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#THEY SHOULD'VE USED THIS LINE OF DIALOGUE
ozym4ndi4s · 1 year
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(chuckles) "See Lemon. I was listening."
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ghoul-haunted · 1 year
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you know what the problem with knights is, I've been posting that stuff to the wrong blog.
also I just woke up from a dream that had amazing visuals and now I'm making this 😐 face because I Need To Try To Replicate It but my god. the part where I am the one who has to figure out how to do that. brb I have to stick my hands inside of my own brain.
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rpclefairy · 6 months
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𝐁𝐆𝟑 𝐜𝐨𝐦𝐩𝐚𝐧𝐢𝐨𝐧 𝐛𝐚𝐧𝐭𝐞𝐫 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.
a selection of lines from the various companions' banter quotes (not cut scene dialogues!) from baldur's gate 3. these are generally spoiler free and non context specific so they can apply to different settings and dynamics! feel free to change names and the like to customize the prompts.
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“Death can't have me. Not yet…”
“Calm yourself. There is plenty of me to go around.”
“Realmspace is vast. Countless worlds to be mapped, kingdoms to be conquered.”
“I have missed this. The adventure. The danger. The kicking of butts!
“Let me guess - you need something.”
“Such attention.. I never realised I was so popular.”
“Let's cook with fire, baby.”
“Do you intend to vocalise every thought?. Or just the most obvious ones?”
“Wherever we go, ye gods let there be something green.”
“Careful, or I will take your toy away from you.”
“Watch your elders and learn.”
“Perhaps try attacking the enemy?”
“So much we don't know, lingering in the furthest reaches of existence.”
“All the world's my stage and you're just a player in it.”
“The shadows are my friend.”
“Yes, yes, have your fun. It isn't you they're trying to kill.”
“Feet planted firmly on Faerûn, please.”
“Admirable stamina, yet terrible priorities.”
“Well you certainly have the 'omnipresent' part down, don't you?”
“I am ready, whatever may come.”
“My faith protects me.”
“Need a throat slitting?”
“Death greets us all - but not today.”
“You need my expertise?”
“Can you feel death's cold grip?”
“So many stars, so many mysteries yet to be discovered.”
“Death comes quietly.”
“And I thought we were going to be friends.”
“Locked tight, but there must be some way to open it.”
“No, you can't die. Get up, damn you!
“You had my attention, now you have my fury.”
“From silence to suffering.”
“So many worlds out there. You'd need a thousand lifetimes to see them all - more.”
“I hope this is important. For your sake.”
“Let them gaze deep into their own abyss, and wonder just what it is they are trying to achieve.”
“I ought to just burn this whole thing down.”
“We have slightly more pressing matters to attend to.”
“You have still have time to surrender.”
“Every kicked buttock, another step on the path.”
“Weave save me. I can't take much more…
“You are right to fear me.”
“Let me look around. Might be something that'll help me crack this thing.”
“Incredible, to think how many worlds exist beyond this tiny speck within a speck I call home.”
“I really wish I could cast a Hold spell on you.”
“I can fawn over my face later.”
“Ready for another round?”
“Keep your blade close.”
“I can't unlock it from here, but there must be a switch or a button somewhere…”
“No, that's not moving. There must be a way to open it somewhere.”
“Battle favours the fearless.”
“Sleep with one eye open, evil. Maybe both.”
“Gotta be something around here to unlock this thing.”
“Why do beautiful people taste better?. It hardly seems fair on the ugly - they have such wonderful personalities.”
“Oh, calm down. I'm happy to see you too.”
“Just go for the Magic Missile and fire away. Never fails.”
“Still standing, no matter what you heard.”
“Enough waiting. I crave blood.”
“Hang on - I won't allow this. You aren't dead, go it?”
“GODS, it's HOT in here!”
“No rest for the wicked, I see.”
“Better to hide than fight, sometimes.”
“Would that I could hide from you, too.”
“Are you feeling lonely, perhaps?”
“There is no right or wrong, only truth.”
“Battle is afoot - you can poke me once we are safe.”
“What good all this ethereal eladrin blood if I can still get pimples?”
“I should've been a drow. They have such stylish armour.”
“I am armed! Armoured! And entirely sick of your foolishness.”
“Let's have some fun.”
“War is an old woman's game.”
“No rest, be you wicked or wise.”
“I'm getting too old for this nonsense.”
“I would poke you back, but I fear that's what you want.”
“You have my attention - now do something with it.”
“You are insistent, are you not?”
“Do what must be done.”
“Your suffering will be spectacular.”
“Lest I sit down for a rest and not rise again.”
“Better to look evil in the eye. Even if it be very small.”
“I'm not built to crouch.”
“I think I could go another round.”
“Always the same old song.”
“Is perfection too much to ask?”
“Eyes on victory, tummy on dinner.”
“So many places to be.. and I chose Baldur's Gate.”
“I'm not opening that. Not from here, at any rate.”
“What is the point, if not victory?”
“Won't last much longer like this.”
“Let's hope the locals are friendly.”
“Let us show them how it's done.”
“Weapons high. Standards higher.”
“Must everyone be so exhausting?”
“What I would not give for a chunk of fresh honeycomb…”
“Which way to the nearest library?”
“Now this is my happy place.”
“Who shall I silence?”
“Stop, or die.”
“Wear your scars proudly.”
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m1ssunderstanding · 1 month
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Let it Be Close-watch
Paul, sweety, it's beautiful, but it's killing the vibe.
Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times
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Somehow the air-brown mostly eaten apple is very appropriate.
She looks far too sweet here to ever let John down. Yoko has very kind eyes.
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I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.
I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.
I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.
They're so silly
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Yoko does not agree with me
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Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!
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They're so silly
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Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.
this poor autistic baby trying to use words (not his language) to explain music (his language)
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“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.
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Oh Michael put himself in his own movie too? Huh, cool.
They are always in my heart
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The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.
Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.
Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.
Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??
George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.
Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.
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It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.
LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.
Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.
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Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.
Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…
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What friendly artistic collaboration looks like when it's not psychosexual
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Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?
This is adorable.
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But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.
And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’
Lol Billy just magically appeared!
Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.
He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!
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Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.
I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.
I love how Heather just forces a hug from George and then immediately runs away. What a cutie.
But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?
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All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”
Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?
Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.
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What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.
Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.
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I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.
Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit
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Ringo feeling himself as he should
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George just looks like he smells nice. Unlike the others. You know?
John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.
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That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.
The cut from screaming Paul to grouchy nap lady is extremely painful.
John was so cool in this concert. Like the epitome of cool.
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Kevin, my love, thank you for your service
I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid
You know in movies where the romantic leads are never looking at each other at the same time?
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I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.
Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.
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Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.
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Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.
Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.
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midnightmah07 · 3 months
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Happy birthday to my oc: Perse Achillea!!
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"As a lover of art myself I am very much looking forward to this museum's centenary... Come. I'm sure there's a bunch of stuff to see."
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"It's foolish to try and open yourself to someone like that, poor girl's gonna get her heart broken... Not that I care. It's her fault anyway."
Happy birthday to my baby, Perse<33 I didn't write any vignettes because I didn't feel like writing BUT I made voice lines and a duo magic dialogue between her and Cater<33
Voice lines:
🪻: I wasn't prepared for just how absolutely grand and majestic this place is... Wow.
🪻: wha- hey, stop tugging on my sleeve, I don't want you getting my jacket all wrinkled, 'kay?
🪻: goodness me... Wait here, I think Mimosa (Cater -> mimosa is a type of flower that means "I hide my feelings") forgot his phone's flash on.
🪻: the King of The Underworld is so similar yet so different from Idia... Heh. I assume he was probably way more pleasurable to be around though (laughs).
🪻: imagine falling for a 'hero' whose only quality was his strength, talk about poor taste in men... The King of the Underworld's assistant should've been ashamed. But then again, I don't think I have the right to talk.
🪻: is that...? (Sighs) please don't tell me Aster (Kalim -> aster is a flower, its white version means "I love you more than you love me!") is trying to convince Ortho to drag us to another party after this... I cannot eat nearly anything because I'm vegan...
🪻: have you seen Dahlia (Vil -> dahlias are a type of flower that symbolize perseverance and determination) around? I want to take a picture of him and the Fairest Queen's portrait. It'll be my most prized possession.
