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#Jason is written too inconsistently
rubydubydoo122 · 3 months
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I’m just gonna say this, the main reason people don’t like Damian Wayne as a character is the same reason people didn’t like Jason Todd back in the 80s
People don’t like either of them because their favorite Robin (Tim Drake and Dick Grayson) got replaced by them.
Damian and Jason are both really interesting and complex character, objectively more complex than both Tim and Dick, but some people (cough, obnoxious Tim fans, cough, and Dick fans who over sexualize him, cough) don’t see that and just want their little blorbos to never grow into their own character apart from Batman.
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wesavegotham · 8 months
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I would feel bad for what DC is currently doing with Catwoman, but honestly both fans and writers have been so nasty to Talia to prop up Selina and what DC is currently doing to Selina is still not nowhere near as bad as what they did to Talia to get rid of her as a major love interest, so it's kinda hard for me to feel truly bad for Catwoman or her fans right now.
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sanguineterrain · 5 months
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restroom attendant | jason todd
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Summary: Tonight is the worst night ever--you just got dumped on your birthday, and all you want to do is cry in the restaurant bathroom in peace. That is, until, the Red Hood bursts in. This city just won't cut you a break.
Pairing: Jason Todd x fem!reader 
Word count: 1.7k
Warnings/tags: humor, mild angst, reader's ex-bf cheats and dumps her, jason is such a silly goose, flirting, meet ugly, canon-typical violence, awkward jason, comic relief dick grayson.
A/N: this is probably the silliest fic i've ever written LOL! i hope you guys enjoy it. please support your local jason todd enthusiast and reblog :)
the divider
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Tonight sucks. 
With a shaky hand, you attempt to soothe your swollen eyes. You’ve probably been in here for about twenty minutes. Your Uber has definitely left, as has your now ex-boyfriend of three years. 
Yoga instructor. It’s always the yoga instructor. They’re always fucking the yoga instructor.
You swallow a mouthful of tears and phlegm and try not to let the wet sink touch your dress. All you’d wanted was a little class on your birthday, maybe have some wine and play footsie under the table with your boyfriend. But no. That would’ve been too easy for you. 
You’re starting to think this city is cursed.
The door slams open. The force of it shakes the bathroom, rattles the mirrors. You spin around.
A man slides across the floor and smacks his head on the opposite wall. Red Hood appears in the doorway, the eyes of his helmet glowing eerily. 
Yep. Definitely cursed.
"Let's try this again," Hood says pleasantly, reloading his gun with a fresh magazine. "And in the interest of making myself transparent: when I ask you a question, Jerry, I expect a truthful answer."
He stalks over to Jerry and heaves him up by the lapels of his suit jacket. Hood's biceps bulge as he holds Jerry against the wall. You squish yourself against the sink. Water soaks the back of your dress. 
"You're crazy, I didn't do anything!" Jerry shouts, feet barely scraping the floor. 
"Volume, Jerry. People are trying to enjoy their meals.”
“Let go of me, Hood! I wasn’t anywhere near the Iceberg Lounge!”
“Yeah, see, words are coming outta your mouth, but they don't match the fact that I have three people who put you at the scene. How can we remedy this inconsistency? Any ideas?"
Jerry squirms, but he's no match for Hood's strength. Your heart pounds in your chest.
"Don't give me to the cops!" Jerry begs. 
"Cops are the least of your worries right now," Hood snarls. "You're damn lucky Nightwing wants to talk to you, Jerry, or your head would hurt a lot more."
Slowly, you reach for your purse, trying to pull out your phone. Instead, you knock it to the floor. Tears gather in your eyes because this night just can’t cut you a break.
“Motherfucker,” you whisper. 
Hood turns, those frightening white eyes now on you. Jerry also looks at you, legs still dangling.
“Hey,” Hood says without a sign of struggle. “Shit. Y'alright? Did I swipe ya?”
“No,” you say, voice shaky.
His posture softens. “Okay. I’m not gonna hurt you. Don’t be afraid.”
“I believe you. But, um… you're in the women's bathroom.”
Red Hood gives the room a onceover. 
“Huh. So we are. Dunno how that happened.” He shakes Jerry by the collar. “Why’d you run into the women’s bathroom, asshole?”
“I'm sorry, I'm sorry! Don't kill me!” Jerry wails. 
“Shut it, Jesus. I'm not gonna kill you. Not yet, anyway.” 
“It's fine, I was just leaving,” you say, bending down to get your purse. 
“Hey, no, don't let me push you out,” Hood says. “Sorry. I'll be gone in a couple minutes.”
Hood adjusts his grip so Jerry's face is against the wall, arms and legs restrained. Then he zipties Jerry and sits him down hard on the floor. Hood presses a button on his helmet. 
“Yo, N, I'm at Prescott's. Yeah, with Jerry. No, I didn't tell him to run in here, he did that all on his own! Well, I chased him for ten blocks, so I’d prefer if you’d keep your bitching to yourself. Thank you… Okay, we're in the women's bathroom, so—well, I didn't do it on purpose! No, I’m—will you just come here? There’s a side window.” Hood presses the button again with a grunt. “Dickhead.”
“Are you gonna erase my memory?” you ask. 
Hood jerks, turning back to you.
“What? Hell no, I'm not gonna erase your memory. I don't do that shit, I promise.”
You slump against the sink. “That's too bad. I would prefer it.”
He looks up from Jerry’s last ziptie and pulls it extra tight. Jerry whimpers. 
“How come?” Hood asks.
You shake your head. “It's nothing.”
“Hm. Doesn't look like nothing. If you're in danger—”
“I'm not in danger. I…”
You glance at Hood. You can't see his face, but his body language seems genuine. From what you've heard, Hood isn't known for mincing words or doing things he doesn't want to. And he’s good to Gothamites. Well, the law-abiding ones, anyway. He’s even been endorsed by Batman.
What's the harm in telling him about your disastrous night? Not like you'll see him again. Or Jerry. 
“I got dumped,” you say. 
“Ah.” Hood nods. “Been there.”
Somehow, the idea of Red Hood getting dumped is weirder than him beating up a guy in the women’s bathroom of Prescott’s.
You sniffle, and wipe your eyes with the back of your hand. 
“Yeah, um. It was our three year anniversary today. He took me here, told me he was in love with his yoga instructor, and then left.”
You tear up thinking about it. Hood makes a quiet noise.
“Shit. Well, I haven't been there,” he says. “But I know infidelity. I'm sorry. Dudes are trash.”
“And it's my birthday today,” you blurt, sniffling. 
“Happy birthday,” Jerry says, clutching his stomach. 
“What a fucking asshole!” Hood snarls, and lets go of Jerry, who crumples like a sack of potatoes. He’s out cold in a second, frozen on the floor.
