#also this is funnier if you know my interpretation of how he looks

[thermodynamic-comedian]

jonah magnus is a massive britney spears fan and if martin hadn't distracted him during the unknowing he would've been up in his office, watching everything go down, listening to circus.

#his music taste consists britney spears and some really fucked up shit that isn't even spotify and you have no idea how he found it #and nothing else. #also this is funnier if you know my interpretation of how he looks #just imagine the most boring plain guy ever. the personification of paperwork. no earrings no colorful suits nothing. #most average 30-40 year old man in the world. #but he's a massive britney spears fan #tma #the magnus archives #tma headcanons #tma shitpost #tma spoilers #tma s3 #jonah magnus #elias bouchard #martin blackwood

[vidavalor]

(Non-Frozen) Peas. A Good Omens Sex Meta Thing Side Dish

Shorter little vegetable-themed side dish to Crepes, which you do not have to have read first. All by way of Aziraphale's dirty French in S2 about how he has a craving for Crowley's Eden.

*slips into GO fandom quietly* *whispers*

Do you all realize that another translation of Aziraphale's "Ou est la plume de la jardiniere de ma tante?" is...

"Where is the feathered garden box of my queen?"

I probably don't need to tell you that both 'garden' and 'box' are sexual euphemisms for lady parts and, to make matters funnier, remind you of this scene earlier in the season, in which a literal box became related to... well, it's somewhat open to interpretation so let's just call it a gasp-worthy, part-related situation. :)

"Where is the feathered garden box of my queen?" is Aziraphale saying that it's been a minute since he worshipped Lady Crowley and he misses her.

This would account for Aziraphale's impish "but you understood me" and flirty little smile and wiggles. He's so cute about it that Nina comes out of her coffee shop to try to hear what they're talking about that's made the bookseller look so alive and has Snarky Sunglasses all flustered.

Crowley's "Only because, for two hundred and fifty years, you've been wittering on about the plume of your imaginary 'tante.'" = "Only because, ever since you took French lessons the human way, I've had to listen to you euphemistically referring to my occasional wild flower garden and calling me your queen in two different languages and I love to hate how much I absolutely love it."

We know that Crowley did understand Aziraphale and not just because he also speaks French but because his traditional choices in translating it back to Aziraphale in protest-- "you don't have an aunt, she doesn't have a gardener and he doesn't have a... pen"-- is intentionally a bit incorrect because Aziraphale used the feminine French word for 'gardener'-- la jardiniere-- in his sentence. As a result, Crowley is protesting that "the gardener" is a he right now, Aziraphale, and he doesn't have a-- pause of 'wait, this isn't going to work if I translate 'plume' as 'feathers'-- euphemistic or literal-- as I have both so I'll go with the other thing the word means instead'--... pen.

(Which winds up even funnier since a pen is phallic and euphemistic, in this sense, for currently having a penis, which is actually Crowley's current state of effort in that moment. Hold those thoughts until we get to turnips and inkwells down below lol.)

A 'plume' in French is a pen, a feather, a quill, and a cloud of rising smoke. In Good Omens, it's also used in the smoke-like definition by Michael to describe the pink plume of magical energy that came from the bookshop when Crowley and Aziraphale miracled together. Crowley responded with 'pen'-- which is a riff on the fact that Aziraphale is riffing on "la plume de ma tante", a cliched line said derogatorily to mean 'those sentences that you learn when you learn a new language that you'd never say in real life.' Crowley used 'aunt', 'gardener' and 'pen' as the translation in reference to the cliche Aziraphale was referencing. Aziraphale, though, adjusted the line, as we saw-- adding words to it to make it a stealth, flirty request-- and Crowley did hear the innuendo. Crowley correctly heard Aziraphale using 'plume' in the 'feather' sense (hilariously, considering that they have actual feathers in their angel/demon forms lol), with the 'feather'-context 'plume' being euphemistic for Crowley keeping it real down below.

(It could be worse, Crowley. He could be in a blasphemous mood and referring to it as "The Burning Bush"... which I feel like you'd actually find hilarious but anyway, moving on...)

In English, appropriated from the French, a 'jardiniere' is a flower box/garden planter. 'Tante' is French for 'aunt' but it's also a word meaning both 'queen'/'pansy' in the queer sense of the words (a 'pansy' also being a kind of flower, of course, adding to the Eden motif that "*the* Southern Pansy" Aziraphale has going on for his gardener partner here) but 'tante' is also one of the words that just means 'queen' as well, in the 'regal' sense of the word. It might not be the first word Aziraphale would use if he were, instead, speaking a sentence in French about, say, Queen Camilla-- but it's maybe a more appropriate one for flirting with his gender-everything partner by telling him in French that it's been too long since he spent some quality time with his queen's jardiniere.

'A la jardiniere' is also a French cooking term. It translates as "in the manner of the gardener's wife" (Gabriel: "Whatever that is."). It is obviously an archaic-sounding term when it comes to gender but, for the purposes of metaphor here, it's actually a little useful. The phrase is born out of the idea that the chef would be male, straight and married and that his wife would be keeping their kitchen garden-- which, even though she was probably running it, is credited to him, because the patriarchy-- from which fresh vegetables could easily be picked and used in a dish. As such, it's a lot more fun that Aziraphale is using the French here because the actual gardener doing the garden work in the definition of 'jardiniere' is specifically female by the term's description, so it's another way to reference Crowley's femininity.

There's also, of course, that "in the manner of the gardener's wife" is about as porny a definition for a phrase that can possibly be translated from one language to another lol and so adds to the idea of 'jardiniere' being sexually euphemistic. Atop that, there's the fact that the word itself relates food to romance and sex by referring to the chef and the gardener as married in its definition. The second half of this scene is the Nina & Crowley "partners" conversation. In a season that has Crowley and Aziraphale unable to deal with words like 'couple' and 'partners', if only Maggie and Nina understood that maybe they don't know how to use traditional words but damned if Aziraphale isn't already on covertly calling Crowley his spouse when flirting with him.

While 'a la jardiniere' is a cooking term, 'la jardiniere/jardiniere' is also a French food term. It is a side dish or a garnish of mixed vegetables, usually spring garden vegetables. So, carrots, green beans, potatoes (Crowley: "You say 'potato', I say 'excellent'" lol), turnips (Aziraphale can turn garden variety sex into inkwells!-- haha 'garden' pun, get it? please send help-- and inkwells are the things one dips a quill pen into.... and, now, we're back to the 'pen' translation of 'la plume...').

The most signature vegetables of jardiniere, though, are peas.

As Crowley would tell Shax and anyone who will listen, literal ducks-the-water-fowl need not get their actual jardiniere defrosted.

Aziraphale-- the more discerning duck-- likes his hot, though.

~~~

If you have not already and would like to read more meta like this:

#ineffable husbands #good omens #crowley #aziraphale #good omens 2 #good omens meta #aziracrow #crowley x aziraphale #good omens s2 #genderfluid crowley

[nightswatchdisbandmentera]

I understand that there is a sizable amount of Jon stans whose delusions can be aggravating. Trust me, I’ve come across my fair share of people who think that the sun rises only for Jon Snow and no one else. But, it’s really annoying when certain sections of this fandom act like reading Jon as Azor Ahai is a result of Jon fans making shit up. No, we’re not. We’re literally reading what the text is telling us. We’re not reading into it, we’re reading it straight up. Mel’s singular ADWD chapter is literally just: hey Mel pay attention to Jon Snow, also there’s random stuff happening all over Westeros, and also pay extra attention to Jon Snow.

Mel’s visions are absolutely correct. What’s not correct is how she interprets them to fit an agenda/make herself appear more credible to others (Jon, Stannis). We already know exactly what this looks like when she sees towers being submerged in water, says it’s Eastwatch by the Sea when asked, even though in her head she’s like “oh it can’t be Eastwatch because that place doesn’t look like that”.

ADWD shows us that Mel looks into her fires searching for Azor Ahai and sees “only Snow”. There’s no other way of reading that other than “oh yeah if Mel is specifically looking for Azor Ahai and is seeing Jon Snow, then Jon is the Azor Ahai she’s looking for”. And the gag with this is Mel’s entire purpose, her existence, is to find Azor Ahai. But she completely misidentifies him so when she encounters the real deal, she’s in far too deep to make the obvious and necessary pivot. And it’s even funnier (and I think that’s what GRRM is going for) when there’s nothing special about Mel’s chosen hero Stannis, but there’s a lot that is special about the one she’s ignoring: Jon. Mel literally tells Jon “you’re a super special magic boy let’s make babies because of how super special you are, and these babies will be even more powerful than the ones I made with Stannis” but at the same time being like “yeah mr not-that-special Stannis is totally the guy I’m looking for”.

Plus, Mel’s “only Snow” is quite literally reaffirmed in Jon XII when he dreams himself atop the wall, armored in ice, and wielding LIGHTBRINGER. This isn’t some ordinary flaming sword. This sword burns “red in his fist”, which literally equates it to “the red sword of heroes” - Azor Ahai’s sword. Not only that but Mel’s ptwp is definitely going to be reborn. She has visions about a grey girl on a dying horse WHICH IS TRUE!! What’s not true is this girl being Arya. It’s Alys Karstark. She then has visions about daggers in the dark, which again happens!! Read the last few pages of Jon XIII ADWD. The one that hasn’t come yet but will (based on Jon XIII) is a “promised prince born amidst salt and smoke”. There’s a reason why GRRM included these things in the narrative. And there’s a reason why they happen sequentially. So unless Winds comes out and GRRM is like sike forget that ever happened, it’s pretty safe to assume that Jon is Azor Ahai.

#when did jon as aa become sacrilege I wonder #I’m NOT saying he’s the only one because dany literally woke dragons from stone so she fulfills it too #but it’s not right to discount him either when it’s grrm’s narrative voice saying: here’s jon snow he’s azor ahai #not other characters saying it - BUT THE AUTHOR’S VOICE #that has to mean something #sorry had to rant a lil lmao #asoiaf #jon snow #valyrianscrolls #we should ban asoiaf tiktok istg

[steelthroat]

Can you write a funny little TFA MegOP thing where they're already together. Lets say cuddling in their berth, and suddenly Optimus has a thought.

"How did we even get together?"

"Hm?"

"No, I'm being serious. How did it happen? You are.. were? A war criminal. I put you in jail. How are we together right now?"

"..."

------

LIKE. IDK IT WAS FUNNIER IN MY HEAD. SO EITHER 1. Some otherworldly being (a fanfic writer) manipulated them and the world around them. Making them be together. But now the writer is gone after giving them their happily ever after.. But the characters revert back to how they were in cannon. Vaigely knowing what allowed them to get to this point, but not really understanding anymore how or why?

Or 2. Optimus forgot and wants Megatron's pov on how they got together. Either way, I know that even if you write little for this, it will still be hella entertaining :3

Ooooooh that's such a nice and cool idea tho! sadly, I'm not taking requests since I'm an INCREDIBLY slow writer, and life is also getting in the way ahahahah

Believe me, I would have done in other circumstances, and this idea has a LOT of potential! I am a sucker for the "how did we even end up here???" trope too, but you would either have to wait a long(immense) amount of time ahahah.

Hey if you want to write it yourself I could give you a couple ideas or advice if you'd like :3, otherwise I'd say see if there are other writers who take requests or commissions, I could redirect you to a couple of them :)

For now I can at best give you this little drabble for the second idea since it's really cute:

~~~~~~~~~~

"It just happened"

"Wake up" Megatron felt someone flicking at his nose and then shaking him when the action gave no response.

