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crazilust · 16 days

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What main character energy should you embody for this next chapter

From left to right : Pile 1, Pile 2, Pile 3.

Pile 1

confirmation/what’s coming instinctively : Brown eyes, brown, guitar, vynils, green shoes, docs, bangs, rings (lots of them, Virgo/Earth energy, hardwood floors, The Emperor, Goddess energy, Water sign, Water dom, Loves water, loves nature, loves animals, Names that start with a J, F, P, S

the message :

You should embody the main character that moves out of her town to start her character ark. Now, this doesn’t necessarily mean you’ll physicall leave your town (although, you might!) but you definitely need to leave some things behind. I’m sensing friends, maybe even family members. Your environement is getting too small for you, which is maybe why I’m getting small town vibes. You are someone that needs a lot of recognition, even from yourself and you’re not getting any where you are right now. Are you proud of yourself? I doubt it. But you need to make the proper steps to find your place in this universe and there is a place for you but you need to look for it! I see you in a new apartment, maybe a bit lonely at first, but it’s because it’ll be the first time you really get to know yourself and discovering your true self. You have been repressing your true taste, your true interests, your true self with those people you’ve been surrounding yourself with. It’s not healthy and it’s getting dangerous at this point cause you’re starting to lose yourself. Leave. That would be my advice for you.

Pile 2

confirmation/ what i’m getting instinctively: Fighter, Orange is the new black, Piper Chapman, Blue, Glacier, Grey, long hair, fake smile, dimples, the emperor Reversed, bad relationships with caregivers, siblings, many friends, Aquarius, Pisces, car, driving, roadtrip, name that starts with M, N, X, V.

the message :

Woah! Okay! Love this energy, but hard to catch honestly. You don’t like being seen, huh? It’s okay, me neither! The journey you should embark on is the one where you’re gonna get thrown into an environment that is completely unfamiliar to you. A bit like pile 1 in the sense that it’s not something you’re used to, but contrary to that pile, you don’t decide to go into this environment, you’ll get thrown into it. I can sense you have some sort of anger issues and this will be the perfect environment to finally let it out. I can feel that although you have a very polished appearance, you actually feel like a wild animal inside. In this new environment, you’ll finally face yourself as you really are. You won’t be able to fake it, or to act like you’ve always done it. It won’t be possible anymore. You’ll have to be your real self, even tho it might disappoint people around you. Oh, you probably don’t want that. Too bad, because you will disappoint people, but you’ll make some real connections out there. When you’ll get out of that environment (because yes, it is temporary I feel), you’ll look back and won’t even recognize yourself. I think you’re quite excited for that. Deep down.

Pile 3

confirmation/what i’m getting instinctively: Twilight, Bella Swan, break up, torture, painful love, toxic love, mean, smiles with bad intentions, agenda, skinny, long hands, pale (or pale for your ethnicity), doesn’t like their hair, Aries/Taurus/Sag/Pisces, Fire dom, Neptune dom, Jupiter Dom, lucky but fails to see it

the message : Oh I’m getting major Bella Swan vibes lmao. Not necessarily her temperament, but mostly what she’s going thru. You’ve been thru a bad breakup and that person has left you empty inside. You find yourself staring at the window, and wondering why it ended the way it did. Stop obsessing over the past. You’re at a point of your journey where you need to change gear. You cannot keep going like that or you’ll litteraly become a shell of yourself. Get up of your bed, take a deep breath, take a walk. Anything. But reminiscing on someone that is gone, won’t do any good. Btw, they’re gone now but they’ll come back. I know you’re excited, but they’ll come back when you won’t care and then you’ll be like : “huh, i don’t even see what I saw in you anymore”. It’ll be a very satisfying feeling for you. In the meantime, cause you’re not there yet, focus on healing. See some friends, get into a hobby. Anything that could take your mind off of him. Why do you fixate over him? Was he something he did? Or didn’t do? Focus on moving on. That’s your journey for now. That’s the part of movie where we all root and get excited for the protagonist to get on her two feet. That’s your part. You got this.

• 🧡🍯👑🐰🪀 •

and that’s all from me folks, thank you so much 🧡

#tarot tips #tarot spread #free tarot reading #free tarot #pac reading #pick a pile reading #tarot pick a card #pick a card reading #pick a pile #tarot spreads #daily tarot #tarot reading #tarot witch #astro community #astrology #astrology observations #astro notes #astrology notes #birth chart

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inbarfink · 2 months

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I think a lot about the Concept of ‘choices that matter’ in video games. Like, in terms of what it is that makes a choice ‘really matter’, what do we perceive as a choice that matters or has a consequence, how do different games with different amounts of branching or non-branching storylines play with those ideas… Especially because Undertale is one of my favorite games of all time, and it has often been hyped as ‘a game where your choices REALLY matter’ and… honestly, I dunno if all of this hype was fully conducive to Undertale. Because the way it handles the concept of Video Game Choices is actually a lot more interesting and complex than that simplistic descriptor makes it seem.

Because Undertale actually has a lot of choices that ‘don’t really matter’! Lots of dialogue choices and silly little decisions that on a first playthrough seem like they’re some sort of moral choice or a branching plotline but end up always leading to basically the same result regardless of what you do!

And the game doesn’t really try to hide the fact that these choices are kinda 'Fake'. I mean, on a first playthrough a player might assume there’s gonna be some Massive Consequences for picking the ‘wrong’ drink on Undyne’s date, but the game’s narrative expects for there to be multiple playthroughs and pretty much every Choice that Doesn’t Matter is peppered with that Undertale brand of wacky character-focused humor that inherently makes the moment memorable. Papyrus leading Undyne straight to you no matter what you do is basically a cross-timeline running gag.

On some level I see this as a sort of gag that serves as meta-commentary about the expectations around Choices That Matter in Video Games. As in, a lot of games have their Moral Choices happen in clearly easily marked ‘this is a Moral Choice!’ moments within the story, while the actual gameplay (and any violence the player might cause as part of said gameplay) is basically entirely divorced from any element of narrative-branching and doesn't effect the story at all. Undertale basically entirely inverts this dynamic; the most important factor for which Route you’re own is how you handle your FIGHTs, and what seems like clearly-marked and obvious Moral Choices are just goofy insubstantial minor changes in dialogue.

But also… there is also a level where you must ask yourself ‘what does it mean when we say that these choices Don’t Matter’. I mean, it’s not like they didn't change anything about the game, the Player still made the character say that other thing, the choice probably led to an alternate piece of dialogue, probably a joke with a call-back at the end of the game… The line between a one-off joke and an actual story-changing moment can be a little blurry if you look at it too deeply.

For example, near the end of the Waterfall part of the game, the Player is given the choice to save Monster Kid even at the risk of having to face down Undyne.

Pretty much anyone who isn’t deliberately trying to be an asshole is going to rush to save them and obviously that includes the Pacifist Route Players. But you can actually leave Monster Kid to die without it 'mattering' in the sense that it wouldn't divert you from the Pacifist Route. Undyne saves them instead of you, and ends up with slightly less HP for her battle (which might Matter for Runs when you try and FIGHT her but obviously not in Pacifist Runs) and… by the end of the game, during the extremely happy True Pacifist Ending, they still clearly remember that you abandoned them and are upset by it.

So… does saving Monster Kid ‘matter’ or not? On one hand, choosing not to save them mostly just changes a few lines of dialogue but… these lines of dialogue kinda recontextualize this happy ending and the Player’s actions in general. Despite the True Pacifist Ending otherwise portraying the Player/Frisk as a kind-hearted and brave hero... they still did this undeniably cowardly (and perhaps even cruel) act to one of their friends .

Was running away and leaving Monster Kid to die a brief but significant moment of weakness that the Player regrets and has cost them what could’ve been the start of a lovely friendship? Or is that simply that being a True Pacifist was always more of a matter of pragmatism rather than ideals? Were they only acting as a Pacifist to get that promised 'Best Ending', and only Monster Kid has an inkling they are not as heroic or kind as everyone thinks they are?

And then there’s the Snowman ‘quest’.

A free healing item given early in the game, with your mission being to carry it along in your inventory for as long as you can without ever consuming it. The only reward you will ever see from it is a few lines of dialogue…

But for many, it is more than enough of an incentive to preserve the Snowman’s Piece. You can do whatever you want with the Snowman without it ‘mattering’ in terms of Ending or consequences. You could carry it through all of your adventures with care and kindness... or you could eat it while he can’t see you and then go back to him and tell him that you ‘lost’ it and then get another piece and eat that as well, you could eat it right in front of his face, horrifying him.

And much like with Monster Kid, you can STILL get the True Pacifist Ending after doing that, all that would change is a few optional pieces of dialogue from the Snowman…

And a total recontextualization of the Player’s behavior and the ending. The Snowman sees the Player as a cruel and heartless person who is just pretending to be good so they can be liked - the way they acted with this immobile, powerless Snowman who could do nothing for them and their reputation reveals their true self. And he says their friends will realize that too one day...

Doing a True Reset on the Pacifist Ending is, by definition, a (almost) consequence-free action and yet it changes future Pacifist Routes immeasurably. Turning the Player into a Hypocrite doing the exact same thing they were trying to stop Flowey/Asriel from doing - trapping all of their friends into a time-loop so they can play with them forever while never actually letting them to enjoy freedom on the surface, simply because they are not willing to move on or put their friends' wishes and agency above their own. Nothing in the game actually changes, not one character can even suspect that you did something like that, and yet for the Player - this choice makes the entire Meaning of the game flip on its head.

Even the most famous and heavily-toted Big Consequence in the whole game - selling your soul to Chara after completing a Murder Route… mostly what it does is just… recontextualize the ending of the Game.

As a game, ‘Undertale’ is very much about the ways in which a Player engages with a game can radically recontextualize it. The huge chasm of difference between the Pacifist and Muder Routes is just the most literal example of it. But, in a way, even the tiny little Dialogue Options - where the lack of real choice and consequences is Obviously a Joke - matter. Because of the way they can recontextualize the Player Character’s behavior.

(Okay, maybe not this one, but hear me out…)

Do you trust Papyrus to not betray you, even after you spied on him with Undyne?

Do you have the integrity to admit you forgot something or got it wrong even when there’s no consequences for just lying about it?

Are you a hypocrite for trying to get Alphys to be truthful with Undyne only to then immediately turn around and lie to Undyne yourself?

None of these choices matter for the ending, some of them don’t even get, like, a call-back joke or anything, but… if you are engaged in this story as a narrative, if you are invested in these characters as if they were people, if you are honestly trying to be the best person you can be, if you are trying to self-reflect at the way you approach this game… even the silliest little dialogue option can suddenly be imbued with deep implications and you can make them matter.

Undertale is one of the best demonstrations of this concept, but this is absolutely not exclusive to it. For example….

‘Ace Attorney’ is pretty much as far away as you can get from a ‘branching narrative’ within the video game sphere. It is a heavily-linear Visual Novel where 70% of the time it won’t even let you talk to random characters at anything but the exact order it expects you to and any ‘Bad Endings’ are basically just glorified Game Over Screens. (... because this is the Internet and something something piss on the poor, I should probably specify that I am talking about ‘Ace Attorney’ because I love Ace Attorney and these are neutral descriptions of the game and not complaints. There’s nothing wrong with a game being linear.)

If there’s any Dialogue Choice in AA, it’s generally a very basic ‘right answer-wrong answer’ choice between Progress and a Penalty, or a total non-choice that just gets you to the same final result regardless. Except… Well… as we just talked about, getting to the same final result doesn’t necessarily mean a choice is ‘meaningless’, does it?

There’s actually a lot of great storytelling moments where Ace Attorney, despite its otherwise strict linearity, uses this exact sort of recontextualizing mindset I’ve talked about with Undertale to make choices with some really powerful emotional impact…. Even if technically, the ending is the same ending. It can be something as basic as ‘even if picking this Wrong Answer doesn’t get me a penalty, it still embarrassed my character and disappointed my friends/rivals and thus I feel bad for picking it’. Consequences as recontextualizing your character as more incompetent than they should’ve come across at that moment.

