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#and i think ive never seen them so!
charlescherie · 2 years
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the bde is off the charts!!!!!
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sealsdaily · 3 months
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Today's Seals Are: Big Wet Smooch
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heartorbit · 8 months
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WHEEEEEE
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beatcroc · 9 months
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something about perspective, representation, or finding beauty in imperfection, i don't know. i mostly just wanted to say that fake pep looks like shitty ice cream.
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lorephobic · 6 months
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literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
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medi-bee · 24 days
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isat pokemon au, my liege?
my rambling in tags
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#my art#in stars and time#isat#isat spoilers#pokemon#siffrin#mirabelle#isabeau#odile#bonnie#i am not individually tagging pokemon sorry. floragato eevee ursaring scorbunny meowstic <- for anyone who does not know them#im personally a big fan of when artists mold pokemon designs like clay to fit their characters so i tried to channel that#siffrin really does have the perfect mystery dungeon backstory. washes up on a beach with no memories of their past type of deal yknow#i imagine that he was still a sprigatito then? and evolves at some point during their journey? dont ask me for details i dont know them#veryy tempting to make him an absol but ive already seen that done very well!! so i kept most of these to floragato sif#mirabelle being an eevee is suuuch low hanging fruit sorry. i could not resist the evolving pokemon not wanting to evolve trope#i was concerned that sif was no longer shortest party member until i realized they just stand on their back legs all the time to feel talle#when quadruped like mira he is still shortest. sorry siffrin#isa gave me such a hard time. like i never thought i would turn a character into ursaring of all things but it really was the best choice#my other choices were bewear or pawmot if you care. he’s so bear coded#if going purely based on looks i probably would have made odile a sneasler. but i wanted her to be psychic#ill be honest bonnie was purely vibes. they carry the treasure bag :)#never draw bonnie's hat in profile worst mistake of my life#loop is still cat shaped here but i’ve seen the idea of them changing species thrown around. much to think about#i like the idea of the party seeing sif and loop side by side and immediately clocking their entire deal#the change god is mew btw. very important information to no one but myself#eurasie as hisuian zoroark?? lots of hair. and the king can be darkrai#don’t mind the inconsistencies. me and my 2781 ways of drawing the same character#wait what does an eevee look like again. googles it. oh i really crabbed this one up#uhh. looks around. been sitting on this one for a bit too long i think. maybe ill clean up some more sketches later
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mishy-mashy · 13 days
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Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
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He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
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When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
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This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
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Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
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- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
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Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
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> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
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All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
#KUDO IS UNDERRATED NEEDS MORE CONTENT RECOGNITION HES THE KINDEST WITTLE BOY EVER#my thoughts#i think ppl who write resistance stuff should also consider that not everything was black and white#there will be moral arguments where you cant decide. and the resistance has faced those sorts of things where There Is No Right Answer.#kudo is really kind tho. exactly because he cares so much he does all these things and tries to harden himself#but like exoskeletons work - its only an armor to protect the soft squishy insides and keep them from drying out#i woke up and had to put this stuff down#me: *picks up a sentence note in my fic notes* *puts it down here and elaborates*#the line was in relation to putting down stuff about the vestiges to remember dynamics#[Kudo is the kindest despite appearances]#kudo seems like he would be fiercely protective over ppl he cares about. exactly because hes seen so many of his comrades die over and over#kudo#bnha#mha#boku no hero academia#my hero academia#spoilers#ofa#one for all#bruce#bruce is the meme of “*chuckles* I'm in danger” and its just. Kudo w/ his new crazy idea chasing him down with Gearshift and Yoichis Factor#hikage shinomori#en tayutai#yoichi shigaraki#ive been thinking he was kind for a long time but never elaborated why. if u look at his actions words and thoughts it all makes sense#theres underlying kindness in there. he wants to be kind but the world would scorch him if he didnt have a stick up his ass#also adding on to the prev tag of kudo and fiercely protective- because in their times comrades were everything. otherwise you were alone#the world sucks resources are limited and youre a diseased human [Meta]. but you have someone willing to walk with you.#also about the [Kudo is the kindest] note among the vestiges- i dont think any of the other vestiges would do what kudo did#calmly volunteering himself rather than it being in panic. extending a hand and saving what shouldve been his mortal enemy. yknow
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oh-katsuki · 2 years
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DENJI, AKI, POWER - Chainsaw Man PV 2
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riverrunscold · 2 months
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Since we're sharing youtube comments, I wanted to share this underrated one
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silverskye13 · 2 months
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Will enby Helsknight/trans Tanguish/top surgery scars/stubborn avoidant Welsknight in a gender crisis make it into the main story of RnS? Like, a full acknowledgment of it? Because yes, us on tumblr are aware (and happily bully RnS Wels for it) but I’m curious to how it may be brought up in the main storyline instead of rambles and drabbles. (Don’t get me wrong, those rambles and drabbles are what get me through the day. But my best friend, who isn’t in the MCYT fandom whatsoever, just caught up with RnS and doesn’t use tumblr, and besides spamming her with tumblr posts I wanna know how much I can revel in the glory of the skrunkles with her!)