"Wake up!" This time that someone went for the helm, the bang of the collision rang in the otherwise quiet room.

"What?" Megatron opened one optic and glared at his disturber, Optimus Prime.

"How did we end up together?" He asked with an almost accusing expression

"Huh?" What did he even mean by that

"You heard me" Optimus scoffed

"What like... you don't remember?" He started going back with his own memory banks and backups, He would have been more worried about Optimus apparent amnesia if he weren't struggling to find an answer to that absurd question.

"Do you?" Optimus crossed his arms

Megatron stayed silent for a while... he couldn't pinpoint the exact moment they had become a thing. Centuries, no, millennia of circling around one another after signing the peace treaty, spending more and more time together, fighting, bantering, provoking each other, speaking about personal topics, binding while annoying each other to death had, at some point, led them to fall in berth together.

They had kept falling into each other's berth since then... and now they were here.

So there wasn't really an answer to that question, not a typical one at least.

Megatron cleared his vocalizer "I... I guess it just happened" he answered at last.

Optimus seemed to reflect on this answer before humming "are you happy with this?"

Megatron though about it, he really was, sure there were invisible limits they never actually crossed but at this point they lived like a conjunx couple, minus the status and the spark merging... but Meagtron found the though of Sharing his spark with Optimus not to be as dreaded as he anticipated... he almost- longed for it.

"Yeah..." he said smiling softly and bringing the smaller mech closer to him "a lot" and his servos started shifting over his lover's frame delicately almost in worship.

"Do you want more?" The question could be interpreted in two different ways and Megatron wanted to answer yes to both.

"When it comes to you I always want more" he answered looking at Optimus, his lover's gaze was so bright and full of love he felt like it would melt the metal of his frame.

"I... also want more. Everything." he whispered with his lips ghosting over Megatron's.

