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mortalityplays · 2 months

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You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

#announcement #please reblog let's make this HAPPEN

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lustlovehart · 4 months

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Hi!! I have never requested anything before, so I really hope that I am doing this right!! So I have been thinking about Scaramouche and reader having a secret relationship. One day they are making out in his office (still kind of sfw) and just before it gets too steamy, a subordinate knocks on the door and they both have to act like nothing happened with flushed faces 🤭🤭

I really hope that you get what I mean😭 It would be very nice, if you accepted this request!!/nf Thank youu!!!!!!!!

A/n: Coincidentally enough, I actually had something in my wips with this same prompt. Also, I may have gone a biiitt away from the exact request, but I think I still kept most of what you wanted!!

Summary: Sometimes the two of you are too absorbed with eachother to notice what surrounds you.

Warnings: Extremely Suggestive but no explicit NSFW, marking, like one sentence of angst

People in the fatui talk, there is no doubt about that in your mind. They don’t exactly try to hide their whispers, nor do they try to to disguise their gossip. All they can truly do is protect what leaves their mouth with the thin barrier of their hand covering what they say. Though, there has been one topic of note that every fatuus has been spouting as of recently,

“Are any of the harbingers in a romantic relationship??”

"Not sure... They seem to be very focused on the work the Tsaritsa bestows upon them."

"You're right... Though, it would be interesting, dont you think?"

Your hand immediately slams onto the harbingers expensive wooden desk, an attempt to catch yourself before you fall onto the hard flooring. Your neck is bent toward the left, allowing the man in front of you easy accesses to the area.

"Kuni.... Could you not wait... Ha... Until you're off the job...?" Your fingers are intertwined with his violet strands, his own hands in turn roaming up and down your body, wrinkling your uniform.

His lips pop off your skin, the feeling of wet salvia being felt. You can't see it, but if you did you're sure it would be extremely noticeable.

"Why would I wait? We can just do it now."

The two of you are only meant to collect paperwork for an upcoming exchange with another fatui branch, you have no idea how this had came to be.

His left arm reachs to your bottom, hoisting you up onto the surface of the table, his other hand wiping any items on the top to the floor, loud clangs echoing through the room.

"Don't you need those? What if they're broken...?"

"Don't focus on that, pay attention to me. Besides, my budget is enough to cover it anyway."

Right, Fatui Harbinger... Rich. His fingers grip onto the back of your head pulling you into him as his mouth immediately connects to your own. You're sure you can feel literal static surrounding the two of you as your lips lock against on another.

To him, though his body might not be human, every feeling you give him is enough to make him feel truly alive. If he had the choice to choose between you and godhood, he's sure he wouldn't know what to pick.

It doesn't matter now though, if he has you, he's sure life for him won't be as pitiful as it once was.

When you try pulling away from the exchange his lips follow you like magnets, it's only when you push away with more force does he remember that you need air, unlike the vessel he holds with a limitless lung capacity.

Your forehead is rested against his as you pant, a thin line of saliva still connecting the two of you, the man's hands is still groping at whatever piece of skin he could reach, a laugh leaving his throat as he looks at the flustered state you're in.

"What? Couldn't keep up with me?"

"Be... Haa... Be quiet..."

"What was that? I'm gonna need you to speak up [Name], my mechanical ears can't hear you."

You were getting tired of his comments, immediately pulling him in for more while his finger rush to take your shirt uniform off you.

Once he had taken it off, he didn't seem to care where it landed, only throwing it somewhere random in the open space.

His hands creep up your legs, ready to undo whatever you were wearing down there as well.

Since you had only expected to grab some documents, it seemed the thought of locking the door had completely escaped you.

"My Lord! The Regrator is currently asking for you-"

Your hands immediately fly up to save any dignity you have left of yourself, Scaramouches arms doing best he can to cover your body.

"Out."

It seemed the soldier was in shock, as his eyes could only keep between the two completely embarrassed individuals, one of them being half naked.

"Did you not hear me? I said leave." You're sure the subordinate saw him in a horrifying light, but looking at him up close you could easily tell just how red his face is, even despite having no blood circulation.

"Of- Of course my lord! I will be waiting outside!" He immediately dashed through the door a loud slam bouncing off the walls.

When you look back at him as his fingers pinch the his nose bridge, an obvious agitated look spread across his face.

-----

"Were you not taught by your caretakers to knock on doors before you open them? No... Maybe they're just as incompetent as you are."

Though your clothes were haphazardly put back on, you still stood by the harbingers side as he demeaned the fatuus, smoothing out any wrinkles your uniform had.

"Forgive me my lord..."

To be honest, you wouldn't have gone with the man, if it weren't for the fact you're sure he would obliterate the soldier if you weren't there.

"So... Are you and [Name] together-?"

"Continue talking if you wanna be sent back home in a coffin."

Though harsh words keep leaving his esophagus, you can still notice the vibrant red spread around his face when he replies.

------

"Good job not electrocuting the guy Kuni."

"Who says I'm not gonna do It on another date?"

"If you don't we can pick up where we left off when we get to my house."

"Ha, if that's what you really want."

#genshin x reader #askves #scaramouche x reader #wanderer x reader #vesnsfw #scaramouche smut #wanderer smut #genshin smut #genshin impact x reader #vesperwrites

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seat-safety-switch · 16 days

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I am not the kind of person who would become a chicken farmer. Don't get me wrong: I can certainly understand the reasons why you would. There's a lot of different makes and models of chickens, and they help keep bugs out of your property. Plus, they make eggs. There is, however, one big downside: you don't have to buy a special vehicle for them.

One of the greatest things about agriculture is that it gives you an excuse to buy a specialized automobile or automobile accessory. Cows? Need a cattle trailer. Horses? Horse trailer. Big trucks in either regard. Chickens are small, so you can throw them in the back of your regular ol' Subaru wagon, and take them to the chicken vet whenever you want. It's an easy lifestyle, but as Socrates once said, the life where you don't buy a cool niche automobile is hardly a life at all.

Don't worry, shareholders. I am fully aware of the spending power and spare capital of chicken-lovers all over the country. There is a non-solution from Switch Industries to this non-problem. We simply give the chickens each their own little cars. They can drive themselves to the vet, or to the feed store, and sleep in their cars rather than rely on the construction of old-fashioned, expensive (and increasingly costly) chicken coops.

Many haters are speaking out against this project, and I address those haters now. You might think that this is excessive. You might think that this is impossible. You might think that this is illegal. Self-driving car technology has come a long way from the early days of "tie a rope to it." With modern Japanese technology (i.e. batteries stolen from floor models of Makita power drills at Home Depot,) a small chicken-operated electric car, built out of a repurposed Power Wheels®, can easily reach highway speeds.

As for illegality, it turns out that the current government will write whatever law we tell them to do, as long as we grow our chicken-driving industry to a size that is awkward to legislate before those lawmakers wake up to the threat. It is for this reason that I've partnered with some only-slightly-arrested junk bond kings in the tri-state areas to fuel this development.

So if you have a bunch of chickens on your property, easy access to the highway, and a lack of legal representation, call Switch Industries as soon as possible. We'll get you hooked up with your own fleet of NuggetRides® as soon as possible. You won't regret it, or at least we won't.

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betty-bourgeoisie · 11 months

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The thing I find most concerning about the sudden and rapid declines of platforms like Twitter, Reddit, and to a lesser extent Discord and Facebook, is the loss of digital third places that will result from it.

[Definition: a Third Place is a space outside of work or the home that you spend a significant amount of time in. Usually a social gathering place like a church, library, park, or gym]

It's a known issue that physical third places are disappearing. Cities, malls, and shopping centers have cracked down hard on loitering, resulting in a lack of public space for people to just hang out in. Parks exist, but their use is usually dependent on weather conditions. Church attendance has been in decline for decades for a lot of reasons I won't get into here. Libraries exist but they're not a good place to talk with friends. And pretty much every other third place I can think of (bars, game stores, bookstores, coffee shops, etc) requires you to spend money if you want to be there. None of these are new observations, smarter people than myself have written whole books on the loss of in-person third places.

Social media has been filling in the gap left by these third places for the last couple of decades. As physical space has become less accessible we've migrated online to find community - and especially during COVID, social media was really the only place you could socialize with others. None of this is new information either.

But the current issue, that I've seen very few people talking about, is that companies are starting to price and bully people out of those digital third places the same way they did with physical third places. The difference is that it's happening much faster, and usually at the whim of just one or two people. These are not broader sociological trends slowly shutting down social spaces like what we saw with the decline of shopping malls. There will be no slow adjustment to another social medium. We are seeing individual billionaires making a choice in real time to monetize people out of some of the only public social spaces we have left.

I've seen people bemoaning the loss of information that comes with these sites collapsing, but personally, I am far more concerned with the loss of social space. Don't get me wrong, social media of all kinds is an absolute nightmare, but for many people (and especially for teenagers who have more restrictions on where they can go and what money they can spend) online space is one of the only places they can reliably go to socialize.

In a country like the U.S. where the federal government is calling loneliness an epidemic this is actually a much bigger concern than I think a lot of people realize. How many people have more online friends than in-person ones? What happens to rates of loneliness as social media platforms become inaccessible and people lose those connections?

Obviously, the preferred answer is that people will go make more friends in person, but remember that in-person social spaces have already been severely limited. This is not the easy option that you might hope it is.