And then there’s moments like the iconic ending of ‘Justice for All’. That moment before Franziska bursts into the Courtroom with the case-making evidence and saves the day. The moment where it seems like Phoenix really is gonna have to pick between protecting his best friend and carrying out a rightful sentence.

The player gets to pick between the two options, but Phoenix never gets to say his choice out loud before Franziska comes running in... and yet… he, and the player, still made that choice. Even if no one ever has to experience the consequences of your choice, even if the rest of the world has no idea what Phoenix Wright would’ve chosen if the Miracle hadn’t happened, we know what we picked and that knowledge of the choice matters. Because of how we feel about this choice and what it says about our interpretation of Phoenix… and about us.

There’s also a bit of this ludonarrative device in ‘The Great Ace Attorney: Adventures’. During “The Adventures of the Runaway Room”, when you investigate the Omnibus for the second time and start finding things that… don’t quite fit together. When you’re finally starting to make progress with proving McGilded’s innocence, while also maybe starting to notice that something is… wrong with these pieces of evidence.

The unchanging linear narrative of the game is that Ryunosuke does eventually realizes McGilded's trickery, puts truth ahead of victory in court and yet, despite his effort and good intentions - the case still ends with a false Not Guilty verdict. And yet, the Player has the choice to... tweak the details.

There are several points where Ryunosuke can object, where he can call out the inconsistencies even though they help his case, where he can support Van Zieks in his accusations of tempered evidence... or he can not. Not necessarily intentionally misleading the Court as much as subconsciously trying to ignore the inconsistencies in the name of trusting his client.

And yet… in the end it doesn’t matter. Maybe Susato calls out the inconsistency instead of him, maybe Van Zieks does, maybe it remains uncontested but... no matter what you do, the case will end with a Not Guilty verdict (I mean, I guess you can deliberately fail the game but that will not progress the plot), McGilded doesn’t seem like he held a grudge (in the few minutes he had left to live), and a few cases later - Ryunosuke would always be punished for his part at this false verdict.

So it doesn’t really matter what Ryunosuke did back then? Does it matter if he did his best and called out every single inconsistencies or if he kinda half-assed it until he (and the Player) had to? He’s still going to suffer the same consequences down the line. And yet….

And yet, I think there’s something so powerful about giving us that option. About knowing that Ryunosuke, and we, did try and do something about McGilded's dirty tricks- even if it didn’t work. Or alternative, knowing that there was more that Ryunosuke and us could’ve done even if it was not nearly enough. Even if in the eyes of the game and the British Justice system there is no difference, the fact that we know what did and what we could’ve done can radically change the way the player feels about all of the later scenes concerning the truth about McGilded’s trial. It can radically change the way the player interpret Ryunosuke’s feelings about it as well.

Because even though the game itself keeps playing along with the same script regardless, that trial had irrevocable consequences for the Player.

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cheatsykoopa98 · 7 days

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1 AM ramble but someone just pointed out to me you can see zooble's room in their pin wrapping background

not only do we get to see what their room looks like, we also get an official look of the zooble box, and a mirror for them to look at themself. now I think this might be important. pomni had a scene in ep 1 where she looks at the mirror in disbelief that she looks like that now, and we know zooble changes their parts every day. I think caine did that to "help" zooble with figuring out their gender identity, which maybe or not be helping, considering what I hear of people experiencing gender dysphoria not liking to see themselves in the mirror.

and I do think the mirror is important, we get to see a little bit of the others' bedrooms as well, kaufmo, ragatha and gangle's, and none of them have mirrors from what I can see. maybe caine noticed pomni looking in the mirror and thought pomni might want one in her room just like zooble, not realizing pomni probably hates to look in the mirror and not see herself

also lets look at the other characters bedrooms

ragatha seems to be very tidy (assuming everyone has to clean up their rooms and considering how messy pomni's room is) and not have that much stuff. a box of toys that she might or not play with considering its positioned as a seat for the piano. we dont know if she knows how to play (according to goose she knows the cello, so she could know the piano as well) and having so little fingers in her hand might actually not let her play the piano properly. caine could have just heard she likes music and put a piano in her room. also notice the piano is in the middle of the room taking center stage and we cant see a bed (yet). ragatha has mentioned nobody needs to sleep even though they can. do you think she (tries to) play the piano at night while everyone else assumedly sleeps? there is a song sheet at the piano but I cant read if it has an actual song name written on it.

also she has a shelf full of things that might be of her interest or template things caine put there. like balls of yarn, books, a gloink (how did she have a gloink before ep 1?) and a framed picture, which if it has an actual photo of someone there could open up a lot of theories to who is there. also the gloink being there points to either ragatha having already lived through a gloink adventure and keeping one in her room or keeping one after an adventure where she was hurt by kaufmo and abandoned by pomni. why would she want to keep it if thats the case?

gangle's room is very dark with black walls. we cant see much but I believe she is in a really deeper depression than pomni. I believe to the point where she doesnt have the energy to try to escape, just mask as much as she can before her happy mask is broken again, poor gangle :/

we dont get to see kinger or jax's room, even though I think there is a kinger door in the corridor. maybe kinger is too paranoid to sleep in his room. jax's only shows his door with the void breaking into view. maybe we wont get to see his room until the very end. also I remember there was a theory jax knows where the exit is, but doesnt leave. I dont think its true considering goose said jax deserves to be stuck in the circus, implying he cant leave just like everyone, but since he "has keys to everywhere", what if he has been to the void without caine knowing? pomni never made it through the end but if jax did, maybe what he saw there pushed him to be how he is now. maybe he doesnt see hope in escaping and thats why he turns into such a bad person, he could be a nihilist in that way

anyway sorry for the long post, I just had a bunch of ideas popping up in my head from this little detail I should have noticed when pomni's pin was released

not only do we get to see her room but we also see the blocks spelling CBA, not sure if the B is supposed to count or not but its the second time pomni is associated with C&A, I do believe she was an employee there

#the amazing digital circus #tadc #ramble #long post #tadc theory #tadc merch #pomni #kinger #ragatha #jax #zooble #bedroom #pin #tadc lore

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canyouiimagine · 5 months

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DO I WANNA KNOW ? | CL16 x Black! Reader

PART 1

Masterlist

✧ Paring: CEO! Charles Leclerc x CEO black!reader

✧ Warning: Mentions of cheating, no smut but some sexual tension.

✧ Summary: How far is Mr. Leclerc willing to go to get you.

✧ Disclaimer: This is a work of fiction. I do not own nor know these people personally. I also do not claim this to be an accurate depiction of their character. 🥰

✧ A/N: This was actually about someone else but I thought why not use Charles for this 👀. Also, English is not my first language so 👉🏾👈🏾.

It had been five years since the last time you were here.

Nothing had changed much. The same African Blackwood walls, the same wood flooring. The same lingering perfume in the halls. His perfume.

“Mr. Leclerc is ready to see you.” The receptionist told you. Five years ago, you were at her place. Which is how you knew that Mr. Leclerc enjoys coming to get his guests in Person. Matter of fact, you remember him getting angry more than once when guests were sent to his office instead of him being called to come and greet them. Sure, anything could change in 5 years, but you knew more than anyone that Mr. Leclerc was a creature of habit and that he would not be so quick to change something he had been practicing long before you even worked for him. You also knew that he was doing all of this to rile you up.

You got up and followed the receptionist towards the oh so familiar door of Leclerc’s office.

You entered and there he stood before you. Mr. Charles Leclerc in all his glory. The same luscious hair that you longed to run your fingers through. The same well-tailored suit. The same expensive Tom Ford perfume. And the same smile. A smile that used to make your day. A smile that you felt like belonged to you, and only you.

“Miss Y/L/N! I’m glad you could find the time to see me! I know you’re very busy these days.”

If you didn’t know any better, you would think his comment was genuine. But you had gotten to know him like the back of your hand. Mr. Leclerc was used to always getting what he wanted. He wanted to see you, and he made sure you had no other choice but to come to him.

“As you said, I’m very busy these days so let’s just get straight to the point. What do you want?”

He wasn’t taken aback by your rude response. He just smiled and motioned for you to sit down while he made his way around his desk to do the same.

“Leclerc has been looking into expending its horizons to fashion.” He started. But you knew better. While it is true that Leclerc was a group of the diverse ventures, the billion-euro transnational had never shown the slightest interest in anything fashion related, or in selling goods in general. Matter of fact, his family would probably have a meltdown if they knew about this. If they knew what he was willing to do to get close to you. “There are additional millions in turnover that we aren’t making by neglecting the fashion industry.”

“There are more than a hundred fashion brands to choose from in this country alone. So why go after mine?”

“There might be as many as you say but no other independent brand has your numbers, Miss Y/L/N.” He said to and smirked.

He knew how to talk himself way out of any questioning, and this was no exception. Your company was doing well, that is true. Some might even say it was doing better than most. He knew you couldn’t argue him on that. But as you said earlier, Charles is a man that knows how to get what he wants, and if your company was what he wanted, he would have just gone for it. Instead, he had gotten a formal acquision proposal sent to your office adding that if you did not agree to a meeting, he would resort to buying up company shares until you would be left with nothing.

“If my company was really what you wanted, you wouldn’t go out of your way to threaten me with a meeting Charles. What do you actually want?”

He was no longer smiling.

“Come here Y/N.” You couldn’t help myself. You did exactly as he said and made your way to stand before him. He looked you up and down and the smile that he adorned earlier was back.

You dressed up for him and he knew it.

“Sit down.” You didn’t need to ask where, you already knew “where you belonged”. It felt like a repeat that night. Except today you would be standing your ground. Today, you wouldn’t be falling for his lies. Your face hardened.

“The proposal for the acquisition better be withdrawn by tomorrow, Lee.” You said with a cold tone, before turning around to leave.

“We really did divorce Y/N.” There he went again with his lies. His comment had made you stop but you quickly regained your composure and left.

Charles was a married man. Something you wish someone had told you before you fell for him.

Hope you enjoyed it 🥹💖

Here's my ko-fi in case any of you want to support me by giving donations 🥰: https://ko-fi.com/canyouiimagine

#maria's writing <3 #cl16 x black reader #charles leclerc #cl16 #black reader #f1 x black!reader #do i wanna know #f1 imagine #f1 fanfic #f1 x reader

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athena-xox · 21 days

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Changing the characters featured in each special without doing any research (it’s been like 2 weeks since I’ve proper watched eah).

True hearts day - chefs kiss it’s perfect

Thronecoming - I like the characters with their side plots but specifically for those going into the storybook of legends I would change blondie and cedar. Blondie would be at the game, it makes no sense why she was there (unless she followed them but she would have to be covering the game anyways so??) and cedar because I feel like they either should have focused more on her being able to lie or just cut her. I would replace them with 1 kitty because she could cover both the plot points that blondie n cedar bring (aka finding out where to go and how to get in) because I think definitely smth could be worked out with her going into the in between. And then I’m in between Ginger and Holly for the 8th girl. I feel like Ginger just because she’s important for spring unsprung so it would make sense to meet her earlier, but also then the focus would be less on raven + briars horrible destinies and on gingers. And I think that Hollys destiny makes a lot of sense for a quick little montage but then that brings the question on if it should be poppy instead or if the sbol they go into is a fake or not.