🪻: this outfit is so absolutely stunning! I really do hope they let us keep it, I would love to wear it once again.
🪻: hm? You saw a painting of hyenas overpowering The King of Beasts...? (Smirks) oh, please do show, I would just love to share such image with Calendula (Leona -> calendulas are a type of flower that symbolizes insecurity, jealousy and anxiety).
🪻: Mimosa got me these really cute stickers of The Great Seven. I wonder where I should put them...
🪻: oops, sorry 'bout that. Weak ankles and stuff.
🪻: all these paintings are so detailed... What? You're curious about my art abilities? Nah, most I can do is a stick figure, my strength is in acting.
DUO:
Perse: let's go, Mimosa!
Cater: at your service, Persie!
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jeysbvck · 4 months
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it always leads to you (in my hometown)
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oh hi, im back after almost a year of not posting fics, and of course it's my main man who pulls me back in! this is my first jey uso fic, so pls comment & reblog & let me know what you think!! i tried to make it angsty, to fit the song more, but i guess that's not the direction my brain wanted to go!!
jey uso x afab!reader
smut, 18+, minors dni!!
word count: 2,420
some people i thought might like this (if you don't wanna be tagged, just let me know!): @southerngirl41 @bebesobrielo @harmshake @afterdarkprincess @rollinsland @wrestlezaynia @crxssjae
summary: when you're in town for the holidays, it always ends up with you in jey usos bed for the weekend. this time, it isn't enough, and jey shows you why you can't leave him behind.
You stared out the window, feeling content as you watched the snow fall outside, frost gathering on the glass. You and Jey had spent all weekend in bed, sleeping half the day away and sharing body heat in more ways than one; which is how you spent all the fleeting weekends together. You had so much to do before you left in two days, but you couldn't bring yourself to leave the warm bed, especially when Jey was sleeping beside you, looking like a literal angel.
This had been happening for the last four years and you remembered it all too well; the bewildered, haunted look when Jey locked eyes with you for the first time in years, like he'd seen a ghost. You remembered the ice that ran through every vein in your body when he walked past you without acknowledging you, making you consider whether you were a ghost. You remember lying in your childhood bedroom, old photographs of you and Jey still on your walls, staring down at you, judging you. You knew you'd hurt him when you left, he didn't think your reasons were good enough; but it never crossed your mind that he'd pretend you were a stranger. But as you stared at the posters and photographs on your walls, you realised that you were a stranger now, you didn't recognise the girl in the photographs anymore.
A few days later, you bumped into Jey again, this time you were both alone, walking past the school you used to share, and things seemed different. He opened a dialogue, asked you how you'd been, asked about your life, and before you knew it, you'd been standing in the cold for half an hour. Jey offered you a ride, and you weren't ready for this to end; it felt familiar, but also new. So you accepted and you drove around the small town, commenting on how things hadn't changed. Four hours later, you were in his bed, doing things you had only dreamed about.
You thought it would be a one-off, that maybe the universe was giving you a better goodbye than the first time, a better reunion than the one in the bar. But the next holiday you were in town, he text you, and you ended up in his bed again. Then Jey started surprising you at the airport -sometimes you hadn't even told him what time your flight was- and although he dropped you off at your parents house, it wasn't long before you were spending most of the time with Jey. It was essentially a weekend-long holiday hook up, a way to make you feel less lonely during the holidays and a way to have what could've been -what should've been- if you had just stayed.
Jey stirred in his slumber, retracting his arm that was stretched over you, taking away the warmth and leaving a chill behind, as you pulled the quilt up further, you couldn't help but think of it as a metaphor for how you would feel in a couple of days when you left. You turned your back on the beautiful view outside the window to the -in your totally, unbiased opinion- the more beautiful view next to you. Even after all the years of knowing Jey, he still took your breath away, he still set your heart ablaze. Every time you were here, you took every opportunity to mentally record every detail of him to take back with you. Every new grey hair, every tattoo, every laughter line, every perfect imperfections, you took it all in. You basked in the warmth, the comfort, the happiness that you felt in this bed, knowing it would all be over in a flash.
"Mornin' babe," Jey said, with a sleepy smile, "you're watchin' me sleep, forgot you were a creep."
You hummed in response as you leaned forward and placed a soft kiss on his pillow-like lips. "And I forgot you snore." You teased, and Jey scoffed, his hand wrapping around the back of your neck, pulling you in for another kiss.
"Such a liar." He mumbled against your lips and you smiled, pulling away and finding your place on his chest. Your fingertips traced the lines of his intricate tattoo on his chest, as his stroked your back, soothingly.
The time you spent with Jey, in this bed, the room, the house; felt like a different world. Like reality as you know it didn't exist here, it was just you and Jey, and nothing else mattered. You hated leaving, you hated getting on the plane, going back to your life like you hadn't just left the warmest place you'd ever known.
"So..." Jey started, and you knew what was coming. The dreaded question that he asked every time. "How long we got? Until you-"
You cut him off, not wanting the words to be said, as if it somehow wouldn't happen if Jey didn't speak it into the universe. "I know what you mean, Jey." You sighed. "Can't we just stay in this bubble for a little longer?"
"How much longer? Like, you wanna talk later, over dinner? Or how about the mornin' of your flight so we barely get to say goodbye?" He snapped, and you scoffed at the outburst. "Ay, you're the one who-"
"Okay," you cut him off before he finished the sentence, sitting up and throwing your legs over the edge of the bed, grabbing the robe that had been thrown on the floor the night before as you stood up and pulled it over your body. "You really wanna spend the time arguing?"
"No! I jus'-" Jey groaned and turned on his side, his elbow resting on the mattress. "Okay listen, I know our whole thing; no stayin', no waitin', but-"
"No Jey, this works!" You lied. You knew you were trying to convince him more than yourself, because you knew it wasn't working. If it did, leaving him wouldn't break your heart, you wouldn't spend the year counting down to the next holiday. Nobody in your life knew you like Jey. They didn't know which smiles you were faking, or which laughs were genuine. They didn't even know your coffee order, or your favourite film.
"This works for you? This is enough for you?" Jey asked. "Because it isn't for me."
You bit your lips, you'd expected this every time, you knew it would happen eventually. Jey was always going to find someone who could give him more than you could offer.
"What are you saying?" You asked. "You don't-you wanna end this?"
Jey got his knees and shuffled towards you, leaning up and cupping your face with his hands, his eyes level with yours. "I don't wanna end this." He said. "I wanna be with you."
"Jey," you whispered, hoping he could see in your eyes how much love you have for him. "I can't- We can't-"
"Ay, just listen." Jey said. "What if I came wit' you?"
You stared at him, speechless, your face still in his hands. "That's not funny."
"It ain't supposed to be funny."
"Stop it. You can't just say stuff like this, not in here, not like this when we're all caught up in the bubble!" You said, throwing your hands around. "You have your family here, a life here, you're just gonna leave it all behind?!"
"Didn't stop you." Jey retorted, and you rolled your eyes.
"That was different! I didn't pack up my life to follow someone across the country!" He smirked at you, making you roll your eyes a second time.
"Ay, you think highly of yourself, don't ya?" He joked, but you groaned and pulled his hands away from your face, putting your own over your face. "What if I ain't doin' it for you? What if I'm doin' it for me?" He asked. He pulled your hands from your face and held them. "I know you tell me not to, but I wait, babe. I wait for you to call, to text, I ask your parents when you're comin', so I can wait at the airport for you. I don't wanna wait anymore, I wanna be wit' you, for real, and you can't stay."
You bit the inside of your cheek, refusing to let yourself smile, and you turned your back on him, sitting back down on the bed. He was saying all the right things, wearing your favourite smile, and it was hard to be logical right now. This was never an option, because what if he ended up resenting you? Having Jey sporadically in your life through the year was better than the alternative.
Jey ran his hands up and down your arms, planting little kisses on your shoulder and neck. "Jus' think about it, babe." He whispered in your ear as he kissed your neck. "We can have more than jus' weekends." His hands slid over your skin, grazing your breasts as he followed a path down to your stomach, sending shivers through your whole body. "We can do this-" His hand slipped into your underwear, teasing you. "-whenever we want."