Megatron closed the distance between them and kissed him. "And you will receive it"

~~~~~~~~~~~~~

I hope you like it, it's incredibly short :)

#transformers #maccadam #steel rambles #megatron #optimus prime #should I open requests for this kind of small drabbles and scenes? #idk #tfa megop #megop #steel writing #yeah i can't use the steel monologues fornthis one #babe wake up new tag just dropped #maccadams #fanfic

[ducktracy]

I'm really curious on what a layout artist is. Do you know?

layout’s a finicky thing to describe because it’s so all encompassing, and there are so many interpretations of it, especially nowadays in the current animation landscape where the definition seems to vary by production. i myself am even not 100% confident in my answer!

but, essentially, it’s a visual guide of a scene for the animators. this can be many things: clarifying how a pose is supposed to look, with the animator following/mimicking the art style of the layout artist to give the scene a coherent, consistent look (putting it “on model”, in layman’s terms. the layout artist’s drawing would be considered the model). that would be character layout. a layout artist can also establish the way the scene is supposed to be structured—how characters interact with the background environments, how the background environments frame the characters, what the background is even supposed to look like. that’s background layout. likewise, a layout artist also registers the camera field—indicating where the camera is supposed to be positioned and how much of the character(s) fits in the frame.

in-house layout departments are scarce in a lot of modern productions nowadays, and many productions will try to have their own version of a layout team lumped under the term “character design”. you’re not actually designing characters, but refining the poses drawn in the storyboards to bring it even further to the model of the show, so that the animators have a visual guide to follow. sometimes, a board artist will draw a particular drawing that the “character designer” needs to clarify so the animators know how to put it on model. these are usually called “special poses” which, again, is basically slang for layout. this is how we operate on SpongeBob now. it seems LTC did as well.

it’s a bit different in a golden age context though. the general point is still the same in that the layout artist will collaborate with the director and often dictate the general art style of the short. hell, sometimes the directors WERE their own layout artists. Chuck Jones and Bob McKimson were both their own character layout artists in the ‘50s—this is why it’s practically impossible for someone like me to be able to discern who the hell is animating what in a ‘50s Chuck Jones cartoon because they adhere SO STRICTLY to his style

whereas Bob McKimson—i’ve mentioned this before, but i just brought it up yesterday and it’s on my mind. here’s a character layout he did for Fool Coverage (which you should watch very good cartoon), and here’s Rod Scribner’s interpretation of it below…

obviously not very loyal. but Scribner’s interpretation is much FUNNIER and works way better in animation than McKimson’s; McKimson’s drawing is still a GREAT drawing and super solid on its on, but definitely a much more conservative approach. you can also see, though, how much of his personal style leeches into his own shorts as well

or this here: John Carey was Bob Clampett’s layout artists for a good portion of his time in the “Katz unit” (aka black and white cartoons), and also animated this very scene he laid out. the two drawings are practically indistinguishable, but there are definitely minor differences. he dictates how the scene is to look

i’ve mainly been talking about character layout, but here are some background layouts indicating where the characters are to fit in the shot as well. this is more all encompassing.

the credits on LT shorts are such a continuous melting pot of nonsense for many reasons, and one of it is because it took until… 1945? 1946? i think ‘45, for them to credit the layout artists… and background artists (who rendered and painted the BG layouts)... and Mel Blanc. and so this is sort of where my knowledge flounders a bit. we know that Maurice Noble was Chuck Jones’ BG layout guy in the ‘50s, and we know Chuck did all his own character layouts. that’s fine enough. but i have no idea, if, say, was John Carey doing background layouts as well in Clampett’s cartoons? was it his background painter, Dick Thomas? Clampett himself mentioned doing the layouts on A Tale of Two Kitties, and the staging of the short in that one definitely has some very warped and drastic angles not usually found elsewhere, so it’s safe to assume he was working on BG layouts in that. but where is the line drawn?? who is responsible for what?

thanks to Warner’s bunk credit system it’s been difficult to piece together. a lot of very talented artists that worked on these shorts never got their credits or dues. everyone knows “oh yeah, Chuck Jones’ shorts in the ‘40s are really stylized and flat.” but do they know the name John McGrew? Bernyce Polifka? Eugene Fleury? all of whom were a part of establishing this style, but also maintain independent subtleties to their own cartoons they worked on? how do Fleury’s paintings based off of McGrew’s layouts in The Case of the Missing Hare or The Aristo-Cat differ from Polifka’s paintings based off of McGrew’s layouts in Wackiki Wabbit and Tom Turk and Daffy?

i’m going off on a tangent, but my point stands in that it’s a very complicated, multifaceted aspect of the animation process that doesn’t have one meaning. it impacts so many different aspects and even how it impacts or WHAT it impacts differs. basically, it just sets the stage for how the scene looks in the final animation, whether it be where the characters and camera are positioned, how the characters look or how the backgrounds look. think of it as the cartoon’s blueprint.

#asks #anonymous

[doubleddenden]

Damn the more I hear about Velma the worst it gets. This saddens me because I've been watching Scooby since before I could talk :(

Mainly what I'm seeing is that someone has contempt for the series + their own ideas for their own incredibly generic show and rather than make something unique, they're just insulting an established series.

My biggest gripes so far:

1. How tf do you got a Scooby Doo show without Scooby Doo? Is he too kiddy for your generic ugly adult cartoon?

2. Shaggy- oh sorry, NORVILLE. Look, I have no problem with the race thing- my literal main issue is that he's called SHAGGY for a reason. How hard is it to give him thick hair? On top of that they make him an actual druggie- let's pretend there's not some subtle racism behind making the perceived 'stoner' of the group black- it's boring. Yes yes we know the gang is a bunch of stoners, but isn't it funnier when it's just IMPLIED? Isn't it funnier that a man just REALLY FUCKING LOVES DOG TREATS and is willing to risk his life on a regular basis for god damn DOG TREATS? Instead they just turn him into yet another Seth Rogan tier predictable disappointment

3. The overall mischaracterization from what I'm seeing just... sucks, and again, I think part of that comes from a contempt for the series. You don't have to make the characters assholes to make them likeable! I know Rick and Morty and Seth McFarland have poisoned the well for a lot of people but you really don't!

Across the franchise there's plenty of fun ways to interpret the characters:

Fred: himbo that loves his friends, dad friend barely holding it together, obsessed with traps- take your pick, none of these are spoiled boring asshole rich kid.

Daphne: if you're opposed to damsel in distress, how about the cool martial artist fashionista made prevalent in the What's New Scooby Doo series or the live action movies? What about being a good reporter? Hell, even her goofy dorky self in Be Cool Scooby Doo is better than the stereotypical snooty popular girl. Props at least for keeping the red hair.

"Norville" is not a self friend zoning beta male and he's not really obsessed with drugs. Literally the man across DECADES of this franchise is ridiculously talented. Ventriloquism, improv acting, gymnast and athlete- seriously, why do you think they have him and the dog constantly running away from monsters and leading them into traps? The man was literally so good at that that he became a COACH. for MONSTERS. Let's also not forget that he was a race car driver! And had a hot girlfriend! In fact, fuck this friend zoned beta male shit- Shaggy literally pulls more girls (and men I think) in the entire franchise than the others COMBINED. If anything he should have dense harem protagonist energy. I'm talking more than Velma, dude also pulled her LITTLE SISTER- and she was okay with it because she knows he's a good guy(mind the AUs)! Pulled a girl that was kinda a monster fucker for him specifically when he was a werewolf, an actual fucking alien, several foreign girls of various nationalities, several average girls, a crazy but hot redneck girl that tried to SCHWOOSCH his bones after seeing the red shirt ONCE, pretty sure he did something good for Daphne to hang out with him for so long with just a bunch of dogs and a random kid they picked up, very sure actual monsters fell for him- and he's a nerd! He and his beloved best friend the talking dog are massive nerds! I reckon people still latch onto that and think he's the stereotypical nerd but no, no, Shaggy has so much going for him! Not to mention- not to mention! Animal lover! Doy! How do you miss that? He's always paired with the animals! The man is a collective family friend of the entire Doo clan! Every time there's a guest appearance with a non human entity, he's hanging out with them!

Velma... alright look. I'm about to say something real controversial. Real controversial. You ready? She is kinda boring and bland. She's smart and a good investigator, but really? This is who you base the show on? Recently she was allowed to be bisexual- that's great! She's well read, well informed, and if you want to skip the bitchy "its me or the dog" persona from Mystery Inc or the snooty geek from Be Cool, you could fall back to the quiet but cute and thoughtful personality she had in A Pup Named Scooby Doo. If not, she's just boring. I feel like most of the hype for her comes from memes or the people that think they're unique for finding her more attractive than Daphne (you're not btw). Like what does she do that the others cannot do? I'm pretty sure Daphne can do her job but without the min max on intelligence and some points in kicking ass. In fact, why are Fred and Daphne the assholes when Velma in TWO separate series has been the judgey bitch and overall asshole? If anything she should would fit the perfect "beta incel self perceived victim that's actually just a massive douche" trope!

And Scooby. First off fuck the writers for not including my boi. Second, you really couldn't make an adult comedy of a talking dog? If Scooby said fuck- scuze me, 'ruck'- I'd cry laughing! If Scooby was the druggie and Shaggy was normal, that'd be hilarious! Literally if they took every negative trait they forced onto the others and put it onto Scooby, you'd literally have a prime adult cartoon character right there. He's a gag character! Utilize it! I know in the recent series he's been pushed to the side for the others, but he's literally a comedic gold mine waiting to happen! Make him an arsonist! Make him have questionable opinions! It'd be hilarious because he's a literal dog that can't speak understandably half the time!

Look, if you want to make an "adult scooby doo" then I guess I can't stop you. Velma ain't how you do it though.

Btw before anyone jumps on me to defend the new show, the creator of the series supports JKR soooo

#velma #scooby doo

[tenebrius-excellium]

Guys so I visited a medieval smithy the other day (ca. 1300s) and it reminded me a lot of Gobber's workshop... it was easy to imagine that I had just literally stepped into Berk's smithy with my own two feet... and to be honest, seeing this stuff in real life made the whole deal of Hiccup apprenticing in one of these infinitely funnier and Stoick's decision to put him there weirdly...understandable???

Let me elaborate: So you're in approx. 900 AD, you live on a tiny island under rough conditions, EVERYONE, and I mean EVERYONE WITHOUT A SINGLE EXCEPTION is a craftsman of some kind who has to work manually, and you've got a noodle of a son.

Also you're the Chief, no less than that. Let me tell you that this makes the whole thing just so much worse.

Looking at all those solid iron tools - mighty bellows operated by a beam larger than me, forging tongs that would have been half of Hiccup's size and exactly as heavy as this shot implies,

...swords with hilts longer than a cucumber and crude, brutal design, plus all the firewood that constantly needed to be chopped and carried around... even if Hiccup had turned out to be completely untalented at smithwork, that would have built him some muscles.

You don't understand. Hiccup having no muscles was a death sentence. The environment that he was surrounded by, which I was reminded of in that irl smithy, could - at that time! - only be overcome by hard manual labor, aided by the most basic mechanics. Even if he had become a breadmaker, that still would've built him some muscles. All the kneading, the weightlifting of flour and wood and water, the carrying, would have done the same job. Forget Snotlout bragging about working out in his parents' basement. EVERYONE on Berk was burly not because 'they were vikings' training for war or whatever for funsies every day, but because it literally was a requirement of everyday life to be able to carry something heavy from A to B, and be it only a single sack of grain.

