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applestorms · 11 months

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been reading through some of the author commentary from the patreon post archive for HS^2 stuff & writing notes on certain quotes from it and i think i've come up with (slightly) more distinct reasons for why the epilogues/homestuck^2 feel so off and/or frustrating to me. not gonna post the full thing + i'm only about halfway through reading it all, but here's a few points (warning this one gets kinda political):

It’s possible “Ultimate” Dirk’s presence was suppressing other splinters of himself from manifesting.

Wait, so... Ult. Dirk is just suppressing the other splinters? But I thought the entire point was that he subsumed all the other splinters to become one Ultimate Self? Weird, but I guess that plays more into the narrative powers side of things that they put a lot of emphasis on. That, or the creators don't have a very clear idea of what actually makes an Ultimate Self, which would. also work lmfao

Unlike the other victors of the game, Jane threw herself into the world the kids made together. She grew up preparing to take over a major company, and has the confidence to show for it.

Gonna get more into two ideas here in a bit related to this quote, the first being HS^2's Trump Era politics & the second being Jane more specifically. Here's the first connection:

I don’t know if you noticed, but everything is terrible right now. And I don’t mean just in Homestuck’s dumb fake earth. I mean in our dumb real earth. Our planet is burning and folks go to bed hungry just so twelve guys can have more money than Croesus could have ever dreamed of. The concept of “truth” is at its most tenuous – political divisions involve contradictory interpretations of basic facts. I’ve been playing a lot of Death Stranding recently. Basically any media that you’re making in 2019 has to either address what’s going on around us or come off sanitized, sterilized, with its head in the sand. Kojima offers a simple power fantasy: Through Norman Reedus’s sweaty, urine-filled labor, the things that divide us can be banished. America can be unified again.

HS^2 is kind of agonizingly pessimistic when it comes to its (not at all subtle) political messaging, which I suppose you can in part attribute to a Trump-era leftist/liberal culture, but I personally also attribute to a specific flavor of white person existential pessimism. What frustrates me about HS^2's politics in particular though is just how much it talks down to the reader, acting like their (frankly, imo, pretty fuckin basic) reflections on the flaws of capitalism, gender constructs, and contemporary American politics are these revolutionary ideas that nobody other than them truly understands. It's really aggravating to read, honestly, and reminds me a lot of the perspective reflected on in this video by F.D Signifier about Bo Burnham's Inside & white performative liberalism, though in this context the creators are much more insufferable about it than Burnham ever was. (This is NOT to say every creator working on HS^2 was white or even ascribes/d to these kinds of politics, but that's one of the voices that I feel comes through the strongest.)

Edit: Re-watched that whole video and he really does get at the exact idea I'm thinking of. However, I would add that the thing that makes HS^2 feel especially insufferable to me is the fact that it doesn't feel like the authors are engaging in their politics as genuinely or personally as Burnham does. Where Burnham's look into these issues is self-reflective, the existential dread coming from the ways in which he himself plays a part in perpetuation of systems of oppression, I feel like HS^2's creators were unwilling to look at the ways in which they themselves might've benefited from the same kinds of privileges. It's just- it's egotistical, honestly! And it's a vibe that I get from a lot of heavily queer, young, white fandom spaces, which presume that because of their own experiences with queer and trans-based bigotry they understand everything and don't have to examine their own biases or any other nuances to their social position/the privileges they might personally have & continue to benefit from. I don't know- Homestuck was never going to be a good medium for examining the nuances of race and privilege, that was determined by the very first page or whenever Hussie decided non-canon races were a thing, but that doesn't make it any less agonizing to watch such a ham-fisted, pompous attempt at "social commentary." Ugh.

I guess I can understand the desire to get HS^2's politics to be more up to date and with it, again considering what the Trump-era American political landscape looked like (and what HS proper looked like, let's be real), but the way they approach this just makes the authors seem that much more immature to me. I hesitate to even call this political commentary, it's just pointing out that things are bad and then complaining about it. There's no hope here and it shows, and I personally have very little patience when it comes to that kind of perspective. I don't want to be too harsh to the creators or completely undermine the ways they might've faced structural social challenges (yes, trans people have it fucking bad right now! And there was absolutely some bigoted shit directed at the creators that was more reprehensible than anything here, I was there when this shit was coming out, I saw it all too (alongside the genuinely good criticism that they wrote off just as easily, but I digress)), but this shit is just bad, I'm sorry.

Privilege, safety, and inherited wealth do funny things to the brain. People justify to themselves why they have what they have. If you have enough for long enough, you start to convince yourself you deserve it. Jane won the game, lost very little, and as god of a new world decided to dominate its markets as a corporate mogul. Her conception of what was possible with her capability and god-like reason was shaded, limited by the world she grew up in. She is not a goddess of fantasy, a semi-mythical trickster creature like Jasprose, or a meta-aware marionette master like Dirk. She saw a new world and chose, simply, to replicate the power structures of the 21st-century America she was raised in. Boardrooms, power pantsuits, formality and professionalism.

(Longer quote here justifying the horror they did to Jane's character but let's add one more before I elaborate further)

But in the end, isn’t that what every story is? Trying to untie knots that you put in the rope yourself?

This quote is very telling and gets at my issue with the Jane quote from above, really one of my main issues with the all post-canon shit just in general: when the authors were creating a bunch of problems and inserting them into the story, something that is (typically) necessary for any kind of meaningful storytelling, they went about the process of introducing that conflict totally wrong.

In the original story of HS, problems for the characters primarily originated from Sburb, which acts as both the game they're playing and, as is demonstrated throughout Act 1, the world itself. Problems in the story thus often feel at least kind of true to life because they either originate directly from the game & its constructs (which the characters have no control over, parallel to how you can't usually control the world irl) or individuals responding to those circumstances w/ their own set of unique characteristics (Vriska being an active character and creating villains to become a hero but also Rose deciding she has to go through with a suicide mission in response to the game/Doc Scratch and Dave in turn responding to her actions, etc. etc.).

This is not necessarily true for all of the story or every single plot point/character arc, but I think it generally follows, and so for as meta as HS gets, it never really felt to me like you could see the hand of the author when it comes to how major plot elements are introduced, outside of a few very overt examples. Problems are able to crop up fairly naturally through characters responding in what they think to be natural/rational ways to their circumstances, but may or may not be due to the limitations on their understanding. The situation and environment of Sburb and the world of HS itself may be absurd and stupid and crazy and very obviously created by an author, but the characters typically feel consistent and true to themselves as people in how they respond to the absurdity and confusion of their world. It's one of the reasons why I think HS is so appealing as a coming of age story actually, since stepping into adulthood (or even just your teenage years) does often feel like entering a world that is crazy and cruel and unknowable with all of these malicious, far-away forces that know way more than you could ever possibly understand controlling every detail of the world around you and deciding your fate before you even get the chance to know it's coming. These are kids, they really don't have a lot of power even once they ascend to godhood in comparison to the forces they're dealing with, and the story & world reflects that.

The problem w/ HS^2 & the Epilogues is that the authors don't have the same game construct to work with, barely have a world at all to begin with actually, and so they instead twist pretty much every single character into the worst possible versions of themselves in order to try and recreate the same HS absurdity. But it just doesn't work, because there is no real explanation for why every character is suddenly at their lowest point and acting like a fucking idiot all the time other than "ooo adulthood makes everyone worse!" and vague gestures to capitalism and privilege (or what I would call structural ignorance, though I don't think they ever call it that), so the story just comes across as incredibly cruel and uncaring and unabashedly pessimistic in a way that's just miserable to read.

Yes, Jane grew up privileged, it makes sense that she would be sympathetic to capitalism and try to recreate the same social structures that fucked people up on the original Earth- but that is not nearly enough justification for why she has suddenly gone full fascist dictator endorsing troll eugenics and trying to murder people, and it doesn't even work well as social commentary cause it's so extreme right from the start that it couldn't possibly reflect real life issues or the development of actual fascist/bigoted ideas. Yes, Trump's ties to the alt-right are fucking terrifying and conservative politics in general in the U.S. nowadays are incredibly fucked, but there's still logical people and seemingly rational explanations being utilized to justify the bullshit that many people genuinely believe in and HS^2 fails to meaningfully reflect or comment on any of those, at least from what I can tell. Everyone is consistent with how they are terrible, I'll give them that, for Dirk and Jane and everyone else the flaws that are being emphasized are ones that are generally kind of consistent with canon, but I simply cannot get behind why they suddenly decided to be the worst possible versions of themselves other than that the authors realize they needed plot and decided that the best way to make Candy and Meat the Bad Timelines:tm: was to spontaneously make everyone as insufferable as possible.

I think a part of the problem is the time skip, honestly. And the fact that Earth C as a location itself is surprisingly underutilized when it comes to creating problems for the characters. The characters are gods ruling over a world where they can be dictator of the globe at the end of a single election. Without the game and the lack of distinct outside villains, there is nothing stopping them from having full agency over everything other than each other, so in order to create plot, instead of going through the effort to create a world or social structure they just made everyone worse and called it a day. It's like the epitome of white liberalism's inability to understand bad systems vs. bad individuals- there are no real systems here, nothing that actually functions past a name, so everyone is just fucking terrible.

(Honestly, I think the fact that there are no overt outside villains could've been a good way of transitioning to the fact that these characters aren't kids anymore- if Dirk and Jane didn't have to be transformed into fucking caricatures of themselves in order to do it. Really the problem is that so many of the characters that used to add interesting nuance to the social conflict are fucking dead now. RIP trolls.)