Your brows rise. “Is he okay?”
“He’s fine. It’s his first time in Gotham.” Hood shrugs. “Anyway, where was I? Right, your asshole ex. Like it's not enough to publicly dump you, and then he goes and does it on your birthday? Who is this guy? I'll go talk to him right now.”
You laugh a loud, snorting laugh. It bounces off the tiles. 
Hood tilts his head. “What’d I say?”
You catch your breath and wave your hand. 
“No, nothing, I’m sorry. I’ve just had a crappy night and that’s probably the nicest thing anyone’s ever offered to me.”
“I mean it,” Hood says. “I’ll scare him if you want.”
“As tempting as that is, I don’t want to be an accessory to a crime.”
You also don’t want to put your ex in the ICU, no matter how much he might deserve it. Best to let the universe do its thing.
“You’d be acquitted, don’t worry.” Hood leans against the stall. “I’d never letcha go to jail.”
You smile, your ears growing warm. “You don’t even know me. What if I deserve it?”
“Nah. I got a good sense about people. I can tell you’re sweet. Probably don’t even run through red lights.”
“I try not to,” you say, heat spreading to your face. 
“Yeah, a good girl. I figured as much.”
Your eyes widen. Hood coughs and rubs his neck. Even his coughs sound intimidating through the helmet, but that’s negated by his scrunched-up posture.
“Fuck. Sorry. That wasn’t a come-on,” he says. “I mean, it sounded like one, but I’m realizing what a creep I am, flirting with you in a bathroom with a zip-tied criminal. Sorry.” He shakes his head. “I hate myself.”
You grin. “It’s okay. You made my night better, actually. Thanks.”
“That’s a testament to how terrible your night’s been if I made it better.”
You shrug. “Could always be worse. I bet Jerry had an even shittier night than me.”
“You’d win that bet. But I—”
The window swings open with a clunk. Nightwing pops his head in. He looks at Hood, then you. 
“Uh,” he says. “Evening. What’s going on?”
“What’s going on is it took you almost ten minutes to get here,” Hood says, back in Vigilante Mode. “Did you get lost?”
Nightwing smiles with all his teeth. “I was actually cleaning up your mess at the Bowery, Hood. You’re welcome.” 
He looks at you. “Hi. Sorry about this. I hope we didn’t ruin your night. If there’s anything we can reimburse you for…”
You shake your head. “It’s okay. My night was already sunk. Don’t worry about it. Thanks for keeping Gotham safe.”
Nightwing laughs. “The pleasure is ours.”
“Alright, enough chattering, Dickwing,” Hood says. “Take him.”
He lifts the unconscious Jerry, pushing him up to the window. He does so effortlessly, his jacket riding up to reveal his skin-tight jumpsuit. 
You look away before he catches you staring. There’s definitely something wrong with you. 
Nightwing takes Jerry and waves at you. Then he disappears.
“So, uh,” Hood says. “I gotta go.”
“Oh! Right, of course. Sorry to keep you.”
“Now what’re you apologizing for?” he asks, and it almost sounds like a tease. You wonder what his smile looks like. What color his eyes are.
“Well, I really didn’t mean to keep you…”
“You didn’t keep me,” Hood says, and you can hear the warmth even through his decoder. “This is probably the best arrest I’ve ever made.”
He starts to climb through the window, then stops. He digs into one of the pockets of his belt and pulls out a scrap of paper. 
“This is my number,” he says. “Well, it’s kind of the vigilante hotline. But you can reach me here, in case you ever need help.”
Hood walks over to give it to you. He smells like gunpowder and oranges. He’s even larger this close, the width of his shoulders dwarfing you. 
“Thank you,” you say quietly. 
He nods and backs up, clapping his hands.
“Right. So I’ll go… Bye.”
Hood looks at you for a moment more. Then he hops up onto the window sill and slides out, somehow graceful despite his bulk. The window closes. 
Your dress has dried, which is nice. You walk out of the bathroom. It’s a miracle no one else has come in. 
You get your coat and this time, when you see the empty seat across from yours, you don’t burst into tears, which is progress. You call another Uber and go to wait for it at the front. The hostess approaches you.
“Ma’am?” she says, and holds out a small, plastic container. In it is a slice of tiramisu. 
“I didn’t order this,” you say.
“It was called in and paid for by a Mr. R.H. He wishes you a happy birthday.” 
“Oh. Thank you.”
You’re definitely leaving a five-star review on Yelp.
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aingeal98 · 7 months
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Having Bruce and Cass and the Robins thoughts and they're a bit messy and jumbled so bear with me.
Idk how to explain why the Bruce and Cass messed up but loving dynamic is so much more appealing to me than his toxic relationship with his other kids but I guess it's because the entirety of Batgirl 2000 understands that Bruce is not a perfect parent. His flaws and virtues are both deliberately and carefully written and his relationship with Cass is so layered and it makes it so that I can both laugh and cringe, appreciate the sweet moments and rage at some of his more shitty moves. It's not perfect but overall the writing is just GOOD, and there's enough material to form a solid core of understanding even when their dynamic grows past Cass's solo run. This is Cass and Bruce and this is how they tick and no writer has been able to thoroughly screw that up no matter how hard some of them were pushed to by editorial.
Compare that to how he's written with his other kids, where every writer has their own version and some have him be a perfect dad and others have him be shitty and frame it as "He's got this darkness in him" while another group of writers have him absolutely brutalise his kids or neglect them or gaslight them for angst all while knowing the kids will never receive any sort of narrative justice for this because he's Batman and he's the big flagship hero. There is no single run you can point to and say yes this here showcases the heart of the dynamic between him and Tim or him and Damian, no single run so good that all other comics about their dynamic use it as their basis for this bond between father and child. There is no consistency and no communication or understanding between writers or even an attempt to pick up what the other puts down. Batman comics will have him be a good parent or a bad parent but either way it will be all about Him. Batfamily comics tend to have him just be absolutely awful and then a few months later they have to pretend it never happened because the main bat books want to make him a good parent again.
It's all shock value that rarely lasts past the arc and writer. When Tom Taylor has Dick hug Bruce and call him dad I'm remembering that time Bruce beat him into a bloody pulp or backhanded him across the face and Dick never got to call him out on it. But we're not meant to be thinking about that in Taylor's run because this is a Good Dad Bruce comic. Taylor's Bruce and Dick dynamic is completely different to the New 52 dynamic the same way that dynamic is different to Wolfman's which is different to the original Batman and Robin. And that variety can be a great thing when it comes to comics but the downside here is that you can pick Bruce's "good dad" comics or you can pick his abusive asshole comics but you cannot find the middle ground that Batgirl 2000 hit because (controversial opinion I guess) it doesn't exist for the batboys and no writer has successfully managed to pull all the different comics together and create one.