So it's really funny to me how Stoick intentionally put this skinny rat of a son of his into the most merciless and dangerous job that probably existed on the island, just to put him to some use. Poor Hiccup. He's like a wet kitten under the command of a bloodhound. But at the same time, it makes so much sense?? Stoick didn't just put him into a job to gain some weight, he put him into a job that would teach him all about tools and weapons, how to defend himself and about the irreversible price of violence. I imagine a blacksmith would have to know how to use a sword to know what makes a good one, so Hiccup would've naturally learned swordfighting on the side. It was an important skill not just against dragons. We see the gang fight all kinds of human enemies in later years as well.

So what Stoick was basically doing was to prepare him for life. The need for abs back then is comparable to today's education about taxes and insurances. Hiccup needed some brawns to survive Berkian conditions, and not just for fighting dragons. Even though Hiccup had the brilliance to invent mechanical devices that could make life on the island easier, he didn't have electricity and he couldn't just press a button anytime he wanted the laundry done or needed some newly tanned leather. He had to work with his own two hands anyway. No dragon, once tamed, could assist the villagers in ways that an ox or buffalo hadn't done before. Despite his marvelous innovations, there's no changing that Hiccup would remain a craftsman and a warrior throughout his life.

So now there's the fact that Hiccup was a noodle. Having established that with Berk's living conditions in mind, you would basically have to avoid working any daily task ON PURPOSE to NOT develop muscles from early childhood, there are exactly two interpretations as to how Hiccup remained this scrawny for so long: a) he was disabled in some way that prevented him from doing chores, or b) he was spoiled and lazy beyond common sense.

Stoick spoiling someone is unthinkable, and Hiccup doesn't appear disabled. He could be struggling with anything from a muscle-degenerative disease to a fast metabolism to mental issues. But it's not implied in the movies. So how did Hiccup avoid manual labor And what kind of message did that send to the rest of the villagers???

Look, if they thought that he was lazy, or perhaps not quite right in the head, they were probably absolutely right. It would have been maniacal for the Chief to spoil his son to the point where he couldn't fend for himself and expected Berk to serve him and supply him with food. Stoick wanted his son to be Chief, so he would have to school him in some trade that enabled him for economics and warfare. As neither was the case though, it didn't put Stoick in a great light to have a son as Hiccup. How could this have happened - a noodle on Berk? It would have made both father and son the laughingstock.

The only reason that I can think of is neglect. Stoick may have been so grief-stricken about Valka's death that he went easy on Hiccup for a while, and then, when he got possessed by running dragon nest campaigns, he may have simply forgotten that he still had a child at home. And then, once Hiccup became old enough to get into trouble, Stoick may have remembered him because he got complaints from his villagers, and so he hurriedly stuck him with Gobber. Lol.

So that's how a skinny noodle rat with no survival skills whatsoever ended up in the weapon forge of Berk. Gobber has a point being sarcastic about it: "Oh, perfect. And while I'm busy, Hiccup can cover the stall. Molten steel, razor-sharp blades, lots of time to himself - what could possibly go wrong?"

And wrong it goes. I love it. WHAT WERE THEY EXPECTING?? XD

#httyd #hiccup #stoick #stoick the vast #gobber #gobber the belch #analysis #httyd analysis #wherethekiteflies #I HIGHLY recommend visiting any places of craftsmanship they're so inspiring #and they remind you of what's really important in life. gosh #I wouldn't say that manual labor should be this hard but it sure looks rewarding #we need more of it in our western societies again #!!!!

[an-au-blog]

hello again!!

i'm quietly dying to know if u!buggy is present when robin translates the skypeian poneglyph & the note roger asked oden to leave on it. just. an amnesiac clown staring at this giant rock, too busy silently screaming what does it meeeean to hear robin explaining what it means. cracks me up.

(i also love the thought of there being a pattern of older locals recognizing buggy just a moment too late as 'one of the kids from back then'. i love a running gag that doubles as foreshadowing! though crocus would surely recognize buggy on sight, i bet he assumes buggy's being cryptic on purpose when he "pretends" not to know him, and goes along with it.)

i'd misremembered that conversation at shakky's bar as having only a handful of the strawhats present, and so was imagining that buggy had no idea they'd gotten a lead on his past, and rayleigh would only see buggy on the kizaru-kuma-strawhat battlefield for a minute before he gets kuma'd away… on one hand, i still love this idea bc i love pain. otoh that conversation happening with everyone but buggy present feels wrong. and a "don't tell me, i'll find out the truth for myself!" ending to rayleigh and buggy reuniting is so fitting, it's the same argument robin & luffy make to rayleigh in that scene!

i looove the thought of buggy losing track of luffy after marineford. what a situation he's in now!! surrounded by dozens of ex-prisoners who idolize him, maybe two he gets along with, a half-dozen he's terrified of, and shanks. he's heard stories from luffy, but that's luffy! you can't go to him for realism or accuracy!! but... this shanks guy does have a boat... and something about his face is kind of familiar...

how long does it take shanks to realize buggy acting like he doesn't know him isn't an act, i wonder? how many old grudges does shanks halfheartedly apologize for, trying to get buggy to give in and acknowledge him? is one of those apologies the thing that makes something click for buggy? does he freeze up, or immediately snap and shout at shanks bc he's misremembered why buggy was mad at him that time? :3c

xoxo, difan

Hello, Difan!

I thought about that like once when I was thinking about Robin in the u! universe, but then i forgot and never really thought about it again lol. In my mind he comes along somewhere between East Blue and Alabasta, though if anyone wants to adopt this au, I'm fine with whatever interpretation or spin they want to put on it.

Now that you said it, I agree, it would be really fun if the locals recognize him randomly like "yeah, yeah, that was the red-nosed kid! Aw, he was so cute, we gotta live him! Pity he's not with his friend though, hope nothing bad happened to the other one..." And Buggy just going"ifk what you're talking about, you're being weird af" and everyone just assumes the other kid (shanks) died and it's a painful memory so they're all like "Oh, yes of course... our bad... if there's anything we can do to help you tell us, it's been so hard for you, we're so sorry ". Which confuses Buggy even more, but hey, he's getting positive attention, even if it's pity, and he's not going to complain about it.

Buggy meeting Rayleigh in the bar is so dear to me. Idk if it'd be realistic but I feel like he'd be very defensive qt first but then Rayleigh would be "Buggy? Is that you? I barely recognized you, you've grown so much, and become such a strong young man" and then something snaps and he just falls into his arms absolutely sobbing. He doesn't know why, he can't remember him on a conscious level, but they still jave this father/son moment of comfort.

I don't remember if I said this in the last post or if I thought of it now, but him losing Luffy at Marine Ford and clinging to Shanks for protection would be funnier (to me) if he goes by the logic of "Okay, he's scary, the generals are even scared of him, Luffy likes him and he seems fond of Luffy. He looks a bit familiar so idk if he would have some grudge with me if I've wronged him in some way... so I'm just going to use my contact with Luffy as leverage!" So he just starts going "You know Luffy, right? Well I'm in his crew" (which breaks Shanks's heart because... why isn't he in his crew? What did Luffy offer him that Shanks can't?? And why is he jealous of his child protege? Buggy sees he's a little upset by it so he continues "So if- if you're his friend and care for him, you'll take me and my men to safety... and not kill me.......... please."

And he switches from being sad to being so confused like,

Shanks: wdym I'll do it because of Luffy. I'm not helping you because of Luffy,

Buggy absolutely terrified that his one strategy of manipulating his one ticket to freedom has expired:..... wh.. why?

Shanks: I'm gonna help you because we're friends! You're my best friend Buggy!

Buggy: We are? I mean uh, we are.

Shanks assuming he remembers him and being do happy: So you remember me?

Buggy afraid if he says no, Shanks will get mad and leave him: ... yes.

Once in the ship (because the prisoners are so many) everyone sleeps wherever they can. Except for Buggy. Shanks insists on giving him his bed or at least his a place in his room. "We were bunkmates after all" he says but Buggy just smiles and nods hoping he doesn't find out he doesn't actually recognize him. Shanks can feel Buggy is on edge the entire time and he tries asking but Buggy always goes "No, no it's fine, everything's great haha" so he starts testing the waters by asking "hey do you remember *insert thing that never happened* that was so crazy, right?" To which Buggy'll go all "yeaaaah, absolutely haha, very crazy that happened I remember!" And after the third or fourth time Shanks couldn't take it and confronts him about it. Buggy is furious but also devastated because that's it. He's going to kill him now. Maybe even worse. (Keep in mind Buggy has seen how cruel people can be and his time with the straw hats doesn't help him think better of people, because they also keep bumping into horrible people)

He starts scream crying at him, he's already a deadman, what else does he have to lose, might as well let it all out. Meanwhile, Shanks is so confused because he understands absolutely nothing.

#unclenapped au #shuggy #shanks x buggy #one piece shuggy #shuggy au #answers #op

[roydeezed]

One Piece-Chapter Round-Up(Chapter 1089)

Heyo friends! I am back with another One Piece Chapter Round-Up below the cut, but before we get into spoiler territory, I just want to point out this absolutely hilarious cover page. At first I didn't even notice Sanji behind her in the window but I love these layers Oda adds on to the simple request of Nami being served milk. Since she's being served a drink it makes sense the cook is in charge of it and since it's Sanji there's no way he doesn't use that opportunity to be... himself. And funnier still is that since the fact the paper is facing away from him he'll be waiting eagerly only to be rejected. One thing I might be reading into a little too much is Nami's quill, which looks like a skypeian wing hanging off her shoulder. Foreshadowing perhaps?(Look I have a contractual obligation to be absolutely unhinged at least once per round-up) Anyways, moving on, let's talk about the chapter below.

Obviously I want to freak out about that last panel, but there's something really interesting going on with this chapter before that. I don't know if it's because I have been recently reminiscing over Coby and the time he tried to stop the Marineford War, but I have honed in on the idea Oda presents of The Marines' absolute disregard for life and their acceptance of collateral damage. It was a shock to see it doubled down on in a new chapter just mere days after watching a clip of that moment from Marineford.

With this being tumblr and the overwhelming majority of us being left leaning, I feel quite comfortable in discussing politics as mine are also left wing. Very heavily so. But I preface it with that fact so that you understand that some of my personal biases may play a role in my interpretations. Obviously, Oda and Japan's cultures are vastly different from those that I was raised up in so I am only speaking from a very surface level understanding and not the lived one Oda writes from. I have a very ACAB and abolish the police mentality and from my obviously biased point of view, it seems so does Oda.

But it's not just policing that Oda emphasizes. It's any system of power. But he looks at it through the lens of policing because they make the most natural enemy of lawbreaking pirates. Also just like the popular idea of the Death Note representing Japan's harsh police system, the Marines also appear to be an allusion to it. I am really curious about which way Oda went about creating the Marines and their relationship to pirates. There was an idea of a distinction between pirates called Peace Mains and Morganeers in the two one shots of Romance Dawn where Morganeers were the pillaging type of pirates whilst Peace Mains preyed on the Morganeers like vigilantes and adventured as well. Obviously that put Peace Mains in a sort of policing position so it's really curious how we ended up with the Marines being the big bad(other than Blackbeard of course).

