#breaking bad analysis

[lttleghost]

is Jesse Pinkman from the critically acclaimed american drama series Breaking Bad... actually transgender? a video I've been working on for the last ten million years

#breaking bad #brba #jesse pinkman #trans jesse pinkman #breaking bad analysis #transgender #jesse brba #jesse breaking bad #meat.txt #this is my girlfriend dont touch him

[breakingbadranting]

In defense of Skyler White.

Skyler :3

Skyler White, the wife of Walter White from breaking bad. Skyler is one of the most, if not the most hated character in all of Breaking Bad, for what? Sure, she's not perfect but we have a cast of non-perfect and other characters that deserve venom way more than Skyler does.

I've seen people argue that she is simply annoying, she wasn't able to keep her mouth shut about her husband's meth business that put her whole family in danger, or that she didn't love Walter. I've got no idea how people defend Walter so easily, but can't defend Skyler. Walter is by far, much worse than Skyler. Say all you want, he is. She is unfairly judged and not judged by the same standards her husband is. Walter cooks meth, has killed people, helps in killing people, and just so much more. And what about Skyler? Oh, she wasn't initially supportive of her husband being a criminal, boo-hoo-hoo.

Skyler is expected by Walter and the audience to just go with what her husband wants or deems "necessary" by her husband. Good ol' ball and chain. At the episode Skyler found out about her husband's drug involvement was season 3, episode 1, No Más. At this point in the series Skyler and Walter had a newborn daughter, Holly. Skyler had argued with Walter where Skyler had to go through her whole process of finding out what Walter had done and he expected her to simply accept "But I did all for my family."

Walter had put Skyler through a lot of emotional turmoil up until the point she confronted him about being in the drug business. She was stressed as hell and it was unfair. Walter would disappear, lie, and lie again even when Skyler knew he was lying. She was pregnant with their second child for crying out loud. She had every damn right to not want to be with Walter anymore. She had a realistic reaction to the situation, people were just mad she didn't let Walter walk all over her.

Skyler is a woman of strong morals. Good ones. She is family-orientated and doesn't like when people go against the rules, like any good citizen. This is shown when in season 1 when her sister, Marie, was shoplifting. Skyler confronts her about it and tries to get her to return the stuff Marie stole. Back to Skyler being really stressed around this time, she handled the situation terribly. On another hand, it was realistic and Skyler didn't know or understand the underlying issue with Marie's stealing. Neither sister was right in this situation.

Skyler does have flaws, as any good character does. She DOES tend to confront people in bad ways. She'll rage at people with not a lot of proper evidence.

Ok. Ted needs to be brought up eventually. Was this a good thing she did? No. She wanted a divorce with Walter because, y'know, he was making meth. Walter was refusing. So, in a desperate attempt to get the man she didn't trust anymore and no longer felt like she knew, out of her house with their newborn baby; she cheated on him. She knew Ted was into her, she wasn't into him but she wanted Walter to accept the divorce. She only slept with Ted to show that she was no longer in love with Walter and didn't wanna be his wife. It wasn't even technically cheating considering they were in the middle of a divorce.

In conclusion, she's not the worst, annoying, tyrant that people make her out to be. She's just a flawed human in a cast full of others way worse than her.

#breaking bad #skyler white #walter white #breaking bad analysis #skyler white did nothing wrong #brba #rant post #skyler white rant

[doctordragon]

okay. I have mixed feelings on the plane crash in breaking bad. 

On the one hand, it’s symbolically beautiful. An indirect consequence of Walter’s actions causes wreckage and carcasses to literally rain down from the heavens onto his house. It’s like a karmic symbol from a God to shove his wrongs in his face. The eye of the teddy bear, representing the weight of his crimes, keeps watching him. It connects heavily with the themes of how responsible you are for the consequences of your crimes. 

On the other hand, I feel like having 167 (or whatever) people die in a random plane crash just to emphasize how evil Walter is was just... unnecessary. Even if the number is literally higher, they feel like a side note in Walter’s crimes. The things we watch him do on screen hit way harder than some random plane crash in the sky. The hardest hitting moments in Breaking Bad are often times Walter choosing to do something awful to someone who cares about him. Jane’s death itself as a result of Walter’s actions and reinforcing his extremely abusive relationship with Jesse speaks for itself. We don’t really need to see a whole overdramatic plane crash in the sky to know Walter is a terrible person who does awful stuff; that’s what the whole show is about. 

I like a lot of the things that the plane crash tried to accomplish, but I feel like it kind of fell flat. First, the suspense of seeing more and more things happening in Walter’s yard was awesome. However, the ultimate reveal that it was just a random plane crash that is, according to the outside world at least, completely unrelated to Walter. The suspense was not broken in a good way: I was so excited to see how Walter would get out of having literal bodies in his yard, only to learn he allegedly had nothing to do with it. Second, I like the plot thread of Jane’s father fucking up in a job and getting people killed, and that somehow affecting Walter. The scene of him turning off the radio in the car when he hears Jane’s father died was good. However, it was too grandiose. Again, Breaking Bad thrives from showing us intimate and emotional moments between characters and direct consequences of actions. Something so indirect much less emotional impact. 

