Voices from the Frontlines & Strategy & Soul Theater Presents: The Old Oak directed by Ken Loach
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Voices from the Frontlines & Strategy and Soul Theater presents
The Old Oak
Directed by Ken Loach
Thursday April 11th at 6pm
Strategy & Soul Theater
3546 Martin Luther King Blvd. Los Angeles CA 90008
We want to thank Emily Russo Co-President of Zeitgeist Films for making the connection between Eric and the Strategy Center team and Ken Loach and his film…
When Beyonce wrote Irreplaceable it was like a giant stepping on an ant. Even in 06 she was shaping up to be a Juggernaut. B'Day launched at number 1 I believe? She was blowing up. Well established, producing bop after bop after banger after banger. And We bought Irreplaceable because we, fully, were on board. Beyonce COULD have another you in a minute. The mythos of Beyonce was taking shape. She was Beyonce, you were some guy. To the left.
When she wrote Lemonade it was like. Oh there are stakes now because whether you think Jay Z is great or not or a garbage dude or whatever, he's at least closer to her level than just "some guy".
Like. Of course she could have another you in a minute if you were some dude. But could she have another Jay Z in a minute? No, categorically she could not, and to say otherwise is to tell yourself fun lies because you hate cheaters or men or whatever. I am a firm believer that Beyonce is one of a kind and cannot be replicated in our lifetime as a cultural phenomenon, artist, creator, singer, you name it she is. incredible. But I'm also not going to pretend Jay Z wasn't in some ways just as singularly, powerfully monolithic with popculture just because most of this website understands rap less.
She writes the Sistine Chapel about him because like it or not, she wants to. She looks at him and sees things you could only dream of creating and I for one am just happy to be here, and could care less what you think about Beyonce's specialist boy who is the catalyst of some of the best music I've heard in the past decade, and also someone who MADE some of the best music I've heard in the past 20 years as well.
Beyonce's first solo recording was 03 Bonnie and Clyde, btw. As in, she was a feature on a Jay Z song before even releasing Dangerously in Love. Which. Also prominently has a Jay Z feature. In the lead single. That arguably launched Beyonce's career. Why would she ever write songs about the man who helped her launch her career that she has been married to for 16 years. A damn mystery.
And for the record, if she wanted to make the most beautiful art in the world about literal garbage, so the fuck what. We hate Duchamps The Fountain on this website now? Irving Penn spent years taking extremely detailed, well composed photos... of actual trash. Like Mud Glove. His photos were hanging in the Smithsonian a few years ago. Turns out beautiful art that says something, even something about trash? Still beautiful.
i know a guy who always shares with me what feels like The Correct Opinions On Current Media (If You Are An Insufferable Hipster In Brooklyn) ((I Say This With Full Love To All Insufferable Hipsters In Brooklyn, Rest Assured If I Lived In Your City I Would Be One Of You, Which Only Makes Me More Confused And Conflicted On The Matter))
anyway he keeps hyping up Poor Things. i am skeptical. does anyone else have opinions on Poor Things. which is a better use of my time: Poor Things or Jupiter Ascending (which i am told is trash but, like, fun trash)
Anyway I kinda hate how quickly our culture moves on nowadays where media cycles turn over so fast Rachel is officially saying goodbye to a film that only came out three months ago
can you say what else it's about? genuinely interested
i’m not gonna write an essay in this post abt the intricacies of the film. but! ignoring the themes of cultural insensitivity, misogyny, abuse, & catharsis lead to a surface level analysis imo. i think bc ari aster is a horror movie director ppl tend to focus on the horror driven & scary parts of what he creates (cults, etc). to truly piece together every message he set out to deliver you have to look past the devices he uses to get these messages across. calling midsommar a cult movie is like saying hereditary is abt how to be a terrible brother. yk?
If I had to sum up Louise Simonson’s writing in one word, at least in the context of X-Factor, that word would be “exploitative,” and in multiple senses. First of all, in a more straightforward sense, in how she handles certain subject matter; addiction, relationship strife, disability, and so on. But also in the sense that the drama in X-Factor takes precedence above all else. Everything must be milked for the visceral emotional response it may or may not cause in the audience. No character moments are left fully unadulterated by this egregious pursuit of drama. The emotion lunges toward extremity, hellbent on stroking the titillation of tragedy to its inevitable, messy conclusion. Anyway
What are your thoughts on everything everywhere all at once please?
i really enjoyed it! we're going through a bit of Happy Nihilist moment in cultural time, i think, and this movie is such a lovely expression of that while also being like. so new, and genre-bending, and surprising. i love that at the core of all its maximalism there was really a delight in the mundane, and the way in which a (very forceful) broadening of your horizon can remind you that littleness and routine and familiarity deserve your love, too. i loved everything about jobu tupaki, her style, her dialogue, her villanelle-dialled-up-to-200 vibes. honestly, i think "colourful comedy that makes you cry" just might be my favourite genre of the year :')
The biggest crime of the Barbie movie is that it’s fueled a million straight white women to talk about how no one cares about their purchasing power. Their evidence for this is the Barbie movie and Taylor swift, two famously unpopular brands from the past