#and experiences important to a young girl

[lisbeth-kk]

May prompts

Today's prompt is awkward.

The Luckiest Girl in the World (chapter 5)

Summary: Rosie's youngest godmother takes her shopping, but Sherlock is persistent in choosing the shop. The occasion is too important to leave it to Primark to bring out something tolerable.

Five Years Old

Molly took me shopping for THE dress, but Papa decided the shop.

“It’s too important,” he argued when Molly told him he was being silly for making her take me to Harrod’s, but he didn’t budge.

“She’s only five, Sherlock. Besides, do you know how much it’ll cost?” Molly tried to reason with him.

It turned out that it wasn’t only Dad who could be stubborn, so Harrod’s it was. 

I felt like a princess in that dress we picked. According to the woman at Harrod’s the colour was tea green. Tiny white daisies were spread over the skirt. It felt almost weightless to wear and the skirt stood out in a perfect circle when I twirled quickly. We also bought white shoes and a matching hairband. 

***

“Why is everybody crying?” I whispered to my grandfather. “Papa is only saying nice things about Dad.”

Dad and Papa had married hours earlier, and in-between dishes, there were speeches to be held apparently. It was rather tedious, though I liked listening to Papa and Dad pledging their love for each other. That being said, I already knew this, so it was most likely for the guests benefit they had to repeat it. And Papa hated repeating himself… 

I know better now, obviously, and I totally understand why people were crying. Both Dad and Papa seemed to have forgotten about their guests, and focused on the other man entirely when they spoke about how they met etc. Papa seeked me out and urged me to stand on my chair when he spoke about me though. I ran over to hug him when he lost his voice.

“My precious girl,” he whispered when he knelt in front of me and held me tight.

I tear up every time I think about that moment, not to mention when I see it on tape.

***

Papa wrote a waltz for Dad, and when he played the violin, I danced around the floor in Dad’s arms. When Papa lowered his bow, the quintet started playing the waltz again, and then Dad and Papa danced. Greg Lestrade offered to dance with me like Dad had done, but I wanted to watch my parents. 

When I looked over at my uncle, I saw that he followed every dance move, and his eyes were slightly soft. I even thought I spotted some moisture, but that might have been the light.

***

I fell asleep on my uncle’s lap, but I woke when Dad and Papa came to kiss me goodbye.

“You be a good girl, and listen to Molly and Nana while we’re away, sweetheart,” Dad said sternly, but the stars in his eyes, softened the lecture.

“No experiments in my absence, Watson,” Papa said mock serious. 

Before he stood, he held me tight, breathed me in and whispered with a quiver in his voice: “I’ll miss you, my heart.” 

The awkward moments that had been avoided up until now, at least to my knowledge, started when Greg came over to see the newlyweds off. His pronunciation was a bit slurred at that point, and both uncle Myc, Dad and Papa shushed him when he wished them a fabulous six holiday.

His description puzzled me. I thought Dad and Papa were going on something called ahoneymoon. How the number six fit into that, I couldn’t fathom. Were they to visit six different places, or…

“You will figure it out in due course,” uncle Myc said with a blushing face. “Now, shall we dance one last time before I bring you and Nana home? It seems like a certain major needs some urgent rescuing.”

I looked over at the dance floor where Nana was showing off her dance skills, clinging to Dad’s old friend. He was sweating quite profusely in his uniform, and his eyes looked slightly panicked.

“Nana has a good time,” I pondered. “Papa says she was a bur... burlesque dancer when she was young. Is that burl…”

Uncle’s blush deepened and he cut me off by clearing his throat and muttering something about reminding his brother to watch his mouth around little girls.

Also available on AO3

Tags in the replies.

#mayprompts2024 #may 5: awkward #sherlock fandom #rosie watson #sherlock #john watson #molly hooper #mycroft holmes #bbc sherlock #johnlock #sherlock fanfic #ao3 fanfic

[pluckyredhead]

I have fallen down a Fourth World rabbit hole (this is @ngoziu's fault) and am now reading everything DC has ever published with these characters, in order, as is my wont, and I have a lot of thoughts and feelings, so I'm going to start dumping them all here. Sorry.

Background if you have no idea what I'm talking about but want to read this post anyway (why?): in 1971, Jack Kirby left Marvel because he couldn't put up with Stan Lee any longer and came to DC, where they were like "Yes you can do anything you want" (this was a lie). He immediately began writing, drawing, and editing an incredibly ambitious epic that stretched over four simultaneously published books: Superman's Pal Jimmy Olsen (we can mostly ignore this one), New Gods, Mister Miracle, and The Forever People. These books came to be known as Jack Kirby's Fourth World Tetralogy.

The books all center around the war between the utopian planet New Genesis, ruled by the benevolent Highfather, and the dystopian planet Apokalips, ruled by the evil Darkseid. At the heart of the narrative is "The Pact," aka The Cosmic Baby Swap. To ensure a (temporary) truce, Highfather and Darkseid traded sons when said children were very young - so Orion, Darkseid's son, is raised on New Genesis, and Scott Free, Highfather's son, is raised on Apokalips. Neither knows who their real father is until adulthood.

Orion grows up in a utopia, but tormented by his feelings of rage and otherness that he can't explain. Scott is raised in a torture orphanage, because that's just what happens on Apokalips, but eventually he escapes to Earth and becomes the escape artist Mister Miracle. The Cosmic Baby Swap begs what to me is the central question of the Fourth World, which is: what is the nature of good? Which boy will be a hero? The one born to good and raised by evil, or the one born to evil and raised by good?

TRICK QUESTION THEY'RE BOTH HEROES!!! GOOD IS MORE POWERFUL THAN EVIL! LOVE WINS AND FASCISM LOSES! This is so, so important to me and any version of these characters that doesn't understand the really not very complex symbolism here is invalid and kind of embarrassing for the writer (looking at you, Tom King).

Also Scott falls in love with and eventually marries Big Barda, one of Darkseid's fiercest warriors, who was born on Apokalips and raised on Apokalips and chooses good anyway. LOVE WINS AGAIN! BARDA TOPS HER TINY HUSBAND IN THE NAME OF PEACE AND COMPASSION!

Sadly DC canceled New Gods and Forever People after only 11 issues, which kind of killed Kirby's whole vision. Mister Miracle limped along until #18, but as a really pale shadow of itself. So we never really got the full scope of Kirby's original plans.

ANYWAY. That's the background. Now thoughts on the actual comics:

Superman's Pal, Jimmy Olsen: I love Jimmy, I love Superman, I love the Newsboy Legion, but this book feels very tangential to the whole Fourth World experiment and I think we can safely set it to the side. However, if you love the 90s Superboy series, I recommend dipping into this because it's the source material for a lot of Kon's worldbuilding (Cadmus, Dubbilex, clone Guardian, etc.).

The Forever People (1971): So I originally read all the Jack Kirby Fourth World stuff like...at least 15 years ago, when I was still relatively new to comics, and I'll be honest: I didn't get it. Kirby is sort of an acquired taste, and I didn't really have any context for what he was doing. I understood the metaphors, but I didn't get why people found the work appealing. And Forever People in particular was the book where I was like "Why. What is the point of this" the most.

Rereading it many years later, I find it to be a lot more moving and profound - like, the Happyland issue alone is a knockout. That said, Kirby is, uhhhh...not great at ensemble characterization without Lee, and the Forever People themselves are unforgivably bland. Default Guy! Big Guy! Black Guy! Girl! Kid! Props to Kirby for making it a not all-white group - and for introducing five out of seven of DC's first Black characters in the space of, like, two years - but it would have been nice if he gave them personalities, too.

New Gods (1971): This is Orion's book and the heart of the Fourth World. At its best, it's the pinnacle of "Makes no sense...compels me, though." Like, "Glory Boat?" I don't understand a single thing that happened in that comic but it's so fucking good. I just want to read thousands of words of comics scholars over the past 50 years going "????" in collective confused admiration.

Mister Miracle (1971): This was the book I was most invested in when I read the Fourth World years ago, because I already loved Scott and Barda from JLI, but now I think it's weaker than New Gods and arguably even than Forever People. Kirby doesn't seem as invested in going all in on Big Concepts here, and Scott escaping endless weird deathtraps is only compelling for so long. The later issues, after the other books were canceled and DC made Kirby pivot away from the Apokalips/New Genesis war, are nothing. But Scott and Barda (and Oberon and Shilo) are everything, so I guess it balances out. Anyway Scott clearly already knows a lot about Earth by the time he meets Oberon and Thaddeus Brown, so DC please feel free to hire me to write a Mister Miracle: Year One miniseries about Scott's arrival on Earth, thank you.

Okay, now for the post-Kirby (or really, intra-Kirby) stuff:

Mister Miracle (1977): This picks up the numbering from the Kirby series, running from #19-25, and was written by Steve Englehart and then Steve Gerber, and it sucks so bad. For three reasons, in escalating importance:

Riddled with continuity holes and factual errors that don't match what Kirby established. Himon is shown on New Genesis - how did he get there? Metron is depicted as subservient to Highfather when Kirby showed him as a neutral, independent agent. Etc.

The treatment of non-Scott characters is largely terrible. Oberon is written really condescendingly (Scott's like "Ride on my shoulders like you used to!" even though they definitely did not ever do that before, because Oberon is not a child). When Scott feels guilty that he's not actively fighting the war, Highfather's like "I don't want you to fight because I feel bad that I traded you to Darkseid, let Orion do it" as if that isn't the root of Orion's severe emotional trauma TOO. And worst of all is Barda, who is knocked out and captured in the first issue and spends pretty much the entire rest of the series unconscious, waiting for Scott to rescue her - except for the brief scene where she wakes up brainwashed, requiring Scott to beat the shit out of her. Lovely.

The series is reeeally fixated on the notion that Scott is a god, and extrapolates that to Scott deciding he's the messiah. Now, I'm not going to say that the Fourth World can't be used to explore Christian themes just because Kirby is Jewish, because Kirby was very definitely exploring biblical themes extensively and frankly I don't know enough about the Bible to say whether he was sticking religiously (ha) to the Old Testament. But I do think taking one of the central characters of a Jewish man's magnum opus and making him the messiah is, uh, pushing it. And there's no way to argue he's not a Christian messiah because, uh, he T-poses a lot in this series and Granny also specifically states that if Scott is the messiah, she'll find an anti-Christ to combat him (which...wouldn't that sort of by default be Orion? which just further proves that the idea of a messiah really doesn't work in the Fourth World framework). Anyway it's gross and I hate it.

New Gods (1977): I'm kind of using this as a catchall to cover all of Gerry Conway's New Gods work, which includes the actual 1977 New Gods series (which picks up the numbering from Kirby, so it's #12-19), the conclusion of the story in Adventure Comics, and the Justice League of America crossover with the Fourth World. (Also there's one issue of Super-Team Family where Lightray and Metron team up with the Flash to save Orion, who has grown really really big, but that doesn't fit with the rest of Conway's continuity so I guess we can ignore it.)

Anyway this stuff is not as infuriating as Mister Miracle, but it's also not...good. The central concept is that Darkseid has discovered that the Anti-Life Equation is contained within the brains of six humans, so Highfather sends six New Gods to protect said humans: Orion, Lightray, Metron (he doesn't work for you, Highfather), Forager (also does not work for you), Lonar, and Sensational Character Find of 1977, Jezebelle of the Fiery Eyes (Original Character Do Not Steal).

Mostly this series is frustrating because all the New Gods are wildly incompetent and fail completely at their tasks. Orion is dumbed down to The World's Most Basic Superhero (he has a big O on his chest now!). I spent the whole time yelling "HE CAN'T FLY, GERRY!" at the comics. Forager is lumped in with no mention of that whole thing where...he's a New God who was raised among the Bugs, who are being persecuted by the New Gods? I feel like that should be explained or at least addressed? (Presumably Kirby would have gotten around to it eventually.) Forager also should not be flying but here he does. I guess. Lonar flies too but mostly on his horse, which bothers me less for some reason, I'll accept a flying horse. (Also Lonar's human he's supposed to protect is Inuit and hoo boy is this comic racist. The poor guy wears a fur diaper the whole time and speaks a completely made up language.)

