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#also SHE KEEPS SLAVES.
atopvisenyashill · 9 months
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how many times do i have to see “you’re a slavery apologist for disliking dany” before someone actually gives a good answer to “so why is dany allowed to profit from slavery & keep slaves herself”
the answer is “i will be waiting until i am dead and buried.”
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GoT fandom stop saying masculine and feminine with regards to female characters when you actually mean active vs passive challenge
#the extreme misogyny in the fandom oh my gods#jonsas are so guilty of calling daenerys and arya masculine#arya is a tomboy she's not masculine#and i don't mean this to invalidate any enbys or masc girls etc who identify with arya#i just mean that while she scoffs at dresses initially i think it's partly because sansa and jeyne kept telling her she was ugly#she can appreciate pretty things like the acorn dress etc#i just think she believes she's not pretty enough for girly things#even though she's beautiful like lyanna#and dany literally goes through a pregnancy and birth#she likes fine things and sweet smells and all the stereotypical girly things#both of them are just ACTIVE#they make the best of their situations and become highly skilled and respected as a result#they make strides towards their own freedoms#it doesn't make them masculine#and sansa being sweet and passive to survive doesn't make her less of anything either#or more worthy to sansa stans just because she performs femininity well#all are girls and all have traumas enacted upon them because of it#i am so sick of sansa stans specifically downplaying dany and arya's traumas (including ENSLAVEMENT!!!)#just because they think of them as Strong Female Characters™ instead of complex girls who fight tooth and nail for what they have#and ALSO have compassion and kindness for smallfolk/slaves#i would love to know when sansa does the same because i can't think of any off the top of my head#i can recall her singing to keep the women calm but i don't remember much else
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hella1975 · 1 year
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waiting staff are the same no matter where you go the guy i was shadowing yesterday was taking a reservation from this one couple bc there's a b&b above the restaurant and he spoke to them for a good five minutes the picture of friendliness all smiles and everything. the MOMENT they left he turned around to me with the most deadpan expression and went 'she left her vibrator in her room last time'
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menaceborn · 1 year
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maul hates the jedi because sidious brainwashed him, but he hates them even more for not saving him
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lunatheskier · 1 year
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I have read copious amounts of six of crows fanfiction in the last week but the one thing that keeps getting me is the common head cannon to make Inej a Sankt. It is so fitting for her with her own reverence for the Sankts and the fact that she never set out to become one. Also the fact that she's not grisha but she doesnt need to be for the good she is doing. She is becoming a Sankt in the way that all the best ones do, by doing what she thinks is right and maybe it ends up being something people pray to you for. Sankta Inej, The Wrath, Kaz’s spider, Inej Ghafa, Captain Ghafa, a Dreg, a Crow, a little Suli acrobat taken from her family who has seen so much but is still so kind, a slaver’s worst nightmare but a slave’s best dream.
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agnesandhilda · 1 year
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I’m taking notes as I read (sections of) the penelopiad for class and one just says “EURYCLEIA SLANDER”
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fauxintellectual · 1 year
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I wonder if people understand that the general consensus about magic in Thedas points to the upholding of the Circles (but the general public do not know if the Templars' abuses obviously) and that people do fear magic...like that a societal idea...however you usually end up with a group of people who are more open and accepting magic
Unless I'm reading into it completely wrong ¯\_(ツ)_/¯
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flunkett · 11 months
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ok i like Steven universe, dont get me wrong, but. i think its weird that a big part of Pearls story and character is that shes an “independant pearl”, she follows no diamond, no orders, and yet, another big part of her arc is her love and devotion towards her diamond. how she followed her everywhere, adored her. a bit contradictory
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funboxsupreme · 2 years
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Finding myself a bit frustrated with Ahriman as a character because I SEE his popularity and I think I like him - at least, the concept of him. But his novels don't really give me a lot to work with personality-wise and feel extremely vague and unfocused. Then again, I'm able to like him a lot more when he's being written by McNeill, so maybe the issue is just John French himself? Which is weird, because I'm pretty sure I've liked some of his novels, but the Ahriman series is such a fog. I sure remember scenes in the Ahriman novels but not why those scenes are happening.
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sophiamcdougall · 4 months
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  
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monsterblogging · 2 months
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
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Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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ayosdesignz-blog · 8 months
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Who ur fav character?
Like...in general or overall? 🤨
😳That's a mighty tall ask when there's so many wonderful and awesome characters of various types and features and genres. 🫢
I have so many favs for differing and similar reasoning...
Well it's a good thing I'm somewhat prepared!
My default answer of favorite character goes to Inuyasha from InuYasha. I don't care how long and hard the fellow cast characters, the fandom, and even some casuals try to slander him. That man is the bestest Boi!!