Fans have tried. Fans have pieced together a decent narrative from the mess of inconsistencies, taking the moments of almost cartoonish abuse and the moments where Bruce is shown to care, and forming the image of a complicated and nuanced abusive parent from it all. But the great thing about Batgirl 2000 is you don't have to do all that effort of trying to make the happy fluffy hero batman and the edgy punches his sons Batman fit into one character. The writing does it and does it in a more realistic fashion too, which is saying something considering the big Bruce and Cass emotional fight is solved by Bruce letting them both get drugged and fight bloodlusted. I do think there are moments when it hypes Bruce's bad parenting up a tiny bit but compared to the absolute mess that is the writing of say, Bruce and Jason? It's just so much easier to actually engage with. Being on the same page as a narrative instead of chafing against it is just a much better way for me to read comics.
That's not to say there isn't any kind of narrative and canon dynamic for Bruce and the Robins. Tim's Robin run, Dick's various runs, UTRH, Batman and Robin etc. Just that for me none of them hit that balance Cass and Bruce's dynamic succeeded in hitting during Batgirl 2000. And to be fair it's harder to hit that balance when you're working with characters who have been through the hands of so many different authors before landing on your doorstop. UTRH probably comes closest but unfortunately everything that came after that did manage to shake the emotional foundation utrh set up to the point you can look back on it and wonder if Bruce cared about Jason much at all, despite the writer clearly not wanting it to be seen that way.
Not sure how much sense this makes but to me it's the difference between a bad parent Bruce I am actually interested in engaging with and a bad parent Bruce where I just want the kids to team up and knock his teeth out.
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unhingedlesbear · 5 months
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MARK ESSAY! BIGASS MARK POST!!!
A lot of y’all already know I love Mark. Bro isn’t even my favourite SMG character but he’s also currently the one I feel the strongest about simply because I don’t see anyone else literally anywhere willing to defend him. Emily and Emma don’t need me rn y’all they have fandoms but THIS is a job for ur girl only it seems (woop woop) so I wrote this essay about why he deserves more recognition and less hate from the fans. I can’t promise it’s very well written bc I wrote it from like 2-4am and I haven’t exactly proofread but whateverrr.
LONG FUCKING POST AHEAD
A common thing I ALWAYS see from Mark haters is that he’s “boring” or “dull” compared to the others. While it’s true that his personality isn’t quite as distinct or individual as the other four, is that not… literally one of the aspects of his character? That he follows what the people around him do rather than voicing his own thoughts and opinions? It’s literally a part of his character so I don’t see the issue with him usually just falling behind Charlie or Kate for example, because it makes sense to me that he’d do that.
 People often argue that he’s “too nice” and doesn’t have enough flaws. Why is that an issue when it comes to Mark when the same could be said about characters like Salim or Sam who are infinitely more loved? I also really like Sam and Salim but for the sake of this argument I’ll point out a few flaws in the fact that people seem to think they’re significantly more interesting than Mark. You can argue that it’s because of Salim’s arc with Jason, but that’s the arc more than the character himself. Really Salim doesn’t have any real flaws at all and isn’t all that deep of a character, as likeable as he is. And people have said it’s because of his action scenes, but I’ll get to that point about Mark later. With Sam, similar things can be said. Point mainly is, the idea that Mark is boring because he’s “too nice and lacks flaws” doesn’t really make sense if you’re not consistent with it when it comes to other characters too.
Something that @108garys pointed out that I agree sm with is that a lot of people tend to ignore the relatability of his character. I feel like I can especially talk about this one as Mark is one of the SMG characters I relate to most, possibly even more than Brad. With characters like Kate or Erin, it’s easy to relate to them because of their anxieties, and you see a lot more people admitting to relating to that where you don’t with Mark. He relies on other peoples opinions rather than his own, doesn’t like making decisions and can end up passing up opportunities that are better for him because of it. You can see in his interactions with usually Kate or Charlie that if they disagree with him about something, it doesn’t take much for him to step back and agree with them because that’s just how he is. I don’t know about other people but I find all that to be extremely relatable so I wanted to point that out as probably one of the reasons I ended up so attached to him in the first place. 
Another think I see him hated for is because of his plot armour. Now this would be fair coming from someone who just hates all forms of plot armour but I see a loooot of inconsistency with this one. Out of all SMG characters with plot armour, Mark’s is a rare case that actually makes sense in the plot. Du’met had specifically selected Mark to be the next ferryman, of course he wasn’t going to kill him. I’m going to use Mike from UD as a comparison but a lot of this can apply to the other plot armour characters too. If you want actual plot armour, Mike is a perfect example. Where through TDIM, Mark isn’t actually in danger of death in most of his scenes (The only exception is when he and Charlie are crossing over that beam, in that case I definitely think he should have been able to die there but this is aside from that) Mike is put in dangerous situations where he can’t die SOLELY because of plot armour. Du’met isn’t trying to kill Mark, he’s trying to contain him which he does in fact do if he captures him. The Ws in UD are actively trying to kill Mike and yet never actually do, for no plot related reasons at all, just because the game doesn’t want Mike to die yet. Another thing that’s different about these two cases is what happens when both characters lose their plot armour during the respective climaxes. In the climax of UD, Mike has ONE singular death and that’s it. Once he can die, he can only do so in one way. With Mark, he has the most death opportunities in the climax out of anyone. Du’met targets him during the entire fight. By default, Charlie and Erin have single QTEs to survive the end, Jamie has one choice, and Kate (Or Jamie/Erin if they’re the second to last instead of her) can only die if Mark is killed. Once Du’met is pinning Mark over the axe, it literally takes one fuck up to get him killed from that point on. I know I used Mike for this argument but similar things can be said about others like Jason, Salim and Nick. Mark is one of the only characters whos plot armour makes sense and yet I see his get shit on far more than any of the other examples when so many of those are worse.