You tilted your head back, leaning it against his shoulder as he nibbled your neck, and you hummed, bucking your hips in an attempt to get his fingers exactly where you needed them. He clicked his tongue before he dug his teeth into your neck, a moan escaping your mouth as his fingers teased your entrance.
His hard cock was pressed against your back, and as he played and teased you, you reached around and grabbed his cock. He rutted against your hand, moaning into your neck as you stroked the long length, the action making him push two fingers inside you. They moved inside you, matching the pace of your hand on his cock; when you slowed down, he did, and when you quickened the pace, he did too.
Jey upped the ante, his thumb flicking over your clit, making your hips buck, your grip on his cock tightening, making it twitch. Jey groaned into your shoulder, and when you ran your thumb over his tip, he pulled away from your hand. "Nah, you're gonna make me cum." He mumbled into your shoulder. He kissed your skin again, before pulling his fingers out of your cunt, making you whimper pathetically. You watched as he slipped off the bed and pushed you backwards on the bed before getting on his knees. "Gotta remind you what you'll be missin' if you leave without me." He smirked, burying his head in between your legs.
You moaned loudly as he flattened his tongue against your cunt, slowly licking every part of you. He quickened the pace, and just as you arched your hips, he pinned them against the bed, while pushing two fingers inside you, his tongue flicking and sucking your clit. This was euphoric, you writhed underneath him as he drove you wild. Jey knew exactly what he was doing and his plan was working, you knew that he could ask you for anything right now -doing that thing with his tongue- you'd say yes to anything and everything.
"So wet for me." He muttered against you, nibbling the inside of your thigh as he fucked you with his fingers. All you could do was gasp and moan as he didn't give you a moment to breathe, sucking your clit and fucking you with his tongue. You tried to hold out, to delay your orgasm, but it wasn't long before you let yourself go, bundling the sheets in your hands as your thighs gripped his head.
Jey pulled back and crawled up your body, his thick, hard cock grazing your cunt, making your body twitch. He grinned down at you, his beard glistening with your juices, his dark eyes full of lust and you pulled him down by the chain around his neck for a kiss, your tongues dancing with each other as you ran your hands down his toned back. He rubbed his cock against your cunt, and you bucked your hips against him. "Fuck me, Jey." You managed to gasp, and he grinned at you, his eyes darkening more. He grabbed your wrists with one hand and pinned them above your head, forcing you to maintain eye contact as he pushed his cock inside you, moaning with you as your cunt tightened around him.
Your moans were lost in Jeys mouth as your bodies rocked together, your kisses getting rougher and more passionate. His free hand playing with your breasts, switching between them, refusing to let your hands free. "Such a good girl, takin' my cock like this." He grunted and you threw your head back as he attacked your neck once again. Your orgasm was bubbling up inside you, your legs beginning to shake as he fucked you harder and deeper, his own orgasm imminent. He brought his lips back to yours, the kiss slower, but not less passionate, and when he let go of your hands to grip your hips, you wrapped your arms around his neck, deepening the kiss.
"Shit, baby, I'm so close." He groaned, burying his head into the crook of your neck, his thrusts getting harder. You rolled your hips making his cock twitch inside you, and in all the bliss and passion as your orgasm washed over you like a tsunami, three words slipped out of your mouth.
"Come with me." You whispered, nibbling his earlobe. "So close." He repeated, and you grabbed his head, making him look at you.
"No Jey, come with me." You said, and he looked in your eyes, he flashed you that beautiful smile -one that could light up a starless night sky. You nodded, and he kissed you, just as his own orgasm hit, and he thrusted into you a few more times, his moans being caught by your mouth.
He dropped onto you; his body like a welcome weighted blanket, and you wrapped your arms around him as he lay on your chest. "Did ya mean it?" He asked quietly. You ran your fingers through his hair, and thought about what you said. You hadn't meant to say it, especially in that moment, it had just slipped out. You also hadn't meant to confirm it was in fact, what you meant. But you meant it with your whole heart, and you knew as soon as Jey voiced it as an option, you knew you couldn't leave him behind again.
"I mean it, Jey. I've never meant anything more."
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cloudmancy · 1 month
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I have no desire to get you in trouble but I would be curious to hear your thoughts on the new episode and the preview because I also have.. thoughts and I'm interested in what other people clocked as not great or kinda.. idk. other people's concerns, because I have had a lot of them and I never see people really talk about those things
they're doing a new format this season where they film a bunch of rp episodes in a row then take a break when there's a battle so the crew can get the battleset ready, so I understand the dissonance. but the tone of this episode from the tone of last episode was SO jarring. I was ready to chew drywall at the end of episode 17 but we head into the episode 18 fight and at the end all I can say is... damn! that sure is a battle that happened. the entire fight felt really low-stakes even though objectively a few of the bad kids were in mortal danger, but the mood at the table was so relaxed and chill and there was almost no roleplay at all... which drove me so crazy
>no rp except for fun silly party stuff (no callbacks to the adaine elven oracle in a storm thing? after all the fun setup last time??)
>fought 8 different antagonists and none of them said a word
>nobody questioned why or what oisin's grandma or all those dragon were doing there they just started taking them out one by one like raid battles in world of warcraft
>cassandra/nightmare king showed up only to not make any impact or get a single word in
>dos2 lady vengeance fight did the floating boat/ballistas/dragon fight better SMH
and then after all of that we're headed straight into ANOTHER battle episode judging by the preview... and it's against the rat grinders and porter/jace! let me out I want PLOT & DIALOGUE fhjy cannot end like this (5 hours straight of battle where they just kill everyone that moves). there's 2 eps left so I really hope they do the last ep as a 4 hour long roleplay only epilogue episode because as we've all seen ending campaigns on a battle leads to frankly really rushed character and world decisions. it's ultra disappointing too because I loved this entire season so much so far. the setup and buildup and plot points and mystery of fhjy is the best they've ever done it in dimension 20 period
ep 18 fhjy battle was a letdown to me... not giving the party an rp episode after 3 hours of loredump + going straight into a final battle without being able to interact with the world after gaining info is bad. they should've had a chance to process everything they learned about house sunstone, porter's plan, the rat grinders being used as ascension fodder, whatever the whole deal behind ambrosia and lucy frostkettle and why they needed a helios cleric in buddy IN ROLEPLAY. I don't want all this stuff explained to me after the battle by brennan or in some throwaway lines in the adventuring party - I want the bad kids to talk to people! I want them to investigate! I want fig to pull some BS with porter knowing the full extent of all his plans. it really sucks for us as an audience too to be hit with all this lore and get approximately 0 time for it to sink into the implications of how the worldbuilding was shaped by it or realizations of "ohhh that's why that happened at the beginning of the season" before we go straight into killing everyone.
with the way this is going I don't have any confidence they're gonna be able to actually empathize at all with the rat grinders too before they start lopping heads off because in battle episodes everyone kind of just. becomes numbers and an objective to take out except for pet favourite npcs of the cast. and they've mostly been interacting with the rat grinders as nuisances all season 😭 I'm PRAYING to be proven wrong and the last 2 episodes of this are fantastic but it's not looking good folks
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snuffysbox · 10 months
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man the ending of BG3 was kinda... rough, ngl. Like, not the fights and stuff, that was about what I expected, but the cutscenes post final battle were... something.
HEAVY SPOILERS for Baldur's Gate 3 ending under the cut
listen man, I can respect not giving everyone a perfectly happy ending, but Karlach's fate felt unfair. It felt like there had been a way to save her in development, but it got scrapped somewhere in the process. why even have the quest with Dammon and the infernal iron if all you can do is delay the inevitable.
Astarion's wasn't much better. If you tell him not to use the ritual to ascend, he just. stays a vampire spawn forever then?? the whole 'oh I can stand in the sunlight' bit was just for laughs?? I was horrified tbh.
Gale's romance scene was... fine. Like, perfectly servicable, sure, but choosing what to do with the crown was his literal companion quest! and you don't even get to see it resolved, he just SAYS what he'll do with it. PLEASE.
Shadowheart had one (1) appearance and one (1) line of dialogue in my ending and that was a quip about Astarion's sad fate. Thanks.