And every single one of the so called friends and allies are beyond damn lucky that he grew up so well adjusted morally and is ACTUALLY pretty fucking mellow about how they always come for him hostilely despite everything because they'd be dead or worse otherwise in my opinion.
But that could just be me still.
If you want a live action character then my default is Harry Potter I guess. Grew up reading the books, watching the movies, and Harry is a very interesting individual to me.
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I put some examples/explanations in the tags til I ran out of room lol.
#i don't get notified#i don't know if i answered this before or if its just another similar ask I've answered#anon ask#hopefully didn’t answer too late#it doesn't show me the dates i get these asks#my fav character#ive got soooooo many tho!#i default to inuyasha in times such as this#inuyasha is bae#kagome is luckier than a leprechaun that he entertained her contradicting foolishness#kagome is also lucky that he wasn’t 'eye for an eye' petty with her#kagome is DEFINITELY lucky he didn’t see her as an enemy to kill bcuz of those slave beads she keeps on him#shippo is lucky that Inuyasha isn’t like almost any other person of that period who would've just killed him 4being a nuisance or easy prey#sango lucky Inuyasha didn’t reciprocate her wanted death match over a misunderstanding#sango is lucky that Inuyasha didn't “deal with her” for the betrayal attempts#miroku is lucky Inuyasha didn’t kill him for almost succeeding in sucking him in the wind tunnel#Miroku is lucky that Inuyasha didn’t maim or kill him for stealing his jewel shards#Miroku is lucky Inuyasha didn’t maim or kill him for being perceived as an assaulter or possible rapist#Koga is honestly just lucky that Inuyasha didn’t continue to just kill him even with Kagome’s constant interference#Kaede and the villagers are also lucky#Honestly these people are lucky that he's not at all what they try to make him out to be or worse with how they bad mouth him or attack him#because he could be#but most ppl in the fandom aren't ready to talk about that bcuz it would mean acknowledging just how flawed the others are- including Kagome#please don't misunderstand and think i believe Inuyasha’s flawless#the only flawless thing about that man is his looks 🥵 lololol#i love Inuyasha because of his flaws and complexities and nuances#he's just never fully appreciated properly and often misrepresented through...incorrect gossip basically#biggest point of contention near everyone sees as fact: Inuyasha is a 2timer due to Kikyo and Kagome#that is blatantly incorrect because he was single until near the very end of final act#kagome catching feelings for a friend whose not open to recpricating those feelings don't make him a cheater
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cryptidghostgirl · 3 months
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hiii can i request a silly little scene i have in my head? ok so!
alastor x wife! reader- theyve been together since they were alive, legit partners in crime they both encouraged eachother to kill and when they reunited in hell after around 8 years they were independent once again UNTIL They got in trouble with Lilith and she took reader to be like her slave until Alastor finished helping Charie with her dream (until he helped prove that demons can be redeemed) so they didnt see each other for another 7 years (his absence)
And all throughout the first season hes like “I miss my wife, Husk. I miss her a lot” (while drunk-) like that one sonic dub meme and starts shaping his shadow creature into reader and talking to it and everyone is like “m yep he’s officially lost it.”
BUT then Sir Pentious is redeemed and Lilith sees and shes like “damn :/“ and send reader to the new hotel via portal and reader just. falls on the ground in front of the big entrance and everyone hears it and they rush out and Alastor is quiet, wide eyed and reader goes smth like “i know- i shouldnt have accepted it in your name but-“ blah blah she rambles on about it and Alastor just goes “Youre as beautiful as the day I los you.” LIKE THAT HEARYBREAKING SCENE FROM HOW TO TRAIN YOUR DRAGON 2 ;-; and everyone reacts in their own way
I REALLY NEED THIS BUT I LACK THE ABILITIES TO DO IT HEEELP (love u)
A/N oh bestie,, i got you. I was actually planning on something similar where Alastor was getting drunk at a bar and talking about the love of his life (I'm still gonna write that one too but I really like this prompt!!) You guys really come up with the best requests, please keep sending them in.
Fuel and the Fire (Alastor x Wife!Partner-in-Crime!Reader)
Pairing: Alastor x Reader
Warnings: ANGST also bad words (idk why i wrote the warnings like this). Also Angel Dust is in this one and I love him but he is a warning on his own.
Word Count: 2,392
Master Lists:
Master Lists 
Hazbin Hotel Master List
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Alastor and Y/n, partners in crime, the fuel and the fire. On a first glance, it would be assumed she was his fuel, the coal and dry leaves he fed himself by. Once anyone got to know them -- and god, what trouble a person was in if they got to know them -- they quickly realized it was the other way around.