#breaking bad #walter white #jane margolis #media analysis #essay analysis #breaking bad analysis #i'm only halfway thru season 3 no spoilers pls

[icat4ever]

Why jesse has adhd

Inattentive Type Diagnosis Criteria

• Displays poor listening skills

Always let’s me honest

• Loses and/or misplaces items needed to complete activities or tasks

Idk

• Sidetracked by external or unimportant stimuli

Yes omfg

• Forgets daily activities

I mean true kinda

• Diminished attention span

Fr

• Lacks ability to complete schoolwork and other assignments or to follow instructions

Idk but true

• Avoids or is disinclined to begin homework or activities requiring concentration

I mean.. true

• Fails to focus on details and/or makes thoughtless mistakes in schoolwork or assignments

I mean Walter always Yells at him for being stupid and missing simple things

Hyperactive/ Impulsive Type Diagnosis Criteria

Hyperactive Symptoms:

• Squirms when seated or fidgets with feet/hands

YESS

• Marked restlessness that is difficult to control

YESS

• Appears to be driven by “a motor” or is often “on the go”

Umm yes

• Lacks ability to play and engage in leisure activities in a quiet manner

CANT SHUT UP POOR BOY

Incapable of staying seated in class

Idk lol

• Overly talkative

Facts

• Difficulty waiting turn

I’m not sure but I think so probably impatient

• Interrupts or intrudes into conversations and activities of others

Idk I don’t remember fully but I bet he does

• Impulsively blurts out answers before questions completed

Yes

Additional Requirements for Diagnosis

• Symptoms present prior to age 12 years

Idk but his parents said he was difficult and he struggled in school probably not just bc of drugs so probably

• Symptoms not better accounted for by a different psychiatric disorder (e.g., mood disorder, anxiety disorder) and do not occur exclusively during a psychotic disorder (e.g., schizophrenia)

Adhd is usually a Co-morbid disorder so anxiety could be but it’s like that even sober

• Symptoms not exclusively a manifestation of oppositional behavior

Don’t think so at all, people used to think that but the traits don’t line up

Classification

• Patient meets both inattentive and hyperactive/impulsive criteria for the past 6 months

I mean the show last Longer

Predominantly Inattentive Type:

• Patient meets inattentive criterion, but not hyperactive/impulse criterion, for the past 6 month

He’s both

Predominantly Hyperactive/Impulsive Type:

• Patient meets hyperactive/impulse criterion, but not inattentive criterion, for the past 6 months

He’s both

Symptoms may be classified as mild, moderate, or severe based on symptom severity

Probably severe or moderate

SO HE HAS ADHD

#jesse pinkman #breaking bad #breaking bad analysis #jesse is trans #Jesse has adhd #jesse has adhd for sure like with no doubt. he’s so coded

[mlpoutofcontext]

Overly dark My Little Pony fan works (eg. Cupcakes, Friendship is Witchcraft) and those Tumblr posts depicting Breaking Bad as a comedic slice of life about Jesse being trans or something, are the same joke, but in opposite directions

#my little pony #mlp #mlp fim #my little pony friendship is magic #breaking bad #Analysis #friendship is witchcraft #fiw wednesday

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags??? #new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine) #anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...??? #eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it? #and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

[snakeassassins]

as an ace attoney fan saul goodman drives me absolutely insane because like. this man is an ace attoney character. a main ace attorney character.

his name is a play on words. he does all his own investigations. he's a funny silly jokes man who makes things hell for the opposition. he has over the top mannerisms. him and kim take turns being each other's weird little girls. he has an emotionally devastating backstory

by every conceivable metric this guy is like. the guy who bothers you and obstructs your investigations for the whole game before becoming the defendant in the final case.

and yet somehow, instead of ending up in the ace attorney universe, where his shenanigans would be rewarded and he'd learn about the power of friendship, he ends up in like? an actual serious crime drama? where he is constantly under threat of arrest or disbarment for his shenanigans. like rip man you would've loved cross examining the witness' pet parrot

#jimmy is a defense attoney prosecutor AND weird little girl at different parts of the plot #fgkjdfkfg I have actual serious analysis of better call saul to write but like. Later #better call saul #breaking bad #bcs #brba #jimmy mcgill #saul goodman #man I need to get myself a proper tagging system #ace attorney

[jaguarys]

On the note of the snippet I posted. Ultimately what makes me go batshit insane about the Sith is that it's truly not about the magic of it all. It's about people being hurt and hurting others in turn.

What it is to become a Sith is to enmesh yourself, forever, in pain. It's at the very forefront of the doctrine, but even ignoring the mentality of it, on the basest level it is about physical and emotional pain. In agreeing to be an apprentice, you're agreeing to years of torture. You're agreeing to anything your master chooses to subject you to; they themselves have suffered as you have and they're chomping at the bit to inflict it upon you too. They have convinced themselves this pain has made them strong, but it has only made them vindictive.

Becoming a Sith is not about becoming powerful. It's about surviving the sheer horror of the training itself and convincing yourself survival is the same as control, that it's the same as power. It's about taking the seething, burning hatred you feel for the person who has tortured you and passing it onto your student, and repeating this for centuries. It's about licking your own wounds, not only the physical but those of centuries of disgraced Sith before you, hiding in the shadiest corners of the galaxy with no one but the person you hate most and believe you owe everything to.