(This part is a bit more of a ramble about his role in the story and relation to Du’met than anything. Bear with.) Anyway another point I need to point out is that people really have no business acting like Mark is somehow unimportant when he literally has the most personal conflict with the antagonist?? So for starters, Mark was specifically targeted by Du’met, and I’d argue has the most personal conflict with the guy. He was the only one that ever could have worked for ultimatum (It would have to be a man making the call, and Charlie doesn’t really care enough about any of the others for it to work with him.) So he’s at the centre of Du’met’s entire game, and I’ve always felt that the fight on the boat feels kinda personal for this reason, because Du’met would honestly have such a hatred for him by that point now that I think about it. Du’met had this entire plan that he thought would go smoothly and time and time again Mark actively fucks it up for him. He breaks through Kate’s window in breathless, and right after that in workshop he ends up avoiding the cage he was supposed to fall into. After that he’s the first to escape the hotel, and next time he runs into Du’met they fight. By this point, sure Du’met is still not trying to kill Mark, but he chooses to attack Mark when he could easily just chloroform him as usual. Something about the way he fights Mark here makes me think he probably had a personal hatred of him at this point. Assuming qtes are failed, he’s out here stomping on the guy, hitting him with an axe handle, literally picking him up and throwing him and kicking him in the ribs while he’s down. And we know he’s not trying to actually kill him here so that whole thing screams anger or frustration more than anything. Then on the boat later, he targets Mark the entire time. (plus the way he deliberately shows Mark, and Mark only, his face definitely makes it feel more personal imo) He’ll spend half the fight trying to shove Mark into an axe, the whole time just swiping off Kate/Jamie/Erin when they try to save him. And out of everyone, Mark is the only one who can directly kill Du’met. (at least until he’s revived) Also this is just the boat ending. Ultimatum is a whole new thing. He literally is forced to work for Du’met to continue the cycle. So when a character has this obvious (to me at least) of a personal conflict with the main antagonist, you’d think the fandom would do more with that, since they seem to do it with other characters, but then I remembered it’s Mark and nobody thinks about Mark </3
(This entire thing I realise can be used as Du’mark propaganda. It’s not exactly what I was going for with it but fuck it, it is because it was things like this that made me point out the ignored potential of that dynamic in the first place. You can’t tell me people wouldn’t go wild if things like this happened with like… anyone else.) 
So I find it weird that people seem to not really do anything with any of this? For example, ultimatum is such a horribly amazing concept, and it specifically involves Mark at the centre of it, and yet on the rare occasion I’ve found an ultimatum fic, it never involves Mark. I’m being so fr rn, until 108garys posted their recent ultimatum fic I’d never seen an ultimatum fic with Mark. Lemme repeat that there were ultimatum fics, but no ultimatum fics with Mark. How tf r u gonna have an ULTIMATUM fic and exclude the ultimatum guy???? There’s also people who think he didn’t adopt Connieeee guys wtfff literally whooo else can he have one thing omg omggggg😭😭
Sorry got a bit unhinged there at the end but look whos living up to the name <3 anyway yeah as Mark’s no.1 fan😍 this post was always gonna happen. I jus think he deserves a lil bit more credit yk??? 🥱
Anyway gonna tag @queerkearney in this bc the whole idea came from our chats I love our chats <3
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rvieskie · 1 year
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just finished reading tsats and… im sort of… apathetic? like yes i am glad that it exists, but do i think it is the best book ever? far from that. 
dont get me wrong, i love seeing affectionate canon solangelo, and SO many of my headcanons came true, like i feel like things that were already “fanon” just somehow magically became canon (still mad that will didnt get a gun tho) BUT HOLY SHIT PERSEPHONE AND WILL? DID I CALL THAT OR DID I CALL THAT? one of the best scenes in the book imo. and the percabeth parallels? i mean the whole book is kinda a percabeth parallel, but the whispered “i love you” when falling into tartarus? killed me.
but my main disappointment was that a lot of the narrative seemed a bit like it was just there for the sake of being there (piper… like the converstaion between her and nico was incredibly good and i love it, but it just doesnt feel authentic and a bit like it was shoehorned in) 
as for the tumblr debate about the characters being ooc, here’s my two cents: for will, i feel like the main problem is that we dont get enough of his character before this book to actually determine what is IN character for him. though i do agree that the writing for him was quite inconsistent at times, the entire book does feel like that a little, there are a lot of inconsistencies in the writing overall (not just writing style but the way the characters are written too). it felt like everything in his pov (memories, experiences, thoughts, insecurities) are all revolved around nico and not himself as a character almost like he didnt exist outside of nico (which, at a literary perspective, isnt wrong) but still. in an interview somewhere mark said that he didnt really know what to do with will, which explains a lot tbh. 
for nico, i think he was overall much more consistent of a character in this book,  and the things that a lot of people are talking about can just be chalked up to character growth/development. love how they talked about jason, but the reyna erasure sent me- *angry fangirl noises*
anyways, another thing is the unresolved plot points that they just seemed to gloss over (nyx’s children, will’s arc, damasen?) like we need some closure on these things??? but, all in all, i dont think anyone was really expecting this book to be totally groundbreaking either so i did enjoy it, but not the best work ever on the authors side.
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Preliminary Poll
Jason Todd
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Submission reason:
This is gonna be a long list. Jason tends to be victim blamed by writers and characters in universe over how he died with many writers acting as if he brought it on himself, he is frequently presented as a one note useless arsehole wrth his Robin days, as an adult he is frequently badly written with writers in mainstream canon either demonising him or simplifying him, some comics treat him like he’s just a thick as shit dude bro and he has been through a lot of trauma and general bullshit in his life which isn’t always handled with grace or sympathy. Not to mention that while stuff like “inconsistent characterisation”, “development being ignored or badly done or both” and “handled by someone with an axe to grind” effect all Marvel and DC characters in the comics, Jason gets it particularly bad. Also, one of the more well known and prolific writers to handle the character is a sexual harasser whose work is brimming with dodgy treatment of women, sexuality and other subjects (Scott Lobdell).
HE LITERALLY DIED. LIKE THEY HAD A PHONE POLL AND DECIDED TO KILL HIM OFF DESPITE THE DISPUTED VALIDITY OF SOME OF THE VOTES. THEY MURDERED HIM IN AN EXPLOSION. btw this all happened after he suddenly started acting angry & unpredictable despite him being like, the most cheerful kid in the whole wide world up until that point. and now hes still the angry dumbass character despite having a better than 90 average in his classes. also also this entire thing only happened because he was A Poor and they hated the poors back in the 70s & 80s. and this was his SECOND origin story (his first one was just dick graysons again, but that whoooole universe got blown to smithereens). and canon hasnt done anything interesting with him since arkham knight (not main continuity) or ""under the red hood"" (the movie/series that revealed he was alive with a new reason why he was alive) because theyre too chickenshit to actually murder the joker. THEY DIDNT EVEN DO ANYTHING FUN WITH HIM IN INJUSTICE, THE UNIVERSE THAT'S ALL ABOUT ""WHAT IF THE JOKER GOT MURDERED BY SUPERMAN"". justice for my boy.
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Okay thoughts on the preview of TSATS .
Spoiler alert obviously
I think that a lot of nico seemed to be mischarecterised in the preview. I am all for nico healing and changing and stuff and I am not saying he should stay the same as he was when we last saw him in ToA but it was only been a few weeks from that point so its a bit out of character. It seemed like Mark was trying to write Nico with percy or Leo's character.