Hand in hand from day one, from childhood. Running from the cops, washing the blood off one another's faces. In the living world and life after death, nothing could tear them apart. He was the soil she planted herself in, he was her rock and Y/n? Well she was Alastor's everything. He'd do anything at all for her, all she had to do was ask.
For a decade, they terrified the living world. They were the reason to double check the lock on the door before bed, they were the ominous shadow at the corner. When cold death wrapped them in his reckless grasp, they turned their terror on Hell.
The pair made a name for themselves quickly, filling up the airwaves and making waves in the underworld. For generations, they reigned supreme. For generations, they knew no fear. Then one day, they simply disappeared.
When Alastor reappeared on the streets seven years later without his shadow, the town was alight with gossip. No one knew where he had been, where she still was, or why he had returned but Alastor quickly rebuilt his operation, setting up shop at Lucifer's daughter's Hazbin Hotel along with several of the souls he owned.
The hotel's other residents and workers were distrustful of the man, to say the least. He was shifty, wore a constant smile, and rumors circled around him like birds of prey. That was until about three months into his stay, at least.
Angel hadn't meant to eavesdrop. He'd been coming down to the bar for a drink and a rant of his own when he'd heard the familiar, crackling voice of the Hotel's host.
"I just... I miss her so much, Husk."
He sounded sad, utterly dejected. Angel crouched down on the staircase, hiding his slim body behind one of the ornate posts supporting the railing.
"You keep saying that but do nothing to go find her. She disappeared the same time as you, you know." came Husk's gruff reply.
"I know she did."
"You keep saying that, acting like you know something. Admit it: you don't know shit, Alastor."
Alastor's radio waves faltered, squeaking slightly. Angel tensed in terror, wondering if he'd been found out. This was clearly a private conversation, and the Radio Demon was testy at the best of times. Right now he seemed positively furious.
"Don't test me, Husk." Alastor said after a moment, breaking the tense silence, "She... we both got roped into something. I am doing my part, she is doing hers."
Angel straightened himself up, deciding it was high time he entered the room. He still wanted that drink, after all. He let his feet fall heavily on the stairs, alerting the others to his presence. Husk turned toward the sound, meeting Angel's eyes as he entered the bar. Alastor, on the other hand, kept his back to the spider demon.
Taking a seat beside Alastor, Husk immediately poured Angel a drink and slid it across the counter towards him.
"So, tough night, Smiles?" Angel asked, turning to Alastor who downed the rest of his drink in a single gulp.
"I don't know what you're talking about, my good fellow." Alastor hummed in response.
There was a threat in his voice, but Angel could tell the demon's heart wasn't in it. Everything was just, odd.
"Yeah... sure..." Angel scoffed, taking a sip of his own drink.
"Radio man was crying to me about his wife five seconds ago." Husk grumbled and Angel's eyes went wide.
"You have a wife?" he asked, turning back to Alastor, "I mean, I get it. I'm in to the whole 'tall dark and creepy' thing too but, you care about someone? I don’t know if I can see it.”
Alastor's eyes narrowed as he turned on Husk. The cat demon rolled his eyes in a brazen display of disrespect. He knew his master well, knew this was the only thing he had any leverage with the man on. With a deep breath, Alastor placed his hands firmly on the bar top and pulled himself to his feet. Not saying another word, he disappeared into his shadows.
That had been the first odd occurrence. Of course Angel had told Charlie and Charlie had told everyone, had even approached Alastor about it. The Radio Demon brushed it all off with skill and for a while, things were quiet.
About a month later, the second strange thing began happening. Alastor had always had a certain sway over shadows, everyone knew that. However, he very rarely used them, brought them out if it wasn't to hide him or take him where he needed to be. Then, suddenly, one began to follow him.
"Uh, Alastor?" Charlie had timidly approached him the first time she saw this happening.
"Yes, Charlie my dear?" Alastor asked, turning to face her as he tossed his microphone in the air, catching it neatly in the center of the stand.
"Well, we were just wondering if everything was... okay?" she asked, her hands behind her back and a pointed gaze on the shadow.
"If everything..." Alastor trailed off, following the path of Charlie's gaze and realizing what was going on, "No, no my dear. Everything is quite all right, quite alright indeed."
"Well, okay... If you say so." Charlie had relented after a few moments, unsure of what else to do.
Eventually, the members of the Hazbin Hotel grew used to the shadows, they too slipped out of their minds. Overcome with impending doom of the extermination just a month away, Alastor's strange behavior was no longer a priority.
That had been until the third odd occurrence came into being. It was Sir Pentious who had noticed it first, drawing it to the group's attention as Alastor walked through the lobby and past the group doing trust exercises there on his way to some meeting or another with the other overlords.