The Sith are fundamentally pathetic, fundamentally impotent, fundamentally miserable, and it simply cannot be extricated from the mess of it all

#at the end of the day i truly can't help but feel bad for them #because damn. get some help. break that cycle. i believe in you #can you tell i've spent WAY too long thinking about the scene in which palpatine is tortured by plagueis and going Oh. #So that's not a palpatine thing huh. that's just a sith thing #personal #star wars #star wars meta #star wars analysis #palpatine #sheev palpatine #sw palpatine #palpatine star wars #star wars palpatine #darth plagueis #darth vader #count dooku #darth maul #sw sith #star wars sith #sith #the force #fandom: star wars #type: meta

[thatweirdguyinthebushes]

breaking bad and it’s themes of toxic masculinity is one of those things that ill never get over. upon first glance jesse is very traditionally masculine, more so than walter, but as the show goes on it becomes clear that walt strives much more for the toxic and self-destructive standards of masculinity, where he must not only be the sole breadwinner for his family but must be acknowledged and praised for being such, where he must be the most intelligent most respected most deferred to of all the other men in his life. his son must respect him the most, his wife must acknowledge and be grateful for the money he brings no matter how he treats her or how he gets that money, his family must be grateful that it was him who provided for them, not strangers on the internet or charity or any of their friends, him. he needs to be acknowledged and respected, needs constantly to have his ego stroked. its one of the reasons he attaches himself so quickly to jesse, because jesse is in desperate need of both parental acknowledgement and a sense of academic achievement. walt takes on a kind of fatherly role, yes, but he's also jesses former teacher, and so his praise comes with a kind of undercurrent of that academic acknowledgement. and also, his relative ignorance at least at first of the technicalities of cooking meth makes it easy for walt to compare himself to jesse and therefore boost his ego. he does genuinely like jesse, but the amount of respect the kid has for him (extending even to the way he addresses him, "mr white", as if theyre still teacher and student) makes him feel superior, which is what he wants. and, as the story later reveals, jesse also has more traits that are stereotypically regarded as soft, feminine, non-masculine. he's highly emotional, much more so than the rest of the cast, and he cries more than every other male character combined. he's very gentle, and enjoys taking care of people, which is evident in the way he treats his romantic partners but also in the way he treats walt, specifically in the episode fly. he likes kids, gets along well with them, and goes above and beyond what every other character does in order to protect them. his emotional nature, especially when children and them being in danger come in to play, is one of the things he is most criticized for by other characters in the show. he's called impulsive and irrational and stupid and rabid, and he's repeatedly punished by the world for how much he cares about things. it seems, for a while, that the world of breaking bad is not only reprimanding him, but reprimanding these traits in and of themselves, saying "Look at what happened to the guy who really cared. Look at all the other male characters. They were all put together and angry and prideful and they cared about no one more than themselves, and they're on top of the world while Jesse is crying in a corner somewhere, because he wasn't a enough of a man." but then, as the story winds further into a close, you see everything play out more clearly. because the characters who are more explicitly masculine than jesse, who keep their emotions together and feed their own egos constantly and comply to the standards of toxic masculinity, all end up dead. gus has to brag in the face of the man who killed his partner, needs the revenge and the gloating and the satisfaction of having ground another man into the dust. mike has to get in the last word against the stupid son of a bitch that fucked it all up. hank has to arrest walt on his own, has to keep his job and his dignity. walt has only ruined his life this much because of his ego, and specifically dies at the hand of his own invention, designed for vengeance against all who wronged him. he offers the gun to jesse and jesse does not take it. he lays it down and instructs walt to do it himself if he wants it that bad. and then he drives away, and he is not stoic or cool or anything like his many foils, he is loud and emotional and he screams and cries and smiles. and at the end of the day, despite the world punishing his open emotion and his love and his gentleness, he is alive, and every other character who disregarded and talked down to him is not.

#breaking bad #analysis #jesse pinkman #walter white #hank schrader #gustavo fring #mike ehrmantraut #brba #better call saul

[redr1vers]

i don't think jesse's parents were openly abusive or openly neglectful. i think they probably read every parenting book and took him to school on time every day and told him they loved him - and here's the kicker - jesse got fucked up anyway.

because jesse's a classic case of ADHD. talks a lot but doesn't think before he speaks, makes small mistakes, struggles in school, has raging rejection sensitive dysphoria. and for kids like him, those types of "good" parents don't work. suddenly their grand plan for their kid's life is off the rails, and it can't be their fault (because they did everything right), so it must be his. so they push him harder, with that quiet disapproval. they expect better, they tell him. he needs to work harder. try more.

but jesse has ADHD, so working harder and trying more don't work. so the pressure gets to his head and he's frozen in place and everything's his fault, so he just gives up. blink and he's failing his classes. blink and he never went to college. blink and they're kicking him out of the house.

and i honestly think that's so important - that sometimes, a kid will grow up in a house that supposedly has everything he could need in the whole wide world, and he'll get fucked up anyway. because he's got adhd, so he's still trying to fit shoes he'll never be able to fill. the same way that walter chases impossible ideals of masculinity, jesse probably spent his childhood trying to be someone he fundamentally wasn't ever going to be able to be.

and that right there is what fucks people up. not just downright abuse or neglect; just the simple fact that no matter how many parenting books your parents read, or how many times they say 'i love you,' they still look at you and see everything you aren't.

