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#THE LYRICS BEING DIFFERENT EVERY TIME BECAUSE HE CAN'T REMEMBER THE WORDS
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watched swiss army man a while ago and now I'm obsessed with the soundtrack I'm legit eating up half the songs so hard feel like I'm experiencing real emotions for the first time
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bettymylove · 3 months
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hello! I really love your work and I was thinking if you could write a one-shot of theo inspired by the song " Open Arms by SZA ". but somehow make it a good ending? idk 😓 ( like a slow burn or something ) reader had to let theo go but theo is kind of begging..? for reader to stay in his life and so on! idk if I explained it good enough but you can search up the song and take a look at the lyrics, you'll see what topic I'm going for!
thank you if your write this! you're an amazingg writer ‼️
never leaving
pairing: theo nott x reader
content: your insecurities push you to break your friendship with Theo, only to realize you were wrong all along.
a/n: hope this matches your expectations, I'm sorry if it didn't<33 (also I feel like I'm apologizing in every a/n)
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You could say that Theo took you in, he was the only person in your life that ever made you feel too comfortable. When you were on the train, he had befriended you and he never let his friendship falter.
Theo was everything, he was all you could ever need and it scared you how much you were dependent on him. You had never needed anyone, always doing everything by yourself but you could see that changing.
Friends weren't a usual sight in your life and Theo had changed that, but you still had your doubts and maybe that's why you had decided to tell him.
You always had a lingering feeling, that he was taking pity on you because who would willingly spend so much time with you, call themselves your best friend, he had no reason to do it.
You spotted Theo in the hallway along with Mattheo and Enzo. The former two were smoking, and Theo's eyes met yours, and he immediately threw down his cigarette, crushing it using the sole of his shoe.
His eyes stayed on you while yours diverted here and there, ashamed to even meet his gaze. You wanted to be with him, but he was ruining his life for you, he was way too enamored and you wanted to help him.
You reached the group and scrunched your nose at the nicotine smell, Theo noticed this and dragged you away. Why does he have to be sweet and make this harder? you thought.
"Theo, I-" You questioned yourself, he was the only person who knew you but it would be too selfish to make him stay, so you continued, "I don't think we should be friends anymore"
Maybe friends wasn't the right word to describe you two, you weren't dating but he never dated anyone else and it's not like you could. You always hoped it was because he harbored some feelings for you but that had been a foolish fantasy.
"Y/n, I'm sorry sweetheart, I won't ever smoke again, I mean this was the first time in weeks, I really am trying" what? he thought this was about him smoking?
"No, Theo it's not about that." you simply stated trying to make him understand about you suddenly pulling away. He stared at you, his mouth opening and closing as if he wanted to say something but really could find the words.
"You can't do this, you cannot wake up on a random day and decide to remove me from your life as if I'm a pawn in your chess board" he was almost yelling, Theo had never yelled at you nor had he ever gotten angry at you, it was always you being mad and him picking up on it.
You remembered a scenario from second year and how different times had gotten now, you had changed and him not so much but you guess it was for his better.
"Where's y/n?" The twelve year old Theodore Nott asked his friend and said friend just shrugged in response before saying, "She hasn't been talking to anyone."
You're mad, he knew you were you always shut everyone out when you were, falling silent and Theo knew just how to better your mood and so he headed in your direction.
Your flashback stopped when you saw a tear fall from his eyes, you had never seen Theo cry either, only once and that too not intentionally. He was showing every emotion of his and you stood there unable to think, mumbling a sorry before leaving him stranded in that hallway.
Theo was shocked, hurt, angry and was feeling all these emotions at once. He had known you for six years and you had left him in six minutes. He loved you and you couldn't see it.
He knocked on your door for the fifteenth time, and you finally opened it. Your eyes were red and puffed up, you were crying.
"Why are you doing this?" He asked in a small voice unlike the one he used in the hallway, he was scared to lose you.
"You don't need to take anymore pity on me, Theo, go live your life" you said with a sniffle in the end and your statement had only made him more confused.
Pity? he had never taken pity on you, and it hurt himself that you believed that nonsense. "You can't replace me y/n, I'm forever, no matter what."
You so wanted to believe him, you so wanted to be in his arms right now, you so wanted him to stop as he was doing right now but you just couldn't.
"I'm sorry Theo, but I have to" Those were last words to him before you shut the door and Theo couldn't sleep that night.
It had been 2 months, 18 days of you ignoring him and he thought he might go mad, you were driving him crazy, you not being there was so much worse than he had anticipated.
It was late in the night when he spotted you leaning against a railing, breathing hard, and when he got a bit closer he noticed you were crying.
He went to stand beside you, you flinched but then sort of relaxed when you noticed who it was. You laid your head in your hands and started crying even harder and without missing a beat or saying something spiteful, Theo took you in his arms.
It was much later that you realized that you could not live without him, he was your Theo. Your tears wet his shirt but he didn't seem to mind, he never seemed to mind.
"You won't leave again, would you?" He asked as if he knew you were coming back and he was right. "You could try, but this time I won't let you."
You smiled at him, god he was the only person in the world who would never make you feel bad about what you did, and you realise it was only your insecurities holding you back from him.
He kissed your forehead lovingly and hugged you even tighter, "I love you" he whispered, half hoping you didn't hear him, but you did.
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runningfrom2am · 9 months
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on the one screen in my town: four
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summary:
mason’s life with drew was absolutely perfect, she was happier than ever; until everything came crashing down all at once.
tags/warnings:
drew starkey x fem!popstar!oc, drug and alcohol use, addiction, death, grief, these tags are not exhaustive, idk i'll add to this as it goes on.
wc: 1.9k
disclaimer!!: this part contains a song which i DID NOT WRITE** this is an amazing song by my mother, taylor swift, called “bigger than the whole sky” (i’ll link it here) so yeah i’m NOT claiming to have come up with the lyrics or any of the song AT ALL it just fit the vibes and this is all for fun :)
series masterlist
masterlists
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Drew hears the echoing of their piano through the halls of their Charleston house as he sits in his office, trying to finalize all the legal documents and contracts of vendors for their wedding. It's hard when the wedding has been postponed, many of their deposits no longer valid. Not that it matters to him much, but it would be nice to be able to give them a solid date to stick to.
He sighs as he gets up, tiptoeing down the hall, careful not to step on any creaky floorboards as he gets closer to the music. He presses his back to the wall, wanting to listen without bothering Mason. He peeks inside, and the room is in the state it's been for months- papers and blankets everywhere, clothes and abandoned coffee mugs scattered on every imaginable surface. Her "writers cave", as she had jokingly called it before, now looks just as depressing as it sounds.
"Did some bird flap its wings over in Asia?"
He hears the soft tones of her voice now that he's close enough. She was singing so quiet he could hardly pick it up over the sound of the piano, even being so close.
"Did some force take you because I didn't pray..."
The song Mason wrote in the wake of her breakup with Brady all those years ago has now taken on an entirely different meaning for both of them. Drew can hear the shakiness in her voice, the lyrics just slow and torturous enough to leave her attached to the words. Her mother has been gone for months now, and she is doing better with her grief, but Drew can't help but feel like he's mourning not just the woman who would have been his mother-in-law, but also the woman who was meant to be his wife.
It's a beautiful song, and it does take Drew a minute to wrack his mind for its title, placing a weight in his chest when he remembers just as Mason reaches the chorus.
"Goodbye, goodbye, goodbye. You were bigger than the whole sky..."
She plays it slower, pushing the keys down harder, more frustrated that she couldn't get the notes just right as her voice shakes, and more frustrated that the association of the song has changed at all. Drew jumps as she slams her hands on the keys, swiping the sheet music onto the floor and turning on the bench. She freezes when she sees him in the doorway, no longer trying to hide. "Honey, hi.." She sighs, standing up and plastering on a smile.
"Frustrated?" He asks, gesturing to the papers scattered across the floor. He knew she didn't need them when she played, he wondered why they were even there.
"Yeah, sorry." Mason chuckles, walking up to him and sliding her arms around his waist in a hug.
"That's okay." He says softly, planting a kiss on the top of her head as he hugs her back. "We've got that dinner and party tonight, are you sure you want to go?."
"I want to go." Mason insists. It's a casual get together with Drew's OBX cast mates, and they promised they would go. It will be the first time he's seen them since the series finished filming relatively recently, and Mason wouldn't want to take that from him. "Besides, I feel like I'm rotting away in this room. I've got to get out." She chuckles, looking around at the messy space.
"Alright. We don't have to stay long, just make an appearance and talk to a few people and then we'll come back, yeah?" Drew says, not wanting to push her, but he does really want her to go, to get out and see their friends who he knows she's very comfortable with. After all, him and Este have been planning this night for a month now.
Mason nods a little against his chest, pulling out of his arms and gently patting his shoulder as she brushes past him, going to start getting ready.
She's eased herself back into events and public appearances slowly, understanding that life must go on- somehow. Especially when she has so many people waiting on her, looking up to her, even if they've kept what happened almost totally private. Besides their close friends and family, including their friends on the cast- which is the only thing Mason is dreading about this.
"I'm scared they're going to be weird." She says to her fiancé as he drives them towards the restaurant.
"What do you mean?" He asks, tilting his head a little bit as he focusses on the road, one hand on her thigh in the passengers seat.
"I haven't seen them since before mom passed- I just don't want things to be like... different. I don't know." Mason sighs.
"They'll be fine." Drew assured her. "Besides, if you're even a little bit uncomfortable, we'll leave. Just tell me and we'll go, okay?"
Mason nods, swallowing as they pull up to the building. At least it's her favourite restaurant, and she knows she can have her favourite food, if nothing else good comes from the night. They park in the back lot, ready to go in through the back door of the space which is closed to the public for the night. She hops out and grabs her bag from the floor of the vehicle, along with a few gift bags she put together for everyone in the main cast. She couldn't make it to the official wrap party, so she wanted to say congratulations to them all while she had everyone in one place.
Drew wraps his arm around her shoulder as they walk up to the building, giving her a gentle squeeze as the door is opened for them and they walk in. It's dark, and quiet, and Mason chuckles a little in confusion as Drew leaves her side, and suddenly the colourful lights flick on- giving the girl a semblance of vision in the previously pitch black restaurant.
"Happy birthday Mason!" A cheering fills her ears as she processes all their friends standing in front of them as all the tables are cleared. A smile crossed her face and she laughs, shocked too see that this is all for her.
"Happy birthday, love." Drew is with her again, reaching for the bags in her arms. "Here, let me take these..." As soon as her arms are free there's someone throwing their arms around her shoulders.
"It's not even my birthday." Mason chuckles, hugging her best friend back.
"Oh please, it's close enough, Mace." Este replies, rubbing her back. "We just love you, and want you to feel celebrated."
"Thank you, Este." She whispered, pulling away carefully with a weak smile on her face. There was only a few days before her birthday, and she had completely pushed the idea of it out of her mind.
"Now, come on, let's get you a drink!" Este is quickly ushering Mason along, not wanting to give her a chance to overthink anything.
Drew chuckles as they quickly walk off, placing the bags of gifts for his cast mates on a table pushed up against the wall.
"Drew." Madelyn grabs his attention and he turns around to look at her.
"Hey, Mads, how are you?" He smiles, giving her a quick hug.
"I'm good! Thank you for inviting us." She smiles, resting a hand on his shoulder. "How are you doing?"
"Uh, I'm good! Yeah. Everything's great. Well, good. We're going day by day." He shrugs, knowing what she was really asking.
"Good. That's really the best you can do." Madelyn nods, looking over her shoulder at Mason and Este at the bar. "Is Mace doing okay? I've reached out but she doesn't want to talk much."
Drew sighs as he follows her eyes over to his fiancé. "Yeah, I mean, she doesn't want to talk to anyone these days. Please, don't take it personally."
"No, no of course not. That's what I assumed." Madelyn nods, watching as JD and Rudy greeted Mason with a hug, careful of the drink in her hand. "If I can ask, any updates on the wedding?"
Drew shakes his head, looking down now. "Not really. She just wants to keep pushing it back and back."
Madelyn furrows her brow, detecting the frustration hidden in his tone, even with his slightly half-hearted laugh. "She'll be ready one day- but I get it. I couldn't imagine having to plan a wedding without my mom. Forget standing there on the best day of my life knowing my mom isn't there to celebrate with me." She frowns, shaking her head just at the idea of it. "Just, be patient with her."
"I know..." Drew agrees quietly. "I'm trying, truly."
"She's lucky to have you." Madelyn smiles at him, patting his shoulder again.
At that, she walks off to greet Mason, watching her words carefully and trying to be as normal as possible. Este made it so clear to the group before the couple arrived that they need to be mindful about what they say about her mom. After all, they had all written up and signed a card for her when they first heard the news, so follow-up conversation about the topic at her birthday party was hardly necessary.
Mason was quick to hand out the gifts she brought for everyone, and after she opened all of hers, Drew had them sent out to the car while they said their goodbyes. Mason had fun the last couple hours, but just wanted to get home by this point.
They step outside, and unfortunately are greeted by cameras flashing at them from the outside of the makeshift barricade.
"Mason! Did you call off the engagement?" Someone shouts, and she just shakes her head, keeping it down as they beeline for their vehicle.
"Mason! How are you coping with your moms death?" A different voice yells, seemingly upset that they're all just being ignored.
"Just get in the car." Drew mumbles to her, keeping his arm protectively around her side until he could open the door for her, quickly closing it.
"Drew! Does it bother you that she keeps moving the wedding?" He tries to ignore all the shouting as he makes it to the drivers side.
"Drew, are you feeling lucky you won't have to put up with a mother-in-law?" The follow up question comes and he snaps, slamming the door he had just opened to get in and pacing angrily over to the photographer.
"Hey! Watch your mouth or you'll never sell another picture again- hear me?" He shouts, getting up in their face as cameras flash at him from seemingly every direction. "Leave us alone- I swear you'll regret it if you don't."
He shakes out his clenched fist and turns to walk away, not wanting to make more of a scene than he already has. He's quick to get in the vehicle and slam the door again, quickly turning it on as Mason hides the tears streaming down her face with one of the gift bags.
Security blocks off the group of people so they could exit safely, driving home to escape reality for a while again.
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taglist: @bookishbabyyy @madelynie, @whore-4-drewstarkey, @slut4drudy, @winterrrnight, @totalswag, @sadfury @fullfledgedemo @rafemotherfuckingcameron, @urfaveluvr, @alimaythings, @chenslucy, @s-we-e-t-t-ea, @tahliac11, @ragingsammie, @suzyheartsrafe, @dee127
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kanmom51 · 10 months
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Yaaaaaaas peeps
Seven is coming...
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Ehm... and there are going to be 2 versions of this one too... an tame one and an explicit one. Red lights here we come...
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And guess what?
We have a 14 July release at 13:00 KST.