My actual call to action on this is to fucking fight to get your in-person third places back. Talk to your local representatives about repealing loitering laws - organize protests or ballot initiatives about it if you have to. Work with rotary clubs and parks departments to fund new public restrooms and park shelters. If there are places in your community that provide free workshop spaces/ game nights/ art walks/ etc go to them and support them financially when and if you're able. Go to your local library and check out a book so they get more funding! I know this shit can be boring, but things are only going to get worse if people don't have places where they can connect with each other. We can't keep letting capitalists take community spaces from us.

#reddit #twitter #social media #third places #long post #196 #rant

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cookinguptales · 1 year

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Can I ask you to do a post about Disney & disability please? You mentioned it and I’d love to know more!

Well, my notifications can't get any messier, so why not?

This post got very, very long because I ended up talking about a lot of the accessibility solutions in detail (and... ranting about how accessibility at Universal was so bad that I got physically injured there) so I'm putting it under a cut for you.

To preface this, I have mobility issues (as well as a lot of food intolerances/allergies) and general chronic illness, my sister is Deaf, and I have friends who regularly attend the park with autistic family members with high support needs. These are the disabilities I have experience with, so while I've heard a bit about others (such as portable descriptive devices for visitors with visual impairments) I can't speak as much about those accommodations.

I have also traveled quite a bit, mostly as a disabled adult. I can work from anywhere and my family enjoys traveling, so I've been very lucky in this regard. I also used to live in central Florida, not too far from Disney, and benefited from their FL resident rates.

So I'm coming at this from a person who has a lot of experience traveling while disabled and a fair amount of experience going to WDW, though I haven't been nearly as often since I moved out of Florida.

(Good fucking riddance.)

So know that I am speaking from experience when I say I have never, without exception, been to a single place half as accessible as Walt Disney World. It is literally the reason my family would go there; it was one of the only places we could all safely go together. One of the only places I've been on earth that even approached their level of thoughtful accommodations is Barcelona, which apparently did significant renovations throughout the city in order to prepare for the 1992 Paralympics.

(Hey, if anyone is reading this from Barcelona: I teared up the first time I used one of your curb cuts in my wheelchair, just so you know.)

Going through those parks in a wheelchair is a breeze, though you will probably have to fight a lot of clueless parents with strollers who are hellbent on using resources intended for wheelchair-users and then glaring at you when you try to use them yourself. Level ground, spacious sidewalks, accessible transportation, well-kept gradual ramps, roomy buildings, lots of accessible restrooms, alternate entrances at many rides for wheelchair users, special wheelchair rows in movie theaters that we're loaded into first, accessible queues in most rides designed or renovated in the last fifteen years, special viewing areas for shows/parades/fireworks so you don't end up staring at able-bodied butts for a half hour...

Like, structurally-speaking, the parks are very easy to get around in if you're a wheelchair user. That was built in and you can see a lot of very mindful design choices. As far as the rides go, most of their rides actually have special cars that you can load into while still in a wheelchair. They're pretty neat. I can transfer, but that means often leaving my wheelchair and/or cane with a cast member during the ride. They are always, without fail, waiting for me on the other side of the ride, no matter how far the exit is from the entrance. I have never once had a problem with this. A cast member will be there to put my assistive devices in my hand before I even have to think about getting up. Guaranteed.

Wheelchair users always used to be able to skip the line, but there was unfortunately a problem with able-bodied people pretending to be disabled to skip lines (because god forbid they not have access to a single thing we have to make our lives livable) so now there's a system where if you cannot wait in a line, they'll basically give you a special time to come back that's equivalent to the length of the line. Which feels fair to me as someone who often cannot be in even an accessible line for extended periods. (I have problems with sunlight, heat, and often need emergency food or restroom.)

More important than all this, though, is the fact that cast members are impeccably well-trained in all of this. Any disabled person can tell you that the most accessible design on earth isn't worth shit if the people working there aren't well-trained. (More on this later, when I take a giant shit on Universal Studios.) But Disney trains their employees, many of whom are disabled themselves, incredibly well.

Every employee will know where the accessible entrances are. Every employee will know the procedure for getting a return time. Every employee will know about first-aid centers, and every employee will know where the quiet areas are for people with sensory issues. Every time you make a reservation for a meal, hotel room, transportation, etc. they will ask for all accessibility needs and they'll be ready for you.

Every waiter you have will be incredibly careful and knowledgeable when it comes to special dietary needs, and chefs will often come out to discuss them with you. They often have specific menus for different dietary needs, and they are scrupulous when it comes to allergens. I have a few intolerances that suck and allergies that could kill me and I have always felt very safe in their hands. This ranges from fancy sit-down restaurants to quick service burger places.

And -- honestly, I have just always been treated with respect. I know that sounds like a low bar, but most people do fail to clear it. Disney has their employees very well-trained on how to interact with disabled guests. People speak directly to me, never to the able-bodied people over my head. They never treat me like I'm a child. They never ask invasive questions or make uncomfortable jokes. They never, ever get impatient with my accessibility needs.

The few times I have misjudged things and have injured myself or gotten extremely ill, they were professional and caring as they provided much-needed first-aid. It's kind of embarrassing to be doted on by a costumed character while you wait for a doctor to come help you sit up again, but also kind of endearing, I'll admit.

They also, in addition to captioning all videos in the park, have some of the best sign language interpreters in the world, bar none. They're very personal and professional, they're easy to reserve, they will always be in a visible place during shows, and they're incredible performers as well as being very technically proficient. In addition to the professional interpreters, many cast members, performers, and characters can sign as well.

In addition to that, and this brings me to my next point, you'll meet a lot of disabled employees throughout the park. In front-facing positions. Deaf employees, employees using mobility aids, etc. They're well-known to hire disabled people and treat them well. This is. Fuck, this is incredibly rare, I say as someone who was never able to find a job in Florida with my health conditions. It's the moral thing to do to hire disabled people, but also -- selfishly, there's something so heartening and normalizing about seeing people who look like you working at the park. I'm happy every single time.

I have a little less personal experience when it comes to accessibility for neurodivergence, despite being neurodivergent myself, but I've been told that Disney is very, very accommodating for people on the spectrum. A lot is done to lessen crowding, waiting, sensory overload, etc. for autistic guests. Cast members are usually super good at this; finding designated quiet areas, helping autistic guests avoid more crowded areas, keeping them out of long lines, making sure they have access to any particular experiences that are special to them, etc.

For folks who need help from their group, whether that's an autistic child who needs to be with a parent or a disabled adult who needs someone to push their wheelchair or anything else, Disney has a rider switch-off model. In other words, if you're there with both of your able-bodied parents, for example, and you need one of them to be with you at all times and you don't want to be on the ride yourself, Disney will allow one person to go on the ride while the other waits for them to finish, then will allow the second person to go on without any additional wait. This makes sure that everyone in the family gets equal access without leaving disabled people alone. (Which... can be a very shitty feeling, I assure you.)

I know that Disney has also pioneered a lot of assistive technology. The accessible rides, obviously, which can be ridiculously cool (like Toy Story Midway Mania has an accessible car with alternative "guns" for people with dexterity limitations so they can play the carnival games as well) but also handheld assistive devices for visually impaired guests, etc. Like they are literally inventing new forms of accessibility technology, which is so cool.

And honestly, I'm always learning about new ways they assist disabled guests. I've stayed in Disney's accessible hotel rooms before (they're very nice!) but I don't like to swim so I've never been in the pools. But even just this week, someone told me that Disney has pool lifts for disabled guests, which I had never even considered. That's so cool.

The best part about accessibility at Disney is that in some ways it's very casual. A lot of their design decisions are so intuitive that you never even notice how accessible the parks are until you go somewhere where that's... not the case.

Like -- just so you don't assume that any of these things are industry standard, let me tell you about the two times I went to Universal, a park very close to Disney. I went there once for an event and once with my family.

The first time I went was for an event at the opening of the Harry Potter park. (This was before JKR made her most appalling views public, to be clear.) It... was frustrating. Guests asked if there would be food and drink available for people with special dietary restrictions (such as sugar-free butterbeer) and were pretty much told that no, that was not something they were interested in pursuing. It became very obvious very quickly that the park itself was so narrow that it only barely fulfilled ADA standards -- when empty. We were told that JKR had actually specifically insisted that it feel "cramped". Which is a nice way to say that I couldn't actually get around in any of the stores while people were in them.

It was overall a frustrating experience, but it was like. One night. I figured it was probably a fluke and they were still ironing out all the details. So I ended up going back with my parents later.

Y'all, it was a shit show.

Broken elevators that prevented disabled guests from accessing rides. Performers being up on raised platforms/sidewalks so disabled guests couldn't get to them. Sidewalks being made inaccessible by putting movable signs directly in the middle of them. Stores (even outside of the HP part) that were so damn narrow that I actually ended up getting hurt trying to navigate one of them. And no -- it was not easy to get first aid.

And my god, was the training bad. We went to one of the new HP rides, asked if there was a specific entrance for disabled guests. We were told no. We waited for a very long time in a line that honestly I shouldn't have been waiting in, but I wanted to be a good sport. I was pretty sick by the time we got through it, and the line itself had some very dangerous inclines/turns for wheelchair users. We get to the front of the line -- and the employee asks why we didn't just use the accessible entrance. 🙃

(Side note: several of their rides are also just unrideable if you don't fit within a pretty narrow body type of thin and able-bodied, so... there's that.)

We'd asked repeatedly and gotten incorrect answers, and I'd been put in physical danger as a result. Wild. I started to notice that if you asked different employees, you'd get different answers about almost anything, really. Just exceptionally poor training. Even stuff that should've been a no-brainer, like loading wheelchair users into a stationary movie theater, ended up creating chaos when they did it incorrectly and we had a giant wheelchair pileup.