No mention of the Emperor after killing the netherbrain with Orpheus. Really? He's just dead, apparently. Nvm that it was like... the original founder of the city. No no, just dead, don't even see him die if you didn't kill him during the fight.
NO EPILOGUE AT ALL COME ON MAN. I would've taken poorly written SLIDES over nothing at all.
The post-credit scene with Withers feels... so, so redundant? Like, why is he waxing poetic about foes who weren't even the stars of the show? It really felt like a version of that scene should've come earlier, maybe around the start of act 3.
There's a ton of other little stuff that I would've loved to see resolved, but those were my main gripes. It just felt veeeery rushed right at the end there which is pretty disappointing, considering how entirely excellent the rest of the game is. Like, I don't want games to be these infinite projects that studios revisit and expand on (in anything other than expansions) bc they didn't get it quite right the first time around, bc that shit isn't sustainable, but man.
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gilly-moon · 4 months
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PERCY JACKSON TV SHOW REVIEW
(SPOILER ALERT! I Did Not Like It)
It has been 16 long years since I first picked up The Lightning Thief, and once again...I am faced with an adaption of one of my favorite books that is so painfully disappointing. And now that the tv show is completely out, it's time to purge the collection of thoughts I compiled on it:
Starting on one of the (few) positives, the cast was incredible. I know for a FACT that they are all wonderfully talented individuals, and I aim all of my gripes with their acting at the directors and writers.
So much telling. So little showing. Stop explaining the plot and the mythology to me. SHOW it to me. Explain later only when necessary.
And yet, some things weren't explained at all! I know, as someone who read the books, what blue food means to Sally and Percy. But the show never explains its significance. To the unknowing watcher, it's just a weird quirk, not a small rebellion between a woman and her kid against the life they're stuck in. It baffles me what the writers chose to over explain versus under explain. There's no clear reason for either behavior, and it permeates the writing in a bad way.
There's also a lot of the kids just being dragged from point A to point B by an outside force, rather than their own actions. They never really felt alone or even in danger on their quest, because gods kept showing up to help them along. I did not like that.
These kids aren't allowed to be kids. I stg you could make them teens or young adults and the dialogue/their actions would be the same. That's not good.
Why do they always have all of the information!!!?? They immediately know it's Medusa. Echidna introduces herself and they immediately know who she is and that it's a Chimera in her bag. They immediately know what the Lotus casino is. Why? It makes the stakes feel so low, rather than the mad dash scramble in the books that happens a lot when characters have to remember the myths and how to beat a monster mid-fight. And it makes all these scenarios so boring!!!
Also so many of the fight/chase scenes were boring or anticlimactic. The only good ones I can think of were in the first two episodes, and then one with Ares. Someone actually slipped in some good choreo in those few fights, but completely forgot to add it in to....the rest of the show....
There's very little about the show that feels magical. CG is used, obviously, but at times it feels like they should've gone further with it, or used it even more, and they just....didn't. The visuals end up feeling clunky and not very cohesive, with zero whimsy. Hate to make this comparison, but the Harry Potter movies were VERY good at showing the lines between the magical world and the muggle world, and the tension that occurs when the two interact. There is....none of that in the PJO series. Zip. Zero. And the mythological CG that is there is more often than not static or boring.
Break for a positive! I actually really liked that Percy was learning mythology from Mythomagic. The show wasn't really consistent on that point - saying it was his mom instead most of the time - but that was such a fun and clever way to work in the card game and make it plot-relevant. As someone with ADHD, I can confirm I would also learn mythology WAY better if it was for my favorite game.
Ok back to the negatives - Wtf is up with the portrayal of the gods? For one, they're boring to look at. Nothing about their designs makes them feel 'godly' and while that's ok with some gods (Hermes for one, tho I have issues with his weird beige sweat suit look) why is Ares just some regular ass biker dude? Where are the flaming eyes?? And radical skin-leather bike?? He couldn't even have a CUSTOM bike with red bloody paint and boar heads and chain link handles or something???
And the gods are way too fucking nice. Sorry. I don't have an issue with Hermes being nice but. Ares having a heart-to-heart with Grover? When his presence is supposed to stir everyone up into a rage? And Hephaestus sees Annabeth refuse to give up on her friend and just goes 'awww, ok, you and Percy can go, and take my rival's shield back to him too cause I'm just so nice.' Sorry, no. I'm fine with gods being helpful - Hephaestus helps (reluctantly) in the later books. But it was at a price! A favor for a favor! Not a 'get out of jail free' card just because he was moved by normal ass human compassion!!
Hades gets his own bullet point because who the fuck was that. As a child of Hades, I'm offended that this sweet fruity guy just wanders up and goes 'hey, how's it going, wanna snack?' like, that is NOT my dad. My dad had skeleton soldiers filling his halls and a garden of jewels and a voice so loud it rattled the whole Underworld. Whoever that was in the show was a pathetic imitation.
The point of the first series is to work up to Percy throwing it in the gods' faces how awful and neglectful they've been of demigods and specifically their own children. Demanding that they do better. But if they're already showing compassion and 'humanity' in the context of the first book/first season of the tv show....Percy starts running out of ammo against the gods. There's no coherent story progression where Percy spends years seeing the worst of the gods and the best of them at very distinct, important times of his life and his story. It no longer feels like a massive change they have to make in the system, something that deserves a godly favor for Percy to demand of them. Luke no longer feels like his fury at the gods is wholly justified. The whole series begins to crumble because the gods already have a good reason for being how they are, rather than being thoroughly selfish assholes who only dote on demigods when they do something really cool. And the exceptions are presented at intelligent moments that prove to Percy when he most needs it that the gods can be better, they just need a forceful push to get there.
That being said, where was Percy getting the info that the other gods were feeling scared and abused by Zeus? I love the balls on this kid, but like...when did he make these assumptions and why? That whole scene felt really unearned.
Also Olympus was BORING. And EMPTY. And DARK. It looked like we were just back in the Underworld. Which. The Underworld was fucking boring too. Some neat visuals, sure, but put that in some high fantasy show. Not this one.
One last positive before my final point - there were some pretty good jokes scattered around. Not nearly enough, but I did really enjoy the Dionysus introduction and a handful of lines from Percy. Also releasing the animals in Vegas - Grover being like 'oh, you were worried about the humans' got me good.
The final word that kept spinning through my head after finishing episode 8 was: Pathetic. Luke's betrayal was pathetic. No deadly scorpion. No commitment to that period of time in the books we were convinced he really was evil. And Gabe just stumbling on the package with Medusa's head in it? PATHETIC. Percy outright asked his mom if she was being abused in the book, and she took fate into her own hands to statue-ify that bastard. But no. The show was through-and-through just a pathetic, watered-down version of an incredibly fun, emotional, brutal, exciting series of books. I know there was a lot of heart behind this production, but I did not feel it at all. But what else should I have expected from modern Disney?
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15 Lines Tag Game
tagged by: @carlosoliveiraa @clicheantagonist @inafieldofdaisies @adelaidedrubman @la-grosse-patate @g0dspeeed @direwombat @aceghosts @sofrosine @nightbloodbix @kyber-infinitygems @corvosattano @voidika @roofgeese @thesingularityseries (thank you all so much!!)
Rules: Share 15 or fewer lines of dialogue from an OC, ideally lines that capture their character/personality/vibe. Bonus points for just using the dialogue without other details about the scene, but you’re free to include those as well.
(i failed to follow the rules and did 17 each, i'm indecisive)
tagging: @dickytwister @amalkavian @transcaster @shellibisshe @unholymilf @thedeadthree @confidentandgood @strafethesesinners @harmonyowl @florbelles @josephseedismyfather @josephslittledeputy @cassietrn @marivenah @finding-comfort-in-rain @strangefable @efingart (no pressure of course, I'm late to this, sorry for any double tags)
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“When you've seen the things I've seen, a little pig sticker cutting through a few layers of flesh doesn't mean much.”
“Blood on my hands or not, I don’t need to be saved. Not by you or anyone else.”
“I’ll bite you if you try and feed me.”
"Then let me do what I do best. I don't need the help, all they'll do is slow me down, make me take my eyes off the ball. You gotta let me win this fight the only way I know how."