Spring unsprung - for the girls who get outfits from Lizzie I’m not going to switch them for Maddie and Kitty even tho it would make sense for Lizzie to make the outfits for them (but then again I’m pretty sure the og queen of hearts doesn’t even know who the Cheshire Cat + Mad Hatter r) so the only one I’ll switch is Holly. Just because I didn’t commit to her for the thronecoming arc and so I feel like she doesn’t really need to be there. I would switch her for Farrah (ik she didn’t exist yet but do I look like I give a fuck?) because in the diaries her cedar and Lizzie design together. And briar and cerise can stay because they’re featured and they are like main characters. The others in this special make sense tbh

Way Too Wonderland - ok yeah it makes sense for the 6 girls. The 3 wonderlandians who left pre curse that makes sense. Briar who is literally the catalyst for all these events. And the two main characters. If I could add someone I’d add cerise because her parents got married in wonderland, which could create an interesting plotline, and after spring unsprung her character was kinda discarded which is too bad. The others (the charmings + bunny and Alistair can stay too). Mm honestly I’d remove faybelle. It makes sense for her to be there just to establish her character before dragon games + epic winter but she wasn’t needed. Honestly could switch cerise with her.

Dragon Games - now here’s where I start to actually dislike the line up not just in a nitpicky way. Okay so off the top of my head the ones who compete in the dragons games are Melody, Lizzie, Poppy, Darling, Holly, Apple, Ashlynn, Maddie and Raven. I’m sorry what?! No briar?! Or cerise?! Immediately cutting Lizzie and Melody for those two. And I feel like Ashlynn could be replaced by Jillian, Cupid, Ramona or Nina. And then for those who go to the forest originally are Raven, Darling, Maddie, Ashlynn, Poppy, and Holly. Definitely adding Briar because that just makes this so much more interesting / briar’s rebel arc could have happened!! I’d either just add her to the existing group or if cut the O’Hair twins and also add cerise because cerise is close friends with raven and is seen with darling lots.

Epic Winter - so if you know me yk were cutting rosabella. I’m very tempted to just add Lizzie but we will resist the temptation. I’ll definitely be changing this one a lot. So the crew is Briar, Faybelle, Ashlynn, Blondie, Rosabella, Daring and Crystal. Cutting Blondie & Daring and adding Poppy and Duchess. Okay that might not look like a big change but im changing who gets which arc. Those with flowers are now Briar, Rosa, Poppy and Crystal. Ashlynn is just there because she’s friends with Crystal not because of the flower. Faybelle is there for the same reason. Rosabella is just there because of her flower, of course she becomes friends and stuff but the whole ‘I can fix him’ thing is gone. Instead this is poppy and duchess. Whether or not it’s seen as a ship or friendship Duchess is the one who needs redemption not Daring. Also I just found the blondie wanting a real story arc to be stupid

Forest Fest - I forgot this is considered a special? Is it considered a special? Anyways I think it’s fine I found it annoying how raven and dex had to be the ones to save the girls it could literally be anyone else. I found Poppy kinda a random choice for blondie to take, like just for the hair?? Maybe Ginger instead because she also has a show and they could be going together.

Tbh I want to make another post with in depth analysis

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honeybeefae · 1 year

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Finding Home (Lucien Vanserra x Reader)

Summary// Lucien had always felt like he was a wandering soul, never having a true place to call home. It was hard to deal with, to see others belonging and happy while he tried to find something to cling to that gave him the same feeling. It wasn’t until Starfall, when you gifted him something truly special, that he finally found out where he belonged.

(Poor little Lucien needs all the love in the world and I thought he was perfect for this prompt. I hope you enjoy!:))

Prompt: Character A gifts Character B something heartfelt.

WARNINGS: None

Lucien sat with everyone at Rita’s as they passed drinks around, conversation flowing easily between them. Well, all except him. He was at the very edge of the table, fiddling with his glass of amber liquid while looking towards the door every few seconds.

He didn’t even understand why he went to these things. Feyre always invited him but he constantly felt like he was intruding on them. No one really talked to him besides maybe once or twice, too engrossed with their friends and mates to notice that he was still there.

And while he liked to think of himself above the need to have friends, deep down he was lonely. Tamlin was lost, his brothers were monsters, Feyre was busy with her own life, and he didn’t connect with any of the others besides acquaintances.

It was the same day in and day out, leaving him wondering if he truly belonged nowhere, until you joined their group. You were a friend of Nesta’s that ran a local bookshop in Velaris, your cheerful demeanor making it easy for you to fall in with the rest of them. He had expected to simply exchange pleasantries with him and move on but for whatever reason, you latched onto him.

“Hey guys, sorry I’m late! Took forever to close up shop.” You apologized as you walked in the door, breaking him from his thoughts as several people greeted you warmly. “Have I missed anything?”

“Not much, Cassian and Rhys are seeing who can outdrink each other while Nesta is already showing both of them up. I think Azriel and Elain are out dancing?” Feyre shrugged, handing you a spare drink. “Other than that it’s been a pretty tame night.”

“For once.” You wink at her, looking over and finding Lucien sitting by himself. He perks up when you drag a chair over beside him, clinking your glasses together with a smile.

“And how is my favorite fox doing?” You chirped, taking a sip and enjoying the warm burn the alcohol gave you.

Lucien rolled his eye, his body immediately relaxing in your presence. “Better now that I’ve got someone interesting to talk to.” He replied, noting the way your cheeks slightly pinkened.

“It’s not my fault you refuse to play nice with any of the others. Perhaps if you stopped brooding away in a corner, people might actually approach you.” You teased with a wink, looking around the bar casually. “Hells, you’d be surprised at the people you can pick up from this place.”

“Oh, you know something about that, do you? And here I thought you were a spinster content with books and cats.”

You stuck your tongue at his jest, hitting his arm playfully. “I know more than you think I do, thank you very much.”

There was a tension that was now swirling between the two of you, the conversation taking on a much more suggestive tone that was about to cross a line of no return. He stared at you, trying to not let his imagination run wild right in front of you before you awkwardly cleared your throat and looked away.

“So, are you looking forward to Starfall?” You changed the subject quickly, taking another sip.

“Uh, I guess?” Lucien responded hesitantly, rubbing the back of his neck and looking out the window at the night sky. “Not so much for the party.”

“Oh, that’s the best part! The music, the food, the atmosphere, it’s enchanting. I haven’t met anyone that didn’t enjoy it.”

“It’s just not for me. I don’t fit in with the rest of them that enjoy it.”

Your mouth twisted into a frown at his words, a look of pity in your eyes. He saw it and scoffed, looking at you sternly and saying, “Don’t give me that look, Y/N. I don’t need your pity.”

“It wasn’t pity, Lucien, I just hate that you feel that way. You know it’s not true.” You said earnestly, placing your hand over his in a moment of tenderness. “I think you just need-”

“I don’t need anything, Y/N. I’m perfectly happy as I am.” He snapped, looking away when you flinched at his tone. “Sure, after Jurian and Vassa became a thing and I got kicked out, I was once again by myself, but apparently that’s just how the Mother wants me to be. I can deal with that, I don’t need sympathy.”

His words were harsh and he didn’t mean half of them, he just had a hard time whenever someone felt sorry for him like he was some sort of lost child. It hurt his pride and it reminded him that despite his protests, that’s exactly what he was. No home to return to, no family to miss him, and some nights he would just yearn for someone out there to care about him.

It made him feel pathetic, to want something like that.

You weren’t entirely buying his macho act. Anyone that had been through what he had been through would feel at least some pain from it. And although you hadn’t known Lucien as long as the rest of your friends, you knew he struggled with it.

However, you didn’t want to push him anymore tonight, raising your hands in surrender before finishing the rest of your drink. He watched you carefully, feeling guilt gnaw at him from the way he had attacked you for simply being concerned.

“I’m sorry.” You apologized, standing up to go join the rest of your friends who were now dancing. “I didn’t mean to overstep. I’ll see you tomorrow.”

He wanted to hit himself over the head when you walked away, feeling like the world's biggest asshole. This was the reason he didn’t have anybody in his life, this was the reason people didn’t stay with him long. It wasn’t the cauldron cursing him, it was his own damn self.

The music was loud as he gathered his things and left the club, looking back just long enough to catch you chatting up a man at the bar before forcing himself to leave to go back to his apartment. He was already dreading tomorrow.

Starfall, House of Wind

It was crowded and loud, full of people he didn’t know as he lounged against a balcony rail. The sky was already dark as well as the rest of the city, everyone gathered around as they impatiently waited for the souls to rain across the sky.

You hadn’t shown up yet, not that he should be looking for you after what he said to you. Feyre and Rhys had given him a cordial welcome, as well as Cassian, but other than that he was by himself. As the minutes ticked by he started to contemplate just going home and watching it from his window.

That was until he felt a warm hand slide down his arm, making him turn in surprise. You were leaning beside him, one of your arms tucked behind your back and a coy smile on your lips.

“Being a wallflower again, Lucien?” You teased, goosebumps rising on your arms from the chilly air. “It took me a while to find you.”

“Y/N, I didn’t think you would show up.” He breathed, standing up to fully face you. “I wanted to apologize for last night, what I said was harsh and-”

“Hush, I don’t want to hear you grovel to me. You’ll ruin Starfall.” You said sternly, moving your arm from behind your back to reveal what you were hiding. It was a small yellow box, with a ribbon tied delicately on top. It fit in the palm of your hand and Lucien was very confused.

“Who is that for?” He questioned, glancing around to see if anyone else was exchanging gifts. “Is it someone’s birthday?”

You huffed in frustration, grabbing his hand and prying it open before laying the box in it. “It’s for you. Honestly, how you are an emissary is beyond me.” The jab made him smirk, his fingers holding the box as if it were made of glass.

“You got me a gift?”

“It’s a Starfall gift. Some people give gifts to their loved ones, some don’t, it’s a personal preference.” You shrug, anxiously looking between him and the box. “Open it!’

Lucien stared at it, processing what you had just said. Loved ones. Was that what he was to you? Or was he reading too much into it? Would it be awkward to ask you that now? He suddenly felt like a schoolboy again, afraid to talk to the pretty girl in front of him.

He gave you one last cautious glance before slowly undoing the bow on top, tucking it into his coat pocket before softly opening the box.

It was a small key, made of light bronze with an intricate design on the top. His eyebrows furrowed in confusion, trying to figure out what it was too. You bit down on your lip, hoping the dots would connect, but when he just stood there staring you groaned loudly.

“It’s a key to my house, Lucien.” You explain, grinning from ear to ear when his mouth dropped open. “I thought it would be nice for you to have somewhere to go to if you didn’t want to go back to the apartment.”

The silence was deafening and suddenly you were worried you had just completely screwed up your relationship. He was just standing there, staring at the key, and as the seconds ticked by your anxiety grew.

“If it’s too weird or you don’t like it you can tell me, it won’t hurt my feelings you.” You said softly, wrapping your arms around yourself as he continued to be speechless. “It’s a stupid gift, here I can take it-”

Suddenly you found yourself being crushed into his chest, his arms wrapping around tightly in a hug that immediately made you relax. Lucien’s heart was overflowing with different emotions, his mind trying to sort through it all as he held you as close as possible.

You had given him a key to your home, your life practically, inviting him to share it with you. Even though he had pushed you away and put up that barrier, you had seen right through him. You had just given him a home.

Lucien pulled back and looked down into your eyes, tilting your chin up so that you could see just how happy he was with your gift. “Y/N, you have no idea how much this means.”

A blush crept onto your face as you smiled bashfully. “I just wanted you to know that no matter what, you had a home to go back to. Everyone needs that.”

People around you gasped and you turned to look out into the sky, cheering when the first few souls raced across the sky. It was just as beautiful as you remember, your entire body leaning forward as the souls grew and grew until the entire sky was lit up.

The music started up shortly after that, people dancing and glasses clinking as the celebration began. You didn’t notice how Lucien was staring at you, watching as you stared in amazement into the sky.

“I mean, how can you not think this is heavenly?” You sigh, resting your chin on your hand as you looked at him. “This is why I love Starfall.”

He looked out towards the black, inky night and took it all in. The souls, the music, your gift, you, it was like he was in a dream. Lucien bent down beside you, taking your same position, and nudged your shoulder with his as he said, “I think I’m starting to love it too.”