Like -- let me stress to you that many of the things that happened could have caused actual injury to people. Some of these situations were dangerous. And some of them were just alienating, like when I'd have to wait outside a store while my family could go in.

I never went back after that. ¯\_(ツ)_/¯ We just kept going to Disney.

One thing that'll probably show how good Disney is at accessibility is the whole Make-A-Wish thing. A lot of people know that it's a popular Make-A-Wish request, and you're likely to see at least a couple kids with Make-A-Wish buttons during your visit if you keep an eye out. One reason for this, is that, y'know, Disney World is fun. Kids want to go there. But more important, I think, is that Disney can accommodate people with at-times severe medical needs. Those kids can safely go anywhere and do anything in those parks that able-bodied kids can, and that's important.

All in all, the parks are just so accessible and you will never, ever be made to feel like you're lesser for needing those accommodations. You will be treated so well and you will not have to worry about accessibility because the cast members are always doing it for you. They'll usher you into the correct entrance as soon as they see a mobility device, and they'll do it with a very warm welcome. It's one of the very few places on earth where I have never felt like a burden.

Again, y'know, I know that Disney does not have a perfect track record on a lot of issues. I would never defend them from rightfully earned criticism. I strongly support labor action against them, and I do think they should be criticized whenever they fuck up. I have been uncomfortable with the sheer amount of power they have both in Florida and in the entertainment world just because no one should have that much power. But I am far more uncomfortable with that power being stripped away for blatantly discriminatory political reasons.

I do have some loyalty to Disney just because there is no other place on earth where I've been able to safely have fun with my friends with so little agony. That's... I mean, it's important, really. To be able to just exist in public without getting grief for it. And I have some loyalty to them because they were a safe space for me as a young, queer kid who was not safe being out in other areas of my life.

(Like, I am talking about actual literal safety. I kept seeing notes on my post saying that Disney didn't care about creating a "safe space for queer people" but as someone who lived in Florida for the entirety of my teenage years? It was the safest goddamn place there.)

I do not have enough loyalty to defend them when they do immoral bullshit, but I do have enough to make sure that people know the good that they do as well.

I want other businesses to follow Disney's model for disability. I will praise them forever for what they've done in that regard because if I don't, there's no reason for other companies to follow suit. I want to praise them for the good things they've done so they have incentive to keep doing it, and other companies have an incentive to do it as well.

Like bro, I just wanna be able to move around and be treated with some dignity, y'know? My bar is so low. lmao

But yeah. That's why you always see so many disabled guests at Disney. It's literally the only place some of us can go to have fun.

#disney #disability #ableism #replies #honestly I used to go to the parks a lot but I wouldn't presently consider myself a superfan of disney or anything #but goddamn it sometimes you just wanna be able to go out and do the same things as everybody else #and disney always let me do that

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heavencanbeaprisontoo · 2 months

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Hello! May I request a headcanon for how Tommy Shelby would pine/crush over a reader maybe one who has rejected him in the past because she worked for him or because she wants to keep their relationship as friends/professional! (Since you’re writing you can make the scenario as to why she said no whatever you like) but truly i’d just love to see a headcanon on him falling in love and longing for someone who he can’t have so easily :)

Imagine Rejecting: Thomas Shelby

Tommy x fem!reader

Trope: Right person, wrong time. Warnings: Angst, pining, toxic romantic tendencies, infidelity.

You worked under him as Lizzie's replacement as his secretary, you saw his books and you knew the red on his suit collar wasn't always lipstick. You went with him almost everywhere, memorized his schedule, and completed small tasks that often caused him headaches. Long hours in the office stopped feeling so lonely. And that's where the trouble started.

When he found himself growing fond of you, he tried to fight it. He really did. But feelings grow over time and before he knew it, he started to see you as a partner. At first, he told himself that you reminded him of Grace. It was easier to tell himself that he was projecting her image onto you. However, there came a point where he couldn't lie to himself anymore.

His eyes would follow you as you left a room. His head would turn upon hearing your voice. The smell of your perfume was enough to give him pause at times. When he was at home, he would sometimes go into his office to call you from your desk in Birmingham. Just to have a conversation, even if it was to go over a detail for a meeting he "forgot."

Tommy confessed his feelings to you one late night at the Midland Hotel. You sat with him at the hotel bar, not a soul around except for the two of you and half a bottle of whiskey. Maybe is was the whiskey that did it, but he took your hand and said: "I've been trying to think of what to do about you. The things that you make me want to feel, make me want to do. It shouldn't be this way, but it is. I want you."

You slowly took your hand from him, and stood. The look in your eyes was enough to make him sober. Quietly, you gave your reply, "I'm going to call for two cars to take us home. I'll see you Monday morning, Mr. Shelby."

Thomas Shelby is not unused to rejection. It hasn't bothered him in years. With you, however, it's different. You aren't a political rival, a gang leader, or a position he's being blocked from obtaining. You are a person. A woman who has denied him access to your heart.

That is very, very different.

Not to mention a blow to his ego. Tommy knows he's attractive, and he knows that most of the women he interacts with are more than a little interested in him. Ladies from poor families see a man that can provide. Ladies from wealthy families see a man of danger that can make them feel alive. You didn't seem to fall into either category. You didn't seem to need him the way most people did.

He wouldn't discuss that night at the Midland with you for several months. When it finally did get addressed, you seemed surprised. Had you assumed he was drunk? It hardly mattered. You tried to turn him down, again "We can't, Tommy."

"Of course we can."

You scoffed, "We shouldn't. You have a wife and two children, and I am merely your employee."

Tommy got closer to you, his eyes caught between staring at your rosy painted lips and the look in your eyes. His fingertips gazed your wrist. It would be so easy to just kiss you. To take you into his arms and just hold you. Did you truly not want him? As he stared you down, the answer was found in the tears that welled in your eyes. No, you were just as sick in the heart as he was.

"Lizzie understands. Or marriage is a partnership, nothing more. We can be as we like, she wants nothing to do with it," Tommy takes your chin in between his thumb and index finger. "Tell me you don't want me, and I'll leave you alone. Tell me that."

Tears stained by your dark mascara roll down your cheeks, a shudder runs through you. "Tommy," you sigh "that's precisely why I'll never give in. I can't live my life as your whore. It's almost as cruel as being your wife."

He let you go. You took two steps back, then left him there. As the door to his office slammed shut, Tommy almost chased after you. But, he didn't. Because you were right.

#peaky blinders x reader #peaky blinders #thomas shelby #peaky blinders headcanon #peaky blinders imagine #thomas shelby x reader #peaky blinders x you #tommy shelby

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taxidermycanine · 4 months

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5 WAYS TO HELP WITH SPECIES DYSPHORIA AS A THERIAN (with and without gear)

- please note that most of these are focused mainly on being a wolf therian, but i'll try my best to make it more inclusive to others.

1 •

my personal favorite, wolf quest! this one does cost money, so this isn't for those who don't have the money/don't already have the game. it really helps me feel more connected to who i am. you find a mate, raise pups, hunt prey, defend your den and pack from predators, and there's even a multiplayer option for you to play with your friends. :o)

(and yes, you can customize what your wolf looks like. all NPC wolves in the game have different personalities for immersion, including you, your pups, and your mate)

please note that the game is still in development! they plan to add a saga where you can live constantly with your pack and continue with new generations each year (and no, you don't HAVE to pass away). you can toggle whether your mate dies or not, if you play on easy you can avoid your pups getting sick by reloading saves if you're sensitive to that, there are constantly new updates being brought out that make the game feel more realistic each time and the development team are incredibly sweet. if you have the money i highly recommend this game, wolf therian or otherwise.

2 •

documentaries. a wonderful way to not only feel more connected to your theriotype(s), but to also learn more information about them! my favorite thing to do when i'm stressed is to wrap myself in warm blankets, turn off my lights and put on a documentary to calm myself down. bonus points if you DO have gear to wear during this, if not that's okay too.

i also like to have my plush friends join me so i can act like they're my pack :o) it's a nice way to feel less lonely as i watch. this also works if you're a domestic cat therian, have your plushies be your clouder! no matter what animal you are though, never feel less valid for wanting your stuffies with you during this. it doesn't matter if your theriotype isn't a social animal in the wild.

if you're an aquatic therian of some kind, i think a good idea would be taking your phone in the bathroom with you and setting it up outside of the tub to watch whilst you're in the water! (or shower if you don't have one, you can also use a kiddie pool outside in the warmer months). PLEASE remember to be safe during this though, if you worry about getting your phone wet then instead find some blue blankets and pretend it's the ocean!

3 •

going outside to where your theriotype resides in naturally. of course this won't be for everyone, since a lot of the time trips can end up being quite costly. something that i like to do is go to my local forest whenever i have the time to do so! i find it refreshing to sit by the stream and play in the water with my mate.

if you're a domestic dog therian, ask to go on a walk around the neighborhood with your friend! (or hell, go by yourself if it's safe enough, you're a free dog, you can do what you want). even as a wild animal i still enjoy this, so don't feel ashamed if you're ALSO a wild animal who wants to do things that domestic dogs do. it doesn't make you any less undomesticated.

if you're an animal that's used to deserts, i recommend going to where you can access sand (e.g. a sandbox at a playground, asking for a small sand tray to play in as a gift, a day out to the beach if you live near one). i also find that dried dirt that's very damaged can feel sort of similar to sand!

if you can't go outside for whatever reason, then there's always ways to make your bedroom feel similar to where you would be more comfortable. if your theriotype lives in dens like caves and underneath trees, make a blanket fort and pretend it's your home! if your theriotype rests in a burrow, make a tunnel with some blankets from the top of your bed all the way down to under it (if that doesn't work, pretend that anything below your bed is underground, and anything above your bed is the surface).