Since this is turning out to be the political astronaut ramble I guess I'll just keep going for a bit: one of the most meaningful insights a professor has ever given to me came is the idea that we "haven't earned our pessimism yet," as the younger generations, or haven't faced The Shit directly or long enough to justify having as little hope as we do. Many of us have looked at the problem and given up before even trying to solve it, and are, in fact, not really justified in making such a decision.

For me, there's an additional layer to that idea as well: one of the ideas that Beauvoir talks about in her feminist philosophy is that of agency, wherein social privilege allows for certain groups to decide which meaning-creating projects they want to or to not take on where others are not allowed to make the same choice. If you sit in any kind of position of social privilege, that historical role has continually been the one to not only benefit from the rules, but make them in the first place. This kind of pessimism is thus not just unearned, not just frustrating to listen to, but actively harmful to the creation of meaningful change. Who really benefits from inaction? From a lack of change to the status quo? And who are the privileged to make decisions about whether or not we're allowed to fight for this shit in the first place?

#astronaut rambles #big warning this one got a lot more political (sorry?)#i hope this doesn't come across as too harsh ik it gets a little preachy at the end #but i just. i have *so* little patience for that shit now guys #it was insufferable when hs^2 was first coming out and the creators were scrambling to justify their own actions #all the while bullying any fans that dared to try and reasonably criticize their terrible and/or questionable creative decisions #and it only gets worse the more time that passes #i almost get secondhand embarrassment reading these commentaries just from how unprofessional they can be #do not recommend #hs #rose tag #it's kind of difficult for me to properly criticize post-canon stuff actually #i don't know what it is about it #it's like it's just consistent enough w/ just enough half-decent ideas that sometimes i think its not that bad or ill even enjoy parts of i #but then i read certain comments and just. Remember #the Horrors #kinda scared to post this one but i've read it over a few times guess i'll just go for it

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caseykaydoodlesnonsense · 2 years

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I also did a Chaos!Xisumalotl sketch but I don't wanna spam and also. I really like this one.

n e ways Pearl as Nyx Hadesgame :3 @bennsy-bill

#hades!hermits #mcyt #hermitcraft #pearlescentmoon #it's her. pearlescent nyx.#anyway. yea I'm really happy with how this came out #and I'm not *un*happy with my xisumalotl sketch but this. this is Better.#I simply must share this #also. not 100% on tagging u mr deon bennsybill so I wont do that everytime (unless asked) but. yea.#kalshdflkds I don't wanna clog up your @s!!! aaaaaa I hope this is. okay. ack.#I'll probably be drawing more cause I've been trying to do more sketchy self indulgent art and. ough. I'm love them.#I make zero promises about quality or consistency but like. what else is new kalsdfhlksd #anyway it's the sleep time thank u bdubs :3

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bmpmp3 · 2 years

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mermay 7!!! for once....for once in my life......i finally made some character profiles......for ONCE

here’s a rough little reference thing of my weird mermaid S and the bane of his existence Puppy!! i think ive mentioned this before but they were based off a dream i had when i was like 16 jfkldsfkjgfds

#mermay 2022 #art #traditional art #watercolour #ocs #oc art #oc references #puppy: mermaid princess #<- this is their old tag but i keep forgetting to use it #im gonna try to be consistent and tag my oc groups more often tho so later i'll go and backtag what i missed #also i shortened my merdude over here's name to just the letter S #its short for something but he doesn't talk about it much #also puppy is. tall #not super tall but not particularly short either #its just S and all the mermaids are huge creatures of the sea

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qqueenofhades · 9 months

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Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

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luceafarul-de-dimineata · 16 days

Note

What if anonymous!MC starts shipping the nobles with the angels (Paimon×Selaphiel, Eligos×Michelleel, Foras×Michael, Amon×Raphael, Glasyalabolas×Gabriel)

MC doesn't ship the Paradise Lost guys with angels but ships Marbas×Buer as a joke knowing they're beefing w each other

How would the kings and nobles react to finding out MC did it again after another doxxing/exposing incident by the Hades guys

The second time it happens I think all the kings would less open to sweet-talking.

Satan: Paimon x Michael? Why though? What was your thought process when you not only wrote this, but posted it as well?

Mc: Paimon likes blood and Michael likes killing people. It just works!

Satan: ...You just lost phone priveleges for a week

Mc: You're not my dad! Give that back to me!

Satan: I'm your guardian in this mess, that basicly gives me parental control!

Mammon: Master, have you got a moment?

Mc: What is it?

Mammon: I have noticed that a lot of your online activity consists of you writing erotic fanfiction about devils and angels... is this a fetish of yours, or do you want to talk about it?

Mc: I thought you liked my last fanfiction

Mammon: No no they're great. It's just that I'm starting to see a pattern and I don't know how I feel about it.

Leviathan while chocking you with his own hands: If you ever write that filth again, I will kill you without hesitation!

Mc: It...w-wasn't... even that...bad

Leviathan: That's 100k words! That's longer than most novels! Instead of wasting your talent in writing shit, you should try to do something worthwile with your life. Is this fanfiction of yours the reason you haven't spent as much time with me? Do you care more about your offensive filth than for me?

Barbatos: Your Majesty Leviathan... I think the human passed out.

Beelzebub: Angel cum makes for great medicine, so if Raphael cummed on Amon's wounded chest it would cure it.

Mc: I didn't know that. Thanks for the feedback

Beelzebub: Also, Raphael is into feet so maybe you could add that. And the scene where they fight should be a bit longer. It's like forplay, but more aggressive and animalistic.

Mc: I was thinking about them biting eachother's throats off.

Beelzebub: That's such a good idea. Write that down.

Lucifer: ...

Mc: Come on, it's not that bad. Marbas and Buer would make for a great couple.

Lucifer: (why do I even try to impress this human)

Gamigin: Yeah, but Marbas and Buer are brothers. Our brothers.

Mc: Then I'll just tag it as step-cest.

Lucifer picks up their phone and breaks it in half

Gamigin: I think you should leave... now.

#whb #what in hell is bad #whb satan #whb mammon #whb leviathan #whb beelzebub #whb lucifer #whb gamigin #shipper au

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eternal-curse · 5 months

Text

imagine if popular vampire media characters all had tumblr. that would be so hectic lol they’d have so much beef with each other

#this is about to be super out of character for all of them #but humor comes at a price

4 notes

👨🏻‍🦲 colin-robinson-69-420 Follow

Callout Post for @mag𝗂strate-murder (aka Astarion Ancunín)

@mag𝗂strate-murder (prev URL was @year-of-the-carr𝗂on-crow) has shown some absolutely vile, revolting, disgusting, toxic— sometimes downright evil— behavior on numerous (and lengthy!) occasions. This behavior has been repeated again and again. I would be willing to forgive and forget all of these things, IF they were first-time events or isolated incidents. They are NOT isolated incidents.

The list includes (but is not limited to):

Trying to attack his friends while they're peacefully slumbering.

The murder of countless (countless!) innocent people.

Theft. Maybe even robbery. Idfk.

Showing annoyance at the idea of saving entire groups of people from being enslaved or mass murdered. (These were two separate occasions... Yuck!)

I know I’m posting this at 8 o’cock, so many vampblr users may be currently asleep, but it’s my civic duty to provide information for the uh. The people at large. So there are more details, more moral crimes, and proof of all of the heinous actions this spawn has committed under the cut.

------------------------- read more -------------------------

🗡 magistrate-murder

I'm flattered. You just can't take me off of your mind, can you? Do you dream of me? I hope they're nightmares. 💕

🩸 blood-and-book-reviews Follow

I love how "theft" is directly between "killing innocent people" and "is chill with subjugation and mass murder"

🎸 the-vampire-queen

#did anyone else notice how they said 'moral crimes' #as if murder and theft and etc are legal? #lol? #weird... #<- prev's tags #my tags -> #YES OMG I NOTICED THAT TOO. #also what the eff? OP had to point out that astarion's a spawn? #why does it matter that he isn't a full vampire? #as someone who’s a vampire/demon hybrid that’s kind of a red flag to me :/ #ugh this is SO not math

12,987 notes

📚 j-harker

I’m missing @m𝗂ss-mina-murray. Currently out of the country for work.

💁🏼‍♀️ slayer-summers

Oh, I'm sorry :( At least the view is beautiful, where are you?

📚 j-harker

Transylvania. Why?

💁🏼‍♀️ slayer-summers

Get Out Of There Immediately Jonathan Harker Leave Get Out Now Get Out Go Leave Go Now

#buffy talks #slayer posting

548 notes

🎸 the-vampire-queen

I just learned about "vegan vampires." That's so stupid. Just eat the color red ???? It's NOT that hard

🎀 miss-draculaura

🎸 the-vampire-queen

I'll make an exception for you

🎀 miss-draculaura

1,600 notes

🐺 the-vampire-lestat

A preview of my upcoming book:

I am the vampire Lestat. I'm immortal. More or less. The light of the sun, the sustained heat of an intense fire-these things might destroy me. But then again, they might not.

I'm six feet tall, which was fairly impressive in the 1780s when I was a young mortal man. It's not bad now. I have thick blond hair, not quite shoulder length, and rather curly, which appears white under fluorescent light. My eyes are gray, but they absorb the colors blue or violet easily from surfaces around them. And I have a fairly short narrow nose, and a mouth that is well shaped but just a little too big for my face. It can look very mean, or extremely generous, my mouth. It always looks sensual. But emotions and attitudes are always reflected in my entire expression. I have a continuously animated face.

