I finally had the mental energy to catch up on my favorite au Kirby is a new(well old) addition that also has me in a chokehold. You've done such an amazing job with them @darth-sonny they are beloved in my heart and will be spinning in my brain like a rotisserie chicken from now on.
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Prompt 198
Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly.
But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance?
So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever.
He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib.
Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib.
Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway?
His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest.
“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring?
Oh.
He wasn’t human this time around.
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you want a new kind of guy, fine, i raise you: the lady i was briefly roommates with in college who once smoked a blunt at a party and then spent an hour confessing earnestly to me that she genuinely preferred reading detailed episode recaps over actually watching the tv show in question
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Have you heard of the "Crowley is Malleus' dad" theory going around? Where Prince Levan (or whatever his name is) didn't actually die and just went out to get some milk and is now known as Dire Crowley, the silly man? The implications of that theory is absolutely hilarious when you think about it
hold on, we can figure this out, we just need LISTS
PROS THAT CROWLEY IS SECRETLY REVAAN/LEVAN/LAVERNE/WHATEVER:
unspecified fae of some kind, with similar coloring to Mal
the animal masks are apparently a Briar Valley thing
has some kind of big blackmailable secret that was alluded to in episode 4, and then as far as I know never brought up again
(unless this was just Azul bullshitting, which is extremely possible)
based on Diablo, which...maybe means something?
has canonically worn Dad Shorts
CONS:
(gestures to Crowley's entire personality)
NO LISTEN Revaan was the guy they sent off on diplomatic missions and to take care of delicate political situations, and...look, I love this dweeb, but would you trust Crowley to be in charge of negotiating your war treaties
despite my brain insisting on reading his name as "Raven", Revaan's title does imply that he was also a dragon (or super into longan berries, I'm not ruling that out)
currently unclear why Lilia "my closest friend Revaan...he is no longer with us...I used to make fun of him for being kind of a priss about eating jerky..." Vanrouge has somehow not noticed or said anything
Malleus' Aloof Anime ~Aristocrat~ vibe had to come from somewhere, and by all accounts it was NOT his mom's side of the family
???:
turns into a bird in the opening, I don't know if that means anything but it's kinda cool, I guess
all that aside, if Malleus and Yuu are any indication, then the Draconias have...questionable taste in their social choices. so anything is possible!
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a fun thing you can do when you're a grownup is buy a bunch of ingredients and make 6 litres of spaghetti sauce in a big pot and divide it up into a bunch of containers and put it in the freezer!
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Who's most likely to forget their best friend's birthday?
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Some Mikey and Sydney Paper Parallels in Season One of The Bear—a few of notes:
Mikey’s death notice and Sydney’s resume both appear in the pilot episode of the series. Mikey’s appear first, informing us of a loss. The bible verse in context refers to a most faithful servant Daniel who is judged ‘innocent’ by God and freed from a lion’s den. The first line of the verse reads “My God hath sent his angel…”
A scene or two later Sydney appears in the kitchen with a resume in hand, effectively a proof of life.
Both Mikey and Sydney leave recipes for Carmy to find. Both of those frames are from the last episode of Season One. Do with that what you will.
The shot of Sydney walking in + the close-up of Carmy’s reaction so purposefully mirrors that flashback of Mikey in the kitchen looking back at Carmy. The latter evokes the idea that this may be Carmy’s last memory of his brother: in the kitchen, a flash of a smile, his back to him. The harsh bright yellow light seems like it might expand any minute and completely envelop this memory until it’s blank and forgotten; maybe this memory is close to fading and the bright light ahead of Mikey has come to take him. Carmy looks a little lost.
Meanwhile, when Sydney walks in the image is clearer—Carmy is clearer and more certain. It is his face that lights up and fills the frame. Set in a kitchen, and met with a similar flash of a smile, here Carmy is seeing a new kind of hope. Sydney returns and brings in the possibility of a future, a salvation from the ruins of his brother and the bones of his life’s work. Again: “My God hath sent his angel…”
As if a little bow to wrap it up, only with Sydney alongside him does Carmy make his and his brother’s dream come to life. The drawing escapes its frame, becomes three-dimensional, it gains a name. The dream becomes real because of Sydney.