4 •

dressing in clothes that are the same color as your theriotype. i have this fluffy hat with ears that feels very affirming for my species dysphoria, paired with my favorite dark sweaters, warm pants and my tail. if you don't have any gear, don't worry! you don't need to have any to complete an outfit. sometimes clothing textures can also be affirming. for example if you have smooth skin like a whale, a bathing suit can feel similar to blubber. (if you have gender dysphoria, i recommend either full body bathing suits, or wearing pants on top of it and a jacket to help yourself feel more affirmed). i wear fluffy clothes because my fur is fluffy :o) it helps me, personally, but this might not be the same for everyone!

5 •

studying the behavior of your theriotype and trying your best to imitate it to the best of your abilities with the body you have. this can be as simple as copying how they act around each other as a family (for example wolves who are mates will rest their chins on each other to display affection), and as difficult as trying to vocalize what sounds your theriotype makes.

if you wanted to try the latter, i recommend looking at vocal exercises online before as a lot of creature sounds can and will strain your voice, i promise you that warming up your chords will not only help you sound clearer, it'll ensure that it won't take as much effort to do!

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seyaryminamoto · 3 months

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Azula's most overlooked characterization element

Why, hello there.

It is I.

And I'm back on my bullshit.

I didn't WANT to be. But a bunch of factors pulled me back in.

For the record: I'm not here to start any fights or light the fuse of arguments that I most likely won't have time or interest in responding to. What I AM here for... is to prove that there's something out there a bunch of people are delighted to sleep on because acknowledging it would render maaaany simplistic interpretations entirely invalid...

That group of people includes the fandom, of course. And the original show's staff. And the liveaction's staff, to a fault. Surely the TTRPG ones too. And absolutely, the comic book writers.

Hell, I'll even include MYSELF in that group, even though I'm making this post right now.

I found it really curious that I very recently saw this element mentioned in a pretty neat blog I follow, @atla-lore-archive, I absolutely advise anyone who hasn't checked out said archive to do it if you wish to understand a lot of the "extra lore" the fandom had access to, back in the old days when the turbonick ATLA site still existed and used to be the only source of deeper knowledge about the fandom besides the occasional interview that most people didn't even know where to track down.

But the funny thing is that the post I'm talking about proved that even Turbonick forgot about the people this post is about :')

And that would beeeeeeee...

*cue drumroll*

Lo and Li!

What makes Lo and Li an important subject to discuss?

Why, a lot of things. Among them, the fact that almost nobody brings them into the core focus of any analysis made about Azula's character. I've personally mentioned them once or twice I believe, mostly as negatives, there's but ONE positive aspect I've ever found of them: them being non-benders MIGHT be a reason why Azula isn't shown as being quite so obsessive with firebending supremacy as Zuko was supposed to be.

But that's very much the sole good thing I can think to say about them and it's completely subjective, as good as a headcanon, because we don't even KNOW if they influenced Azula in that sense!

Why do they seem to get overlooked quite as much? Why... let's start thinking about it, shall we?

Lo and Li are Azula's firebending teachers. As far as anyone can tell, they're also her advisors. These two people should be an essential part of Azula's life... but ironically, we seldom see them with her. Most times, Azula isn't around these two. Whenever she is? It doesn't usually look like she's having a good time.

And that's no surprise, considering her first scene with those two very much puts forward a dynamic of cold distance between Azula and her mentors: Azula is bending LIGHTNING. We have not heard of other lightningbenders until that point, and once the full show wraps up, there's only THREE (Azula, Ozai, Iroh). Out of those three? Only one is a fourteen-year-old girl. It's very easy to assume Azula's lightning is actually a skill she mastered unusually early in life, perhaps relatively recently, hence the practicing... but she's pulling it off. She's succeeding. She's doing something that genuinely catches a first-time viewer off-guard!

And Lo and Li's entire opinion of what she did is: "Almost perfect. One hair out of place."

This tells you the Fire Nation's idea of "imperfection" is... insane. Strict. Imposing. Unyielding. Unforgiving. Azula's reaction isn't to get angry at Lo and Li for saying what they did: it's to get angry at herself and try again.

But... that's not the only instance where we see Azula getting angry around Lo and Li.

The next few times Azula is around them, she doesn't seem to have much of an emotional reaction (one is when they tell her to find other allies, the other when they herald her as a great hero who returned home from Ba Sing Se). In the second of these scenes, Lo and Li are praising Azula as incredible, beautiful, all sorts of grand things...! And Azula smiles. She smiles at the crowd. She's not smiling at the old ladies who are praising her... she's mostly just happy to know her people are welcoming her as a hero indeed! Most the fandom would go "true! what an ungrateful bitch! She should've been happy that Lo and Li complimented her that way!!" Me? I wouldn't say that at all. Not just because I love Azula to pieces? But because the only information we have of Azula's dynamics with these two... doesn't seem compatible with the idea that what Lo and Li are saying here is for AZULA'S benefit.

Anyone who's had a hypocritical parent/caretaker/teacher must have endured awkward, horrible, unpleasant moments where this adult figure treats you like shit in private but in public holds you as this grand example, and a perfect child, and they never seem to stop saying they're soooo proud of you even though you NEVER felt that what they're saying is true. Maybe the first few times, you're naive enough to believe it. By the tenth time of incongruent messages? You start to realize they're talking you up as a way to make themselves look better. They're trying to show they're doing their job at raising you/training you, be it whatever it may. The praises are not FOR you... they're for a third person to hear and think "Oh, this adult's so cool, saying nice things about this kid they're responsible for! Nice!"

... You're starting to get the picture now, I'm sure.

Lo and Li reappear in the Beach. Azula is notably chill, enjoying the ride, talking casually with Ty Lee, telling Zuko to lighten up and to stop taking Ozai's choices personally, right? She seems... content. Relaxed.

Then, everything changed when Lo and Li attacked.

We don't even see why Azula is making this face at first. But she does it AT ONCE when their ship reaches the dock.

Who is there indeed...?

The stars of our post! :') if it isn't our elderly twin ladies... who brought Azula to a very disappoting beach house. And when Azula sees the house in question, she makes THIS face.

Judge however you may... even Ty Lee is weirded out by the beach house, going by that expression. Zuko and Mai aren't impressed either. But Azula? The look on her face isn't merely disappointment if you ask me... part of it looks a bit like embarrassment too? This isn't at all what she was expecting when she arrived (she has her old beach house for standards, which makes this extra underwhelming, I'm sure). She counts on Lo and Li to provide them with a place to stay, it goes implicit... and then this is what they do. It most likely isn't what she promised the other three in terms of where they'd stay, hence, I'd dare say there's a component of embarrassment here.

Shortly afterwards, we have our well known scene with Azula being utterly unconcerned with Lo and Li's apparent wisdom to the point of yawning over it. This, too, tells you she's just not interested in whatever those two have to say or bring to the table. Then, they show up again at mealtime and I think Azula just ignores them the whole scene.

After this? Lo and Li vanish until the finale. And what do they do in the finale? Why... it's the first time anyone expresses a verbal concern over Azula's wellbeing! Ah! A sign that Lo and Li have SOME affection for Azula! This time, you pesky Azula fans, you CAN'T twist this into a bad thing! For sure!

... Can't we, tho? :')

What IS Azula's reaction to: "We are concerned for your wellbeing"?

"My father asked you to come here and talk to me, didn't he‌? He thinks I can't handle the responsibility of being Fire Lord. But I will be the greatest leader in Fire Nation history."

And here, my friends, is when we have finally hit the jackpot.

Lo and Li could have been Azula's Irohs. She could've had TWO of him! Then you'd say: "hey! Ozai is such a dick he let Azula have two elderly wise ladies guiding her but only gave one old wise dude to Zuko! Rude!" and it would be further proof of Ozai's favoritism of Azula, right?

... But actually?

Lo and Li are no such thing. Lo and Li aren't moral compasses for Azula in the least. Lo and Li are not beacons of wisdom that genuinely help her sort her way through life. Worth noting: THEY COULD HAVE BEEN WRITTEN THAT WAY. They're not. They're not part of mysterious secret societies, they don't help Azula in any objective, significant, tangible way... there's very much nothing to say they EVER fulfilled the role Iroh did for Zuko. What role, then, were they fulfilling instead?

Why... I think we ought to listen to Azula, shouldn't we?

My take: Lo and Li are OZAI'S STAND-INS.

Someone's going to say "hey why would you assume that when Azula said this in the middle of a breakdown?? Surely she was just DELUSIONAL and PARANOID and ashdgkadhsgkjgh...!"

... Let me counter that one with a fun little analysis excercise:

WHY are Lo and Li Azula's firebending teachers and advisors?

The finale very directly tells us these two are not benders. We could've assumed they were! They're not: Azula's teachers are non-benders.

Has a single person out there ever asked themselves WHY this is the case?

How the hell is Azula, prodigy of the blue fire, epic lightning, cruel and powerful and precise and deadly bending... training under two elderly nonbenders?

Bringing this to a real-life example: do you remember what it was like when you were in P.E. classes and your teacher told you to spend 20 minutes jogging, and if you ever stopped you had to do 20 crunches and then get back to the jogging, and every time you stopped he'd tell you the same thing and you'd want that guy to vanish from the face of the planet? I don't know if that was only my experience, but I rather doubt it.