That is a great question, actually. And the answer is I don't really know.
So this is one of the downsides to writing things chapter by chapter. If I had gone into this going "oh heck yeah they're trans", this would've come up in the plot way sooner. It's nice information 1) for all the trans folks reading and 2) because it has the potential to inform the themes in the narrative. This whole story is about two chief things I think: death [the inevitability of] and identity [what defines you and why]. Why should you care if literally no one else (including the universe) does? That would be so cool to speak about in terms of a trans allegory! Why do you care about gender when it's just one thing in a world of crazy things? Or at the very least, how does it inform your identity? But this is a change I made on a whim suddenly, and I know Exactly Where I Want This Plot To Go, so trans topics and allegories as Plot Points probably won't happen.
On the more technical side of introducing trans characters -- how do you do that without just dropping "oh btw they're trans" in? Like, how do you make it a relevant thing to talk about, that doesn't feel forced or shoehorned in, especially this late in the story? Probably me overthinking, but I read it done wrong so often. It gets tired. And if I ever work on my original stories, there are trans characters in there! If I can figure out how to Do It Well in a fanfic, then I can figure out how to do it in original fiction someday maybe. So I kinda wanna take the introduction seriously? I've actually been thinking about it so much I've thought about rewriting the intro to the next chapter ahaha [it already needs rewritten in general, there's a lot going on, but the intro was going to be Helsknight waking up from something, and he sleeps shirtless, and not addressing top surgery scars then would be kinda silly I think.]
I can say at the very least, Gender Avoidant Wels probably won't factor in the story much. He is a character, but I don't think he'll become Enough of a character to faithfully address something like a trans self discovery arc. At best his issues with gender might be mentioned in passing.
Sorry! I know you probably want a better answer! My answer is basically: I don't know I'm still working on it. I want it to be there, but the capacity it's there is undecided.
That being said, I've been sitting on this glorious ask since the shenanigans started and the temptation to just Do That grows every time I read it:
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cheemken · 4 days
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Some Vertin thoughts I have, but do you ever think she and Matilda had this talk after seeing each other again?
I always imagine Vertin just coming up to her and hugging her, and Matilda being so flustered tried to push her away until she feels Vertin shaking like a leaf. Vertin's trying so hard to talk to her, saying she was so glad, so so glad Matilda backed out during the breakaway plan, cause she can't handle the thought of losing Matilda that night too
I think there's so much unexplored potential for these two. Like yeah, Sonetto regretted letting Vertin and the others go that night, but do you think it haunts Matilda too? That maybe she could've tried to talk them out of it, maybe then she and Vertin would still have their friends around
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skitskatdacat63 · 1 year
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I don't think I can ever emotionally recover from these
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spitblaze · 2 months
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I'm not a psychologist or a politician or anything approaching an expert about literally anything except a few specific video games but I feel like so many people wouldn't be agonizing over the moral implications of one (1) vote if we as the less-than-uppest-of-upper-crust had the ability to meaningfully affect change in ways other than 'spend money/do not spend money, vote for the red or blue tie'
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ravs6709 · 9 days
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idk if this is something im maybe hallucinating or maybe its just the posts that i see occasionally but ifl sometimes its hard for the fandom to let yjh exist outside of kdj?? like i know the whole kdj being the reason for the story and yjh as an extension to exist is a thing but yjh separating himself from the narrative and establishing himself as not just the protagonist but a person is Also a thing and i feel like we don't talk about it as much.
like i dont know man!! maybe this is all in my head but sooo much of the yjh content also doubles as joongdok?? and you KNOW i love good joongdok but where are the character studies. where are the deep dives. where is the acknowledging yjh as an intricately convoluted and complex characters with his own wishes and desires and the way those desires fuel the narrative like goddddd hes SUCH a Character i think we need to discuss it more. anyways hes my fave btw no one gets him like i do
NO YOURE SO RIGHT THAT IS EXACTLY WHATS HAPPENING
Like yjh becoming a Person is his whole growth??? I haven't been consuming nearly as much orv content, and I'm pretty sure it's for this very reason cause I want more character studies so bad!! Or dynamics with other members of kimcom!!
You ever think about him and mia, mia who is suddenly so distant from her brother, you ever think about him and jihye, how she wants to be strong like him
Or sp!!! Who carries so much grief, and it saddens me that his "why is it not me, but you?" line got reduced to "oh he's jealous he doesn't have a kdj" when it's "he doesn't have ANY companions he doesn't have a SISTER A DISCIPLE A TEACHER"
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ivystitches · 1 year
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shiv was so baby sister in this episode
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imdoinggreatthanks · 2 months
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I honestly can't make up my mind/ don't ship him with anyone which feels weird because he's my favorite character so I feel obligated to ship him with SOMEONE so let me know your thoughts
I AM IGNORING ALL BATCEST.
Edit: I did contemplate adding y/n or reader as one of the options with how many of those fics are out there lol
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