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#Jen Music
tiefighters · 9 months
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Watercolor Baby Chewbacca
Art by Jen Music || IG
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crazypercheron · 3 months
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Based on this silly Thread on the Bird App, so I had to draw Cleo and Joe Hills having a music session. Plus the setting this season so far is giving me Appalachian Mountain meets Northwest Coast vibes
Media used: Caran D'ache nonphoto blue pencil, Sakura Micron pens, Ohuhu art markers
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loverleah · 3 months
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BYEEEEE NOBODY SPEAK TO ME IM GAGGEDDDDDDDD THEYRE SO LOVELY AND TALENTED FUCK ME SIDEWAYS
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midnight-ramblingswfc · 3 months
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you sure?
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dykemcqueen · 3 months
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sing (2016) is such a deceptively good movie it's crazy. you watch it once and youre like "Haha yeah love the seth macfarlane rat." second time youre like "Oh i think the matthew mcconaghey koala and john c reilly sheep might be gay." watch it again and youre nearly moved to tears by reese witherspoon pig arc because it so accurately represents the quiet ache of motherhood. watch it again and youre like Yeah the koala and sheep are definitely gay. watch it again and feel overwhelmed by the humanity of it all... by strangers who grow to take care of each other no matter what, strangers who are no longer strangers, but who are also bound by nothing tangible that you can see.
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whereifindsanity · 4 months
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Waylon
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spenglernot · 7 months
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THEY EDIT FINE THINGS WELL: OFMD KISS AND KNIVES SCENES (S1 E9 & S2 E3) COMPARISON
Marveling at the OFMD editors who did so much more than just reuse Schumann’s Kinderszenen, Op. 15: VII. And Erik Satie’s Gnossiennes No. 5 from the season 1, episode 9 kiss scene in the season 2, episode 3 knife pulling scene.
Unedited audio from both episodes plays simultaneously in this comparison video. Take a look and a listen at what happens, with Gnossiennes No. 5 from 0:15 to 0:52. The music is playing twice, but you only hear it once because it matches perfectly. The way the verbalizations and dialogue work together are the kill-me-now gut punch taste-of-orange frosting on the best cake ever.
It's beautiful.
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coolthingsguyslike · 28 days
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404-mind-not-found · 19 days
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I MADE A SYNOPSIS AND A SONG LIST FOR THE HYPOTHETICAL FNAF MUSICAL (Well, the first draft, I'll probably change some minor story stuff later) Edit 20/04/2024: Read the second draft instead! Act I is really similar to the actual lore of FNAF up to the MCI, but Act II is when things diverge.
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(Actual synopsis text under cut, had the song list too but it wouldn't let me post with it, I'll try again later)
Synopsis ACT I William and Henry meet and create Fredbear's, and later Freddy Fazbear's, and both of their families are introduced (The Spark). Then, it shows the current year of 1983. While William wanted to expand further, Henry was content. Dealing with already existing jealousy plus this new anger, he murders Charlotte to keep him in line (Mine, Forever). Everybody except for Henry moves on from Charlotte's murder, and William continues as normal until his youngest son's birthday (The Birthday). The day seemed to be good for everyone involved. However, due to a prank by Michael and his friends, his head is crushed by Fredbear and he later dies. Charlotte, who was now possessing the Puppet animatronic made to protect her, gives him life inside the Fredbear animatronic. Fredbear's closes because of this, and William scolds Michael harshly (The Bite). Following this, William and Henry have much more frequent arguments, so does the former and his wife, until she disappears. William spends more of his time at Freddy Fazbear's, where he feels the atmosphere has changed. He then investigates the Puppet, finally understanding that her soul was inside the animatronic. Meanwhile, Michael and Elizabeth become closer together as William spends less and less time at home (Agony). William spends the next year and a half studying, finally creating a plan to recreate the events of Charlotte's murder. With this in mind, he decides to go and take the lives of four more children, Elizabeth overhearing the entire thing (Follow Me) ACT II Everybody in town hears about the murders by morning, and Clay starts investigating the situation. He suspects William as the murderer (Eye of the Hurricane). Freddy's closes down. At the Afton house, Elizabeth tells Michael everything that she overheard and the two of them look into all of William's stuff while he was away. Their suspicions are found to be correct (Daddy's Show). They then flee once he returns home. William goes to the room and unveils his hidden experiment: a rabbit animatronic for himself to become. He then decides he needs more Remnant, but knows he can't collect any while Clay suspects him. A few days pass and Jen visits Henry and convinces him to leave Freddy's behind for his sake (Until The End). However, after she leaves, Henry finds a letter telling him to go there. At the restaurant, William plans to murder him and frame it as a suicide done out of guilt to clear his name (Follow Me (Reprise)). Michael steals William's car and goes to Fredbear's with Elizabeth, wanting to find more answers there. They discover Fredbear possessed by their brother, and realise they need to find his father. Henry meets William, who tells him everything then attacks him. Before he can give him the finishing blow, however, his kids appear to stop him. William talks to them, but Michael sees through his ruse (You Can't.). Clay reveals himself, telling Elizabeth and Michael go outside, where they find Fredbear. Elizabeth brings him to the other animatronics, where they move on (Happiest Day). William fights Clay, and Henry stands. He takes Clay's gun and shoots William's leg, allowing Clay to arrest him before becoming weak (Mine, Forever (Reprise)). He, Mike and Elizabeth say their goodbyes. Later, the town closes the case and moves on from the tragedies. After Henry heals, Freddy Fazbear's is remade into a new space for children with the help of Elizabeth and Michael. William's place is gone through and the rabbit suit is demolished to make the sign. (Save Them).
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texaschainsawmascara · 5 months
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Quincy Jones & Peggy Lipton
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wineonmytshirt · 1 year
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earlgodwin · 7 months
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"The rift between him and his brother and sister has sort of widened and widened and whereas he's trying to be all mature and get over it, Neil [Jordan] was always keen on Juan coming back different and secure and grounded. That’s how I wanted to play it when he came back. He's spent the entire first series being picked upon and bullied by the family. I think the shock of Lucrezia actually manning up and trying to kill him had a huge effect as well. He’s growing and maturing. If there’s one aspect of Juan that never changes throughout both seasons is he always does what it true inside him. From where Juan stands he sees the hypocrisy in the family, how they can do one thing and say another. As far as Juan is concerned he's always had the best interests of the family at heart." — David Oakes.
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lisamarie-vee · 11 months
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joegramoe · 10 months
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Waylon Jennings Outlaw Ambiance
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jenreadsstuff · 5 months
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I have read this book more times than I could count over the past 29 years, but I was still today years old when I first got this musical reference.
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moonlitdark · 4 months
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Listen to the Full Podcast on YouTube
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