Gotta like those JK coincidences.
I love the use of words in the description: "invigorating" as in getting the blood pumping and juices running, because it's so damn hot?
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I'm super excited, can't wait to see what JK has installed for us.
That said, I feel the need to address a couple of things that have been making the rounds in JKK blogs.
Yes, stupid y/n anons and their shit asks all being smug and confident about absolutely nothing they actually know. And I wouldn't entertain this shit, but I do want to make a couple of points here and this is a great opportunity to do so.
Let's start with the rumour, yes, it's a rumour and not confirmed even if in their asks they say it is, that the song is about sex. I mean, I could make the assumption that having 2 versions of it could mean that.
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Although explicit can mean use of swear words, you do know that? But let's run with it being explicit as in all about sex. 7 days a week of invigorating, blood boiling (in a good way), juices running, sex having. Let's just say it's about that.
Does that mean it's straight sex? Cause I can assure you that our y/n anons have definitley not gotten their hands on the lyrics, have not seen them or read them or heard the song. So, let's scratch that assumption, why don't we?
I would actually like to teach the anons a lesson in life, maybe something they don't know yet, perhaps due to ignorance and immaturity, but hey, here's a little wittle secret... queer people, you know, gay, lesbian, bi, etc., they do have sex, with each other (yeah not each other each other, you know what I mean, lol), A LOT, all the time, sometimes, gasp, 7 days a week.
Mind blowing, right?
So I guess we established that a song about sex does not necessarily mean a song about straight sex.
Moving on.
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2 translations. From both we learn that this IS NOT a song that JK wrote. This is a song he was given to record, a song he listened to, liked and decided to do.
This is super important. Because this is what makes the difference between a song being personal, having a personal meaning, something he wrote and created, and we know that JK writes about his personal experiences, and a song that is not personal, a nice song he liked and wanted to record. Not that unsimilar to many of his covers or songs he likes to sing when he's doing karaoke.
And perhaps this is also why it's being released as a single and maybe not part of his solo album? Although it could be on the album, but I kind of feel that for a first solo album, he would want to do more personal. Maybe that's also why he told us the album is not done and this is something totally separate. Who knows. What we do know though, is that this was not a song he wrote.
Anyway, this is important, because this song will be JK as a performer more so than a creator, if you get where I'm going here. The song is not a personal creation or envision of himself in real life. It's him singing, as an artist, a song that someone else wrote. People sometimes forget that as artists not everything you sing about or act or write is personal or about yourself or your life or your experiences. We know, from JK, that when he writes he does take from his own life experiences, his writing is very personal, but in this case this isn't a song he wrote, and I know I'm repeating myself here, but this is very important to understand and remember.
Ok, moving on to the MV and the claims, again rumour based, of Sohee being in it.
Let's establish a couple of baselines here shall we?
First of all anons did not see the MV so they have zero clue who's in it and what it's about. Every word they spew with regards to that MV is one big hot y/n assumption based on unsubstantiated rumours.
Second, as mentioned, we don't know who is in this and what it's about.
Now let's play around a little, make this a fun guessing game of what ifs and so whats, lol.
What if Sohee is in the MV? Ok, what if? I think the anons need to go look up who Hun Sohee is and what's been the talk surrounding her (cough queer cough) before rejoicing that she might be in JK's MV.
Btw, clear example of a very possibly queer actress acting in straight rolls. And if you want to go the other side of this, flip the coin and assume she's straight, well you will get a straight actress who has acted in a queer movie. Either way works for me to prove the point.
What if the song is about sex? I guess we kind of discussed this before, didn't we?
Now let's add the two together.
What if the song is about sex and Hun Sohee is in it? To that I will add a question to the anon/s that most definitley have not seen the MV as of yet and will be happily (or maybe not too happily) be watching it with us on the 14th of July 2023, Silver day, at 13:00 KST: What if the MV is filled with sex, all kind of sex, straight sex, queer sex, upside down or inside out sex, (whatever your fancy as long as you are a consenting adult)? What if JK is singing about sex and the MV is about sex, a whole lot of it, with a whole lot of it going around him, and not all of it is straight? You know, just like Troye Sivan's MVs. That would be a very interesting what if. Can't wait to hear their answer to that one.
Oh, and here's the kicker what if.
What if it's none of the above?
What if all of this is a load of bull rumours and Sohee has nothing to do with the MV (she was in LA for a fashion event), and there is no sexual content in the MV, and it's all about the listener using their own imagination? What if?
I guess we will ALL just have to wait and see.
I will tell you this though. Whatever Koo does, I trust him. Y/ns will always assume what they want to. I don't believe that he will intentionally play into it. This man is not straight. Period. He is a smart young man, who has been telling us for years now who he is as a person, and he will not backtrack on that just to fulfill the y/ns dreams about him because that's what the company might want. So whatever he does might get their juices running (let's be honest, not might, more like will), but it will be done in a way that allows for interpretation. This is of course an opinion and nothing more, but hopefully one that will prove itself right.
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mysadblacksoul · 1 month
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Hi, so Next Semester, ey?
God this song hits so close to my heart. Not just as a uni student, but also as a young adult who is trying to navigate her life in any logical way So thank you for that guys Then the theories (because why the hell would they make a MV without lore, am I right folks?) MV!
Overall red tones: drumsticks, logo, stage as well as the Blurryface paint brings us back to the Blurryface era for sure
Like it's a callback to the past, do you see my vision?
Could it be a fist show that they did after fully escaping Dema and doing it on their own terms? Maybe
But some scenes give me dream like sequence. Like Tyler is just imagining how the life would be if he succeded to escape
The going back and forth on the road is a callback to the times when he tried to escape, with little to no luck
People are not only there in person, but they also are moved by the music and know the words. So for sure it's different audience that they had in Dema
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The ukulele makes me think that we travelled even more back in time. Honestly, it feels like a callback to the RAB era
It also gives me parallel to the Car Radio MV, just way calmer this time
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Now this gives heavydirtysoul
But did you notice that the thing (car? person?) was going full speed on Tyler and he was the one who got out the way every time, yet it just circled around Josh (just like in HDS)
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The middle of the road also gives me Truce vibes
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So with the lyrics, the whole MV gives me the vibe of being closer and closer to the true freedom
Lyrics!
No-no-no, no-no-no - disapproval of the current situation, pretty easy
Stand up straight now / Can't break down - I would say this are pretty self explanatory feelings of Mr Clancy in Dema. He simply cannot break down, or he would let down not only himself but also the people who he leads
Graduate now - It doesn't need to be literal, it could mean to finish something quickly
It's a taste test / Of what I hate less - The feeling of having to choose the lesser evil. That no matter what you gonna choose it's still gonna be bad
Can you die of anxiousness?/ I don't wanna be here, I don't wanna be here / What's about to happen? What's about to happen? - Valid question tbh. All of it are the feelings of intense anxiety and a desire to escape from the current situation. There is a sense of fear and uncertainty about the future
I remember certain things / What I was wearing - Vivid memories about the certain time and place. Like every escape attempt is important
The yellow dashes in the street - Could be both the lines on the road, but also the yellow Bandito tape. And could the number of the dashes be 300? Like in Overcompensate?
I prayed those lights would take me home - That this one, this attempt will be the the last one. Plus the torches used by Banditos, like a symbol of hope
Then I heard, "Hey, kid, get out of the road!" - Solid reality check
Can't feel my legs / I might suffocate / There's a pressure in my chest - More feeling of nervousness and uncertainty. Everything Clancy feels while running
And then he slowed down / And rolled down his window - So now we know that the speeding thing was a car, but who the hell was driving it
Can't change what you've done - You can't redo the attempts of escaping, but you can always learn from them. It's a reminder not to look back and always look forward to the next, better things
Start fresh next semester - It doesn't have to be literal semester, could be year, day, month. Just gain back your strenght, calm down and try again. Yesterday may have been lost, but what matters is that you don't give up and keep going. You're still fighting
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linalilia · 1 year
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[meet the prisoners!] prisoner 001: miyagawa akio
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oh god we're really doing this.
so yeah, remember when i said that i actually have milgram ocs? i'll start posting them now!
here's our first prisoner! his design looks a bit boring, i know, but i think it fits him well! sorry for making him look like mikoto's long lost brother i wanted him to have that "basic anime protag" vibe, if you know what i mean. though his personality is not like that at all, haha. also i'm sorry if the symbols on his prisoner uniform look weird, i'm still trying to figure out how to make them look good and i can't see them that well even though i use references 😔
also, some notes: this story happens before the events of canon milgram project + novel (yes, i know the plot of the novel but i'm not sure where to read it in english, i'm sorry!), so es isn't the guard yet. this time milgram prison has not one, but TWO guards and both of them are polar opposites of each other. one of them wants to vote everyone innocent and believes that they're actually good people, but the other one thinks all prisoners should be voted guilty and all of them deserve to die for their sins.
this time the prisoners are much less sympathetic than the canon ones because if the canon prisoners are kind of "morally gray".. well, maybe these guys' cute designs will be enough to make people vote them innocent :') i will write their mv descriptions, voice dramas and interrogations as well, though honestly, i feel like i actually could try writing songs for them because i like composing and writing lyrics.. but i'm too lazy for that right now djsjsksk.
also almost forgot to mention, don't take their mv descriptions too seriously (or do take them seriously. i'm not your mom), like, for example, if i mention a character being treated badly by someone in the mv, it doesn't necessarily mean that this thing actually happened. it doesn't mean that my characters are able to lie through their mvs, it's more about how they personally saw their crimes. and considering that a lot of my ocs are very dramatic and they believe that they've done nothing wrong.. yeah, trusting their every word is not a good idea.
and if you guys find my ocs interesting, maybe i'll actually do polls where you can vote them innocent or guilty! and if not, that's okay, i already have canon verdicts for them in mind, so :'D it would be fun to see people choosing something completely different from what i expected though
anyway, you can read this boy's profile under the cut!
General info:
Name: Miyagawa Akio (宮川 昭雄) (kanjis in his last name stand for "temple, shrine, palace" and "river" and kanjis in his first name mean "bright" and "hero")
Age: 16 y/o
Gender: Male
Status: Prisoner 001
Birthday: September 4 (Virgo)
Height: 166 cm
Blood type: A
Image Color: #D5C7E5
Occupation: High school student (first year)
Personality: Akio is a very prideful and arrogant boy who has an extremely high self-esteem. He believes he's innocent and refuses to admit that he really did something bad. Whenever his crime is mentioned, he claims that it wasn't his fault and his victim deserved it anyway. However, he's actually very smart and it's easy for him to fool people and make them believe that he really is a good guy. He claims that he was the best student in his class and he's been getting perfect grades since elementary school. He says that he never had any rivals because he was so perfect, however, it doesn't look like he had any friends either. He also doesn't believe that Milgram is an actual prison and thinks that it's all just for show and even if it's real, he's sure that he will never get executed or anything like that.
MV info:
Which canon Milgram song he would cover: It's Not My Fault
Which DECO*27 song he would cover: Reversible Campaign (i wish i could say that i have a deep reason for giving him this song, but.. i don't have one actually! i just like this song a lot and it's very special to me because if i'm not wrong, it's the first deco*27 song i ever listened to (or at least i have many good memories associated with it) so i thought that it would be a good idea to give it to the first prisoner!)
If he could cover a song by a different Vocaloid producer, which one would it be: Abnormality Dancin' Girl by Guchiry (i do have a reason this time, but i think you'll be able to figure it out yourself :))
His MV description: His MV would have this royal theme/aesthetic, similar to Muu's INMF MV with its whole queen bee thing, however, his video would still feel and look completely different. His MV would mostly have dark/dull colors.. until one specific scene.
His video starts with a crowd of people sitting in a room that looks like some kind of a concert hall and even though it looks beautiful and detailed, it's mostly gray and black. All people look like black silhouettes and don't have any defining features, however, judging from their poses, you can tell that they feel awkward or even anxious. And then, suddenly, Akio appears on the stage while dressed like a king. Even though he's supposed to look unique compared to the silhouettes, his colors are still just as dull as the room's. He smiles and starts singing and while he does so, he appears not just as a king, but as other important figures, for example, a movie star, a popular singer, a president and even a god. The lyrics mention Akio being the only person here who's actually interesting, unique, skilled and talented. The silhouettes follow him around all the time and you can actually see them having bright green eyes, but they show them only when Akio does something cool, for example, defeats an enemy, executes a criminal, etc. Everything goes well until Akio notices that the colors of the MV start becoming brighter and he sees that the silhouettes are not really interested in him anymore and they're following a very bright figure that looks like it's literally made out of light. He starts getting more and more nervous as he sees his loyal followers leaving him. There's a shot of him standing with a glass case full of all kinds of prizes and trophies in the background and the glass suddenly breaks right when he sees that figure again. The glass hurts Akio in the process and one of the silhouettes notices it and decides to check if he's okay. Akio sees that this silhouette's eyes are different and they're not green, but pink instead. He smiles and the MV ends with the "more popular student" being executed by Akio, who got his crown back and right when Akio looks at the pink-eyed silhouette and nods, the colors turn dark again and the lights go off.
His Trailer 1 Voicelines:
"My name is Miyagawa Akio. You two.. You two are not much older than me, right? So why the hell do you even have a right to judge us for our crimes? Honestly, I'm the one who deserves this right more than anyone else here."
"He really doesn't know his place, does he? So annoying.. Hey, can you help me out with something? Come on, I know you like me."
Trivia.
He sees himself as innocent and hopes to get a verdict like that as well.
He didn't commit any other crimes except murder and he claims that he had only one victim.
He's secretly embarrassed of his height and wants to grow taller.
He's very proud of being popular with both guys and girls from his school.
He's not really close with any prisoners except Prisoner 009, who's only one year older than him and was quite a popular student as well. Prisoner 002 wants to become friends with him too, but he keeps ignoring her and finds her annoying.
You can think of him as Haruka's "foil" or simply his opposite because of them both being the first prisoners, but having completely different personalities. Haruka constantly apologizes, believes that he brings misfortune to other people and he's not the smartest guy here, meanwhile Akio really was the best student in his class, he never apologizes and takes his words back and he believes that he's better than everyone else. They're also almost the same age, though Akio is one year younger than Haruka.
Even though Akio and Muu's videos (we're talking about the second one) have a similar theme, they feel very different. No matter how much Muu claims that everything is not her fault, she still appears as a monster in her MV and she constantly says how pitiable she is (i am NOT going with the official eng translation) and even if she's a "bad girl", she still asks to forgive her. Akio doesn't feel like that at all and he really does believe that he's innocent and he also doesn't see himself as a monster or any other scary creature, HE LITERALLY SEES HIMSELF AS A GOD. He never asks to forgive him because he thinks that people will do it even if he doesn't ask.
