daffodil + chan
a song
the prompt: daffodil (a god bows before a mortal)
read it on ao3
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"You have no power over me."
running through his hands like water, and suddenly the earth is not his to control. The skies do not turn with the twist of his head, lightning does not fork in the air when his eyes, dark as night and yet still lit by some unearthly light, fall upon you, his mouth wide as if to gasp for a breath he cannot take-
And yet, still, it shivers down your spine; the magic that draws you here even as you rip it apart, the prize of your conquest to rip the world into two.
"Take it back," he hisses through his teeth, the ground trembling with every syllable that slides down his tongue. You watch his mouth as it forms the words, the flash of teeth behind thin lips reminding you of the way that the swordsman you'd fought through to get here had smiled at you - the last of his seven challenges, the last of his demons, or angels, or citizens of the sprawling, damned city he claimed as his kingdom.
And here you stood, at the pinnacle of the eighth, and stared him in the eye without cringing away because now you knew the truth. Now you knew that what he whispered in the dark was a lie and what you saw with your eyes wasn't always true, and though he may be a god and a king amongst beings that you could never hope to rival, a god can only hold as much power as you give him. A god can only claim dominion over a beast that bowed to his dogma.
You see now that you are no beast. You are no believer in any lie he utters to the darkness.
"Take it back," he says again, the note of his voice changing. He pleads, his brow furrowing and his shoulders curling in as if waiting for the final blow. "Take it back now, before it's too late."
"I can't," you tell him, and you watch him fall to his knees, and you know that it's wrong and your heart pounds in your chest and it
like the ground does at the impact of his knees, crumbling into the pieces it was in when you first took his hand, alone on the side of the road with only one thing to call your own. And what was that thing, the little warmth you'd held to your chest in the dark and the cold? What had you traded away for the comfort of the house that crumbled around you now? Why had you destroyed him to get it back, where was it now, why did it not appear within his hands at this, the hour of his reckoning?
"Please," he spits into the cold ground, the dirt and the leaves and the curl of ivy that grows up the walls around you, old and ancient and not yet sprouted from its roots all at the same time. His hands curl in the dirt like he can reach down and pull the earth to him, like he can stop the wane of his power if he just tries to hold on a little bit tighter. "I know what you want, and I don't have it. I can't lose-"
Broken, fragile thing. Small god of limited earth, crouched at your feet like he might worship you instead. You'd thought him all-powerful once, and then you'd thought him severe and his servants and beasts and playthings petty, and then you'd thought him
because he'd smiled at you in the garden that bloomed from his own hands when you expressed your desire for a flower to tuck in the braid of your dark hair, and his hand had been soft in yours, and when he looked out across his kingdom and the clamouring faces of the people he'd brought to live there, he'd looked at them the same way that he'd looked at you.
Beneath your foot, the ground cracks, fracturing outwards like a spiderweb. It's your heart, you realise morosely, sinking from your chest and into the depths of the earth, disappearing with whatever he'd taken from you; and it was a wretched thing and it had betrayed you a hundred times over, but you still mourn at the loss of it and all the dreams it had carried with it. It blooms in your flowers in the corners of the room, embeds itself into the land and sings along with the song of his power, a thing you can hear but cannot touch, a beast once born that now does not belong to you.
"I'm sorry," he says, his breath like mist in the cold air, and even without your heart, you can't bear to see him so cold.
Your hands reach for him without permission, your body kneeling in the dirt before you can stand your feet firm upon the earth and refuse to move. He flinches away, but your fingers are soft upon his chin and the curve of his jaw, gentle when they brush the soft dip of his neck. "I only wanted to know what it was," you tell him with a voice that cannot hold itself steady. "I thought if you loved me, you would give it back." It's the only voice you have - you are not like him, or like Felix, speaking with many tongues. You don't have any power of your own.
"It's because I love you that I can't give it back." His voice is hoarse, every word a knife that he swallows without ever once flinching. "It's because I love you that I couldn't tell you what it was."
"But didn't I deserve to know?" you question. "Doesn't my life belong to me?"
Finally, his eyes rise, looking up at you with a fire that belies the cold of his skin. "Of course it does," he gasps, and his hand reaches up, dirt-stained fingers dragging at your cheek. "That's why I gave it to you, and I never asked for anything else."
"But you wouldn't give back what you took in the first place."
The sudden violence of his voice crumbles the walls and fractures the sky, the clouds blooming te dark colours of a bruise. The absence of his hand on your cheek stings in the cold; his face turns away, screwed up in regret and a pain he won't allow you to feel. You lurch forward before he can disappear, drawing him into your arms; stiff shoulders, spine of beaten steel, slow beat of a heart you once held in your hands.