My vampire nature reveals itself in extremely white and highly reflective skin that has to be powdered down for cameras of any kind.

And if I'm starved for blood I look like a perfect horror- skin shrunken, veins like ropes over the contours of my bones. But I don't let that happen now. And the only consistent indi- cation that I am not human is my fingernails. It's the same with all vampires. Our fingernails look like glass. And some people notice that when they don't notice anything else.

Please, contain your excitement.

🐺 the-vampire-lestat

Who is Ebony Dark'ness Dementia Raven Way?

💁🏼‍♀️ slayer-summers

Would you believe me if I told you we're still trying to figure that out?

#buffy talks #well ebony isn't real #but we still don't know who tara is

6,666 notes

🦇 cravensworth-king-of-bottoms

I've heard a rumor about this online webbed site; that is which it is filled to the brim with abstinants, celibates, and the like.

📸 liam-de-lioncunt Follow

Ugh... As much as I hate to use popular gifs, I feel compulsed to post this before anyone else does.

There. I did it first.

🦇 cravensworth-king-of-bottoms

Tonight, we FEAST. NYAH! HAH!

628 notes

🎸 the-vampire-queen

Just recorded this Mitski cover

youtube

6 notes

🧛🏻‍♂️ tepes-the-first

Why is it that when Gods demand blood, it's called a necessary sacrifice, but when I, Vlad Dracul,

💛 alucard

It's because you're evil.

🧛🏻‍♂️ tepes-the-first

For the last time, change your URL. Your name is Adrian.

📚 j-harker

I didn't know you had a son!

📚 j-harker

Wait, what was the original post about??

🧛🏻‍♂️ tepes-the-first

Don't worry about it.

📚 j-harker

Okay. :)

4,279 notes

💁🏼‍♀️ slayer-summers

I'm starting an emotional support group chat for slayers, does anyone want in?

💑 armand-de-la-cruz

Yes please!

⚔️ nandor-the-relentless-3

Guillermo?

⚔️ nandor-the-relentless-3

Why do you want to be in a vampire slayer group chat Guillermo??????

⚔️ nandor-the-relentless-3

Answer my texts Guillermo

63 notes

✨ edward-cullen Follow

My beautiful daughter. Looks just like her mother.

🍷 dimitrescu-winery

Get that wretched monstrosity of a child off of my screen.

🐈‍⬛ carmillas-admirer-sappho

wait, Ravioli is a real child? i thought she was just a photoshop meme of @the-vampire-lestat’s daughter Claudia?

6️⃣ vampire-count-er

What is the Vampblr number of the day? Let’s count the vampires of Tumblr above me in this post to find out!

Ah, that’s one vampire.

TWO! Two vampires!

THREE bloodsucking vampires! Ah ah ah!!

The number of the day is three!

7,012 notes

🐈‍⬛ carmillas-admirer-sappho

💀 real-carmilla

🐈‍⬛ carmillas-admirer-sappho

NO I TAKE IT BACK

CARMILLA I’M SORRY

🐈‍⬛ carmillas-admirer-sappho

BEGONE WHITE GIRL

🐈‍⬛ carmillas-admirer-sappho

please check your dms carmilla i sent you my address

1,982 notes

👨🏻‍🦲 colin-robinson-69-420 Sponsored by Blaze 🔥

The new The Vampire Lestat album sucks.

Get it? It sucks.

Because he’s a vampire.

It’s pretty funny, if you ask me.

#lestat de lioncourt #satan’s night out #the vampire lestat #vampblr #not a callout post

438 notes

🌙 werepire

Is no one going to talk about how problematic Marceline’s girlfriend is? Just because they’re both royalty doesn’t mean that Bonnibel can do whatever she wants with no repercussions.

I mean, here’s an article explaining all the horrible stuff she’s done [link]. Are we just going to pretend none of it happened?

👩🏻‍❤️‍💋‍👨🏻 nadja-of-antipaxos

Hard agree. Down with the monarchies.

She can, however, do whatever she wants because she’s hot

364 notes · View notes

russellsppttemplates · 4 months

Text

Time off the track (Lance Stroll)

Lance and Y/N enjoy having a long weekend off

Note: english is not my first language. I get all fluttery when I write these pieces! Had some trouble finding friends names (they're very private, and I respect that) so I just made up my own.

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tw: mentions pregnancy

Tag list: @myloverjk-blog

"Sweetheart", Lance called from his spot on the sofa once he heard you arrive back home from work. "In a minute, just need to take these things off my feet", he heard you chuckle before the small creek from the cabinet where you stored your shoes.

"I'm here!", you walked inside, Lance's eyes doing his overall check-up. He didn't notice he was doing it until Henry pointed it out for him in the last race weekend you went to, but apparently the minute you showed up after being somewhere out of his sight, your husband's eyes checked you out from head to toe, looking for any signs of discomfort and then focusing on your babybump, usually bringing a smile to his lips.

"Sit here, I want a cuddle while I tell you my suggestion", he opened his arms, letting you wiggle around and into a comfortable position.

"Oh, what suggestion?", you wondered after you pecked his lips.

"The guys want to have spend the next weekend doing something fun together. It's a long weekend and it would nice spending time together", he explained, hand coming up to your bump and rubbing the skin under the cotton fabric of your shirt.

"That sounds good, actually. A weekend away that doesn't involve racing", you mumbled.

"There's actually a race, still. They want to go to Texas and watch", Lance offered, not wanting to keep you in the dark.

"What I meant was you wouldn't be racing, so we will be travelling all together and I have you to myself still", you wiggled your eyebrows, "and Texas is a really good idea, me and baby have been craving BBQ", you smirked.

"Other than seeing the race, we can just explore the area a bit, see what comes up and what people recommend we do", Lance added, "it will be good to take a few days off".

"Yes, enjoy the sun, good food, good company. Sounds good to me", you smiled sweetly, kissing his cheek and carrying on talking about each of your days.

The group consisted of you, Lance, Anna and her partner Michael, Mark and his wife Evie, Benjamin and Theo, arriving on time like scheduled to the airport, "how are we all feeling on this fine early morning?", Benjamin was the first to speak once you found yourselves by the gate.

"Could've done with a little bit more sleep, if I'm honest", Evie groaned into her husband's shoulder, "but otherwise very excited".

"Me too! Can't wait to feel some sun in my face", you smiled, taking off your jacket since you were feeling hot and giving everyone a show of your baby bump.

"Oh, it's so cute, Y/N! You look great!", Anna gasped, hands in front of her mouth as she got closer to you, "you're glowing!".

"And I also have these sexy things", you lifted your pants to show the compression socks the doctor recommended you wear whenever you boarded flights. You always travelled in comfy clothes, having learned over the years that any other way was simply not the way to go, so you had on a loungewear tracksuit, the flowy pants matching the equally roomy sweater.

"Doctor's orders?", she wondered and you nodded, "I already have issues as it is before getting pregnant, so it wasn't like I didn't expect it. You get used to them after a while", you said, checking to see if everyone was ready to walk to the plane once they checked your passports.

"Would you like something to drink before we take off?", the flight attendant wondered, taking orders from everyone, "could you please get us a bottle of water?", Lance asked, knowing you would forget about it.

"I was going to drink it", you teased, accepting the cup and drinking its content, "I remember what the doctor said", you smiled.

By the time you had been flying for a quarter of the expected time for the whole flight, you got up, walking along the small corridor while rubbing your bump.

"Is this a runway competition? Because we don't stand a chance when you look like that", Theo hyped you up, making you giggle as you exaggerated your walk for a few seconds before feeling your daughter kick.

"Doctor said to keep moving, since the socks can only do so much, and she's been kicking like crazy", you added, tapping the spot over your bellybutton where she seemed to kick harder.

"Hey! If she's kicking, I get privileges!", Lance called, making you stop in front of him as he places his palm where your hand was.

"Do you guys want to go get ready for the pool? I don't feel like doing much else today", Anna suggested, earning nods from everyone before you split into your rooms.

"Lance!", you called, seeing your husband come back from the balcony, "I think I need help taking these off, I can't bend properly", you blushed, not feeling strong enough to pull the socks away from your legs.

Chuckling, he bent down, kneeling on the floor so he could help you, massaging the skin and kissing your calves, "do they feel good?", he asked.

"Thank you", you groaned, wiggling your toes, "yes, it's a nice feeling, I might actually take these up after little one joins us, but they're a pain to get out", you offered, kissing his forehead and helping him get up, "let's go and enjoy the sunny day!", you cheered.

After getting ready, you met the rest of the group by the pool, the guys already in the water while the girls preferred to stay in the sun.

"Are you going us or joining them?", Michael wondered, "I'm going in the water, I've had enough of cold, gloomy days", you said, finding the steps so you could ease into the water. Taking off the cover up and throwing it to your chair, everyone's eyes travelled to your uncovered bump.

"Come here", Lance stretched his arms and beckoned you to approach him, chest and hair dripping wet since he had jumped in. Wrapping your arm around his waist, his right hand went to your bump immediately, "does he ever unlatch from your bump? Or is he always keeping his girls within arm reach distance?", Benjamin chuckled. It was all friendly banter and he was genuinely happy for his friends.

"A good mix of both", you confessed, "It's all new territory and we're going through all of this together. Besides, I've been feeling very clingy and wanting to start nesting, so I'm probably the one attached to him", you blushed.