#jesse pinkman #walter white #brba #breaking bad #adhd #analysis #character analysis #el camino

[jambam03]

i LOVE it when comedy/horror films build up tension just to destroy it dramatically, intentionally confusing the audience with many different tones; even though they aren't alike at all, i think nerdy prudes must die (NPMD) and many radio tv solutions (RTVS) streams/bits are masterclasses at this sort of form!!!

in NPMD, i mostly see richie's 'arc' as being the center point of the tension. he announces to the audience that he's dead, but this idea is quickly eclipsed as the show goes on. richie finds friends and his place once jagerman is 'gone', and the tone begins to feel eerily comfortable. when he says he loves being alive, all this anxious positivity bursts as the audience remembers his fate, and this creates a really unique atmosphere of both comedy and despair.

i could cite many RTVS bits here, but i'll just talk about breaking bad vr (BBVRAI) since it was so recent. everything RTVS does online, on and off stream, is part of their performance (duh). all of the producers/contributors of BBVRAI pushed a very obscured narrative about what the stream would be up to and on the day of the stream. in building this hype and attracting this attention, they equally built tension, and even when the stream started, they continued to build this heightened emotion until the stream title rolled. the title screen, for lack of a better term, "popped" the tension, eliciting mixed tones of comedy, disappointment/excitement, confusion, etc.

this is an interesting choice by the production teams of both NPMD and BBVRAI in that it achieves generally the same result; the audience's emotions are built to be disrupted. this disruption is intentional, and it is meant to confuse/shock/hurt/surprise/etc. it works SO WELL in horror and comedy because those emotions i listed are critical to the genres.

if you read this far, thanks :) my tumblr is kind of turning into my springboard for all the drafty analytical thoughts my little english major brain has :)

#literary analysis #literary criticism #lit crit #short essay #writing #nerdy prudes must die #npmd #starkid #starkid npmd #starkid nerdy prudes must die #radio tv solutions #rtvs #bbvrai #breaking bad vr but the ai is self aware #richie lipschitz #long post #wayneradiotv

[lttleghost]

The Thematic Relevance of Jesse Pinkman as an Egg 🏳️‍⚧️

(I wrote this analysis awhile back and wanted to make a fresh post to update it!)

While not intentional, there is a lot in Breaking Bad that supports reading Jesse as an egg. This reading of Jesse has a lot of thematic and narrative relevance and also doesn't create any conflicts with the canon material. Jesse being someone who hasn’t realized he’s not actually a man yet could quite literally be canon.

This analysis is heavily based around parallels between Jesse’s character development and what Breaking Bad thematically associates with gender. It’s also heavily interconnected with the show's overarching theme of change, and also, at least for our two main characters of Walt and Jesse, the revealing of true self. There’s plenty of evidence that each of them already had the traits we see them with at the end of Breaking Bad. Jesse being this very kind and compassionate young adult and Walt being this egotistical monster.

But I would consider Walt's self-deception to be more shallow than Jesse’s self deception. While Walt did end up in a lifestyle that was opposed to who he truly was, he consciously knew what he wanted to some extent, whereas Jesse fully convinced himself that he was a different person than the one he truly is because he never really got the chance to actually figure out much about himself. 

There are a lot of examples of Jesse’s disconnected sense of self throughout the show, but the first one that comes to mind has to do with his superhero OCs-

EDIT: YO! if you find video essays more engaging than reading a bunch of text, this analysis now also comes in video form [link]

I think that Jane’s observation that all of them looked like Jesse was, in fact, correct. I wouldn’t consider him doing this as a conscious decision but I feel that he almost admits it. After initially denying that his OCs looked like him and after Jane affectionately teases him he ends up saying to her “like you never wanted a superpower.” And while you could interpret this as just a response to her teasing, I’m convinced that there’s an additional layer to it. Especially because when Jane leaves to check the door, there's a moment where Jesse looks at the sketchbook with his drawings and it seems like he’s considering something, and I’d bet you anything that what he’s thinking about is whether or not he had actually drawn himself and this is REALLY interesting since-

Jesse is a criminal right? And while superheroes themselves are technically criminals as well, as vigilante justice isn’t actually legal, they’re still typically known to be ‘crime fighters’, and Jesse describes his characters as being such. So with his OCs subconsciously being depictions of himself and them being superheroes (crime fighters) and his current life as a criminal, you get the image of someone who doesn’t know who he is or what he wants deep down. 

There’s no way that Jesse’s current delinquent lifestyle was his truly… preferred path. It’s much more likely it was the only thing he thought he could do successfully. It’s evidently been the one thing he’s made a decent living off of. He has no support from his parents, and doesn’t seem like he has had it since he was a highschooler. Jesse is shown to have no support outside of the drug trade. Most of his personal skills and interests are artistic or honestly domestic in a world that assigns more value to academics and he’s a highschool graduate who doesn’t have any job experience. 

I also believe Jesse is very aggressively ADHD coded, and the combination of having virtually no support, struggling with addiction, and having undiagnosed and improperly self medicated ADHD would make slogging through any “respectable” job that he has access to, or any job that his parents might encourage him to do, unbearable.

