroking your cheek gently. “Sweetheart, you and I will talk in a moment. Soap’s right about that not bein’ safe, and you know it.”
Your stomach flutters nervously. He gives you a little smile, and his crow’s feet deepen, the lines fanning out further. There’s a moment where you’re tempted to smile back, but his legs shift under you, and you wince sympathetically instead. “Sorry, I should get off of you,” you say quickly. “I’m heavy.”
“I won’t stop you if you’d like to sit somewhere else,” he says, that cheeky smile deepening more. "But you’re not heavy, and I'd like it if you stayed put."
"Told ye he'd like her," Johnny whispers, loud enough that it shatters the isolated pocket of reality that, for a moment, housed only you and the captain. "Hasna even introduced himself an' he's flirtin' like mad."
"Soap!" Gaz hisses back. "Shut up."
Ghost scruffs them both. "Let's finish getting dinner on. Give 'em a minute to talk."
Johnny grins at you and gives you two thumbs up as he circles around to the kitchen, as if you’d actually been a willing participant in all of this.
"I'm John, by the way," the captain says, calling your attention back to him. He drops his hand and settles it on your knee, his fingers curling around the joint. "You alright, doll?"
A loaded question. "Well. Not really."
"You're keepin' it together real nicely, all considered. Wouldn't blame you if you were hissin' and scratching."
"I'm not much of a fighter," you admit. "And even if I was, I don't think it would do me much good."
John chuckles, squeezing your knee lightly. He's gentle, but there's power in those hands, the kind that comes from years of hard work. There's scars all over it, from his the tips of his calloused fingers up to the leather band of his watch, etched in evidence of violence. If there are scars further up his arms, their hidden by the buffalo plaid flannel. "No, it probably wouldn't."
"Are you going to let me go home?" you ask.
He sighs. "The thing is, doll, the boys have put me in an awkward spot here. If I let you go on home, you're going to get them in trouble, and I don't want to see that happen."
"I promise, I won't say anything, I just--"
He shushes you again, and you shut your mouth, biting your lip. "Let me finish, sweetheart. You're being so good right now because you're scared. But that's not gonna last, is it? And worse, it sounds like you don't really have much to go back to."
"I'll find a new job. I always do."
"With another family who doesn't appreciate the work you put in? That doesn't make you feel safe?" His fingertips toy with the edge of your skirt absently, but his eyes are on your face, studying your reaction with rapt attention. This is how a rabbit must feel, pinned under the stare of a grizzly bear, frozen in place and hoping that no claws come down on top of it. "I can read between the lines, doll. That man you were workin' for made you feel so uncomfortable that you'd rather walk through a bad neighbourhood at night than get into a car with him alone."
You can't dispute it, although you're surprised he can glean so much information from half an outburst. "It wasn't like that-- He wasn't that bad."
John hums. "You're tellin' me you've had worse?"
A dozen jobs with a dozen managers or coworkers that took your silence as permission to stand too close, or put their hands on you flash across your mind. Mr. Kinsey was just the latest of many. You know that the thought is displayed on your face, from the way his eyebrows pinch together just slightly, not angrily, but concerned. You try to deflect with a little laugh. "Oh, well. I suppose I have. But hasn't everyone?"
"Soap had a bad lieutenant once and locked the man in his own car when he was just a private. Just because you have a bad boss doesn't mean you have to take it." He looks at you so seriously as he speaks, his fingers dancing distracting circles against the top of your knee, rough fingertips catching on the nylons just slightly. The heat from the arm curled around your waist bleeds through the fabric of your dress, his hand twitching slightly, like all he wants to do is take a handful of soft flesh. “You should speak up when you’re not comfortable, doll. You just need some practice standin’ up for yourself, don’t you?”
If a statement could have teeth, this one would, and you’re not sure if agreeing or disagreeing will have him closing his jaws around you. He’s probably right, you do need to do a better job of standing up for yourself. But you’re certain that he doesn’t want you to start by standing up to him, or his three attack dogs either. “I’ll work on it,” you say meekly. You test his commitment to the statement by gently picking his hand off of your knee, although there’s nowhere to really put it either.
“We’ll work on it,” he agrees, lacing your fingers together. When he rests your now-entwined hands, it’s a little further up your thigh. “You want a drink, darlin’?”