The scene with solangelo+Kayla+Austin was super cute but I do think it could be written better. As in made more riordanversey.
Nico being a fan of grey sisters is probably one of the most accurate thing in this book about nico
I have made a separate post abut the mygrumpyballofdarkness
Apart from nico the other characters too were a bit out of character
Camp empty doesn't make sense. I think they should make it into very few campers or give a different explanation like the CHB campers being able to go to new rome and study there during winter as long as they serve in the legion during their stay or something like that
We saw Will's outfit in the dream coming.
The Jason scenes.... idk felt a little bit weird. I adore their friendship and do not ship them romantically. I think that the dynamic wouldn't work. I think they are better of with Jason being nico's older sibling (mom) type friend. I don't think that anything described in the book is inherently romantic btw. Friends can totally do that . But I do feel like they are trying to build something there and I hope I am wrong
Nico not having Hade's dream control is against canon cause not only does he have that power it also is important to the story line in more than one occasion. I say it would make sense if he was unable to control this one dream or his recent dreams
That being said
Mark definitely knows how to write horror. I could even say that they seem to write horror better than Rick.
That dream was the best riordanverse dream of all time imo.(plot wise)
I mean nico's mouth stitched close. Yea we are getting good plot in this.
The first scene . This is going to be amazing. By that I mean heart breaking and terrifying
No matter whether the characterisation is nice or not the plot is going to be good
What if the voice is Jason not Bob.
Nico's mom and Bianca 😭
Also Will's face turning into a monster in the dream could be a foreshadow. We all think that the turn back part is Orpheus Euridice . But what if they are misleading us. Or what if there is further more that just that. Now as good as dark!will is i don't think will is a secret villan. There is however a chance that a monster could disguise itself as will in some point of the book or maybe some haunting. Or maybe the monster wasn't attacking nico. Maybe will has more super powers up his sleeve still unknown to us and him. Tartarus brings out the worst. Maybe will can turn into something. Maybe he does that at one point to fight some monster but it terrifies nico the way Percy's poison control terrified annabeth . I know ast this point I am talking out of my ass but I am expecting this book to have multiple twists and turns that we would not have seen coming
All in all. This preview was good in terms of plot but did not do the best job in terms of characters. I say that we don't have to worry much tho cause this is just the first draft that Mark wrote and Rick would have most likely made changes to the characters to fit canon. I do think there will still be some inconsistencies but all riordanverse books have some inconsistencies.
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moregraceful · 10 months
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7, 8, 13, 20?
thank youuuuu
7. How many ideas for fics do you have right now?
I feel like I always ideas bouncing around, due to the agonies and an attention disorder. While walking the dog tonight, I was thinking about how it would go with Thomas Bordeleau in a winner's room, like that little freak would love it and Logan Couture would have a psychological breakdown and retire from hockey forever after one season of dealing with it... also thinking abt what if the Philadelphia Phillies experienced pronouns. You can't tell me Brandon Marsh and Garrett Stubbs wouldn't get silly w it. You can't tell me they wouldn't be havin' a blasty-blast. I won't write either of these, but they're bubbling around up there, like a little witch's brew.
8. What project(s) are you currently working on?
Well right now I am currently devoting my life to the joys of Roope Hintz giving Jason Robertson his hot boy make over and by joy I mean I'm in hell bc like. Something is TERRIBLY wrong with it and I CANNOT figure out what and it is due in 13 days lmao. I'm determined to finish by the deadline bc I CANNOT fail at pod-together again but I also. Hoooo something's gone terribly terribly wrong and I lack imagination to figure out how to fix it.
13. How much planning do you do before writing?
Really good question. if it's less than 10k, usually zero planning, if it's over 10k, I usually have an outline that varies between very detailed to just vague sketches of how I want each act of the fic to go...actually this is maybe the answer to problem I just presented to myself in the last question lol. If I'm really committed, I handwrite the whole outline and my research to-do list first and then put in a google doc. Also for some fics, especially fics I do not have a good grasps on the characters for, I will do a fair bit of amount of research on players to get their voices right. But not always which is. why my writing is so deeply deeply inconsistent lmao.
20. What’s a favorite title for a fic you’ve written?
This is so hard bc most of my titles are garbage song lyrics and all my good creative ones are by Beryl in collaboration with them for pod-together. "I know a (Scotia)bank where a wild thyme blows" for the Midsummer Night's Dream AU has gotta be the best one we've ever come up with tho. Pretty fond of "Fragments" and "How To Have A Good Time While Growing Old On The Front Range Urban Corridor" too, just because they both get at the heart of the fics and also bc I just really like the imagery that Front Range Urban Corridor evokes lol.
Thank you for asking I appreciate it!!!!
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spookyprime · 7 months
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3 (also feel free to just rank the robins)
3. Who’s your third-favorite Robin? Tell us one thing you like or dislike about them.
Lmaoooo okay. Well! A preface is in order because I know people like to take things too seriously and when I say Damian is my least favorite I know someone somewhere is going to get upset so- I do not DISLIKE any of these characters. I find all of them enjoyable in some ways. There's just characters I like more than others. I don't hate your blorbo.
1) Tim is my favorite. He's confident and very sure of himself but has a more mild disposition and opts to play a mediator role when he isn't busy making the most bonkers too much plan you've ever seen. His comics are the most entertaining to me because he usually gets paired with someone who's doing something ridiculous and his personality tends to let people go "Yes and" right up to the point of being too much. Also he likes sports and I get to draw him in hockey jerseys. He's good support for other characters to bounce off of and I like him for that. What I dislike is that because of his more mild disposition he can very easily be written out of narratives or forgotten about.
2) dick for nearly the exact opposite reason. If dick is in a comic he is almost always the star of the show. The story revolves around him. It's dick and friends. He should get to be meaner. I haven't read much of the current nightwing run but my wife keeps up with it and dick is her favorite. She loves him. I have to rank him high for her. What I dislike about dick is that I NEED him to leave those women alone. Stop dating. Stop it.
2.5 not a robin but Cass goes here I think she's great
3) Jason. I like some of Jason's stuff and I dislike a lot of Jason's stuff. He's weird but also somehow I think he's the most normal one of them. I get frustrated because he has a lot of potential in character arcs but he's written so deeply inconsistently that it's difficult to nail down who Jason todd is and what he wants. (Gotham knights video game Jason is everything to me.)
4) steph. As spoiler and Batgirl she's great I love her but also wow holy shit she got some of the worst writing of any of these people. She constantly gets thrown under the bus and shafted. She's not very enjoyable to read because of that and also some deep inconsistencies in writing quality just simply depending on if the writer respects women or not. And that's not her fault but it does impact reading experience.