And then there's Jezebelle of the Fiery Eyes. Who is blue, for reasons that are never explained, and wears a bikini and fishnets because it's 1977, and mentions her fiery eyes (heat vision) every time she speaks. She's from Apokalips, but defected to New Genesis during battle. Which, like...I appreciate that Conway recognized that this team should have a female character, but what with Orion, Scott, Barda, and Inexplicably Present Himon, it feels like we have enough characters who have defected from Apokalips in some way? And it's just super weird that the ONLY female characters we have seen from New Genesis are Beautiful Dreamer of the Forever People (trapped in another dimension indefinitely) and Scott's dead mom. Like, what's the implication here? Heaven doesn't have women? Also, I know Conway was going for biblical names to match New Genesis and Izaya (he also introduces a Lucifar), but, like...Jezebelle? JEZEBELLE. Your only female New God and you named her "whore." Amazing.

And with that, we have covered the New Gods in the 70s (minus some Mister Miracle/Batman teamups). Next time: the 80s, and Kirby tries so so hard to kill Orion but DC won't let him.

#fourth world #orion #mister miracle #scott free #big barda #barda free #meta

[angorwhosebabyisthis]

i think one of the things that upsets me the most about velma and shaggy's relationship in sdmi--and boy there is a lot--is that not only is her constantly ''correcting'' him for minor, harmless, and usually completely reasonable things with physical and emotional abuse, well. abusive by itself. but so many of the things he does that she treats him that way over are very autistic things, and what she subjects him to is textbook abuse aimed at autistics in particular. (including the part where she gets more and more pissed whenever attempts at said emotional abuse fly over his head, because he's too bad at picking up cues for them to land fully.)

[cws: anti-autistic ableism, ABA, self-harm, physical and emotional IPV, victim-blaming, and abuse apologism. it's a lot and it's really fucking bad lmao]

-

like. there's a lot of examples there; shaggy's behavior coming across as autistic is worth a whole post of its own, and a lot of media depicts abuse targeted at autistic traits because ✨️hooray ableism.✨️but she straight up tries to Fix Him (read: force him to perform a Presentable Personality) by forcing him to wear clothes that are sensory hell, and trying to condition him to self-harm every time he does some small harmless, reflexive thing she thinks is Poor Socialization until he stops. and to catch himself doing it, and punish himself, without being prompted. i cannot fucking overstate how fucked up that is.

they even got down the fun little aspect of ABA where the methods of conditioning-through-pain are presented as toys and kiddish things: she gives him a rubber band to wear on his wrist, and tells him to snap it as hard as he can every time he says 'like.' 🙃🙃🙃🙃

like. this does not begin to scratch the surface of the abuse she puts him through in general. and again, characters being abused for autistic traits with the approval of the narrative is a common thing in media, which sucks. but holy fucking shit! they really took the 'violent ableism that is done to autistics irl' to the next fucking level here!

.......and it's portrayed as kind of cringey, immature teen drama on both sides. the self-harm, his dread over how much he knows it'll hurt, and the extreme pain it causes him to the point of screaming are all supposed to be funny. and her arc is all about learning to accept that she deserves better, because she was repressed and had low self-esteem and therefore putting him through fucking DIY ABA didn't make her happy.

🙃🙃🙃🙃🙃🙃🙃🙃

anyway if you couldn't tell i can't fucking stand sdmi velma and i have a lot of words in me about it. when one of your main heroes would have made a way more compelling villain as they are, on a more mundane level compared to all the wild fantastical shit they go up against, holy shit go back to the drawing board you have fucked up. she could have been genuinely good representation of a marginalized person dealing with the trauma of her experiences in some shitty ways she has to grow past, and an interesting flawed character, without being absolutely despicable--hell, she'd have made a great foil to pericles if they'd handled him decently too. they have a lot of parallels, which only gain more depth when you add their respective parallels with cassidy into the mix. and it really fucking sucks that we got this instead.

#sdmi #scooby doo mystery incorporated #velma dinkley #shaggy rogers #SDMItag #cws in post #sdmi velma lies at the intersection of A Lot of Hard Feelings for me; in ways both inherent and personal #so she is viscerally upsetting to me in a lot of ways mostly re: framing; and that makes it difficult to analyze her in a sympathetic light #even though i recognize she is very much a depiction of a hurting; traumatized person lashing out in nasty and interesting ways #but the older i get and the more perspective i gain; and the more i unpack and understand about my own experiences #the more important it feels to me to talk about this stuff #i still want to try writing fic sometime about newniverse velma and how she ends up being a non-abusive; less shitty person #without just *being* a completely different person who's All Nice Sweet Sunshine with No Hard Feelings About What She's Been Through #and about the confusion and grief newniverse marcie goes through when one day her loving girlfriend is gone #and in her place is someone who is so much like her and has clearly been through a lot; but is Different in ways that hurt more and more #that marcie keeps trying to justify and make excuses for; and sits in the pot and slowly boils #until she finally has to face that this isn't the girl she fell in love with; that that girl will never come back; that this is velma now #i'm totally not working through anything here lmao #and a nasty; pretentious; controlling; insecure young adult who's up their own ass about Being Super Intellectual and Telling It Like Is #abusing a teenager to make them stop saying 'like' because it's Annoying and What Stupid People Say and Not Gramatically Correct(tm)(tm)(tm #definitely does not hit dead on some very specific 'hi that scarred me for life and i don't think it's particularly fucking funny' buttons! #anyway. protect shaggy and marcie and daphne while we're at it #SDMIcrit tag #the crit files

[catoscloves]

also the way shelby was literally so understanding of and kind to martha is really important. martha's obviously a very sweet, gentle, beautiful, and kind creature, but because of her somewhat shy introverted nature (and also like the general atmosphere of high school and the fact that teenagers are a little shallow) she doesn't get the romantic attention/relationships that she desires. she's somewhat insecure and very vulnerable (which is such an understandable and almost universally relatable part of the teen girl experience), and like a lot of other heterosexual girls, she wants to be romantically desired.

and shelby sees this and doesn't belittle martha for wanting to be desired by male love interests the way most people, especially not-like-other-girls "feminists" would. shelby doesn't have the context of martha's life before the plane crash, she doesn't know why this is so important to martha, but that doesn't matter. martha is shelby's friend and a soft, good soul with many attractive qualities, and while shelby knew her for a very short period of time, she sees how special martha is. shelby kindly and enthusiastically reassures martha, promising her that she will get the romantic attraction and the desire from males that she wants - and not as a way to placate or humor her, but out of sincere fondness and from a place of genuine appreciation for martha and all that she is.

#just thinking about how good these interactions are #and how it reinforces the important theme that girls have the capability to experience intense romantic attraction #and have these extreme yearnings to be desired and validated by others #obviously with characters like leah those kind of situations can become dangerous really quickly #but even so girls that crave affection and desire and love from the people/boys they want aren't the problem!! #there's nothing wrong with wanting to be loved and desired and receive romantic affections!!!!!!!! #it's when a) bad men like leah's author bf take advantage of that desire and young girls' vulnerability #or b) this yearning becomes problematic and completely consumes the person #which is clearly not the case with martha?? she has so much energy and love and she cares about/prioritizes a lot of things #besides romantic relationships #shelby goodkind #martha blackburn #the wilds #martha x shelby

[area51-escapee]

One of the many hills I’ll die on is my defense of the Girl Scouts if you hear the “girl” in Girl Scouts and immediately assume “well, clearly all they’re teaching them is how to bake cookies and manage a household and become a good wife and mother who stays home and cooks and cleans” then that shits on you yeah some troops aren’t going to be as good as others it all depends on the leadership and resources available but that doesn’t negate the fact that at it’s core it is there to teach young girls valuable skills and it can provide unique opportunities and a nice community for people who may need it

#like. my experience wasn’t even the /best/ #I wasn’t bullied by the other girls by any means but I also wasn’t liked I was just. there and kinda outcast from them #and my troop was on a military base we didn’t have a lot #but we still did fun arts and crafts projects and we went camping ALL the time #I wasn’t allowed to do much of anything so it was a chance to get out of the house #and spend time with people my age outside of school #even the cookie selling is often used to teach about managing money and businesses ect #and lots of people get experience with first aid and STEM projects in it #when my sister was signing up after we moved they were talking about doing #lots of conservation and environmental clean up projects #which is cool!!! #from what I hear the Girl Scouts keep up with the fucken times besties #it’s been a long time since I was a part of it but I still think it’s a great thing #and I hate when people dunk on it and reduce it to just selling cookies #and assume that because it’s for girls it only teaches old fashioned misogynistic standards #also things like knowing how the basics of how to cook and shit like that are still important??? #they don’t teach that in most schools anymore except as an elective #it’s not that young girls /shouldn’t/ learn that it’s that it should be taught to people regardless of gender #you need that shit to survive damn #we support Girl Scouts in this household

[sendmyresignation]

anyway finally finished girls to the front. obviously had a lot of opinions about it. i have a lot more respect for the day-to-day lived realities of riot grrls and the underground community fostered. but like. man. is the music so secondary. my main critique of riot grrl is it took many of those bands growing out of the movement amd growing up to hit something truly, artistically great (music-wise).

#i think about marcus calling dc punk like. musically rigorous (in a way she was implying was 'macho' to a degree) #and how (1) most of the dischord stuff was still very much diy it was just naturally growing more experimental in a posthardcore landscape #but also (2) i dont think thats inherently.... a bad thing???? i guess i just dont see practicing a lot nd being passionate about your craf #as unpunk or some chauvinist methology that keeps girls out #like yes. allowing women the space to be imperfect. important! bc women arent allowed to play annoying shitty juvenile music #but that doesnt mean naturally developing as a musician and valuing tenchique and theory spits in the face of that #also of course sara marcus' perspective is pretty wack its easily the drawback of the book #she makes a lot of snap judgements and incorporates odd grudges that make me not trust her wholeheardly #lots of heroworship too. #the jessica hopper stuff is the most wild bc ive now become invested in hoppers like. career and shit #and even as someone who disagrees woth hopper on a lot i thought the book went Out Of Its Way #to shit on her in a way that kind of directly ruins her reputation as a music critic and such #and its so disheartening bc theres no grace given at all. #like again these were young girls and women- im willing to imagine theyve grown and changed and evolved #but marcus doesnt really care #or at least never interrogates that in the text itself #anyway! still positive experience to have a concise timeline and such #my posts

[zaddyazula]

something i think some people don’t understand is that everyone has different things that happen to them in their life!!! just because something isn’t emotional to you doesn’t mean you should try and tell people who did find it emotional it’s not!!!! people have lived beyond who you know in person!!!!!

#i saw a barbie post and it reminded me of this #like this is so fucking simple and some people do not get it #i bawled my eyes out at the end of the barbie movie because it took me back when i was younger and i really connected with it #but my friends (who i went to see it with) didn’t cry at it or find it emotional and have since tried to convince me it wasn’t sad #you don’t know why i cried at it!! you don’t get it! #and when i try to tell them “you don’t get it because we’ve had different lives” they say there’s nothing to get because it’s not sad #they don’t get it because they haven’t had my particular experience - the same way i haven’t had theirs #i don’t know how difficult it is to not discredit someone’s emotions but it can’t be that hard #the barbie movie is really important and special to me as someone who struggles with identity #my friends don’t know this so i can’t blame them for that but the point still stands #the age old thing you are taught when you are literally a young child is that you don’t know what people are going through so be respectful #but they and other people don’t seem to understand that despite being well older than a young child #you have no idea why i find it sad. let me find it sad and move on with your life. #particularly two of them seem to try and cement this point that the film and the billie eilish song (which i literally cannot listen to) #aren’t sad #it really does irritate me because any possibility i get to say something’s sadness can be entirely subjective in some cases i am dismissed #these people are girls. they played with barbies. and still i can bet every one of us associates different things to when they played with #barbies. they do not get that. #i can’t really describe my relationship with the barbie movie properly and maybe it’s just me having a fit about it but it is so so persona #to me. #sorry for the rant. #barbie movie #barbie 2023 #zad talks

[magentagalaxies]

if you'd told me last year when i was in production meetings for other girls, an indie project with literally $0 in our budget that was a struggle to push across the finish line every step of the way, that my next major project would contain the credits "executive producers paul bellini and bruce mcculloch" i would not have believed it but yeah it's happening!!!