In a tangent before we get back to the Marines, it's really interesting what carried over from the one shots, what didn't and what could. It had been a while since I revisited them but one thing I realized because of Crescent Moon Gyari is that Whitebeard's Beard looks like a crescent moon, basically symbolizing the moon before the dawn that is Luffy. Sorry if that was obvious, I'd just never made that connection before. The more interesting things to me are what might still carry over. Particularly from the second one shot where the Nami stand in, Ann, a blue haired girl with a pet bird is featured. Ann obviously also shares similarities with Vivi and Karoo but the idea of the Roc being a bird who's blood can cure diseases got my attention. That coupled with the Big Egg on the Oro Jackson and Choppers dream makes me think this could make a appearance once again. Also interesting was the fact that one of Luffy's moves was called Moon Shot and the idea of flying was presented over and over again. And Nami was also the child of Pirates. Wonder if that'll ever come into play. Another thing that was quite apparent was the imagery that really made an impact and crossed over to the final version. Honestly, I'd love to examine the two one shots in relation to the real story one day if someone hasn't already.

Okay tangent over, back to the main topic. Which is, first of all, Oda's take on the Marines. There's two things at work here. One is Oda's take on the Marines as an organization through Imu's actions. One that does not care about the collateral damage as long as their power in ensured. And the other is institutions of power perpetuating their power through terrorizing life and the environment it lives on. They're kind of the same idea but one directly criticizes policing while the other criticizes any position of power. We'll focus on the first idea and then talk about how it connects to the second.

The idea has been hammered into us over and over again. The Marines exist to further themselves. It's the absolute and peak function of institutions of power. And also very antithetical to the idea of dreams, which terminate once you reach them. Each of our Strawhats have a dream that has an end goal. But as a result of this goal of self perpetuation, the Marines often overlook their secondary goal of keeping the peace. This idea started as early as Axe-Hand Morgans but gets properly implemented in Arlong Park where the Marines look away as they get paid. Arlong doesn't disturb them and they benefit by having him essentially be an agent for them. That's how you know peacekeeping is a secondary goal. It's secondary to the idea of the Marine's keeping power. Oda criticizes privateering and the warlord system through this hypocrisy.

And if this was just one instance then it could be seen as just one bad egg. Like policing so often wants to put out. But a system of power relies on the methods they use to stay in power always staying relevant. And that's when we come to Marineford, skipping over a lot of incredibly relevant examples to this argument like Enies Lobby. I feel like ya'll can follow that tangent yourselves. Ohara, knowledge that would invalidate their power, etc, etc. I would go more into it but I don't want to write so much away from the current chapter and the fact is that Marineford appears to deal with my criticisms.

So how does Marineford appear to address the criticism of self preservation and perpetuation? (And this next statement is me playing Devil's Advocate if it's not apparent) If the Marines cared about preserving themselves, why would they seek to end the age of piracy if the function that keeps them in power is dealing with Pirates?

Because, my devil's advocate self (wow, thank you for the softball Roy(no problem, Roy)), Marineford was an attempt by the Marines to depose Pirates and crown themselves the key power in the One Piece world. Oda did the math for us, the three great powers used to be the Four Yonkou's, The Marines, and the Seven Warlords. Do the math there and the Pirates come out on top. Also Oda cleverly states the strength of freedom by showing how strong these scattered, unaffiliated, and free people are by having the Marines, a wholly organized military force, be only a third of the equation instead of dominating. Oda follows George Lucas's lead on the idea of Rebels and Vietnam. So, Marineford wasn't just an attempt to put an end to the age of pirates, it was also an attempt to declare the Age of the Marines. And they did the math too, regardless of what happened, they would come out on top. Whether they declared their age or the pirate age kept going, they would still be needed. As Billy Butcher once said, "Fucking Diabolical". Why Koby was so important to the narrative of the War was because he let you see the true colours of the Marines. One that did not care about collateral damage as long as they stayed in power. They sacrificed so many lives needlessly for that reason. And they might have possibly ended the pirate age if not for Whitebeard.

So all of that just to get to this chapter. Sorry for the long ride, but thank you for sticking with me. This chapter horrifically signifies the Marine's policy, by way of Imu, of collateral damage through very familiar sights of rising sea levels. I will speak to the real world connections soon. But these scenes of climate devastation show how uncaring the Marines are to the suffering of their subjects. And Subjects they are. Some people say One Piece is pro monarchy but Oda positions the Marines, even clearer now with Imu, as Monarchs, and criticizes them. Oda isn't pro monarchy, he's showing us how these instituions of power supplanted the previous institutions. And while people suffer, the Marines launch yet another offensive to keep ahold of their power. It's blatant at this point. Where they could be helping people, they gather one of the biggest forces they have since Marineford and try to stop the release of information that could weaken their hold.

And the scenes of Climate Devastation precede an even more horrific sight. Not one of collateral damage. Not of the uncaring nature. But of the direct cost of keeping their power. The sunken island kingdom of Lulusia. It's terrifying and it ties the collateral damage to the cost directly. It's Oda's way of pointing out that the consequences of their actions and the actions they take to stay in power don't affect them, but their subjects, the people they purport to protect.

All of this is why I am so interested in the conclusion Oda reaches in terms of the Marines. It's the reason I support the Ancient Kingdom being a nation of Pirates, it supports the idea of dissolution of the Marines. Oda is clearly setting up Koby and the rest of his peers as the next generation of the Marines but up until Koby became the clear front runner of the Marines, I always thought the Marines were meant to dissolve. But Oda seems to be setting them up to reform in a new direction. There's not a lot I disagree with Oda on but this might be one. Either way though, I will appreciate the nuanced take that Oda so often hides under layers of shounen action.

But now to get to the real world implications. The whole situation with Imu is such a startling reflection of our own world. Again my politics come into play here. The Marines and the Twenty Kingdoms purport to be equal and not ruled under anyone but it's revealed that all along Imu has ruled them. Which would be a stark contrast to our largely democratic nations, right? But then Oda uses the visual metaphor of climate change and his point is clear. While policing exists to self perpetuate, it also answers to the beck and call of billionaires and corporations. I'm sure the statistic of 100 companies being responsible for 71% of global emissions is a statistic you've heard before dear reader. The governments bend over backwards to lobbying from these corporations while the police enforce it on the base level. On a visceral and violent level. We never left the monarchy, we just got new rulers.

Oh no! I've revealed my personal politics. Ahh! But in all honesty, this is my blog and I want to be able to talk freely here so I'll say what's on my mind. I'll always try to be upfront when my biases show though. The reason I am so explicit about my political opinions is because a lot of people who talk about One Piece don't engage with the deeply political and radical ideas it has. And as a result, you get a neutered audience and a neutered discussion. Anyways, that was my very long and convoluted idea on Oda's representation of policing and related politics, especially in relation to this chapter. Now onto a breakdown of the actual chapter.

So right away we see an interesting sight. Morgans has already positioned Luffy as the main character of this conflict. And as we later find out, the Marines approve. Knowing that this will be a much talked about event sheds a really interesting light on this. One, Morgans has made Luffy undeniable in the media in regards to whatever happens next. Two, something big is going to happen. Three, the Marines will probably want to disavow it. Four, Luffy's presence is going to have the opposite effect and solidify this event as if he wasn't presented in such a central light, the Marines would've been able to sweep it under the rug easier. Also while a lot of that is speculation, one more reaching bit of speculation I want to put forward is that whatever happens next is going to invalidate Lulusia's disappearance. Some major truth is going to be revealed and it's going to show how unnecessary these sacrifices that the Marines make are. This also only furthers my interest in Morgans. Who is he? What's his play? What are his goals and is he playing a game with the Marines? It seems he regularly withholds information but eventually plays it in an acceptable manner to the Marines. My take is that he's possibly a revolutionary who's doing his best to sway the tide in their favour. If you look at a lot of his moves, it suggests they're highly calculated for maximum effect under the Marines rule while also shifting the discussion more in favour to the Revolutionary's and their causes and setting up for future dissemination of information he's currently withholding. Or it could be entirely posible I am giving him too much credit. Next, Makino calling Luffy her baby's big brother. Another clue to deadbeat dad Shanks theory? Don't mind me here, just watering my pet theories.

But next, as I mentioned before, we see the consequences of the Marine's actions. From the apparently mundane but heartbreaking in Kamabakka, to the loss of life through tsunami's and the loss of homes on other islands. It's horrific and centers on the very real horror of Climate Change. But the sea levels rising a meter is also horrific in another way. Just to show how much water has been displaced, it's almost five times as much as the sea level has risen over the past 100 years in the real world. I think I dove a lot into the real world side of things so I do want to indulge in the One Piece world for a bit.

So first off, the connection to Enies Lobby is completely apparent. Enies Lobby has some connection to the Mother Flame and perhaps the Ancient Kingdom being there holds some weight? I think another thing that is interesting is that the water was displaced. Somehow the Mother Flame doesn't just create a hole, but an entire Void where the water can't take the space of. Something something Void century, the theory's not fully there yet. But what it also suggests is that maybe Lulusia isn't completely gone? Perhaps it's been sent to Davy Jone's Locker? There's so many pieces of evidence floating around that I'm sure I'm missing something or overlooking a key piece that ties everything together, because right now this feels like a major hint to the true nature of the world. Also this could be a key factor in One Piece's unique world, like the Calm Belt and the Red Line. Also one interesting line is, "had no parallel in recorded history." But perhaps the Void Century? Speculation abounds! But maybe I'll have a concrete theory in the coming days, who knows. The Truth is Out There. No, but really, I feel like one or a few of those massively popular and some not so popular theories are somewhere close to the mark. Like the One Piece being a log book or the destruction of the Red Line. There's so much that's valid that I can see it all happening.

Another heartbreaking scene plays out a little bit after we see the Marine's massive fleet, with a small flashback to Vegapunk, Sentomaru and Kizaru all looking much younger and happier. Kizaru is such an interesting character. He apparently has Unclear Justice but in everything he does it's hard to understand what that actually means. Nature of the word I guess? But Aokiji was Lazy Justice, and that can be seen in that he seems to be taking the easy way out by falling in with Blackbeard but what does that mean for Kizaru? He seems happy in the past and now he is very much uncaring. He mentions he's a cog in the machine but there seems to be some wiggle room. Perhaps unlike his previous two comrades, Akainu and Aokiji, Kizaru is the only one who can change? Honestly I don't really have a bead on him. But I am fascinated. Like with many things.

After that we get a recap and two key moments. The moment where Jay Garcia tells them to sink the escaping scientists is quite obvious and a parallel to Ohara and I think we've talked enough about direct actions, consequences, and collateral damage to get a rough gist of where that would go in reinforcing the themes Oda has set up in regards to the Marines. But the smaller moment of Jay Garcia remarking he likes what Morgans wrote is also key. The Marines hold some sway over the media, from withholding key information to actively enforcing violence but this is also an insight into how Morgans plays the game. He pacifies them but he also pushes his own agenda. A free media is key to citizens freedoms so it's really interesting how these two entities push and pull. I hope we get more insight into Morgans to see what Oda is actually trying to say because I'm curious.