What did kids typically think/say when that happened?

"I wanna see that old fart doing the same shit he's making us do..."

It's a headcanon indeed to say that this is how Azula must have felt over Lo and Li, but it's VERY likely to be the case. But I'd dare say, in Azula's case, it's even worse because, to put it in another way? It's like taking programming lessons from someone who's never learned a programming language. They'll tell you you're getting things wrong without knowing how to help you get them right because they just DON'T KNOW what you're doing, and are outright INCAPABLE of what you're trying to achieve. They can't offer good guidance based on experience because they have ZERO experience on that subject! And yet they want PERFECTION from you! They expect it!

Lo and Li are these teachers for Azula. We only see them in one scene? And yet everything in the rest of the show suggests that they bring nothing important to the table for Azula, be it professionally, be it personally, be it emotionally... not in any aspect of life.

And this, if you ask me, is why the OG show barely ever brings them into scenes. Why the comics flat-out forgot they existed and even featured people like Sozin and Azulon in Azula's beach hallucinations but NOT the two ladies who looked after her and trained her. Why the live-action didn't even FEATURE them.

And us? The fandom? The fic writers?

I HAVE NO IDEA WHEN WAS THE LAST TIME I READ A FIC THAT HAD LO AND LI INVOLVED IN IT.

I'm not even saying as main characters, I don't even know if that exists, frankly: I mean as minor, or background characters. I have NOT seen those two be used in basically ANY fics I've read. I've scarcely used them in mine! In fact, I PURPOSEFULLY got rid of them early on in Gladiator because I didn't want them to sabotage and get in the way of Azula's progress as a character and I believed they'd do exactly that. They were an obstacle rather than anything useful, so I did away with them and then realized they could still occasionally serve some purpose in certain situations: I even had Azula visit them once and they were actually helpful! Fancy that! But... that's it. That's as far as I could go with them. I can't do MORE with those two because they're not characters one particularly feels compelled to work with.

And from what I've seen? That's the case for everyone.

So, I ask again:

WHY ARE THEY THERE?

WHAT IS THEIR ROLE?

WHAT IS THE POINT OF AZULA HAVING NON-BENDING TEACHERS?

Let's go further and further into logical thinking here, shall we?

Azula is a child. Fourteen years of age at the time she's introduced in the OG show.

Azula has no power over many things around her, particularly, her upbringing. That's in the hands of the adults around her. Her mother, up until she vanished, had some hand in it, then, it all falls to Ozai.

Ozai has been Azula's sole parental figure since Ursa left.

Ozai is the one who would reasonably call the shots regarding Azula's education, as all parents are wont to do... ESPECIALLY when he's a king with absolute power over his children.

... so, Lo and Li? Ozai either gave them the position as Azula's teachers personally, or someone else (Ursa) did, and Ozai either didn't WANT to remove them from the role (cue "Ozai being sentimental over Ursa" theories), or Ozai didn't give a flying fuck about who was training his daughter (cue "Ozai is an abusive dick without a heart or a brain" theories).

Anyone, of course, would likely interject here to say surely Ozai ALSO trained Azula himself because that's what he'd do with his favorite kid, right? See. I don't even disagree with that notion.

BUT IT'S A HEADCANON.

We have zero evidence that Ozai trained her! None! I totally will write that into Azula's backstory in many of my stories, but there's NOTHING in canon to suggest this actually happened and that Ozai was genuinely, actively, frequently involved in her progress as a firebender. Assuming he HAD to be is, still, a headcanon. You can't say that with any more certainty than mine when I say I believe Azula loves spicy foods. Does it seem to be something that would fit with her character? I think so! But if eventually canon goes "AZULA CAN'T STAND SPICY FOODS LOL JOKE'S ON YOU!" I... can't even say a thing about it. People's food tastes aren't reflective of their personalities. They really could do whatever they want in that respect. And that's the case for ANYTHING that isn't part of the show's storytelling or the character backgrounds or any texts we consider canon!

POINT BEING: Ozai, regardless of what you want to headcanon, had Lo and Li as Azula's teachers. HIS FAVORITE CHILD... and her only official instructors are two non-benders. Yang added Kunyo as an old instructor of Azula's when she was young, sure! But Kunyo was sooooo qualified that baby Azula was already kicking his ass. So, for that matter? He doesn't really seem to have been a cornerstone of her firebending development and the only other known teachers for Azula are Lo and Li.

For the last time: Azula's teachers are NON-BENDERS. AS CHOSEN, SANCTIONED, APPROVED AND ACCEPTED BY OZAI.

And with those two remarking on absolutely STUPID stuff like "one hair out of place"? Azula still became the incredible firebender she was.

Cue, now, the irony where Zuko was stuck in the basics 3 years after setting out of the Fire Nation... WITH IROH ACTIVELY SERVING AS HIS MENTOR.

You're not gonna tell me that Lo and Li would EVER be better instructors than Iroh, or are you? Because that makes no sense. Full-stop. Iroh is supposed to be the most profound and complete firebender thorughout the show because he's spiritually enlightened even though I admit I think that's bullshit and he doesn't just teach Zuko how to set things on fire, he actually makes him learn theory and spirituality and his teachings are more profound than just "ONE HAIR OUT OF PLACE".

So.

Banished as he is, disgraced and seen as trash by Ozai, Zuko STILL has a better teacher than Azula does.

... Is this LOGICAL? Is this NORMAL? Does this make SENSE?

If you think Ozai's favoritism of Azula takes the shape of "I'll give you every little thing you ask for, sweetheart, I love you very much, here, have ten million doll houses so you can set them on fire, and all the ponies you ask for and on your next birthday I'll buy you a baby dragon and you'll get your own region of the Fire Nation to govern and a fancy title..."?

Then Lo and Li, unfortunately, are right here to be a HUGE contradiction with your interpretation of Ozai and Azula's relationship.

Azula should have THE BEST teachers. Azula does not. Azula doesn't even LIKE them. Azula is openly shown to dislike them! To be annoyed around them, ANGRY when they're teaching her, she feels they're here to keep tabs on her for her father! In a sense, they're Ozai's SPIES on her! :')

Hence? Ozai's favoritism of Azula MIGHT not be what everyone keeps pretending it is. Maybe Ozai didn't do everything to make Azula get things EASILY... and to be fair? That's not what Zuko said anyway. People interpreted it that way... but that's not REALLY what he says:

"Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. "

Every line in this statement is absolutely questionable and all of it sounds like buuuuullshit to me. This is ZUKO'S perspective. And sorry not sorry, but it's tell-don't-show. People swear by his opinion of Azula and pretend he's absolutely objective about it. He's not.

But "Everything always came easy to her," does not mean "EVERYTHING WAS ALWAYS HANDED OVER TO HER ON A SILVER PLATTER." And yet this is what the fandom has constantly interpreted it as.

Azula might just be a prodigy. Maybe she started out ten steps ahead of her brother: this does not mean she needs no guidance, no training, no help. She's seen training herself over perfectionism in her very second scene of Book 2. And the guidance she gets in order to achieve perfection is actually, objectively, stupid.

This is what Ozai chose for her. This is an OBSTACLE for her growth, just as much as Lo and Li were obstacles for me when I was starting with Gladiator! Azula doesn't have it EASY: she just works herself so damn hard that even shit that should HINDER her does NOT do that. And even when her brother objectively has spent THREE YEARS with an advantage in the shape of being trained by one of the VERY BEST firebenders out there? Azula is still beating Zuko at it. With two non-benders as her teachers.

Where am I going with all this?

To the fact that Lo and Li are overlooked in just about every instance of the fandom.

To the fact that nobody includes them, and their influence on Azula, in their analyses of who Azula is.

I've seen a shitstorm rising over the Netflix characterization of Azula: SHE'S TOO ANGRY, they say. Non-stop. She's sooooo hysterical, all the time! She's just pissed perpetually!

Well. I haven't finished the show yet. But the scenes I've seen Azula in so far? They don't fit the fandom's view of Azula because...

... they're not taking Lo and Li into account.

As usual.

:')

Azula's reactions around Lo and Li being frustration, anger, irritation EVEN in scenes like The Beach, where Azula was FINE until she sees them? That shit is storytelling that went over sooooooo many heads, EVEN MINE! When I saw people going on about how canon Azula is... not insecure? Not angry? Has no frustrations and was only ever smirking 24/7? I... didn't feel that was right. I knew it wasn't right. And when I thought about it hard enough? I realized that one reason why this interpretation of Azula is IMMEDIATELY dismissable is because of Lo and Li: those two constantly made Azula angry. Even if that wasn't their intent, it's nonetheless the effect they'd have on her. And Azula didn't like having them around. She CLEARLY didn't appreciate them the way Zuko does Iroh, for instance! And this could be taken as a flaw on Azula's part... if we EVER saw evidence that these two ladies actually love Azula as a grandchild, or so. If we had any evidence that they actually have cared for her in ways nobody else ever did. If maybe the ones Zuko talks about, upon saying "EVERYONE LOVES AZULA" were these two! And maybe he was jealous of them! Maybe he wanted two old ladies to watch his every move and tell him his every flaw!

... Clearly I'm joking about that last thing, but anyway...