"I'm not so delicate."
“Because I prefer to look into the eyes of the person I'm meaning to kill. Makes it more personal. I want them to remember the face of the person sending them to their maker.”
“I put my fucking neck out there every day for all of you – I have been from the start. Who else is having these crazy motherfuckers digging around in their head? Do you have Joseph Seed telling you you’re some fucking sign of the Apocalypse? No.”
"If I don't keep my promise it will be just another regret in a long line of them. My life started with regret – should've been a boy, never should've been born at all – my life will likely end with regrets too."
“Just a weapon. A square peg jammed into a round hole for so many years that my edges finally ground down, and now I fit only one thing."
"I might not have the scars on the outside of what my father did to me, but I think the ones I do have are the big scarlet letter about the kind of monster he turned me into."
“It’s a sad state of affairs when I'm someone people are happy to see after any absence.”
“Well shit, if you’re damaged goods then I must be fucking ruined.”
“I did what I had to do. Just following orders.”
“Some people just aren’t meant to be saved,” Kit muttered.
She smiled, an empty grin that creeped across her face but left her eyes cold and dead. “Trust me, Jacob should be the least of your worries.”
 “You know that old saying that God never gives you more than you can handle?" She scoffed, hands held at her hips, posed like a superhero. The demigod she had become. "He must have had quite the plan for me.”
 “I’ve made my mistakes. I hurt people. Innocent people . I can’t have you on my conscience too.”
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1) “I don’t give up on anything, but I refuse to be a distraction."
2) “If I told you, I’d have to kill you.”
3) “Oh, don't worry, sir. I only save the bleeding heart act for the innocent.”
4) “He’s a charming fellow.” The venom in Rory’s voice wasn’t lost on anyone. 
5)“Just have to use my feminine wiles and sweet talk the prick, yeah?"
6) “I’m not particularly fond of having to be like that. I do what I have to. Intimidation, fear – they’re good weapons. But I’m not some sadist, I don’t enjoy it.”
7) “That's just life though, isn't it? It's the fucking pits, and then we die, and that's that. No point letting it ruin what bit of good there is.”
8) “I know. It was him or me.”
9) Laughing, she picked up her cigarette from the sand and took a drag. “I certainly wouldn’t lie about something like that, Captain.”
10) “Two on however many. I’ll take those odds.”
11) “What? You want my life story?” Her eyes narrowed, challenging him just enough. “Is this our first date?” she asked, lifting the MRE packet. “Really splurged on dinner.”
12) “Whatever it takes.”
(and some lines from the COD MW fic i'm working on)
13) “I know, I know. Bureaucratic bullshit, not my fault, can’t let it bury me. Got enough going on inside this head already, yeah?”
14) “Tell me I can help at least. Tell me I can do something. Don’t just let me sit here in this empty house, alone, not when I can be out there making things right. Tell me you’re going to need me on this one, John.”
15) “Love you too, prat.”
16) “Oh, please, no.” She shook her head. “None of the formality. I might sound like I have a stick shoved up my arse, but I assure you, that’s not me.” She held out her hand to shake, and was met by a firm squeeze by Garrick’s hand. “The pleasure’s all mine.”
17) “I’m not sure the simple act of trying to keep you alive is being ‘too good’.”
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bringbacktim · 6 months
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hello! I was wondering if you could write an enemies to lovers for logan! like reader is an american driver or something and everyone compares the two americans, which annoys logan and reader. and hopefully it ends with fluff and smut! 🫶🏻 thank you in advance 🥹
I loved this request. Part 2 up now
America²
Not edited or proofread, mostly written while I was nearly asleep so definitely some mistakes . Endings a bit meh cause I kinda gave up towards the end
Warnings: arguments, logan being mean , y/n being kinda mean, oscar cameos , loads of dialogue , mentions of jacking/wanking off , mentions of America
Wc:1.7k
Being an American and a female f1 driver was basically the same as being stuck in the inner rings of hell. With there being two American drivers in the same grid year made what felt like everyone on earth compare the two to no end
The sport is British so most of the fans either hate Americans or think women shouldn't be f1 drivers so Y/n couldn't win in the eyes of the public , or Logan Sargeant for that matter . She had beaten him in the f2 championships in a very Hamilton/Verstappen Abu Dhabi way and he was not happy about it at all
Also the fact that oscar was becoming more of her friend and less of his didn't make Logan jump with joy
When they not only had to be on the same sofa in the same room for Thursdays press conference they were already in a bad mood , but when they found out they had to be sat next to each other was the last straw
"Oscar please swap seats with me , I'll let you past me in the race" Y/n begged the brunette
"Can't you suck it up and just sit next to him this once? And we both know your going to be behind me in the race" Oscar asked already knowing the answer would be a no
"You're no use piastri, have you seen Daniel or George anywhere?" She said looking around the room for them
"K mag would you mind swapping seats with me for the press conference?" Logan asked in a less begging tone than y/n
"Are we even allowed to swap places?" He questioned as he'd never known anyone to need to
"I'm sure you can if you need , which I do desperately" logan said the begging  starting to bubble to the surface
"What do I get out of it?"
"A great secret santa gift" he laughed
"Okay fine , I'll swap with you" he sighed as the younger boy celebrated and thanked him
Now that there was a wall between them that goes by the name of Kevin Magnussen the tension between them was less harsh as they didn't want another pr disaster to handle
There wasn't any outright mean or passive aggressive remarks to one another, but if logan would answer a question Y/n would start yawning or whisper something to kevin or Oscar beside her and if Y/n was answering a question logan would also talk to Kevin or try and discreetly check his phone that he definitely shouldn't have in his pocket . This didn't go unnoticed by literally anyone in the room and everyone on the sofa would make a mental note to ask about it later
Abu Dhabi weekend went from bad to worse . Logan dnfing in qualifying wasn't what anyone wanted well anyone that liked him, him coming 16th in the race due to him and Y/n fighting each other like some brocedes wannabe didn't help either
The radio messages that weekend were basically all bleeped out from the excessive use of profanity . It made yuki sound like a Saint and f1 twitter had a field day with it
Thankfully no one heard the conversations that went on in their driver rooms after the races because they were not nice in the slightest
"You're such a fucking bitch you do know that right?" Logan asked slamming the door behind him
"What because I'm better than you and you can't handle that?" She said with a smug smile on her face
"You ran me wide on that corner and made me go off track when you should've given me space" he fumed ( if that's even a word)
"Well maybe if you followed the racing line like any other normal fucking person I wouldn't have "ran you wide" " she spat back using air quotation marks
"God you think you're better than everyone else don't you"
"Oh yeah cause you don't think highly of yourself mr.god complex" Y/n said crossing her arms over her chest
"You're only personality trait is that you're a female f1 driver and you're only one because of all the men you dated to get here" now that was definitely the straw that broke the camels back . He could say whatever he wanted to her but  accusing her of nepotism was where this became more than some silly rivalry
"All the men I've dated to get here? Please enlighten me on these relationships because I sure as hell wasn't in them" she barked getting in his face
"Oh please we all know you and oscar had a thing , that's why you beat me in f2"
"Oh my god is that why you hate me so much ? Because your fragile masculinity can't stand the fact that a woman beat you" Y/n accused
"Here you go again playing the woman card, I don't like you for many other reasons" logan said despite not listing any aloud
"You're unbelievable logan" she said storming out of his drivers room slamming the door behind her . He knew he had gone too far but he doesn't know how to be anything other than mean to her
Once Oscar caught wind of the argument the two had he scolded them both and made them promise they'd apologise to each other but obviously that never happened because he was dumb enough to not make them do it while he was with them
Logan did get some repercussions for the comments he made to Y/n from Oscar because thats not how you speak to anyone and he said he wouldn't do it again , but truth be told he loved to see her riled up ( not that he'd ever admit that though)
"I can't believe you said she beat you because she was sleeping with me , Ive had a girlfriend since way before that point and I wouldn't go near her incase I ruin whatever two clearly have going on" Oscar half joked to his friend
"What are you on about dude?" Logan questioned a little grossed out at the thought
"The tension between you two that will definitely lead to at least a hate fuck by the end of the season" Oscar said while logan stared back at him blankly
"Abu Dhabi is the last race of the season though?"