"I want to float for a bit, your sister said that the best thing she did for her back pain when she was pregnant was relieve the pressure by being in the water", you held your husband's hand, getting ready to let yourself fall on your back.

"We're standing by here just in case you start sinking down like a nail", Mark noted with a giggle, making the boys do a circle around you and Lance as you kicked your legs up.

After a few moments of finding your balance, gravity and all things physics worked as your bump and chest rose up, poking out of the water while you floated, "Y/N! This is such a cute pick! Little one with all her uncles protecting you both!", Evie exclaimed, getting her phone and snapping a few pictures at the moment.

"Now move away, I want to snap a few of just Y/N, she looks glorious", she complimented as the boys swam away, "gorgeous, mama, absolutely gorgeous".

"It feels good", you moaned, "I feel so light weight, like, feather-light", you smiled when you saw Lance look back at you, "we can look into it when we go back home, anything to make you more comfortable, sweetheart", he said, kissing your lips before he held your ankles, moving your body as you giggled, not noticing Evie recording the video she claimed was "for when the little princess grows up and wants to know what love is". Her parents would be the best example and this one of the many moments to show it.

When you got back to the lounging chairs, carefully rubbing sun protection cream on before laying down, the boys started playing Padel in the court the house you rented had, shouts and groans heard while you and the girls got some colour on your skin.

"They're just little boys sometimes, aren't they?", Anna noted, seeing Lance and her boyfriend bicker about a foul.

"In some ways, I guess, but it's good they have eachother to spend time with, Goodness knows I won't play that", Evie sneered, "would you, Y/N?".

"What? Play Padel?", they nodded, "I've played with Lance before, with the other drivers and their partners. I'm not that great, but I'm not nearly as competitive as them, so I just play for the fun of it. Lance was kind enough to invite me out of it when he Charles were fighting for the first place in their Driver's Padel Championship", you chuckled.

"I love these dresses on you", Lance complimented, his hand grabbing yours and twirling you around, smiling when you faced him again and kissing your forehead.

"Thank you, my love", you added, seeing Michael return with the passes for the race, "we're all set guys, c'mon!", he nudged, handing everyone their pass before you walked to the entrance, a couple of photographers taking pictures and a group of fans asking Lance for autographs.

"That's where we will be", you pointed to the hospitality, walking in and choosing somewhere to sit. While you, Evie and Anna enjoyed this racing series, you were planning to stay on sofas while the boys were standing against the balcony railing so they could watch the race.

Throughout the weekend, you couldn't help but notice how Lance had been having so much fun with the boys, making a mental note to do these things more often when you had the opportunity.

He said something and loudly laughed, bringing your attention to him before your daughter made herself known, "it's daddy, I know", you smiled, rubbing your bump.

"She always kicks when he laughs?", Evie cooed, "My goodness, if you two don't stop being so cute, I'm next", she let out a groan.

"Yes, or when he speaks to the bump very closely. The books say she's able to recognise his voice, and it's very cute", you smiled, "although the bigger she gets, she'll soon start kicking my bladder".

"Wooo-ooh!", Lance said as you assumed the race was going well, looking back to check on you and blowing you a kiss.

The vineyard was truly stunning and, despite not taking part in the wine tasting for obvious reasons, you were having a great time.

"Are you also having lunch here? Our chef has done an excellent tasting menu", the young woman offered.

"We already have BBQ booked", Lance stated, "since my wife can't drink right now, we're giving her one of her pregnancy cravings. Maybe next time we visit", he nodded.

When you arrived at the restaurant, you were guided to the table, placing your things down and looking at the menu.

"Can you order for me, please? I really have to go to the bathroom", you wondered as Evie said she was going with you.

When the waiter came back, to the table, he started taking everyone's order, tapping on the iPad as they went along the table, "Can you just make sure the meat is cooked through, please? My wife is pregnant", Lance told the waiter, "absolutely, sir", before he left.

"You really get a kick out of it everytime you say she's pregnant, don't you?", his friend teased, "don't get me wrong, I think it's cute actually", Mark smiled.

"Of course I do, the woman I love is having our baby", Lance cooed, seeing you walk to the table back from the bathroom.

"And she looks incredibly gorgeous while she does it!", Anna said, "she's glowing, really. You guys are going to be such great parents, can't wait to meet the little princess".

"Neither can we, but soon enough", you smiled, accepting Lance's hand and holding it in yours, "soon enough".

#lance stroll imagine #lance stroll fanfic #lance stroll x reader #f1 x reader #f1 imagine #f1 fanfic #f1 fluff #lance stroll fluff

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atimeofyourlife · 5 months

Text

A song for the night

written for @steddieholidaydrabbles prompt: open mic night | rated: t | wc: 689 | tags: pre-steddie Eddie performs at open mic night at the bar Steve works at

Open Mic Night was somehow both Steve's favorite and least favorite night of the month to be working the bar. It was his favorite because it usually wasn't too busy, and he got to enjoy the local talent of musicians and comedians. It was his least favorite because for every one good or half decent act, there were five or six bad ones. And unlike the patrons of the bar, he couldn't just go out for a smoke during every comedian whose jokes sat firmly in the misogynistic, homophobic, and racist categories, or every tone-deaf singer that didn't understand how to tune an instrument. And to top it all off, he had to be the one to get up on the stage between each act, enthusiastically thanking them, trying to rouse something of an applause, before introducing the next act.

It was after a frightfully painful comedic routine, that seemed to have consisted solely of the guy talking about how much he hated his wife, that Steve caught sight of him. An attractive guy with long dark hair.

"Okay, thank you Derrek, for that interesting comedy routine. Everybody, give it up for Derrek." Steve kept his voice full of fake enthusiasm as he brought his hands together a few times. He then checked the list for the name of the next act. "And next up, we have another local musician. Please welcome Eddie Munson to the stage." Steve clapped a few more times as he made his way offstage, heading back behind the bar. He glanced up at the stage, and saw the most handsome man he'd seen in his entire life. It felt like it didn't matter whether or not this Eddie was any good, Steve was going to enjoy just watching him.

He couldn't keep staring the entire time, having to serve drinks to the other patrons of the bar, but his attention did keep getting drawn back to the man on the stage. He looked and sounded incredible, playing an acoustic medley of metal songs. Steve had to shake himself out of it after he'd gotten distracted while pouring a drink, overfilling the glass and covering his hand in beer. He handed the beer over to the customer, before drying his hands on a paper towel. Thankfully, it was nearly time for the next act, so Steve made his way back to the stage, hoping that someone else being up there would help him focus on his work again. Eddie finished the last song, and stepped back from the mic, starting to pack down his guitar. Steve stepped on to the stage, applauding as he went.

"Now, wasn't that incredible, ladies and gentlemen. Everyone, give a hand for Eddie Munson." Steve said into the mic, not having to fake his enthusiasm as he clapped this time. "And after that amazing set, next up we have Tammy Thompson."

Steve went back to the bar, wincing at how this next singer sounded. She'd performed several times at previous open mic nights, giving Steve an in joke about her sounding like a Muppet with Robin.

He started serving drinks again, noticing how the bar had emptied significantly, most of the regulars heading out to smoke for a few minutes to save their sanity, Steve just wished he could join them.

"What can I get to make this sound better?" A voice asked.

Steve turned quickly to see Eddie, and it took him a moment to get his brain to formulate the words needed to respond. "Legally, I don't think I'm allowed to sell something that strong."

Eddie laughed at that, his laugh as breathtaking as his singing voice. "In that case, I'll just take a PBR."

"Sure." Steve grabbed the beer. "Anything else I could get for you?"

"Your number, maybe?"

Steve's eyes widened for a second as he blushed a deep pink. He scrambled for a pen and a napkin, scribbling down the number as neatly as he could. "Here. Maybe we could get a drink some time?"

They both winced as a particularly pitchy note came through the speakers. "Just not when it's another open mic night."

#steve harrington #eddie munson #steddie #steve harrington x eddie munson #steve x eddie #pre steddie #steddieholidaydrabbles #open mic night #stranger things #atimeofyourwrites

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stevelieber · 11 months

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Thoughts on giving critiques to comics artists.

Seeing lots of discussion from students about sour experiences with an unhelpful art teacher, so here's a long, long post about giving critiques.

NB: I have no formal training as a teacher, but I was a student, and I've spent decades giving artists feedback on their work.

When someone brings me a portfolio, I like to establish my limitations & clarify my perspective. My work is firmly rooted in traditional US comics storytelling (i.e., not manga or art-comics.) I can give feedback on other approaches but they should know where I’m coming from.

“We've only got a little time for this, so I'm going to spend that time focusing on things to correct. That doesn't mean you're doing everything wrong, or that there’s nothing good here, but it’ll be more helpful if I identify some problems and show you how to fix them.”

Why? Because for many young artists their entire sense of self worth is wrapped up in being good at what they do. (It was for me!) In school they were probably the best artist in their peer group. But now if they're hoping to turn pro, they’re at the bottom.

Sometimes you know what’s up when you see page 1, but try to keep an open mind. Some build their portfolios by sticking new pages at the back & don’t weed out the old stuff up front, so the work gets better as you go. When it’s like that I ask: “Show me your best 8 pages.”

I ask questions: "What's the goal? Do you want to be hired to work on someone else's project, or to get the story you're showing me here published?"

If 1, I steer towards a portfolio that'll showcase hirable skills. If 2, I look for what tweaks will make that particular story more effective.