His crime is pretty easy to solve compared to the other prisoners. I wanted to make it more complicated at first, but then I thought that it makes sense for a first prisoner to have a crime that's not as mysterious or difficult to solve as other characters' murders.
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paramorearchived · 27 days
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June 27, 2007
Transcript:
redemption. it's a long story.
re-demp-tion |riˈdemp sh ən| noun 1. the action of saving or being saved from sin, error, or evil : God's plans for the redemption of his world.
there is something that has been on my mind for a while, now, pertaining the song, "Misery Business". i haven't really known what to say about it or how to say it... but honestly, after talking to the guys about it, we feel like what's important is that we try. (whether it sounds "cool" or not). it might get a little personal but here goes nothing.
(in a week or so, i'm going to take this next paragraph down... so read up while you can, if you like details).
"Misery Business", like we've explained before in interviews - and even in past LJ posts - is a true story. the song was written at a time in my life that i felt very bitter towards a girl, who i still haven't forgiven, for a lot of things that she did a few years ago. until this person came into mine and my friend's lives, i had no idea what power someone could have over another. i watched her use sex to manipulate one of my friends, in particular, to the point that none of us - in our little circle of friends - recognized him. he went from being someone so innocent and joyful to becoming someone who was shut off from everything. needless to say, it hurt. not only because he was a close friend but because i felt that i was in love with him. (i know, you can't be in love when you're this young.. right? whatever). either way... the pain that i felt, i decided to hold inside. i thought that if people knew how hurt, angry and bitter i'd become, they'd think i was a bad - or worse, a weak - person because of it. (now, to keep this from getting any longer or any more personal, i'll finish this part of the story by saying... he eventually decided that the relationship had nothing to do with love and after that discovered that our friendship was becoming something different. we sorta fought it for a while because we figured it wasn't smart to start dating so young, especially after what all had happened, but fighting it just made it harder and the next thing i knew, we were an item. (no one uses that term anymore, really...)
i can remember exactly where i was and what everything looked like around me when i was writing the lyrics. i forced myself to relive some of the very vivid memories that i have of the times he dated her. i don't think anyone can understand how awkwardly dark those times were at such a young age. but i do. to finally explain my side of the story and feel freed of it all... well, i was so angry and so happy at the same time. every word i wrote was like a thousand weights lifted off my shoulders. no more burden. what i didn't realize, as i wrote some of those lines, was that while i was escaping one burden, i was also giving myself another.
"but god does it feel so good... to steal it all away from you now. and if you could then you know you would. cause god it just feels so... it just feels so good."
i'm ashamed to say that, although i'm a believer in Jesus Christ and i claim him as my God, when i wrote those lyrics i wasn't addressing him. i was using his name casually. in vain, to be blunt. if you know much about the Christian religion (which i'm not too fond of addressing my faith as), you'll probably know that one of the ten commandments is "Thou shalt not take the name of the Lord your God in vain"... it goes on to say, "...for the Lord will not hold him guiltless who takes his name in vain." As a believer in Christ, that last part scares the hell out of me. i don't want to be held accountable for being the cause of so many people using his name in vain. you don't have to believe in what i believe and no one in Paramore is ever going to go around forcing our faith into people's lives... but believer or not, i might have led some of ya'll to believe that i take my saviour lightly. and i don't.
God brought me through everything that i say in "Misery Business". i believe that i am a stronger person because those things happened in my life. through that situation, i learned so much. when i sing that song now, i'm not the same person i was when i wrote it. when i sing those lines that i used to sing in vain, i mean them in a different way. i don't want to opportunity to be held responsible for causing a lot of people to use my God's name in vain. so, whether or you not you believe in Christ. whether or not you care if it means something when you say God. just know that as for me, when I am singing those lines, i'm telling God that it feels good to stand up for myself and be victorious after long months of confusion and pain. i don't hurt the same way anymore.
sorry this was so long winded. i know we don't usually speak out about our faith. mostly, because our faith is personal to us. but i really felt like i needed to say something, before it was too late. thanks for reading. the guys aren't responsible for whatever mess this post could possibly get us into, hayley
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starsunfirelight · 4 months
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Ok so
I was too scared to post this before, but I think I'm going to do it now:
inspiration to finally post this:
youtube
a channel I watch all the time at the end of the year/when I remember/when it gets recommended to me lol
finally validated my opinions, when I thought I was alone
then someone in the comments mentioned a different channel so I thought i'd check it out:
youtube
and things started making a lot of sense. it's like this one person had the common sense that I could feel was missing from seemingly everyone I interacted with (watch videos) on the internet.
So I watch this:
youtube
after another video, and it's one I'd been meaning to watch a lot sooner, but it's been in my watch later for a long time and I guess it just got buried and I forgot about it lol
I never really check the watch later playlist unless I'm really bored and it's something I remember
(I am 100% a Spooky girl by the way (though for a different- I guess not directly but I have the vibes and those are things that I would do if it wasn't for the fact that I can't for some reason (yes I see the hypocrisy here but trust me on this)) and have been aware of it this whole time and it's also the exact type of person that I really hate and I think the word for it for the general public is "poser") (which is way more accurate to what I am imo)
(but like I get where they're all coming from and hope that they can all move on and get a more happier life where they can commit :> not sure what (face expression in the form of an emoticon/emoji) to put here but oh well )
but anyways, here we go!
(copy and pasted from my notes app) (wrote in the style of a YouTube video (at least at first) bc I am not original or creative but I just wanted to have fun lol) (more like have fun complaining and it was really bothering me and I just had to get it out there somehow) (I legit listened to this song for like 3 days straight until I had memorized all of the lyrics before the song would finally leave my head. :[ ) (again with the face thing, wanted to indicate mildly sad but frustrated not disappointed)
thoughts from today:
(the sentiment is totally taken straight from the comment section of the above videos and her performance with the cake being all messed up on SNL recently)
oliv (sic) is good and bad at the same time, but she’s getting better :)
I got target audience hit so hard like wow
olivia needs to learn to “kill” what she doesn’t like and go all in on being herself, :) it’s already happenin :)
still totally hate her producer by the way, if not specifically for these songs
like Blake put 90's(? idk I forget exactly it's been a while since I went obsessively looking for every single reaction video to her new song to see if anyone out there had the same opinion as me, but more as a way to see what opinon I "should" be having which sounds insane, I know, but I can't/ok couldn't help it and now I realize this is just high school glorified 😔 (ok real last edit so far (haha take that edits later) this was something I only begun to notice starting from Casually Explained's video (found via a hasanabi clip on my recommended who I clicked on bc of QT(he's a podcast host with her and his takes are so bad they're funny but I only know found out (have a better idea of now that I grew up more) they're bad because of other streamers but anyways-) https://youtu.be/MspHbnfEGno?si=KiiMRDYPIc9TK-TF) (here's a link to the original full video: https://youtu.be/l4Ioj4BA6N0?si=gUQ3ZeoyZ3DcGXLy) and then this one https://youtu.be/pII6mLdNawk?si=EWSF_g8Pl0fLOXHG and finally make the connection here myself lol)) but anyways put those drums on the track as a backing and it sounded SO MUCH BETTER than the original
so like yeah she definitely has the spirit, she just needs to talk to the right people, trust and learn from them, and have more people say "no" to her.
like seriously, and then she'll be really good!
like I mean it, her tracks are SO CLOSE to being really good, and I can see the idea behind them, that it makes me a little mad
all it needs is just a little creativity, or at least someone who really knows what they are doing and how to best implement it
like people think the production on the 1989 vault tracks left something to be desired and started making their own mixes, and I think that's what people should do with some of olivia rodrigo's music too! ok but like pretty isn't pretty was pretty much perfect so don't mess with that one lol
and also why I think the live performances sometimes sound so much better than the recorded version lol
y'know what? that could be a solution right there!
If you're bad at mixing, just do it live! Then it's all better anyways lol
haha ok time to let you guys see what I wrote when this song came out lol
like I really didn't want to be "that person" who complained about the thing that every teenager loves right now, but now I see that my complaints were valid because it's just a matter of opinion, and it's not the reason I was so mad lol (ok maybe like 0.01% but like I've been through this before and didn't hate the thing that was popular, maybe I was jealous? idk but still my complaints were mostly not for that reason, let's say lol (was looking for 😥 but couldn't find it lol - me from later, still editing this by only adding comments as I think the original should be preserved as much as possible bc it's interesting to look back at ¯\_(ツ)_/¯) 😓😢😭💀👍🙂🐛✨ (man your recently used emojis really tell you a lot about your personality huh))
ok but anyways
here we go lol
the time is from when it was last edited on the notes app
August 3, 2023 at 18:10
hi
hey guys! So, today we’re going to be talking about 4 time Grammy winning musician Olivia Rodrigo’s latest hit single, vampire. This song reached number #1 on the Billboard hot 100 last week, and that’s almost to be expected of an artist like her. It also took YouTube by storm, (since it was sponsored, in part, haha, though I doubt it wouldn’t have blown up anyways) and I’m pretty sure it’s really popular on TikTok as well. (though I wouldn’t know, because I spend all of my time on YouTube shorts instead, lol) Ok now, personally, I liked her last album Sour, so I was excited to see what new song she came up with next! So, curious to see what it was, I checked it out on the trending page and… suffice to say, I was a little disappointed. I mean, it had such good parts, and musically, it was nice and I could tell what she was trying to do, but I mean, lyrically, I just felt like it could be better. Like, I’ve heard Taylor Swift songs in the past, and even if you don’t like her style, you’ve gotta admit she’s really good at writing lyrics. Not only does she convey her thought with such vivid imagery and a poetic stricture, but the words sound really nice to listen to as well. I’m not an English major, so I can’t go into too much depth there, but I’m sure there’s a lot of videos out there that can explain what I mean here. And as a personal anecdote, my 7th grade class was given her lyrics to Red to analyze for an assignment lol. So I mean, there’s one frame of reference for you guys, haha. But getting back to Vampire, her lyrics on there just don’t feel the same. I know they aren’t supposed to, but in its place they should adopt her own style. But to me, it just feels a bit… idk childish? I know I’m not that much older than her, but still. (Turns out she was 19 when she wrote this, which makes so much sense now, and that’s basically still a kid lol.) Taylor and Demi Lovato have both written great lyrics when they were both around her age. But, Taylor is kind of a lyrical poet, and Demi probably had a lot of help, since I looked on the Genius page and it said the song I want to compare later was cowritten by Nikki Williams, who was 25 at the time. So it’s a bit unfair to compare, but we’ll see.
Musically, I maybe I just don’t get pop opera, but I think the transition from piano to full on pop song is cool, but feels a bit misplaced. Like, it sounds like a good idea in concept, but I don’t know if it translated well. (as maybe she or the producer might have hoped.) But aside from that, maybe it’s just me but I think she liked the bridge-like(? idk just guessing here based off of my own feeling) chorus a bit too much, that she ended up relying on it to make the song great. Don’t get me wrong— musically, it’s a great part, and she should definitely be proud of herself for coming up with it as she did, but do you really have to repeat it 3 times?? I can definitely say that that it’s the key defining highlight of the song, but when you repeat it so much, it sounds tiring and overused. Imo People don’t care if you repeat the chorus a lot, because the chorus is almost meant to be repeated, but I really think that it sounds a bit too same when it’s repeated in this context. The beginning too, now that I mention it. But hey, this part could just be my own personal preference, and that’s valid too, I guess, since it’s just my opinion lol. 
And also, I heard someone say that the instrumental at the end left them wanting more, and I agree that it felt like it ended abruptly, and either it should have ended sooner, or maybe padded out a bit more? idk, but the ending just felt abrupt.
But I do have to say, I really liked the bridge part, and the rest of the song after. I just wish the whole song was good! I mean, imo they should have gone harder on the dramatic angle of it all, like maybe have her in black and white with red lipstick at the piano or something. Extend the craziness of her mind, even if she wasn’t? I don’t know haha, I don’t relate to the song, so this again this is probably just a personal preference. (lol Otto)
Especially the “girls your age know better” part was fire!!!! :)
Also, it sounds kind of like her previous songs, but that’s not really anything to worry about imo, because all artists are a bit privy to that, she said that’s what she was going for, in which case she nailed the “same but kinda different” kind of thing, and it’s not a bad thing imo.
But, I guess, now it’s time to look at the ;lyrics. (warning, I think some of it is childish and a bit cringe. if not, just hoping it could be better :(. )
Now, I know that writing good lyrics really doesn’t have to do with age, but more about your own maturity, and your maturity as a writer. I know it’s a bit unfair to compare as I made those comparisons before, but if you look into the lyrics a bit, hopefully you’ll start to see what I mean.
without further ado, here we go…
I ʜᴀᴛᴇ ᴛᴏ ɢɪᴠᴇ ᴛʜᴇ sᴀᴛɪsғᴀᴄᴛɪᴏɴ Asᴋɪɴɢ, “Hᴏᴡ ʏᴏᴜ’ʀᴇ ᴅᴏɪɴɢ ɴᴏᴡ?” “Hᴏᴡ’s ᴛʜᴇ ᴄᴀsᴛʟᴇ ʙᴜɪʟᴛ ᴏғғ ᴘᴇᴏᴘʟᴇ ʏᴏᴜ ᴘʀᴇᴛᴇɴᴅ ᴛᴏ ᴄᴀʀᴇ ᴀʙᴏᴜᴛ?” Jᴜsᴛ ᴡʜᴀᴛ ʏᴏᴜ ᴡᴀɴᴛᴇᴅ Lᴏᴏᴋ ᴀᴛ ʏᴏᴜ, ᴄᴏᴏʟ ɢᴜʏ, ʏᴏᴜ ɢᴏᴛ ɪᴛ
Ok, so this isn’t too bad, (now after listening about 100 times I like the first 4 lines! :D) but “Lᴏᴏᴋ ᴀᴛ ʏᴏᴜ, ᴄᴏᴏʟ ɢᴜʏ, ʏᴏᴜ ɢᴏᴛ ɪᴛ” sounds a bit playful, if not childish. If she’s taking on a childish tone on purpose because she’s still very “naive” as she mentions later, then I have to commend her for her genius. But also, it might show up unintentionally, as she mentioned that this song just came out of her head one day after a bad experience, so as a child, this might be just how she thinks, and on the spot, this is what she thought of. It makes me kind of miffed, and it’s a bit hard to listen to, but you can’t really blame her at the end of the day. Plus it sounds kind of cool! :D lkokolololol <- me on no sleep
I sᴇᴇ ᴛʜᴇ ᴘᴀʀᴛɪᴇs ᴀɴᴅ ᴛʜᴇ ᴅɪᴀᴍᴏɴᴅs sᴏᴍᴇᴛɪᴍᴇs ᴡʜᴇɴ I ᴄʟᴏsᴇ ᴍʏ ᴇʏᴇs Sɪx ᴍᴏɴᴛʜs ᴏғ ᴛᴏʀᴛᴜʀᴇ ʏᴏᴜ sᴏʟᴅ ᴀs sᴏᴍᴇ ғᴏʀʙɪᴅᴅᴇɴ ᴘᴀʀᴀᴅɪsᴇ I ʟᴏᴠᴇᴅ ʏᴏᴜ ᴛʀᴜʟʏ Yᴏᴜ ɢᴏᴛᴛᴀ ʟᴀᴜɢʜ ᴀᴛ ᴛʜᴇ sᴛᴜᴘɪᴅɪᴛʏ
Yo, can we take some time to take in the scenery? No? Ok, I guess that’s ok, and I’lll be in my own corner doing that I guess, lol :D (also comes up later, but that point it’s slow and I think it’s— you’ll find out later :))
Again, it’s fine, maybe trying a bit too hard, but the one thing that makes me mad is “stupidity”. It sounds so childish compared to the rest of the lyrics there, and I can’t think of a better lyric off of the top of my head, but I just know I wouldn’t use that word there— it gives me the ick, if you know what I mean.