#starfall #starfall week #lucien vanserra x reader #lucien x reader #lucien #lucien vanserra #lucien x reader acotar #lucien vanserra x reader acotar #acotar reader #acotar fic #lucien fic acotar #lucien fic #acotar #acomaf #acowar #acofas #acosf #fluff

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beyondthisdarkhouse · 1 year

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Feeling really nostalgic about July 17-18, 2008, the last time I believed in Joss Whedon

It was just cool, you know? Doctor Horrible's Sing-Along Blog dropped in three separate pieces over the course of the week. We'd get 15 minutes of story, and then two days to froth over the whys and wherefores in Livejournal comments before the next piece came out. And those days were so good.

Buffy fans are so fucking smart, y'all. They could combine academic rigor with unselfconscious fangirl squee. Squee was a hermeneutical method, a mode of interrogating the text--one we often dismiss and diminish, because if there's anything grosser than teenage girls getting goopy over a vampire they like, it's 30 or 50 or 70-year-old women getting goopy over a vampire they like. But it's similar to what I've seen called a "redemptive reading". You approach a piece of media specifically looking for its best parts, the pieces you love the best, and you allow yourself to fully embody the joy of liking something and caroling your joy to other people who like it too. In a perpetually burned-out time, squee can be like a desert oasis.

So the people who liked Buffy and Angel and Firefly watched Doctor Horrible in a manner both squeeful and intersectionally feminist, and saw all the amazing interesting things it was doing, showing how insecure geek masculinity fundamentally self-sabotages the main character, Billy, because the relationship he wants has been there in reach for months, and it's his own perception that he needs to be an alpha male warrior that has kept him from it. It interrogated the entire genre of costumed heroes, with two men thumping their chests and comparing their dick sizes, and none of them doing anything as direct and helpful for their society as Penny, the woman who stands on sidewalks collecting signatures to help a homeless shelter.

Part II came out on July 17, and the series would end with Part III on July 19. So on July 18, I spent most of the day reading Livejournal comments about it. There were all these theories: Maybe Penny was secretly Bad Horse, the archvillain whose approval Billy has craved since the beginning. Maybe she will collapse the love triangle with Billy's rival, Captain Hammer, by acting on her clearly-demonstrated discomfort and dumping him. Maybe Billy will learn that relationships are based on intimacy, not being The Best. Maybe Penny will become a superhero and replace Captain Hammer as Billy's nemesis. Maybe Billy will succeed and rule the world and give Penny Australia.

And then... none of those things happened. Joss Whedon ended the series in a way less progressive, less imaginative, less cool, than even the most half-baked fan theory out there. The story opened up possibilities to break out of an old, tired, toxic set of stories around men and women and sex and heroics, and then hid under a rock rather than change a single one of them.

July 19 was the day I concluded that while Joss Whedon might have his own baggage to work through about toxic masculinity, and artists have the right to make work meaningful to them, he wasn't making art that was meaningful to me. And I basically stopped expecting anything of him.

And then, for years, Buffy fans, educated and squeeful feminists and sharp pop culture critics, got told they were crazy histrionic SJWs for thinking Whedon didn't shit solid gold. For years. (I recently saw a video essay that included the line, "If you have the phrase 'mewling quim' branded onto your memory, you probably need some Metamucil" and, ouch, rude.)

There was so much excitement! A lot of us actually believed in the guy (although even then, there was enough evidence for many people to suspect what we now know to be 100% true about him.)

We wanted it to be good. We wanted to enjoy it.

I miss that feeling.

#joss whedon tw #dr horrible's sing along blog

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tyran-the-tyranical · 3 months

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That one line from Raphael's Second Diary will never cease to get me 🥺 LIKE MIGHT I ADD- these are his private thoughts, separate from his manipulation attempts and so he, with his full chest, admits so much in his second diary, like when he says "never have I been so attracted to mortals as I am to those infested by the tadpole." AHH, (my delusions are so real, trust)

BUT WHEN HE SAYS "They gestured to the melting hooks, suddenly glanced my way, and in their face I saw they had the best of me." look, I get the subtext behind all these quotes, but a girl can just ignore all that media literacy and take it for face value, OK? 💅 but also reading into it, he does admire Tav to a certain extent, and I have to wonder, why? Tav isn't an origin character and Tav's actions and character basically changes with every playthrough (Same with Durge, as they can change too) So I have to wonder if it's because Tav is controlled by the player, since, Raphael does end up breaking the fourth wall in his epilogue speech, so perhaps that's what he sees.

Another way to look at it is, either way, no matter what the playthrough, he sees something in Tav, something that makes them stand out much brighter than their companions (For some reason???)

To further that statement, what is the best of Raphael? I mean, if its an evil playthrough, that would be obvious, but if you're playing a good playthrough, what then? perhaps what he sees is someone he can finally use to get the crown, that's also very likely. Still though that's a very to the point (IMO) not as interesting of a reading since it's literally just his end goal for us, BUT STILL A VALID ONE, because, it is true, that's what he wants from us the most.

Also his third diary where he just straight up admits that he's being so honest with us so he can manipulate us, love that for him, "I am master here. A prince of bargains cloaked like scarlet satin. All that hidden under sublimely obvious truths that cannot be discounted." Which also makes me wonder, is Raphael actually an honest person? I mean, Korilla thinks he's at least decent, but honest? outside of helping us, if we look at Yurgir, he really fucked him over lol. Obviously, Raphael isn't what he seems, even if he's honest with us, to what extent? he says it himself, he's honest about "...sublimely obvious truths..." but what about when he says he's grown quite fond of us in his own way, HMMMM?

I wish this man got a proper story arc in the game, outside of the whole deal for the hammer and House of Hope, that's all plot related for the hammer, but a storyline about Raphael as a character? I mean yea, maybe that would whisk away some of his mystery, his intrigue, but I'm sorry- you cant just end it with him fucking himself (poorly) and trying to break Hope (making her a metaphorical symbol of hope anyway, I think....) AND LEAVE IT THERE?!?!? at the same time, I do like the ambiguity of his character, you could think of him as a cruel bastard after seeing what he's done in the House Of Hope to his debtors and Hope herself or perhaps just a Pathetic lil guy who's shit in bed lol, or maybe even soft, if you go off Korillas words and what he does for us in game he can come across as quite nice, especially after we've interacted with Mizora who's is the only other Cambion example we can go off of.

I also just think it's interesting that he sees anything in Tav/Durge at all. Ofc he says he sees the best of him (Always gotta relate back to himself lol) but that especially a mortal is what he could see himself, the best of himself, but then again he does see potential and ambition as admirable (?) or just something he appreciates, you can see that with Mol and Gortash to some extent anyway, But what ambitions does Tav have outside of just trying to survive? Like, the obvious answer is he wants us to give him the crown and we're the underdog in the story but then why does he refer to Tav so differently then? I fear this has turned into another rant again, lol.

Just a final thought here, but, if he did ever get a story arc, similar to the companions, would they give you multiple directions to take his character? i mean with Shadowheart for example, you could help her break from shar or have her fully convert into shars chosen, but even then, if you free her from shar theres the point of saving her family or freeing her from Shars (curse?) there's multiple ways for her story to end. Though, Raphael isnt a companion, so would he have something similar to idk a minor companion like Halsin or Minthara, who don't really have that much of a diversion (I think) in their endings, they don't really have the option, only really if the player decides to be evil or not, they kinda just follow them either way, it doesn't really impact their own stories. Obviously, I would prefer something with nuance but also, HE ISN'T A COMPANION 😭 and pressingly some of the companions need more work done than he does atm lol. Maybe that's me just projecting lol, once again, me wanting to have my cake and eat it too, anyway, that's me done... for now lol

#baldurs gate raphael #bg3 raphael #raphael bg3 #bg3 #baldurs gate 3 raphael #baldur's gate raphael #raphael the cambion #baldur's gate 3 #bg3 korilla

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caligvlasaqvarivm · 3 months

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i never noticed the hints towards pale Solfef! in light of that, i think it's interesting that Eridan pursued Feferi in the pale quadrant while desperately wanting her to end up in his flushed one, meanwhile Feferi pursues Sollux in the flushed quadrant, despite them seemingly destined to be pale lol guess seadwellers are used to swimming up current lmao

that said, what are your thoughts on Erifef? do you think Eridan actually wants her flushed? or is that another subconscious tactic of his to keep her(someone he deeply cares about) by his side?

personally, i'm of the opinion that though they do care about eachother, they could never work out flushed. i think Eridan -though very enthusiastic about her and thinks they share the same troubles that comes with being so high on the hemospectrum, as well as isolated via physical location and the requirements to meet seadweller expectations- doesn't actually want redrom with her, but he knows pale isn't 'good enough' plus prefers to go to Karkat for all the traditional pale stuff. dude doesn't realize they can just be friends and she won't abandon him(cue Feferi abandoning him the monent she leaves quadrants with him, further exacerbating that fear lol)

meanwhile, on Feferi's end, it's too much to go into here but i think she has struggles with being present with others. so though i think she also deeply cares about Eridan and was absolutely miffed he was going to Karkat for things that she(being his moirail at the time) should have been talked to about, i think she has a lot of character development to go through before she can really pursue quadrants as something she needs and wants and not something she thinks she should do. i think flipping pale with Sollux could have been that catalyst but alas :' ] it seems Hussie changed his mind

So, personally, I do actually think Eridan's flushed feelings for Feferi are real... kind of. The fact that he has 0 self-awareness really makes talking about his feelings difficult because everything needs to be qualified with "this would change if he were capable of taking a step back."

The "kind of" here is because I don't think it's necessarily Feferi, the PERSON, that Eridan's in love with, but rather, the Feferi that exists in his head. To Eridan, Feferi is a bubbly, adorable, cheerful girl who's nice to everybody and doesn't have a mean bone in her body. He literally says that he thinks she might be too nice to have a pitch relationship with somebody, which is definitely not true, as Feferi can be plenty mean, and there's plenty to find flawed about her.

The first reason for this mistaken belief is that that's definitely the way that Feferi believes herself to be, so it's how she presents herself, and Eridan believes people when they tell him stuff. The second is because, in Eridan's shitty, friendless life, Feferi has been his one constant - the person who's always been there for him, the only person who's consistently nice to him (until he meets Karkat, and even then, Karkat is master of the mixed signals, and Eridan implies that death threats and insults are regular banter between them), and oftentimes the one person who cheers him up when he's at his lowest.

I think a lot of people in the fandom are too hard on Feferi - she's genuinely well-meaning, and most of her bad points come from ignorance and privilege, not manipulativeness or spite. She doesn't consciously realize it when she's treating Eridan poorly, and she makes real efforts to be a good moirail to him, even though he doesn't usually reciprocate those efforts. I think she suffers from the Umbridge Effect, where Eridan's problems - being on such the extreme end of trauma and anxiety - almost feel alien and unreal, while everyone knows a Feferi, so Feferi draws in some undue vitriol.

She has a few outbursts at him when he's egregiously rude for no reason, but given she's been dealing with his severe mental illness for so long, and takes his threats and casteism at least semi-seriously, I don't blame her for being exhausted and snapping from time to time. She's genuinely just not equipped to help him with his problems - lest we forget, she's also 13. Otherwise, everything else she does to harm him is something she just genuinely doesn't consciously realize is a problem, because she's got a hard time seeing past her privilege.

For example, using Eridan for feeding Gl'bgolyb without gratitude - the thing is, societally, it's his job, and HAS always been a violet's job. Not only that, but given his... everything, if she asked him if he's okay with doing it, he'd definitely insist that he is, and in fact, that it's HIS duty and HIS privilege. He also started INCREDIBLY young, so it's genuinely just been like this for their entire lives. It's a bit shitheaded for Feferi to not realize how much she benefitted from this arrangement, but, again, it's a crime of ignorance, not malice.