"Do you have teachers giving you regular feedback? What are they telling you?" Sometimes a student is getting bad advice. In cases like that, I'll do my best to be extra clear WHY I'm giving them advice that's 180 degrees from what they've been hearing.

“What artists are you looking at? Is there someone you admire or try to emulate?” This often helps me understand choices they're making, and I can sometimes incorporate things those artists do into my suggestions.

I ask myself questions about what I’m seeing. First: Is there a narrative? If not, I make it 100% clear I'm not speaking as any sort of expert. I'm good at critiquing storytelling, but don't have anywhere near as much to offer illustrators or designers.

Can I follow the story? Or am I confused about what's going on? Are the characters and settings drawn consistently? If not, is the artist at least making use of tags (distinctive clothing, hair etc.) to keep the characters recognizable?

Does the artist demonstrate a good command of basic academic drawing? If not, Do I think they need it? Do I focus on "how to draw" or on "what to do when you can't draw?" Is the artist putting the viewer’s eye where it needs to be to tell the story effectively?

(At this point I’m usually doing little doodles to go with my instructions. I scribble out ugly little 5 second diagrams that I hope will clarify what I’m talking about. Or they might make me seem demented. Hard to say!)

Is the artist making choices that are creating more work than necessary? Is there a particular weakness? I once spoke to an artist with a portfolio full of great work when he was drawing animals and monsters, but his humans were amateurish in comparison. I spent that critique talking about drawing people.

A crit can be a grab bag. In addition to big-picture advice, I'll point out tangencies, violations of the 180-degree rule, wonky anatomy, weird perspective, places where the artist neglected to do important research, odd choices in how they spotted black, whatever catches my eye.

I also try to make a point of defining the terms, so that jargon like “tangency,” “180-degree rule,” and “spotting black” don't go over their heads. Find simple, concrete ways to talk about these things, & clarify why it's a problem when they aren't done correctly. Draw diagrams!

Recognize that even a perfectly phrased explanation might not sink in. Some lessons can only be learned when a student is ready, and it might take a year or two of work before they can understand what you were saying. It's good to plant seeds.

Are there other artists who are particularly good at solving the problems the student is trying to solve? I steer them towards that artist's work. And I always recommend life drawing & the use of reference to give work variety and authority.

Despite what I said earlier about focusing on what's wrong, I try at the end to find something encouraging to say. And if I’ve really piled on the criticism, I emphasize that I only spent the time and energy to do so because I take their efforts seriously.

If I've done my job right, they'll leave my table with tools to make their work better. And maybe in a few years they'll be looking at some younger artist's work, surprised to discover just how much you can learn when you're asked to teach.

#comics #protips #my work #comic book art #essays #teaching

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buwheal · 4 months

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[You've Got Mail!]

You can now send your favorite salesman emails!! YAY!!

Here's some rules and information about the askbox.

First and foremost;

I try to answer as many asks as I can, but I will not answer every single one. Sometimes I just cant do anything with it that will work realistically with the perimeters of the world, and I apologize!! Its nothing against you guys!!

(Unless you break the rules ofc.)

So if you dont see yours after a long while, it’s probably something that wont work, sorry! You can always send more than one ask whenever and see if that one works instead!

Besides that, here’s the rest of what you need to know!

[RULES] :

Spamton physically PRINTS OUT each "email", so dont send asks that have a physical interaction. Sorry! Thats just how i decided to set up the world/situation, and is not really anything against you guys :-)

(more of a request than a rule tbh) Preferably try to send real questions or statements. most joke asks are funny, but are surprisingly hard to create an in character response for. You can still send joke asks if you really want to, just dont expect an answer X-P

I know he may be a personification of spam emails... BUT DONT SPAM!!! I mean it! It clogs the askbox and is a real pain. You can send him more than one ask, though, as long as you arent repetitively sending a ton in a short burst!!

Dont be sexual or romantic, please! Even "As a joke". I dont like Spamton like that and it makes me uncomfortable, plus I can't really answer that in character in a way that wouldnt provoke more of that. Thank you!!

Be respectful and patient!! I am just one person doing everything, lol, and this got far more popular than anticipated, so i will take a long time. I try my best to get at least one out every other day but i'll need breaks eventually!!!

I cannot spawn or give/spawn/materialize things for/to Spamton if you ask because of the way it’s set up. You are really just lines of text from a computer to Spamton, BUT... You can still do a lot if you think outside the box. or,, errr,, outside the computer. Kind of. Your words and your actions affect him and his reactions to you, so word it correctly and you can get him to do something or say something. Hes not stupid though, and he CAN usually tell when your intentions are... less.. than good.

[INFORMATION] :

[YGM!] is technically an AU!!! not only do the events of the game not occur, but this is also set before then!

Asks are put out one a day, regardless if i have more than one, UNLESS i need to connect two(or more) to complete one event.

I am one person doing every ask and every unique frame of art, so expect 1 ask (If youre lucky, two) maybe every other day Monday-Friday depending on my workload per day. I have weekends off so more asks, around 2-3, CAN (but usually arent) be done for future use.

This is just for fun!! I am using the askbox to exercise my drawing consistency, Spamton's personality, and the way he speaks and responds to different situations! This is a way I am using to improve my understanding of him as a character, so it wont be always consistent as I am growing and learning!

Just a little disclaimer, he WILL be mean. He is a sour, nasty, grumpy, bastard and I am absolutely not opposed to him responding as such. Just keep that in mind when sending an ask if you dont want that!

If you want a common outcome, talk to other people about it! go crazy! I dont mind long threads on my posts if you want to create a plan. Infact, I can even help and tell you things occasionally!!

What you say to him DOES and WILL affect the way he responds. Trust is lost far easier than it is gained, so keep this in mind. It is possible to regain his trust, but still hard. He is not a trusting person to begin with and being mean certainly doesnt help. BUT.. I am not opposed to being mean. Infact, they are quite fun to do. Either way is entertaining for me, so do as you will. YOU can choose to hurt or help him.

Using tone tags, while not required, are really helpful and assist me in understanding the intention in your ask if you think it may be interpreted another way! (i.e. sarcasm) :-)!!

I pick and choose asks depending on his situation, or if i have a good idea for a response, so you may need to wait a bit before i can get to yours!! Ones that i have an idea for take priority, especially when its to progress a scene. Or, alternatively, i am saving your ask for something i have planned.

I WILL reuse frames and poses to get these out faster and for my convienence :-) especially for the frames where there is no need to change his pose! So like.. dont think too hard about it lol.

Also, i prefer if you specify if the ask is for me /or/ Spamton. I do still do normal asks, lol. If its for me, just let me know!! I can usually tell, but most asks will be interpreted as for Spamton. I appreciate ones that start with his name before said thing is asked/stated specifically!! (i.e. "Spamton, __ __ __")

I wont be consistent with the way its answered. Sometimes it's one panel, sometimes its a couple panels, or sometimes they're animated gifs!! It varies depending on what i feel, so if youre lucky you can get a gif, lol. Those take longer usually though. Ive mostly switched to a gif formatting rather than multiple panels in a comic style, for the formatting! The animation quality can vary :-)

Thats about it!! Have fun!! ^_^

#spamton #spamton g spamton #deltarune #[you've got mail!]#<- this is the askbox tag!#deltarune spamton #spamton deltarune #spamton askbox #[YGM!]#[YGM!] questions

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weirdworldofwinnie · 8 months

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Oasis in a Desperate Land of Dark Desire - Part Two: Settling is Subjective

Cillian Murphy as J. Robert Oppenheimer x Female Wife Reader NSFW 18+ only

Summary: It's only the second day in Los Alamos and while your husband is trying on being part of the uniformed men, you track down the suspicious phone call and unfortunately end up with a tidbit of information that is upsetting.

Word Count: ~4,608

Warnings: Light smut (fingering), age gap, period stereotypical gender roles, mentions of infidelity, marital angst, and drunkenness

See previous for all disclaimers, this is NOT based completely on real life historical accuracy and is essentially fantasy/fiction with Cillian as Oppenheimer.

Part One here

Tag List: @forgottenpeakywriter, @frozenhuntress67, @immyowndefender, @szde8-blog, @bypurple

Thanks to everyone who has liked so far. If you would like to be part of the tag list, drop a comment and I'll add you!

When you awoke from a deep slumber the next morning, the bright sunlight filtering in from the open curtained window was beaming you right in the eyeballs, forcing you to squint and shield your face before sitting up and seeing the empty wrinkled sheet space beside you indicating that Robert had already left early. You sighed, dragging yourself out of bed with a groan from vaginal soreness of last night's escapade and went across the hall to use the bathroom and clean up some, dressing and applying the usual makeup and brushing out your tangled hair, as well as clean out the bathtub. After a light breakfast in the kitchen consisting of two slices of buttered toast with jam and a glass of milk, you went back to the bedroom to pluck up the leftover discarded clothes and shoes still littering the floor. You put Robert's belt into the closet with his shoes and your heels, and took the rest to the bathroom along with the sheets you tugged off the bed, bringing it all into the bathroom sink to thoroughly scrub at the stains in the linens and the memory of last night was making you smile despite your misgivings.

You went out to clip the washed fabrics up onto the clothesline you had established yesterday in the yard and as your fingers fumbled with the wooden clothespins, the warm airy breeze was making the soaking wet fabrics spray a light mist into your face when you suddenly heard a sharp woman's voice behind you, startling your concentration.

"Well, don't you have the easiest job in the whole world."