And now we finally get to the last few pages. York is at times terrifying and at others painfully stupid. Just my type of character. She reminds me a lot of Buggy, who first started off as terrifying before becoming our lovable clown boy. But this makes me want York in the crew so bad. I would love if Vegapunk and all of his satellites joined because it would be such an interesting dynamic. The Come Save me panel is also quite a hilarious inversion of "I want to Live" from Enies Lobby as York is asking the Marines for help this time. I love her confident blustering. It's peak One Piece. It's peak Oda. I love it so much.

AND THEN FINALLY!!! OMFG THEY LOOK SO FUCKING COOL!!! I lost it so hard here. They're back and they look so badass! They look like a proper yonkou crew. This cutaway also hammers home how close we are getting to the end as Oda is skipping over some big fights. What this flash forward does let Oda do is that he can use it to do a small flashback chapter and recap key skipped over elements instead of going through them at a much slower pace in chronological order.

One final thing. All the strawhats look so cool, but a really surprising thing I noticed was that Ussop was holding the phone where I would assume Sanji would be. It feels like Sanji has shed a lot of the baggage that came with being Mr.Prince after Whole Cake Island and Wano. Now he's enjoying himself in the background. This could also be setting up the central role Ussop is going to be taking in Elbaf. Ussop of course has employed trickery before but just in this particular case with it's callbacks to Enies Lobby, I would've assumed Sanji be the one pulling off this ruse. Anyways, that's all for today folks. If you've read this far, thank you so much for sticking through. I really appreciate it! See ya for the next one! (Gonna slink off now to watch 1071).

#one piece #one piece chapter 1089 #one piece 1089 #op 1089 #one piece manga #manga recap #manga discussion #one piece spoilers #op koby #eiichiro oda

[pjsk-writin]

Hello! this is my first time requesting after lurking for a while.

Could you do Akito, Ena, and Minori (separately) with someone who is secretly a werewolf ?(it can be romantic or platonic)

hihi!! and ofc, u can interpret it either way, i went w a werewolf that can shift into a wolf so.. i hope u like this !! <3

♡ WEREWOLF - Akito Shinonome, Ena Shinonome and Minori Hanasato x Reader

Akito:

The way Akito finds out dictates his reaction, in all honesty-

If you simply tell him, he'll think that you're faking at first. He'll believe you when you show him your wolf traits, although he's still weirded out-

But, the much funnier and more dramatic reaction is if he finds you fully shifted as a wolf

He is scared out of his mind, screaming and running and not understanding why this wolf, which is like a bigger dog, is yipping at him

You tackle him and shift back, and the look of absolute shock and betrayal on his face is probably the most hilarious thing in the world-

He helps you continue hiding your werewolf side, even if he still gets horrendously scared whenever you're a wolf in front of him-

"Hey, I-" He freezes when he sees you in your wolf form, and immediately turns around, "Nope-" You just end up tackling him anyway <3

Ena:

Ena is similar to Akito, although her reaction is only a little less dramatic

If you confess it to her, she also doesn't believe you. When you show her your wolf traits, she immediately asks to take pictures

If she finds out because she stumbles across you fully shifted? It also does not go too well-

She's scrambling backward with her phone in hand, recording you because you were very different from most wolves, for some reason...

You eventually just shift back in front of her, and she stares at you in complete and utter bewilderment. She asks how any of that is even possible-

She helps you hide your werewolf side, although she probably asks if she can take videos and pictures of you and also use your wolf form as drawing practice!

"Oi, stay still and stop jumping at me!" She grumbles at you as you give her a sheepish grin in your wolf form. She sighs, patting your head. "At least you're cute."

Minori:

Minori is the only one out of these three who will have a positive first reaction-

If you decide to just tell her, she'll give you a confused look but believe you nonetheless. Showing her your wolf traits makes her eyes sparkle!

If she discovers you while you're shifted as a wolf, it honestly turns into a really adorable scene between you both!

She knows she shouldn't get too close to wolves, but you looked so cute! And you weren't being at all aggressive either...

You end up shifting back way later, mostly because she started treating you like Samo, and she apologizes profusely for all of the belly rubs she was giving you-

She helps you hide your werewolf side, but begs to at least be allowed to give you head pats and belly rubs! She thinks it's really adorable!

"Aww, who's a cute wolfie??" She giggles as she pats your head, causing your tail to start wagging. She really couldn't get enough of you in your wolf form <3

#project sekai x reader #pjsk x reader #akito shinonome x reader #shinonome akito x reader #ena shinonome x reader #shinonome ena x reader #minori hanasato x reader #hanasato minori x reader

[kyogre-blue]

This awful nightmare month had FOUR paralogues. So tiring. And they don't even let me kill Flayn or Seteth! Or let me see Rhea murdering those two NPC imperial suckups. Disappointing all around.

To get my notes under the char limit, I'll put the part about the first paralogue here.

Immediately after Claude's death/deportation, we get invaded by Almyra. Holst "fell ill" but big doubt.jpg, since he does not show his face to either Hubert or Edelgard (Hubert can only comment that "it's said" that Holst looks and smells awful). The Alliance supposedly can't cooperate enough to muster forces to support the Locket, even though we just spent lots of time playing up how Claude maneuvered everything to go down with the least amount of damage possible and how the Alliance has been extremely peaceful and cooperative to our occupation and invasion. The Goneril soldiers book it immediately when we arrive, no green units for us. And at the end, Holst politely passes the duty of guarding the Locket to the Empire. Which is another way of saying he refused to do it anymore, possibly on account of the dead little sister. You know, just maybe.

This is hilarious in general, and you can read all kinds of funny things into it, especially since this is the route where the game lies to you all the time with a straight face, so you are free to interpret practically all things you're told as complete bullshit (and you'll be provably right at least half the time).

Personally, I think it's very funny to assume everyone who says the Alliance occupation is going oh so well is either wrong or lying. I mean, sure, Claude supposedly arranged it so things would go peacefully whether he won or lost, BUT he was wrong at least twice about his allies surrendering peaceably and his dying words are about how he misread the entire situation. Yeah, logically this is all structured to contrast how the Kingdom and the Church won't go down as peacefully, but it's funnier if the Alliance is also not peaceful about this at all.

Almyra certainly is not looking like a future friendly neighbor, despite Edie's optimistic outlook.

Live blogging:

Hubert reports that Thales has started collecting the Relics from the Alliance (cool! definitely not a problem! Hilda wasn't casually able to oneshot everyone with that awful axe!)

He also suggests that we have one of our Lions recruits pretend to be a hostage to force their family to betray the Kingdom. Lovely man, so practical.

Byleth: you're using too many Proper Nouns, I can't keep tracks :( Edelgard: don't worry about it, kitten

Nader's in good spirits, at least. The Almyran forces have a lot of wyverns, mounted archers and also giant birds.

Edelgard thinks we can befriend Almyra, she would even consider a treaty. It's not a land ruled by blind fealty to the goddess (lol), so as long as communicate openly and respect the differences between our cultures... OK. We're not gonna mention Claude at all, which is funny.

Next paralogue! Hubie is investigating Solon, Kronya and Arundel. He wants to know their identities, their origins, their numbers, their base of operations, their plans, and where they acquired their dark powers, how they disguise themselves. He calls them "those who slither in the dark."

Now, working backwards from this, it means that he doesn't know these things in early war phase (where we are now), unless we assume he got further in his investigations in other routes.

Also, as has been pointed out, although this is a descriptive name that Hubert came up with, it's also used by Rhea for some reason.

It's a shame that Arundel is just Thales, he has a pretty nice design.

Hubert calls Arundel "Regent" even now. Weird!

We're sent to help some Agarthans who were experimenting in the Sealed Forest but their demonic beast subjects ran wild. Hubert later suggests that this was all a setup to make Edie's faction feel powerless in the face of the Agarthans' experiment (because they are aware Hubert is investigating them), but it backfired because Hubie isn't intimidated at all. He's looking forward to when Edelgard finished uniting Fodlan, and then House Vestra will fight the Agarthans in the shadows. (Hilarious from a narrative standpoint.)

Incidentally, you only need to save more than half the mages to get Arrow of Indra. The "Mysterious Mages" that you save also do not have Agarthan Technology abilities unlike the shapeshifters. Ladislava is popular with the citizens of the empire. She doesn't put up airs, is talented and also beautiful. She's known as the Scarlet Warrior.

There isn't much unrest in the former Alliance territories, perhaps thanks to Caspar's dad's strength (aka keeping them in line by force).

Riegan was once a branch family of Blaiddyd, which is very mysterious given their different crests.

Ladislava's troops depart at the end of the month (February) to the western front. They have high mobility. iirc she's a wyvern rider.

It's a bit funny to get the quest for the Almyran merchant same month as the Almyra invasion paralogue.

Claude told Lysithea roughly that she shouldn't focus too much on whether they win. Unlike Judith and Hilda, she listened lol.

Hubert hanging out in the Deer classroom, thinking about Claude. Relatable. He says that Claude has a compassionate exterior, but underneath is cold and calculating. Harsh! Also, not really in line with Claude's behavior toward his allies.

Linhardt says that there's a passage from the Holy Mausoleum to the Holy Tomb, but he can't figure out the mechanism. It's not really clear where the Holy Tomb is, and I've seen the speculation that it's under the amiibo gazebo... but the Holy Mausoleum is in the cathedral, so the two being connected... it's possible both are true, but kinda weird if so.

Dorothea: They'll write operas about this... I'm sure a pretty actress will play you :) And Edie :)) Maybe they'll throw in a love story :)))) hahaha (extremely awkward laugh)

Just realized you steal Zoltan's idol from the advisory room in the cathedral. Nice.

Hubert and Edie A: He emphasizes again that he's devoted to her due to personal feelings but also that he's not loyal in the sense of following her orders. He does what he thinks is best and if Edie disagrees, or doesn't like it, or is kept in the dark for her own good, well, that's how it is. He also mentions that his devotion became personal after Edie returned from the Kingdom, which calls back to how he and Ionius treat it as some kind of malicious kidnapping.

Petra paralogue: Church is threatening Brigid :( Well, per the Empire's perspective. Catherine is here <3

Jokes aside, Petra's perspective is interesting. Brigid is trapped between the Empire and Dagda, and they don't have the ability to stand against either one. They were dragged into war with the Empire by Dagda, which they then lost, and Petra's father was even killed. So they became a vassal state of the Empire, but given the whole racism issue, they probably were not in a good position. So Petra is focused on basically proving that Brigid is a useful and valuable ally for the Empire. Which is a rather practical approach.

Leonie paralogue... Interesting details that you need recommendations to get into Officers Academy. In the Alliance this means paying nobles to get them. Raphael mentions that his family sold their business to pay for him, iirc, since he wasn't up to running it anyway. Ignatz's parents are more successful, so perhaps they could just afford it. Leonie's entire village had to chip in to buy her way in. Presumably Ashe was sent by Lonato directly (though interesting choice given that the uprising happens very early in the year, so he must have already been planning it). I think the only other commoner is Dorothea, who... well.

Linhardt brings up the crests perpetuate the nobility angle and says to take it up with the Goddess for handing them out like that. But given where Leicester crests actually came from... sigh

Linhardt read about the legend of Saint Indech, so it's free real estate for any other character to read in an AU. Very nice.

Lake Teutates... Indech is a giant turtle. Man, these "dragons" are all kinds of shapes lmao. He attacks with water spikes.