In a similar vein, I think she stayed in her moirallegiance for as long as she did partially because she got an ego boost out of it. She commiscerates with Kanaya over how burdensome he is, and she gets to say things like "we are not better than anybody," which she absolutely doesn't actually feel, given how she won't shut up about being a royal when talking to Jade. She's elated to break up with him, her narration celebrating with a big "you're FREE!!!" and it's not a coincidence that said break-up happens after Eridan's no longer useful to her - she outright states that he can't threaten their species anymore now that they're in the game and everyone else is dead.

BUT, I think she ALSO means it when she says that she stayed in that moirallegiance because she was genuinely worried for him. Both this statement and the above paragraph can be simultaneously true. There's nothing about Eridan that's actually that offensive to Feferi, and I really do think she means it when she says she wants to stay friends. His constant emotional crises have just left her burnt out in terms of sympathy, and she never really knew how to handle him in the first place, but in their first conversation together, she's still genuinely making an effort to get him to open up about his feelings and to cheer him up about his failed kismesistude.

After the breakup and his failed confession, the thing is, he does accept that rejection! ... Kind of. (Again with the kind ofs.)

He outright tells her he accepts that she doesn't like him like that... BUUUT, is trying to get her to go ashen with him and Sollux, instead. THIS is the "trying to keep her with him" angle you're talking about, IMO; I think his flushed feelings are genuine, even if they're aimed at this idealized version of Feferi moreso than the real deal. Without Feferi in the picture, I think Eridan and Sollux would have a completely lukewarm mutual dislike. The sheer lukewarmness is probably why Erisolsprite is so stable - they're completely mid for each other.

The realness of his flushed feelings for Feferi is, incidentally, part of why I think him and Roxy would work so well together - if this idealized version of Feferi (bubbly, adorabloodthirsty, pink, cute, cheerful, and kind) is his Type... well.

I also think he and Feferi would work pretty well as just normal friends; they might have fallen into that dynamic on their own if they'd met later on in life. In a hypothetical golden ending, I think they do fall into it once EriKar happens, since moirallegiances are stated to have a stabilizing effect on a troll's other relationships.

#homestuck #eridan ampora #feferi peixes #erifef

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lttleghost · 2 years

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The Thematic Relevance of Jesse Pinkman as an Egg 🏳️‍⚧️

(I wrote this analysis awhile back and wanted to make a fresh post to update it!)

While not intentional, there is a lot in Breaking Bad that supports reading Jesse as an egg. This reading of Jesse has a lot of thematic and narrative relevance and also doesn't create any conflicts with the canon material. Jesse being someone who hasn’t realized he’s not actually a man yet could quite literally be canon.

This analysis is heavily based around parallels between Jesse’s character development and what Breaking Bad thematically associates with gender. It’s also heavily interconnected with the show's overarching theme of change, and also, at least for our two main characters of Walt and Jesse, the revealing of true self. There’s plenty of evidence that each of them already had the traits we see them with at the end of Breaking Bad. Jesse being this very kind and compassionate young adult and Walt being this egotistical monster.

But I would consider Walt's self-deception to be more shallow than Jesse’s self deception. While Walt did end up in a lifestyle that was opposed to who he truly was, he consciously knew what he wanted to some extent, whereas Jesse fully convinced himself that he was a different person than the one he truly is because he never really got the chance to actually figure out much about himself.

There are a lot of examples of Jesse’s disconnected sense of self throughout the show, but the first one that comes to mind has to do with his superhero OCs-

EDIT: YO! if you find video essays more engaging than reading a bunch of text, this analysis now also comes in video form [link]

I think that Jane’s observation that all of them looked like Jesse was, in fact, correct. I wouldn’t consider him doing this as a conscious decision but I feel that he almost admits it. After initially denying that his OCs looked like him and after Jane affectionately teases him he ends up saying to her “like you never wanted a superpower.” And while you could interpret this as just a response to her teasing, I’m convinced that there’s an additional layer to it. Especially because when Jane leaves to check the door, there's a moment where Jesse looks at the sketchbook with his drawings and it seems like he’s considering something, and I’d bet you anything that what he’s thinking about is whether or not he had actually drawn himself and this is REALLY interesting since-

Jesse is a criminal right? And while superheroes themselves are technically criminals as well, as vigilante justice isn’t actually legal, they’re still typically known to be ‘crime fighters’, and Jesse describes his characters as being such. So with his OCs subconsciously being depictions of himself and them being superheroes (crime fighters) and his current life as a criminal, you get the image of someone who doesn’t know who he is or what he wants deep down.

There’s no way that Jesse’s current delinquent lifestyle was his truly… preferred path. It’s much more likely it was the only thing he thought he could do successfully. It’s evidently been the one thing he’s made a decent living off of. He has no support from his parents, and doesn’t seem like he has had it since he was a highschooler. Jesse is shown to have no support outside of the drug trade. Most of his personal skills and interests are artistic or honestly domestic in a world that assigns more value to academics and he’s a highschool graduate who doesn’t have any job experience.

I also believe Jesse is very aggressively ADHD coded, and the combination of having virtually no support, struggling with addiction, and having undiagnosed and improperly self medicated ADHD would make slogging through any “respectable” job that he has access to, or any job that his parents might encourage him to do, unbearable.

So the drug trade was his best bet, Jesse even views cooking meth as a form of art, something that he’s passionate about.

I can’t in good faith ignore that doing something that is... generally frowned upon, didn’t factor into what Jesse chose to do on some level, as society and the structures that it’s built on failed him and there’s an inherent sense of rebellion that often forms in a person when they’re failed like that. Granted, superheroes also tend to often contain some commentary on societies failings as well. Jesse just couldn’t actually be a real-life superhero. So with the few benefits it had in practice compared to any other job, Jesse played into the rest of the role of a criminal, and convinced himself that the aspects of it that conflicted with his personality... didn’t, probably without even noticing.

Even more to this disconnect; When Jane asks “and that’s a superpower?” in response to Jesse explaining Backwardo’s powers Jesse responds with “come on, I was a kid when I drew these, it was like four years ago.” And Jesse is 24 years old in that scene, meaning that he would’ve been 20 when he drew these characters, and when I first wrote this analysis I was wondering whether or not Jesse had gotten involved with the drug trade other than buying drugs by that time, but there wasn’t really anything I could confirm any theories with.

But now I've got the Better Call Saul episode “Waterworks” where Jesse has his second cameo, where he is in fact, 20, and in that cameo Jesse accompanying Emilio, a person we know is his partner in cooking meth, to Saul’s office makes me certain he’s in it by that point. And I just have to wonder if Jesse’s superheroes were almost a… subconscious vent, a manifestation of how being a criminal in the specific way Jesse is, is not what he wants. Something that suggests that Jesse’s actual identity and his current view of his identity don’t line up.

Another thing to point out about the cameo that could be seen as additional evidence of Jesse’s discomfort with being more than just a customer of the drug trade is that he was hanging out outside of Saul’s office, and until Kim gave him one he didn't have a cigarette, so he wasn’t out there to smoke. And while there could be other explanations to why he was outside on his own, I don’t think it’s much of a stretch to say, other than just his general skepticism of Saul, he was just not particularly jazzed to be where he was at that moment and not comfortable going inside.

So relating all of this to gender; that narrative of convincing yourself that you are the person that you’re supposed to be for your best chance of survival instead of being able to truly be yourself already works pretty strongly as an allegory for being trans. But to add onto that even more, thematically Breaking Bad associates “manhood” with the drug trade in one way or another, and paralleling how Jesse realizes he doesn’t fit into the drug trade like he thought he did with how he might not be a cis man like he thought he was makes for a really solid queer reading.

The whole show is pretty explicitly about toxic masculinity. Obviously in real life masculinity and manhood do not have to be toxic, and in Breaking Bad’s original intended story Jesse is a cis man who ends up not fitting into those toxic ideas of manhood.

Things that the rest of the male cast don’t blink at or at least have more mild reactions to, just tear Jesse apart. He’s also targeted at least a couple of times for having emotional vulnerability that is considered to be “not manly”. It’s much easier to point out the differences between him and the male cast than it is to point out similarities between them and this just gets more pronounced the longer the show goes on. He doesn’t really have any positive ties to being a man and I don’t think we can say we ever see Jesse actually reclaim his own sense of manhood. And I think that lack of reclamation gives even more legitimacy to the reading that, along with leaving the drug trade and all of its toxic masculinity bullshit behind, maybe Jesse just leaves behind being a man altogether, and maybe it was something that wasn’t really ever a true part of him, just like his life as a criminal.

Even at the start of the series Jesse’s attempts at hyper-masculinity come off as really goofy and performative. In episode one Krazy-8 mentions that Emilio thinks that Jesse might’ve ratted on him Jesse first has a much more genuine response of “that’s bullshit” which makes sense with his strong character trait of being loyal, but then he goes to say “I should kick his punk ass for even thinking that.” and it just sounds like fake bravado to me. There’s no way Jesse actually thinks he stands a chance against Emilio since Jesse has a body type that resembles a small bird and there's no way he has that little self awareness. He's just playing out a script that wasnt even well thought through, and while some of his other performances of masculinity don’t come across as that fake, there aren’t many that feel like they actually come from Jesse himself, they just feel like something that he just thinks he should do.

And while not every experience with men Jesse has is negative, there always seems to be some distance between him and the men he does have good relationships with. Jesse forms a parent-child type relationship with Mike that is healthier than any other he’s had up to that point other than probably his aunt, but there’s a part of Jesse that Mike never seems to fully get. When Jesse doesn’t want Lydia to be killed Mike says that 'this woman deserves to die as much as any man' and I think he misses that Jesse just still isn’t that keen on killing people even with everything he’s gotten involved with. Even if there are some acts of violence and even some people’s deaths he is fine with and thinks are justified, Jesse never fully adapts to “the job” the way Mike does, and Mike is just not quite able to understand that, or at least not why.

Jesse and his friends have a distance between them as well. Though they’re arguably not as entrenched in toxic masculinity as any of the other prominent men in the show are, and aren’t nearly as involved in the violence of dealing drugs despite being in the trade. Yet still Jesse’s interactions with them most of the time feel different and more withdrawn than their interactions with each other. Like Jesse really wants their presence and company and wants to fit in but there ends up being something that he can’t connect with alongside them, and this also gets more prominent as the show progresses. There’s parts where Jesse seems to be withholding how badly his “high rank” in the drug trade is affecting him when Pete and Badger seem to sort of idolize him for it and want in on it. I think Jesse sort of considers saying something to them about it, but he hesitates and doesn’t. He repeatedly doesn’t confide in them even though, while his friends do perform some facets of hyper-masculinity, they don’t really seem to target or reject vulnerability in the way most of the other men in Breaking Bad do. And Jesse’s distance from even the more harmless side of the male cast makes it feel like it’s not just the toxic masculinity that he’s disconnected from.

Jesse’s relationships with women even further separate him from the men of the show. His romantic relationships with Jane and Andrea read much more as relationships between equals, compared to Walt and Skyler or Hank and Marie. While Jesse does throw the “nice job wearing the pants in the family” insult at Walt in episode two of the first season, after Skyler almost caught him moving Emilio’s body, in Jesse’s own relationships he never actually tries to take control and doesn’t have any problem with Jane honestly being the person making more active choices for the both of them in their relationship, which Walt comments on by throwing that same “nice job wearing the pants” insult back at Jesse.

Another interesting thing found within Jesse’s relationship with Jane that ties them to specific gender roles happens after Jane doesn’t really introduce him to her father. Jesse asks about it and after a bit this Jane ends up saying “What am I supposed to say? Hey dad, meet the stoner guy who lives next door and by the way I’m sleeping with him?” and Jesse replies “Is that all you think you’re doing?”