“Oh, um, no thank you.” You wouldn’t mind another tea, but you don’t think that’s what you’re being offered.
The scrutiny he puts you under is intense, like he’s determined to figure out what every microscopic shift in your expression might mean. “You sure, doll? You gotta ask if you want somethin’, or you won’t get it.”
“I would like a tea. But I can make it, I don’t want to be trouble.”
“Nonsense. Lads?” he tips his head back slightly.
“On it, sir,” Gaz replies cheerfully.
Ghost leans over the back of the couch to hand John a tumbler. Whiskey or scotch, by the sharp smell that hits you. John pulls his hand away from yours to accept the glass. “Thank you, Simon,” he says pleasantly. "Good lad."
“S’your party, sir. An’ you’re busy, ain’t you?” Ghost rests his hands on the back of the couch and studies the pair of you, dark eyes gleaming with pride. The man has the demeanour of a cat that’s brought in a helpless little bunny to his master, while it’s still alive and struggling.
“Gettin’ to know our pretty guest.” John smiles at you over the rim of his glass as he takes a sip. “She’s a sweet girl.”
“Isn’t she just?”
“Could I, um, sit over there?” you ask, glancing at the chair. Somehow John had managed to distract you from the idea of moving for a while, but you were still eager to get a little space from him, especially with Ghost looming over both of you.
“Of course, sweetheart,” John’s arm loosens, and you quickly get up and move to the chair.
You almost feel cold, without the heat that radiates off of his body. His attention feels weightier now too, or maybe it’s just that his body isn’t shielding the stares from Johnny, Gaz and Ghost, and you’re subjected to all four of them watching you, like you’re either fascinating or delicious (or both). You cross your arms over your chest and shrink into yourself as much as possible, eyes wide.
"Here's yer tea, hen. And may I just say, ye've go' a fantastic rack from this angle." Johnny hands you the mug and sits on the arm of the chair, leaning over you. "Weel. Ye've go' a nice rack from any angle. Nice arse too. Captain's lucky I like him so much, or I'd've gone for you myself."
You breathe in steam, wrinkling your nose slightly. It doesn't smell quite right. "Did you put something in this?"
"Aye. Finger of whiskey. Ye look all stiff and peaky still. Need a pick me up, don't ya?"
You look at him reproachfully. He sighs and plucks the tea from your hands and takes a big sip. "There's nothin' else in there, if that's what yer askin', ye suspicious wee daftie. A little whiskey ne'er hurt no one." He hands the mug back to you, smile crooked, doing his best to be charming, but he's too intense, too fervent, to be anything but unsettling.
“Got Johnny checkin’ everythin’ for poison, do you?” Ghost asks, chuckling. “Can’t say I blame you.” He nudges John with the back of his hand. “She’s smart, worth keepin’ an eye on that. Know’s ‘ow to ‘old ‘er tongue, but she’s listenin’ and payin’ attention.”
“Of course she is! Wouldna choose a lass withoot a brain in her head. Wouldna be worth the captain’s time. Weel, maybe worth a wee bit of time.” He winks down at you. “But no’ wife material, ye ken. Chose her because she’s delightful, no’ just ‘cause she’s bonnie.”
The few times you’d spoken to Johnny before you’d thought that he was so nice. Laughing and joking with you in the pick up line while you waited for the children you were respectively responsible, greeting his niece and nephew with big smiles. And Finn and Rory were always so excited to see him, you’d chalked him up as harmless. Clearly you hadn’t been paying enough attention then, too focused on the Kinsey kids and your job, maybe. You hadn’t noticed that he was appraising you like a piece of livestock, judging your value like you’d been put up to auction.
The whisky-fortified tea is a bit on the strong side, but you take a few sips anyway. Getting drunk would be unwise, but you’re so tense that your whole body is starting to ache, and that’s not doing you any good either.
“Dinner’s ready,” Gaz announces, untying his kiss the cook apron and setting it on the counter. “Hope you’re hungry. Soap made a cake earlier too.”
John raises an eyebrow. “You can bake?” he asks, surprised.
“Aye, picked it up while I was gettin’ rehabbed for the big fuck-off hole in my head,” he replies airily. “Was goin’ mental putterin’ around Kirsty’s waitin’ for the bairns to get out of school, so Ah picked it up. Isnae so hard. Just chemistry, aye?”