Leonie calls the Immovable One a "magic beast" which we haven't seen so far, only wild beasts and demonic beasts.

Linhardt immediately caught on that the Immovable One is Saint Indech.

Petra has been in Fodlan for 9 years as of the war phase, so she came 3 years before the Academy.

Garreg Mach can be entered from the north by following Aillel, the Valley of Torment.

The map this time is a modified version of the monastery defense map from end of Academy Phase and second battle of the other routes. Previously, I didn't realize that the right hand third is gone. Presumably, this is the gorge that Byleth fell into...

We're fighting an expeditionary force led by Alois, while Rhea and Catherine hold off the rest of our army at the Sealed Forest. Aaah, they're so cool <3 They're also set up an ambush.

OK, so the situation with Flayn and Seteth is that they just retreat when defeated, regardless of who fights them. I thought there would be some scene about specifically sparing them, but nah. They just leave on their own. You don't even have any unique dialogue with Seteth, and Flayn just talks about how she won't kill you since she owes you her life.

Rhea murdered the heck out of Ladislava and Randolph off-screen. Shame, I would have loved to see it.

We killed Alois tho! He felt that, since we betrayed Rhea, Jeralt would not have approved.

#playing fire emblem

[eveindtub]

i know we're tired by now, but i have one take on only friends characters that i think we might be overlooking because of our own personal attachments (to them AND the actors).

you might have heard before of mirror/parallel characters (if you haven't, i'd recommend the read about it because it's very interesting) and whether it's the writers' purpose or not, i think we have these in the main six.

"Parallel characters, also known as mirror characters, are characters who share many similarities with each other. These similarities can be related to the characters' personalities, backgrounds, or motivations. By having so much in common, they are then able to highlight the differences between their decisions. The characters complement each other while revealing truths about each other that would otherwise have been difficult to spot."

my two cents on who is mirroring who in only friends is:

top - ray

mew - sand

boston - nick

if you leave favouritism at the door and pay real attention to these characters' background and personalities you'll see they're actually very similar, but they're moving on different directions because of, obviously, their different realities, surroundings, etc. what makes us, us.

top and ray are both rich kids with a sad past, and apparently problems with their parents, who ended up turning to drugs as a coping mechanism; both used to getting what they want, when they want and not taking a no for an answer. and funnily enough, maybe that's why they both despise each other (and fell for mew). i think these two are the most obvious mirror and it's what makes funnier to watch how different are the fandom's reactions for their actions every week. they're pretty much the same font, in different notebooks.

mew and sand are also easy to notice: quiet guys that are mostly worried about doing their own things and not messing with anyone's business; both very vocal about their needs and intentions and the only ones who seem to know how to draw and not to cross a line. the fact they end up getting involved with top and ray draws another interesting mirror: we can see two pairs with people that are pretty similar, but with very different routes.

it's almost like saying: hey, look at a&b and now look at c&d - this is what a&b could've been, under these circumstances - with different choices.

for boston and nick, i feel like it's more of a reach, but you can see they also have their similarities or they wouldn't have hit from the start (like let's be for real, that was insanity). i see them as the only ones that could understand each other, to the point that boston might not even think nick bugging his car was creepy (just be pissed bc it was behind his back). but then again, boston wears his insanity proudly while nick is more reserved: still, deep down they're very alike (in nick's own words, he's also nasty).

on another note, we have the public view on all of this: you just don't see them reacting with the same fervor about the similarities of the characters. for example, top has been painted as a red flag for doing things ray has as well - but ray is a lonely guy who needs love and care; not top. meanwhile, sand have been clapped as the most unproblematic character, but mew is definitely plotting something behind his good guy act. on boston and nick, there's just not much discourse even tho boston is pretty much the drama, so i'll leave it at that, but i think we took longer to judge nick for his actions, since he is quieter.

there's a quote that says:

"It is funny how different mirrors reveal different aspects, it must be like people you meet, you get to prefer the ones who show an image of you that you like." — Alain Bremond-Torrent

which i see like: even though these characters are very much alike, people keep picking this or that side because of their own perspectives on life, which don't necessarily means this or that character is in the wrong or is better than the other, but some interpretations have been muddled because of their own traits (or preferences?).

back to my first point, i don't know if the writers intended to make them like this on purpose, but the weekly discourse is showing how the reactions on very sensitive topics are just not the same if you just switch the character (or may i say, the actor?), to what i believe is one of the reasons behind writing mirror characters.

but the conclusion is, none of these characters are blank pages and they all have their wrongs. it doesn't make them villains or protagonists - they're all just parallel lines going through this mess and i wish we, as viewers, could be more impartial when judging those actions. when something is wrong, it is, no matter the one behind it. so let's stop witch-hunting some while patting the head of others.

#i think this got long but i had to say it #as we progress through the eps and the characters pov of things #it gets clearer and clearer how they're all flawed and their reasons #so can we PLEASE #only friends series #topmew #sandray #bostonick #only friends

[sokkastyles]

Hi,

I've liked your takes on Azula. Personally, while i like her as a character (specifically as an antagonist), i've never really liked Azula. Perhaps that's why i have trouble picturing what a redeemed Azula would actually look like. I was wondering if you had any ideas on what kind of person Azula would be, post some kind of redemption.

Hi, and thank you!

As far as liking Azula, the way you describe feeling about her is how you're supposed to feel about her. She's a good character, but she's not supposed to be likeable as a person. Something that I think is a problem in fandom culture is that people get caught too much in character likability. To me it's a really weird way of looking at fiction, but it's oddly common in fandom spaces, the idea of whether x character is someone you would want to be friends with or date in real life, when most characters are not meant to be interpreted that way, they're meant to be interpreted as part of a story. Azula isn't a likeable person, but that's okay because she isn't supposed to be, and she's not auditioning for my friendship or anything, she's a fictional antagonist in a story, and she does her job.

On your question about a redeemed Azula and what that would look like, this is a really interesting question, and I feel like most people who talk about this get it wrong. I see a lot of sad baby Azula who feels immense guilt over her actions. On the flip side I see "redeemed" Azula who never feels remorse for anything and continues to treat the people around her like garbage, but they have to put up with her because she's "redeemed" now. I also see a lot of people proposing a redeemed Azula who gets to be a mary sue wish fulfillment fantasy - she is the most powerful bender, the most intelligent, funnier than Sokka (an actual take I've seen) and all around better than everyone. Which is a weird take on redeeming a character for whom one of their primary flaws as a villain was thinking that they were better than everyone.

To start thinking about redeemed Azula and what she would be like as a person, look at Zuko's redemption arc. One of the best ways to redeem a character and keep them recognizable is to take those flaws that made them a villain, and portray how they can also be virtues.

For example, one of Zuko's primary established traits early on is his dogged determination. It was one of the things that made him a villain, but it's also one of the things that pushes him towards redemption and building a new identity for himself. His ability to endure and get back up again helped him through his struggles even when it was hard, even when he had to give up a lot of what previously drove him and search for a new drive.

One of Azula's primary traits as a villain is her intelligence and quick wit. She is hypercompetent and ambitious. She's extremely observant and uses those skills to manipulate things to her advantage. I said long ago that I'd love to see an Azula redemption that takes those skills and refocuses them on something that leads her towards a path of goodness. One of the things that happens in the comics is that she notices that Zuko is struggling with being fire lord. She tells him in "The Search" that he doesn't really want it, and there is some truth to that. She's able to pick up on something true about his character because she knows him so well, and like previously, she's able to use that to manipulate him.

But what if she were able to use those powers of observation for good? What if, instead of manipulating people, she were able to use her ability to understand people and what motivates them to help them? There's only so far you can understand other people before you start to empathize with them, and it's hard to hate people if you really understand them.

I imagine Azula post-canon, struggling with the new world she finds herself in, not sure of her own identity. She starts out with trying to pick up the pieces of her old life. Zuko is fire lord, but she knows exactly where his reign is going. She was always able to think three steps ahead of him. He can't see the enemies in his own council. She knows exactly whose ear she would have to whisper in to bring her brother down. But along the way she can also see so many other possibilities opening up. Zuko would succeed in getting this new ruling passed if only he realized what this certain councilman wanted. She tells him so one day just because she's bored, and to both of their surprise, Zuko actually ends up taking her advice, and it works. Of course, Azula didn't want that to happen, it's just that she could have if she'd wanted to. But after that, Zuko eventually makes her a part of his council, and the more he trusts her with information, the more she buys into it just to see what would happen. Eventually Azula finds herself committing acts of kindness just because she can. She can see all the possibilities so easily, how to improve or destroy someone's life at a whim, and this amuses her. A curious thing starts to happen, though. The more Azula ends up, sometimes despite her own judgement, helping others, the more she finds that people actually like her. They come to her for advice. A young woman comes to her one day asking how she can get a certain powerful nobleman who her family wants her to marry to leave her alone. He is wealthy and well-connected, but she has heard rumors that he is disrespectful and aggressive to women. This man, he has secrets as well, and Azula knows exactly what strings to pull to get this man removed from Caldera's court permanently.

Along the way, the more Azula realizes about the people around her, the more she starts to see through her father's bullshit. The more she starts to build relationships with others, the more she realizes how empty the relationship with her father was. In fact, her father was the one keeping her isolated all along.

Eventually, she becomes a force to be reckoned with in her own right, except now she has something else to fight for and has also learned not to take herself so seriously. She doesn't strive for perfection anymore, but she's still known to be ruthless to those who cross her or those she cares about, and will have a biting word for those she dislikes. She would be fiercely protective of the new network she created for herself.

I also don't like the redemption scenario of Azula the hermit who goes off and does her own thing. There is some truth in the idea that redemption doesn't necessarily mean forgiveness from the ones you've hurt, but I don't see Azula being happy alone. One of Azula's main flaws is thinking that she's better than everyone else, and her tragedy is that she ends up alone. Her redemption, therefore, has to come through living for others. Isn't that what redeems all of us in the end?

#azula #zuko

[ms-all-sunday]

ive personally gotten over the flaws in sanjis articulation and i understand what i think is the intent behind his character but i remember for like months past watching one piece originally i did not get it at all (i have a semi popular post about my friend getting him immediately while shading people who don't but that's me, i was that person) and i had to play around with interpretations of him to truly settle on what i think is concretely understanding him.