It’s been pretty common for “the guy” to be considered as the one who sees a relationship as just being sex and “the girl” to see it as being romantic, and this is a very very dumb aspect of traditional western gender roles that this scene even has to subvert, but I think in the context of Breaking Bad’s dealings with gender roles the fact that Jesse is put in the role much more typically associated with women could be viewed as significant. And this significance can be extended to the show’s most prominent dynamic, dealing with the relationship between abusive men and women, Jesse is a victim. I’m not implying men can’t be victims of other men's abuse, but it does make Jesse easier to associate with women in the story, and while the narrative association comes from a negative place, the negativity is directed towards men. But the connection it forms between Jesse and women is a sense of camaraderie and even comfort, at least on Jesse’s side.

and with those connections with women I’d say the most accurate egg interpretation of Jesse is that she’s specifically transfeminine in some way.

I think in this analysis its important to specifically examine Jesse's journey with gender questioning as I think it follows the rest of the ups and downs in her learning more about herself in the resr of her character arc. My personal interpretation of Jesse is that she is a non medically transitioning nonbinary transfem person. The not medically transitioning bit is largely because I enjoy bringing attention to the existence of no-med no-op trans people and to push the point that not seeking medical transition doesnt make a person any less trans, though I do feel that since Jesse's relationship with gender is focused on the societal side of gender roles that don't really relate to physical form that it's a reasonable interpretation that she may not medically transition. I think she uses he/him and she/her pronouns, and is maybe a futch lesbian. I’m saying all of this because it'll be the lens through which I’ll be talking about Jesse’s journey with questioning his gender and how that progresses during the timeline of Breaking Bad. However I don’t claim this to be the only version of transfem Jesse that works with my analysis, or that it's necessarily better than any others that do work. I’ll also be mentioning concepts of “offscreen” additional scenes. That being said, if you’re someone who likes to stick 100% to the text given to us, the “offscreen” scenes aren’t exactly necessary for this interpretation to work as a part of the existing story as the general emotions behind them still stand.

I don’t picture Jesse as having any definable Gender (™) experiences when he was younger other than just a general sense of not belonging, though gender wouldn’t be the only thing playing into that. But as Jesse got older and struggled more, he started to purposefully play the part of what he saw as “a man” to survive in the only role that he thought he could. I see the thought “I wish I didn’t have to be a man” crossing his mind every so often though. I think he just deals with his place in the world for awhile, but after Walt enters the scene and Jesse experiences shit he really didn’t bargain for because of his old teacher, someone who is settling into a personification of toxic masculinity, Jesse’s frustration with being a man becomes more prominent and harder to ignore internally.

In my opinion Jane is the person that helped him start to solidify what exactly those thoughts were indicating. Her approach to relationships would be considered not traditionally cishet, and so is the way she presents herself in general, so I think Jane has some sort of knowledge about the complexities of gender, if she isn't actually queer herself in some way.

And she’s one of the only people we see Jesse truly, truly open up to and so I think at some point later in their relationship Jesse might actually say something about wishing she wasn’t a man around Jane, and I can see Jane saying that Jesse doesn't have to be a man if she doesn't want to be.

But then Jane dies, and I think as a result of that and the lesson Jesse learned from rehab “I’m the bad guy” he goes into just total repression mode. Embodying this new belief Jesse very much dips into the hyper-masculine behavior of the drug trade, he is much more concerned with money beyond paying bills and having nice things, and he plans to do the one thing in the entire show that makes me truly angry at him because of this whole thing, attempting to sell drugs to the rehab group. I don’t think he would’ve ever thought of doing something like that before. He’s trying very hard to be something that’s even further from his actual nature than we’ve seen up until this point.

Part of Jesse’s grief over losing Jane, a person who he confided in probably more than anyone else at that point, was to just completely close up, even to himself. Forget all of those parts of himself that resisted the rougher aspects of the drug trade he was getting dragged into and definitely forget about wondering if he really is a man or not.

At least until meeting Andrea and Brock, which snaps him out of that “I’m the bad guy” mindset, but by that time I think just, too much starts to happen for Jesse to have much time to question her gender. I wouldn’t consider her to be as actively repressing any sort of “I wish I wasn’t a man” thoughts but the amount of turmoil and danger that she’s in, just really really doesn’t lend itself to that sort of gender introspection as much.

I’ve got some additional thoughts on Jesse’s journey with gender that are more headcanons than actual analysis of the show so I didn’t include them in the text above. But I still really wanted to share because I like them and think that they really add to the analysis, so here they are;

I mentioned that I don’t think that Jesse had any particularly notable moments that might’ve suggested that she was trans when she was younger other than feeling out of place, but maybe he did have some interest in playing with “girls stuff” and her parents discouraged it because as we know they’re the shitty type of people who value their child being “normal” at the price of that child’s happiness, but I can also see her being one of those kids who just didn’t even grasp the differences between boys and girls stuff for a longer time than others, or I can even see Jesse’s last connection to the "male" side of gender being from when she was a little boy, before he was aware of the concept of what being a man was, and that it would be expected of her.

But later, in his adulthood, after the idea and pressures of "manhood" became very present in his life, one of the more certain instances of gender questioning I picture Jesse having is at some point while hanging out with Badger, Pete and Combo, Jesse screws around and puts on a dress. And he's like “haha I look like such a queer don’t I?” but is internally thinking something more along the lines of “ I will die before I tell anyone how this makes me feel” (that being that it makes him feel happy).

And then, as we enter into the timeline of the show itself; when Jane first tells Jesse that he doesn’t have to be a man if he doesn’t want to, I don’t actually think that Jesse would be receptive of it at first. I think it’s more likely that he’d decide he suddenly doesn’t want to have this discussion anymore and change the subject. Jesse would still have the misconception that you need to medically transition or at least be required to fit some sort of ‘criteria’ to be trans, instead of just identifying as a different gender than your assigned sex, and I think that would play some role in his not wanting to talk about possibly being trans. And even more because, while he could opt out of telling anyone that he’s trans, Jesse’s in a world in general that isn’t trans-friendly, but the drug trade he’s in specifically is very lgbtq-phobic. Jesse himself is definitely gonna have some internalized transphobia, we’ve seen his homophobia, and I definitely read that as a result of his environment rather than actual hatred considering at Jesse’s true core he’s a pretty caring person. But there are definitely people in the drug trade who would be violently homophobic and transphobic, and Jesse would know that, and would probably perceive even realizing that he is trans to be a threat to his safety. But, later on, further into her relationship with Jane I think she’d open up, even if only to Jane.

And that’s what I like to focus on the most with this analysis, all of the happiness and freedom and healing that Jesse gets to feel detaching himself from manhood, something that honestly contributed so much to every part of his suffering. And god does this girl deserve some happiness.

Then when for the most part too much is going on for Jesse to consider whether or not he’s trans, I still sometimes think of a situation where Jesse might’ve suggested? Her gender questioning to Mike, and while I don’t think Mike’s personal reaction would be technically negative, I think he’d tell Jesse to ‘please not share that with anyone else kid’. Which would be discouraging to Jesse, and she’d quickly backtrack, some because of the reaction on its own but also because he really already knows that it’d be stupid to say anything to anyone else, but it’s not until Jesse’s really free from the drug trade that she can finally crack that egg. I really like to think about the comfort and relief Jesse would get to feel no longer having to try and be a man, cause she finally realizes that she isn’t one.

#breaking bad #jesse pinkman #jesse breaking bad #trans jesse pinkman #queer analysis #breaking bad analysis #brba #jesse brba #this is my girlfriend don't touch him #meat.txt #this is a shortened and edited bit of my video essay script #i just like.... HAD to update my inital text analysis while im working on figuring out how to successfully record my video #cause the old one is so jumbled and stufff #or it feels jumbled to me now at least

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pandamoniumvibes-27 · 4 months

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I been wanting to speak about my character Analysis of Velvette for a long time so I might as well put it here.

Please note that this has spoilers for all of season 1 of Hazbin Hotel.

Since I first saw Velvette i thought it was very Interesting the change they took with her character.

In the pilot she is young energetic and gives chaos energy but in the final product we see that they changed Velvette to be overall more mature.

Velvette in Hazbin Hotel’s first episode is shown as a master of fashion, overbearing, and she knows what she is good at. Velvette in episode 3 is way more interesting.

While it is ironic that Velvette doesn’t actually even fight against the angels in episode 8 I think this says a lot about Velvette’s character. It’s easy to write her off as a coward after this but if you look deeper into it it’s slightly surprising.

It’s no surprise Velvette is great at observing and great at manipulating (assuming that because she is overlord of social media) it’s shown so clearly in episode 3. Velvette’s goal when attending the overlord meet was to gather information and see who had power. Velvette is easily able to see Carmilla killed the Angel and immediately tries to manipulate her and the other overlords to fight the angels.

The Vees were hoping Carmilla or Alastor would pick a fight with the Angels. In the last song of episode 8 Vox and Valentino sing about how because of the extermination they can now gain more control. Velvette also isn’t dumb she heard what Carmilla said about how picking a fight with the Angels is a death sentence and I think this is what surprised me the most.

After looking back at it more it made sense to me why Velvette actually took Carmilla’s advice. Velvette like I said before knows what she is good at she knows that if someone like Carmilla who has more power than her says fighting the Angels is a bad idea then it’s true. Even though Velvette comes across like she doesn’t care about what any of the overlords say but while she might not respect them she understands they have more power.

Velvette is soo interesting because while so many take her saying she is the backbone of the Vees as her having knowledge of social media it’s actually the fact she can observe so well.

Also something I found cool was even though Velvette didn’t speak all of episode 8 you can see she is clearly listening. It’s a great way of showing how Velvette spends more of her time observing before acting unlike Vox and Val who don’t fully think before they act.

#velvette #vox #hazbin hotel vox #valentino #valentino hazbin hotel #hazbin hotel velvette #hazbin hotel #character analysis

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daily-hanamura · 4 months

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I kind of wished that the persona 4 cast wasn’t stuck in a narrative where the main theme is ‘always accept the role thrust upon you and if you don’t like it, just force yourself to like it’. Yukiko actively wants to leave Inaba and create her own life, but is portrayed negatively when doing so, with her character arc involving her accepting the role thrust upon her. Don’t get me started on Naoto. I know you’re the Yosuke guy, and was wondering what are your thoughts on this when applied to Yosuke?

I want you to know that being called "the Yosuke guy" is now my greatest achievement you've made my day everyday for the last week

I do agree with you, and I think it was one of my initial issues with P4 where, for a game whose entire narrative is about being true to yourself, it sure falls back into that tired sense of social conformation a lot. It's grating, right, because it feels like what they really mean to say is "be yourself! but not too much and not in a way that makes other people unhappy and make sure you're still living up to other peoples expectations because that's the real reason why you're unhappy with yourself, you haven't accepted who we want you to be (which is the real you that we've decided) etcetc" and it just undercuts the emotional impact of their self-acceptance (see also kanji and rise). (dw I know P5 also kind of has the same problem, and I can go into a whole thing about the limits of transformative narratives written by capitalist corporations but i wont. today-)

I think with Yosuke though, it's really interesting because his character arc is more so tied to his relationship with Inaba as a place, rather than his fundamental self-perceptions. It's established early on that Yosuke hated the town for various reasons; he's a city boy who wants excitement and connection, but most of the town hates him so he's shit out of luck and it gives him little reason to like the town back. As the game progresses, he starts to like the town -- "it's not about where you are, but who you're with", so it's his friendships (and having people who accept him for who he is) that makes the place meaningful for him. And, at the end of the day, Yosuke did get what he wanted - excitement and connection.

But he's not tied to Inaba.

In P4AU, it's revealed that Yosuke's struggling to figure out what he wants to do in life, but by the end of it he tells Yu that he wants to leave the town and go to college with Yu in the city, and that he wants to see the world and experience more things for himself. It fascinates me because it very strongly implies that Yosuke's arc isn't complete as we're very expressly told that he's still developing. It stands in contrast to the other characters who have effectively been fixed into some role or position (Yukiko as an inn manager, Rise as an idol), and unlike them, Yosuke hasn't been permanently relegated to the things that he starts off hating. He hasn't been written to stay in Inaba or even to continue working at Junes after graduation, instead he gets the opportunity to try things. imo this makes his arc more situational (and therefore layered) - Yosuke's perspective on his circumstance matures, but who he is as a person doesn't have to change, and he's not forced to make a trade-off with the wishes he had at the start.

