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#The Vogue Theatre
thepermanentrainpress · 7 months
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Gallery: Polyphia @ Vogue Theatre - Vancouver, BC Date: October 10, 2023 Photographed by: Danielle Costelo
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g1rlonl1ne · 11 months
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pretty sick @ the vogue theatre
photographed by meganmagdalena on ig
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melodieyvonne · 1 year
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Jerry Cantrell wsg Thunderpussy an Epic Musical Odyssey at The Vogue
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tonyvasquez · 1 year
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Check out the photo recap from the Lotus concert at The Vogue Theatre last night presented by MOKB Presents & IndyMojo Presents. http://jamsplus.com/lotus-at-the-vogue-theatre/
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pro-royalty · 9 months
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Taylor Russell for British Vogue
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justzawe · 5 months
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Zawe included in Vogue’s best dressed stars of the week (x)
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musicandotherstuff · 5 months
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Arctic Monkeys - Vogue Theatre Vancouver
December 2013
📸: The Snipe News
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artdecoandmodernist · 9 months
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Clothes and the Car... At the Theatre for Vogue, Photo by Sir Cecil Beaton, 1927.
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usakizades · 2 months
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📍Monica Bellucci graces the cover of Vogue Arabia, photographed by Nima Benati for their March issue themed 'Beauties of the World'
Italian Actor Monica Bellucci on Continuing to Transfix Audiences Around the World at 59
An eternal muse, the beloved Italian actor continues to transfix audiences around the world. She also inspired the world’s greatest directors, most recently Tim Burton.
The most beautiful woman in Italy. The sexiest woman alive. World class bombshell. Since her first on-screen appearance in the early Nineties, Monica Bellucci has been showered with accolades related to her looks. Now, at 59, praises continue to rain down on her, showing a definitive shift in the global mindset: a woman’s beauty evolves with time; and when led by magnetic charisma and talent that speaks to people across cultures and generations, it endures.
“Things are changing because women today are talking out loud. They’re less scared to talk,” offers Bellucci. “I’m in Paris and I see all these incredible actors like Isabelle Huppert, Charlotte Rampling, Fanny Ardant…women who still have the possibility to play leading roles and they’re still amazing. It really proves how things are different compared to before, where after 40 years old, women didn’t have the chance to work anymore–even though they were still talented, it was impossible. I can’t say that everything is done–the evolution is still there and it’s really changing.”
Of course, Bellucci is far more than a beautiful woman. While her entertainment industry debuts were as a muse and model for photographers like Richard Avedon and Helmut Newton and fashion and jewelry houses like Dolce & Gabbana and Cartier, she has evolved into an artist with an expansive career spanning film and theater. A polyglot, who can act in many languages, Bellucci has worked with the likes of Sam Mendes for whom she made headlines as the oldest Bond girl in history in Spectre; with Giuseppe Tornatore in the role of a war widow in Malena, and with Gaspar Noé who directed one of her most remarkable performances in the dark art film Irréversible alongside her former husband Vincent Cassel.
“Each director gave me the possibility for me to evolve as an actor, and many of them come from different countries and different cultures,” she says. Her experiences with female directors remain sparse but special. “I like it very much because there is an intimacy between women. Sometimes we look at each other and without words, we can have the same feeling about things. There is something very spontaneous and distinctive and natural, and I like this very much,” she says.
Bellucci is also a woman in love. She made her first red carpet appearance hand-in-hand with legendary director Tim Burton at the Rome Film Festival, in October of last year. “It’s so interesting and beautiful to share the experience of work with someone that is also the person that you love,” she says of the time spent on set as an actor in Burton’s forthcoming film Beetlejuice Beetlejuice. And while she shares that she is at her happiest when she is with her children, she expresses that she is equally joyful when she is in love. “When I have the possibility to feel alive as a woman,” she expresses of her current state of bliss.
The Burton movie is not the only film forthcoming for Bellucci. The actor’s warm and melodic voice rhymes off her recent work. She is presently shooting a TV series in France and has just wrapped a film with Iranian director Marjane Satrapi, the woman behind Persopolis. “When I make a movie, more than feeling nervous, I’m excited, especially in the first few days,” remarks Bellucci of her feelings on-set. She notes that cinema is a completely different experience to theater, an art she dedicated the past three years of her life to, performing across Europe in the one-woman show Maria Callas’ Letters and Memoirs. “This was really something that made me very nervous,” she says of her experience before a live audience. There is something very sincere and artisanal in the process of making a show. But at the same time, it’s very intense because you can’t really make any mistakes, and the public can really feel what you feel. This relationship is very beautiful, but also very intense.”