"I'll make sure to leave you guys alone more often then"
"That is so not funny" he said trying to shake the image of them sleeping together out of his head
"Theres always the after party I know you two can get pretty wild after some drinks" Oscar said throwing them under the bus
"Do not speak that into the universe you dickhead" Y/n said walking into the room
"Oh yeah because I'm so into the idea myself.  Pretty sure it takes two to tango" logan remarked
"Shocked you know that seeing as you've been using your right hand the entirety of your life" she quipped
"Don't act like I haven't heard you and your devices through a hotel wall" logan teased
"Don't act like I couldn't hear you beating one out from the other side of that wall"
"Sorry to interrupt your dirty talk ; but you do realise you just admitted to basically wanking off to each other right?" Oscar intervened
"That is so not what I meant oscar" Y/n made clear
"Not that the same time mate, god I'd never be caught dead jacking it to her" logan defended
"I'm the only other American you know and you're the most patriotic person ever to exist so it wouldn't shock me if you did" she held back a laugh
"Has anyone ever told you you're not funny?" Logan asked as she gave him the finger and walked out
"You've seriously got to start being a bit nicer to each other , especially since we've got some post race press conference to go to" Oscar said walking out as logan trailed behind sighing
As everyone made their way to their seats for the second time that day , both Americans had calmed down after their lovers tiff and weren't as heated towards each other
When the questions got to Y/n she quietly sighed knowing what the questions would involve
"Okay question for Y/n how is it not only being one of the only Americans on the grid but also the only female driver on the grid?" She gave her usual answer that she couldn't answer for logan about what it's like to be one of the two Americans and that she has worked hard to get where she is now etc
"Another question for Y/n , how does it feel that you beat your fellow American by 5 points?" She wished they would stop comparing them just because they're from the same place , but answered the question in the nicest manner she could nonetheless which logan appreciated
The questions went down the line and soon it was logans turn , same as Y/n he was expecting to be asked about her and America
"So logan how does it feel to be beaten by your fellow American by 5 points?" The reporter asked
"Well it's not ideal obviously, but I felt like I was getting better towards the end of the season so who knows maybe next year I'll be beating her" he said looking at her to see if she was offended as he wasn't meaning to be
The questions were basically the same as Y/n had so he just copied her answers for most of them
Oscar and logan caught up after and spoke about how the season went for each of them and what they were doing during the winter break
"Thank god that's over" Y/n said waltzing over to the pair to see if they wanted to walk back to the hotel with her
"They need to get some new material ,do they think they have to ask about each other and America in every question" logan complained
"Tell me about it I've lost count" Y/n replied too tired to come up with some smart ass remark
"Do you guys want to go get dinner or something before we head back to the hotel?" Oscar jumped at the opportunity to get his best friends together for atleast a meal
"Sounds good to me"
"Yeah me too"
Thankfully, the walk to the nearest fast food restaurant wasn't that long . When they got the Americans were hounded by Oscar why they were nicer than usual not only in the press conference but also on the walk there , they blamed it on being tired and having enough of their pr officers being mad at them but Oscar knew the hate was starting to go away even if it was just a little bit
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animentality · 4 months
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I don't even feel like the four lines of dialogue WERE fanservice. I know we're all excited, I have screamed my share of screams about it, but when you think about it they didn't really add anything that wasn't already there. We already knew Durge liked him from the prayer for forgiveness, and everybody but the deniers already knew Gortash missed Durge from the entire way he talks and acts and looks at them. All this really was is them adding Durge specific lines to a scene where it makes sense to have them, and one that probably should've had them initially anyways, if they'd had more time before release.
no, I fucking AGREE. it's not fanservice.
it's just them making Durgetash more open and not so implied.
it's not fanservice, they're just angry because they've been trying to deny durgetash exists from day 1.
this happening just ruined their day because they hate both the dark urge and gortash.
and you know what?
in the words of best girl Karlach.
eat it.
you hate durgetashers so you see any addition of Gortash and dark urge specific lines as "unnecessary?"
well that's too bad. some of us have basic media literacy.
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annierosaart · 1 year
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So I recently found your blog and you Exusiai theory and I'm in love with it, I really hope it becomes canon, is just so good and Exu is one of my fav charas I need more stuff with her on it on the main game.
Anyways, I've been playing on and off AK for the past yrs and I'm def lost when it comes to most of the story since it's a lot to catch up to, so can you explain more in-depth the Flammetta/Exusiai ship or at least relationship/parallelisms?
OH BOY CAN I
After the confirmation that Exusiai isn't connected to the other Sankta in Il Siracusano, it explained her entire character.
As I've explained in the post I made about her being disconnected originally, it always stood out to me how Exusiai specifically was treated differently from other Sankta in Laterano during her childhood and teenage years, despite the fact that she's supposedly a bog standard Sankta. From her being constantly mistreated and ditched not just by Mostima but by her sister also (see her Oprec 1),
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To the fact she was constantly blamed for things that were legitimate accidents, the kind of stuff that happens on purpose in Laterano every single day, to the point where her word was doubted and she was accused of being a Sarkaz, it paints an extremely lonely and alienating picture of her.
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It's especially odd that her own family and supposed childhood friend would do shit like that to her, given the fact that at the time, they should've known that it was upsetting for her to go through that, seeing as the Empathy would've made it hard for her to hide that. (oprec 1) And it'd be extremely out of character for Lemuen to do things like that, considering her intense love for her sister...
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Combined with being grilled for lying by her superiors, which again, would be difficult for a Sankta connected to the Empathy... You see what I'm getting at?
She isn't connected to other Sankta. Never has been. From the start, her files and dialogue mention her being an exception amongst Sankta, unique, different. Guide Ahead showed us they're all similar to her in personality, however, so what exactly sets her apart? It's that.
Exusiai has multiple lines, in CoB, IL Siracusano, and her dialogues that show how deeply lonely she actually is, and how ACTUALLY empathetic she is; real empathy, not Sankta Empathy.
She threw herself into the Rat King's sandstorm for Mostima and Bison, she always remembered to keep an eye on him and keep him up to date, taking time to ease his worries and doubts. She always looks out for everyone else in PL, canonically being broke from doing so all the time. She risked her life to save a woman that was being harassed in IL Siracusano, despite not knowing her at all.
This isn't normal Sankta behavior. Sankta, even the ones at RI, are generally somewhat cold or indifferent to non Sankta. Arene, Ambriel, Executor... The only exception is Enforcer, who we know isn't connected as well.
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Exusiai grew up socially and emotionally isolated, enough that no one ever gave her closure for the Andoain incident, despite the fact she has literal PTSD from it (oprec 1), no one ever got along with her really, to the point where her classmates celebrated her leaving to her face...
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She hides it in front of others, but several lines show her actually being very tired, serious, and depressed, especially when they bring up a personality quirk of hers.
Promotion 2 - "Leader... No, savior, I pledge to this gun in my hand to protect you until the very end of this world." Talk after Trust Increase 2 - "If you ever run into an angel with black horns oozing ominous vibes, please tell her for me: I've never forgotten her." Idle - "...Lord, is this someone we gotta save too?"
All of which parallels stuff with Fiammetta:
From the offset, Fiammetta is by default isolated from her peers, being a Liberi in Laterano.
She grew up inherently different from a majority of people there, and as we see in Guide Ahead, though she tries to hide it, especially from other Liberi, she developed a complex over it.
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It's especially evident when she snaps at Mostima, ranting about the Empathy between Sankta, complaining about how alienating it is to her, how it hurts her to not be understood. It's further elaborated on in her module's text, where we see her struggling to handle a gun that Sankta her age were already handling with ease, clearly frustrated enough by the fact that her mentor had to come and offer an alternative.
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Beyond that, like Exusiai puts on a front but just wants people to tell her things for once, who's always been kept in the dark about not just events but also what other Sankta are feeling, Fiammetta is constantly isolated from her peers' feelings and motivations, ignored and brushed aside. It's constant in Guide Ahead, how her input and presence are secondary to whatever asinine conversation the Sankta are having, even in the middle of a crisis.
Her wants and needs are secondary, she's constantly forced to put up with titles she despises and finds humiliating, mockeries of her while she tries to do her job seriously...
