you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
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in your most recent tyson post, you said something about leo being distinctly autistic-coded and I was wondering if you could elaborate on that? it sounds really interesting (sorry if you've already posted something on this, I couldn't find anything though)
Of course! I do have a specific tag for talking about Leo's autistic-coding/traits - [here], and [one for Nico as well].
The main aspects with Leo being autistic-coded actually have a lot to do with Nico being autistic-coded, because it's the comparisons between the two that most clearly indicate Leo is autistic-coded rather than it just being his ADHD or etc.
So with Nico being autistic-coded, it's very clear in the Titan's Curse that he's intended to be autistic. First, the first series has a repeating pattern of secondary characters being very distinctly neurodivergent-coded in different ways (Annabeth's adhd/dyslexia, Tyson's down syndrome-coding, Nico's autism-coding). With Nico's introduction, he's pretty stereotypically autistic and we're given a lot of descriptors about him that are notably not attributed to him being ADHD, like it would be for other demigod characters. He doesn't register social cues such as people getting annoyed at him, he's asking/making inappropriate or impolite questions/comments, he gets particularly upset about change (such as Bianca joining the Hunt) and generally gets emotional, and one of his most notable traits he's introduced with is the fact that he has a special interest (MythoMagic) - and we're shown that this special interest particularly colors how Nico navigates the world. While ADHD has hyperfixations, we don't really get much acknowledgement of hyperfixations with demigods usually - Annabeth gets a little, but most others don't and it's not nearly as focused-in on as Nico's is.
Then as the series continues we see these traits stick with him and him start to show or voice more traits that similarly indicate he's autistic: He regularly mentions how he doesn't understand living people and prefers the company of the dead (social issues). He has more notable stims than other demigods (twisting his ring, fiddling with bones, etc). He's indicated to have strong sensory preferences (usually wearing mostly black/aversion to bright colors, usually wearing layers/his coat, multiple times he's described as wearing loose/baggy clothing or clothes too big for him). He has specific comfort items (his ring, likely his jacket(s) as well). We later get even more information about his special interests (Mythomagic/mythology/history and an older interest in pirates - the latter he specifically notes likely heavily influenced his feelings towards Percy). He struggles with emotions and facial expressions and tone. He struggles particularly with ostracism and feeling like he doesn't fit in and has something distinctly different about him from the people around him (who notably, all have ADHD, which indicates it isn't the ADHD that's making him feel that way), and other characters regularly describe him as being off-putting because of his strange behaviors - again, different from specific ADHD traits they recognize. And that last point is kind of notable because we have Hazel and Bianca for comparison - we know people are off-put by both Nico and Hazel because of being children of Hades/Pluto and their powers/aura, but other characters get past that general feeling of discomfort way faster with Hazel. And even after characters get past the death stuff with Nico, there's a second thing that they aren't moving past that isn't a factor with Hazel (Nico's autism).
So that brings us to Leo - Leo is paralleled to Nico a lot. And there's some very specific traits about him that we know are autistic-coding because of how they're used with Nico: He similarly struggles with social cues/etc, and in a very similar parallel to Nico describes how he prefers the company of machines to people because machines make more sense to him. He has similar types of clothing/sensory preferences (again some stuff with layers but also - pockets! He likes having pockets and things to put stuff in! He's even introduced as having a jacket with lots of pockets), and he has a distinct special interest (machinery) that we specifically know heavily influences how he views and navigates the world (constantly comparing things to machinery, describing things with machinery metaphors/terminology, etc etc). He even describes his entire general worldview to Hazel and it's a machine metaphor. He also similarly struggles with ostracization like Nico does, the only difference being that Leo specifically puts on a persona to compensate for areas he knows he's lacking in and very explicitly describes it as a means to make people like him, because without it he normally struggles to fit in (He's masking!). We also see notes of characters describing that similar discomfort with Leo's behaviors that they do with Nico, except without the aura of death this time. And when we're in Leo's POVs we see a very stark difference between his masking and his actual personality/behaviors such as his internal dialogues or how he behaves when he's alone. Also, like Nico, he stims more than other demigods, though for Leo it's more attributed to his ADHD. Leo also, more often than most, similarly struggles with tone and reading the room, such as making misplaced jokes/comments or etc.
But yeah! It's really interesting. Also it's just a fun thing that ADHD/dyslexia and autism have comorbidity, so it makes sense that we see demigods who are also autistic. It's also really fun to look at how other characters are coded in the series, what coding looks like in the riordanverse specifically (usually it's tied into the mythological stuff - like Chiron being in a wheelchair but he's actually a centaur, Grover being introduced as having a muscular disease but he's actually a satyr, demigods having adhd/dyslexia, Tyson being coded as having down syndrome but he's a cyclops, etc etc - it's a lot of specific metaphor stuff that I've talked about a bit before), and to look at how characters are compared to one another.
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with the focus on the revolving door again in ep 16, i just want to say a little smth abt the door as an autistic person myself.
i know some ppl are frustrated with wyw's difficulty in using the door, saying it infantilizes her and that "she's a 27 year old lawyer, she's seen a revolving door before, she knows how they work." but the thing is, it's not abt her being familiar with revolving doors at all. at least not in the way you think. it's not "oh look at this lady, she doesn't understand this door bc she's autistic." it's a sensory issue.
autism affects our senses and the way we process them. what many allistics don’t understand about autism is that we’re not just overly sensitive to sounds and bright lights. we can be underly (is that a word??) sensitive to stimulus as well and have a hard time controlling our senses. this includes all seven senses. that right, seven. there’s the five you know, but also two you probably don’t: the vestibular sense and proprioception. these two have to do with body awareness, balance, and spatial orientation. that’s why many of us walk “weirdly” (if i ever catch you saying someone walks weirdly i am coming into your house and punching you in the face) or are clumsy. we have issues with our bodies in relation to the world around us and often have a hard time balancing. i walk into walls all the time and miscalculate and walk into doorways instead of through them.
so it’s not that wyw doesn’t understand the social concept of a revolving door, but that they’re difficult to navigate through due to her vestibular and proprioceptive sensory issues. i myself have a hard time with revolving doors! so pls no more “this makes her look dumb” or “this is so unrealistic”. if wyw is bad representation and is stupid for having problems with a revolving door, then i’m an unrealistically stupid autistic that walks into walls.
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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.
So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:
They put Barnaby in the “facade” section, and I entirely agree. To quote them;
“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.
Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.
What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”
And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );
Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.
Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”.
& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as.
The laidback funnyguy with a loving mom and not a problem in the world.
And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful
(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)
& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?
This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!
Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric
Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s.
And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory).
Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism.
Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown.
I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.
Riv also presented this:
We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.
Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed.
How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go!
How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.
And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets.
In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!
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