This might be because Yosuke is Atlus' favourite character of the contrast between Yosuke's city background and the rest of the Inaba folk. There's a guy in the school who talks about how most people who finish high school in Inaba just go on to get jobs, and very few actually leave for college and beyond. It's something deeply realistic and reflective of human geography IRL, because that's very common in small communities. A fear of the outside world because of how isolated they are (and Inaba kind of is - remember how Yosuke said they barely had cell connectivity up until recently) means they tend to look inwards instead of out, so there isn't as strong an awareness of what else there is out there and a belief that your options are basically just that (it also makes it all the more impressive that they have surprisingly well-traveled teachers). Yosuke, on the other hand, is very much connected to the internet and the outside world, and he also tends to think about the things that he's missing out on more tangibly.

It makes for a very interesting parallel with Yukiko, who had grown up in Inaba all her life and also expresses that same interest in wanting to go out and see the world. Yukiko's idea about the kind of options that she has is weirdly limited for someone who is supposed to be at the top of her class. When you meet her at the bookstore, she talks about getting a job license so she could leave town, and her first thought was interior decorator (do you even need a license for that? it's not a chartered profession unlike an architect or interior designer, but things might work differently in japan). And maybe she does have a genuine interest in it so I'm talking shit, but it also feels like it's a job that she's aware of only because of the ryokan. As far as I could tell, we don't actually see her express any interest in, say, furniture themes or colour swatches and fabric textures in the way Kanji very clearly does. Her world view, like everyone else, is bounded by the reach of her experience, but because Inaba is so small and cloistered it impedes her ability to imagine beyond that. Even when she's thinking of leaving, her options are still limited to her experiences at the inn. I'm still really salty about how she decided to stay at the ryokan in the end, because something much more satisfying in my opinion would have been for her to get the opportunity to try different things elsewhere in the world, and if she decided that the ryokan was the right thing for her, then, well, fine, I guess? Or some cliche like exploring other inns elsewhere so she could bring that knowledge home. Especially since she had the support of her family and the inn staff, it makes her narrative feel more like an acceptance of her lot in life, rather than a genuine realisation that yeah, this was what she wanted, which was what the game wanted us to think, except it's not convincing. Instead, it just feels like a weird stagnation because her initial wish of wanting to see the world beyond the ryokan was not satisfied.

But hey, guess who does!

Yosuke gets to learn how to make the best of a situation, but ultimately, he's not beholden to it. He - and his writers - understand that he's not done growing, so he doesn't fix himself to a role that he doesn't like. AND IT'S GOOD. I just wish everyone else got that opportunity.

#asks #get-hit-with-the-wimp-stick #as you can see i have many thoughts on this #frankly i might also be extremely biased as a city person who hates being a frog in a well so this has deeply skewed my interpretation #also human geography is my special interest so that's a weird take there huh #not sure if this was the question you were asking but this is my answer

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readypanda · 5 days

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Indigo Park Spoilers (and very long post) ahead

Since Indigo Park is the newest fandom I've been dipping into, I figured I might as well make my own analysis for the game. The question I'll be discussing today is,

WHAT EVEN ARE THESE THINGS?

(sry for bad picture quality lol)

The thing I find interesting about these mascots (Molly, Lloyd, and what we've seen of Finley) that kind of sets them apart from other monsters in the mascot horror genre is...they almost seem like they're just animals. (I'll go over evidence for this in this post)

Think about it. In other mascot horror games, we've gotten:

animatronics possessed by dead children

employees/kids surgically(?) turned into toys

people mutated by a giant ink machine

animals/people who have had their DNA spliced with a mutagenic chemical

A little girl somehow turned into a monster (I think??)(really sorry Amanda I don't know what you are)

etc.

(I'm not up to date on all these properties and I know there's many more, so forgive me if my lore understanding is less than adequate. you know how it is with indie horror)

The important note about all these is that for the most part, these mascots are intelligent, or at least have the capability of intelligence. Almost everything on this list was at one point human, in fact.

So why do I think Indigo Park is any different? What leads me to believe they aren't intelligent? (at least, the animal versions of the characters that we run from in the game. Whether they are separate from the versions of the characters Rambley interacts with is something I'll touch on later)

I think the most obvious piece of evidence in regards to Molly and Lloyd (again, not much info on Finley yet) is how Lloyd acts. He doesn't talk at all, he just stalks the main character and attacks like an animal might (with the exception of a couple times he stands on two legs or props himself up here and there).

As for Molly, I hear you saying, "But she talks! We hear her speak!" And yes, dear reader, you are right. Molly does speak. This would disprove my argument of the mascots being purely animalistic, if it weren't for this kill screen.

Now, do we ever actually hear Molly say something that isn't a repetition or couldn't reasonably be a repetition? Has she said anything to prove her intelligence at all? (genuine question here because I haven't examined every one of her voice lines lol. If I'm wrong about this then whoopsie!)

Despite the past 250 words of speculation, though, whether they act just like animals isn't actually that important. We'll see more of them in later chapters anyway (or Lloyd and Finley at least) so that will likely prove or disprove this point with time.

The more interesting question is, what are they? Like, physically?

When Molly dies, we clearly see blood around her decapitated head. At the very least that rules out animatronics or something mechanical. In addition, in the audio of the hidden tape you get when you show Rambley one of the collectables, you can hear two staff members complaining about being replaced by "new mascots" right after they "got a new raccoon costume." This could mean a few different things, but it seems to imply that the mascots we see in this chapter are meant to be replacements for actors in suits (for meet and greets, promotion, shows, etc) and/or replacements for limited, expensive, and cumbersome animatronics. If this is true, we can also probably rule out them being human. Unless Indigo Park also had a secret human experimentation lab, which I wouldn't put past them.

I think it's too early to definitively state what these mascots are, but based on the evidence of above, I have a theory.

My personal theory is that these mascots are just animals who have been changed or mutated in some way to allow the park to have more "realistic" representations of the characters (also probably to cut down on the costs of paying a human employee). That would explain why they act the way they do and why they are so violent. They literally are just wild animals who have been warped to represent these cartoon characters.

Another important caveat to this theory is that, if this is true, then the mascots who attack us in the game are most likely NOT Rambley's "friends" as he knows them. That would explain why he doesn't call attention to Molly chasing us or Molly's dead body (with the exception of one very small reaction when he talks about the mascots). You would expect him to seem a little more upset if he thought that was his friend, but maybe on some level he knows it's not really her, just a representation of her.

That brings up another question, which is a can of worms I won't fully open here: Do Molly, Lloyd, and Finley have sentient "AI" equivalents like Rambley? If not, does Rambley know his friends aren't real? I'll let you decide.

Anyway, that just about closes my thoughts on this silly raccoon game. Thanks for letting me ramble on about it, and thanks for making it to the end of the post!

Lemme know about your own theories in regards to what these things are, or if there's any key evidence I missed. Kinda threw this together lol. Most of it will likely get disproven by future chapters but hey, thus is the price of theorizing ¯\_(ツ)_/¯

#indigo park #indigo park theory #indigo park spoilers #uniquegeese #mascot horror #I should probably like actually play through the game myself and maybe make an addendum to the post if I find anything new #since you can only get so much info second-hand #maybe ill make a post dump about random details i noticed #it was annoying to find the tape recording #I don't know if anyone has uploaded the full clip by itself to youtube

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vaguely-concerned · 6 months

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I’m on a Star Wars books roll so here we go with my — unhinged thanks for asking! — thoughts on Dooku: Jedi Lost, specifically the audio play. Short version: I fucking loved this one! For maximum emotional devastation, pair with Master and Apprentice and Padawan the way my stupid ass did and then be sad about it forever I guess that's what I’m going to have to do.

Long (LONG oopsie) version:

- So. First of all, let’s get the most important thing out of the way on this here old man yaoi website. We all agree dooku and sifo dyas explored each other’s bodies right. Or at least definitely would have if not for the laws of this order etc., potentially. That’s not just me. Good. Thank you. We can now move on

- Secondly. Well. Guess I’m just going to be inconsolable about Sifo-Dyas forever now. I miss the days in which he was just a throwaway line in AotC spawned by a random misspelling to me, rather than an eternal raw aching wound in my heart

- poor poor ventress just reading through all the proof that dooku absolutely does have it in him to be a good dad I mean master and just — idk got tired of that and went the force lightning route with her. I love the move of having her dead master hang out with her all that time as well (having her slip up and refer to ‘us’ did something to me, god this is so sad. Is he actually there in spirit or is it just her grief dreaming him up because dooku is awful and cold as a cliff wall and she needs some kind of attachment figure even if she’ll have to reinvent him herself, rebuild him word for word, gesture by gesture. Pain. sorry about your terrible track record with father figures asajj)

- Lene: (About Averross): He hasn’t changed.

Dooku: (In the warmest fondest voice you ever heard) And I hope he never does

WHAT AM I SUPPOSED TO DO WITH MYSELF? MUST I SET MYSELF ON FIRE TO ESCAPE THE PAIN???

Another strong showing for Rael in general, btw. He’s so warm and charming as a presence even though he’s also a little chaos gremlin. (He’s quite similar to how Sifo-Dyas was when he was young in some ways, I can definitely start to see what Dooku responds warmly to in terms of character traits.)

- the fact that good ol’ sheev showed an interest in rael, dooku and anakin… interesting huh! He’s just got a soft spot for the disaster lineage I suppose, maybe there’s an element there of luring yoda’s most direct lineage into the dirt with him without yoda even noticing for the longest time. Also cackling at the idea that he looked at qui-gon ‘too fucking stubborn and insufferable to fall to the dark side out of sheer spite’ jinn and went ‘...not that one tho’ fhdskjfa. And obi-wan is more like ‘that one blorbo all my little guys seem wild about but I just don’t get it guys’

IF rael’s refusal to join dooku at the end of ‘master and apprentice’ is the last word (which I am not convinced of ;___; be safe cowboy jedi we never see in mainline canon so far), then he’s the only one who has dodged palpatine’s attentions. Wonderful if true love that for him

ALSO rael is one of the few people we know to be on (or at least to consider himself on despite what palps might think lol) first name basis with palpatine. Hilarious. I concur with dooku never change rael

- Sifo-Dyas: That’s insane.

Dooku, deadpan: Yes.

Sifo-Dyas: The worst plan I’ve ever heard.

Dooku, somehow even more deadpan: Most probably.

Sifo-Dyas: I’m in.

Crying… weeping and dying………… what if someone could have helped sifo with his unfortunate prophecy propensity and they hadn’t drifted apart. Clone Wars averted methinks if dooku still ended up leaving the order he would have been too busy having tender gay sex with the love of his life (and only person who can call him out on his shit and have him actually listen) to be a war criminal (I am being extremely facetious of course this is very much a ‘time traveler killing baby hitler’ situation where the underlying forces causing this point in history are way too powerful to avert the catastrophe in one move. but at least palps would probably have had to pick someone else to wreck the galaxy through and sifo-dyas would be kissed & held instead of going slowly mad. A net plus some (I, me) would say)

- I just wanted to applaud both the writing and the voice acting for the characterization of Dooku in this, from his young self trying so hard to be haughty and self-possessed but also being like, y’know, twelve and a dweeb and easy for Sifo-Dyas to pull into trouble, to the dry wit and warmth he shows with Rael and Qui-Gon or his sister later. It took me a little while to get into the voice acting specifically (the actor makes no attempt at going the full Christopher Lee, which in hindsight was probably wise), but now I love it. It gets a bit goofy in places but you know what, I am a long time lover of audio plays, that’s part of the charm

- “Master, have I done something wrong?”