"Sir Pentious?" Charlie had called, trying to bring him back to earth as he watched the place Alastor had occupied, "Sir Pentious?"
"Pentious!" Vaggie yelled and his head snapped to her, "You're not coming up with some new plan to attack Alastor, are you?"
"No!" he quickly exclaimed, waving his hands frantically in the air, "Not at all just..."
"What?" Vaggie asked through gritted teeth, advancing a step forward, her spear in hand.
"It's just... doesn't that shadow Alastor has had following him well.... doesn't it kind of look like a woman?"
Husk broke out into wild laughter while Angel widened his eyes.
"Oh, he's definitely lost it now." Husk exclaimed as he calmed himself, clutching his stomach, "If I knew Y/n was the secret to breaking him down, I woulda done something about it years ago."
"No you wouldn't have, ya big talker." Angel teased, elbowing the cat demon lightly.
"Y/n?" Sir Pentious asked.
"Alastor's wife. That was her name." Husk replied.
"Did you know her?" Charlie asked.
Alastor had left the hotel, the threat that had held their questions at bay for months was gone and the topic was right. Husk nodded.
"So, what's she like?" Angel asked suggestively, "Is she more of a dom? Does deer boy like to get dicked down by his lady?"
"Gross." Charlie shook her head, her hands to her temples, "I do not want to know that."
"She's a good kid." Husk said after a moment, "She's nice..."
He trailed off.
"But?" Vaggie prompted, sensing there was more that he wanted to say.
Husk sighed.
"If you think Alastor is trouble, she's a fucking house fire set for the insurance money."
"So probably not interested in being a guest." Charlie dejectedly stated.
Husk shrugged.
"You never know. It has been seven years since anyone has seen her. Alastor allegedly knows where she's at but, he hasn't gone after her. Just keeps whining to me about it so, I don't know. Maybe she's changed. I doubt it though. Sweet as a pea, sharp as a knife."
Charlie had never felt such relief as when she learned Alastor had not died in the chaos of the battle. The hotel was destroyed, heaven was pissed, Sir Pentious had died but, at least he was alright. They rebuilt the hotel, Alastor's same shadow of a woman trailing after him wherever he went. After about a week, thanks to all the angelic and demonic powers involved in the construction, the new Hotel was finished.
It was just as they put the finishing touches on the place, hung the portrait of Sir Pentious they'd commissioned above the fire place, that a portal opened in the lobby. Everyone tensed, banding together behind Charlie and Alastor. Angels were coming, they were sure of it.
A crash echoed from the other side, a sharp yell and then something tumbled through the portal. With a flash, the portal disappeared behind the shape of a person huddled on the floor. She coughed violently.
Alastor's eyes went wide. Everyone else was too distracted to notice, but if they'd have been paying attention, they would have seen his shadow disappear.
The girl was filthy, her clothes torn and her hair tangled. She let out another, sharp cough before slowly lifting her head. Alastor took a trembling step forward.
"Y/n?" he asked, his voice soft in disbeleif.
A smile, wide and sharp, split the woman's bruised face in two.
"Hey hun, I'm home."
In a flash, he was at her side, helping her to her feet, checking her for wounds.
"Jesus, Y/n." he sighed, "You're a mess."
"I know."
"Y/n-"
"I know. I shouldn't have done it, you don't need to lecture me. I didn't have a choice. It was you or me, Al. I couldn't... I can't... I had to. You've gotta understand."
"Sweetheart-"
Y/n cut him off again, her speech a single, constant, stressed-out stream.
"It was stupid, I know. I know. I really do but, she gave me the option and I couldn't say no cause then if I said no you'd really be the one in trouble a-"
Alastor raised a hand gently to her cheek and Y/n's words caught in her throat. She looked up at him, meeting his eyes at last.
"You're as beautiful as the day I lost you."
His voice was soft, so quiet the others could barely hear him. Y/n's cheeks flushed a bright pink. Her hands found the lapels of his jacket, holding them lightly.
"I.." she stuttered, her mind racing.
With a sigh and a slight shake of her head, she gave up in the search for words and buried herself in his chest. Alastor wrapped his arms around Y/n, pressing her tightly into his frame.
"God, I missed you." she said, her voice muffled by the fabric.
Alastor pressed a gentle kiss to the top of her head.
"I love you." she continued, "I'm so sorry."
Alastor pulled her off of him, leaning down the slightest bit so they were eye to eye. Y/n, wiped a stray tear away, letting out a slight, sad laugh. Alastor's eyes traversed her face, caressing every crevasse.
"I'm so glad your alright but, I don't understand." he said at last, "How are you back? The deal..."
Y/n nodded and Alastor's eyes went wider still. Leaning on Alastor's shoulder for support, she turned her eyes onto the rest of the group.