#this is about the buddy cole documentary btw paul and bruce are executive producing!!! #also like making other girls was fun and i am proud of it. but also something being fun doesn't mean it's not difficult #and it was easy to feel like it was all for nothing at several points #but like tbh i think if it wasn't for other girls i would not have gotten this opportunity #bc like. people can see i stick with projects and i take creative risks even if i don't technically have the qualifications or experience #sometimes just having the audacity to say ''i'm gonna make this thing no matter what tries to stop me'' is the most important thing #paul legit said to bruce in our meeting ''and you know i always want to help out with anything jessamine's making'' #which like. as a young creative person who's used to not having people care about my silly little projects. that's fucking huge??? #anyway i'm sleepy and emotional but yeah i just love paul and bruce so much i'm so lucky to have their support!!!!!

[gideonisms]

I guess also just having seen the interaction between an author and an overly invested fanbase go sour multiple times it's like. Yes I want ianthe to raw me but like there are boundaries

#like. (redacted) had to delete her tumblr even muir had to drastically step back #i think with women who write about intense queer people it's like. well ur fanbase is very passionate people who maybe haven't had the best #experiences in their social groups and haven't like. been able to establish boundaries for themselves much less for interacting with others #it's not an indictment of u know being a young queer person who just hasn't had a ton of positive social modeling like #i've been there we've all been there but #to me it's like if i don't know someone or i'm not sure i can communicate clearly i definitely have my guard up #just bc. i'm aware i'm not going to naturally get social cues and don't want to weird other people out #it takes a while to get to know me and i still fuck up sometimes overshare something by accident not realizing it's too much #roll with things i think are weird bc who knows they might be normal i can never be sure #so these days i definitely try to avoid interaction with people who have made something really important to me #bc like? i will never be normal about this but that's also not anyone else's problem #same principle as keeping ur stuff out of the main tag if u think the opinion is controversial or even if u just don't want to annoy anyone #idk #there are better ways to make sure you're acting appropriately for the setting probably but the only reliable way i've found is to just #initially be more reserved than i think is necessary #coping with the (redacted) (undiagnosed) (never going to be diagnosed) (who could say) one weird girl moment at a time ❤️

[pearlywritings]

In father’s embrace

synopsis: HSR men as dads and what your family dynamic is like.

pairings: Blade, Gepard, Loucha, Sampo, Jing Yuan x fem!reader (separately)

tw: fluff, established relationship, implied initial mortal x immortal in Blade’s

word count: 5.2k words

a/n: Luofu Xianzhou timeline is hell, so Blade’s one is quite vague. Here’s the Genshin version!

Blade

Blade tends to say that he has no connection to his past, but that is not true and very few (mostly Kafka) know he is lying. Even with his life and death fucked up he can't simply let go of someone his heart has been always full with, of someone who he promised himself to by the altar, even if under another name, of someone, who gifted him the joy of both his previous and current life - your daughter.

The blade - a cold weapon with no feelings - should not experience being lucky, but that’s what he was, when you clutched him in your arms the first time after his return from the dead and sobbed in his chest, telling him how much you missed him, how much his little angel missed him.

Back then he should've left without a trace, maybe even coming to you in the first place was a mistake, but he just couldn't. And his resolve crumbled completely when a white-haired toddler in your arms gazed at him with the same soft eyes as yours and reached out to his face, hesitantly asking "dada?".

As much as Blade is capable - he loves you and your daughter. He is quite absent due to his involvement with the Stellaron Hunters, but you understand how important that magenta-haired woman's ability is when it comes to restraining the mara in his body. After all that's the reason why he can visit without fear of hurting you or his little girl.

Some other sacrifices had to be made - one of them was moving from the Lofu Xianzhou, but that was alright and your daughter loved her new environment. Besides, dada has been visiting more often ever since you moved! And no one really bothered or chased after you (after all, you are still registered as his wife and higher ups of Lofu know), which, you assumed, was somehow connected with a young girl that once came with Blade.

Kafka once brought up a proposition of moving you two to the Stellaron Hunters' base for Blade's easier access, but he declined. At least his loved ones should have a peaceful everyday life.

With a tired sigh the black-haired man lowers himself on a sofa in the living room of the house you two purchased to start a seemingly new life. The red-hot iron in his eyes disappears behind the heavy eyelids and for a moment Blade allows himself to relax. The little wonder, that is his daughter, ran to your bedroom to fetch some hair accessories, after you encouraged your husband to let her style his long locks.

He doesn’t move when you sit next to him, hip to hip and heart to heart. He welcomes your sneaking fingers, curling his, creating a secure lock of hands. The weight of your head resting on his shoulder is grounding and he can’t help but press his cheek against it.

It’s soothingly silent.

It almost reminds him of the past.

“For how long will you be staying this time?

Even your question, spoken in a tender, understanding voice, is familiar. You used to ask him the same thing in-between his Cloud Quintet-related missions. 

These days it’s difficult to sneak and see you during breaks though.

“Fifteen days,” his breath is even, and eyes are still shut, but he senses a smile that tugs on the corners of your lips.

“That’s a lot. She will be so happy,” and he knows that you are as well.

The rapid stomping of little feet bursts into your peaceful serenity, and you simultaneously glance at the doorway. Low and behold - the soon-to-be hair stylist is proudly running into the room, tightly clutching your jewelry box with various hair pins inside.

“Dad, I practiced! Mom says I’ve been making huuuuuuge progress!”

A tiny smile touches his pale lips - it’s such a miracle that a monster like him is blessed to have the most adorable child in the whole universe. With her and you by his side, this life gets more and more bearable.

“If mom says you’ve been, then it must be the truth,” he nods, letting go of your hand - but not before giving it a little affectionate stroke with his thumb, - sliding down and onto the floor, turning his back to the girl.

Giggling excitedly, she gives you the box, which you quickly unlock, and starts looking through the many intricate pieces of jewelry (many are your beloved’s presents), until finding the perfect one.

Having his hair being touched is weird. He was aware that the white luscious locks used to draw attention, but only you were honored to run your fingers through them, and only his baby was allowed to tug on them, making her father wince. Now it’s different - she is oh so careful, brushing, collecting stray locks and braiding, not once causing him pain.

Blade sighs again, but looks at you from the corner of his eye, catching you snickering in your palm upon gazing at something that your daughter is turning his hair into. Well, that’s concerning.

But at this very moment he can’t bring himself to care. If he gets fifteen whole days before his next mission, he is going to savor this time with his family - no matter how disastrous he’s going to look by the end of it.

Gepard

A family man. So no one was surprised when in the end the leader of the Silvermane Guards ended up with three kids - two sons and a daughter. Partly it was dictated by the rules of nobles and his family among them, but ultimately it was your mutual sincere decision.

It’s obvious he is not there for many of his kids’ first times, as sometimes his duties prevail and even the Supreme Guardian cannot help it, but he really-really tries to be there as much as possible. He appreciates the videos you send him, has every single one stored in his phone’s memory and sometimes, when there is no communication, in his spare moment he replays them to remind himself that soon he’ll return home and see his kids and you.

Only one time he really fucked up because of work - during your first pregnancy you both underestimated the soon arrival of your due date and he left on a mission with his troops, reassured that he’ll be back before the day you go into labor. The snowstorm was severe and the connection was cut, so the message Serval sent him when your water broke was not delivered. His soldiers would bring to their graves the image of a deathly pale Gepard, when many hours later he checked his phone back at the base and nearly broke the screen, trying to type his sister’s number.

After that he started taking paternity leave seriously.

You do not keep in touch with his parents a lot - there were instances where they disapproved of you, but all of his siblings are always welcomed in your house and to see their nephews and niece, because they supported your relationship from the moment they met you in flesh.

Serval is an enormous help when it comes to babysitting. It’s like her part-time job honestly - you even offered to pay her, but she declined, suggesting offering her a helping hand whenever she’d need instead. Oh, and to be the first one out of all the Landau siblings (after her brother, of course) to know about the latest updates on your kids.

The kids that are adorable. All three won the ‘blue eyes’ lottery, which, given the previous generations of Landau, is not a big surprise; both boys look like Gepard, while the girl took more after you in appearance. The man really doesn’t want to play favorites, but sometimes he is just too weak for his little princess, who looks just like her mom. She is the youngest too with a pretty big age gap between her and her brothers, who were born a year apart, so there is literally no jealousy, because your sons took their father’s example and became her protectors.

Even from a 'big bad dragon' that is their aunt…

When you step inside your house and hear the kids still fussing somewhere in the rooms, involuntarily your gaze falls to the old grandfather’s clock in the foye. Almost midnight. All three should be long asleep with Serval sending you a notification of her success. Which you didn’t receive and for that reason had to cut your date short and hurry back home.

Your husband looks as concerned as you are, locking the door and straining his ears to determine what’s going on. With both your coats abandoned, you carefully step further into the house, making your way to the line of light coming from under one of the doors.

Two jaws almost kiss the floor when you see Serval lying on the floor tied and gagged with a scarf. Alone. For a moment you fear the worst.

Rushing inside, you let Gepard search the other rooms for intruders. Helping your sister-in-law to sit is no problem, but the knot behind her head is awfully tightened. In the end you manage to yank it down to free her mouth, quickly switching to the rope constricting her hands.

“Y/n, oh my god,” she gasps, finally able to speak. “Who taught your sons to tie knots like this!? I didn’t know a sixteen- and fifteen-year olds can be so strong-”

“Come again?” Stunned, you stop untying her wrists, looking at the woman with widened eyes. Your boys did what?

“My precious nephews - whom I really do not want to strangle - took the game of knights too seriously, and when - maybe a half an hour ago? - I decided to play the dragon who was stealing the princess - my niece of three years, - they attacked and tied me!”

“Huh…” is all you can say, feeling relief wash over you. At least there are no burglars or kidnappers and your kids are safe.

When, listening Serval’s huffs of complaints, you move to untie her legs, the heavy steps of your husband are heard in the hallway, accompanied by the boys whining and begging their dad not to come to the living room, because the dragon would eat their sister.

His tall figure appears in the doorway, with your daughter in his arms, looking very sleepy, and two almost carbon copies of their dad pulling at his jacket to give them their sister back.

“Serval, what in blazes have you told them?” The judging tone and the squint of his blue eyes are directed at his elder sibling.

“It was just a game, Geppie! A silly game they turned into reality.”

“Aunt said she’d eat her,” your oldest pouts, eyeing her cautiously. “And she told us stories about the cannibals the other night-”

“Serval, you what?”

“Hey, they asked me to! Oh, thanks, Y/n,” she shrugs the loosened rope off of her. “Where did you even get this?”

“Aunt Lynx gave us,” the second son chirps, hugging Gepard’s side. “She showed us how to do knots.”

“This little-”

Suddenly you feel a headache coming. With big family come big challenges, but something of this caliber hasn’t happened in a while. It makes you smile though - you almost forgot what it was like - to raise two boys. Seems like your girl brings the borderline naughtiest out of them.

Loucha

To begin with it's worth mentioning that your and Loucha's marriage started as an unpredictable necessity. You both needed to enter the world that allowed only married foreigners' access. So, quickly figuring that your goal matches, you got married on a neighboring planet, spent a month there to make the marriage more believable in the sense of its duration and learning more about each other. Yeah, all of that just to fulfill your respectful jobs. You invented and rehearsed all the possible answers to the questions, perfected your affectionate act and were actually feeling quite comfortable around each other.

It was almost funny, when on the 'how many kids do you plan to have?' Loucha confidently answered 'two', and a couple of years later your first son was born, and then, after 7 more years, another one was too.