So the drug trade was his best bet, Jesse even views cooking meth as a form of art, something that he’s passionate about.

I can’t in good faith ignore that doing something that is... generally frowned upon, didn’t factor into what Jesse chose to do on some level, as society and the structures that it’s built on failed him and there’s an inherent sense of rebellion that often forms in a person when they’re failed like that. Granted, superheroes also tend to often contain some commentary on societies failings as well. Jesse just couldn’t actually be a real-life superhero. So with the few benefits it had in practice compared to any other job, Jesse played into the rest of the role of a criminal, and convinced himself that the aspects of it that conflicted with his personality... didn’t, probably without even noticing.

Even more to this disconnect; When Jane asks “and that’s a superpower?” in response to Jesse explaining Backwardo’s powers Jesse responds with “come on, I was a kid when I drew these, it was like four years ago.” And Jesse is 24 years old in that scene, meaning that he would’ve been 20 when he drew these characters, and when I first wrote this analysis I was wondering whether or not Jesse had gotten involved with the drug trade other than buying drugs by that time, but there wasn’t really anything I could confirm any theories with. 

But now I've got the Better Call Saul episode “Waterworks” where Jesse has his second cameo, where he is in fact, 20, and in that cameo Jesse accompanying Emilio, a person we know is his partner in cooking meth, to Saul’s office makes me certain he’s in it by that point. And I just have to wonder if Jesse’s superheroes were almost a… subconscious vent, a manifestation of how being a criminal in the specific way Jesse is, is not what he wants. Something that suggests that Jesse’s actual identity and his current view of his identity don’t line up.

Another thing to point out about the cameo that could be seen as additional evidence of Jesse’s discomfort with being more than just a customer of the drug trade is that he was hanging out outside of Saul’s office, and until Kim gave him one he didn't have a cigarette, so he wasn’t out there to smoke. And while there could be other explanations to why he was outside on his own, I don’t think it’s much of a stretch to say, other than just his general skepticism of Saul, he was just not particularly jazzed to be where he was at that moment and not comfortable going inside.

So relating all of this to gender; that narrative of convincing yourself that you are the person that you’re supposed to be for your best chance of survival instead of being able to truly be yourself already works pretty strongly as an allegory for being trans. But to add onto that even more, thematically Breaking Bad associates “manhood” with the drug trade in one way or another, and paralleling how Jesse realizes he doesn’t fit into the drug trade like he thought he did with how he might not be a cis man like he thought he was makes for a really solid queer reading.

The whole show is pretty explicitly about toxic masculinity. Obviously in real life masculinity and manhood do not have to be toxic, and in Breaking Bad’s original intended story Jesse is a cis man who ends up not fitting into those toxic ideas of manhood. 

Things that the rest of the male cast don’t blink at or at least have more mild reactions to, just tear Jesse apart. He’s also targeted at least a couple of times for having emotional vulnerability that is considered to be “not manly”. It’s much easier to point out the differences between him and the male cast than it is to point out similarities between them and this just gets more pronounced the longer the show goes on. He doesn’t really have any positive ties to being a man and I don’t think we can say we ever see Jesse actually reclaim his own sense of manhood. And I think that lack of reclamation gives even more legitimacy to the reading that, along with leaving the drug trade and all of its toxic masculinity bullshit behind, maybe Jesse just leaves behind being a man altogether, and maybe it was something that wasn’t really ever a true part of him, just like his life as a criminal.

Even at the start of the series Jesse’s attempts at hyper-masculinity come off as really goofy and performative. In episode one  Krazy-8 mentions that Emilio thinks that Jesse might’ve ratted on him Jesse first has a much more genuine response of “that’s bullshit” which makes sense with his strong character trait of being loyal, but then he goes to say “I should kick his punk ass for even thinking that.” and it just sounds like fake bravado to me. There’s no way Jesse actually thinks he stands a chance against Emilio since Jesse has a body type that resembles a small bird and there's no way he has that little self awareness. He's just playing out a script that wasnt even well thought through, and while some of his other performances of masculinity don’t come across as that fake, there aren’t many that feel like they actually come from Jesse himself, they just feel like something that he just thinks he should do.

And while not every experience with men Jesse has is negative, there always seems to be some distance between him and the men he does have good relationships with. Jesse forms a parent-child type relationship with Mike that is healthier than any other he’s had up to that point other than probably his aunt, but there’s a part of Jesse that Mike never seems to fully get. When Jesse doesn’t want Lydia to be killed Mike says that 'this woman deserves to die as much as any man' and I think he misses that Jesse just still isn’t that keen on killing people even with everything he’s gotten involved with. Even if there are some acts of violence and even some people’s deaths he is fine with and thinks are justified, Jesse never fully adapts to “the job” the way Mike does, and Mike is just not quite able to understand that, or at least not why.