P.S. Of course Sydney’s arc and meaning as a character does not revolve around the Berzattos. She has her own histories and pain as seen in these parallels, however thematically she serves as a kind of index to Mikey. Her being new to that kitchen reminds us of what is old, what has passed. Though Mikey kinda lives through her ambition, Sydney lives NOW. She is symbolic of a future. She is *the* future. And because of what she symbolizes, we want Carmy to propel himself forward and join her. Jury’s still out on that.
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in honor of the all the times I’ve tried drawing geralt carrying regis out of tesham mutna, I just wrote a 9k fic instead - (this is) the thing
includes: survivals guilt, hansa remembrance, oblivious geralt, and a lot of touching
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You ever make a shitpost that turns into a full character meta? Anyways: Imogen’s relationship with Pâté De Rolo.
When Laudna first introduces Pâté to the group, Imogen tells Orym that she “never gets used to it.” At first it felt like, this is The Thing. Imogen had already shown that she was down for Laudna’s whole Laudna-ness but it seemed Pâté was the first time Imogen showed a little recognition that something was a little funky. Imogen is down for all of Laudna’s quirks, she doesn’t even bat an eyelash at most of them but Pâté is kind of the one thing Imogen is still tentative about. However, with the added context of later episodes, it seems that Imogen’s relationship to this horny dead rat with a bird skull is actually a reflection of Imogen’s respect for Laudna’s agency.
There’s a blink-and-you-miss-it way that Imogen shows her love to Laudna. You could notice it in small moments but it was hard to put into words until very recently when Laudna’s resurrection ritual made it glaringly obvious. Imogen deeply respects Laudna’s personhood and cares for her agency. Any part of Laudna that she has little to no control over, Imogen won’t be caught dead trepidatious or weirded out by— especially in front of Laudna.
The fact that, of all of Laudna’s Things, Pâté was the only one Imogen gives pause to is important because it’s explicitly not an intrinsic aspect of Laudna. Yes, Laudna created and is controlling him but it’s distinctly Not Laudna. It’s not her body or her spookiness or her ichor or anything else that she can’t control. Pâté is a something Laudna can fully control and that’s why it is okay for Imogen to be hesitant. Her trepidation only is allowed to exist because it doesn’t conflict with her respect for Laudna’s personhood.
And over the span of 30+ episodes, it doesn’t get better. Imogen giggles and engages with Pâté sure, but she is still hesitating, still acknowledging that it’s weird. When Laudna dies and the puppet that gave her pause is tied to Imogen’s belt without a second thought, Imogen protects that horny rat just as Laudna would for a week— its an act of service to Laudna but it doesn’t mean that Imogen doesn’t have hesitation. In fact, it’s still there when Laudna returns and tells Percy about Pâté.
But that changes the moment that Pâté comes to life. There is no more hesitation for Imogen, no side comments or grimaced looks about how weird Pâté is. One minute it is there and then it is gone with one casting of Find Familiar later. She treats the independent Pâté just as she treats Laudna: with a deep and full respect for his personhood.
Under the sun tree? While the entire group is showing even greater confusion about Pâté now that he isn’t puppeted by Laudna, Imogen is giggling and telling Laudna “it’s good, it’s good!”
Imogen doesn’t show any apprehension on her face when Pâté is doing an interpretive dance by the fire. Why? Because Pâté is suddenly an aspect of Laudna that is beyond Laudna’s control. Pâté’s weird comments and mannerisms are no longer active choices made by Laudna and therefore, Imogen’s previous trepidation is no longer allowed to exist. Imogen’s treatment of Pâté is a reflection of the subtle, yet deeply important, ways Imogen cares for Laudna.
It doesn’t really matter whether Imogen’s love for Laudna is platonic or romantic in these moments. Imogen shows Laudna that she deeply loves Laudna by proving with her actions that she deeply respects her personhood. Sure, it is definitely funny that Imogen shows it through her treatment of a horny dead rat with a cockney accent but its also so distinctly them. Those small, silly, almost throwaway moments that have so much more meaning baked in.
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нoiнoiнoiнoi-san
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Depth
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"I hugged everyone in the room so that I could hug you."
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