Admittedly, the oldest one was kind of unplanned, but at that point you traveled so much together, shared so many memories, even ended up caring for each other on a lover-like level, that you decided to give it a shot, just like you did with the continuation of your marriage.

And Loucha couldn't be more pleased. Surprisingly, he found the peace of those first years he spent settled down to raise your boy delightful. And there was something exciting about having a little wonder with a perfect mix of both of your features in your arms, as your husband's hand is resting on the small of your back, leading you through the crowds of the new planet's lively market, as the child's eyes shine with marvel, taking in his surroundings.

When Loucha suggested having another one it simply felt right.

Your sons are so lucky in the sense of seeing the universe, because their father is a traveling merchant. Sure, he doesn't always take you and your two boys with him, but whenever his deal allows him enough freedom and your kids are doing great in school and can be taken on a little vacation - you three are going with him.

Usually he gets to take care of the youngest one, since only Loucha's vast knowledge can satisfy his curiosity, while the oldest one calmly walks hand in hand with you, content with listening to their conversation and pointing out to you the things he already knows himself, receiving a soft praise from you and an approving nod from his father.

Back home the roles reverse - the oldest is spending most of his time with Loucha to learn all about medicine and healing techniques, while the youngest is more interested in sharing your hobbies. 

The two hardly ever quarrel as siblings tend to do, and it must be because of the overall serene atmosphere of your family dynamic, your soft nature and your husband's tranquil behavior. 

More than a decade ago Loucha wouldn't have imagined himself with a wife and kids. Nowadays, however, he doesn't like the thought of not having the three of you by his side.

It is a quiet afternoon. A little house you rented for a little vacation has a nice yard - perfect for the kids to have fun outside. You occasionally glance at them from the window of the kitchen to make sure everything is fine, while your hands never stop moving - washing, cutting, stirring.

At some point you are so caught in the moment of tranquility, that you do not hear your husband walking in, until he softly hums to alert you of his presence, and puts his palms on your waist.

“Smells delicious,” you smile, feeling his chin on your shoulder, and grab a piece of a tangerine you are meaning to use for dessert, offering it to him.

“Mhm, I am trying to cook what we had yesterday at that restaurant.”

Ah, right, the restaurant the kids enjoyed. He remembers how you sneaked to the kitchen and came back with a little less credits, but with new recipes and an excited smile on your face.

“Hopefully my rendition will be to our boys’ liking. And don’t think I forgot about you - those Loufu Xianzhou-style noodles are already on their way!”

“So thoughtful of you, darling,” his silky voice caresses your ear and not a second later a kiss is pressed to your cheek. “Do you need any help?”

“Weren’t you busy?” You decide to clarify, clearly recounting how he locked himself in one of the rooms earlier that day to test something. To your question Loucha shakes his head.

“All done already. And I missed you and the kids.”

“Then go and play with them,” you urge, turning to face him to offer a sweet smile. “I’ll handle it here, but the boys could use some quality time with their father.”

“You say that as if they didn’t drag us all around the city yesterday and then climb into our bed and refuse to leave.”

“I mean, it’s the first time in two months they properly see you. That last deal of yours was exceptionally time-consuming.”

“You kept me updated on them so well and those video calls we had… it didn’t even feel like I ever left.”

You only huff and return your gaze to the stove, yet leaning into his chest a little. For a minute it’s quiet, and the man is taking his time before parting from you. That is until he takes a deep inhale and nuzzles his face in your neck.

“Thank you, Y/n.”

“What for, handsome?” There is that teasing lilt in your voice he came to love. Over the course of your lives together he discovered many things to love you for, and if not for that desperate decision to get married - he thinks he’d hardly ever feel the same about his life.

“For everything.”

He leaves your side with a kiss on your shoulder and the next time you glance out of the window again - he is already there, hoisting his youngest in one arm and chasing after the oldest one with his hair swaying in the gentle wind. And your heart is at peace. 

Sampo

In all his life Sampo has managed to never impregnate a single woman and he considers that a success. For all the crap people speak about him Sampo is not an idiot, even though he acts like a fool at times. He is extremely self-aware and bringing a child to this world is probably the last thing on his list.

But no one said anything about someone else’s child, right?

Your and Sampo’s relationship is… strange, not going to lie. One evening you happened to help a scared woman to escape from some drunkards (whom you lately found out were the Silvermane Guards, sober and on duty), only for the long wig to slip and the heavy coat to slide down, revealing shortly cut but nicely styled hair and obviously male broad shoulders. The only thing the man managed to get out was a sheepish “hehe”.

And boy did that “hehe” change your life.

That day Sampo Koski got off the hook, since you didn’t comment anyhow and just let him go, which, given you were an overworlder, he found intriguing. So he dug a little bit, out of pure curiosity. Besides, this man didn't like staying in debt to someone and he needed information to see how he could pay you back.

That’s when he found out you were a single mother. An opera singer, but divorced and with full custody over a six-year old daughter.

And honestly, he didn’t give it much thought at first. He simply arranged a nice bouquet of red roses for you, paid Natasha a little for a handmade plushie and left it all at the door steps with a ‘thank you’ note.

Until a couple of weeks ago, disguised again, he didn’t stumble into a group of kids obviously bullying a little girl, mocking her for not having a father, and throwing something among themselves that she tried to catch. And he recognized the toy. And one glance was enough to see how much she looked like the woman he met only once. And against his better judgment Sampo walked to the children, easily snatching the toy and effectively scaring everyone off. Only with that little girl still being there, eyes full of unshed tears and fingers digging in the skirt of her pretty dress.

That tiny ‘thank you’ when he handed the plushie back to her and she hugged it tightly to her chest made the conman’s heart clench, and for the second time that day he sent his plans to hell, keeping her company near the house you lived in until you arrived from work.

That day he learned many things - how much your daughter loved the toy and what a sweet little thing she was, how tired a person can look and how much a throat can hurt from the whole day of singing during rehearsals, how nice a home-made dinner can be once you are invited, but most importantly - how even such a damned man like him can be gazed upon with gratitude and not from one, but two people.

From that day many other instances happened, but in the end he just stuck around. It was strange, it was new, but in a sense it was comforting, especially when you would come home - on Friday, for example, - and he’d be there, entertaining your daughter and then greeting you with a smile and a silly wave of his hand.

You don’t have a husband, and your daughter doesn’t have a father - but with his presence Sampo Koski manages to fill those voids even if a little bit.

Aeons you love days off. A morning to finally sleep in and do not run around like crazy in attempts to get yourself and your kid ready. Even breakfast wasn’t on you today, because the ‘silly man’ stayed the night and told you to get your sleep, assuring you with that confident puff of his chest that the Sampo Koski would offer you his best service, which effectively made you giggle.

Tonight he even cuddled with you, letting you bury your face in his neck and be a little vulnerable in the arms of a man with whom you had the most peculiar relationship ever. But after such equally peculiar moments you really start thinking of suggesting moving from the couch in the living room to your bedroom permanently. It’s been months already, who would’ve thought.

Barefoot and not even glancing at the robe on the chair near the window you leave the room, rubbing at your eyes and brushing your hair away from your face. You are craving the cup of your morning drink, and so you let your legs carry you to the kitchen at first. However two voices coming from your wardrobe room instantly peak your interest and make you halt in your walking. What on earth could your daughter and your clown of a man be doing there?

And soon enough you find it out.

“Sit still, please!” The girl begs with an eye shadow palette in one tiny hand and a huge brush in the other. “It’ll smudge if you keep turning to the mirror!”

“Just can’t wait to see how beautiful I am, princess, ‘s all~”

There, on the floor among the rows of your clothes and shelves with beauty products and accessories, none other than Sampo is sitting, willingly offering his face to your daughter’s practice of applying makeup. And gods he looks absolutely hilarious.

But that’s not what exactly concerns you.

“Is that my dress?” You point at the red shimmery thing snuggly sitting on the man in front of you and that’s when the two notice you.

“Yes, mommy!”

“Say I pulled it off, right?” With a smirk the green-eyed menace winks at you and it looks even worse with poorly done lashes. You have to stifle your laughter. “Though I must admit, we had to keep it unzipped - my chest appeared to be bigger than yours-”

And that’s when you regret not bringing slippers with you - one flying in his head would be of great help.

“Sometimes I really hate you.”

“Nuh, sweet thing, you love me!”

“Well,” you step closer, grabbing a tissue to try and fix at least the overly bright blush on his cheeks, “maybe. Maybe I actually do.”

Suddenly Sampo is tongue-tied and silent, trying very hard to fight off the stupid grin forcing its way onto his face. But with thoroughly smeared red lipstick on his mouth it looks so damn comical.

“Mom, do you think pa looks pretty?” Your daughter hopefully asks, putting aside her tools, and that little two-letter word doesn’t go unnoticed by either of you. You feel a real blush burning under your deft fingers.

“Yes, sweety, Pa-mpo looks very pretty,” his head whips in your direction like you’ve just told him to go and surrender to the Belobog’s esteemed order keepers.

“...Pa-mpo?”

“Would you prefer Da-mpo instead?” Cocking your head in question, you smirk at him, relishing in the pout he is wearing at the moment. “Or maybe Sam-pa?”

“No, thank you very much,” he huffs. “Little princess called me ‘pa’, so be nice and respect it.”

And now it is you who is surprised. You haven’t really discussed with Sampo who he was to your daughter, and who she was to him - but if he is making this step of acknowledging the matter, then who are you to spoil it? Who knows, maybe things will work out quite pleasantly in the end.

“Alright, pa, I will respect that.”

“Hey! For you I am your precious popo baby, a koskiss to your lips, the love of your-”

“Don’t even dream of it.”

Jing Yuan

Yanqing would be enough of an answer to the kid question, but it is not. Sure, his young disciple is practically a son to the General, but it doesn't mean the man doesn't want his own children.

He does and he has. On multiple occasions Jing Yuan's subordinates walked in on him with a small figure sitting in his lap or perched on his strong arm, observing what the dad's been up to with his plans and documents. You scolded your husband for this many times, but the bastard only smiles and keeps stealing his daughter to work to keep him company. Or she sneaks on her own - that caused you many almost heart attacks when she was no older than a couple of decades.

For Jing Yuan it’s all good though - he gets to spend time with his baby and have you inevitably join him in search for your adventurous child.

The General has a separate folder for all the pictures of his daughter on his phone - every single one he takes and every single one you send him when he couldn’t bring his girl to some of his meetings (yet he really tried, until you put your foot down and saved many of his subordinates from the prolonging of said meetings). Even the background, hidden from prying eyes behind the passcode of your and her birthdays, is his little one, cradled in your arms, as the two of you are watching kites flying in the sky.

Yanqing at first was set on treating her with the same respect he does his mentor and you, his wife, but you quickly put an end to it, basically turning the boy into her older brother. He didn’t mind at all - if anything he is sometimes way too eager to push the two of you to go on a date so he can babysit. Often you would return to the two fast asleep either on the girl’s bed or cuddled to Mimi with toys scattered and at least two books lying on the floor. The huge lion adores the girl - sometimes you feel like it thinks of her as its own cub, and the thick mane of hair your daughter got from her father does not help.

And it appeared to be as eager to steal your daughter from you as your husband is…

“Y/n!” You practically jump when the doors to your bedroom fly open and Jing Yuan bursts inside. Immediately you notice his disheveled state - hair down and a mess, the robe he wore this morning for comfortable work in his home office is falling off one of his shoulders and a shoe is missing from his foot.

“Aeons, Yuan, don’t scare me like that,” you put a comb down on your vanity table and fully turn to face him. “What happened?”

“Is our precious baby with you?” He steps further into the room and starts looking around frantically. Okay, now that got worrisome.

“No? You took her earlier this afternoon after lunch to play in your study while you work. Have you really forgotten that? My love, you are getting old.”

You hear clearly as he curses under his breath, raking thick fingers through his hair. The golden eyes look at you and in them you spot a flicker of anxiety.

“...Jing Yuan, don’t tell me that you managed to lose our daughter.”