Just like how Exusiai is consistently made fun of for any mistake she makes, even when others have a hand in that mistake. By PL itself no less. She laughs it off, but in exchanges with Bison, she clearly shows how bothered she is by being shrugged off or treated with a lack of care. She wants to be understood and taken seriously. But it never happens.
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Fiammetta is exactly the same, constantly chasing a desire to be taken seriously as a member of the Notarial Hall, to have her feelings heard. But it never happens.
As a Liberi, she's inherently not a part of the connection all other Sankta have (with exceptions). They can't understand her. Nor do they bother to. It infuriates her, but what else can she do? What else is there to do? From birth, she was different from them, not the same as them, her weapons are a constant reminder... As is Exusiai's lack of connection to others an unconscious reminder to her.
And it all culminates in the Lock and Key incident. Both of them have been deeply traumatized by it, and whilst Fiammetta is at least more in the know than Exusiai, neither are ever offered the closure they need, the closure that would help them move on. Despite both being close to the people involved, they're kept in the dark.
Instead, they're made to stew in their feelings, made to feel left out on purpose one way or another, never allowed the proper right to live past that event. Both are obsessed with that day. Both desperately want to know what happened, what set it all off, WHY it happened.
But they never find out. They're forced to keep living in the dark while their friends and family are whiling, creating purpose beyond that day.
They're both women who were hurt by an incident that they were never allowed closure on, despite involving people they loved. They're both women who have been isolated and alienated from everyone else, becoming extremely lonely and distant all the while. Exusiai doesn't let anyone in, doesn't open up. Texas says as much.
Exusiai is my polar opposite. She seems to get along fine with anyone, but lets very few people close to her. —Texas
Fiammetta won't let anyone else in. Bottles her feelings until they explode. Because no one will hear anyway. No one will care. So why should she?
They're hurt. They're scarred and tired of being the only ones left out of the loop. Of the inside joke. Of the joy and folly every other Sankta is privy to.
They both value choices, independence, yet are bound to their past traumas. That they'll face one day. They both try to move on, but they can't. Exusiai still chases Mostima whenever she appears for answers she won't give, Fiammetta still chases Andoain for a revenge that won't quell her.
They're both obsessed with getting closure that the world's denied them.
And with Exusiai's surprisingly deeply kind nature, genuinely empathetic and sympathetic to others, to hear them out, and Fiammetta's insistence on confronting things head on, on not moving past them, and her deep down caring interior... They could heal a lot with each other. Love without compromise.
Beyond these thematic and story parallels, the two have a lot of miscellaneous ones too.
Their talents complement each other, Exusiai covers Fiammetta's health drain, allowing her to fight with more strength for longer.
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Their physical scores are complementary, Exusiai covering Fiammetta's weakness in tactical acumen, and Fiammetta covering her lack of physical endurance respectively
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Their descriptions are both about their dedication and willpower to see things through to the end.
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Obsessions with protecting people (Exusiai's codename actually comes from Powers, the Angel class said to protect people and prevent evils from happening)
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Hell, Exusiai's third skin replaces her blessing effects with a blue glow, complementary to Fia's red, and blue feathers. Sankta don't have feathers, so...
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Their record medal descriptions match.
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And finally...
Fiammetta is usually tolerant of Mostima's personality, even going along with it at times. But the moment Exusiai is involved, she becomes extremely impatient, and protective. Much more so than she logically should be at times.
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With the context that she's been watching Mostima and essentially bugged her to hear in on her, she had to witness her leading Exusiai on all night, giving her false hope for an answer that wouldn't come.
Only for her to caress her sleeping and drunk form, as if they were still that close. With the knowledge they both parallel each other a ton, she might see herself in her...
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Fiammetta's face shows way more contempt than expected, and her dialogue following this shows way less tolerance for Mostima, in spite of the fact that Exusiai is sound asleep and wouldn't hear them.
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In Mostima's own record, Fia suddenly cares about Exusiai's feelings, about it being fair or not to her...
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And firmly says she won't let Exusiai ever get wrapped up in the Lock and Key business, her face becoming more serious. Again, extremely protective of someone that at best, she knew as an acquaintance when they were both younger.
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Fiammetta cares about Exusiai to an unnatural degree, hinting at either shared history that's not brought up, or that she relates to her, and she can't ignore that.
And if Exusiai talked to Fiammetta now, she'd likely find that same relatability, that same pain they've both been enduring, that they cope with in different ways.
Exusiai drowns herself in a carefree 'mask', drinks until she's blackout drunk often, is enough of a workaholic to fall asleep at PL's couch and compulsively spends money on others.
Fiammetta destroys herself with work, with fighting, burning herself out as she fires off attacks, obsessing and following Mostima around for the slimmest chance that Andoain might show up again...
They both need healing. Healing only the other could provide.
Fiammetta's friends/partners/exes are condescending towards her, don't try to truly get why this plagues her, even after Guide Ahead. PL can't help Exusiai, not only do they have their own problems, they can't relate at all; Texas has a mountain of baggage to work through herself.
They'd find solace, comfort in one another... Both things they desperately need.
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jedi-enthusiast · 10 months
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My Thoughts on Episode One
Keep in mind that these are just my thoughts that I've written down as I watch the show, they may change or I may expand on them later.
"Former Jedi Knight Ahsoka Tano-"
Bitch, she was never Knighted! She was a padawan!
I see we're already starting off strong /s
Although, I will say, I'm glad they put "the EVIL Galactic Empire" because the way some people talk about the Empire is like they're trying to make it seem like it wasn't that bad---at least this shuts those bootlickers up. So, silver linings!
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Ngl I think Dave Filoni was trying way too hard to recreate the "hallway scene" with Darth Vader in Rogue One and failed miserably.
Also, if people keep referring to Ahsoka as a "Jedi" throughout this episode, I may or may not explode.
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"The Order doesn't exist anymore."
And I am once again reliving Order 66 and crying, thanks a lot.
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"Let's just say I didn't follow 'standard Jedi protocol.'"
Given what we see of her interrogation tactics in that one TCW episode with Luminara, as well as Anakin's tactics, when not following "standard Jedi protocol" ...I'm more than a little concerned by what Ahsoka means by this. Did she torture Morgan? Did she take Morgan's mind apart like Maul did to Jesse?
C'mon Ahsoka, what did you do that wouldn't have been standard Jedi protocol?
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"They seem to have abilities like you."
Hera, you were literally basically married to a Jedi and you were also captured by Maul at some point, Kanan talked to you about this stuff and you experienced it...you know what a Sith is.
Ahsoka, you also know what a Sith is.
They're literally wielding red lightsabers in the holo.
Why are both of you acting like you don't know this?
Also, why is Hera talking like she wasn't literally at the battle of Lothal and like she also didn't know of/have beef with Thrawn?
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Once again with calling Ahsoka a Jedi.
Also, Ahsoka has always said "I am no Jedi' or said that she isn't a Jedi anytime someone has called her that since she left the Order, so why isn't she denying it now?
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LOTH CATS OH MY FUCKING GOD-
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Ok, I know Ezra's recording is supposed to be this really emotional spurring moment but like...
1. The dialogue feels so utterly flat- (so far most of the dialogue has felt that way for me tbh, it's like...none of the characters are really talking like the characters, yknow? And it all just feels so stilted, like they don't know themselves or the people around them).
And 2. Ezra wouldn't have had time to make a recording??? Him taking out Thrawn was a spur of the moment decision, they didn't know everything was gonna happen the way it did, so how exactly did he make this recording???
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FDSLKJALJHFJA IT WAS A NIGHTSISTER TEMPLE???
MORGAN IS A NIGHTSISTER???
AHHHHHHHHHHHHHH!!!!
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"Ahsoka Tano's former apprentice is on Lothal...you're looking for Sabine Wren."
I assume this is gonna be explained later, so I'm attempting to hold in my judgement---but since when did Jedi start taking non-Force-sensitive apprentices?
Kanan taught Sabine how to use the Darksaber so she wouldn't hurt herself and so that she would let go of her fear/anger/pain so she could face her family---so why in the world was Ahsoka teaching her, and since when is taking a Force-null as an apprentice a thing?
I'm just so confused.