There's nothing to tell us Lo and Li were anything but Ozai's assigned watchdogs to keep control and tabs over Azula. That Azula's immediate reaction upon hearing that someone cares about her is "Oh fuck off, my dad sent you here because he doesn't trust me!" is... telling. It's not just paranoia speaking, even if it sure can be read that way! It's actually Azula's perception of those two, which is 100% supported by what we saw of the twins throughout the show, WHENEVER we did see them: their roles in Azula's life are indeed to keep tabs on her, to keep her under control, to pressure her into perfection, AS OZAI'S AGENTS! Seen this way, it MAKES SENSE for Azula to disregard their concern and immediately assume it's FAKE. She isn't even shown to doubt it, never questions that MAYBE they did care about her! She assumes they don't...

... And considering that, as far as I know, the official concept is that they BOTH LEFT when Azula banished one of them only? That they didn't contest her command, staying to look after her even if she only wanted one? I mean, clearly Azula can't tell them apart, so they could've taken turns: one watches over Azula for 12 hours and the other for the next 12 hours, I don't goddamn know! But they didn't do that. They LEFT. And if they left? It means they don't care remotely as much as they say they do. Not to the point where they'd challenge Azula's orders and help her when they KNOW she's not okay.

And all of this further supports my point.

When we see Azula in the liveaction being angry, bitter, irritable at Ozai's choices?

I see a reflection of the same dynamics that the OG too subtly weaved into Azula's relationship with Lo and Li. I see Azula reacting against Ozai's control over her because she feels it's DISTRUST. She feels it means her father STILL needs to be convinced that she's competent, powerful, ready to do his bidding. It isn't a case where Azula's irritation comes from wanting to rebel against her father... it's Azula wanting her father to UNDERSTAND that she's 100% his supporter and will put everything on the line to serve him and the Fire Nation.

And it's very damn easy to read that exact same thing into Azula's dynamics with Lo and Li as it is to see it EXPLICITLY STATED in the liveaction.

My point?

What the liveaction did is not nearly as much of a distant characterization choice as people think it is.

Ozai is Azula's Achilles' Heel. Everything she became, everything she grew up to be, was for his sake. He molded her to become those things and simply didn't give a shit about raising a daughter, he treated her as a weapon, and absolutely pitted his children against each other, just as much as OTHER adults in their lives did. But the impact of Ozai on Azula in the OG is easy to ignore. Why? Because we SELDOM see them interacting. Because we don't get that side of Azula's character fully explored. Because they didn't want to explore Ozai's character either! They were as cheap as they could be with all these aspects and so, only the people who really got into analyzing things on a deeper level would be able to say, without a doubt, that Ozai abused Azula emotionally with all the expectations and demands he put on his own child. Through the golden child-scapegoat dynamic that people have been bringing up non-stop in the past years.

So, proving herself to her father is what Azula wants to do, more than anything. Proving worthy of his favor, of his approval, is the closest thing she can get to feeling loved. Which is depressing as fuck. Azula gets zero affection: it's not even conditional affection, there's NOTHING for her besides approving words if she gets anything right. And this show's work with Azula's character? It was meant to make these things less invisible to all the fans who like to pretend none of it exists. And yes, I've seen them, crawling all over Twitter shitting themselves in fits of rage because how dare that show pretend Azula EVER had a bad time in her perfect flawless life!!

Well, the irony is that the OG gives you a smidge of evidence -- and yet that's enough -- to show that Ozai was doing very similar things to Azula in ATLA, and her reactions to it?

Huh. No smirks for Lo and Li.

No smirks for the symbols of Ozai's control over her life.

It's almost like the confidence, the smirks, the apparent ease with which she handles everything? Is a front that crumbles easily whenever it concerns the ONE PERSON with power over her life.

I don't believe, worth noting, that Azula's power comes from rage. I've seen people say that in fandom in the past and I find it a completely absurd take when Iroh himself spells out that her bending is about control, about precision, and it's Azula's FURY that makes her a sloppy mess in the finale. It's even INTENTIONAL that when she shoots lightning a second time, in her second establishing scene, THAT SAME HAIR FALLS OUT OF PLACE. She's still angry. She didn't get it "right" this time either. She's imperfect and she's trying NOT to be, but she cannot succeed. And upon bending lightning with emotions (rage/frustration)? That hair falls YET AGAIN out of place. Proof that she's not going to achieve the perfection she's being FORCED (indeed, by her father and the people who are here to represent him, Lo and Li) to strive for.

The liveaction had Ozai pushing Azula for a perfection she couldn't attain either. She's perfectly content in her cruelty at Ozai's side, right until she hears the Avatar was found and that Zuko has a shot at taking away the privileges she's been basking in so far. That she WASN'T nervous about this in canon is pretty damn obvious: OZAI SENT HER TO HUNT ZUKO DOWN FOR BEING A FAILURE. We never saw her reaction to learning that the Avatar was out and about. We have noooo idea what was canonically going on with her back then. The first time we see her besides the flashback is Azula receiving a mission that tells her she's STILL #1 and Zuko is no threat to her because Ozai thinks he's a failure. Thus? She had nothing to fear. Here? Ozai is actively using Zuko as bait to pressure Azula further. And if you're so confident in Ozai's good parenting skills as to believe he somehow WOULDN'T do that? Sounds like you don't understand the very basic and simplistic Fire Lod Ozai from ATLA, and that's not something to be proud of. So probably stop screaming your bad takes at the top of your lungs, because being incapable of understanding Ozai in canon is not a badge of pride, just saying...

FINAL POINT...

This post is not written expressly in the defense of the liveaction and its characterization of Azula. To this point, what I've seen of it doesn't feel WRONG or OFF unless you're the kind of person who thinks Azula is only capable of smirking and if she stops doing that she stops existing or something. Only people who cannot understand the depth, nuance, subtleties in Azula's story would ever be claiming that Azula's relationship with Ozai COUDLN'T be like this, or that Azula couldn't possibly be frustrated with her father or his choices when it's soooo clear what Ozai is going for, and why it's working. But in order to read Azula as a character capable of this range of emotion, frustration and ambition, all at once? You have to be able to treat this character, be it in the liveaction or the OG show, as a human being.

And that's what most the people criticizing this specific change are determined not to do. It's what makes them uncomfy. It's what rustles their jimmies.

Yes. I'm saying it in this very demeaning way because I actually find it quite ridiculous to be this insecure over the portrayal of a fictional 14yo in two TV shows. Whether the liveaction sticks the landing or fails catastrophically, I do not know... but I do know that if it's forcing a bunch of people to rethink Azula's character, and making them panic at the idea that she could EVER have human emotions, even if they're AWFUL human emotions?

Then I'm afraid you're only convincing me that, as bad as that show could ever get? It's getting SOMETHING right. I do love to see misinterpretations of Azula getting slammed in the face by the reality that all those beliefs, headcanons and takes in bad faith are actively, categorically untrue: none of which makes Azula a fundamentally good person, worth noting! But it makes it very clear that reading her as a one-dimensional basic villain, which is what the anti-Azula-redemption crowd actively does, is literally only possible if you overlook, ignore and fail to understand her character and her complexities, be it in the liveaction or in the original show.

There. I said my piece.

Another post, regarding the rest of the liveaction, is bound to come later. I'd say stay tuned but it might take me a while to write it at all. So... wait around and maybe you'll see it someday!

#azula #atla #natla #yep :')#I'm doing it #because I know the bad takes are everywhere so #let's see if mine actually gets any visibility this way #can of worms here we goooooooooo #(this is a bad idea I know it is I'm having a leave of my senses)#(but sometimes you just gotta watch the world burn and this has been... a complicated sad day)#also sorry if anyone saw it without the read more oops I thought I'd put it there #so either tumblr ate it or I forgot yikes #but now it's theeeere #sorryyyyyyyy

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broomsick · 6 months

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Self-care & connecting with nature deities during the wintertime

Is it still possible to connect with harvest and nature deities such as Freyr during the cold season?

Long answer short, yes. Obviously, absolutely. But you all saw that answer coming, right? So I’m here to give you some ideas, as the person who’s favorite season is winter and who made it their mission to help everybody like winter just a little more. And since I feel especially close to Yngvi-Freyr when it comes to the Gods, I will use him as an example throughout this post, though a lot of the following could apply to most nature deities.

Let us first examine a common misconception before we get to the bottom of this topic: the fields don’t die when the sun sets on the 31st of October. The earth still lives under thick layers of snow. The process of dormancy is absolutely crucial to the cycles of nature. And if, like me, you find Freyr to be a sort of guardian of these cycles, then you’ll know he manifests himself in so many ways, even where you might not think to look.

Have you heard about the holly and ivy tradition? It was common during the European Medieval times to decorate houses and halls using holly and ivy, because they were the two plants with leaves that stayed green, even in the dark and cold of winter. This type of practice is often referred to as "bringing the outside in", and it's something I'm quite fond of. I've no doubt it could be a great help if you're the type to feel depressed during the winter time. It's a way to remind oneself of how everpresent nature actually is. Lots of greenery remains despite the snow! And to ackowledge this fact and to work with it is such a great way to connect with nature Gods in general! It goes to show that you appreciate their blessings all year round, not just during spring and summer. While it's true that in many cases, the presence of deities such as Freyr may feel somehow "dimmed" during the winter time, I assure you, they don't disappear once the first snow falls! On the contrary, they are every bit as present and active as when spring comes! They simply manifest themselves in a different manner.