“I didn’t, I swear,” he winces at the full name usage, watching you rise from your seat and quickly approach him. “She was right by my side, watching the animal videos on my phone, but then I got immersed in the latest reports from the Sky-Faring Commission and when I finished whose - she was gone!”

“Uh, want me to call your phone? Maybe she still has it.”

To that he puts a hand in the robe’s pocket and brings out his device. Oh god.

“It was lying on the floor, still playing videos.”

“Okay, deep breaths,” you are not sure if you are telling it to him or to yourself, but you too take an inhale, meanwhile busying your hands with adjusting his clothes. “Even buried in work you’d still notice if a human sneaked in, right?” He nods. “And you’d notice if she left - she would’ve warned you about that.” He nods again, lips pursed and eyes staring at one point. “Yanqing is not as skilled to come unannounced and take her, and he wouldn’t do it without your permission, so-”

“Wait,” his hand catches yours and realization flashes in his features. “Mimi came.”

“...Mimi?” Before you can ask him to elaborate, your husband turns around and rushes out of the bedroom. Concerned and a little bit intrigued, you quickly follow.

In one of the rooms of your huge house the two of you finally find the lion, and Jing Yuan almost drops on the floor in relief when his girl is spotted in the animal’s embrace. 

“Is she…sleeping?” You ask, glancing from behind his broad back.

“It appears so. Hey, Mimi,” the maned head lifts, two ambers taking in your appearances and a pleased huff is let out through the nose upon recognition.

“Well, my dear,” you pat his shoulder, shaking your head, “it appears that people were right - like the owner, like the pet. Congratulations, your lion took your habit of stealing our daughter to heart. Good luck prying her from it.”

“You say it like it’s something hard to do,” there it is, a confident smile is back on his face as he strides closer to the animal, ready to bend down and get his girl. Only for that lift of the corners of his lips to be gone when Mimi growls at him in a warning and shields your daughter’s little body with its head.

You only smirk and leave the scene to go and get your phone - there is no way you are not filming your husband dealing with the consequences of his own behavior.

#honkai star rail #honkai star rail x reader #hsr x reader #blade x reader #blade x fem!reader #gepard x reader #gepard landau x reader #gepard x fem!reader #loucha x reader #loucha x fem!reader #sampo x reader #sampo koski x reader #sampo x fem!reader #jing yuan x reader #jing yuan x fem!reader #honkai star rail fluff #hsr fluff

[rafeandonlyrafe]

angel of a daughter

words: 2.2k

warnings: 18+ only!, smut, stepcest, stepdad!rafe, p in v sex, unprotected sex, virgin!reader, female receiving oral, fingering, breeding, fertility issues (from mother), reader is described as having big boobs, kinda pregnancy kink from rafe but more talk of sex while pregnant, cheating (no daddy kink)

“i got the results back.” your mom says, her voice low and sad, revealing her results with her tone alone. “the doctor says theres no way.” “i’m sorry, mama.” you pout, wrapping your arms around her shoulders. you hate that you feel a bit of relief. your mom had you young, a teenager knocked up by another teenager who ran off the second he heard his girlfriend got pregnant.

your mom raised you until you were a teenager yourself, doing everything by herself until your stepdad came into the picture. he inserted himself perfectly into your life, but expected to have kids of his own.

“whats the plan then?” you question as your stepdad comes into the living room, setting a glass of water down in front of your mom. you sit on either side of her, showing your support. “adoption? surrogate?” 

you like being an only child. you like it just being you, mom, and rafe, but at the same time, you want your mom to be happy, and if a baby gives her that, you'll adjust for her.

“actually…” rafe clears his throat. “we were hoping you’d be willing to help out.”

“yeah, of course.” you nod. “anyway i can.” 

you don’t realize what rafe means until later. you assumed it was just help researching adoption agencies, or finding a surrogate, but as rafe hovers over you, you realize he means to breed you.

“m-my mom can’t be okay with this.” you stutter out, body stiff against the bed, trapped as you blink up at rafe, body caging you over the mattress.

“she thinks you’re going to get inseminated.” he huffs out, breath warm against your face. “and in a way you are. a natural way.”

“i-i-” you stutter out. “i don't know about this.”

“come on, i see the way you look at me.” rafe shifts his weight to one hand, gliding down the other down your torso, squeezing your hip gently. “i know you want this.”

“you're married to my mom!” your eyes are wide, but a spark does ignite inside of you. “you're my stepdad!”

“and you’re going to be doing both of us such a big favor, pretty girl.” rafe coos, his fingers running along the material of your shorts, stroking closer and closer to your center every time.

“i-i guess it would be easier than going to a doctor.” you’re sure it involves waivers and legal shit that your mind just can’t even wrap around.

“exactly!” rafe smiles down at you, glad for your naivety. “besides, im making you feel good... you’ll get pregnant, and both of us will feel real good.”

“how many times will we get to do it?” you whisper, hands reaching up to touch rafes cheeks, running your finger down the smooth planes. “like, it probably won’t take the first time.”

“as many times as we have to babygirl. and i’ll take real good care of you during your pregnancy. rub your feet, buy whatever you are craving, eat you out.” rafe loves the way your eyes blow wide.

“thats not appropriate!” your mom has lectured you long and hard about sexual experiences and above all how important it is to wait so you don’t become pregnant young like she did. and now she is asking you to allow your stepdad to breed you when you’re freshly out of your teen years.

“its okay, its just you helping us out so im helping you back out in return.” rafe moves his hand up to cup your cheek. “let me show you.”

he leans down to press your lips together in a kiss. you lay frozen for a moment before beginning to move back, reciprocating the kiss as your hands fist into his shirt, tugging him lower.

you let out a moan into his mouth and rafe has to pull away to chuckle. “see, i knew you wanted me babygirl.”

“yeah.” you nod. “okay, lets do this.” damn the consequences, you can think about them later.

“good.” he coos out, lips back against yours quickly as his hand gropes at your breast, rubbing them through your tanktop. you’ve always been insecure about the size of your chest, but as rafe lowers down to look at them, you think about them in a whole new light.

“these are gonna feed our baby so well.” he says, tugging at the hem of your shirt, lower and lower until it breeches the swell of your breasts and they pop out the top. you don’t ask who he means by ‘our’. you can indulge in the fantasy that it’s just you and rafe. that your mom is still in the picture, but only in the role as your mother, not the one of rafes baby. 

rafe wraps his lips around your nipple, sucking deeply into his mouth, so in contrast to what it must feel like to have an infant feeding.

“i-more.” you gasp out as rafes fingers play with your other nipple, rolling and pinching at it until they’re both stiff peaks.

“i can’t wait to fuck you baby.” rafe says, helping you sit up just slightly to pull your shirt off, the small pajama shorts the only barrier you have left on your body. rafe also tugs his shirt off. you’ve seen him shirtless before in the pool or on your boat, but its different in this low lighting, so intimate and close. 

“gonna eat your pretty pussy first though.” rafe tugs your shorts down, your thighs pressing together to allow you to keep that part of yourself hidden for a moment longer, before rafe is pushing at your legs and slotting himself onto the bed in between them.

“aww.” rafe smiles, looking much more like a boy your age with his grin rather than your stepfather. “i knew she’d be cute.” his hands stroke over your inner thighs. “have you ever had a guy eat your pussy before?”

“no.” you shake your head. “never done anything with a guy.” you’ve kissed past boyfriends, but it never went beyond that.

“im gonna be your first?” theres a spark in rafes eye when he realizes that you’re a virgin. that he’s going to deflower you, fill you up. 

“y-yeah.” you nod. 

rafe wants you to cum once with his mouth and fingers first to open you up and get you wetter before he fucks you, so he wastes no more time, pushing his face forward between your legs, tongue swiping over your folds as you scream out in pleasure. 

rafe is glad as your moans increase with every flick of his tongue and glide of his lips that he chose to sneak into your room in a time when your mom was gone, off to the spa with her girlfriends, no doubt sharing to them her recent doctors trip and how her angel of a daughter agreed to be a surrogate so her and rafe could have a baby of their own.

“you taste so good.” rafe says. he isn’t one to enjoy giving head often, but you really are the sweetest taste on his lips. he focuses in on your clit as your entire body stiffens before relaxing, sighing out as your head becomes fuzzier and fuzzier with every touch of rafes mouth.

“do you touch yourself here?” rafe asks, pressing kisses to your clit, making out with it just like he did you mouth.

“no.” you shake your head. you occasionally grinded yourself into a pillow stuffed between your legs to get off when you got too overwhelmed, but you never reached your hand in your pants to feel yourself.

“what about here?” rafe brings his hand to your cunt, finger circling around your entrance.

your eyes widen again, that gloriously innocent startled look that has rafe grinding into the bed to give his cock some sort of relief.

“never!” you shake your head.

rafe just smiles, going back to focusing on your clit as his finger pushes in. you’re so wet it’s not difficult at all, but he can feel the way you squeeze around his digit, getting used to the feeling of the intrusion.

“relax for me, princess.” rafe says, sucking at your clit as he begins to move his finger in and out until he’s able to easily pump, the delicious squelching of your wetness filling the room with his every movement.

“gonna add a second, okay?” rafe talks you through the process, not wanting to do something to scare you into changing your mind. “gotta open you up for my cock, baby.”

rafe pushes a second finger into your entrance, working you open until he feels your body stiffen, his concentration going to your clit as he works you through your orgasm, your high so suddenly breeching that your body locks up and you let out a scream.

“shh, i got you.” rafe kisses along your mound as you work through it, pussy clenching around his fingers as he scissors them, knowing he needs you looser to fit inside.

“that-” you gasp out, mouth suddenly feeling dry. “that was so good.” “yeah?” rafe smiles up at you. “i can keep helping you feel that way, baby.”

“mhm.” you nod, not sure how you’ll ever go without now that you’ve felt the high that rafe can get you.

“can i fuck you now?” he questions. as much as he’s ready to go right now, if he has to build you up to allow him inside bare, he would wait.

“yeah.” your voice is dripping with eagerness. “yeah, yes please. just need a drink of water first.”

you sit up slightly, going to reach for your water bottle on your bedside table, but rafe moves quicker, helping you bring the bottle to your lips and suck the water down, pulling away with a gasp as a drop of water glides down your chin, reaching your throat before rafes tongue is on your skin, tasting the sheen of sweat as he follows the wet trail up to your lips, kissing you to keep your mind occupied.

he works his pants and underwear off while you’re wrapped up in the kiss, your hands stroking through his hair, playing with the strands. 

rafe moves your legs to wrap around his hips as he holds onto his cock, swiping it through your folds. he taps the head against your sensitive swollen clit, making you pull away with a gasp.

“stay nice and relaxed for me, baby.” rafe says, pressing kisses to your jaw as he lines up with your entrance. he pushes in slowly, your eyes clenching shut as your chest moves up and down with each breath, trying to keep your body relaxed like rafe said.

“there ya go.” rafe says, halfway inside your cunt. “good girl.”

he pushes as far in as your pussy allows, both of you sitting in that moment, relishing in the feeling of being joined together as you stretch to accommodate his large length, shifting your hips side to side and up and down to get used to the feeling.

“i gotta move, baby.” rafe says, his voice sounding strained.

“yeah, go ahead.” you nod. despite your affirmation, rafe continues to move slowly, his hips swinging back before pressing forward, carefully building up a rhythm.

“it feels really good.” you tell rafe, your cheeks flushed bright pink, hair fanned out on the pillow around you like a glowing halo.

“yeah, yeah.” rafe nods rapidly, his grip on control quickly loosening. “you feel so good too.”

rafe knows he should stop, but he loves the way your body reacts to his dirty words. “you’re so tight around me. i love this pussy. so much better than your mamas. gonna give me a baby, right?”

“i-yeah.” you nod. “fill me up.”

rafes loosening control shatters, his hips swinging forward fast, burying his cock inside of you as the pace instantly triples. you let out a squeal, the sheets gripped in your hands as he pounds into you.

“gonna fill up your pretty little cunnie, baby.” rafe grunts out, his own forehead sheening with sweat from his effort, his muscles straining as he pushes up then down, up then down.

“want it so bad.” you whine. 