"You must be Charlie." she hummed softly, meeting the young demon's gaze.
Taking a deep breath, Charlie stepped forward and nodded.
"Yes, I am. I run the Hazbin Hotel, which is where you are, to help rehabilitate sinners."
"I know." Y/n nodded, her voice quavering slightly, "I've heard so much about you. You... my dear, it worked."
"I- what?" every other question died in Charlie's throat, shock shot through her body like a bullet.
"It worked." Y/n confirmed, "You did it. I had a deal, a deal which Alastor went to your side to get me out of. If you succeeded in redeeming a soul with his aid, I would be free. And here I am."
"Here you are." Alastor repeated, spinning Y/n to face him once again.
She wobbled unsteadily on her feet. Catching sight of this along with the numerous wounds all over her body, Alastor scooped Y/n up into his arms like he did when they had first been married, when they had crossed the first threshold together. Y/n looped her arms around his neck, exhaustion seeping in with the relief as she let her head fall on his chest.
"Vaggie..." Charlie began as she turned to her girlfriend, "you don't think..."
"Pentious?" Vaggie asked and Charlie nodded.
"It's gotta be." Angel confirmed.
"You did good, kid." Husk smiled, patting Charlie on the back.
Y/n raised her head at the sound of a familiar voice, her eyes opening.
"Husker?" she asked with a smile.
The cat demon stepped forward, bowing slightly.
"Husker! I-"
"Enough of that, my love." Alastor cut her off, tapping her nose gently, "You need a shower and some rest. You can meet everyone in the morning."
Y/n crossed her arms, narrowing her eyes as she looked up at her husband.
"Promise?"
"Yes, I promise." he sighed.
"Does that mean you're staying?" Charlie asked tentatively and the couple turned to her.
"Whatever the little lady desires." Alastor stated, looking back down at his wife in a lovestruck daze.
"Yes, Charlie. We're staying." Y/n laughed, "Things need to start changing around here and I don't see anyone else doing a god damn thing to make that happen except for you."
"I.." Charlie was speechless, the kindness this fear inspiring woman was directing towards her, having never met her before. What Husk had said made sense, she smiled, "Thank you. I don't know what you did, but that you both so much."
"Anything for my favorite girl." Alastor kissed Y/n softly.
"Oh, get a room." Angel scoffed, rolling his eyes.
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snaileer · 5 months
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Wrong Number? Wrong Answer.
It was the usual deal that the Justice League Dark dealt with… way too often honestly.
Initially, it had been just Wonder Woman, investigating a cult that had attempted to abduct her earlier in the month.
Diana had defeated them. Easily. Of course. But upon questioning them, their reasoning had concerned her.
They had attacked her for a ritual to open the ‘Sarcophagus of Eternal Sleep’, a ritual which required ‘a blade blackened by the ichor of time.’
Once again, she was being targeted for her parentage. Did it ever end?
Of course, she questioned them further, what other ingredients did they need, what artifacts they would be hurting others to create.
A ring carved from the bone of an unfreed slave.
A crown made of lava untouched by human hands.
And sand directly from the pouch of Dream of the Endless themself.
It was an eclectic collection of items.
And yet, they had told her that only the blade remained to be created.
Again, it was concerning.
So Diana left the fools to be taken care of by men’s authorities, and focused on tracking down just what they were doing and if necessary, how to stop it.
After depleting her academic resources, and her connections within with nothing to show, Diana finally called in her friend through the league, Zatanna.
Zatanna had been frazzled by it, showing up in her living room before they’d even finished the call.
Together they tracked down the cult to Gotham… which was also a problem.
It was the reason why Diana was running through the caves beneath the crime ridden city with one of her closest friends in men’s world and a magician by her side.
All too quickly, they were surrounded by fanatics, each carrying sharp blades solely focused on her.
Working in sync with Batman and Zatanna throwing spells above them, Diana believed it would be a well-won battle.
Until a golden light flashed across the cave, blinding her for a precious second as she felt a sharp sting cut across her arm.
When her vision cleared, her arm was dripping blood and John Constantine stood in front of her.
“Sorry about that, love,” Constantine smirks, “No harm done?”
Diana’s teeth grind together as she turns away from him, fighting her way through more followers. The one who had injured her is nowhere to be seen, and the blade with them.
Even once the rest of the swarm is beaten, their numbers no longer being replenished, Diana does not feel content. The sense of danger lingers.
“Constantine.” Batman growls, “What are you doing in Gotham?”
The Brit rolls his eyes as he lights a new cigarette, “You know I don’t actually have to tell you every time I enter the city right? But besides, that’s news to me, portals are a tricky business, I’m tracking my own problem.”