it has real “they ask you how you are, and you just have to say you're fine when you're not really fine, but you just can't get into it, because they would never understand.” vibes lol.
here’s the chorus!! (though it feels like a bridge imo until the last two lines, but maybe that’s just the genre haha)
<3 love it sm omg !!! heart heart heart!!! :)
‘Cᴀᴜsᴇ I’ᴠᴇ ᴍᴀᴅᴇ sᴏᴍᴇ ʀᴇᴀʟ ʙɪɢ ᴍɪsᴛᴀᴋᴇs Bᴜᴛ ʏᴏᴜ ᴍᴀᴋᴇ ᴛʜᴇ ᴡᴏʀsᴛ ᴏɴᴇ ʟᴏᴏᴋ ғɪɴᴇ I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ɪᴛ ᴡᴀs sᴛʀᴀɴɢᴇ Yᴏᴜ ᴏɴʟʏ ᴄᴏᴍᴇ ᴏᴜᴛ ᴀᴛ ɴɪɢʜᴛ
I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ Tʜᴇ ᴡᴀʏ ʏᴏᴜ sᴏʟᴅ ᴍᴇ ғᴏʀ ᴘᴀʀᴛs As ʏᴏᴜ sᴜɴᴋ ʏᴏᴜʀ ᴛᴇᴇᴛʜ ɪɴᴛᴏ ᴍᴇ Oʜ, ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ, ᴅʀᴇᴀᴍ ᴄʀᴜsʜᴇʀ
Bʟᴇᴇᴅɪɴɢ ᴍᴇ ᴅʀʏ ʟɪᴋᴇ ᴀ … ᴠᴀᴍᴘɪʀᴇ
mentions the theme at the end, yay! lol like it wasn’t present before haha
and here comes my theory that the management wanted this part to take off on TikTok all along, because it’s really good (musically imo) but didn’t really put as much attention on the rest? Like girl, I thought we were on the same page about hating songs only made for TikTok! really short, and only having one good part, like you can tell! 
Like “If We Ever Broke Up” by Mae Stephens is the perfect _counter_ to this argument, because it got popular on TikTok and every part of that song is catchy and good, and I think the whole song is perfect. But then again, it’s also kind of short, but also I don’t think it needs to be longer, because then it’s overdone. 
But maybe the way Vampire was written was just because it was difficult to come up with! Idk, but I think it could really be due to anything, and I can’t say for sure, I know that. But anyways, I think lyrically, it’s a bit weak. and the ending made me want to listen to it more, which is a TikTok move, but also just because the song has some really good parts in it, which is just because the song is nice and not a TikTok move I don’t think haha :)
Honestly, “‘Cᴀᴜsᴇ I’ᴠᴇ ᴍᴀᴅᴇ sᴏᴍᴇ ʀᴇᴀʟ ʙɪɢ ᴍɪsᴛᴀᴋᴇs” has kind of the same energy as “For one day, one day / I was really, really, really, really sad” by One Whole Day by Dixie D’Amelio. And she didn’t even write that song!
and so every time I hear that lyric, I get kind of cringe, it’s a bit sad. :( lol
but now I don’t mind after listening to it for like the 100th time lol
Moving on…
“Bᴜᴛ ʏᴏᴜ ᴍᴀᴋᴇ ᴛʜᴇ ᴡᴏʀsᴛ ᴏɴᴇ ʟᴏᴏᴋ ғɪɴᴇ” this line is fine, and it would probably be fine among a sea of other lines that are better, but even still, it would be the weakest out of those lines, but satisfying nonetheless.
This song may be musically satisfying, but lyrically, it’s not. (edit, again, after listening to it about 100 times, I now don’t care about most of it but “dream crusher” still sounds cringe, but the go version probably isn’t.) I may not understand the pain, and I understand that in the middle of writing this song, she was probably thinking about her own emotional pain and not really caring about the lyrics, so I get why it’s like this, and I don’t mind one bit, because that’s her song. And, I mean, She probably wouldn’t have released it of she didn’t like it. haha, unless she was rushed? idk. probably not though!
But still, if you take that aspect away, it’s a bit hard to visualize, appearing weak at times, with a tell not show kind of approach, and at other times it feels like she’s trying too hard, giving the whole song an amateur kind of feel. But Sour wasn’t like this, and I just can’t get why. Like good 4 u had a lot of repetition too, but that was fine, because it felt like that part that was repeated was _meant_ to be repeated, and it was satisfying when it did. You knew what to expect, and it was a little predicable but that was fine. It was nice, even. But this song feels predictable in a kinda bad way, and I don’t really understand why. :(
Ok, back to looking at the lyrics, lol.
“I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ɪᴛ ᴡᴀs sᴛʀᴀɴɢᴇ Yᴏᴜ ᴏɴʟʏ ᴄᴏᴍᴇ ᴏᴜᴛ ᴀᴛ ɴɪɢʜᴛ”
These lines are fire, and I like them. :) Not trying too hard, but not too weak either. It’s great :)
“I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ”
These lines make it sound like she still is very much naive, even if she didn’t mean it to sound that way. It’s also very her, especially in the way that she phrased it while singing, so I have to give her credit for that. Maybe this one is just a personal preference, for me lol Like maybe it rings true for her because it was and it’s just something that I’ve never thought about lol :)
Listening back, it sounds more like a facepalm than anything.
More lyrics…
“Tʜᴇ ᴡᴀʏ ʏᴏᴜ sᴏʟᴅ ᴍᴇ ғᴏʀ ᴘᴀʀᴛs As ʏᴏᴜ sᴜɴᴋ ʏᴏᴜʀ ᴛᴇᴇᴛʜ ɪɴᴛᴏ ᴍᴇ”
Ok, this part just sounds like she is trying too hard, which just makes me sad :(
Like I get imagery, for imagery’s sake, and like she really wanted to make this work, but still, I believe you’ll find the right balance someday as you mature as an artist and a person! :D I believe in you!!! <3
“Oʜ, ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ, ᴅʀᴇᴀᴍ ᴄʀᴜsʜᴇʀ”
“Bʟᴇᴇᴅɪɴɢ ᴍᴇ ᴅʀʏ ʟɪᴋᴇ ᴀ … ᴠᴀᴍᴘɪʀᴇ”
 I like this part, especially the rhythmic feel to it as the song speeds up later. I think the clean version is a bit silly though, and having the not clean version in the second line really delivers the impact. Though that same impact isn’t really felt for me in the first line, and “ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ” had more impact than when she used the bad word I think trying to have an impact (but that could also be just because I don’t know the context of that word, or it just sounds weird coming from a child like her, not really understanding the power that that word holds, but still wants people to take her seriously and think of her as a person who uses that word like “I’m not the kid that you think I am”). Haha, at this point I think she has more impact when she writes from the heart and isn’t trying lol. But that could be totally untrue, but it would be funny lol.
“Aɴᴅ ᴇᴠᴇʀʏ ɢɪʀʟ I ᴇᴠᴇʀ ᴛᴀʟᴋᴇᴅ ᴛᴏ Tᴏʟᴅ ᴍᴇ ʏᴏᴜ ᴡᴇʀᴇ ʙᴀᴅ, ʙᴀᴅ ɴᴇᴡs Yᴏᴜ ᴄᴀʟʟᴇᴅ ᴛʜᴇᴍ ᴄʀᴀᴢʏ Gᴏᴅ, I ʜᴀᴛᴇ ᴛʜᴇ ᴡᴀʏ I ᴄᴀʟʟᴇᴅ ᴛʜᴇᴍ ᴄʀᴀᴢʏ ᴛᴏᴏ Yᴏᴜ’ʀᴇ sᴏ ᴄᴏɴᴠɪɴᴄɪɴɢ”
This sounds like classic high school drama from one perspective, but like her friends really care about her, from another. 
Musically, I wish it was more different than the opening, but I guess changing the beat kind of does that haha. It’s not bad, I guess. :0
“Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ ᴡɪᴛʜᴏᴜᴛ ғʟɪɴᴄʜɪɴɢ?”
What does this mean? Is this just there for the rhyme?
Like, if you’re only going for rhyme, I found this in the BuzzFeed article I was reading earlier of of curiosity “"Maybe then we could pretend / There's no gravity in the words we write / Maybe you didn't mean it / Maybe "blonde" was the only rhyme."” -Skin by Sabrina Carpenter
which I thought was way better lyrics than most of Olivia Rodrigo’s entire song Vampire. Just looking at the lyrics, and has nothing to do with their personal relationship, as I don’t really know about that.
But then again, maybe I was just too harsh, and this is just a reference to something that I don’t understand. Like I wouldn’t personally think about “flinching” when it comes to lying unless it was under a very specific context, but maybe that’s what Olivia Rodrigo is hinting at here, without explaining the whole story.
“(Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ? Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ? Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ?)”
Initially I thought Again, trying a bit too hard here, or maybe it didn’t really come across, but I like the idea that they were going for. 
But after reanalyzing the line before this, it makes more sense in that context, and also explains why she would be really hurt here. Especially because she repeats the line a lot, maybe meaning that he lied multiple times and really hurt her to make her want to repeat that line that much.
“Oʜ, ᴡʜᴀᴛ ᴀ ᴍᴇsᴍᴇʀɪᴢɪɴɢ, ᴘᴀʀᴀʟʏᴢɪɴɢ, ᴛʀᴀɢɪᴄ ʟɪᴛᴛʟᴇ ᴛʜʀɪʟʟ Cᴀɴ’ᴛ ғɪɢᴜʀᴇ ᴏᴜᴛ ᴊᴜsᴛ ʜᴏᴡ ʏᴏᴜ ᴅᴏ ɪᴛ Aɴᴅ Gᴏᴅ ᴋɴᴏᴡs I ɴᴇᴠᴇʀ ᴡɪʟʟ Wᴇɴᴛ ғᴏʀ ᴍᴇ ᴀɴᴅ ɴᴏᴛ ʜᴇʀ ‘Cᴀᴜsᴇ ɢɪʀʟs ʏᴏᴜʀ ᴀɢᴇ ᴋɴᴏᴡ ʙᴇᴛᴛᴇʀ”
This part is nice, “Oʜ, ᴡʜᴀᴛ ᴀ ᴍᴇsᴍᴇʀɪᴢɪɴɢ, ᴘᴀʀᴀʟʏᴢɪɴɢ, ᴛʀᴀɢɪᴄ ʟɪᴛᴛʟᴇ ᴛʜʀɪʟʟ” is kind of a lot to say at once, but I can respect it, it’s kind of like a emotion cake lol. “‘Cᴀᴜsᴇ ɢɪʀʟs ʏᴏᴜʀ ᴀɢᴇ ᴋɴᴏᴡ ʙᴇᴛᴛᴇʀ” :) those two last lines remind of her last album, and she does it so well here. :)
The bridge and chorus again sound epic with the increased tension from the instrumental :)
“Yᴏᴜ sᴀɪᴅ, “Iᴛ ᴡᴀs ᴛʀᴜᴇ ʟᴏᴠᴇ”, ʙᴜᴛ ᴡᴏᴜʟᴅɴ’ᴛ ᴛʜᴀᴛ ʙᴇ ʜᴀʀᴅ? Yᴏᴜ ᴄᴀɴ’ᴛ ʟᴏᴠᴇ ᴀɴʏᴏɴᴇ, ‘ᴄᴀᴜsᴇ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ᴍᴇᴀɴ ʏᴏᴜ ʜᴀᴅ ᴀ ʜᴇᴀʀᴛ I ᴛʀɪᴇᴅ ʏᴏᴜ ʜᴇʟᴘ ʏᴏᴜ ᴏᴜᴛ, ɴᴏᴡ I ᴋɴᴏᴡ ᴛʜᴀᴛ I ᴄᴀɴ’ᴛ ‘Cᴀᴜsᴇ ʜᴏᴡ ʏᴏᴜ ᴛʜɪɴᴋ’s ᴛʜᴇ ᴋɪɴᴅ ᴏғ ᴛʜɪɴɢ I’ʟʟ ɴᴇᴠᴇʀ ᴜɴᴅᴇʀsᴛᴀɴᴅ”
Now this really feels like her old album, and I really like this part :)
It’s really good, maintains her style lol, and no notes from me here :)
this part emotion makes up for aaall of the lyrics haha :)
or maybe that’s the lyrics? rhythm? idk, I just like this part, haha :)
“Yᴏᴜ ᴄᴀɴ’ᴛ ʟᴏᴠᴇ ᴀɴʏᴏɴᴇ, ‘ᴄᴀᴜsᴇ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ᴍᴇᴀɴ ʏᴏᴜ ʜᴀᴅ ᴀ ʜᴇᴀʀᴛ” especially goes hard, and she’s finally writing in a way that’s not only really good poetry but sounds good to hear! I’m so glad! But she doesn’t have to do this if she doesn’t have to, I just think it’s cool that she did it here, haha
At first I was like did you really have to repeat the iconic part a third time? or is it the chorus at this point? Or was it all along? (yes) :thinking: emoji, but after a while, it’s not that bad. It rocks! And only listening to the last part of the song is epic!!!!!! :D the leadup, however it was executed, was worth it, haha :)
Overall, this song is not bad, great at times, even, but I just wish it was better because I get frustrated at its potential, especially because it reminds me of other songs that are really great at times like Heart Attack by Demi Lovato, and I really love that song, and it makes me frustrated that this song isn’t that one :(. After the “‘Cᴀᴜsᴇ ʜᴏᴡ ʏᴏᴜ ᴛʜɪɴᴋ’s ᴛʜᴇ ᴋɪɴᴅ ᴏғ ᴛʜɪɴɢ I’ʟʟ ɴᴇᴠᴇʀ ᴜɴᴅᴇʀsᴛᴀɴᴅ” I’d often go into the chorus from Heart Attack lol :).