“fuck.” rafe gasps out, mouth dropping open, his lips shiny from eating you out. “can’t last much longer. gonna cum.”

you experiment, clenching your pussy around his cock, and judging by rafes reaction of a loud moan and curse, you can tell he likes it. you continue, squeezing every time he pulls out, wanting to keep his cock wrapped in your warmth.

“i-im cumming.” rafe gasps out, his cock growing inside of you before your eyes widen, suddenly feeling warmth spreading as his cum fills you, his cock pressing in even harder, hoping it reaches your womb.

“god.” rafe groans, lowering his body on top of yours, but you don’t care about the weight as you smile.

“we’re gonna keep doing that?” you ask, running your hand down his back.

rafe looks up at you. “oh, of course baby. gonna keep fucking you while you’re pregnant too, maybe you’ll give us twins.”

you roll your eyes and giggle at rafe. “thats not how it works, silly!” “oh, what do you know?” rafe smirks at you. “you haven’t even had sex before!”

“well… i have now.” you mumble, shifting your hips from side to side, rafes cock still lodged deep inside of you.

taglist: @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @rafeyslove @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @cokepewpsii @mysticallystilinski @luvdella @aerangi @vogueprincess @yourenogoodforme @auryyz @mayhem-72 @thestarlithideout @marvelfanfics1recs @rafesgiirl @ditzyzombiesblog @chiaraanatra

#request #rafe smut #rafe cameron smut #obx smut #outer banks smut #rafe fic #rafe fanfic #rafe fanfiction #rafe cameron fic #rafe cameron fanfic #rafe cameron fanfiction #rafe x you #rafe x y/n #rafe x reader #rafe x oc #rafe cameron x you #rafe cameron x y/n #rafe cameron x oc #rafe cameron x reader #rafe imagine #rafe drabble #rafe one shot #rafe blurb #rafe cameron imagine #rafe cameron one shot #rafe cameron blurb #stepdad!rafe

[ivanhoe-dont-do-it]

Okay yeah I wanna talk about the old lady on the bench bc I can’t stop thinking about that scene. When Barbie sees this older woman sitting alone reading on the bench, her first thought is that she’s beautiful, but of course, she’s not just a person, she’s Barbie, and Barbie has a purpose. As a toy, Barbie existed for the purpose of inspiring confidence in girls, and telling them that they can be anything. When she tells the woman “you’re so beautiful” she’s telling her, partially bc she knows it to be true, but partially bc that’s her job as Barbie, to make the woman with her feel good about herself.

This is why it’s so freeing to her when the woman replies “I know it” with a laugh. Barbie’s job is to inspire girls, but this is a woman who’s lived her life and shaped her identity almost completely divorced from Barbie’s influence. She doesn’t need Barbie to tell her she’s beautiful, she knows. But unlike Sasha, who’s still v young and feels the need to actively reject Barbie’s influence, the woman on the bench is content to share space and time with Barbie; she just doesn’t need anything from her. This moment is one of the first times that Barbie is allowed to experience existence & connection for their own sake and not as a conduit for her own commodification and that is why it’s the most important part of the movie

#barbie #barbie spoilers #barbie movie

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

#study aesthetic #healthy studying #study motivation #studyblr #dark academia #light academia #studyspo #study inspiration #study inspo #study blog #studying #productivitytips #studyblr community

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

#zutara #katara #zuko #atla #anti kataang #canon critical #jet #haru #katara deserved better #aang critical #meta #analysis

[kidrat]

having feelings about trans Gwen,,, like there's the 'superhero leading a double life' allegory for being closeted, which ppl have noted, but there's plenty I haven't seen anyone mention yet! like, the fact her dad has a trans patch in support of her means she's out.

She's a young trans *girl* (as opposed to a trans woman) living as her authentic gender in a loving home. she went to her school dance in a dress. she did ballet! which of course boys can do too, but often times when people are assigned male they don't get the chance to explore feminine hobbies. It's really lovely that someone, likely Gwen's dad, supported her enough to let her have those girly experiences and memories, whether she was living as a girl when she took dance up or as a gnc boy.

While it's subtle rep, I still think it's awesome to imply a character like Gwen is trans. Trans girls don't always get to have a childhood. Transmisogyny fetishizes transfems and presents them as always victimisers, never victims. They're barred from girlhood and it's connotations of innocence, vulnerability, lovableness.

Not that Gwen isn't a hashtag strong female character! And not that she hasn't had to grow up fast in other ways. She Is Literally Spiderwoman and she plays the drums and has agency and expresses negative emotions. But she's also a teenager, and she gets to be hugged and comforted, and to be set up for a soft friends to lovers relationship with another teenager, a cis boy who respects her and only knows her as a girl and thinks she's amazing and draws her in his sketchbook. That is not a role the media often lets trans girls have!!! It's lovely to think young transfems might be able to see themselves in a character consistently shown as worthy of affection.

Of course, the fact that Gwen is in the closet about being spider-woman is even sadder knowing this is her second rodeo. Lots of us have hesitated to come out a second time because our parents were supportive about the first thing and well, putting something else on them feels like taking the piss or hoping for too much.

Something else I wanted to talk about is how Gwen being trans effects a reading of her Peter's death, especially taking into account the new information this film gave us about this. There's this gendered switch happening, where Peter passes on his usual role to a woman. What's more, he has to die for her story to happen. She loves him, and never wanted him to die, but she's blamed for it anyway. Her father talks affectionately about the dead Peter, calling him his daughter's best friend. He talks about him like a son. He vows revenge on Gwen for killing him. It's a fantastic allegory for how some transphobic parents hate their out trans children for 'killing' the kid they had before.

I think with the above in mind, maybe we can see the subtext of Gwen's arc with her dad in this film as that of a supportive parent who's nevertheless got some biases left that hurt his trans daughter, who doesn't speak up for fear his acceptance is conditional.

I don't think it's a stretch to suggest that protecting a trans daughter is this Captain Stacy's motivation while he's working as a cop. Obviously there's the text that he wants to be a 'good cop' to work against the institution's bigotry, and he displays the trans flag on his work jacket. His quitting the police is a fantastic story beat because it makes a point about the real world while also serving a lot of the analogies going on.

Good cops quit. They realise you can't be a well intentioned cog in a bigoted machine. It doesn't matter if you're a bigot or just taking actions a bigot might because you're working within parameters set by bigots. It's an important message. Within a trans reading of the film, I'd also see this plot moment as Stacy realising he can't protect his trans daughter if he's still playing by the rules of a society that see her as threatening and duplicitous. He's then able to stop seeing her on some level as having killed his son.

They're able to be close again because he has completely rejected the cis culture he was a part of, rather than just decrying the worst parts and slotting Gwen in. She no longer has to worry that he'll rescind his acceptance if she's too trans, and so he gets to know all of her because she can let him into her world without self-editing.

Anyway, those are my thoughts on Gwen after watching Across The Spiderverse two hours ago lmao.

#atsv #atsv spoilers #across the spiderverse spoilers #spiderverse spoilers #spiderverse #spiderverse gwen

[netherfeildren]

Honey, Stomach, Mine ; 1. Genus: Tragedy

Series Masterlist ; Part 2.

Pairing: Joel Miller x F!Reader

Summary: Existence is a needful thing. Choice is fickle, nature inescapable. Run to the end of the world, Joel, all those things will still find you. 

She'll still come for you. 

-OR-

the A/B/O outbreak AU 

Rating: Explicit 18+

Content Warnings: Alpha/Beta/Omega Dynamics; Dystopian Society; Outbreak not Cordyceps AU; Light Angst; Slow Burn; Shocking Considering the Implications of Me and This Trope but Alas; Biologically Assigned Soulmates; Power Dynamics; Topping From the Bottom; Government Controlled Reproduction; Segregation of the Designations; Institutionalized Sexism; Vaguely Handmaidien Undertones; Incredibly Soft Despite the Tags; Be Not Afraid, Dear Reader!; Yearning; Emotional Hurt/Comfort; Competence Kink; Alpha Joel; Omega MC; Very Soft Joel; Older and Jaded Alpha; Young and Needy Omega; Age Gap; Size Difference; Size Kink

A/N: I've found there is an absolutely shocking lack of A/B/O in this fandom, and this is my contribution to begin rectifying that. I swear that despite the way the tags read, this is entirely and sickeningly sweet soft, comfort, caretaking fic.

Share thoughts, please. It's sort of a different one.

Word Count: 6.3K

Read on AO3

Tip Jar

Genus : Tragedy

To a one Mr. Joel Miller,

500 Sheahan Road

Clallam Bay, WA 98326

United States 

We are writing to inform you that as of January 8th, 2015 there remain two weeks until your designated omega’s twenty second birthday, and a year since she has come of age. We have made several attempts to contact you with no response. As mandated by the federal government, you must collect her by January 22nd, 2015 or she will be distributed to another individual of the designation alpha who would be willing to accommodate her. 

The omega’s evaluations are all up to date, and she has displayed pristine results in both health and behavioral tests. It is estimated that her first heat will occur soon, and we strongly encourage you to collect before the fever starts and our facility is forced to place her with another willing alpha that may see the process through. As she is part of the Federal Alpha/Omega Pairing Program, and is biologically paired to an alpha already, that being you, if not collected she would be placed in the bidding pool and distributed to the highest offer. 

Again, we strongly encourage you to contact our facility with a response on your decision as soon as possible so that we may prepare the omega. We would like to remind you that these creatures are delicate, and unexpected changes to their habitats and surroundings cause high levels of distress. It is of the utmost importance that we proceed in accordance with the omega’s nature. 

Enclosed is a brief note from your omega that she has requested to attach:

Dear sir,

I hope that you are well. I have been told that you have not decided if you will come for me, but I ask that you please do. I have been waiting, but they have told me I cannot wait anymore, and I do not know what will happen to me if you don’t come. I promise that I’ll be good if you do. 

And at the bottom, in a pristine and swirly pen, and kindly, her signature, there for him to see. The name of the woman, or girl, who seems to have taken all of Joel’s choices from him. He follows the letters with the nail of his thumb, scratching at the ink as if he could make it disappear, make the reality of this poor thing out there in the world waiting for him, disappear. 

At the outbreak of the designations, twelve years ago, there had been mass hysteria, mass chaos, a terrible uncertainty of how the world could continue on, segregated into biological designations as it had suddenly become. Thought to be a product of the dwindling population rates, some whispered a government experiment gone awry, a freak genetic mutation had begun to appear within the biological markers of certain people. 

Designations: Alpha, Beta, Omega. 

It was not that society had unfolded, lost sight of itself, it was more so that from one day to the next, a new and unknown sort of hierarchy had been established, those that were, those that were not. Those that could live their lives as they’d always done, unruled by their biological urges, and those now marked as something new and different and set by a different sort of mandates. 

Joel had been one of these people. 

The designations had become controlled, weaponized, systemized, almost immediately. Almost. Before the government had mobilized and taken stock and hold of the situation, there had been a momentary lapse of order. Chaos wearing the names and faces of the people he’d once known, people that should have been safe or protected, protective. The true nature of the dynamics were quickly revealed. Obvious: an unmated alpha in need of an omega was a volatile thing, quick to aggression, hungry for violence. Less so: an omega, once thought self sufficient, independent, autonomous, was found to be at times fragile, vulnerable, full of necessity. Both connected by that string of desperation that could only be soothed in a pairing of the two. The desperate drama of being no longer only yourself.

It should have been an obvious thing, the mutation, a byproduct of the dwindling population levels, reproduction rates, was in service of something that would correct this misdirection of nature. Alphas and omegas were, are, idealized pairings for one another in terms of reproduction, in terms of biological pairings. It should have been obvious that this would be wielded as a means of control. It should have been obvious that this was an untenable situation that would cast people into roles that left no choice for autonomy, for freedom. 