You whipped around to see one of the scientist's wifes, her hair up in a bun and arms crossed defensively against her chest as she surveyed your laundry.

"May I help you?" you asked her, not pleased that she had just decided to walk right onto the property without permission or invitation. Was that going to be the norm around here, a complete lack of respect for privacy?

The woman shifted, narrowing her eyes briefly before glancing away and back to you.

"You know what I'm talking about," she said knowingly with unnecessary snippiness to her voice and you felt a frown creasing your forehead.

"No, I'm afraid I actually do not. Why are you here?"

She smiled, but it was really a grimace more than anything else with the way she bared her teeth.

"You're married to Dr. Robert fucking Oppenheimer," she stated and you blinked, stunned at her vulgarity.

"Excuse me? I am, indeed, but what is that to you?"

But she had already turned away and began walking out of the yard down the pathway and you shook your head, utterly perplexed and borderline insulted, but you figured it wasn't worth getting into a confrontational fight over when you weren't even sure what exactly her issue was. You hoped that this wasn't a sign that the welcoming nature of the other wives could somehow be diminishing, and you were at risk of bizarrely becoming an outsider among everybody else here in this pop-up town just because of Robert's higher status. You had expected to be respected for being Dr. Oppenheimer's wife at the very least, but you did not want to be seen as pompously prestigious to foster any sort of jealousy or spite, and more to find common ground in general with these other women for they were in the same proverbial ship here. If that lady had a bone to pick because of your husband, then that was her problem, not yours.

The next time you saw Robert was when you went on a self-guided tour of the town, taking in the army's quarters, main mess hall, many outbuildings, offices, and schoolhouse still in construction. You were walking towards the army offices when he came bursting out a door, leading the way of a small pack of men, including friend Isidor Rabi and General Groves himself. You bit back a smile at how dwarfed in size Robert appeared when compared to those taller, bulkier men and your eyebrows bolted upward in surprise upon seeing his own tightly conforming uniform. The other men started to file inside another building and you approached him with a quirked eyebrow.

"You enlisted?" you asked and he gave a vigorous nod.

"They think it would be prudent for all of us civilian men to join the Army efforts and I could be of such importance," he replied sincerely, but you saw through his posturing.

"Do you want to or is the General making you?"

He didn't answer and you guessed the latter as he glanced away and then settled back to you.

"Come here for a minute," he muttered, pulling you aside and whisking you in a quick movement inside the building and into a small empty office, and you started to speak in confusion, but he clapped a hand over your mouth, kicking the door closed behind him. You stared as he slowly lowered his palm and you whispered, feeling as though something were wrong.

"What is this about?"

Wordlessly, he traced a finger along the waistband of your skirt and raised his eyebrows flirtatiously, creasing his forehead with fine age lines.

"What do you think?" he murmured and you knew he meant his attire.

"I kind of find it rather handsome, I suppose," you answered with a smirk and smoothing down his front breast of the stiff dark mossy green fabric, catching your fingertips on the brass buttons and playfully tugging at the buckle around his waist. His eyes widened with a gleam and he yanked your skirt out towards him to thrust an arm down into your panties, anxious to feel you. Gasping, you clutched at his shoulders and went in to kiss him as he pressed a single finger to your slit, squirming past the moist fleshy opening and you gave a light moan of delight as he felt your clit.

"How are you so wet already?" he mumbled into your ear and you gave a breathy laugh, realizing how aroused you were indeed getting.

"Maybe there's just something about a uniformed man," you whispered back to his ear and he gave a fast kiss on your lips while probing in further, expanding his reach with two fingers and letting your fluids naturally lubricate his easy efforts in.

"Sir, we've got a head count of eighteen, nineteen once Dr. Oppenheimer joins us..."

You both froze at a man's voice just outside the door and your heart began to pick up pace in fear, as though what you and Robert were doing was illegally incriminating, even though he was only your husband after all, but if someone discovered you hiding out with the scientific director of the Manhattan Project in the process of giving you a handjob in the middle of a workday, that wouldn't be a good look of professionalism at all, especially if (God forbid) Groves found out about it. But Robert wasn't spooked too easily and he hit that sweet spot inside you, causing you to whimper like a puppy from the breaching orgasm, clinging onto his uniform as though your life depended on it.

"Shh..." He placed his free hand to your lips and your back arched with pleasure, relishing the feel of his fingers up in your walls.

"Rob-"

He cut you off, forcing the back of your head forward to press your face against his shoulder and you lightly bit into the uniform, preventing an embarrassing audible noise from alerting the entire building.

"That didn't take very long," he observed in a whisper as you wound down from the peaking high of the quick orgasm and gasped when close footsteps commenced right outside. Robert pulled his hand slick with your cum out and wiped it clean with a handkerchief from his pocket before quickly detaching from you and swinging the door wide open.

"Wait!" you hissed, snatching his coattails as he began to move out the door and he stopped, spinning around with intensity.

"Duty calls," he told you sternly and you shook your head, wetting your lips.

"No, I know that, but I wanted to ask about that phone call - if the phone call, if you-"

"It was taken care of," he replied crisply, not quite looking at you (giving a flash of skepticism and doubt) but then he put on a yearning glance that flickered darkly downward and that distracted you, triggering another ripple of arousal shooting through your core, proving the fact that your libido was in full force today. You hated to see Robert leave, but men were approaching and he exited to join them. You briskly hitched up your panties and skirt before taking a single calming breath and walking out as though nothing provocative had just occurred. The men were filing out into the road and getting in various militarized vehicles while Groves was barking to Robert about scouting out more acreage. You pretended to ignore them, making distance, but unfortunately there was one person who lagging behind long enough to take notice of you hurrying out the side door and that was Officer Nichols. You nodded politely and told him "good afternoon" but it was perhaps too falsely cheery because his eyes behind his round glasses narrowed and the smile he gave you was stretched in suspicion. You moved fast down the sidewalk, not daring a glance backwards, and made your way back home.

The rest of day passed slowly and you occupied yourself with finishing up organizing the house and shelving Robert's many books while trying not to feel the stifling housewife effect, but more so than that was you couldn't shake a nagging persistence related to that phone call and so, around five o'clock, you marched into the main office where the secretary gave you a look of recognition as she put down the phone.

"Oh, hello, Mrs. Oppenheimer. Are you looking for your husband?"

Her tone made you almost want to cringe as you realized the fact that she was older than you, making you feel as though you probably looked less like a marital partner and more like a mistress.

"Actually, I was wondering about a phone call received sometime yesterday for said husband?"

The secretary pursed her lips and that micro action told you she knew about it.

"I'm afraid all phone calls going in and out are classified information that you do not have access to unless you are given override."

"Well, is there someone else I can talk to about this?"

"It would be unwise to involve anyone else besides me," she replied shortly and you felt a bit annoyed that she was taking this job of being "gatekeeper to Los Alamos" seriously, even though it was indeed her job. You bent over the desk, getting closer and clasping your hands calmly together, speaking with a pleading smile as you glanced to her own wedding ring.

"Please, as one wife to another, how about just a little disclosure between you and me? You must have overheard or took the call...?"

She seemed nervous and blinked a few times before shaking her head and you leaned back, disappointed.

"So how are you settling in? Is there anything I can get for you?" she suddenly asked in a change of tone and you sighed, realizing this was getting nowhere.

"I'm doing fine, thank you. I should start thinking about cooking up a meal for dinner in fact."

"Need a recipe? I swear by this brown sugar meatloaf," she said, raising her eyebrows knowingly as if giving you vital information.

"Oh, alright. Sure," you replied in surprise, even though you already knew how to cook meatloaf and did it many times before, but she grabbed a notepad, scribbling down something with a black ballpoint pen on the top slip of paper before handing it to you folded up in a creased square.

"Enjoy," she said dryly and you stepped away, feeling a bit confused, but you accepted it and tucked it into your purse, giving her a forced smile and walking away, wondering if you might have just been handed something that wasn't pertaining to meatloaf.

When you were in the secluded space of the bedroom at home, you took it out and unfolded it, the lined paper crinkling in your grasp as you read a hastily jotted message.

"Jean, I just can't get up and leave right now, you know that. Stay where you are and don't come looking, don't converse and write to anyone about me. I promise this will be only temporary. What? Yes, of course I still love and miss you, I do."

You crunched the note in your hands and without thinking much further about it, promptly burned it up in the bathroom trashcan with the flame from your cigarette lighter, letting it become mere ashes sprinkling the bottom. Kudos to that secretary with attentive ears and a keen memory, but the last you needed was someone finding out about this. God, was anyone else aware of what he said? Teary, you turned away, catching your upset reflection in the mirror and even the light layer of makeup couldn't cover your exhaustion and frustration, making you appear older than you felt.

"It was taken care of."

He had presumably called her this morning to tell her he missed her already. And he still loved her?

You didn't have a problem with him associating with Jean in a platonic sense if you happened to be back in Berkeley, but of course that was not what this was about. Robert was unfortunately turning out to be one of those men who just couldn't settle down and you supposed you shouldn't be too surprised given his pattern of womanizing, but it was much worse and serious in this location where stakes were very high, so like an unwanted wild rose growing out of proportion, this had to be nipped in the bud.

A couple hours later and after you had eaten dinner alone - a sloppy meal of macaroni and cheese with a full glass of red wine was the best you could muster - and you heard Robert walking to front door step outside, you went to aggressively pull it open, about to be utterly interrogative until you saw his oddly hurt expression, also taking in that his military uniform was gone and replaced with his usual suit and tie attire with a K-6 security clearance button pinned smartly to his gray blazer.