But seriously, Like, I get your range is limited, and it’s all about holding in that tension and not letting it go until the line drops (you know the one), but would it kill mainstream music to not hover around the same three notes every time? I’ve noticed it was a problem since Halsey’s “Without Me”, where I really felt that, (editor me from now stepping in to say that I didn't think of this, I just held it in my brain from another youtube video that I had watched years ago but then thought I should "agree" with it without really knowing about what I really thought (based on actually listening to the music) myself lol but then again I did notice it a bit more after I had it pointed out to me, mostly in Halsey - Without Me and Katy Perry - Never Really Over but that last one kinda I had the thought myself a bit at first but then I watched another youtube video and they really pointed to it there as the "death of pop music" but maybe not necessarily with the repeating/range I think idk it was a long time ago and I also liked Paramore - Hard Times a lot at this time but anyways) but maybe it’s just a stylistic choice that I got frustrated by lol, and in general all music isn’t like that. idk about this to say any more.
alright, I think that’s all of my thoughts about this song. ok bye! have a good night/day! :)
Oh wait one more thing. I want to address stan culture, the thing that I wanted to make this video about the most. You see, if you’ve noticed, on the comment section of this song, in most places that I looked, it was hard to find a single comment that was even sightly negative. Now, this could just mean that it’s a good song, but given the complaints I just had that I talked about earlier, it was hard for me to believe that was the case. In fact, that was what kind of started this whole thing, lol. But then, as I looked a bit further on the reviews for the iTunes store, I saw that there were a few people that had the same complaints as I did. There were very few “nope”/“bad song”’s. You don’t like the song? Maybe you’re just not a fan of the genre as a whole, and that’s ok. It’s always (I think) ok to have an opinion. It’s too “copy and paste”? Not original, but still good? Yeah ok, but still, they didn’t comment on whether it was bad or good, and the others admitted it was still good. idk if it’s good to copy and paste or not, but it might e subconscious, and imo who cares (besides the record labels) (as long as you give credit) because it can end up with some really fun music out of it! :) The other comments said it was rushed and it sounded like an amateur. This is something that I kind of talked about in the section before, and if it’s true then I really hope she gets better! :) And a few people were like “meh”, essentially, and still though admitted it was good in some way. So, I guess most of the internet agrees it’s good, just some of us hoping for better. 
Now, the really interesting part happened when I looked at another video by a different artist, for just another reason, not really related to this, just kind of happened to see it by chance. It was Taylor Swift’s Anti Hero lyric video, and in the comments, most of them were positive too. But, they were positive in a different way. Both positive, don’t worry :)
Taylor: I love the lyricism, even if you don’t like her you gotta admit it’s good, I relate heavily to this, and just generally pointing out a certain lyric that they like, with some fans just being a fan of the artist. But most people I think were there just () for the song.
Olivia: Kind of the same vibes, but more people liking “omg olivia you’re awesome I can’t believe you did this so proud of you!” which is great but also can lean towards stan behavior (:/), and also “I just love how she sings with emotion”. :) and occasionally “that one line hits really hard.” (hey, I said that too! glad we agree :)) (editor me here to say that I took those comments to heart and formed my own opinion after hearing theirs) But there were also people who were like “I really resonate with this song” “thank you for helping me get through a tough time” and feeling cathartic, which is really nice to see :’)
So, future fans, I advise you to be civil, and maybe not just blindly support your favorite artist because you like them as a person or like their past work. This is just a reminder, just because you like an artist, or even just one song by an artist, doesn’t mean you have to like every sing one of their songs, or go to great lengths to defend them of any wrong lol. You should personally not be responsible for the financial success of your favorite artist. Just tell your friends, but if they’re not into it, leave it alone, chill. If you like it, then you buy the song. If you like it, you listen to the song. that’s really it.
just be happy :)
just be you :)
it’s ok to have an opinion! even if it’s different from people that you love! (unless it’s a super serious important one that’s just mean or something, then hopefully you can try to respect others even if you don’t agree, and try to see other’s pov I hope again unless it’s really bad)
otherwise the world would be boring lol (I mean about having different opinions from one another)
also absolutely no hate to the teens and people that needed this song the most <3 hope you’re ok 😭👍
ohh maybe 
(I feel a disconnect with this song) bc teens relate to this song and I’m not a teen anymore. ok, yeah, that explains a lot haha. :0 :)
I’ve always wanted to let the world “let teens be teens”, and give them a lot of love as they grow up, and it looks like it’s finally happening :)))
this song is addictive fs, at least it definitely is/was for me
also it’s funny how she was a fake celeb and now she’s a real internet celeb, and that’s funny lol
I don’t have to like this song, nor do I have to force other people to like it too.
teens like it. let em be.
(ok editor me here, this is the part where I was jotting down random thoughts as I had them, kind of like a notebook lol)
y’know I like this song but I feel like it’s missing something…
I just feel like if she used jazz chords instead of the normal boring generic ones she’s already used before, it could be a much cooler song! Like driver’s license was meant to be generic, and the chords work well there, but this feels like it could use something more!!!!
Oh, ok, I see the Queen inspo now. (editor me, this was in response much later to reading a comment that said so lol, bc I didn't hear it at first lol)
Also explains why everyone likes it, haha xD
it’s like her own style combined with their’s
Like songs
Heart Attack
Some piano ballad - Queen, Taylor Swift
Senorita
Paramore
Avril Lavigne
Gothic/Victorian
Emo - the last two lines of the chorus
Birthday - Katy Perry
ABBA, duh!
Miley Cyrus
BTR (I think, probably just the vibes of the genre)\
Lewis Capaldi
used to ba a sad boy with (idk just lyrics) are jepson era
Without Me - Halsey ^
Pink
Linkin Park
it needs more 💖aesthetic 💓💝💘!!!! ❣️💝❤️‍🩹(couldn’t find the sparkles lol)
Piano Ballad/Queen
(editor me, this is where I pasted the original lyrics and jotted down some of my thoughts there lol, so it's kind of like a "behind the scenes" of the YouTube video lol)
(editor me, but also more of in the notebooks vein where it's what I "cut out" from the video lol to stay on topic/not make it too long winded but here I am writing about it here lol (gosh I really hated part of this song, and I still kinda do, and I'm not going to deny it/hide it anymore because that is what I feel is the right thing to do) (but like not going to bring it up when nobody asked lol, except I guess this could be different lol since _I_ asked and I can post whatever I want as long as I think it's ok and hopefully not being unfair/mean 😥))
(editor me here, also this was me desperately trying to find what this reminded me of, and I was struggling really hard here lol (still am kinda miffed about that, but I chose to accept it and move on after I calmed down caring about this song lol, who knows maybe I'll start looking again by listening to more songs about (I mean in!) that era, haha (*insert indescribable emotion here*) (by me rn at least, :/)))
(editor me from a little later, also went back and saw that I was trying to improve it, so I guess that these were my initial frustrations with the song, or might have been from either before or after or both from when I wrote the whole YouTube video
ok I definitely remember coming back and adding to the list OFTEN as I thought of more, plus I looked up the lyrics in the process of writing the YouTube video, so I guess it was after, after all :) (me being happy I figured it out, NOt being happy about the song >:( ok I'm not that mean (or am I? 🤨 sounds fun actually lol) but didn't want it to be the sad emoticon :( <- ok now I'm a bit sad about the situation, again not the song lol (I don't think? maybe? I mean I suppose since I did say I was a bit sad earlier and I think I still feel that way about the song plus it's a "sad" song so...) (ok stop writing now the sleepiness is really kicking in right about now) )
)
(editor me again, I know you said stop but this is the last one I think, yeah I definitely found the lyrics again and pasted them here _after_ I was done writing my whole video up there, just so I could analyze them in the way that I mentioned before lol)
(still editor me here yeah and I would re paste certain parts and they reminded me of things, as I saw fit) (mmhm yes I am aware I sound like a derange obsessed lunatic and that's because I kind of was) (editor me still, don't worry now I have a love hate kinda thinking towards her lol, and have grown up a bit and try really hard not to be like the fans here, y'know fandom rememberings and what not sheesh the name-shall-npt-be-mentioned fandom is like REally bad and is like this one but like is just BAD on a lot of levels, I think it's worse (than this) https://www.youtube.com/watch?v=0a4yt5h5rRg like the problem is their behavior, not the content or I'd argue even the fans themselves, necessarily, the problem is when it goes too far 🙁 bit a bit more ^, like 😕 one side for both (the aforementioned side could be either, depends on the mood but both are ok ), slight frown :/)
(editior me, ok this is last now, please, yeah it's just me basically trying my best to improve the song, I think, or at least that's how the latest draft of all this reads to me anyways lol)
(still editor me, like at the time I didn't know if I wanted it this way because it was what I stereotypically "expected to hear", or just because it sounded cool (anyways it was still what _I_ expected to hear/would do, given the opportunity, I was really thinking of what would make me happy here, looking for outside influences on top of that + seeing if they match what I hear/the vibe I'm going for in my head like yes! no, maybe and all that))
I ʜᴀᴛᴇ ᴛᴏ ɢɪᴠᴇ ᴛʜᴇ sᴀᴛɪsғᴀᴄᴛɪᴏɴ Asᴋɪɴɢ, “Hᴏᴡ ʏᴏᴜ’ʀᴇ ᴅᴏɪɴɢ ɴᴏᴡ?” “Hᴏᴡ’s ᴛʜᴇ ᴄᴀsᴛʟᴇ ʙᴜɪʟᴛ ᴏғғ ᴘᴇᴏᴘʟᴇ ʏᴏᴜ ᴘʀᴇᴛᴇɴᴅ ᴛᴏ ᴄᴀʀᴇ ᴀʙᴏᴜᴛ?” Jᴜsᴛ ᴡʜᴀᴛ ʏᴏᴜ ᴡᴀɴᴛᴇᴅ Lᴏᴏᴋ ᴀᴛ ʏᴏᴜ, ᴄᴏᴏʟ ɢᴜʏ, ʏᴏᴜ ɢᴏᴛ ɪᴛ
Same, bit of Taylor Swift, especially in the chords
I sᴇᴇ ᴛʜᴇ ᴘᴀʀᴛɪᴇs ᴀɴᴅ ᴛʜᴇ ᴅɪᴀᴍᴏɴᴅs sᴏᴍᴇᴛɪᴍᴇs ᴡʜᴇɴ I ᴄʟᴏsᴇ ᴍʏ ᴇʏᴇs Sɪx ᴍᴏɴᴛʜs ᴏғ ᴛᴏʀᴛᴜʀᴇ ʏᴏᴜ sᴏʟᴅ ᴀs sᴏᴍᴇ ғᴏʀʙɪᴅᴅᴇɴ ᴘᴀʀᴀᴅɪsᴇ I ʟᴏᴠᴇᴅ ʏᴏᴜ ᴛʀᴜʟʏ Yᴏᴜ ɢᴏᴛᴛᴀ ʟᴀᴜɢʜ ᴀᴛ ᴛʜᴇ sᴛᴜᴘɪᴅɪᴛʏ
but also her own style I guess
Definitely her own style, or I just can’t tell what it’s copying (opera!!! :))
‘Cᴀᴜsᴇ I’ᴠᴇ ᴍᴀᴅᴇ sᴏᴍᴇ ʀᴇᴀʟ ʙɪɢ ᴍɪsᴛᴀᴋᴇs Bᴜᴛ ʏᴏᴜ ᴍᴀᴋᴇ ᴛʜᴇ ᴡᴏʀsᴛ ᴏɴᴇ ʟᴏᴏᴋ ғɪɴᴇ I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ɪᴛ ᴡᴀs sᴛʀᴀɴɢᴇ Yᴏᴜ ᴏɴʟʏ ᴄᴏᴍᴇ ᴏᴜᴛ ᴀᴛ ɴɪɢʜᴛ
I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ Tʜᴇ ᴡᴀʏ ʏᴏᴜ sᴏʟᴅ ᴍᴇ ғᴏʀ ᴘᴀʀᴛs As ʏᴏᴜ sᴜɴᴋ ʏᴏᴜʀ ᴛᴇᴇᴛʜ ɪɴᴛᴏ ᴍᴇ
Paramore Oʜ, ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ, ᴅʀᴇᴀᴍ ᴄʀᴜsʜᴇʀ
Avril Lavigne
Bʟᴇᴇᴅɪɴɢ ᴍᴇ ᴅʀʏ ʟɪᴋᴇ ᴀ … ᴠᴀᴍᴘɪʀᴇ
Her style, more tension rising buildup in the instrumental, pop ->
“Aɴᴅ ᴇᴠᴇʀʏ ɢɪʀʟ I ᴇᴠᴇʀ ᴛᴀʟᴋᴇᴅ ᴛᴏ Tᴏʟᴅ ᴍᴇ ʏᴏᴜ ᴡᴇʀᴇ ʙᴀᴅ, ʙᴀᴅ ɴᴇᴡs Yᴏᴜ ᴄᴀʟʟᴇᴅ ᴛʜᴇᴍ ᴄʀᴀᴢʏ Gᴏᴅ, I ʜᴀᴛᴇ ᴛʜᴇ ᴡᴀʏ I ᴄᴀʟʟᴇᴅ ᴛʜᴇᴍ ᴄʀᴀᴢʏ ᴛᴏᴏ Yᴏᴜ’ʀᴇ sᴏ ᴄᴏɴᴠɪɴᴄɪɴɢ”
This is something but can’t figure out what it is
“(Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ? Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ? Hᴏᴡ ᴅᴏ ʏᴏᴜ ʟɪᴇ?)”