He'd stood so tall and unmoving in the morning light, when you'd first walked down this path, and now in the dark of the setting sun and the ending of the earth, his weight slumps into your grasp, his resolve melting into the warmth of your body. "I didn't want you to suffer again," he says to the soft cotton of your shirt and the curve of your collarbone, his breath a whisper against your skin. "I couldn't watch that, when you asked me to make sure it would never happen again."
Surprise comes in the pause of your breath and the still of your arms, the jump of a heart you're not sure you still possess. "I asked you to make me forget?" you question the world behind his back, and into your neck, he sighs.
"You couldn't forget," he murmurs. "She was dead before I found you, and when I took her from your arms - you couldn't forget. There was nothing I could do to fix what had been broken. And then you begged me to let you forget, so I remembered her for you." He pauses, his throat hitching like he's swallowing something down. A sob maybe, or the tears he will never let fall. "I can't give her back though. She's not here anymore."
You push him upright, your hands on his shoulders, his neck, his face. Brushing away the hair that falls in his eyes, wiping at the blood that drips from the cut on his cheek. "Why didn't you tell me?" you ask, because the answer is incomprehensible. "Why did you let me go this far?"
"Because I was scared," he admits, and his teeth clench and his spine stiffens against the urge to hide away from you again. "Because I'm a wretched, evil, stupid thing who thinks they can-"
His words die in your throat; vile, wretched things that you store away to spit out later, into the ground where they belong. He is none of that; he is soft, and hesitant, until your fingers find the sharp curve of his hip and the lines of his back, dragging him closer and his lips open like there is nothing in the world to devour but you and
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Howdy jacksprostate can you give us some thoughts on the narrators father/upbringing? Im curious on how you interpret what the book/movie gave us in terms of his absent dad
Also i love ur posts btw and thank you for replying to like all of my fight club art 😭 It genuinely pushes me to make more for the community so i thank you
Howdy :)
The narrator's father is an important, ever present, and completely lacking figure in the book and movie. (Obligatory disclaimer I mostly focus on the book) Here's some things I've been thinking about:
The chapter detailing fight club, its start, its rules, is intertwined with fatherhood. As the narrator explains his first punch with Tyler, as he looks upon his new disciples, as Tyler reads out the rules:
"Maybe self-improvement isn't the answer.
Tyler never knew his father.
Maybe self-destruction is the answer."
"Me, I knew my dad for about six years, but I don't remember anything. My dad, he starts a new family in a new town about every six years. This isn't so much like a family as it's like he sets up a franchise.
What you see at fight club is a generation of men raised by women."
You have the lines, Tyler’s in the movie, the narrator’s in the book, you have:
"My father never went to college so it was really important I go to college.
After college, I called him long distance and said, now what?
My dad didn't know.
When I got a job and turned twenty-five, long distance, I said, now what? My dad didn't know, so he said, get married.
I'm a thirty-year-old boy, and I'm wondering if another woman is really the answer I need."
You have:
"Tyler was fighting his father.
Maybe we didn't need a father to complete ourselves. There's nothing personal about who you fight in fight club."
And you have his boss; his boss he blows up, Tyler constantly tells the narrator how he could do it, Tyler’s words come out against his boss about how he could shoot up the office, begging to be punished, using the copy machines, begging for more than nothingness; you have:
“The problem is, I sort of liked my boss.
If you’re male and you’re Christian and living in America, your father is your model for God. And sometimes you find your father in your career.
Except Tyler didn’t like my boss.”
You have:
“I am Joe’s Broken Heart because Tyler’s dumped me. Because my father dumped me. Oh, I could go on and on.”
You have, Tyler’s words in the mechanic’s mouth:
“"Your father was your model for God.
…
If you’re male and you’re Christian and living in America, your father is your model for God. And if you never know your father, if your father bails out or dies or is never at home, what do you believe about God?
…
What you end up doing … is you spend your life searching for a father and God.
What you have to consider … is the possibility that God doesn’t like you. Could be, God hates us. This is not the worst thing that can happen."
How Tyler saw it was that getting God’s attention for being bad was better than getting no attention at all. Maybe because God’s hate was better than His indifference.
If you could be either God’s worst enemy or nothing, which would you choose?
We are God’s middle children, according to Tyler Durden, with no special place in history and no special attention.
Unless we get God’s attention, we have no hope of damnation or Redemption.
Which is worse, hell or nothing?
Only if we’re caught and punished can we be saved.”