Batman glares at him.
“Someone stole from me mate. And whatever they stole it for can’t be good, so I’m here ta get it back. Thought you’d be proud of something like that, Batsy, insteada leavin’ it for someone else?”
Batman’s eyes darken, “We’re tracking a group trying to open the Sarcophagus of Eternal Sleep, is your artifact related to that?”
“Fucking shit it is yeah! Bollocks I didn’t think they’d be using the dream sand for something like that, what sort of mannies are these?!” Constantine exclaims, hastily grinding his cigarette beneath his shoe.
“Hn.”
Suddenly, there’s a rattling boom, the ground and walls shaking around them as dust rains down and they are all forced into stabilizing stances.
They barely share a glance before all three are running down the hall to the source, Constantine left scrambling to keep up.
The scene they come to is equal parts confusing as it is problematic.
The cultists are each in states of disrepair, crusting on the edges or yelling at their leader. The leader is the first to notice their arrival.
“You! You say you are a child of Zeus and yet your blood does not work! You lie of your ancestry!”
Diana steps forward, “I do not! I am the daughter of Queen Hippolyta and Zeus, grandchild of Kronos! The fault of your magic does not lie with me!”
The leaders face twists, mouth open to shout, but a flash of gold slams into him.
“Z, the book!” Constantine yells, arms outstretched as he flings more spells at the surrounding people, glowing ropes binding each.
“On it! Etativel em dna eht koob!” Zatanna shouts, lifting into the air as a book the leader had been holding flies into her hands.
Immediately she begins turning pages with desperation, “Wohs em eht stsitluc lleps!”
The book flips to a distinct page, and Zatanna’s face drains of color.
“Batman, we need to be careful, this spell looks legitimate, we might still have a risk on our hands.”
Batman hummed, looking at the chalk lines of the summoning circle drawn out before them, drawing Diana to do the same. Looking closely at the artifacts placed at each cardinal direction, including a short dagger with her blood nearly completely dry on the flat of the blade.
Batman moves towards the gathered and bound cultists as both magicians whisper over the spell.
Diana continues to look out on the evidence of the ritual, confusion warring in her.
She lays a hand on the lasso at her side. She knew she had not been lying about her heritage, so then why….
‘A blade blackened by the ichor of time.’
She looks at the bloodied dagger once more. It didn’t make sense, even if they had managed to harm a godly descendent, pure ichor would be gold; and even her blood was simply a humanly deep crimson red, not black; not until it-
Diana lunges towards the knife, fingertips brushing its hilt just as her blood dries a flaky black.
Her body slams into the cave walls in the next second, percussive force rippling through the air.
She crumples to the ground, struggling to lift her head.
White boots pass in front of her eyes.
She watches as they move towards her colleague, her friend, only to be surprised as they stop in front of the cultists instead.
As the air returns to her body, Diana lifts herself up, shaking arms supporting her as the weight of the atmosphere presses down.
She looks at the being, the sight almost making her collapse once more.
Mist curls around its form like a mountain peak, iridescent light glowing near its head, pitch black night covering its body, the pinprick of stars so small you can’t see them straight on, claws like a falcon’s beak: unhidden and meant to tear apart. And more importantly, wrapped around the leaders neck.
““̵̨̮̣̀͊̓Y̷͖̊̒o̸̤͈͍͌̈́͘u̶̗̭̲̍ ̵̬̤̞̀̑ā̴̟r̸̹̝̉e̴̞̦̮͑̍ ̴̣̩̖͑̓͛a̷̮̞͍͊͆͝ ̶͍̀̈́́f̷̖̄ò̸͈̓͝ǫ̷̅̀̔l̶̹̥̹̋͌͠.̴̤̲̈́͋̀”̶̛̫̺̈́”
The voice rattles her heart within her chest. She watches as Batman continues to try and stand.
The cultist struggles against the hand, mumbling screams behind Constantine’s bind. The creature tears it off with one claw.
“We summ-moned-… the king! Pa-pariah-!“
The creatures hand barely twitches, but the cultist breaks off in a scream. She is surprised to note the other cultists react exactly alike. As if linked.