More emo? idk leading up towards a genre change (makes sense from a theatre perspective) (editor me, I had just heard a comment/maybe it was a (reaction?) video or both say that this was inspired by theatre and was like ohhh, that makes a lot of sense actually)
“Oʜ, ᴡʜᴀᴛ ᴀ ᴍᴇsᴍᴇʀɪᴢɪɴɢ, ᴘᴀʀᴀʟʏᴢɪɴɢ, ᴛʀᴀɢɪᴄ ʟɪᴛᴛʟᴇ ᴛʜʀɪʟʟ Cᴀɴ’ᴛ ғɪɢᴜʀᴇ ᴏᴜᴛ ᴊᴜsᴛ ʜᴏᴡ ʏᴏᴜ ᴅᴏ ɪᴛ Aɴᴅ Gᴏᴅ ᴋɴᴏᴡs I ɴᴇᴠᴇʀ ᴡɪʟʟ Wᴇɴᴛ ғᴏʀ ᴍᴇ ᴀɴᴅ ɴᴏᴛ ʜᴇʀ ‘Cᴀᴜsᴇ ɢɪʀʟs ʏᴏᴜʀ ᴀɢᴇ ᴋɴᴏᴡ ʙᴇᴛᴛᴇʀ” -add a sick drum line after this
Victorian/Gothic (imagine the background music and she’s running away) (or else if it’s positive it could pass as emo)
either way this part sounds cool, because of the way she sings it and builds the rising tension
‘Cᴀᴜsᴇ I’ᴠᴇ ᴍᴀᴅᴇ sᴏᴍᴇ ʀᴇᴀʟ ʙɪɢ ᴍɪsᴛᴀᴋᴇs Bᴜᴛ ʏᴏᴜ ᴍᴀᴋᴇ ᴛʜᴇ ᴡᴏʀsᴛ ᴏɴᴇ ʟᴏᴏᴋ ғɪɴᴇ -> hit the minor key or the 2nd or the 5th or the 7th or sustained or whatever that chord is, like I said, makes the song cool! I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ɪᴛ ᴡᴀs sᴛʀᴀɴɢᴇ Yᴏᴜ ᴏɴʟʏ ᴄᴏᴍᴇ ᴏᴜᴛ ᴀᴛ ɴɪɢʜᴛ
I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ Tʜᴇ ᴡᴀʏ ʏᴏᴜ sᴏʟᴅ ᴍᴇ ғᴏʀ ᴘᴀʀᴛs As ʏᴏᴜ sᴜɴᴋ ʏᴏᴜʀ ᴛᴇᴇᴛʜ ɪɴᴛᴏ ᴍᴇ
Paramore Oʜ, ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ, ᴅʀᴇᴀᴍ ᴄʀᴜsʜᴇʀ
Avril Lavigne
Bʟᴇᴇᴅɪɴɢ ᴍᴇ ᴅʀʏ ʟɪᴋᴇ ᴀ … ᴠᴀᴍᴘɪʀᴇ -> country? for some reason? :)?
This is classic her style, I would say Taylor Swift but this is her style that’s inspired
“Yᴏᴜ sᴀɪᴅ, “Iᴛ ᴡᴀs ᴛʀᴜᴇ ʟᴏᴠᴇ”, ʙᴜᴛ ᴡᴏᴜʟᴅɴ’ᴛ ᴛʜᴀᴛ ʙᴇ ʜᴀʀᴅ? Yᴏᴜ ᴄᴀɴ’ᴛ ʟᴏᴠᴇ ᴀɴʏᴏɴᴇ, ‘ᴄᴀᴜsᴇ ᴛʜᴀᴛ ᴡᴏᴜʟᴅ ᴍᴇᴀɴ ʏᴏᴜ ʜᴀᴅ ᴀ ʜᴇᴀʀᴛ <- expect a run here for some reason, but then it’s cool but not her style? I ᴛʀɪᴇᴅ ʏᴏᴜ ʜᴇʟᴘ ʏᴏᴜ ᴏᴜᴛ, ɴᴏᴡ I ᴋɴᴏᴡ ᴛʜᴀᴛ I ᴄᴀɴ’ᴛ <- a darker sound? ‘Cᴀᴜsᴇ ʜᴏᴡ ʏᴏᴜ ᴛʜɪɴᴋ’s ᴛʜᴇ ᴋɪɴᴅ ᴏғ ᴛʜɪɴɢ I’ʟʟ ɴᴇᴠᴇʀ ᴜɴᴅᴇʀsᴛᴀɴᴅ”
Now this is more pop/emo/her style, which is cool because it’s like the final act of the play, ABBA! :)
‘Cᴀᴜsᴇ I’ᴠᴇ ᴍᴀᴅᴇ sᴏᴍᴇ ʀᴇᴀʟ ʙɪɢ ᴍɪsᴛᴀᴋᴇs -> piano glissando, elton john, very dramatic Bᴜᴛ ʏᴏᴜ ᴍᴀᴋᴇ ᴛʜᴇ ᴡᴏʀsᴛ ᴏɴᴇ ʟᴏᴏᴋ ғɪɴᴇ -> twist a crystal ball that’s dark blue as the protagonist runs away in fear I sʜᴏᴜʟᴅ’ᴠᴇ ᴋɴᴏᴡɴ ɪᴛ ᴡᴀs sᴛʀᴀɴɢᴇ Yᴏᴜ ᴏɴʟʏ ᴄᴏᴍᴇ ᴏᴜᴛ ᴀᴛ ɴɪɢʜᴛ
I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ Tʜᴇ ᴡᴀʏ ʏᴏᴜ sᴏʟᴅ ᴍᴇ ғᴏʀ ᴘᴀʀᴛs -> sees shadow As ʏᴏᴜ sᴜɴᴋ ʏᴏᴜʀ ᴛᴇᴇᴛʜ ɪɴᴛᴏ ᴍᴇ -> shadow
Paramore Oʜ, ʙʟᴏᴏᴅsᴜᴄᴋᴇʀ, ᴅʀᴇᴀᴍ ᴄʀᴜsʜᴇʀ
Avril Lavigne
Bʟᴇᴇᴅɪɴɢ ᴍᴇ ᴅʀʏ ʟɪᴋᴇ ᴀ … ᴠᴀᴍᴘɪʀᴇ
end on cymbals + and a guitar
hmm “play”…. it sounds theatrical, I guess :)
Someone analyze this further please TT hands /\
https://youtu.be/PdTg-JT8FPM is pretty good :) but not complete, more could be said!!!
>hates song
>proceeds to listen to sing for 3 consecutive days
(now 4)
I appreciate the lyricism, it works wonderfully on the stage :) (red curtains emoji)
haha kool-aid is funny
“Lᴏᴏᴋ ᴀᴛ ʏᴏᴜ, ᴄᴏᴏʟ ɢᴜʏ, ʏᴏᴜ ɢᴏᴛ ɪᴛ”
“I ᴜsᴇᴅ ᴛᴏ ᴛʜɪɴᴋ I ᴡᴀs sᴍᴀʀᴛ Bᴜᴛ ʏᴏᴜ ᴍᴀᴅᴇ ᴍᴇ ʟᴏᴏᴋ sᴏ ɴᴀɪ̈ᴠᴇ”
most of the song is just her being helpless(not really), sad, and most of all confused, but this really proves her innocence, and that she’s a good person, (editor me, clear projection here, if it just wasn't _me_ being naïve, if that wasn't already obvious lol) because maybe they would say the second lines, but they would never say the first line even as a joke if they were not a good person 
mean TT
where’s the 2000’s drums at???
what on earth is rocky horror picture show
ok so the final genre is rock
it makes sense now, and is not in fact repetitive 
paid(editor me, this was an autocorrect of p!atd though I don't think I saw the autocorrect until now ) vibes apparently -reaction video from a video with two people (editor me, I think it was one where they were old white dudes with a purple background who listened to mainly metal, but I could be wrong on this)
playlist is 2000’s indie (editor me, I was researching olivia's inspiration and she said her playlist was this lol or at least the comments did, lol)
its in minor
all of this could have been summed down to “I don’t like the new drummer”.
the parts that aren’t her sound like Selena Gomez :) Like, they could collaborate and it would be neat :)
I guess I don’t like the vocal technique because even if it wasn’t billie’s style I thought it sounded more mellow? idk
Lorde??? I guess, but don’t really see it much beyond the opening/structure of things (editor me, yeah, this was definitely a reaction to a comment and I see it now haha)
Songs that belong on a playlist
Vampire
Better Than Revenge
good 4 u
paid or something paramore???? idk just what was on the radio 
oh, that one similar song, ok
enchanted to meet you
rolling in the deep? idk
mine tv
icona pop “i don’t care” 
taylor swift look what you made me do (on spot/hits the spot/pinpoint accuracy) 
tove lo
katy perry - teenage dream
needs more guitar
"the song was a tissue of threadbare clichés" -google for threadbare (editor me I think I miiiight have read this on a comment on apple iTunes reviews, because I definitely did not know that word before)
nice lol haha totally not this one amirite :) (ominous smile) (you should be concerned) (about me, not you) (thankfully) haha
:D
ok I made a playlist on spotify ✨nuf said ✨💐🪷
this is tearing my soul away :D (never thought this was possible, so this is cool lol)
—the centrol theme is people sobbing in their songs—
also teenagers being teenagers, or at least music targeted towards them
why hate?
-emo
-billie eilith
-teenagers
-almost sampled but not quite
-the way words are pronounced
-straight up the production
-“cool” = cringe? (to adults? lol haha)
-maybe that last point is really it :)
-“look at me I’m important”
-fire this drummer
-also consider help for the producer
-overused, cliche, generic, boring <— this is it for sure, I think
-not enough out of the ordinary/expected
-make it stop pls
-imo the last part is better bc she has more confidence :)
-Olivia Rodrigo Vampire - Creativity Don't Pay Reaction I agree it’s trying too hard and going nowhere
-also on the fact that it appears that she’s trying to be edgy - “The swearing to me seems forced and unnecessary and trying to be edgy.” also see “I'm ancient so not the demographic it's aimed at.” “ I maintain that it's not particularly inspired songwriting or production in my opinion.”? “ it's an unfair comparison,” also true
no hate
-but she’s got a good spirit :)
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halliescomut · 2 years
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KinnPorsche Week 2022- Day 3: Favorite Couple
I did you a bit of a favor today and chose not to write a full thesis and I MADE YOU SOMETHING! (I don't know that it should be called fanart; I'm an internet old and I would just categorize it as a photo manip, but idk.)
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So clearly, my chosen couple for this is Kim x Chay. I 'm not going to say they're the best couple, and technically, by the end of season one, they're not really a couple anymore, but their story just really hits me. It hits me because for both of them it's their first love. Like, there is an age difference there (of about 4 years I'm guessing) and initially I think we assume that because Kim is older, more worldly, he would have experienced love before, but I don't think that's true. I think Kim has had romantic/sexual relationships, but those don't have to involve love. I think due to his upbringing he would reflexively keep people at a distance, and I especially think he would avoid even the possibility of a true connection after Kinn's experience with Tawan. (I have my own headcanons about Kim's feelings being used against him by his father, and how his past has affected him, but I won't get into those here.) I think the lyrics for Why Don't You Stay pretty clearly express this as well:
All this time I sink, drowning like a stone - Tryna close my eyes, shut my ears on this throne - Losing my way home, then you came along - Everywhere we are, felt like where I belong - Lost in your eyes there was no place I could hide - Take me inside and let me live in your mind - No pain tonight, this place is reserved for only you and I - 'Cause I wanna stay on your side - Even if the world come crashing down tonight, we'll be fine - Hold me close and we'll just leave it all behind - Why don't you stay
My point is that, we are watching two people truly fall in love for the first time with Kim and Chay, and it's unique from the other couples of the series because Chay is so unguarded. And you're rooting for them, and Chay is this adorable piece of sentient sunshine and Kim has always felt like he's drowning in darkness and he's desperate for that light. And you know Chay is lonely, and you know Kim is lonely and you just want them to feel seen, and heard, and important, just for being who they are. So as noted in the quote in the picture, with first love you open yourself more than any other time. Because at that point you've never been hurt by a romantic partner, you've never experienced that loss, so you don't hold back the way you do every future time. And this type of love is so wonderfully portrayed in the series. Like it's heartbreaking to watch, not because you know they won't work, but just because we're all watching this knowing that first loves so rarely turn into only loves. Like, we kind of know the likely ending, but we're still hoping so hard.
I also really love the connection with music for them. There's a quote "where words fail, music speaks" (Hans Christian Anderson, apparently, who would have thought) and that's definitely a central theme in their love story. Chay's first connection to Kim is through his music, and, yes there's the fanboy aspect, but as Kim can't help but open up, Chay's feelings clearly become more than just idol worship. Like, yes without a full understanding of who Kim is, there's no possibility of a workable relationship, but my point is that by episode 12 Chay's feelings were definitely about more than just 'loving his music idol.' (gif credit to : julielilac )
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And then we have Kim, who's probably dealing with someone for the first time who has a genuine interest in him as a person. He's literally spent his entire life being used as a pawn, being seen only as his name, a representative of his family, and then as WiK he's in this new position where he's more a product than a person. And remember that music connection; Chay loves the emotions in Kim's music, and he wants to know the person who made it. It's not just about WiK being famous. Of course Kim would find it incredibly hard to turn away from someone who SEES him, who WANTS to see him.
Watching Kim go through those moments over and over again where he's telling himself 'the best thing for Chay is for me to go', and warring with his heart because he doesn't want that. And like his siblings, he's never had the opportunity or ability to just allow himself to have something that's just for him.
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I also do really like the creative decision of the show to present the depth of the relationship after it's already over. Like, you're watching these sweet moments for 7 episodes and then those last two where you fully get a glimpse of just how deep their connection had become, and your heart's broken all over again. It's just so well done.
I'm gonna stop here, because I should, and continuing on is just going to turn into character profiles, and that's not what this post is about. Special thanks to Jeff and Barcode for acting absolutely beautifully in this show. Absolutely amazing work.
Also, if you'd like maybe some insight into how I see Kim and this particular love story, I do have a songfic up (link). I'm working on a second chapter from Chay's perspective, but spending several hours a day writing these KP week posts is slowing me down a little.
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Hi Sea! I've been following your blog for a while and I know you're very vocally anti-harry / anti-harries and I never really understood why.. until today. I made the mistake of going to a Harry concert and wow. The contrast between the crowd there and the crowd at Louis' concert was staggering. Sorry to trauma dump on you but holy shit I need you to know how right you are and how fucking dumb and vain Harry's fans are.
I swear 90% of the people there spent more time preparing their outfits than they did learning the songs lyrics.
I distinctively remember the crowd at Louis concert screaming back at him every word of the songs. I remember all the fan projects and us moving our phone lights on sync to the music, and how without knowing anyone there I felt safe surrounded by people who cared about Louis' art as much as I did...
Meanwhile, they had to stop today's concert for 20 minutes because so many people were fainting on the floor that Harry HIMSELF asked the fans several times to take a step back to ensure everyone could breathe. They didn't. The people who were on the stands started chanting "move back" and they still refused to move, just so they could be closer to their beloved 🙄 Talk about fucking entitled pieces of shit. They love to preach that TPWK bs but the *second* they are asked (BY THEIR IDOL, no less!) to do something nice for others they're like "nah, fuck 'em actually". Only when Harry and the whole band left the stage did they move.
Also, whenever Harry asked the crowd to sing, all you could hear was a whole stadium mumbling. It was depressing. Speaking of which, do you know that thing artists do where they say goodbye and fake leave so that people will chant and they'll come back for the encore? Well. Today's was pathetic. I mean it. Harry and the band left and instead of chanting his name or clapping in unison to get him to come back, people just stood there like 🧍🏻‍♀️🧍‍♂️🧍 istfg it was a whole 10 minutes of nothing, and then the band had to come back out again to a silent crowd. It was so lame.