And we have Tyler using paraffin, so the narrator can be in Heaven, chided by God.
So like, what does it all mean?
A generation of men raised by women. His dad franchises, he’s not sure if another woman is really what we need. Men with no male models. Men with shit fucking fathers who are fighting them with impersonal proxies. Men who know they're destroying themselves because they have no constructive examples to follow because every single man just fails every son.
And that IS important. It's important to note there is misogyny in the fact that men demand male idols and refuse to even borrow women, but can I condemn them for the same thing I know matters to myself? Can I condemn them for wanting to see men who aren't shit, when I want to see women who aren't shit, when I want to see both not fucking failing their children? Shit fathers fuck over everyone, I don't think it's wrong to see that problem. It's classic male to say it by implying women are lesser, so fucking classic, but it IS true — they're in large part like this because men fucking fail everyone including each other and themselves. There is a gaping, wide fucking asshole where decent men should be, and they’re throwing fits about it rather than stepping up, but I think it’s notable that the narrator DID break the cycle. He’s not franchising.
And man, the Christian thing. Your father is your model for God because that is the point. Patriarchal religion serves a damn purpose. The father anoints himself as God, tells his children to have unbreakable faith, then disappears. What a shit fucking father. Isn’t disillusionment inevitable? When you can’t find him in his petty figures, not in your father, not in your boss?
Truth is, he says it twice. He likes his boss. As a person maybe. He’s around. But he’s absent too. He doesn’t give a shit. Just like his fucking father, he’s putting him in shit situations, telling him that’s just how it is, and expecting him to, what, be happy with it?
He likes his boss, but a part of him really wants to kill him. He likes his boss, but he begs his boss to do something, anything other than indifference. And he doesn’t. So the narrator invents his own boss, his own father, his own God, and he kills his boss, and he’d kill God and his father if they weren’t already practically dead and gone.
Dead and gone, even if they're there, he could beg them to care and they wouldn't. Society is set up for them to be the ultimate judgement, the hallmark by which you can measure yourself, the ruler for your fucking life, especially as a guy. And you get nothing. Indifference at best. Be the best son, disciple, worker you can, your boss God father doesn't give a shit. Self improvement isn't the answer. Wouldn't it be better, to know God, your father, your boss cared enough even if it's just to hate you?
Wouldn't it be great to track him down, tell God, "I am stupid and bored and weak, but I am still your responsibility."
He externalizes all that violence, it’s always Tyler who wants to kill his boss, who says he wants to be God’s enemy. And Tyler is his stand in boss father God, so just like the others, he leaves him. Even his fantasies can’t imagine better.
And honestly, yeah. Myself, I’ve got a pretty good dad. He loves me. He’s been around. I still hate his guts. He abuses my mom and I hate his fucking guts for it. If you asked my brothers, maybe they wouldn’t have that “but”. What he does to my mom is so baked into society that he may as well be a five star father. He’s not beating us. He’s still here. Can it really get better? I have friends that love their dads. But I don’t have any friends that love their dads that don’t have shit moms. When it’s not the choice between bad and worse. The bar is so low. What does that mean for us?
It’s so easy to point at all this and be disturbed and angry about this pathetic fucking white man letting his daddy issues result in terrorism, and like, yeah. But god, fucking everyone has daddy issues, and we shouldn’t. He’s right that it’s a problem. What to fucking do.
Fight Club sits as a “how to NOT deal with several major crippling problems in society,” obviously. But what are we doing to do? It’s not up to me, obviously. I’m not a man, father, not even someone who could raise her standards for the man she partners with, because I don’t do that shit. And hell, you raise your standards and men say you’re killing them and shoot up all the women in an engineering class because jobs are making them too uppity. So. It’s up to them, whether they decide that the fallout of having such a shit father means they should, I don’t know, change something. But as it is, father as God, boss as father is baked into society, the paternalism is extensive and everywhere. It’s baked in.
The narrator is a product of so many issues. A little clown car of a vehicle for them. I don’t really need to consciously think about what his upbringing and absent dad was like, because really, as he accurately assesses, “if his parents weren’t divorced, his father was never home, and here he’s looking at me with half my face clean shaved and half a leering bruise hidden in the dark. Blood shining on my lips. And maybe Walter’s thinking about a meatless, painfree potluck he went to last weekend or the ozone or the Earth’s desperate need to stop cruel product testing on animals, but he’s probably not.”
Most people, on an overwhelming scale, due to how the world is damn designed, do not need to consciously think about what his upbringing and absent dad was like, because damn if it’s not relevant even if your dad was home.
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