Jesse and his friends have a distance between them as well. Though they’re arguably not as entrenched in toxic masculinity as any of the other prominent men in the show are, and aren’t nearly as involved in the violence of dealing drugs despite being in the trade. Yet still Jesse’s interactions with them most of the time feel different and more withdrawn than their interactions with each other. Like Jesse really wants their presence and company and wants to fit in but there ends up being something that he can’t connect with alongside them, and this also gets more prominent as the show progresses. There’s parts where Jesse seems to be withholding how badly his “high rank” in the drug trade is affecting him when Pete and Badger seem to sort of idolize him for it and want in on it. I think Jesse sort of considers saying something to them about it, but he hesitates and doesn’t. He repeatedly doesn’t confide in them even though, while his friends do perform some facets of hyper-masculinity, they don’t really seem to target or reject vulnerability in the way most of the other men in Breaking Bad do. And Jesse’s distance from even the more harmless side of the male cast makes it feel like it’s not just the toxic masculinity that he’s disconnected from.

Jesse’s relationships with women even further separate him from the men of the show. His romantic relationships with Jane and Andrea read much more as relationships between equals, compared to Walt and Skyler or Hank and Marie. While Jesse does throw the “nice job wearing the pants in the family” insult at Walt in episode two of the first season, after Skyler almost caught him moving Emilio’s body, in Jesse’s own relationships he never actually tries to take control and doesn’t have any problem with Jane honestly being the person making more active choices for the both of them in their relationship, which Walt comments on by throwing that same “nice job wearing the pants” insult back at Jesse.

Another interesting thing found within Jesse’s relationship with Jane that ties them to specific gender roles happens after Jane doesn’t really introduce him to her father. Jesse asks about it and after a bit this Jane ends up saying “What am I supposed to say? Hey dad, meet the stoner guy who lives next door and by the way I’m sleeping with him?” and Jesse replies “Is that all you think you’re doing?”

It’s been pretty common for “the guy” to be considered as the one who sees a relationship as just being sex and “the girl” to see it as being romantic, and this is a very very dumb aspect of traditional western gender roles that this scene even has to subvert, but I think in the context of Breaking Bad’s dealings with gender roles the fact that Jesse is put in the role much more typically associated with women could be viewed as significant. And this significance can be extended to the show’s most prominent dynamic, dealing with the relationship between abusive men and women, Jesse is a victim. I’m not implying men can’t be victims of other men's abuse, but it does make Jesse easier to associate with women in the story, and while the narrative association comes from a negative place, the negativity is directed towards men. But the connection it forms between Jesse and women is a sense of camaraderie and even comfort, at least on Jesse’s side.

and with those connections with women I’d say the most accurate egg interpretation of Jesse is that she’s specifically transfeminine in some way.

I think in this analysis its important to specifically examine Jesse's journey with gender questioning as I think it follows the rest of the ups and downs in her learning more about herself in the resr of her character arc. My personal interpretation of Jesse is that she is a non medically transitioning nonbinary transfem person. The not medically transitioning bit is largely because I enjoy bringing attention to the existence of no-med no-op trans people and to push the point that not seeking medical transition doesnt make a person any less trans, though I do feel that since Jesse's relationship with gender is focused on the societal side of gender roles that don't really relate to physical form that it's a reasonable interpretation that she may not medically transition. I think she uses he/him and she/her pronouns, and is maybe a futch lesbian. I’m saying all of this because it'll be the lens through which I’ll be talking about Jesse’s journey with questioning his gender and how that progresses during the timeline of Breaking Bad. However I don’t claim this to be the only version of transfem Jesse that works with my analysis, or that it's necessarily better than any others that do work. I’ll also be mentioning concepts of “offscreen” additional scenes. That being said, if you’re someone who likes to stick 100% to the text given to us, the “offscreen” scenes aren’t exactly necessary for this interpretation to work as a part of the existing story as the general emotions behind them still stand.

I don’t picture Jesse as having any definable Gender (™) experiences when he was younger other than just a general sense of not belonging, though gender wouldn’t be the only thing playing into that. But as Jesse got older and struggled more, he started to purposefully play the part of what he saw as “a man” to survive in the only role that he thought he could. I see the thought “I wish I didn’t have to be a man” crossing his mind every so often though. I think he just deals with his place in the world for awhile, but after Walt enters the scene and Jesse experiences shit he really didn’t bargain for because of his old teacher, someone who is settling into a personification of toxic masculinity, Jesse’s frustration with being a man becomes more prominent and harder to ignore internally. 

In my opinion Jane is the person that helped him start to solidify what exactly those thoughts were indicating. Her approach to relationships would be considered not traditionally cishet, and so is the way she presents herself in general, so I think Jane has some sort of knowledge about the complexities of gender, if she isn't actually queer herself in some way.

And she’s one of the only people we see Jesse truly, truly open up to and so I think at some point later in their relationship Jesse might actually say something about wishing she wasn’t a man around Jane, and I can see Jane saying that Jesse doesn't have to be a man if she doesn't want to be.

But then Jane dies, and I think as a result of that and the lesson Jesse learned from rehab “I’m the bad guy” he goes into just total repression mode. Embodying this new belief Jesse very much dips into the hyper-masculine behavior of the drug trade, he is much more concerned with money beyond paying bills and having nice things, and he plans to do the one thing in the entire show that makes me truly angry at him because of this whole thing, attempting to sell drugs to the rehab group. I don’t think he would’ve ever thought of doing something like that before. He’s trying very hard to be something that’s even further from his actual nature than we’ve seen up until this point.

Part of Jesse’s grief over losing Jane, a person who he confided in probably more than anyone else at that point, was to just completely close up, even to himself. Forget all of those parts of himself that resisted the rougher aspects of the drug trade he was getting dragged into and definitely forget about wondering if he really is a man or not.