When winter comes, I love to work with evergreen spirits. I incorporate spruce, fir and cedar into my practice and in my offerings. I won't go into too much detail for this topic however, because I've written posts that pertained to it in the past (namely, this post on tree work and this one on land spirits). Since I don't have easy access to holly or ivy, I make due with evergreen! Not with any actual branches, except when I'm lucky enough to find some that were torn away by the wind. But rather, using representations of it. In the same manner, and in the spirit of "bringing the outside in", it's also possible to decorate using representations of the sun! Harvest deities such as Freyr are often associated with it due to its crucial role in the cycles of plant growth. Candles also make for great solar symbols, and to place them around the home is like lighting a handful of little suns to bring much needed light and warmth inside. What's more, lighting candles on the winter solstice night is a widespread practice among pagans today! It serves to symbolize the return of the sun, as the days start to grow longer again. Until then however, it can be soothing for one to light a candle every morning before school or work, and to call upon any harvest, nature or solar deity of their choice to ask for strength and motivation throught the day. Even when it's difficult for us to feel their presence, they always hear us.

Now, how to actually feel more connected to nature? Oftentimes, connecting with nature and connecting with Yngvi-Freyr are one and the same. And on a more personal note, a lot of the advice I received from him pertained exactly to that: I believe he's often urged me to go spend more time in nature when I am going through rough patches. I know the cold and the cloudy weather can make it depressing for a lot of people to go out. My advice on this is to take it step by step: no need to go on long, four-hour long hikes right away! After all, there is already much beauty to be seen close to home. And I can't put enough emphasis on that: dress warmly! Also, as a tool for motivation, prepare a treat for yourself to enjoy after you've gone out. Part of what makes me enjoy winter so much is the thought of the warmth and light which await inside after I’ve gone out into the cold. The home is as sacred as the outside world! So why not buy, or prepare a batch of cookies, a cup of hot chocolate or a spicy dinner! It's something I love to do as a way to motivate myself to go out more often. And I like to offer part of these to local land spirits and to the Vanir, to show my appreciation for the beauty of this season. Just as an aside, I find snow water to be a great such offering as well!

I know that I’m not revolutionizing the pagan scene with this post, as there’s only so many ways to connect with nature during winter. I think it’s important to keep in mind that the snow, rain and cold that this season brings is just as much part of nature as the greens and lively colors of spring and summer. For this reason, they are just as much a part of nature deities and what they represent. Deities have so many facets and depth, and it can be so fulfilling to explore these different aspects, and the way we perceive them. While it’s true that spiritually speaking, it often feels to us heathens as if Skaði is somehow “taking” Freyr’s place in the order of things for the time being— much like the Holly King takes the Oak King’s place in Celtic folklore. This doesn’t make it so he disappears! In my experience, he presides over the cycle of seasons as a whole, and he is every bit as present for his followers as he is during the winter. I can connect with Skaði during the summer in a similar manner. And I’m sure that the same can be said for so many other harvest deities.

#my ideas #yule #winter solstice #paganism #witchcraft #pagan #norse paganism #polytheism #rituals #heathenry #norse polytheism #deity work #norse gods #spirituality #deities

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emptymasks · 8 months

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Old Web European Musical Sites

So this post started because I was looking through the waybackmachine on the Internet Archive for the old Disney Fairies site for a friend, and remembered I'd backed up some old musical related sites a couple years ago on the waybackmachine just to archive them.

Which made me remember how recently I saw someone on here, I don't remember who, asking if there were interviews either about Elisabeth das Musical or specifically with Uwe Kroger (the actor who originated the role of Der Tod/Death) in English to which someone had answered no but there are some quotes and fragments in other posts on here. Which made me remember an old website I'd found that did have interviews on and I went out to find it. After I found it, I tried to find another website I'd found that had nice old photos of Uwe on that I'd save for I'd never seen them anywhere else, but sadly can no longer find the site and I hadn't bookmarked it or archived it. But, in doing so I did find some others.

So, come along with me as I find some ye olde websites based around European Musicals and Non-English Musicals, all of which I am archiving using the waybackmachine and can be found on my archive.org account @ wennli3b3 under the 'web archives' tab on my profile.

What is old web? The aesthetics wiki describes it as "Essentially consisting of screencaps and gifs, Old Web is an aesthetic utilizing traditional web design elements combined with aspects of poetry and self-expression. This also includes GIFs, video games, and clip-art. This aesthetic expresses nostalgia for Internet culture of the early 1990s to early 2010s." Think of old GeoCities and AngelFire websites, the pre-2010s internet where it wasn't uncommon for anyone to make their own little website for anything and the internet wasn't just social media. There's just such a charm for me about these old sites and the work people put into customising and decorating their sites, often just as a fun project for themselves or a way to document things they loved. Therefore the websites we'll be looking at are from the 90s up to the late 2000s, 2010s and onwards websites don't count for this list.

What is the waybackmachine? The waybackmachine is hosted on the Internet Archive, it's a digital archive of websites that lets you visit websites as they were during the past if they've been archived there.

[Note: this post won't have clickable links because that can make Tumblr unhappy and either hide or soft-block my post, so sadly no clickable links, but I will write out the links with spaces in the hopes that won't hide the post and you will just have to type them in for yourselves, and I will link my web archive page in the replies to this post. I am also not claiming to be the first to back these sites up or discover them, some of them have already been archived in past, but doing them all under one account means you guys can have an easy list of them all in one place. Some of these sites no longer exist and are only accessible via the waybackmachine, in those cases I will save those sites to my web archive so they are all listed on one page.]

1. musicalvienna . at

Staring with a website some of you will be familiar with and while in it's current 2023 form doesn't count as old web and is easily accessible, we're going back in time with the waybackmachine to see how the site looked and what information it had about old current productions in 2000-2008. And frankly I don't know what to do with the information that at some point in 2000 there was a 'vampire museum' inside the Raimund Theatre that had what appears to be a wax figure of Steve Barton in his original Graf von Krolock costume. I. What??

2. eljen . net / kroeger

A fansite dedicated to Uwe Kroger, the actor, that was run seemingly from 1998-2002 that old photos, links to music that no longer work, but most important to me is the 'Press' page that has many articles and interviews with Uwe that have been translated into English! The site is also available in German eljen . net / kroeger / deutsch. A special shoutout to Uwe's own drawing of himself as Der Tod.

3. eljen . net / elisabeth

Run by the same person as the first site, in fact it is technically the same site however if you go to the root eljen . net there is just a blank page with a link to the /kroeger site, there's no direct link to the Elisabeth site, you can only find it through googling or having the direct URL.

4. iukc . de

The Uwe Kroger fanclub webite seems to have started around 2000 but it was taken offline sometime after October 2021 as going to the URL now leads to a 404 error page, but the site is still accessible using the waybackmachine. On a 2019 capture of the website it states this fanclub was dissolved on December 31st 2019 and was advertising the uwe-kroeger-community . com website as a new fanclub. Some of the pages are available in English and Japanese, but all of the pages are only available in German. The site includes information about the fanclub, as well as lists of Uwe's work, discography, and more.

5. gudrun-kauck . de

A site that as far as I can tell is run by someone just documenting their life and things they see, and that happens to include many musicals. Down the left side of the site there are pages for The Phantom of the Opera, Tanz der Vampire, Ludwig, Concerts, Musicals and Actors. Here there is so much information, interviews, photos, screenshots, transcriptions of scripts and lyrics, articles, and more. This site is a real treasure trove. It's been updating since at least 2004 and it's most recent update was in 2023. This site is in German.

6. jimsteinman . com

The Tanz der Vampire page on Jim Stienman's website has links to lots of articles, interviews and photos for the original 1997 Vienna production and the 2000 Stuttgart production. This site is in English.

7. carpe-jugulujm . com

Another site that is no longer active and can only be accessed via the waybackmachine, it was online by 2006 and taken offline between late 2021 and 2023. It has information on productions of Tanz der Vampire between 1997 and 2009 and is one of the few if not the only place I've found information about the 2000 Estonia production. This site is in English.

8. geocities . ws / mymusicalworlds

This website is all in Chinese, however parts of it are in English and German. It lists information on different musicals, actors, and has lyrics for songs, and photos. It also has midi files but, as with almost all of these old sites, the download links no longer work.

9. theatre-musical . com

This website started around 2002 and was closed some time in 2016, if you go to the website now all you'll get is a message saying the website has been closed, however the old pages are still accessible via the waybackmachine. There's pages for many musicals with lots of information about each show and each of these musical pages has a link to a page that lists other sites, official and fanmade, that are about this musical. There's many more sites to find via

10. elisabeth-fanclub . de

A fansite dedicated to Elisabeth das Musical, more specifically the 2001 Essen production and 2003 Vienna Revival. This site includes information and photos about these productions. It was online by 2004 and was taken offline some time after 2007 and is only now available via the waybackmachine. This site is in German.

11. sisi-net . de

While this site is more dedicated to the actual real Empress Elisabeth, it also has a page dedicated to Elisabeth das Musical which includes several articles and interviews for the 2001 Essen production. There is also some information on here about the Ludwig musical. This site is in German. It was online by 1999, in 2008 the site was empty and "'"under construction" and after 2008 seemed to have either had it's domain sold or hacked and became used for something else, and by 2019 was offline.

12. geocities . com / broadway / 8851

Another site that is dedicated to the real person Elisabeth, but also has information about multiple productions of Elisabeth das Musical. The site was started in 1996 and is no longer online as GeoCities no longer exists as a website hoster, but can be accessed using the waybackmachine. This site is in English.

13. elisabeth-musicpage . de

A German fansite for the 2001 Essen production of Elisabeth das Musical that contains information about the show, merchandise, photos, etc. The site was online by 2002, went under construction in 2005 and after 2006 went offline and only accessible via the waybackmachine. This site is in German.