"What happened to your uniform?" you asked before anything else, skirting around the real problems.

"I returned it; I failed the physical requirements, and Isidor convinced me that I looked absurd and am better suited as myself," he replied, impatiently dismissive, and you shrugged nonchalantly.

"He's probably right. You are worth your weight as a scientist, not as a soldier."

"You stopped by the office today," he said, abruptly changing topic with an accusatory tone that you yourself had planned on using, and you tightened, clenching the doorknob stressfully.

"Who told you?"

"Nevermind that. Tell me, why did you speak to my secretary?"

You did not like feeling put on the spot, so you deflected and counter questioned him instead.

"You lied to me earlier about claiming it was taken care of, didn't you? I was right last night about who the phone call was from, wasn't I? You contacted her today when you know how risky it is for outside contacts, not to mention that we just arrived here yesterday. Are you out of your right mind?"

He gave a warning look with resignation and stepped into the house, gently pushing you off to the side. You followed him to the kitchen and took up the wine glass, swigging down the rest as he grimaced, glancing off to the dwindling bottle of uncorked wine next to the cheese encrusted mess you had left on the counter in the form of a dirty pot with the plate haphazardly resting in the sink.

"I see you made dinner for one," he observed and you poured out the rest of the wine into your glass, hovering by the table and taking numerous sips.

"Imagine that, I sincerely hope you weren't starving," you told him sarcastically and he scowled, reflexively reaching for a cigarette.

"I don't want to find out secondhand information from others, so I'd like to hear what happened today in the office and why you are acting like this," he said around the cigarette in his mouth and you snorted, almost amused.

"Oh, what does it matter?"

"It's my personal business, so yes, it matters very much."

Maybe it was the alcohol affecting your already soured mood, but you found yourself choking up on tears and angrily whisper-shouting at him, your voice all high pitched and shaky.

"What the hell is wrong with you?! She's not here, she won't ever be, and we are in a state of high security! You have to stop thinking about her, calling her, lying to me and-"

"This isn't as dramatic as you are making it," he interrupted placidly, but this only spurred you on.

"Oh, really?! I'm not the one violating security and calling a Communist ex-girlfriend from another state while on a classified government sanctioned project! You are the sole issue here, Robert!"

"Stop. Let's not fight," he ordered, grasping your arm and leading you away from the counter and the empty wine bottle.

"I have no desire to be unfaithful to you. Jean contacted me first and I just had to reassure her I was alright because she was worried; she has seen men likely from the FBI tailing her outside her apartment and she is justifiably concerned for her own safety and for mine being so far away."

You pushed aside the tiny piece of worry you had for her and bit back at him coldly.

"I see. Well, why don't you call up Katherine while you're at it and tell her you haven't vanished off the face of the earth because these women cannot bear a day not knowing your exact existence?"

Robert glanced down at his shoes, speaking bitterly.

"She would not want to hear from me."

"Because you wouldn't marry her unless she had a child of yours. Would you have a baby with Jean if given the chance?!"

He blinked, taking in your appearance like he'd just seen you for the first time.

"What is the matter with you tonight? This is not about procreation with anyone and why have you become so devoutly anti any political and ideological affiliations?"

You swallowed and licked your lips clean of the wine stains and refused to answer, but he knew you well enough to get an understanding of your silent expressions.

"This is not a matter of my ties to controversy, but about my feminine associations only, isn't it?"

"I, I just don't want any trouble," you admitted as you waved your hand still holding the glass and it slipped right out of your fingers, nosily crashing to the floor.

"Oh, fuck," you swore, stepping away from the splattered glass and sucking a breath in as Robert stood still, staring from the floor up to your flushed face.

"Perhaps I should lock up the liquor cabinet tonight if this is any indicator. How many drinks did you get into?" he asked scoldingly.

"Stop treating me as if I'm a fucking child," you spat out, taking one step back from him.

"I never said you were, but I'm well aware that Kitty has a similar problem when she gets upset; it accelerates already induced negative emotions and even worse so here due to the altitude, I believe it-"

"Don't you dare equate me to HER!" you practically shrieked, backing away into a chair as he came forth, concern and fright sparking in his eyes. You shook your head furiously, shaking up your perception of the slightly blurry kitchen and gulping air before your next verbal assault at him.

"God, you're such a mess, Robert! You just can't stop reminding me and how many more women are going to come out of the woodwork while we're living here?"

"I have cut my ties to all former affairs, you know that. I told you the day we became engaged, but Jean and Kitty are taking longer to rinse out of my personal contacts."

"Speaking of rinsing, I washed the sheets this morning and I need to bring them in, so excuse me," you declared, really needing fresh air more than anything at the moment, so you stumbled out the back door to retrieve such items from the clothesline. You wiped your eyes and took gulping breaths to calm your racing heartbeat and to get ahold of your emotions that were misfiring all at once... Maybe you had drank too much wine, you sure felt terribly psychologically unsteady. You fell down to your knees on the grass and put your aching head to the bundle of dry sheets and few clothes from yesterday, willing this to pass and wishing you had never gone to the office today and left everything as it was. Ignorance wasn't bliss, but at least it made information ignorable unlike knowledge which burned persistently in your brain until you threw water on the emotions stemming from the paining scorch. Maybe you were overreacting and too young, but Christ, being compared to his other women made it feel worse. There was no way to have a symbiotic relationship with him when he had them parasitically clinging on; you couldn't compete with a woman like Katherine, who was closer to Robert's age and unapproachable, while Jean was a known Communist who knew some of your friends. It all felt too... personal.

When you finally stood up once your head stopped pounding enough to come back inside, stepping around the broken glass and spilled bit of wine that you'd end up cleaning later, Robert had moved to the lounge and was smoking a cigarette while lying back on the sofa, his feet propped up on the coffee table. He gazed at you carefully and cautiously as you stopped in front of him and spoke businesslike, struggling to retain what was left of your composure.

"A woman came around this morning unannounced and you know what-what she told me?"

He stared through the haze of smoke, wearing soft curiosity as you took another deep breath.

"She... She told me I should consider myself to have the easiest job in the world and that is to be married to - and I quote - 'Dr. Robert fucking Oppenheimer'."

He had little reaction other than raised eyebrows in amusement and he lowered the cigarette, gesturing at you with it.

"Do you feel that way? Am I a good occupation for you?"

You scoffed, striding out of the room with the bundle of sheets and clothing in your arms.

"Not a chance after today," you called back over your shoulder, making your way to the bedroom. You tucked the sheets in, making the bed when the sound of an audible sigh from the doorway made you turn reluctantly.

"We can't go on like this, it hasn't even been a week and already we're fracturing our unity and trust. You aren't taking to Los Alamos very well," he said gently and you deflated in the truth, sinking down on the bed as he walked over to accompany you.

"No more phone calls," you instructed him firmly when he settled next to you, wrapping an arm around your waist.

"No suspicious calls, I promise. You are beginning to sound a lot like Leslie Groves."

You sat up straighter and attempted to imitate the General's gruff voice, glaring at him forebodingly.

"Robert, you'll do what I tell you because this fucking important! Otherwise, I'll have to rip that phone right off its cord and jam it up your ass to stop you from jeopardizing national security."

"Yes, ma'am." He was taken aback by this threatening proclamation, yet smiled in good humor, but you then grew more somber and back to your normal voice.

"I'm just tired of feeling as though I am in a competition even being married. I tell you, if I hear any further word about certain past lovers, I will be confiscating every single cigarette you have."

His eyes widened and another smile tugged at his lips as he took your hand, placing it in his lap and rubbing circles into your faint blue veins.

"I would surely not last a full day if you did that to me."

"Then don't make me."

He leaned in and kissed you swiftly, his tongue brushing past your lips and finding its well worn way in, intertwining with your own still doused in the taste of wine. You pulled away and laid back on the bed with him falling down beside you a second later, body relaxing. The palm of his right hand found your stomach that he gently patted affectionately.

"Forgive the off topic inquiry, but do you think you'll end up bearing fruit one of our years here?" He spoke in equal parts trepidation and hushed anticipation.

"I don't know," you murmured, unhappy he was bringing this up.

"I can arrange for a medical assessment, we have some very best doctors on staff..."

You groaned softly, shutting your eyes to the ceiling.

"No... I don't want to officially find out that I could be rarely infertile in any capacity."

"We don't know that for certain; naturally you are biologically and physically healthy, but out of an abundance of caution, I was only thinking-"

"You are always thinking, too much to a fault in fact. If we are meant to have a baby, then it will happen in its own time. However, I am not racing for it to come into creation here of all places, though, and if that means we have to pump the brakes on our active intercourse, then so be it."

He smiled in some relief, leaning over and kissing you again, his fingers weaving into your hair affectionately.

"I'm in no hurry for such a distraction either and I trust your instincts over my own brain on this one," Robert whispered as he caressed your cheek and leaned back lazily to gaze fondly.

"As you should," you teased with a mutter, but you echoed his unspoken thoughts that were not in favor of becoming a father soon when there was too much on his mind with the work here. Worse, you couldn't help but privately wonder if he would even be adept at being a father... When you tested positive for pregnancy for the first time and disclosed the news to him, you remembered how his face flickered from surprise to guilt to hesitant joy. You had kept it only between him and the doctor, which turned out to be good because you ended losing the fetus anyway in less than three months. Robert hadn't been exactly upset, but you had because it catapulted into existential questions, but he and the physician had assured you were fine and there was still plenty of time. For now though, you decided, it was too early to try out the theory of parenthood.