“He did make a big mess,” Gaz says. “Had to wash about fifty dishes before I could get started on dinner.”
“Everyone’s a fuckin’ critic,” Johnny complains. “See if I bake ye a cake for yer birthday, Garrick. Ye’ll be sorry then.”
“Oh no, how will I survive?” Gaz clutches his chest like he’s deeply wounded by the statement, laughing. “I have two mums, I’m still pretty much guaranteed a cake.”
“Always braggin’ abou’ that. Thinks he’s more evolved than the rest of us just because his da’s a woman.” He hovers next to you as you get up, and sticks close as you walk over to the table. You don’t choose a seat, in case there’s an order to things you’re not aware of.
“Pretty sure the whole point is that he dun’t ‘ave a dad,” Ghost says. “Now sit down, mutt. Yer not sittin’ next to the bird. You’re botherin’ ‘er.” He points at a chair, and Johnny sighs and slinks into it.
“Here, sweetheart,” John says, putting his big hand on your back to guide you the last few steps and directing you to a seat. He slides the chair in for you too, masquerading as a gentleman, and sits next to you.
Gaz settles in on your other side, all smiles. “Feeling better?”
They keep asking you how you are, as if the answer is going to change. Like all you need to adjust to the reality of being kidnapped and relocated to some stranger’s house in the country is a little time. Like you’re going to be just fine, if you just get a few more minutes to adjust. “Not really.”
"Ah, don't worry, doll. Captain's gonna be real good to you. You'll get there soon enough. Probably'll feel better once you've had a proper meal."
At least they don't try to make you talk much at the table. They fall into easy conversation between them, and let you eat roasted chicken and potatoes and carrots with some kind of sweet and mildly spicy glaze. Ghost pulls the mask down to eat, so you're able to watch when he goes slightly pink from what barely qualifies as spice. Gaz gives you a little side-long glance, and you almost laugh. There's some solidarity to be had, even in a situation like this one, something funny about how a little more spice could probably straight up kill the other three men at the table. Maybe that would be the key to you freedom: Murdering John by feeding him something full of chilies.
Admittedly, you do feel begrudgingly more charitable towards them after eating. You could maybe blame it on the tea too, which, against your better judgment, you do end up finishing.
John stops you from helping clean up when you stand automatically and try to stack Gaz's empty plate with your own. "No, sweetheart. C’mere." He guides you to the door and out into the chilly evening air. You wish that Ghost had let you put on a sweater over your summery dress, but he had been so keen to show you off, and you’d been too scared to insist. You curl your arms around yourself for warmth, and keep quiet, watching as John trims and lights a cigar, looking out into the darkness beyond the porch.
Fear has morphed from pressing terror to something that gnaws at you from the pit of your stomach. You could try to run for it, but you’d probably roll your ankle wearing the stupid red heels, and you have no real idea where you are, or how far you are from someone who could help you. Outrunning John would be a feat anyway. He’s older than you, but he’s in better shape, nearly perfect shape, broad and strong, that long military career not yet forgotten.
There’s a bench by the door, so you sit down to take the heels off. You’re not used to wearing them, it’s so rare that you have anywhere to go that calls for spicier footwear than your comfortable, worn in trainers.
“Here.” John slides his flannel shirt off and drapes it over your shoulders, and kneels down in front of you, cigar clamped in his mouth, pulling your heels off for you. Smoke curls around you for a moment, thin and blue in the scant light, before a breeze carries it away. He leans on his one leg and studies you, but he doesn’t stand. “You’re beautiful, you know that?”
You put your arms through the sleeves of the flannel, humming noncommittally. You know you’re pretty enough, by most standards, but you feel like his interest— And the interest of the other three— is disproportionate, too intense.
“I’d like you to stay a while, doll,” he continues. “I won’t force you, I’m not that kind of man, but I’d have a hard time letting you go back to living paycheck to paycheck in a bad nieghbourhood, workin’ for creeps that don’t know how to keep their hands to themselves. You deserve better than that.” It’s as though he doesn’t even hear his own words though, or imagines himself better, because he absently runs his hands over your calf, squeezing the tense muscle gently.
“I have to work,” you protest, biting back a moan. You didn’t need to encourage him, even if you weren’t quite brave enough (or willing) to stop him. “I have student loans, and I send money to my lola in Vigan. I can’t afford to just disappear off the face of the earth.”