At least until meeting Andrea and Brock, which snaps him out of that “I’m the bad guy” mindset, but by that time I think just, too much starts to happen for Jesse to have much time to question her gender. I wouldn’t consider her to be as actively repressing any sort of “I wish I wasn’t a man” thoughts but the amount of turmoil and danger that she’s in, just really really doesn’t lend itself to that sort of gender introspection as much. 

I’ve got some additional thoughts on Jesse’s journey with gender that are more headcanons than actual analysis of the show so I didn’t include them in the text above. But I still really wanted to share because I like them and think that they really add to the analysis, so here they are;

I mentioned that I don’t think that Jesse had any particularly notable moments that might’ve suggested that she was trans when she was younger other than feeling out of place, but maybe he did have some interest in playing with “girls stuff” and her parents discouraged it because as we know they’re the shitty type of people who value their child being “normal” at the price of that child’s happiness, but I can also see her being one of those kids who just didn’t even grasp the differences between boys and girls stuff for a longer time than others, or I can even see Jesse’s last connection to the "male" side of gender being from when she was a little boy, before he was aware of the concept of what being a man was, and that it would be expected of her.

But later, in his adulthood, after the idea and pressures of "manhood" became very present in his life, one of the more certain instances of gender questioning I picture Jesse having is at some point while hanging out with Badger, Pete and Combo, Jesse screws around and puts on a dress. And he's like “haha I look like such a queer don’t I?” but is internally thinking something more along the lines of “ I will die before I tell anyone how this makes me feel” (that being that it makes him feel happy). 

And then, as we enter into the timeline of the show itself; when Jane first tells Jesse that he doesn’t have to be a man if he doesn’t want to, I don’t actually think that Jesse would be receptive of it at first. I think it’s more likely that he’d decide he suddenly doesn’t want to have this discussion anymore and change the subject. Jesse would still have the misconception that you need to medically transition or at least be required to fit some sort of ‘criteria’ to be trans, instead of just identifying as a different gender than your assigned sex, and I think that would play some role in his not wanting to talk about possibly being trans. And even more because, while he could opt out of telling anyone that he’s trans, Jesse’s in a world in general that isn’t trans-friendly, but the drug trade he’s in specifically is very lgbtq-phobic. Jesse himself is definitely gonna have some internalized transphobia, we’ve seen his homophobia, and I definitely read that as a result of his environment rather than actual hatred considering at Jesse’s true core he’s a pretty caring person. But there are definitely people in the drug trade who would be violently homophobic and transphobic, and Jesse would know that, and would probably perceive even realizing that he is trans to be a threat to his safety. But, later on, further into her relationship with Jane I think she’d open up, even if only to Jane.

And that’s what I like to focus on the most with this analysis, all of the happiness and freedom and healing that Jesse gets to feel detaching himself from manhood, something that honestly contributed so much to every part of his suffering. And god does this girl deserve some happiness.

Then when for the most part too much is going on for Jesse to consider whether or not he’s trans, I still sometimes think of a situation where Jesse might’ve suggested? Her gender questioning to Mike, and while I don’t think Mike’s personal reaction would be technically negative, I think he’d tell Jesse to ‘please not share that with anyone else kid’. Which would be discouraging to Jesse, and she’d quickly backtrack, some because of the reaction on its own but also because he really already knows that it’d be stupid to say anything to anyone else, but it’s not until Jesse’s really free from the drug trade that she can finally crack that egg. I really like to think about the comfort and relief Jesse would get to feel no longer having to try and be a man, cause she finally realizes that she isn’t one.

#breaking bad #jesse pinkman #jesse breaking bad #trans jesse pinkman #queer analysis #breaking bad analysis #brba #jesse brba #this is my girlfriend don't touch him #meat.txt #this is a shortened and edited bit of my video essay script #i just like.... HAD to update my inital text analysis while im working on figuring out how to successfully record my video #cause the old one is so jumbled and stufff #or it feels jumbled to me now at least

[brbabcs]

something that stands out to me so prominently every time i watch breaking bad is how we’re introduced to jesse. he falls off of a roof, speeds off in his monte carlo, and by the end of the episode we’re seeing him fall flat on his face and fumble his way through the situation. throughout the series, in earlier circumstances we commonly see these very clumsy navigations throughout the world of crime from him. however, as we travel through the series, despite seeing these increasing displays of strength, resilience, and vulnerability, so many individuals (in the broader sense of breaking bad watchers) tend to look at jesse in that same light that they saw him in in the very first episode. there’s something to be said about looking at jesse pinkman, at the very end of the series, and still seeing him in the way that he’s portrayed in that first scene. there’s much more to be said about the way that this idea of jesse is continually reinforced and kept alive (despite how he, himself, develops) through walter’s dialogue. how we hear, over and over, how jesse is just a junkie. how he has nothing but go-karts, and video games. how he’s just a loser, and how lucky he is to have done something special with his life so early on. this image of jesse is painted, both by walter and directly to him (and by extension, to the audience as well), that i think does something similar to what i have also seen from the “a man provides” speech from gus. often times, there are posts or comments about how gustavo fring really knew what he was talking about there — despite that scene being gus manipulating walter through toxic masculine mindsets. some audiences join walter in falling prey to this manipulation, buying in to exactly what walt does. with jesse pinkman, who we see stumble and fumble through this first episode (and then continue to do this in other instances in the early seasons), this manipulative rhetoric is hammered in. it’s continual, and relentless. that image of him prevails, no matter how the other layers and depths build. people fall into the same perspectives that walter peddles out to jesse. that initial idea of him as a junkie loser, who’s nobody important without walter white, never fully fades. even though, by the end, we see jesse pinkman — who stood tall against highly dangerous players in the game, and refused to accept harm to any child. who grieved and mourned and suffered over and over. who was abused, continually and increasingly, and said he deserved whatever happened. who gives us every opportunity to see him as more, and shows us, time and time again, this spark of humanity that refuses to be snuffed out. every time i watch breaking bad and see that very first glimpse of jesse, clumsily maneuvering through the rest of the episode, i can’t help but think about how all of these core pieces lived inside of him before we even saw it. and how walter white, who met jesse as a mere teen, refuses to ever let him grow up