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"There is nothing easy about being a Jedi."
AHSOKA HAS SAID REPEATEDLY THAT SHE IS NOT A JEDI, WHERE IS THIS COMING FROM????
Also, again, since when can Force-nulls become Jedi?
I'm assuming that they're taking the "Sabine is Force-sensitive" route for this, even though it's very weird considering she never showed signs of it in Rebels, but I still feel like they should've already revealed that if that's the case---because right now it's just confusing.
If they don't go that route then I genuinely already hate the route this is going as far as Jedi stuff goes.
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"Anakin never got to finish my training. Before the end of the Clone Wars, I walked away from him...and the Jedi."
*long sigh* not this bullshit again.
Ahsoka he literally helped Palpatine commit genocide against the fucking Jedi---that was probably a bigger factor in you not finishing your training than you deciding to take some time to figure yourself out. Seek therapy, please.
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I'm gonna be honest, this lightsaber battle between Sabine and the apprentice is...so disappointing.
To be fair, though, I've been disappointed by every lightsaber duel since everything set in the Prequel era---nothing can really live up to those duels.
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Since when can people live through getting stabbed with a lightsaber, without drawing on the Dark Side?
Sabine should be fucking dead, like Qui-Gon was in TPM.
And before anyone says- "oh it's the end of the episode, you don't know if she's still alive" -yes I do, because I already know she's in episode 2.
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My thoughts on episode 2 will probably either go up tomorrow night or sometime this weekend, I don't know yet because I'll be moving into my dorm tomorrow.
Already though I can safely say: my expectations were literally in the ground and I'm already disappointed.
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kitkatopinions · 7 months
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Nitpick for Day #25
The fact that Jaune's sisters aren't Hunters is a big loss for the writers and it makes some of the early dialogue in RWBY feel weird.
Iirc, in like V1, Jaune says that his whole family have been Hunters. It's already weird enough that he supposedly comes from a long line of Hunters but he doesn't know what aura is and he has no real ability to fight and nobody acts like they've heard his family name 'Arc' before in their lives. That's already weird and badly done, because if Jaune's family is populated by Hunters, then the teachers (Oz implied to have been a teacher during STRQ era and Port having been a TA during STRQ era especially) should have probably known his parents? Oz should've known several generations of his family actually? Ruby who idolizes the Hunters should have some knowledge of them? Jaune should know more about Hunters and the Grimm and fighting himself just even by pure happenstance!
But also when I say "my whole family" I usually mean my sisters???? If I say "my family is full of media critics lol" I'm very much so including my sisters within that summary. If I say "my family were all raised in church" I don't just mean my parents and grandparents, I mean my sisters too. If it doesn't apply to my sisters, I'm not gonna say "my family" I'm just gonna say "my parents and grandparents and great grandparents." There was at least an implication that Jaune's whole family including any siblings were Hunters. And yet it doesn't seem like his sisters were Hunters at all. Why? Not one of them went into the family business? Not one of them went to Haven or Beacon? And before anyone says "well some of them probably did off screen" please do not, off screen means nothing, and there's zero indication that I remember that any of Jaune's sisters were hunters. But it's so easy to slip into the show in a way that makes sense!
"Your name is Arc?" Weiss asks when she and Jaune are first introduced. "As in Topaz Arc, who just dispatched the Goliath Grimm rampaging near Argus?" Jaune, with a sigh "Uh, yeah, good ol' big sis... Anyway-"
"Didn't your sister win the Vytal Tournament?" Ruby asks Jaune. "Don't remind me," Jaune says back. "I have a lot to live up to."
"Where are your sisters in all this?" Ren asks as they're on the road in V4. "Oh well, most of them are in Vale," Jaune would respond. "They're still helping with the repairs and protecting citizens, you know, like the heroes they are." "And they just let you leave?" Nora asks. "No way. Let me tell you, running away from five overprotective big sisters who are trained to hunt is no small feat!"
Qrow, when they're in Argus with Safron and Terra: "Hey, aren't you the one that took down that underground crime ring in (city name) a few years back?" Safron: "Well, that was a long time ago. I did the whole Huntress thing for a bit, but it wasn't for me. I met Terra and we wanted to settle down. And lucky we did, since it means I could be there to help this little guy." *Ruffles Jaune's hair.* Jaune: "Saff! This is a pit stop, I'm on the field too, you know." Safron: "Fine, fine. I worry about you out there with none of us to protect you." Jaune: "I have Nora for that."
It feels like it should be easy!
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sovonight · 4 months
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since it's come up a couple times, i thought i'd just make a post about it! here we go:
i keep seeing you talk about this xan guy, but who is he?
xan is a potential companion in baldur's gate, the first game in the baldur's gate series. in the vanilla game, he has basic voice lines that play in reaction to commands, other companions, and the locations you're in. in fact, all of his voice lines can be viewed in the "quotes" section on the wiki; that's the extent of the content he has.
wait, i thought he was a full-fledged companion with friendship and romance paths? also, isn't he in baldur's gate 2?
he is, but only with the use of mods!
BG1NPC adds xan's banter, commentary, and romance path to bg1 (alongside a lot of other things, take a look at the readme!)
Xan's friendship path adds xan's friendship path to bg1
Xan BG2 NPC adds xan to bg2, as well as 2 romance paths, a friendship path, and a new soundset
Alternate Xan Soundset for BG2 restores xan's bg1 soundset to him in bg2, because nothing beats the original
if you want to romance him, make sure to play as an elf, unless you're ready for a bit of heartbreak ;( non-elves can romance him for a bit in bg1, but at one point you'll be forced to break it off.
i'm interested in playing the series, but where should i start?
i've broken it down here!
do you have any other mod recs?
i still play with the original (non-ee) games, so a lot of my mods are just widescreen fixes & bug fixes that are already covered in the ee games. but one list i have on hand is glittergear's bg2 mod recs!
why don't you like xan in bg2?
spoilers ahead, but:
i don't agree with his characterization and the execution of his romance paths as a whole
his bonded bg2 romance is worse than his bg1 romance, and intimacy with him almost always involves sex now, when it didn't before
he's been made ridiculously old
he's out of character, and many of his reactions are just odd
i don't agree with his death, and here's more paragraphs why
bonded xan is too ready to serve goddess!charname, when based on past behavior i'd think he would have a firm stance against it
his player-initiated dialogue options are poorly thought out
he was altered to have proficiency in darts instead of slings. darts fucking suck, why would you do this to him
his behavior would hurt radri, a lot
the list goes on
why are you still drawing/writing about him in bg2, then?
i love xan and radri together, i can't just write him out of bg2
😔 i can fix him 😔
but you think xan in bg1 is perfect, right?
not totally, i've always felt like his romance was biased in favor of one personality type
he is SO ace-coded to me, but his author clearly had a different vision for him
there's more, but they're all minor nitpicks compared to my complaints about him in bg2
you've complained a lot about him, so what do you even like about xan??
he's just so ridiculous, in the best ways
he can be snippy and dramatic, but also so kind
i love his romance in bg1
i enjoy his habit of carrying charname for romantic gestures, even though radri is like 200 lbs with light armor, and he's, what, 130 lbs sopping wet? i know, he was probably written with an elven waif of a charname in mind, but it's almost sweeter to think of him going out of his way to make it happen
you keep mentioning radri, but who is she?
my gorion's ward, my bhaalspawn, my charname, my beloved protagonist
she's like the kicked puppy to xan's pathetic kitten
here's an introduction, but honestly, it's easier just to read about them
why do you like the series, but not baldur's gate 3?
baldur's gate 3 has next to nothing to do with the series and should've been named something else
i was disappointed by it when i did play it
there's a sexual overtone over the entirety of the game
i'm tired of romances that put sex first
it's impossible for me to relax and enjoy the game
again, it's a really horny game
i'm just way too ace for it
bg3 overtakes all search results when trying to search for information on bg1 (which, being titled baldur's gate, doesn't get the benefit of a number to set it apart from the other games). sure, filters exist, but that doesn't change the fact that an era of easy information retrieval is over
what do you think about the references to xan in baldur's gate 3?
i want to die
i would rather kill xan myself than let bg3 touch him
it's a small mercy that he wasn't cursed with an actual cameo
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