The bed springs lightly creaked as Robert sat up and left, mentioning he wanted to get a drink and read one of his books quietly by himself for awhile before bed and you were left to lay in the growing darkness, contemplating over what the rest of this interesting first week could bring.

Thanks for reading and I appreciate the patience as I work on this story more ❤️

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sasaranurude · 13 days

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Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."

I'll talk about how this looks like a blatant twst clone at the end.

Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.

He's looking for a girlfriend btw. Spreading the word.

The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.

There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!

In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar

At least there's a cat in the rhythm bit.

And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)

Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.

Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.

So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.

#suchobabbles #Tokyo Debunker #it's a global simultaneous release so I'm curious to see how it ends up doing in Japan #it's gonna be competing directly with stellarium of the fragile star which releases in a few days lmao. and is about a magic alchemy school #looks like the two games twt accounts have a similar number of followers #and then theyre competing with bremai releasing in may...#also adding this at the very end since i cant confirm anything:#but i found out abt this game bc it was rt'd by the former localization director/translator of A3en #i dont know if she worked on it or maybe her friend or maybe shes just hype! who knows! but i think her word (or rt) is worth something

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braxlrose · 23 days

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I miss ur writings sm :(

I am so sorry that I've been gone for so long, I haven't posted any fan fiction in so many months and honestly I lost motivation 😭 so many ppl who were in this fandom and I created a community with, were slowly getting over this "phase" and it definitely affected me. But I'm going to try and get back into writing. I hope this will do good for now! Ive had a lot of ppl recently ask for 2005 bill hcs, and I've done that before so if this is repetitive for something else I've written, sorry!

content warnings: none

a/n: I'll be updating my tag list since it hasn't been updated since like August of last year and I don't want to be tagging people who don't care or want to see these posts anymore. So if you wanna be tagged, let me know!

2005!bill kaulitz x f!reader

sfw:

- I'm an alternative person so whenever I write for bill, I always imagine him with an alternative girl 😞 even though from what I've seen he's never really been w/ an alternative one, BUT LETS PRETEND OKAY 🙏🙏

• he absolutely loves doing hair together, I think he enjoys helping you do your hair in the morning and your make up. And he's even more greatful if you do his makeup. Then he can just relax while you help him.

• pookie has crunchy ass hair at the end of the day when he has to wash it out, don't make fun of him 😞

• getting piercings together is something he LOVES doing with you. Mainly early piercings because he only has a tongue and eyebrow piercing on his face.

• if you made music too, he would always go to your concerts and basically scream the entire time. Hopefully, you'd do the same for him.

• if you have longer nails, head scratches are always a must and he will lay in your lap for literal hours while you pamper him.

- I personally think he would love to learn words in your language if you keep something different than German. And despite what anybody thinks, he finds it hilarious to learn the dirty words.

• if you cook him something from your culture, he will literally die. He basically thinks everything about you is so cool, and learning about a culture different from his is so exciting

• but if you two really want to date, you'll have to both try to learn English or each other language because there is going to be a hard language barrier between you two.

- I think one of the reasons he would've fallen in love with you is because you were upfront with him. He's not the type of guy to just go up and kiss someone so if you confess first, that would make things so much easier.

- obviously, you'd have to get along with Tom, Georg and Gustav. So if you don't, there's no way he'll go out with you, especially if you can't get along or hate Tom.

-Dates together consist of stuff you guys bought somewhere, or if you guys went to a fastfood restaurant.

• He doesn't have a lot of money yet so dates wouldn't exactly be high class, hopefully you don't mind 😉

-Since this is around the time Tokio Hotel is getting increasingly famous, there are fangirls around trying to flirt and ask out bill all the time and he has to shoo them off. He reminds you every night about how much he loves you and that those fan girls shouldn't bother you.

-he likes to spoon you a lot, and you two switch back n forth between him being the big spoon and the small spoon.

• I think he also really likes it when you lay on top of him, with your face in his neck and your legs wrapped around him. (This also works sitting upwards).

• cuddling with him is so nice too because he actually smells really good 😱

- I think he still gets very insecure sometimes because of the haters and people who harass the band because they don't like them and you reassure him a lot.

a/n pt 2: sorry this wasn't too long! I'm trying to get back into the groove of writing so if this is terrible I'm sorry 😞

taglist: none right now

#tokio hotel #bill kaulitz #tokio hotel x reader #tokio hotel bill kaulitz #bill kaulitz x reader #bill kaulitz x yn #tokio hotel fanfics #i hope this wasnt completely terrible #i havent written in forever 😞

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slocumjoe · 6 days

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danse's romance route has some potholes

so, this post woke me from my slumber, have a ramble

This has always been a weird point for me, but I never got around to really figuring out what it was exactly until just now. I think all of the romantic candidates have out-of-place flirting, at least here and there, but Danse consistently has dialogue options to flirt with him at exactly the wrong fuckin time. The odd thing about Danse is that, most of the time, the normal Good/Yes answer is more romantic or sincerely affectionate than the flirt.

So, the Flirts.

The only Flirt that works is when he talks about his fear of losing people, and Sole says, "I care too much about you to do that to you." It's the first Flirt, and he responds by saying you've given him "something to think about." I've gone on about how Danse has never truly felt cared for. Sole's voice acting also sells this Flirt by being somewhat timid, unsure of saying this, but wanting him to know.

Danse's talks go Kreig > Cutler > Haylen > Help Im A Robot. The first time you can flirt with him is in the Cutler chat, where the "I care about you" line comes up. It's not out of left field from the conversation. It's affectionate, it doesn't overstep, but it pushes the line and makes Danse consider "oh shit, there's a lil something something going on here."

The "Would you hold me?" line is much less subtle.

Danse talks about how he doubts himself after Cambridge and Sole's reference to him hugging Haylen makes it seem like they've just been waiting for him to shut up to use that line on him. It's out of place, it circles back to a topic we've moved on from, and it's so overt it sucker-punches everyone involved, including the player. It's blunt.

The other options of "I'm here whenever you need me" or "I'm glad you feel better" are less flirtatious, but they imply more direct concern and care for Danse. Both lines are about Danse, and Sole being there for him. The actual Flirt is what Danse can do for Sole. This is such a weird nitpick, I know, but it comes off not as romantic, but more like Sole is trying to hook up with him. That would work with someone like Hancock, or maybe Piper, but Danse's romance involves more subtlety and slow-burn elements. It's too forward.

So, in his final talk...

It's literally "Kitten I'll be honest, Daddy's about to kill himself" "haha no don't kill yourself you're soooo sexy"

It comes right after he's having a lot of emotions about his reason for living. This is not the time to put the responsibility of a relationship on someone. Again, this is a flaw of the 4 Affinity Talks system. If you're just going for a platonic relationship with Danse, his talks work great, but his character arc is unfinished anyway. They have to shoehorn romance in there, and it doesn't have the room to develop naturally. It's why Sole has to explicitly say "Would you hold me ;>".

The strangest part is that his neutral/Friendly dialogue options are more affectionate and relationship-building. Again, the other options in the Haylen talk comfort Danse and reassure him.

Honestly, I think the best option, for all romancable companions, is within arms reach. You know how, if you don't romance someone, they'll bring up their last talk again and give you a barn door of an opening to broach the subject of a relationship again? Just. Do that/ It's literally what I did when I romanced Danse; don't romance him as soon as possible. Let it marinate.

The second chance to romance him goes the exact same way, eyebrows to space and all. It just takes place after Danse confesses how close he feels to you and trusts you and not RIGHT AFTER BLIND BETRAYAL.

It's easy to fix the pacing just by not going for the smooch ASAP, but the flirting is awkward. It's worth noting that the line before the Haylen flirt "It's comforting to know that I can speak to you as more than just your commanding officer" has it's own Flirting tag on it. Danse flirts with Sole here, canonically.

A cheap and easy rewrite is Sole echoing the sentiment with something like, "It's comforting to know that you're more than my commanding officer." This leaves room for interpretation. What else is Danse? Sole has an idea, but leaves Danse to wonder about it. It also confirms to Danse "yes, we have a personal bond and this isn't just a work thing."

I think the core of Danse's romance is this dude realizing that he's loved and cared for, truly. Cait has a similar arc, but hers has different complications and contexts than Danse. Danse needs a slow-burn romance full of soft moments and instances of Sole reminding him of his own humanity, even long before the synth thing.

It's worth noting that the "i care too much about you" line is still kinda overshadowed by the "But I wanna be a mutant" joke. That joke makes him laugh, he jokes back without missing a beat, and it's a cute little bonding moment between him and Sole. Romance isn't just overt flirting, it's the little things that make you think the other person is special. How many people do you think can make Danse laugh? Especially about becoming a Super Mutant, right after being told about Cutler? Danse thinks Sole is funny. He thinks it's a cute little joke. He's charmed.

Then Sole sucker-punches him with an explicit ask of physical contact and emotional exploration and the moment is lost. For the Halyen talk, you could have an option where Sole asks, teasingly, if this is going on the report, and Danse laughs and contemplates what Maxson would think. Maybe he even comments about how rumors spread on the Prydwen, implying that he knows there is something between you two for people to gossip about. This would later tie in to The Reveal, where Maxson says the same thing.

#fallout 4 #fo4 #paladin danse #a smaller lazier post but I have Thoughts

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