Oh. But they all looked gorgeous on their leather pants and pink sunglasses and feather boa scarfs (that btw, left the entire stadium floor covered with plastic feathers for the cleaning crew to deal with) 🙄
It was horrible, bestie, you can't even begin to imagine. Anyway. Harries are trash but what else is new. Can't wait for The FITF tour to come to South America so I can be surrounded by louies again 💙💙💙
Hello!
Thanks for the message! I��m sorry you spent money to have a mediocre experience at a concert.
To be fair, people pushed at Louis’ concerts too, especially near the barricade when he came down. There were also some people who felt unwell and he and the band had to leave the stage. Unfortunately that happens in a GA pit.
The thing about LTWT2022 was that we had all waited so long for the tour that we knew the lyrics like the back of our hands. We had seen the livestream and AFHF2021, and we were so excited to take part in it! But this is the thing about Louis’ concerts: Louis LOVES loud crowd singing, no matter what the quality. He says so in interviews. So even in Milan, people sang the Bigger Than Me lyrics back to him, even though it had only been out for a few days. Fans know every word. I bet when Louis starts performing in December, fans will know every word.
Correct me if I’m wrong, but I think in Latam Harry is touring a mixture of Fine Line and Harry’s House? That’s a big setlist to remember, and maybe people just don’t bother because his lyrics aren’t meaningful to them. From the few clips I’ve seen, Harry’s performances are less about music and more about him striking poses on stage and occasionally cracking jokes. So whether the audience participates or not makes no difference. A lot of people have commented that Harry’s shows are about “being seen” at a Harry Styles show and posting it to social media. Harry’s music doesn’t exactly inspire empathy or camaraderie or friendship, and neither does Harry himself.
Last, I don’t dislike Harry only because of his fans; a few Harries can be repugnant but most are just normal people. I dislike Harry Styles for the person he is.
I also think the plastic boas and fast fashion that Harry encourages are an environmental disaster. Maybe his next fashion phase will be more climate conscious.
Can’t wait for FITFWT!
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jacky-rubou · 1 year
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I know I said I was gonna psychoanalyze the Imagine Dragons song Enemy with Ford, but I can't stop thinking of Ford whenever I hear their other song Monster (and it's easier to think of interpretations to put into words lol) so here's an analysis with that song instead. Skipping repeat lyrics like before.
Ever since I could remember
Everything inside of me
Just wanted to fit in (oh, oh, oh, oh)
Ford felt ostracized as a child (ever since he could remember) because of his anomaly and outright states that he wonders if there was anywhere in the universe where freaks like him fit in.
I was never one for pretenders
Ford is someone who, if he is to pursue something, never wants to lie or cheat for it. He is earnest in his efforts. Someone who simply clashes with Stan because he doesn't like the duplicity his twin masters in. This side of him is most pronounced when he discovered Bill's deceit.
Everything I tried to be
Just wouldn't settle in (oh, oh, oh, oh)
Tough lyric but Ford tries to impress his father and other people at every turn, trying to be more than he is if only to feel worth something. But none of this feels right.
If I told you what I was
Would you turn your back on me
Ford made huge mistakes with Bill and he doesn't like admitting it just like that because of fear that he'd be shoved aside and hated for it.
And if I seem dangerous
Would you be scared?
Ford sees himself as someone who can only hurt others unless he stops his greatest mistake. So he assumes that everyone else would be scared of him for that reason.
I get the feeling just because
Everything I touch isn't dark enough
If this problem lies in me
This one is stumping me a little, but Ford not understanding how his family still wants to associate with him, much less love him, and thinking that it doesn't correlate to how dark he thinks his situation should be. Or Bill's influence beginning to take over his mindset. Something like that. I dunno lol.
I'm only a man with a candle to guide me
Ford takes on his problems by himself much of the time, only led by his intelligence and hints given by outside sources. He doesn't want to bring anyone into it unless he's forced.
I'm taking a stand to escape what's inside me
Ford put thirty years worth of effort to stop Bill, the one that possesses him in his sleep and is essentially 'inside' him.
A monster, a monster
I've turned into a monster
A monster, a monster
And it keeps getting stronger
Ford is spiraling deeper into the thought that because he let Bill into this world to destroy that it makes him a monster. Despite the fact that being manipulated wasn't his fault and that Bill is the monster here.
Can I clear my conscience
If I'm different from the rest
Do I have to run and hide? (Oh, oh, oh, oh)
Ford knows he's weird and offputting to other people and feels like he needs to isolate himself to escape their judgements, believing he's a bad person for the crime of being himself.
I never said that I want this
This burden came to me
And it's made it's home inside (oh, oh, oh, oh)
Ford never wanted to let Bill take over the world and was in fact manipulated to that end. Bill is his burden that he tasked himself with defeating if it was the last thing he did.
So that's that I guess! That was my interpretation of how Monster by Imagine Dragons works for Ford Pines. If any of y'all have more to add, feel free to add your thoughts!
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hewashalfofmysoul3 · 1 year
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fic prompts based on lyrics currently in my head:
• "no matter where we are, we're always touching by underground wires" - fate, connection, reconciliation, confession
• "I still can't forget the way you looked, on that last day" - missing someone, grieving a loss, remembering a trauma
• "if we've gotta burn out, let's go it together" - with you til the end of the world, facing the enemy together, mutual destruction
ENJOY WRITING PAIN FRIEND
All of the shit I wrote last night got deleted, trying this again:'")
Thank you sm for these beautiful prompts!! I won't let u down my friend!!!!!
1
"no matter where we are, we're always touching by underground wires."
When Spock came to this new universe, it was a very strange experience. Everything was so much different yet the same, and meeting his alternate friends and counterpart was also the same. Meeting them was overwhelming, to say the least, especially James T. Kirk.
He was so much like his Jim, yet so different. From his blue eyes and bright blonde hair, he was so far from his Jim, with his hazel eyes and brown hair. But he had fiery courage and a heart of steel, a true mark of a Kirk.
And meeting his counterpart Spock was strangest of all. He was fiery too, and angry, and hard working and he felt emotions so raw and strong he fought the hardest to hide them. He was much like himself, almost too much like himself.
He remembers being young, and the constant feelings running through his veins, the over-working drive he had to prove himself, prove he was Vulcan enough, that hecan be just as good and worthy as any of them.
He has no idea now how he must feel, after Vulcan's destruction, but he can sympathize. He has a feeling that those raw emotions that plague (bless) Spock's blood must be stronger than ever.
Watching him, and watching him interact with his Jim makes him miss his Jim more everyday.
He passed, so long ago. His Vulcan blood was always hanging over their heads for the inevitability that "he will leave me, and I will be alone again" because of their different life spans. And when he passed, even with the foreknowledge of the century Spock is to live past Jim, even though he knew from the beginning Jim will only be a small chapter of Spock's life, he crumbled, he fell and a part of him died with him.
He never recovered, who could recover after a love so intense and a life so full with your one true love?
But, being able to watch his life (well, not exactly. So many things are changed.) and his life with Jim again is a blessing, if he believed in such things.
It made his heart so full, to watch them grow and learn to love each other, shaky and sooner than him and his Jim did but all the same.
Just the other day, alternate Jim came to him asking what his favorite flower was because "Spock won't give me a straight answer and you're the same person so.." and he nearly wept with joy.
It reminded him too well of a song Jim use to sing in the morning, something along the lines of "we're always touching by underground wires." a huge reminder of the ritual words they repeated over and over again, every night.
It gave him so much hope, that in all universes they existed in, they were still together. T'hy'la.
2
"I still can't forget the way you looked, on that last day."
"I still can't forget the way you looked," he whispered. "On that last day."
Sherlock turned his head to look at him. "Me either."
It was one of those nights, where neither of them could sleep and they talked about the many things they wanted to say. The first night there were apologies and crying and kissing, the second night was talking about the first night, and talking about taking things slow. They couldn't go too fast, shouldn't, not after everything. John was still getting over the fall, and Mary and her lies (he was going to be a father. He was going to be a father but she lied even of that so he wouldn't leave her.) And her death, and Sherlock was still getting over his time away and what John did to him on the Culverton case.
So, things were slow, very slow (they had yet to kiss again, slow) and it was one of those nights. The topic of tonight was the fated day their lives changed forever.
"it was terrifying, you were-" John wiped his eyes and gasped from choked tears. "Y-you were too convincing, Sherlock." He sniffed.
"would you believe me if I told you I did acting school for a year back in my uni days?" Sherlock asked, trying to lighten the mood. It worked, if only marginally, but it worked.
John huffed, his laugh watery, "I would, you fucking wanker," then he huffed in annoyance. "Lift your legs, I'm getting cold."
That's another thing. One night John woke up from nightmares and Sherlock stayed up with him and drank tea, talking about it (John had made the habit of talking about the nightmares instead of bottling that fear up to overflow and turn into anger. It worked, John hasn't yelled or hit anything or anyone in a while). They both got tired, and just as Sherlock was going to bed John had stopped him. Had touched his arm to get his attention, the first time he's touched him since the first night.
"Can.. can I sleep in your bed tonight?" He was so innocent, so pure and tragic. He didn't have the pride of a man or the strength of a soldier in that moment, he was just a boy. Sherlock couldn't refuse him.
They both slept a good ten hours that night(day?).
After that, their special One-of-those nights almost entirely moved to Sherlock's bedroom.
So, Sherlock did what he was asked and moved his legs, and both of them got under his comforter. John turned to his side facing Sherlock, his eyes closed.
Sherlock turned to face him, mirroring his position, and sighed. "I can't forget that day, either." Sherlock lifted his hand tentatively to John's cheek, rubbing under his eyes, waterfalls that they are. "Watching you realize the fact I was dead, the way you looked made me want to call it all off and hold you against me and will all of the pain away, tell you that everything was going to be okay, but knew I couldn't.
"You don't understand how much it hurt- maybe you do, maybe you understand all too well that feeling, and even though it's morbid it makes me feel like those years away meant something because I wasn't alone in my pain. Knowing that me being gone hurt you so much made me know it was worth it to see you again, John, to live to see another day where you might be there." John's eyes opened, so wet and shiny and Sherlock thinks he might've said the wrong thing, but he can't stop now, not without saying what he needs to say.
"You kept me alive, John, you helped me when the nights were cold and the stitches came undone, the idea of seeing you again kept me going. I love you, John, so much."
John sniffed. "I know that, Sherlock, I know you love me. How could I not, after everything? You sacrificed so much-" John snapped his hand up, and gripped Sherlock's hand on his like a lifeline. "And I have so much regret, but all of that's behind us. You're here, you're alive, my wish came true, and I.."
Sherlock rubbed John's fingers. "You- you don't have to say it."
"yes, I do." John sniffed, and there was silence between them for a century, or two minutes he can't tell, and John took a deep breath. "words can't describe how much I love you, Sherlock. There's no way I can tell you the extent of my love, or how much I have of it for you. We'll never forget, we'll hold these terrible things with us for the rest of our lives, but I love you so much more than I can say and the idea is that it will outlive us."
Sherlock couldn't reply, he couldn't function after such a confession, and resisted the urge to just blink at John.
"Can I kiss you?"
"Oh God, yes."
3
"if we're gonna burn out, let's do it together."
Genesis. A miracle, and a disaster. The planet where life was made and taken, and Jim clutches Spock to himself like a lifeline.
The Enterprise, his son, all gone, but he has Spock back, oh Spock.
The journey he took, the laws he's broken, he would do it all again to be with Spock again.
But all of it will be for nothing if Genesis will burn, and they can't get beamed up-
"well," Jim mumbled into his loves hair. "If we burn, we'll do it together."
End Notes
Thank you so much for the prompts Onyx!!! They rlly cheered me up to write! The first and last one are short, but the second one I hope you enjoy! (I may love angst but I can't write it for the life of me:'))
I literally wrote the first and half of the second one and Tumblr didn't do the auto draft and it all was lost so:') this morning was busy.
If anyone else has any prompt ideas, pls share(and take a leaf out of Onyx's book and totally show song lyrics of u want!!!)
Live long and prosper 🖖
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I can talk about things for hours so I honestly hope you are ready for this.
There are many good things in life, and one of the good things in my life is music, all types of music (except EDM sorry lol). I would have to say my favorite artist is Mac Miller, but my favorite song is HONEST by Baby Keem.
Baby Keem also known has Hykeem Carter was born on Oct. 22 2000. He's a libra and I can tell cause he's always right. He gained recognition when ORANGE SODA first came out. I remember that song being a song of the summer.
Let us focus on the true subject though:
HONEST
HONEST appears on his second studio album "DIE FOR MY BITCH", its the second song.
The beginning beats feel like my heart pounding, it makes my entire body slow but also float to a different headspace. This song makes me feel comfort, sadness, happiness, and laughs.
Every single time I listen to the song it feels exactly like the first time I heard. I get those exact same feelings I got the first time, every time I hear it. I somehow know every single word.
There are so many lyrics that tug at me so much so I'd like to share them:
"half-past tweleve, I was all alone, I can't be compromised
fuckin' on my ex, we aint apologize"
This lyric wow. It is the truth. The whole truth, and nothing but the entire truth. That's all I gotta say.
"cause im way too young and you always right"
Again, wow. I have heard those gut wrenching words come from my mouth and the mouth of exes. It hit me somewhere I didn't know existed. I can just hear my ex saying that and its kind of funny because I am always right and we were just 19 year olds.
"the little arguments always start the fight"
I felt this, I felt it to the core of my entire existance. Arguing is exhausting but geez, having every little thing become an argument is draining. It hurts when a relationship goes through that, but both parties have to grow.
"be honest, honest cause im honest, honest"
That lyric is simply self explanatory. Baby Keem is so relatable what I would do to have a conversation with him.
"youre not who i love, huh i just need to pass the time, huh'
Saying those things to someone is one of the hardest truths I have ever had to say. I dont like lying and I dont like wrong impressions. In truth to not be a person who does this, heal.
"I treat my lil orange like a hellcat"
I LOVE THIS LYRIC. Cutest lyric in the whole song, it alludes to his song his song ORANGE SODA. An orange soda brand is... Crush. I want to be treated like a Hellcat.
Those are just some examples of why this song is so good. To me he is a relatable lyrical genius.
I have seen him perform this song 3 times live in less than 6 months. I traveled down to Miami to see him. Any chance I got I take, Baby Keem's words hit my soul like a truck full of fireworks.
I listened to this song:
122 times on Apple Music
and
92 times on Spotify
I listened to it 214 times. Basically listened to that song once a day for 7 months. 10 hours, 617 minutes.
Crazy, but the song is just that good.
Every single break up, this is the first song I listen to. It can speak to a lot of different circumstances. Its a song that not only is relatable but the beat and the bass and vocals.
His voice is so clear but you can hear how he feels. Hearing him perform it makes you feel warm, he makes the lights a beautiful sunset orange. He makes sure to let you sing it. He knows this song touches people.