“̵̻͝Ý̷͚o̶͈͝u̷̦̐ ̶̆͜d̶͈̄ǐ̸̢d̵̲̓ ̴͖̽n̴̘̅ȯ̸͍t̵̛̯ ̴̫̐ŝ̵̗u̴̹̇m̶̨͠m̴̡̽o̴̱̐n̵̘͝ ̴̪̈h̴̨̀i̶͝ͅm̸̰͗.̴͍͆”̸͔̔ The creature growls, “À̴̳n̸̛̜d̶͒ͅ ̴̤̃y̸̬͝ǫ̸̒u̵̫͗ ̶̘͛a̴̫̐r̷̠̈e̶͂ͅ ̶͔̋ḽ̶̔ủ̷͜c̷̥̍k̴̲͊ÿ̸̯́ ̶͓́f̷͇͝o̷͎͒ŕ̴͇ ̶͔͝t̶̞̀h̸̲̉ȧ̸̮t̷̩͝.̷͔̍ ̵͙͐I̸͎͌f̶͖͛ ̶̜̇y̵̜͗o̴̩̍ṵ̶͆ ̵̫̈́h̴͛ͅā̴̼d̸̤͆…̵͍̈́i̵͍̐t̸̡̉ ̴̭͂w̷̥̔o̷̟̅u̴̪͂l̸̞̏d̵͚̀ ̵͓̃b̴̢̽e̵̗͠ ̸͕̉m̸̠͆u̶̖͘c̷̯͘h̴̤̎ ̸̥́w̷͚͝o̸͐ͅr̶̦͐s̵̨̿e̸͕͆ ̸̙̑f̴̧̂o̶̱̓ȓ̷̟ ̴̠͗ÿ̸̥́ö̵͜ŭ̶̟.̵͎̉”̶͍̀
The man whimpers under the claws.
"I̴n̷s̵t̴e̷a̵d̸,̶ ̵y̸o̷u̵ ̴g̵o̷t̶ ̷m̸e̸,̴I̴ ̶g̵u̸a̷r̶d̴ ̶h̶i̷s̵ ̶p̸r̸i̵s̵o̵n̶ ̶b̶e̷c̴a̷u̴s̶e̸ ̵I w̴a̸s̴ ̵t̴h̸e̷ ̸o̴n̸e̴ ̷t̸o̶ ̶p̵u̴t̵ ̴h̸i̴m̶ ̵t̴h̷e̸r̶e̴ ̵o̶n̵c̸e̵ ̶m̶o̸r̸e̸.̵”̴ The creature leans into the cultist, arching ever higher, angles sharpening, body distorting, "“̸̝͋a̵̱͋n̶͓͛d̵̘́ ̵̡̍f̷̱͊o̵͚̓r̷̪̎ ̴̭̑a̷̬̓s̷͙̅ ̷͍͌ĺ̵̫o̸̻͆ņ̵̀g̶̚ͅ ̷̬͌a̶̮̿s̵̩͊ ̸̫̌t̸̲̕h̸̢̉e̷̖͗ ̴̰̋c̸̹̀ȍ̸͎s̷̡̃m̵̥̍o̷̜͋s̷̗͐ ̴̜͆e̷̛̙x̸͓̑i̶͉̿s̸̹̀t̵̛̺,̴̡͠Í̷̢ ̷̣̽w̵̠͋i̶̺͒l̴̠͐l̸̮̃ ̴͍͌k̴̰̑e̸̠͐e̷̟͋p̵̲̏ ̸̙̂h̷̘͋ị̸́m̸͕̚ ̶̳̋t̶̡̒h̷̩͆e̷̪͝r̷̒͜e̵̡̔.̵̭͗”̵̮̔
There’s a dull flash as light flashes beneath the cultists skin, beneath all of the cultist’s skin, before they drop to the ground unconscious.
All too quickly, air returns to the room, pressure lifting like a deep breath into the room.
The creature turns, eyes meeting Diana’s for just a second as he turns towards the chalked lines of the circle. Diana lifts herself to her feet, drawing closer to Batman as they both watch him, hesitant.
On the other side of the room, Constantine and Zatanna also struggle to their feet, eyes filled with fear and caution as they take in the scene.
As the creature moves, mist still rolling off him in waves, his features fall away with it, gradually smoothing to a more human visage. It looks… young. Boyish.
Those same white boots crush down on the formed crown, the cooled lava rock crumbling under one step. Next is the ring, held carefully in two hands the creature whispers over it, breathy wind carrying it away as it turns to dust. He holds the blade with one hand, flakes disintegrating off as he lifts it.
Diana’s arm tingles.
Then the creature is standing in front of the last point, holding the small brown pouch of sand with consideration.
Silence reigns in the room.
Constantine, of course, is the one to break it.
“I believe that’s mine, mate,” he cuts in, stance still laden with suspicion.
“Oh?” The creature smiles, almost mockingly as he turns to Constantine, “Is it? If I wasn’t mistaken, this ritual calls for Dream’s sand. Are you Dream of the Endless, little magician?”
Constantine visibly swallows, “I’m not.”
The creature huffs a laugh, fangs glinting in his smirk. He moves swiftly, pivoting on one foot to toss the pouch at Constantine, “Catch.”
Constantine lurches forward to try and catch it, only to find it vanish in the air before it reaches his fingers.