He nods thoughtfully. “How much?”
"Three hundred pounds a month to Lola. I know it might not seem like a lot, but it goes a lot further there."
"And the student loans?"
"Sixteen thousand. Not that much, I worked through my degree, and I inherited a bit of money from my parents. But I still have to--"
"I'll pay for both. You'll stay until you find a good job, and a safer apartment." He says it like it's a final edict, no room for argument.
You pull your leg out of his grip, tucking both further back under the bench. "No, John, I don't want to owe you either--"
"You won't. My boys kidnapped you and disrupted your whole life. I'd pay a lot more if it keeps you from going to the police over it. Least I can do is make sure you're better off when you do leave here, hm?"
You bite your lip. Starting over with a clean slate is tempting, but you're not sure you can trust John. He seems so earnest, blue eyes clear and guileless, but he can't be much better than the other three. Unless he was just holding their leashes tight as their captain, and had to let them loose when he retired.
"Can I think about it?" you ask.
"Of course." He puts his hand on your knee to steady himself as he leans across to ash the cigar in the ashtray that sits on a little table next to the bench. "But I think you'll say yes. You're a smart girl, hm?"
You're tempted to say no, just to test weather or not he's being honest about not forcing you to stay, but there's a niggling worry in the back of your mind that the veneer of civility will evaporate if you push him on it. He's nice enough now. And maybe that niceness isn't a show, maybe he has no darker side, maybe it's all just paranoia on your part. Perhaps the worst thing about him is his predilection to protect his "boys", even though all three are clearly insane.
Military is like that, isn’t it? The whole brotherhood thing? Maybe fighting for your life beside someone changes how you see them forever.
“How long did you all serve together?” you ask. “Johnny mentioned that he was SAS before— I asked about the scar once.” You tap the side of your head, the same spot where Johnny has a nasty bullet scar.
“Long time. Hand-picked Gaz and Soap for my taskforce about ten years back. Simon and I served together longer. He’s a captain now, even if the lads still call him LT. They’re both lieutenants, and Gaz’ll be a captain himself before long. Probably would’ve been already if he’d transferred out of the 141.” He gets up with a grunt and settles onto the bench beside you. “Don’t think Simon’s long for it. He’s only still in because he wants to keep an eye on Soap. Man’s a bloody romantic. Live together or die together.”
“I didn’t realize that they were together at all.”
“The way Soap’s been droolin’ all over you, I’m not surprised.” He puffs on his cigar thoughtfully. “But Simon’s just like that, as far as I can tell. The world’s divided into three categories. Enemies, his people, and everyone else. Enemies ‘n’ everyone else can’t touch what’s his, but he’s never given a damn about Soap sleepin’ with Gaz, or me.”
“I’m not his people.”
John looks at you and shakes his head. “Course you are, doll. You’re one of our people now. They might’ve gotten a bit overzealous, bringing you here the way they did, but those lads would do anything you asked of ‘em now.”
A bit overzealous. You laugh, but the sound comes out bitter.
"Relax, doll. I know you're determined to hate them, but they're good lads. Their hearts are in the right place." He pets a big hand over your head and rests it on the back of your neck, warmth seeping into your bones, relieving some of the ache from all the tension of the day. John has a way of soothing that terrified little animal in your chest that would otherwise threaten to kick it’s way free from your ribs and flee into the dark trees. “Lookin’ out for me, in their own way. Lookin’ out for you too. If your situation was a better one, they wouldn’t’ve plucked you out of it like that.”
There’s hope in his eyes when you look up at him, hope that you’ll forgive and forget, that you’ll come around to some kind of understanding in time. His thumb brushes a sensitive spot behind your ear, sending an awful, irrefutable thrill through you.
You’re worried that he might be right.
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My favourite John Price to write is the sneakiest, most charming, manipulative bastard on the planet. I definitely take a lot of inspiration from 391780 's portrayal of him. The Rear Window and Neighborly have been forefront in my mind while working on this (Largely because I think my John would have taken a similar approach if the lads hadn't jumped the gun. The Rear Window is dark, so be warned! Early writes delicious dark fics, but that may not be everyone's cup of tea, so mind the tags.)
Image Credits: Banner
Dividers: 1 - 2 - 3 by @/Cafekitsune
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