5) Damian. I simply don't find tsundere characters enjoyable. I don't like this personality type. Again- i don't hate him. I'm glad he's here he's a fun character. But I don't ever find myself actively looking for Damian centric comics. He's a good sidekick character when he gets to play that role. I hate the way some writers will write Talia because of him. I think it puts Talia in a very bad light and i dislike that she spent so long in the comics trying to distance herself from her upbringing only to turn around and basically just through bad writing do the same thing to Damian. I think it's poorly thought out and written by people who don't like her and don't respect her. (And again! I don't hate him! I've drawn more fanart of him than I have of dick and Jason combined!)
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zeroducks-2 · 1 year
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I have a confession: I kinda don't get people who LOVE characters like Stephanie, Duke or Jean Paul. Like,,, they are so boring and there's nothing interesting about them??? Made only to be a self-insert for readers?? Also, there are fans ready to literally tear you apart when you 1) don't consider Duke to be a member of the batfam and 2) don't mention Stephanie when you talk about The Four Robins. Which makes it even more crazy bc gurl,, you really that butthurted over a character as shallow as Bella from Twilight...?
It took me some time to decide how to go about answering this ask, because first and foremost I want to confirm that yes, it is unfair and gatekeepy to nag at people when "they don't consider Duke a member of the Batfamily", or if they don't mention Stephanie when one talks about The Four Robins.
First of all not everyone has read every DC story ever - I surely did not - and on the contrary, I suspect that the majority of casual DC fans don't even know about Jason, Tim and Damian, assuming there's just one Batman and one Robin (who they don't really know is even named Dick Grayson). Hell, when I read Under The Red Hood for the first time (and I did as it came out!), I had NO IDEA who Jason Todd was. I had read random ass comicbooks up to that point and I just assumed that there were "other Robins" after Dick went on to become Nightwing, but in a vague and non-contextualized way.
It's as simple as many people not knowing that Stephanie and Duke even exist (or they just saw them once in a fanart) because maybe they just read some random comics without any real context, or because they have been focused on the JLA and just recently got into Batman stuff, because they only know the "Batfam" through Young Justice, or for a number of other reasons. It's not on them to be knowledgeable on every single facet of the Batman lore, and no one should expect from a fan to just know ALL the characters like the back of their hands, and include them in the "batfam" scenarios always and all the time (also because one of the reason why people often don't know about Cass, Steph and Duke is because DC does not push them. Finding stories with these characters gets increasingly more difficult every year, thank fuck people don't know them). Or maybe they have read comicbooks with Stephanie and Duke and they decided they dislike them, which is also a totally fair reason not to include them in their art or whatever.
And to be honest, if we wanted to be coherent then we should fuss also with those who don't include Carrie Kelley among the Robins, but no one does that because Carrie isn't famous enough for people to whine about an "all Robins fanart" which doesn't include her (I personally don't care about Carrie, I'm saying this just to point out the hypocrisy).
It's as it usually goes. You want art with "all the Robins"? Pick up a pencil and draw it or commission an artist. You want comedy skits in written form, or mock-twitter posts or whatever to include Stephanie and Duke? Sit down, think of something funny and do it yourself, or again commission someone. Fan-creators aren't there to fulfill your needs about this or that aspect of a fandom, and there is not one single valid reason to harass them about it.
This though is completely unrelated to the fact that Stephanie, Duke and whoever else might be "bad characters" that you personally dislike. People like characters for an array of different reasons, even when these characters are shallow, inconsistent, not created according to the proper rules of characterization and narrative arcs. Sometimes the reason why people love a character is exactly because they are written to be as self-insert, but it can be literally anything and that is OK. It will often be reasons we don't understand or we disagree with, and that too is OK.
To name one, I personally have no idea how anyone who's older than 12 can genuinely enjoy a Harry Potter book, and I've been saying this since I was 13 myself (so around 15 years before JKR outed herself as a misogynistic piece of shit), but it is what it is - a lot of people like things that I don't enjoy and for reasons I don't understand, and I myself have learned to be OK with it a long time ago.
And let's be clear, I could very well make the case that Batman is a hyper-masculine macho fantasy with nothing to offer to the plot of a story. Or that Tim is a useless filler of a character without anything new to add to the narrative. Or that Dick is a repetitive, whiny bimbo whose plot-lines are always the same. And I LOVE those characters to BITS, they are my precious blorbos and I rather defend them tooth and nail against anyone who dares speak ill of them, but the truth is that criticizing a character is easy.
Take one flaw and make it bigger than any good thing about them, you can paint the most awful picture ever and you wouldn't even be wrong from your personal point of view. None of them is objectively perfect or even close to a narrative masterpiece, so go ahead and keep disliking Stephanie and Duke and Jean Luc, and whoever else doesn't tickle your fancy, but my suggestions is to stop focusing on "how is it even possible that people like them" because there will always be that one character you hate that people can't stop pouring love over. It is pretty much always best to shrug and move along when you see something you dislike, and instead spend your energy on the characters and stories you do like instead, and which make you have blorbo thoughts and butterflies in your stomach and whatever else makes you happy.
And if anyone who's reading this is someone who harasses people for not including Duke and Steph in the group fanarts - please don't. Leave artists be. You want that Robin!Steph artwork, go ahead and draw it yourself or pay for a commission, and stop being an ass to people because they didn't do the thing exactly as you wanted them to do it.
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trekkele · 3 months
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Hello! I'm the Anon who asked about Bruce being self-aware.
When I said "Also, there's something of a difference between being self-aware about himself and when it comes to his kids." I meant that he says or does super hurtful stuff that he just doesn't seem to think was wrong or reflect upon when it went downhill or realising too late or sb had to spell it out for him.
Examples being:
him reading Dick's diary after taking him in as a ward to figure out what Dick wants instead of just asking, thus creating the Robin suit after Dick's designs (God, it was a Batman or Robin: year one comic book, I'm pretty sure but I don't rememer which),
saying "commendable" instead of just "I'm proud of you" to Damian (basically his "emotional constipation" as a whole, like being unable to understand or even recognize his kids feelings and then failing to say just the most normal praising/comforting/loving things.),
ignoring (or acting as if) when Damian apologizes for direspecting/ignoring previous orders and holds a cute speech about trying to listen now but Bruce just turns around like "Did you say something?",
not telling Dick that Jason is now Robin or that Jason died even though Bruce said he would call Dick (yeah, he was being petty or grief stricken, but still)
Tim's sixteenth birthday "present"
I hate to bring this up but the whole Batarang to the NeckTM situation in UTRH. His resurrected son confronts him and he fails to show a single emotion, instead immediately debating ethics and morals with him.
anything with Jason in future comics where Bruce beats him up and acts like Jason asked for it or that Bruce didn't have a choice but to do that.
bringing Jason back to Ethiopia to the warehouse where he died, so Bruce could maybe find a way to resurrect Damian after Heretic killed him (I think it was Heretic, but maybe it was sb else)
beating up any of his kids for any reason. The most he should do willingly is defend himself with defensive moves only or seeking distance. But not charging in like he wants a fight.
sending only Damian to save Alfred from Bane, which just allowed for Damian to be captured and then having to watch Bane snap Alfred's neck, and then Bruce says to Damian's face "If I had been there, I could have saved him." (Bruce prioritised his own grief over his son's grief and trauma and all that)
Bruce tells Cass she doesn't need a real life and sectret identity, that she only needs a costume and a private batcave and she'd be fine
Bruce instigates a fight where he and Cass get drugged and can communicate about their feelings through fist fighting.