The creature cackles, floating backwards, “What did you do to get your hands on such an amount of Dream’s sand, magician? I’m curious.”
“It was a family present,” Constantine grinds out as he turns back to the gently levitating humanoid form, “You can drop the kid facade by the way, you’re not tricking anyone here looking like that.”
The creature shrugs, “And if I’m comfortable like this?”
Diana steps in to stop Constantine from snapping back, “Who are you, spirit, to be summoned by such a ritual?”
The creature watches her for a beat, “I am Phantom of the Dead City, Protector of infinite realms. They did not bring me here, but I knew who they wished to summon and came because of it.”
Batman steps forward, voice interrogating, “The Sarcophagus of Eternal Sleep-“
“Remains sealed. The Tyrant King remains trapped and at rest, do not worry.”
Somehow Diana does not think that soothes Batman, even as a great a warrior as he is.
“Hn.”
“Now, about that spell book,” Phantom turns to Zatanna, waving a hand and the book flies to him. He hovers a hand over it, and Diana watches in fascination as the chalk on the floor begins to burn away, the drawing in the book following.
Phantom looks at her once more, eyes too wise and strong for the age of his face, and then from one moment to the next, he is gone.
The book drops to the floor with a slam, cover open to aged blank pages as the last of the sigil burns away.
Hesitantly, Constantine goes to it, the rest of them following. When Constantine lifts the book with careful hands, they watch another image fade into view on the paper.
A cool colored image of Phantom rising over a city skyline outlined in green against a deep violet sky. Even on paper, his visage shifts constantly between the boyish figure and the ethereal danger of the form he’d appeared in.
Beneath the city lays a large coffin covered in chains.
The lock glows a pulsing toxic green before fading to a steely gunmetal grey and going still.
“Well that was the best encounter I’ve had with a dangerous dimensional figure and I still lost the dream sand.”
Zatanna’s slap echoes in the cave.
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thehmn · 6 months
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I finally got to watch Viften (Empire) and it’s such a fascinating movie. It was written by Anna Neye who also plays Anna Heegaard, a rich free black woman who’s dating the Danish governor of the island.
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It’s sold as an absurdist comedy and I think there’s no other way to describe it. There aren’t any real jokes but you often end up laughing at the absurdity of it all.
It’s extremely honest about the horrors Danes put the black population through but thankfully it only shows it in quick flashes of art as seen in the trailer. I once watched a video where they explained why most women aren’t into slasher movies and why black people generally don’t rewatch movies about racism and slavery. It’s because the the horrors shown are very real fears and a fact of life so the only people who can really enjoy watching a woman get horribly murdered as entertaining are men and only white people can watch a black person getting whipped to death with cinematic lighting and have a fun night out. By showing the horrors in art they get to be clear about exactly what is going on without coming off as exploitative.
But it’s also very honest about the ways a society based on slavery fucks with everyone. Most of the servants at the manor are slaves except the cook who bought her own freedom years ago. She tells the housekeeper Petrine that some day she too will be able to buy her freedom and get her own slave. That’s right, the freed black people aspire to get their own slaves because that’s the sort of values a society like this instills in people. And Anna tries to be as nice as possible to her own slaves but doesn’t take her own success for granted and is more afraid of an uprising than her white lover and ends up doing some really horrible things to her slaves to keep them down.
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It also touches on how people viewed being black or white back then. That it wasn’t all about skin colour but also status. That’s why all the white people treat Anna as one of them. She’s a rich, educated lady so of course she’s “white”. Even Anna express contempt at being called black because she doesn’t work in the field. The poor freed black people also call Petrine white because she dress and acts like a Dane. Not as in “you are pretending to be white” but as in you are white.
And hats off to the director Frederikke Aspöck. There’s a scene where a woman buys her freedom and they put on a symbolic slave auction where she gets up on the podium and bids on herself. All the white neighbors have come to witness it because it’s seen as this joyous day and they all clap, she’s offered to drink with them and she’s all smiles. The director managed to make the scene wholesome while highlighting the absurdity of it and all you can do is chuckle because what the fuck? The white people think it’s a good thing that she’s free but continue to keep and mistreat their own slaves, and she no doubt dreams of getting her own down the road. It’s very much depicted as institutionalized racism and not just “a few bad eggs”.
And I didn’t know where to put this but there’s a lot of interesting symbolism going on with Anna’s dresses. She always wears dresses that match the colors of the rooms she’s in, establishing her as fully part of the system, but as she begins to realize that the Danish state will never see her as fully equal her colors start to clash with her surroundings.
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I watched it on Netflix and it has English subtitles so it should be somewhere for English speakers to watch if you feel so inclined.
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