Bellucci describes herself as “very feminine,” but is not fixated on anything beauty-related. She practices pilates and eats well. “I’m not obsessed with anything. I like to live and to have a real life. If I want to go and buy things, I want to feel free to go.” Bellucci’s self-confidence, sophistication, and warmth emanate from her hazel eyes. It is perhaps her curiosity that is the essence of her decidedly youthful spirit. “My job, I really think that it’s a kind of job that you never stop learning,” she says. “And I’m still enjoying doing that. I’m really full of passion for my work.”
Originally published in the March 2024 issue of Vogue Arabia
Style: Barbara Baumel
Fashion director: Amine Jreissati
Hair: John Nollet for Maison de Beauté Carita
Makeup: Letizia Carnevale
Nails: Nafissa Djabi
Digital operator: Massimo Fusardi
Hair assistant: Pierrick Sellenet
Lighting assistant: Pierre Cathala
Producer: Sam Allison
Talent: Monia
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graveyardfullofstars · 4 months
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rabbitcruiser · 8 months
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Downtown Vancouver (No. 12)
Vogue Theatre is an Art Deco/Art Moderne styled building originally built as a movie house, and currently used as an event venue for the performing arts. Situated on Vancouver’s “Theatre Row", the building was designated as a National Historic Site of Canada in 1993.
The Vogue Theatre is an example of Art Deco or Moderne architecture. The Vogue has been a National Historic Site of Canada since it was officially recognized by the federal government on November 20, 1993, under the Historic Sites and Monuments Act.[1] The interiors of the building are not officially protected. The Vogue is also a City of Vancouver heritage "A" building.
The Vogue Theatre is crafted in the Art Deco style, emphasizing sleek lines and fluid contours. It has symmetrical façades, constructed in a mixture of textured concrete and terrazzo panels with wrought-iron screens. One of the defining features of Vogue is its large neon sign which is topped by silhouette of the Roman Goddess Diana.
Source: Wikipedia
Commodore Ballroom is a music venue, dance floor and nightclub located on 800 block of Granville Street in Vancouver, British Columbia. It is regarded as Canada's most influential nightclub, and one of North America's best live music venues. The building was built in the Art Deco style of the late 1920s by George Conrad Reifel and designed by architect H.H. Gillingham. Best known for showcasing special performances, the venue is also known for its sprung dance floor, whose horsehair lining absorbs, rather than reflecting back, some of the impact of dancers' feet. At the time it was installed, only a few venues in the world had similar floors.
Source: Wikipedia
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thepermanentrainpress · 4 months
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Gallery: Alix Page and Jake Minch @ Vogue Theatre - Vancouver, BC Date: November 24, 2023 Photographed by: Josh Papalia
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shotattheshow · 1 month
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[PHOTOS] Alkaline Trio @ Vogue Theatre
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Shots by Jacob Zinn
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melodieyvonne · 2 years
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Starset Gives Spellbinding Performance at The Vogue
Starset Gives Spellbinding Performance at The Vogue
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notfspurejam · 1 year
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Hamlet, Elizabeth Taylor, and a Portable Bloody Mary Cabinet: The True Story Behind Sam Mendes’s Thrilling New Play
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shakespearenews · 2 years
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“If ever there was a time for me to take on a dude like this, it’s probably now,” she says. (We are speaking as the tragic invasion of Ukraine unfolds, and Vladimir Putin’s brutality hangs over our conversation.) Her understanding of men like Richard—who Shakespeare committed to our historical memory as a twisted, hunchbacked villain and possibly the most evil monarch of all time—has become much stronger and more nuanced. “As you get older, you realize more and more about what toxic masculinity is, and there’s something about getting into it from a female perspective, from my perspective. We’re looking at horrible tyrannical behavior right now. I want to dig into: What is that?”
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The last time Gurira performed in a play, in fact, was in 2011, when she was cast as the virtuous, innocent Isabella in Shakespeare in the Park’s Measure for Measure—“the polar opposite” to Richard, she says. Richard is a king with a bad reputation and irresistible allure, the protagonist and antagonist at the same time. He’s a “villain you want to watch,” says O’Hara, “and Danai has that in her: She’s incredibly charismatic but incredibly bold. She has a very strong energy that can captivate an audience.”
It is early days—far from the start of rehearsals in May—when we speak, but O’Hara already has some idea of where he’d like to push his production. For starters, he will situate it in the late 15th century, the period when the play actually takes place.
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