Taking/ Trying to take Robin away from sb for their "own good". I don't mean benching, but full on "You're not Robin anymore, never again." but then folding a few issues later anyway. (It could be seen as very shitty parenting ig)
Like you said, Bruce gets written very inconsistently and I tried not to cherry pick too much of what I wanted to say, so I made this mess of a bulleted list. While a lot of these examples do come from his communication issues, I still wanted to include them anyway because it's taken too far with some writers (can't say "I love you" or hug his kids, although he doesn't have a problem with doing that with Clark or Diana) or he doesn't reflect on those moments or he repeats them over and over again.
I swear I love Bruce, I'm not a hater!!! He's actually my favorite character!!! 😭😭😭
(Making this list really hurt. Just so you know.)
Hey listen, im going to answer these by number* and then probably delete this ask in a few hours because. I hate all of these!! Maybe 3 are in character!! I dont want this terrible Bruce on my blog!!! But also i dont want you to think i asked for clarification and then ignored you so feel free to send another ask when you see this lol. Or if I have once again missed the point.
* because I misunderstood this ask again and also most of these gave me hives lmao and also also I think like 75% could be answered with "we needed someone to mean to [character] and Bruce is convenient el oh el"
Anyways:
1. This one is in character, a little bit, because as much as we understand kids needing privacy now, i can see the way Bruce was raised (Alfred would have absolutely read his diary, that feels very in character for him) and the way Dick was (sneaking out to find Zucco) leading to him panicking and monitoring him as much as possible. That doesnt make it right mind you. The thing is if Dick hacked the bat computer Bruce would probably be proud of him, so not entirely hypocritical.
2. Also possibly in character, because again, thats how Alfred probably spoke to him. Not great, and i think the current Batman and Robin run does a much better job with their relationship, but can be chalked up to bad writing tbh.
3. No this is shitty writing. Sorry it just is!
4. This could be its own post but in summary: decisions made to launch another chracters solo or in order to make a different character look good are ignored. They wanted a Nightwing solo and decided a good launching point would be a big fight between Dick and Bruce. No thanks.
There have also been panels where Dick talks about ignoring Bruce’s calls during that time period, so this could be chalked up to mutual miscommunication if you insist. And i prefer the pre crisis origin for Jaybin, for multiple reasons.
5. I haven’t read this, ive heard of it, and its weird. It feels like point 4, but for Tim. The writers wanted a villain for his birthday comic, Bruce is right there.
6. Nah, Jason fucked around and he found out. He wanted a Batman that kills criminals, he just forgot he was also, now, a murderer and a criminal. Im only half kidding here, but the problem with UTRH is that exactly. Also the fact that Jason spent like six months doing absolutely horrible shit in Gotham, and that like 15 minutes before this showdown Bludhaven was blown up, Bruce has no idea if Dick is alive, and Jason mocks him for possibly losing another son. Also Jason is the one demanding Bruce cross his very personal boundaries here, ethics and morals are a very necessary part of the conversation!!
7. Anything where Bruce beats someone near death or uses lethal force is technically out of character. Jason comics outside of DITF and UTRH do not do enough work to give his actions the context necessary for them to be in character. RHATO #25 Is shit writing.
8. It was heretic, on Talias orders, and that whole storyline is dumb. This does feel in character, because Bruce response to grief has historically been 1 become Batman 2 attempt to commit suicide by cop/criminal so points for that consistency? I really hate this plot tho. Stop killing Bruce's kids!! The man is unstable as it is!!!
9. Out of character. I know it gets used for some god awful reason but it is so out of character unless the writer is willing to give it some serious work to provide context, (or unserious; see; Zur-En-Arrh in Gotham War. It's dumb, but it provides plausible context for Bruce beating his kids ie: it isn't technically him). Barring mind control, rejected.
10. No!! What the fuck!!! Bruce is not sending one of his kids alone against Bane there is an entire comic where he drugs them so that doesn't happen stop that!!!!
As a side note when I read that the first time I understood it as "I should not have sent you in alone because it was a task too big for you, If I had been there to help we could have saved him", but I am an optimist with too much faith in DC.
11. Absolutely bonkers statement from "please let me fire you from robin so you can have a normal life" McGee. Chalking this one up to racism and misunderstanding Bruce's character and that stupid "Bruce Wayne is the mask Hur dur" thing.
12. Ok this one feels in character actually. Somehow. At least they're talking?
13. Also feels in character actually. This one is weird because you'll see those stupid "child soldier" arguments side by side with "how dare Bruce take away Robin!". Pick a side. It's either bad parenting to let Robin exist or it's bad parenting to not let Robin exist, it can't be both!
And since these are comic books, and you need to engage with the genre in good faith or you'll have a miserable time of it, Robin exists! And is allowed to exist! At the same time, as a mentor Bruce has to be able to bench Robin, that is also a function of the mentor/mentee relationship! Basically - Bruce should be able to bench an injured/at risk Robin, but the writing for those scenarios usually wants him as a villain.
Taking away Robin completely only happens to Dick tho, and since it's after he gets shot on the job I do think it's in character.
As for "I tried not to cherry pick" babe please do so!! It's comics!! It's not canon unless you want it to be, and if you want these truly terrible Bruce's to be canon all the power to you! I want to set them on fire tho. And snort WFA like it's cocaine until all this is a bad memory jfc DC screen your writers for daddy issues I am begging you.
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thesungod · 3 months
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nico story has always been inconsistent in the first series it ended with im accepting her decision and him getting his cabin and we are not shown once of any campers attacking him by the end he look like a goddamn hero then the clusterfuck of Heroes of Olympus series nico is back in the underworld trying to save his sister????? and we are told he felt unwelcome with no evidence and I can go on and on toa better for Nico he was fun and seem in a better place then tsats happened I expected a Maria and Bianca scene but it could have better written I don’t think it just mark Rick just make up shit for Nico as he goes too and he forgets
very agree.
but i’m willing to give some grace to Nico’s character arc in HoO mostly because it was the best part😭
things don’t really fix themselves in one day, after all. it’s possible that while percy and a few other people were learning to accept nico as part of the group, other campers still had trouble.
piper, leo and jason are canonically terrified of him lmaoo
what i can’t forgive t*sats for is the disney-fication of both nico AND hades like. they KILL people!!