My heart is clenching… do you think… that master yoda’s deal with leaving his student to try fucking everything to have some kind of relationship with him until he just breaks down in tears of despair… is the kind of thing that maybe started a little bit of a generational trauma cartwheel through the ages. The point that bb!dooku is arrogant isn’t without merit and he strikes out incredibly ungracefully about it (in fact I would be a lot more worried than yoda seems to be that he decides to try to kill a tree about it, ‘I felt like destroying something beautiful’-style) but I just don’t think a… fourteen year old? A teen anyway, Is going to learn what you think he learns from this. I simply don’t believe that silent treatmenting kids will teach them emotional intelligence I guess especially if they already struggle with that naturally lol

(It is exactly the same mistake (in my opinion) that Qui-Gon makes with Obi-Wan, too, just leaving the kid completely alone and forcing them to come to you every which way for comfort or guidance instead of meeting them or reaching out to them. Especially once you see that really Dooku’s prime emotion/big core wound right from the beginning is loneliness. And that doesn’t only come from a feeling of superiority (which to be sure is also a big factor), because he has no idea where he comes from until he meets his sister. I don’t think the jedi as a whole were unsalvageable by any stretch of the imagination, but Yoda specifically… you are on such very thin ice with me at this point you little green fuck. You’re very funny and moving in yoda dark rendezvous and that’s all that’s keeping you in my somewhat good graces.)

- Okay, coming back a bit later I think I’ve found the right words to say this. more precisely dooku has two big issues which you can later see haunting all the way down his lineage — loneliness and control. (and not incidentally the intersecting elements of the two haha.) We see from his relationship to sifo-dyas that he’s not incapable of having close mutual relationships with an equal, but that kind of crashed and burned for reasons neither of them could really help and after that it seems quite telling that he has the easiest time with deeper connection in a teacher-student sort of form. I think his affection is unconditional and real, but you can’t get away from the fact that he also has the most control in that relationship structure by default, he gets to dictate what form it takes to a big extent. He doesn’t trust other people — the underlying idea ‘Only I can do this’ that eventually leads him down the Separatist path is there the whole way. It speaks both to a sense of superiority and an utter lack of faith that other people can or will help him. And then that echoes down through the master-padawan line:

Qui-Gon with his self-righteousness and utter refusal to compromise leaving him isolated among the jedi (only he is right. Yeah the Force told him so. Don’t worry I’ve got a permit *insert parks and rec I can do whatever I want meme here*), Obi-Wan with his anxiety and perfectionism and incredible sense of shame and responsibility that he should be able to carry the whole world on his shoulders alone and beating himself up for failing, all feeding into not knowing what to do with Anakin and his complete lack of control of himself and his desperation to gain and maintain connection and love (which earns him the title of ‘Dooku’s least favorite family member’ fhdsa his immediate disdain for him is so funny and so in character. Repress and go slowly mad like a normal person anakin the way you’re carrying on is just undignified and that is much worse than being evil)…

- Rael gently telling Dooku to take on another padawan soon… so sweet, so sad, local cowboy jedi looking out for his dad. Also highlights something about Dooku I think is true: that he does much better and seems to have an easier time holding to the light when he’s responsible for someone else. Again, I do feel like Dooku’s core problem is loneliness, but it seems like raising kids is the one point where that relaxes somewhat. Maybe if Sifo-Dyas had stayed in a better mental place and they kept in touch it could have been different.

- Lene Kostana is SUCH a character! Charismatic and deeply fucked up, when it’s revealed how her and Sifo-Dyas’ relationship remains long after his padawan stage is done I felt a little bit sick, to my surprise. Because that could just be kindness on her part, of course, it’s good that he has someone he trusts to look after him when he can’t himself, but also there’s something… queasy about the way it keeps him continually young, in a way. (Notably he still calls her ‘master’ even as an adult, when they’re working together. Not uncommon in Star Wars, of course, but together with everything else going on vibes-wise… hm.) The inherent unreliable narration of this story really worked for me in this regard especially — do we know that young Dooku was entirely wrong when he sensed the dark side in her? She certainly is willing to go to lengths that are… worrying! in her fascination with sith shit, she tempted children into a dangerous place they didn’t understand and couldn’t know the consequences of and she continually puts sifo-dyas in situations that are implied to be a risk to worsening his condition. Run of the mill incredibly irresponsible at best, sincerely sinister at worst. Did she choose Sifo over Dooku because he’s more vulnerable and shapeable? There is an undercurrent of something icky and emotionally incest-y going on with how she relates to Dooku and Sifo-Dyas in general (right down to the ‘NO, no one can know about this’ intensity after the… evil moss cave. I can’t believe I’m this emotional about a book with an evil moss cave). I don’t think she’s a proper sith in any way and I also believe there is real affection there on all sides, but idk something about the whole thing makes me deeply uneasy. Yoda where the fuck are you your son is out there with his irresponsible mom again they’re looking for dirty needles in haystacks and they’re not even wearing any gloves

- dooku telling sifo-dyas he can come back to haunt him if he likes as a joke… well well well I’m sure that doesn’t ring with some dramatic irony at some point down the line lmao

- honestly looking back at master and apprentice after reading jedi lost makes qui-gon's apparent lack of reaction to dooku leaving seem — let's call it highly suspect haha. rael asks him if he's spoken to dooku after and qui-gon is like 'no. why would I. it's literally fine. anyway this topic is done now'. (and rael seems to just go ‘*older brotherly knowing* uh-huh’) meanwhile he's thinking about dooku *all the time* trying to figure out his role as master to obi-wan, thinking about being a padawan himself, the parts of his life he shared with both dooku and rael. The jedi doth protest too much methinks

ALSO how much of qui-gon thinking the council was too lenient with rael after he had to kill his padawan is about that actual situation, and how much is a ‘our family still likes my older brother more than me even though he Fucked Up so bad and breaks just as many rules as I do’ sort of deal mixed with his own neuroses about how he’s failing obi-wan (to which rael’s situation symbolizes the worst possible outcome, i.e. the kid dies and it’s basically your fault). Many thoughts.

- moment of silence for jenza of house serenno. Girl your only sin was being surrounded by asshole male family members and I’m so sorry I think you did all you could with what you had to work with here.

Not… entirely sure how dooku’s claim to the title supersedes hers — is he a year older than her? (she’s eleven when they first meet, he might be twelve or older at that point I don’t remember haha) Does she just give up her place in the inheritance order? Are primogeniture and male heir preference factors in Serenno inheritance law? Not the most important thing honestly it works anyway thematically but could have been clarified quickly!

- interesting to see that the council’s restrictive policy against engaging with prophecies had a surprisingly big impact on how things went down. Kostana has a lot of responsibility in Sifo’s fate for insisting he keep it secret, but there is genuine fear for what might become of him if the rest of the order finds out he’s got 24/7 futurevision hovering over him threateningly… listen it’s not like the poor guy can help getting the future constantly pumped into his brain at nightmare resolutions, I think maybe if there had been more willingness to at least engage curiously with the concept of prophecy and how it works, even if you don’t put your faith in the particulars of what the prophecies say, this wouldn’t have had to be such a shitty isolated secretive life for him. hearing him slowly fall apart over the years considering how bright and lovely he started out... oof is all I can say

- when dooku was a good jedi he was such a good jedi!!! The scene where they’re saving the kids from the collapsing hospital, every time he teaches his students anything…the impulse of someone has to do something about this! that made him so good at saving lives turning dark with the tarnish of frustration and rage over the years… nooooooooo problematic grandpa why did it have to be like this :(

- …do you think infant jedi can sense what’s going on around them in the Force. Because it makes a very sad kind of sense if dooku on some level remembers bodily or in the Force that he was not only abandoned but rejected in disgust as one of the first things he discovered in the world. Oh boy. With all the ways attachment relationships can go wonky in the first few years in real life I don’t even want to consider how much more wrong it can go when the baby is fucking psychic lol

- vaguely related: the way dooku seems to find the very idea of being truly reliant on anyone, emotionally or otherwise, personally offensive, terrifying and humiliating lol. Yoda saves him from being crushed by rubble and he is outraged because that means he can’t save himself (and his newfound sister) without anyone’s help like he thought for one glorious moment he could. The fantasy of perfect emotional self-sufficiency, doing away with all the messiness and risk of interpersonal relationships and cutting off the possibility of really being abandoned again. It’ll get ya every time. This is also a thing you see reflected in his lineage — they’re all quite inward-turning that way until you get to anakin, to different extents and with varying presentations but it is there I think. Qui-Gon turns to the Force, Obi-Wan to perfectionism and shame and rumination, Rael to the bottle and depression and hedonistic apathy, but they all struggle hugely with letting anyone in to help them. Dooku’s line are all much more comfortable being the helpers rather than the helpees, as it were.

- “Thank you for everything, Lene. Tell Rael and Qui-Gon — tell them… tell them the Force will be with them, always”

Emotional terrorism against me specifically and personally. You asshole you just excused yourself from the non-attachment rules there’s literally nothing in the world except you to stop you from reaching out and telling your children you love them yOURSELF why are you like this

- the recurring theme of dooku seeing something beautiful (the tree in the temple, the tirra’taka as a child and an adult) and ending up lashing out to destroy it… but the tree was old and mighty and he was young and new and couldn’t truly harm it, so he was saved from his own impulsivity. And then when he sees the tirra’taka as an adult he loves it immediately. And in the end he still mangles and destroys it. He didn’t mean to, but he did. He woke it up and hurt it just by existing as a child and then he had to kill it as a mercy because he was too powerful at that point for anything to buffer his mistakes. The parallel with the bird he loved that he also couldn’t protect. He starts out with an aching loneliness somewhere at the core of him through no real fault of his own but by the end it is entirely his own fault that it’s worse, because he starts wrecking everything he loves in an almost absent-minded but definitely intentional way, like it’s a nightmare he’s listening to through the door as it happens in the next room over. He really IS the ‘I just felt like destroying something beautiful’ central of the jedi.

at the end qui-gon is dead and through dooku’s own influence, however indirectly. Rael has had to turn away from him. Sifo-Dyas is dead on Dooku’s own orders and so is his sister, he might as well have done it with his own hands. (though I think it’s very interesting that in each case he didn’t do it with his own hands, he consistently uses a middleman.) He lives within the coldness of his sterile empty castle and horrifically mistreats the one person he might have found something like connection with the way he did with his students before (Ventress), deliberately trapping her in a similar state of utter desolate isolation and telling her, essentially, ‘We’re like this as people and nothing can be done to change it. We can’t escape, we’re already doomed, stop trying, it’s too late. You are just like me (and if you aren't already I'll make you like me)’. And that’s the closest thing he gets to love anymore. When he accused Ky of using her ‘as a salve for his own loneliness’ and you’re like well well well mr projection man how’s that working out for you. He is completely, shatteringly alone and he is so entirely as a consequence of his own actions and he's too far gone to understand or care. I’m howling you useless fucking FOOL dooku

- dooku 🤝 john gaius

“Hm. I have observed that there are in fact many flaws in our society and the government is deeply corrupt. So if I kill a few billion people here and there in order to fix it, is that not basically okay when you really think about it”

Dooku making salient points about the political and ethical failures of the Republic and then, just when you think he’s onto something, he goes and makes The wildest fucking decisions about what to do about it. Sure. dark magic and genocide are probably the only ways out of this you’re so right bro. If we make enough minuses to add together surely we’ll end up in plus sooner or later

- *head in my hands once more* I can’t believe I am genuinely emotionally invested in someone called Count Dooku with the looks of a knockoff dracula and ultimate moral character to match right now this is terrible. hey. hey dooks. what you have to go and fuck everything up so bad for huh I’m so incredibly sad now

there is something to be said about how getting to see glimpses of what dooku looked like in the light makes it so much more heartwrenching that he never came back. he could have, a thousand times. and every time he chose not to.

#star wars #dooku jedi lost #count dooku #sifo dyas #dooku x sifo dyas #disaster lineage #lene kostana #star wars meta #rael averross #qui gon jinn #I'm being peak on my bullshit in this one. you're welcome and/or I'm sorry as appropriate

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