The beat and the soothing ooohs, over it give me a feeling of swaying. Just way to the beat and let him talk to you about his shitty love life. It gives a sense of comfort that he has a shitty love life like I have a shitty love life so I am not completely alone in these feelings.
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floef-likes-everything · 11 months
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MCYT Song Analysis: They Don't Know You Like I Do - Imagine Dragons
Are you ready for some emotional damage? I love myself some Imagine Dragons and boy does this song hit different if you keep the Life Series in mind while listening to it. Maybe first just listen to it without reading my little rant first, just to appreciate it (can you tell I'm a big Imagine Dragons fan? Yeah, probably)
youtube
(ps. please keep in mind this is all about the characters as opposed to the cc's of course :])
An essay on how this wonder of a song is so insanely desert duo / rancher duo / a tiny bit of flower husbands coded. We’ll go chorus by chorus and some lines are better than others, but just wait for the refrain to kick in.
He was never gonna make it Every pill he found, he'd take it Always on the edge of breakdowns But keeping it together somehow Just another cold November You called me, but I didn't answer I was so oblivious, now I'm asking for forgiveness
While this is the weaker chorus of them all, the first line is incredibly strong: ‘He was never gonna make it’. It can refer to both Jimmy and Scar, as everybody is always talking about them being prone to dying and you have the Canary Curse, of course. The lines after that are a bit more of a general vibe, but I like to relate ‘Always on the edge of breakdowns’ to the perpetual state of slight panic Jimmy is always in during the life series. We end on a banger, as ‘I was so oblivious, now I’m asking for forgiveness’ is just incredibly desert duo coded. Grian killing Scar with the creeper in 3rd life was him being oblivious and him pledging his life to Scar was Grian asking for forgiveness.
So, not the strongest of starts for this chorus, but the second one starts with one of the best lines.
For every single time I failed you I'm feeling like it's me that killed you Remembering the time they jumped you And I was too scared to help you Looking back, I can't erase it, I guess it's time to face it You never seem to know how to let it all go
‘For every single time I failed you, I’m feeling like it’s me that killed you’ does that need any explanation?! Grian and Scar are almost always connected in some way (yes, more in 3rd Life and DL of course) and I just can’t put in to words how this lyrics makes me feel. Grian DID fail Scar in DL and it got them both killed (Grian getting killed by the Warden). No, Grian, you’re not only feeling like you killed him you DID kill him. Often even, most times with intent.  
The next line can be related to desert duo, but to me it’s more rancher coded ‘Remembering the time they jumped you and I was to scared to help you’. I can’t think of anything else but Pearl, Scott, Cleo and Martyn ‘kidnapping’ Jimmy. Jimmy called out to Tango for help BUT HE DIDN’T. I mean, sure, Tango wasn’t exactly scared but I can dream alright? I don’t think something similar happened to desert duo, but I can be mistaken. It’s been a bit since I watch 3rd life lmao.
‘Looking back, I can’t erase it, I gues it’s time to face it, You never seem to know how to let if all go’ is admittedly the weakest line of the chorus, but is still very DL desert duo coded. In my mind it’s about Scar who can’t let go what happened in 3rd life, he can’t stand seeing Grian with BigB. 
Don't listen to a single word they say about you They don't know you like I do Don't listen to a single word they say about you They don't know you like I do
This, to me, is rachers / flower husbands. Maybe it’s just Jimmy coded, I’m just a big Jimmy stan alright? If you don’t get it, just read it again and then maybe just one more time for good measure. Everybody is always taking the mick out of Jimmy, in every series he is in but especially in the Life Series because he keeps on dying first. I’d like to imagine it does get in Jimmy’s mind. Despite it, Scott and Tango stuck with him. The Southeners didn’t really stick with him (which was his own fault, true) and the Bad Boys also didn’t feel the same. Now, it doesn’t apply as strongly to flower husbands as 3rd life was the first season and the Canary Curse wasn’t as much of a big deal. Tango stuck with Jimmy, however, when he didn’t have to. You had Scott who opted to team with Cleo instead of Pearl. Grian was continuously trying to get with BigB and while I love boat boys, Etho was actively trying to team with Bdubs. To me, the only truly strong pair were the ranchers. Nobody tried getting in between them and they didn’t try to break up.
Everybody saw you smiling, yeah, you were always good at hiding You were always asking questions so you wouldn't draw attention Everyone who used you, they never really knew you You're always showing up for everybody but yourself
This chorus is how I imagine Jimmy’s character. It might not be entirely cannon in all seasons, but think about it for a second. ‘Everybody saw you smiling, you were always good at hiding’, Jimmy tends to be the happy, go lucky type of person. Even when he is mad he can’t help but crack up at jokes others make. He hides how stressed he is about the possibility of dying yet again. ‘You’re always showing up for everybody but yourself’ is also a nice link to Limited Life, where he continuously throws himself into danger to try and protect Grian.
You might think ‘Floef, this is turning into a Jimmy song, you said it was also a desert duo song??’. Yeah, here comes the refrain, the best part of this flipping song.
See, I wish I could take it back, change the future and erase the past Grab the bullet out and pull you back I promise that I'd save your life like you saved mine But now it's far too late for that, and all I have is your story left to tell So let me tell it, let me tell
Read it. Read it again. Now read it with the desert duo story line in mind. Read it as if Grian is screaming this at the top of his lungs after he killed Scar. Now listen to the song (if you haven’t already) and appreciate the amazing music that goes with it.
‘Change the future and erase the past’ aka erasing the past in not killing him with the creeper, which might change the future so Grian isn’t forced to kill him again in the end.
‘Grab the bullet out and pull you back’ where the bullet is Grians fist and pulling it back meaning he never killed Scar. Or the bullet can be the creeper, whatever you prefer.
‘I promise that I’d save your life like you saved mine’ Grian didn’t really safe Scar at any occasion, other than continuously telling him to put his armor on. Scar tried, by offering his life to Grian right after he killed Bdubs. He didn’t want a fight or anything, he was ready for Grian to take his life so Grian could survive.
‘But now it’s far too late for that, and all I have is your story left to tell’ The past can’t be changed, so all Grian can do is talk about the things that happened (which is true for all seasons and winners, but still). It’s to late to make another decision, to late to change anything.
After this the song is mostly just without lyrics but I need someone to agree with me on this because MAN do I love this song.
Now, this entire refrain can also be linked to Jimmy, because Jimmy wants to change the future by not dying first yet again and erase his past deaths. The bullet can be his numerous final deaths, the arrow from 3rd life, Grian in LL, the Enderman in DL and the fall damage in Limited Life. I promise that I’d save your life like you saved mine is a nice Bad Boys reference, as Joel has said he was willing to give his life for Jimmy’s. But, you know, now it’s far too late for that so they can only talk about it.
Thanks for reading, as always :] 
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bitter-sweet-coffee · 2 years
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ok so remember this post?
there’s more.
sonic remembers too. yeah. shadow loses his memory/gets brainfog and confuses the canons, but not sonic he remembers each one specifically, even named some of them if they happened more than once
he saw shadow get stuck in this awful identity crisis loop, but he did the same thing every time. just to see if shadow would remember and break the cycle.
yeah, even in the paths he supposedly kills sonic or himself, sonic waited for it to reset again. just like always.
anyways, here’s the song for vibes with the lyrics and character analysis below the cut (bolded lines have blatant connections that i respond to)
We talked about making it
I'm sorry that you never made it
And it pains me just to hear you have to say it
You knew the game and played it
at some level, shadow was consciously resetting the timeline. sonic can’t pity him fully since he did it to himself
It kills to know that you have been defeated
I see the wires pulling while you're breathing
shadow is his parallel, his reflection. the wires in question are the 326 paths aka a branched timeline
You knew you had a reason
It killed you like diseases
I can hear it in your voice while your speaking you can't be treated
shadow is determined to find his purpose and sonic knows no matter what he says, shadow will keep going. his obsession with identity is incurable so he just follows along each time
Mr. Know-it-all had his reign and his fall
At least that's what his brain is telling all
shadow sees his reign and fall in different timelines. in my original post i also place the suicide endings near the end of the path list because his defeat gives way to the canon ending.
If he said help me kill the president
I'd say he needs medicine
Sick of screaming let us in
The wires got the best of him
All that he invested in goes
Straight to hell
firstly, killing the president is a mission. shadow’s pathway identity crisis paradox are the wires which destroyed his sense of self and linear memory. straight to hell is a clear cut reference to these endings
He told me I should take it in
Listen to every word he's speaking
The wires getting older I can hear the way they're creaking
once again, shadow being worn out by the different paths with the suicide endings placed later in the branched timeline
As they're holding him
Well I could see it in his jaw
That all he ever wanted was a job
He tells me to be raw
Admits to me that every little flaw
shadow is codependent by nature as he was designed to serve. whether it be gerald, black doom, eggman, maria’s promise, team dark, or any ally, he feels the need to fulfill his duties, hence the redundancy of this mission to “find his purpose.” normal people do not generate a branched timeline to find their purpose, and as shadow eventually learns, the problem isn’t “choosing wrong” because a person with free will does whatever they want. his linear way of thinking is a slap to the face because somehow he fucked up freedom and independence with the most convoluted mission ever.
by contrast, shadow’s distaste towards sonic in his game for never “reading the room” by always busting in positively in a way that comes off as obnoxious… well, shadow would call sonic out for being phoney.
That never let him sit upon the top
Won't tell me to stop
Thinks that I should be a little cautious
Well I can tell the wires pulled
I'm having trouble in believing
And I just started seeing
Light at the beginning of the tunnel but he tells me that I'm dreaming
When he talks I hear his ghosts every word they say to me
I just pray the wires aren't coming
once again, shadow doesn’t see the truth or validity to sonic’s demeanour or positivity or resilience because he is so lost in the multitude of layers he just burdened himself with. sonic can always hear the ghosts of prior shadows, especially the ghost of the first shadow he met, who was lost too but certainly not as far gone as now. could this happen to him too? on that note, imagine if shadow saw his sa2 self, and spoke to sonic again when his time comes and he must choose a final path
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portraitandplaylist · 2 years
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Side A: Annabelle
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What does music mean to you? How does it make you feel?
Music means the entire world to me. It is the way that it is easiest for me to understand and communicate feelings. It just means the world to me. Music makes me feel everything. I think the songs that are the most powerful to me, I get this feeling in my chest of being uplifted and I feel like a heat and like a fire in my chest and it's very freeing.
How big of a part does music play in your life and career?
For my entire life music has played an enormous role in my life and how I view the world. Most recently it's taken the front seat and the most important thing in my life because it's also my career. So for me, music has been there for me throughout my whole life and it's probably been the most consistent thing in my life.
What's a song you know word for word, bar for bar?
A song I know bar for bar is E.Coli by The Alchemist and Earl Sweatshirt.
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Do you collect vinyl? If so what do you enjoy about it? And if not, how come?
I do collect vinyl. (You might be able to see it.) It means a lot to me because it's a physical reminder of the music and the albums that I have. You have the physical art and it's just a cool way for artists to express themselves through their albums. I really just enjoy everything about it. I think that I have a lot of my vinyls as gifts, so it reminds me of the people in my life, around me as well. And I remember every vinyl where I got it from, they all just hold it a special story in my heart.
Tell me about your favourite concert that you went to.
My favourite concert I've ever been to was FYF Fest in 2017 when I saw Frank Ocean. A Tribe Called Quest went on right before him, it was right after Phife passed away - and I'm pretty sure it was their last performance as a group - and then Frank Ocean went on right afterwards. I saw him with all of my high school best friends right after we had graduated and we were about to leave and go separate ways. So it was very special to me because of the people I was with, and also because it was Frank Ocean live and he was amazing.
Your favourite lyric?
I have a lot of favourite lyrics. My favourite lyric right now is "High as hell in that spaceship, I am not landing" from BabyTron. I think one of my all time favourite lyrics is probably Erykah Badu, "You can't be what I need you to
And I don't know why I fuck with you."
Give me the name of a playlist you made with no context.
if my life was a tv show
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What are your desert island disc albums?
It would be Blond, Mama's Gun and Yes Lawd! by NxWorries.
Tell me about music your parents played while you were growing up.
An album that my parents played when I was growing up - the first thing I can think of is my mom would always play 808s and Heartbreaks for me and so songs like Love Lockdown and Heartless were the foundation for my understanding of hip hop and the soundtrack to so many significant moments of my childhood. So 808s.
Briefly talk me through the songs you put in this playlist, what do they mean to you.
 So my playlist consists of 10 songs that are all really special to me in different ways. The first song is Ooh La La by Faces. This is a song that reminds me of my dad, it's in one of his favourite movies, which is called Rushmore, so this song always reminds me of my dad and I think it's a really beautiful song about wisdom and growing old. 
  The next song is Soak Up The Sun by Sheryl Crow which is one of the biggest song memories I have from my childhood. It's just a really joyful song. It always uplifts me and I have really good memories of singing this in the car with my parents. 
     The next song is Whoopy by Westside Gunn, it is one of the first Westside Gunn songs I ever heard. It was a really big shift in my history with hip hop. And this song also reminds me of my best friend Solomon. 
   The next song is Rest by Diz. Diz is the artist I manage, and I remember hearing Rest for the first time and really hearing like the seed at the beginning of a young legend in his music. And so the song is really significant to me in my music career and I also just think Diz is like the greatest artist alive. 
    Next is Yes, I'm changing by Tame Impala. This song was really important to me in high school especially, I was going through a breakup, I was getting ready to graduate, move to college, and there was a lot of change going on and this song really helped me accept change and embrace it and be excited about what was to come rather than fearing the unknown. 
   Next is Green Eyes by Erykah Badu. This is my all time favourite song. I think that this song is incredible with storytelling. It goes through a rollercoaster of emotions and her Tiny Desk performance of this is one of my favourite performances of all time. I think the song is just so beautiful. 
  Stay Together by Romero Mosley and Iman Omari - this is my favourite song of the past six months or so. I think it's a super underappreciated R&B song. I think the vocals on it are beautiful and I just feel really passionately about this song. I really don't know what it is. It's just so good.
  Next is Pisces by 454. I am a Pisces, so that really resonates with me. I love 454. He is one of my favourite artists right now. I think that he is just a pioneer in his sound. 
  Happy from Pharrell Williams. This is one of my all time favourite songs. It makes me feel so happy and I recently watched an interview with him talking about it and he really just breaks down [that] yeah, this song might be popular and overplayed, but what it really comes down to is just this song feels like overwhelming, pure joy; and I agree - it's such a happy song. 
   Lastly is Saturday by extremely bad man. This is a song that I wish everyone in the world could hear. I just think it has such a sunny feeling. The first time I listened to it, I was driving in my car with the windows down and the sunroof open. And that's exactly what it feels like, so this is the song that  I would want everyone in the world to hear. And that's my playlist.
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