It should have been obvious to Joel, who almost immediately, and even though he had been well into adulthood, a father to a young daughter, presented as an alpha, growing pains once again this late into his life. It should have been obvious that this was a situation that should have necessitated greater care, vigilance, protection. After all, this was the role of an alpha. He should have listened to this new nature of his that was suddenly, demandingly, presenting itself, acted quicker, stronger, with more wisdom. But he’d failed, he’d continued to fail for years to come after that terrible night when the world had turned back to its base nature in a hedonistic attempt for the preservation of humanity. 

Alphas were immediately feared, ostracized, and above all else, obvious. A designation was not a thing a person could hide, especially not an alpha, the truth of their nature. Many were gunned down in the streets at the start, imprisoned, experimented on and sold, debased and tortured. They’d been caught, him and Sarah, separated from Tommy trying to escape the madness. She had, in her innocence and without designation, still only herself, still only his little girl, been caught in the crossfire of a world's desire to tame or trap something it could not understand. 

Joel had, in many and the worst of ways, been caught in the crossfire too. 

With time, years and the sort of suffering that can only be forced upon anything that is different or out of the norm, a system had been created. Government mandated programs, laws, registries that kept track of the designations. A hierarchy in which those that were essentially and biologically considered stronger than what a normal human should be, were ostracized, exiled, denigrated, muzzled, and those that would be considered weakest, left without any voice at all, without freedom either. 

The Federal Alpha/Omega Pairing Program had been established for the continued preservation and furthering of reproductive rates. A registry was created in which all those with the designation either alpha or omega had to present themselves on, biological markers determined, all choices stripped. The program served as a match making machine, when two biological markers presented themselves as compatible, as mates of one another, an omega was assigned to an alpha for keeping. To do with as they’d see fit. 

He had gotten word of her only last year. Twelve years of solitude, of nothing, of running from a girl with green eyes he’d not been able to protect and the reality of himself he detested, the what and why of who he was. He’d left Austin, wandered and hidden and groveled in the dirt like a worm until he’d finally found a quiet place to settle. A place alone, undisturbed. And for so long, he’d not been happy, surely, but he had been. Joel had been.

He looks down at the letter in his hand, dragging his thumbnail over the swoop and slope of her signature once again. This was a person who, as mandated by law or biology or fucking whatever, had been deemed as his. His other half, mate, ball and chain. The terrible reminder of what he really was and could not escape, in the form and shape of his perfect opposite. 

Last year, when he’d gotten word of her existence, that she’d reached the age of twenty one and was now ready and available for his retrieving, he’d balled up the letter and thrown it with such weightless force into the fireplace in his living room that the air filled wad of paper had fallen limp and nothingful just shy of the flames, rolling in the ashes and dust, coating the reality of this imposed, undesired fate in dark soot. He’d been so angry he’d gone out and howled at the moon like the beast the world would have themselves believe he truly was. 

He did not want to be an alpha. He did not want an omega. He did not want to live off the coast of Clallam Bay alone in this house he’d built with his bare hands because he had no other use of them now, no other function or purpose or meaning. He did not want it to be now, he wanted it to be twelve years ago. He wanted to still be a father. 

He did not want to be an alpha. 

He did not want an omega.

He crumples the letter in his fist, looking out at the bay over the edge of the cliffs from where the cabin is perched. From his spot on the deck he can see as far out as the sea allows, sight stopping suddenly as if the edge of the world had dropped off a ledge. Sometimes he longed, so, so badly, to go find that edge, to drop off it as well. He had only tried once. Never again. The grizzle of scar tissue at his temple, a testament to yet another one of his failures. 

The first summons had come two weeks before her twenty-first birthday, and he’d laughed, after the anger, he’d laughed. A girl-woman of only twenty one years, deemed of age, for the role the government or God had deemed her ready for, served up on a platter to him for his own ravaging. For the correction of what nature told was an anomaly that only their coming together could solve. It was sick, disgusting. He wanted no part of it. And so, despite the knowledge that this poor thing was out there, in some government facility, places they took omegas, many orphans, but also, oftentimes separating them from their families for so called safe keeping, just another word for kidnapping. Rearing and breeding and no choices, no choices for any of them ever. 

He’d ignored it, turned a blind eye and a revolted heart away from it all, and shirked the supposed responsibilities he owed this omega who he knew nothing about, who knew nothing about him. But nature is, after all, a terrible and inescapable thing. And not even so much the nature of his designation, although that did, unfailingly, play a part in his demise, surely, but the nature of his character, of Joel’s heart, that was the true heavy player. He was not the sort of man who could turn away from someone who’d rely on him, who’d need him. A responsibility. That was, he convinced himself, all he should or could see her as. And for a year there’d been a sort of tugging of a string from behind his navel, an umbilical cord connecting him to his ignored fate. He hated it all. He wanted nothing to do with any of it. He wanted to rot in his aloneness and misery and bitterness, fester in the fear that lived around him from the world. It’s why he’d come here, it’s why he’d exiled himself. Balanced on the tightrope border between the Salish Sea and the Makah Reservation on this high and pristine cliffside cut from the crust of the earth; he was left entirely alone, at peace with only his own chaotic demons to torment him. He wanted it this way, he wanted this; please, please, he’d already given away so much, lost so much of himself. Should he also be forced into this too? To sacrifice the terrible peace of his solitude to save this poor creature that was being forced on him. He wanted to say no, that he didn’t give a fuck, that what would happen to her could, it was no business of his. But those words… another willing alpha, bidding pool, highest offer… they made him see, not even red, black, black and devastating anger or rage or something horrible and base, and what could only be a product of mother nature railing against him for ignoring what he truly was. Something that whispered terrible words of mine, mine, fucking mine. A hiss he did not recognize, did not want to admit he recognized. 

He was old, weathered and beaten and past his prime. Unmated. At the end of his line and unmated and purposeless, and his bones were tired, but itching and clamoring within the confines of his skin that this was wrong, that he was wrong, and that he needed to right this immediately. 

That she’s waiting, and dear sir, I do not know what will become of me if you do not come. I promise that I’ll be good if you do. 

And so Joel goes to her because he knows she is waiting, because fate or purpose or nature is not a thing to be ignored forever. 

-

“It’s her birthday today,” the caretaker says, voice ascetic and cold and direct. Not a voice, Joel thinks, for soft things; cadence that has his teeth on edge, hackles raised. “You’ve arrived just in time. She’s been asking for you, and we’d just set her name in the pool, ready to release for auction tomorrow.” That black rage muddies the corners of his vision, and he focuses on the cold shock of the blank white hallway they’re making their way down. Hospital-like, barren and hard, this place, facility, prison, they keep them in, the omegas in the program. He feels slightly sick, uninhibitedly angry as if his teeth would fall out of his skull, as if he could throw himself to the ground as a child throws a fit, spew his anger for the world to see how much he does not want this, how vehemently he’s opposed to it all. 

“She may seem young and small, but she’s twenty two now. She’s ready, and she’ll take it as you wish. It’s what she was made for.” 

Joel seriously considers, just for a moment, killing the cretinous little man beside him. Take it, he says as if he has any right to speak of you taking anything that Joel would give you, as if it’s any of his business, anything he could ever understand if the beta stench oozing off of him is any indication. He hums nothing more than a grunt of acknowledgement. If he parts his teeth he’ll take out a chunk of flesh. He should behave, there are easily frightened things nearby. 

White doors with a small circular window at the center line the hall on either side, endlessly down the length of the seemingly endless corridor. The caretaker, white scrubs, pristine like the rest of everything here, and Joel feels suddenly huge and bestial and brutish, marring and dirtying this place that is supposed to be of peace and quiet for the fragile things locked inside. 

A terrible place that makes him desolately depressed. You’ve been here so long, and he had not come, and it’s all just one more tally of failure on his rap sheet. 

When they finally stop before a singular door, the number fourteen emblazoned in large black, bold print just beneath the small viewing window, Joel suddenly feels– he can’t say for certain, he doesn’t know, or doesn't want to acknowledge the truth of the voices and sounds ringing in his ears, but he knows, recognizes it for the sound of the moment Sarah died all those years ago. His past and present suddenly clashing to meet here in this antiseptic white void, before the door to this fate that’s clamored in quiet waiting for exactly a year today. The sound of her voice, calling his name, saying it hurts, Tommy, his shouts ringing loud and then ebbing soft and as lifeless as she was while the reality of what they were living came to pass before Joel too, could realize. He’d left too, his brother, ran from the truth of Joel at the first easy opportunity. And she’s just there, her voice and her eyes and the feel of her is just there in his mind, on the tip of the tongue of his memory, and then the man opens the door and then there you are. 

He feels worse now, hulking, deformed, malformed like he was born wrong. “I’ll give you a moment,” the man says low, that cold voice monotone and almost too quiet to bear now. Joel feels he needs something loud and shocking. He fears he won’t fit through the door. “It’s better if you meet for the first time without distractions. She knows you’re coming.”

He thinks he asks if you’re sleeping, he can’t be sure, but he feels the vibrations of his throat work, his jaw move as if it’d come unhinged, his tongue swollen in his mouth, gums fat and painful, full of bile and terrible memories, and he is a badly made thing in need of some goodness in this moment. And then a shift of the small lump beneath the blankets, the reality of the moment snaps into focus, he steps inside the white box cage you’re kept in. The door shuts behind him, and then it is only him, the thing he would not be, and you, the thing he would not want. 

He doesn’t decide it until he finally peers into your eyes, that he can’t, will not, keep you. 

Wide, luminous and wet, but not afraid, wholly curious, peering up at him from above the edge of a thick wool blanket. Something drab and gray and stiff looking that immediately sets him on edge, brings that anger back, just the simple sight of the blanket. The two of you stare at each other in silence, the weight of that thing that tells of what you are, sitting heavy between the two of you as he looks down at you from his great height, presence that should be intimidating and cowing, looming over your prone and small form on the bed. But despite his stance, something swelling within him causing him to puff up like an angry dog and want to bear his teeth at you, despite the curtain of tears in your eyes, there’s nothing of the stench of fear. 

He shuts his eyes to the sight of you, huffing long and bullish through his nose, mistake, the scent of you, God, help me, and he listens to the rustle and shift of the blankets, opens his eyes to see a little nose peeking out from beneath the gray, drab thing to sniff primly at the air he’s now filling with his presence. 

Soft and warm and woman, the smell of a cunt that belongs to him. That’s what it is at its basest. More complexly: vanilla, bergamot, juniper berries, sweat and fever and salt. Taking a plunge off the cliffside, bypassing the sharp teeth of rocks that would kill you, waiting for the dark ice shock of sea and finding nothing but molten life. This is what you smell like. 

Worst of all, there is something in you that smells of him. His, yes, but not what he means, not his, him. Something that smells of recognition, like the two of you are the same. 

Something chained inside of him rattles at the bars of its cage, desperate to be let out and quenched. 

He steps back, frightened at your movement, at the reality of what the two of you are, so obvious here in this cage, at your perking up, your recognition of who and what he is, what he’s come for. You don’t speak, but you tell him. You wriggle beneath the covers, shimmying to turn and face him more fully, still clutching the blanket up high over your mouth, still covering half of your face, and he wants to bark at you to let him see, that he needs to see, but he grinds his teeth together. Molars going to dust down his throat, muscle wrapped around his mandible strung so tight he fears the fibers of it might burst and pop. 

You settle on your side facing him now, and then something to beguile him, to bring him to his knees muzzled and obedient and calm, the sweetest, sultry little crooning cry. Something provoking, alluring, something to beckon him to you in surrender and acceptance and welcome, come from your chest up your throat to his ears. He jerks back at the sound, your big eyes still expectant and wet but demanding now. I am here waiting for you. I have been here waiting for you. Come now. He steps back to your bedside, a too small, too stiff metal railed cot he’s going to wrap around that fucking guard, caretaker, idiot, whatever he is when he comes back, falls to his knees, and your little fingers peek out and up and over the edge of the blanket now. And you surprise him doubly, tenfold, more than he can comprehend – but he already decided he will not keep you, he already made up his mind – when you say: “You came. You remembered me.”

He could never have forgotten.

A low hum, a sound to make your eyelids flutter and your legs shift beneath the heavily draped blankets. “Today’s your birthday, sweetheart, is it? Would you like to come home with me as your gift?” 