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lovelylonelymoonlight · 11 months
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submission i got
“I mean if you mean the Joker for “did you want him to SHOOT the mentally ill?” then yes I guess I do? This is a false dichotomy let’s be honest.”
not what i meant. the og post said something about bruce punching mentally ill people and that he was a pussy for not killing like Jason-ergo did you want him to shoot the mentally ill? 
“Like I could say hey its good that the Allies killed Nazis in WWII, and at the same time say many Allied soldiers did awful things to civilians especially in Japan and that’s bad. Do you think I would want Allied soldiers to kill everyone?”
i feel reallly uncomfortable talking about real world issues in relation to fun time comic fictional lets have fun stuff. discussing the issues of how we should handle “justice” is fun but not some much when in relation to the real hardships experienced by actual real people. 
“Maybe what people are really trying to say is Batman is an imperfect person who needs to adjust his methods based on who he is facing. He far too often uses extreme excessive violence when it isn’t needed. At the same time there are stories where he rejects any kind of violence even when used as self defense by people who do need it to protect themselves. As was the case in the Batman story with the woman who used violence to kill a serial rapist murder  that was abducting her. “
theres also plenty of stories where he equates rapist to inhuman monsters and does nothing about the people (like the birds of prey) who do murder them
i think batman’s biggest error is his inconsistent writing and bad faith interpretations rather than his methods. 
“You and I both know its a bad faith argument to say people want Bruce to murder mentally ill individuals. Maybe you could try to actually meet people with compassion and understanding and try to talk to people about their issues with comics. You may find a compromise. For example I think a lot of people would not care about the whole killing not killing thing if DC let the heroes actually rehabilitate villains and have it stick or provided better safety for civilians so that it was more elaborate thefts and less mass murder when it came to Batman stories.” 
okay again this whole argument is about fun silly comic drawing about characters soooo 
anyways yea I agree- we’ve seen a lot of success with harley quinn in relation to this. I think dc should start writing actual interesting stories about bruce that doesn’t paint him as absolutely terrible person/father. cause its a disservice to his character and the legacy of that character. 
if i was writting for dc theres a couple of things i would do! the joker needs to be fixed- his character is all over the place and im tired of it being written off as him being a twitsed cycle path-its boring. We the audience shouldn’t want the joker to die, and we should feel the same weight and guilt bruce does when faced with jason’s anger. i think making harley quinn an anti-hero is a step in the right direction ESPECIALLY if she was a villian villian (just as bad/worse than the joker himself) before. if we see a person finally take the chance that the batman gives them. Rehabilitation over death-theres always a chance. if one bad day can turn you into a villian one good one turn you into a hero. etc etc etc
on a more philosophical note- this whole discussion is really about what justice IS. and what it ISNT.
contrapoints (i know she has had controversies but not to due with this particular topic and i find she does a good job articulating her point but pls keep any biases she might or might not have when watching) has a video about justice that i would really recommend. 
ANYWAYS WHAT PART ABPUT NOT STARTING DISCOURSE DID YOU NOT GET ANONNNN HUHHHHHH
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zed-sabre · 2 years
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jason todd for the bingo?
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again, obligatory 'dc is too saturated by batfam' salt. also, i do recognize that a lot of my fondness for joyfire and jason's brotherly relationships are built primarily on fanon. wayne family adventures technically isn't canon continuity as well. still, doesn't mean that i don't wish it were MORE canon, considering how inconsistently he's written most of the time.
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ursie · 2 years
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wait how would you rank the fighters in the batfam? (I'm asking because of this #I don't know when comics decided Dick was somehow the worst fighter in the batfam when he's been doing it longer than like anyone but like.)
Oh hmm 🤔 ok I haven’t like read everything so if this seems unfair that’s totally ok and I def take constructive criticism. I’m also not including Harper/Helena/Kate because quite frankly idk where they stand it’s kinda inconsistent to me because they seem to rely on the plot more so than like objective skill (and tbh I think Kate’s skill is kinda op and weird in universe she like didn’t even finish military school 😭) and I’m not putting Damian here because he’s baby so it’s not really fair just know as an adult he should be better/equal to Dick but rn he’s baby
1. Cass : obv though I will say I think writers need to not be scared to let her lose just because she knows what someone’s gonna do doesn’t mean she can stop them. Also she can’t literally read minds emotions like I’m putting her here but honestly I think writers should nerf her a bit so they’ll like. Actually write her instead of just putting her in fighting/emotional support scenes like. Not gonna write an essay here but someone should because her fighting skills is kinda the writers crutch instead of like. Her character 😭
2. Dick : it just makes sense. In universe he’s supposed to be the best I’m sorry the entire point of his character in regards to how the entire family views him is comparing themselves to him and save for Damian when he’s older it really doesn’t make sense for anyone to be a better athlete than him period. Like he’s 2nd for reasons in universe and out
3. Jason : truthfully I wanted to put B here but honestly I do think Jason is probably a better fighter at this point and whilst I’m not anti Tim in this regard Jason does body him every time 😭 I’m not entirely sure it’s like. Earned but yeah he can have this ig. Man died I’ll give him third place
4. B : I know I know we all love to hate him but honestly I don’t think the next couple people have ever been written consistently as better fighters then him (or would it actually make sense tbh).
4. Babs : ok so cheating here but I’m gonna go ahead and like tie Bg Babs w B they’re about the same obv she can’t fight as well as him as Oracle which is fine she was never the best fighter and is textually and narratively a better hero as Oracle. But they’re also equals so she’s here ok
5. Tim : look if DC allowed him to grow up I’d put him above B but on a narrative level I’m not sure he’s actually presented as his equal consistently or DC has even committed to it and truthfully I’m not really sure he’s a better fighter than anyone above him like this isn’t me being mean to Tim I’m just being honest like B and Babs? Maybe but anyone else? No not really
6. Ok so I went back and fourth here on Duke or Steph and I’m gonna put Steph if only because Steph just seems more scrappy to me but honestly they’re tied it really doesn’t matter it’s kinda relative this is where I’d place like. Any other batfam member too (Harper, Bette, ect) as in their skills are entirely dependent on who’s writing them and hasn’t really been consistently flushed out yet. It’s just. Not top 5 agsfdhsry
If anyone has anything to add/correct pls feel free to comment honestly
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