#jesse pinkman #walter white #analysis #mine #this is just a ramble tbh but #yeah i mean as far as brba redditbros are concerned. there’s a very interesting image that they have on jesse #breaking bad #brba

[rk-tmblr]

I've waited there, y'know? Standing like a stupid who thought that maybe, while you walked away, your eyes would've turned back to at least say that goodbye I did deserved.

But they didn't.

...you didn't.

-Gojo Satoru/Geto Suguru

#writerscorner #writercommunity #fanfiction writer #jujutsu kaisen #angst #character analysis #gojo satoru #geto suguru #satosugu #sugusato #stsg #gego #lonely quotes #unrequited love #love quotes #feeling #longing #goodbye #breaking bad #hurt/no comfort #hurtquotes

[icat4ever]

Character analysis #1 ; Just Bluemeth

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Background ; Jesse Pinkman is one of the main characters in the world of breaking bad. He is characterized as a “pathetic junkie”. This sort of “older brother whos fucked up and not at all an example but still gives heaps of advice” archetype.

At the beginning of the show, he barely escapes the law and loses his partner in the process. Walter while blackmails him into cooking Meth with him.

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Vince (the director of Brba) did an amazing job with symbolism using colours and imagery. He also did a great job at making those symbolism blurry enough to be interpreted by the fans. I, myself, am aware that I’m not the only person who will have that opinion about Jesse but I feel like it’s still worth sharing in my words. I hope you guys will appreciate my take on Jesse’s characterization.

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Part ; personification of trauma

You don’t need to watch the show to know what’s going on at anytime. Just look at jesses emotional state at any given episode, just look at the physical scars and bruises on his body. Every time Walter fucks up, it affects him. Every time there’s violence, it ends up taking a toll on Jesse’s psyche and on his body. I’ve always felt like Jesse isn’t much of a person but more of the human embodiment of all horrible things going on throughout the show, he’s a constant reminder that the show is fucked up, when stuff like blackmailing and murder starts becoming normalized, you have Jesse in the corner having a mental breakdown to basically say “yo, idc if this feels fun and normal, this is shit”. I’m not necessarily saying that Pinkman isn’t a real character, he’s definitely there and obviously a person in the show but I feel like wether Vince intended or not, Jesse is the personification of the trauma of the show. His kidnapping as well can be interpreted as Jesse feeling trapped by all the stuff he’s witnessed. He can’t talk about it, he can’t tell the police or else he’ll be jailed. He feels trapped in a box where no one will listen to him. Of course, Jesse was truly enslaved but it weirdly feels like a pretty spot on embodiment of what Jesse feels and is subjected to during the show. As much as he wants to tell people, as much as he wants to escape, Walter pulls him back, he can’t say anything; he can’t escape. The second Jesse starts pulling back, Walter does something unimaginable, Jesse looses someone. Just like when Todd shot Andrea. He can’t leave, he has no one now.

I’m not done YALL, I’ll update lol

#jesse pinkman #I don’t know lol #breaking bad #breaking bad analysis #slay #I think that’s funny fr #who are you Jesse Palmer? #s #l #a #y #hank bussy #just bluemeth #analysis #character analysis #character exploration #trauma #lol #bridgerton #omg I was watching a video on YouTube while writing this and the girl mentioned Breaking bad and I thought it was funny

[theplasticman]

The Drama of Skyler White

Breaking Bad (2008-2013), prod. Gilligan | Othello (4.3.23-25), Shakespeare | Ophelia, John Everett Millais (1852) | The Last Duel (2021) dir. Ridley Scott | Othello (2.3.60-61), Shakespeare | The Tale of the Two Brothers (8,5) trans. University of Houston | "Sexual Violence in Serial Form: Breaking Bad habits on TV". Feminist Media studies 2019:1, p. 125. Stuart Joy | The Execution of Lady Jane Grey, Paul Delaroche 1833 | “Old Man,” Stella Donnelly |

#skyler white #webweaving #comparison #poetry #shakespeare #breaking bad #stella donnelly #ridley scott #othello #feminism #media analysis #walter white #i didnt get all my thoughts out in the most coherent way but this is my first time trying webweaving #so im not toooo stressed #sorry the citing is inconsistent