He could never have forgotten.

-

The house that the large man who you’d waited your whole life and then a year for, brings you to – and you can’t be entirely sure, for you’ve so little experience or knowledge – but from what you can think you’re feeling now, from what you can decide, is lovely. 

He had taken you in a car, a truck, you like the sound of the word, —ck, —ck, —ck, and driven a long while, through the big city which you’d seen little of, between forest and beside sea, and then finally up a long and winding road and more forest, more trees and green than you’d ever seen in your entire life, until you’d come to a cliffside, the backyard a drop off of air and rock and endless dark water, and a small house perched just there at the edge. Wooden slats, weather beaten and salt lashed, a copper sloped roof, and two pert chimneys, despite the not large area of the house, cabin. It looks, very much, as if it had grown straight from the cliff rock, sprouted by the forest, strong bones that spoke resolutely of remaining where they were no matter how hard the wind howled. 

“How did it get here?” You ask the man, alpha, who’s name is Joel who has finally come for you after a life and a year of waiting. 

“I made it,” and his voice is rough and demanding of attention, demanding of you, even if you don’t know, although, you do understand, what it is he’s demanding. 

And you think, yes, of course. It looks a little, a lot, like him. Obvious, that it came from him. 

It would be easy to think that you’re nothing but young and stupid and untried. Just a little omega kept in a cage. But you feel, after this life, not life, of being you and the thing you are, that you’re none of those things despite it all. You had lived, you had been out in the world at one time, even if briefly, even if only as a child, green and inexperienced and innocent, and although you still remain all those things, you had been out there at one point. You had never had a mother or a father, dead when you were an infant, killed in the outbreak, but you had lived with your aunt, your mother’s, many years older,  sister, until you’d been ten years old. So you see, and he should see too, this man now before you, this alpha, that you were untried and inexperienced and young compared to him, but you’d had a decade of real life, even if it was the life of a child, even if afterwards it was a not life, but the before, that counted very, very much to you and so deserved respect and acknowledgement. And he should see that, although you do not know, you do understand.

After your aunt had died, and they’d taken you, first to the orphanage, and then to the place for omegas, after you’d started to mature and develop, perhaps that real life had ended. Or been put on hold, waiting for him, this alpha who seems, for all intents and purposes and from what you can gather from his sullen silence and dark looks, nothing like pleased at your presence here now. But then there was the: today’s your birthday, sweetheart, is it? And yes, yes it is your birthday. 

It’s your birthday, and you’re free. And yes, you’d lived the not life in the white box for so long, and yes, you are, in fractions, so afraid and knowing so little of the world, but you do know that you want to live and to see the sky. 

You want to see the sky every single day. 

His big clunking truck rolls to a slow stop before the house, a wide deck wrapping around the entire boxed thing of it, and he starts to move, unclipping his belt, grabbing the bag he’d brought with him stuffed with his clothes he’d promptly tucked and folded you into when he’d shuffled you into the cabin of his truck, and you’d been all thank you, sir, to which he’d given a shake of his head, only Joel. Only Joel. No other words, no other directions, only his hands pulling your strings like a puppet. You had accepted it for the chance to feel his touch, to familiarize yourself with the closeness of him. 

You want to know things. You want to know him. 

He’d barely said a word the entire drive here, but you could be patient, and they’d prepared you for this, after all. They’d prepared you long and well and told you all they thought you’d need to know. So you find yourself, and not at all shockingly, as you’d waited so long for this, for him, for freedom and the sky, and look, now there’s even sea too, not even a little bit afraid, only anticipatory in bated breath, stuttering heart, excitement. 

You had never seen the sea before, and you want to know things. You want to know him. 

He jumps heavy and thudding form the truck, and you start to shift, something suddenly frantic and clawing rolling in your chest when you realize he’s leaving the confines of the small space the two of you had found yourselves encased in together, the warm heat from the vents blowing his smell, his smell, all around you. You’d never encountered anything like it before. Salted vetiver and warm cardamom, something sweet and musked and heavy like what your fingers taste like after you’ve pet long and needy at that soft wet place between your legs when the hurt was so tight you felt nothing would sate it. It’s a scent that you think would devastate to have taken away now that you’ve tasted it. And it’s everywhere as the two of you’d sat in his staunchly imposed silence on the truck ride to this place he was bringing you to, his home at what seems like the end of the world. It’s in your nose and down your throat, heavy and cloying and sweet on your tongue, wrapping around your waist and covering your skin and your hands so that you’d even pressed your palms entirely over your face and rubbed yourself like a cat, coating yourself in him. 

The door slams, bringing you out of his scent induced reverie and back to the present, and you scramble to undo your buckle too, even though when he’d clipped it for you he’d very sternly said to not take it off, desperate to follow him wherever he’d go. But you realize quickly he’s coming around the front of the truck to your door, and then he’s there pulling it open and letting in a biting gust of wind come off the sea and up the cliffside to slash you across the face with its icy rancor. You shiver, teeth clattering and chattering in your mouth, trying to gather the blankets he’d cocooned you in, his too big, so soft clothes, more tightly around yourself, and find your feet. 

He gives a rough but soothing noise, and easy as anything, plucks you up and out of the seat and into his arms, kicking the door closed behind him as he goes. Into his arms. You hold yourself stiff and wide eyed, chewing on the tips of your frozen cold fingers, and staring at him this closely, it’s shocking. Large, had been the first thing. Tall and broad and thick the way they’d said alphas are. This you had expected. The rest, you had not. The eyes, you think, more than anything. His eyes, a strange mix of hazel and brown, but dark. Eyes, that even in your greenness, you can recognize as sad and angry. And the creases at the corners, between his brows, the gray threaded through the lush, dark curls and at the corners of the hair along his jaw. He looks like he would be someone’s father. The patch of bare skin, heart shaped, amongst the whiskers. He’s beautiful, and unthinkingly, or perhaps entirely intentional, you stick out one of your saliva soaked fingers and poke him gently there, only a small prod, to feel what the heart feels like. His gait stops instantly, that permanent frown he’d worn since you’d first laid eyes on him, deepening. “Don’t do that,” he gruffs, continuing his steps up the porch now, the dark, heavy boots you’d noted as he’d taken you from the facility falling thunk, thunk on the wooden boards beneath. He’d not given you shoes of your own. And at his tone, the grumpy look, you have the inexplicable urge to laugh. To laugh at him. Surly, you want to tease, but swallow it, itchy fingertips back into the warmth of your mouth to stop yourself from touching again.

Another gust blows against the two of you as he somehow transfers you, cradled into only one arm, to pull the jingle of keys from his pocket, and you’re jarred with painful shivers, huddling closer into the unbelievably broad expanse of his chest, the unbelievably steaming warm slab. At the touch of your cheek against his collarbone you realize all he’s wearing is a simple, green flannel, no coat, nothing warm. “Aren’t you cold?” It seems suddenly, supremely important you ask, head shooting back up. He peers down his nose at you, finally getting the door open, and his eyes are a very peculiar sort of dark, you cock your head at him, a very strange sort of creature this man is, who’s come to collect you, who you’d waited all your life and a year for. 

“I’m fine,” he says. 

You don’t believe him.

He sets you down on a large, dark leather sofa, chocolate, the hide smooth and worn and lived in. The rest of the house, not only a house, also a home, for it’s obvious in the way of his things, the way they’re arranged and fixed and the way they too live here, not only exist here. I’ll be like that too, you think. It’s all comfortable, it’s all warm, like a den and a place to relax and be protected, juxtaposed by the sight beyond the large windows, nothing but dark, violent sea as you’ve never before seen. 

He really had found a perch at the edge of the world, brought you here to perch as well. 

There’s a large fireplace, inlaid with large slabs of dark stone and thick beams of wood, and yes, this too is also obvious in a peculiar and particular way. The house very much looks like it was made by the hands of a single man in some way that you cannot specifically say, but can obviously see the truth of. He made this house, and then he came for you and now he’s brought you here, and you feel, suddenly, so pleased and warm and right. Everything feels so, so right. You sigh dreamily, suffused at once with a tight, deep heat at the pit of your belly, the scent of him everywhere, bubbles floating up from the bottom of you and seeming to pop out your ears. You lean back into the deep couch, wiggling this way and that, rubbing your bottom into the soft cushions to snuggle up, bringing the neck of his sweater he’d put you in up to your nose to breathe deep and long. 

He’s moving around, arranging things this way and that, a thick log in the slumbering coals, a pillow here, another blanket atop you, not looking at you, setting a wide berth once he’s settled the throw, not talking to you. It’s fine, let him do as he pleases and needs, you’ll sit here and watch. You can tell he doesn’t like to talk, that words cost him something, and you know so little, but you understand this. Words do cost something, truths, the truth of your before life and your not life. The truth of those realities cost. So, yes, you understand, and he doesn’t have to talk if he doesn’t want to yet. And looking at him, you realize that everything inside of you feels soft and bruised and little. And yet, despite all that, ready, in want and need of him. Ready to be big. 

Joel.

You must say the word out loud, his name, for he stops and finally turns to face you. There is something vibrational within him. Different. You’ve never seen a creature as such. You’d never seen an alpha before, not since you’d presented, you’ve never been around one. The caretakers were all always betas, people who would not be affected by the omega’s presence and fluctuations. 

He swallows once, twice, twitches and jerks and heaves a big sigh. He’s so full of energy as you, suddenly, in opposition, feel so sleepy and drowsy and ready to close your eyes and only feel warm and relaxed. You like his house, you might love it, even. 

Your eyelids droop low, slow blinks, and you watch his face fold into a frown. You want to laugh, he does that so much. They’d said that alphas could have big tempers, that they could be brash and aggressive and loud, but that the omega would naturally temper that. You think it may be true because as you watch him through the weave of your lashes, his frown deepening the longer he stares at you slowly drowsing on his couch which you hope he’ll never make you move from, the jitters and the shakes and the trembling that he’d seemed, just a moment ago, to be so full of, begin to quietly abate. 

He takes a step toward you, another and another until his shins meet the edge of the sofa, and you snuggle deeper into the cushions, making yourself into as little a ball as possible, so full of sleepiness. 

“How do you feel?”

“I like your house so much,” you slur, head drooping, lashes drooping. 

He clicks his tongue, makes that rumbly noise you think is an alpha thing because it has your eyes suddenly clicking open, sleep haze clearing momentarily so that you can look up at him again, and he’s looking at you so peculiarly. You scrunch your nose up at him, there’s no need to look at you so, you’re only an omega, only a little tired, nothing to stare at so strangely. 

“I’m–” he clears his throat, makes that rumble, growl, huff sound again, “I’m glad you like it. I wanted you to be comfortable while you’re here.”

And oh, he’s so nice, you tell him, and, “I am. I’m so comfortable.” You melt further into the couch, and he crouches down to peer at you more directly, pulling a soft pillow from the opposite end and tucking it under your head, the large, rough cup of his paw cradling your skull, big fingers weaving through your hair. He arranges you so gently, like he’d take care of you. Like you’re here, finally, finally, you’re here to be taken care of. 

It’s what they’d said would happen, and you’d waited so long. You’d waited too long to be let out of the white box, for him to come, to see the sky. And now there was so much; of him, of the house, of the sky, of your whole life and the sea.

You nuzzle your head into his big hand, the heat of it searing your scalp, your ear tucked into his palm. “Brave girl,” he hums. He has such a deep voice, a good voice for an alpha, you think, a very good voice. You feel it vibrating in your toes and in your eyelashes and in your belly. “You’ve been through a great deal, haven’t you?” You want to say yes, you want to remind him that you’d waited for him for so very long, and that when you woke up, if you remembered, you’d be very cross with him for taking so long to come for you. 

“You rest now,” he says. “It’s all alright now.” Yes, a very good voice.

2. More Intelligent Than a Face

Netherfeildren's Masterlist

Updates Blog

#HSM fic #vic fic #joel miller smut #joel miller #joel miller x reader #joel miller fanfic #joel miller x you #the last of us AU #joel miller fanfiction #pedro pascal characters