the reason, partially, for my original trepidation is twofold,

one, shonen does not have a good track record.

two, more personally, it's kind of insulting to the audience to expect this character who you've established has a relationship with women that has it's pros and cons (i always go back to the arlong park articulation of zoro respecting nami enough to see her as a threat and sanji because she's a woman, willing to look past what is obviously a mental breakdown from someone whos struggling. that was like the best articulation oda couldve done it all goes downhill from there) and like fully acknowledge inherently the social injustice that women face within that, while also doing the social injustice. it's hypocritical.*

ive taken to just categorically ignoring the pervert jokes and pretending we never progressed past pre ts sanjis jokes (which by the way and i say this with every spiteful bone in my entire body, were FUNNIER. it is such a fucking crime that sanji a character that had SO many consistently funny jokes because he is an hilarious comedy character, gets absolutely no funny jokes. the most recent funny joke he's had is egghead but before that it wasn't for years that he had a funny joke.) because the good thing and also the function of the sanji jokes especially as they relate to nami is that nami can and does cushion how creepy he comes off. they are in a weird consensual heterosexual chicken game and it says something about them that they treat eachother like this. unfortunately when you reduce sanjis jokes down to pervert anime jokes you also loose their back and forth which hurts namis characterization and as i've said before. the group dynamic is everything. you cannot hurt it it is sacred or one pieces quality declines (post timeskip)

*This is also a similar way that one piece as a story treats abuse more broadly. There's this thing that I call in my head "intent is effect" logic where basically if a character had good intent dot tm they're forgiven for abuse by the narrative and their abuse is played off as a joke (garp) or you're judge (the most evilest man on the planet which btw did you know all abusers are evil and not complicated human beings /s) (do NOT interpret me as saying this as a hashtag abuse apologist thing i will kill you. i am a persona 5 fan, ideologically.) i would pretty much definitively say that uh the same logic is applied to sanjis sexual assault/harassment jokes, as they are a type of abuse. and uh that's bad. it's shitty on all accounts for sure.

although im sure id become more fuelled by rage and question the stability of my own opinions if i watched the shittier parts of post TS again, I'll eventually get there in my rewatch don't worry.

#modposts #op #one piece #meta #black leg sanji #you see if someone asked me spefifically what my interpretation of sanji is id crumple #the reason id crumple is the way i interpret him is based on my own experiences with women and what having the types of emotional issues he #does looks like. i took what originally i resented for being a negative protrayal of an emotional issue i have to uh an articulation of #my own experiences. #unless you want to explictly base your sanji interpretation off of me. which fine okay do whatever im not the government #but i assume most people wouldnt want to. #to some degree every strawhat ive ever written is explictly based on myself thats just how i write characters #uh. just osdd things i guess #abuse tw

[wacky-nameless-inventor-24]

Your notes got me thinking, this is not to pressure you by any means, and I have a couple ideas (read: brain dump) if you’re wanting to hear them

To pose a possible solution to how you want to tell the story, since you want to tell it from Gyro’s pov I think that would make Fenton a good vessel for the plot indirectly. You could use him as a small glimpse into what’s really going on without going into his head for it, as you said Gyro couldn’t care less about Mads, aside from the constant kidnapping, but the developing relationship between Gyro and Fenton means for the course of the story Gyro would start paying more attention to Fenton and thus pick up on how he’s been acting a little strangely (mirroring Fenton’s own realization about Mads) - and possibly having Mads talk to (or at) Gyro about Gizmo in general when he gets kidnapped (maybe muttering to himself about how to keep Gizmo interested in him as a villain, I assume that he doesn’t stray too far into irredeemable territory because he wants to make sure Gizmo will always come looking for him but not enough to go into a mindset where he doesn’t care about the carefully crafted dynamic anymore - like say if Mads committed a mass murder then that might dehumanize him to Fenton and thus kill their fun dynamic for Mads) or just how great a hero Gizmo is in general (would Mads get jealous if some other B-rated criminal started taking up Fenton’s time? Or if the news didn’t portray him in a god light? I wonder if Mads gets possessive of Gizmo and his image as Duckburg’s hero who does no wrong - slightly off topic but that makes me think of how Angus Fangus obliterates PK’s reputation in the PKNA comics, imagine thinking you’re doing the city a favor by chipping away their blind confidence in the city’s only ‘capable’ hero and having some guy who looks a little too much like McDuck’s mad scientist break into your office and threatening your life/career because of it)

Like maybe Fenton not speaking up as much when the subject surrounds Mads and how to take him down or contain him, or kinda spacing out when he starts thinking about how to confront Mads or deal with their recent strangeness, and Gyro picking up on that stuff when everyone else might attribute it to Fenton getting lost in thought or thinking like Gizmoduck (though Gyro might too at first) - though this just might be my interpretation of Fenton - maybe Fenton expressing kinda vaguely that Mads isn’t as big of a threat as they first thought (also might be Fenton sympathizing a little too much with a criminal, but up to you honestly, also might be my interpretation again)

Also thinking about Mads’ relationship with Gizmoduck, assuming that they’re part of the Moonvasion clone group, they would know that Fenton is Gizmo right? So that leads to interesting shenanigans that Gyro would learn second hand such as Fenton having to confront Mads as a civilian (possibly getting kidnapped? I think Mads would enjoy seeing Fenton being able to get out of a situation without the armor) or Fenton in general talking about Mads and what they’re doing (newest plans - are they a monologuer? - trying to mentally deconstruct weapons and traps, etc) and figuring how Mads has screwed with the suit /this time/ during their weekly fight - all that to say, over time I think Mads would figure out that his favorite superhero nemesis is getting into a relationship with the guy they kidnap for his attention (even funnier if he somehow sees it before Gyro realizes he has feelings) and then starts ruining Gyro’s day with a vendetta now, maybe finds a little more satisfaction with terrifying him with new threats (thinking of the scene with Megamind and Roxanne at the start of the movie but maybe Gyro is a little more concerned)

Side note: feel like Mads would absolutely be the kinda guy to ask his bi-weekly prisoner if his mascara complemented his outfit well today, and then either promptly ignoring whatever insult Gyro throws at him or fussing in the mirror because he does care that much

Name ideas (you know your AU better than I do wheeze): Mad for Gizmo, Enemies to Something that’s for sure, Look at me/Can’t you see it? - really putting those out there, have no idea what you’re looking for by maybe it’ll help (either with what you want or don’t want)

Also also interested in what’s going on between Fenton and Mads over the course of the story (o. o)

Your AU is very interesting and fun to think about! Again, these are just thoughts I had and no pressure for anything! Wrote more than I was intending but I suppose that’s a good thing :) 

Kudos! Would love to hear your thoughts :D

YEEAAAG I WANNA HEAR

UAGH THAT WOULD WORK REALLY WELL ACTUALLY. I LIKE THAT. YEAHHHH because it is supposed to be a forming fenro story so that would make sense!! that as Fenton picks up on Mads' behavior more Gyro notices there's something off with Fenton and then their relationship develops as he tries to learn more about that. uaaaagh I like that a lot (I set down my phone and said that out loud ssldkfjdlskj). Oh yeah, I don't think that they'd cross any horrible moral lines, a lot of for the reason that yeah they'd lose Gizmoduck's favor and I don't think they're toooooo malicious. POSSESSIVE👏MADS👏 HECK YES Oh they would absolutely get salty at anyone being rude about Gizmoduck. He's their hero and so they're the only one who gets to make fun of him ssldkjfsdlkj I was also thinking that Darkwing and PK are prominent in this story, but Mads mostly just sees them as nuisances rather than seeing them as opponents like they do with Gizmoduck. I think it would be funny if Gizmoduck got caught up fighting someone else and Mads got jealous of that. XD They'd throw a fit and Fenton would have to be like "no but I still really like our fights! Fighting other people isn't the same!!!!" There's something very lego batman/lego joker about it (do you like how all of my superhero references are megamind and lego batman ssldkjfldskjfldskj)

YES YEAH EXACTLY THAT. AUGH ALL OF THAT I LOVE IT. YEAH and Fenton talking about how he's worried/concerned about Mads most of the other characters could just write it off as him having too big of a heart like he usually does sdlfjsdlkj this isn't too out of character for him but it'd be fun for Gyro to really notice and be like "okay you're taking this worry too far what's going on?"

Yeah they know Fenton's Gizmoduck! They also know Darkwing is Drake, idk if they know about Donald being the Duck Avenger. Oh my god yes I love that, all the three of them finding little ways to know more about each other solely through their individual interactions that's actually so precious. I'm melting. I'm thinking they're a monologuer mostly to Gizmoduck- trying their best to impress him with their schemes. XD OKAY. ALSO. YES. I was thinking that Mads does leave Fenton alone for the most part, they view the hero/villain thing as more of a job and they don't want to bug him while he's off the clock. BUT. PUTTING IT LIKE THAT OF MADS WANTING TO SEE HOW HE'LL GET OUT OF THEIR TRAPS AND STUFF WITHOUT THE ARMOR IS ACTUALLY SO FUN.

HE. WOOOUULD. THAT'D BE SO FUNNY. AND IT'D BE FUNNY IF HE'D ASK IT IN THE CONTEXT OF GIZMODUCK TOO SSLDJFSDLKJ "do you think Gizmoduck would like this shade? he likes purple, it should appeal to him." and Gyro just says he's trying too hard slskdjfldkj

OOHHH I LOVE THOSE. MAD FOR GIZMO THAT'S FANTASTIC AUGH /gen I'm considering 'I Was Never Meant to Win' as at least the title for if I ever did a fic, it's a reference to a song that's kindaaaaaaa similar to this au and also it refers to something that happens at the end :3

Nyehehehehhee I want to at least draw them more together so bad. I just have to pick which scenes to do and out of those if I should do ones that will probably be canon or ones that aren't actually canon but would be fun to draw ssldkfjldskj

EEEEE TYYYYY THANKS FOR THE ASK AND FOR LETTING ME TALK ABOUT IT THIS IS SO FUN <333 I FUCKING LOVE YOUR IDEAS

#thanks for the ask! #cryo-nyx #mad ducktor #fenton crackshell cabrera #gyro gearloose #ducktales #ducktales 2017 #DT17 #duckverse #I want to write this so bad but. i have a lot of christmas stuff ive been planning to do since forever #and I SHOULD be working on my next mads story in my series too so. uagh

[tobiasdrake]

Making a secret deal in the sewers with a teenage girl. I swear, I'm not buying drugs. ...or selling drugs. Either of those things would be plausible interpretations of this situation.

Oh, I should not have recommended you to Halara. They probably wouldn't even let you finish that sentence. Rejected so fast your hairclip would spin.

Also, I love how she keeps bowing down a bit to demonstrate how enthusiastic and eager she is. She's a very bouncy and energetic character. The reason I love that is because of the height difference between us; It legit looks like she has to crouch down a bit to try and look Yuma in the eyes due to his floofy rain hat.

Now, I know you're playing me. You'll tell me "everything you know" as compensation. If you don't know shit, you can tell me that and your end of the bargain will be fulfilled.

But I'm just. So excited. To get a mystery to solve! I'm gonna let that slide because my investigation senses are tingling. I crave questions for which I can seek out answe--

Oh, shit, maybe I am buying drugs.

I am definitely buying drugs.

Be specific. Was it a murder? Kidnapping? Bully shoved your head in a toilet?

I want to ban mystery writers from using the word "certain". Or any synonyms like "particular" or "specific". You are not allowed to vague-scrawl things into people's dialogue as "a certain incident" or "a certain person" or "a certain event" or "a certain beverage" anymore. Nobody talks like that.

So now we're going to a high school to solve a mystery while Yakou starves.

She hasn't said anything that implies that she's the "Peacekeepers" that Yakou was pissing himself and fleeing from when he went out to buy groceries. Nothing she's said has implied that we're the second Master Detective she's tried to approach. But I'm gonna imagine it was her. It's funnier that way.

#master detective archives: rain code #drake plays rain code #kurumi wendy