14. elisabeth-das-musical . de

The old official site for the 2001 Essen production of Elisabeth das Musical. It's only accessible via the waybackamachine however all I could access is this homepage as the site seems to require flash player which no longer exists. The site was made in 2001, by 2006 it was redirecting to a different website that no longer exists, and by 2008 it was just offline.

15. sissi . nl

The official site for the 1999 Dutch production of Elisabeth das Musical. The site went up in 1999 and is no longer online and only accessible via the waybackmachine.

16. marloes . info

A site where someone cataloged every musical they saw between 1996 and 2004. Some of these listings link to their reviews of the musicals and pictures they took (the pictures of Elisabeth das Musical really interest me because they went on a night where Jesper Tyden was understudying for Der Tod (he usually played Rudolf) in teh 2001 Essen production).

17. danceofthevampries . com

The official site for the 2002 Broadway production of Tanz der Vampire. Whilst we all have... feelings about this production, the site's design is very of its time. It has information on the (re-written) plot, cast, downloads for the original English demo recordings (that no longer work), and more. In 2002 the cast page lists the Broadway cast, after the shows closure in 2003 these pages advertised the 2003 Hamburg cast, and by 2006 it now advertises the 2006 Berlin cast, and then even by 2012 that page was no longer being updated. This site is now only accessible via the waybackmachine, I don't know when exactly it went offline but I remember being able to acccess it back in 2020. This site is in English.

18. tanzdervampire . de

The official site for German-lanuage productions of Tanz der Vampire from 2000 to around 2004, mostly the 2003 Hamburg production. Some pages of the site sometimes redirect to musicalwelt . de, like the 'galarie' page that links to a page of many paintings by Mike Schöbs of the original 1997 Vienna production. The site is only accessible via the waybackmachine, sometimes I have difficultly loading the pages, and sometimes the pages on later dates redirect to stagegholding . de which no longer exists or works.

19. tanz-der-vampire . de

A fansite for the 2003 Hamburg production of Tanz der Vampire that is still online. It has info about the musical and this production. The page I found the most interesting is the info > links page. It has a list that includes screenshots of websites from around 2003 with official and fanmade sites for different actors from the musical (such as Marjan Shaki, Maike Switzer, Aris Sas, Thomas Mülner, Jens Janke, Ian Jon Bourg, Kevin Tarte and more) most if not all of these sites are on the waybackmachine (and I'm saving them to my own web archive page rather than listing them all here, Tumblr has a text limit and an image limit and we're already running close to it).

20. fuer-sarah . de

A fansite dedicated to actors who played Sarah including understudies, alternates, swings, and dancers who played Sarah/Solo Female Dancer in the dance sequences in Tanz der Vampire. This site is in German and is only available via the waybackmachine and was active between 2001-2005.

21. musicalland . de

A fansite dedicated to musical theatre with some more specific pages dedicated too Elisabeth das Musical, The Phantom of the Opera, 42nd Street and Mamma Mia. The site is still online and stopped updating in 2010. This site is in German. The link to the Elisabeth das Musical page no longer works, but can still be accessed using the waybackmachine.

22. old-hickory . demon . co . uk / jim

A fan page for composer Jim Steinman that has pages about his non-musical work as well as his musicals Tanz der Vampire and Whistle Down the Wind. The Tanz der Vampire pages include lyrics in German and English, as well as the entire original 1997 Vienna libretto translated into English, as well as the 2000 Stuttgart production's programme fully translated into English that includes information and interviews. The site is in English and only accessible via the waybackmachine.

23. romeojulietmusicals . com

A fan site for the French musical Roméo et Juliette that has pages dedicated to many different language productions with cast lists, information, lyrics and lyric translations. There are galleries on the site but the images on longer load. This site is in English and was online between 2004 to 2008. There is a 'related links' page that contains so many more links to other musical sites.

24. compat . tf1 . fr

A fan site for Roméo et Juliette for the original 2000 Paris production containing images of the cast, and video interviews and behind the scenes with links that no longer work. This site is in French.

25. mozartbudapest . hu

The official website for the 2003 Budapest production of Mozart das Musical. This website is only accessible via the waybackmachine, it contains the cast list, a bio of Mozart (the person), but sadly most of the image no longer work. I mention it here only because when i opened it I was surprised the original logo animation and music still played. This site is available in English and Hungarian.

26. notredameonline . com

During 2000-2001 this URL was for the French musical Notre Dame de Paris and you can see this via the waybackmachine. The site then went offline after 2001 and the domain was sold and since 2006 has belonged to the University of Notre Dame. I really like the design of this site, sadly most of the links open pop-ups that no longer work. The site is available in French and English.

27. notredamedeparis . it

The official site for the 2002 Italian tour of Notre Dame de Paris. It has a lot of information about the musical and this specific production. This site is in Italian and is only accessible via the waybackmachine.

28. geocities . ws / dreamcatcher182004

A fansite dedicated to a few musicals that was last updated in 2003. It has pages for Chicago, Les Mis, Miss Saigon, The Phantom of the Opera and Tanz der Vampire.

So yeah, that was a list. I hope that was interesting or for anyone wanting to find more information about these musicals for research, essays, or just for fun, that this post was helpful or interesting in some way. There are a lot more websites than just the ones on this list, however Tumblr has both a photo and a character limit for text posts. If you want a larger catalog you can look at my Internet Archive (archive . org) page @ WennLi3b3 and go to my 'web archives' page, this lists both pages I myself have archived and pages other's have archived and I have bookmarked. Hope someone found this interesting. I just like making lists.

#this is so niche omg but i love old web and euro musicals and hey theres some good resources on here for anyone looking for info on musicals #hi im damien im 25 and i love to make lists #european musicals #non english language musicals #tanz der vampire #elisabeth das musical #notre dame de paris #nddp #retj #romeo et juliette #roméo et juliette #mozart das musical #phantom of the opera #mytext #masterlists #poto #europeanmusicals

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copperbadge · 18 days

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Amateur Translation Programs

So I had a lot of imaginative and informative responses to my post about looking for an amateur translation program -- something where I could load in a foreign language and it would insert a box where I could add a translation every-other-line. The idea was that this way I could practice translation with more advanced texts, and texts I chose, and thus move away from Duolingo, which at this point is good for drilling and daily practice but not for more advanced learning.

I didn't find precisely what was needed but I did get some inspiration for further explanation, and I also learned that adding the term "glossing" (thank you @thewalrus-said) into my searches helped a great deal in terms of weeding out programs that were either "Let this AI translate for you" or just endless promotional links for Babbel and Duolingo and such. I thought I'd collect up the suggestions and post them here; at the end I'm including my best swing at designing what I wanted, and why it doesn't work yet.

Suggestion one, from many people, was various ways to generate a page that is simply fixed Italian text with space underneath each line to add in a translation. This is pretty simple as a process and there are sites that will do it for you, such as this one that @ame-kage suggested. However, most of these don't allow for movement in the Italian text, and many produce a PDF which you would need to print out in order to write on unless you're willing to open it in Acrobat (and deal with Acrobat). A good solution for some but not what I'm looking for purely because I'm trying to make this super frictionless so that (knowing myself as I do) I will actually do it.

I did find this version interesting, suggested by @drivemetogeek: Have one word doc saved as your "template" doc and set the line spacing as 2.0 or higher. Select your text from source and paste it into the template doc as text-only. Ctrl a, ctrl c to select all and copy, then open a new document and "paste special" as picture. Right click and set the "wrap text" as behind text. Now you have a document where you can, basically, type over the existing text because it's the background of the page. This seems like the most frictionless version, because you could set up a bunch of them ahead of time. If you wanted to move between desktop and mobile, however, you'd need to ensure that the pasted image was fairly narrow so that you don't have to sideways-scroll.

Relatedly, people suggested generating a document that is simply the Italian text with empty space beneath it for typing in of the translation. This can be done either semi-automated, using a macro or a language like Python, or find-and-replace on, say, the stops at the ends of sentences. It basically outputs the same as above but with a more digitally accessible format, without any more effort than above. If you were to do this in Google Sheets you could also fix the column width so that it didn't do anything weird when you opened it on your phone. But it is still very friction-y, and does not allow for easy shifting of the Italian as needed. There's high probability of the translation breaking weirdly across the page. Still a top option in terms of simplicity and access.

@smokeandholograms suggested another variation illustrated here where essentially you're converting the text to a series of tables, with each paragraph a row, and an empty cell next to it for the translation. I might play around more with this one eventually, since I think I could possibly make it a three-column and put the Italian in one, the translation in the next, and the auto-translate to let me know where I might be slipping in the third. (Not that I trust auto-translate but comparing a hand translation to an auto translation can be useful in terms of working out when I've messed up the way a tense or mood is read. I tend to read indirect verbs as automatically imperative because I'm a weirdo.)

@wynjara linked to an add-in for Word specifically designed for translators, known as TransTools; this appears to employ a macro to do the same thing, though it does have a format where you can place the translation next to each sentence directly rather than in a separate cell. The full suite of tools is only $45 which is reasonable for my budget, but for what I need I think I could also just create the macro.

Using LaTeX as a tool specially designed for glossing was an option on offer, but I don't know enough about LaTeX to figure out the pros of this one, which is in itself the major con -- there's a learning curve that I think varies widely by person but for me is unfortunately a wall. It came out of a discussion on Reddit about trying to find something like what I want; also in that discussion is a link to a code generator that allows you to…do something…to the initial language, but it's not entirely clear to me (I'm sure it's clear to people who understand coding) what you would then do with it that would allow it to be output in the way I'm hoping for. Like, I could turn a paragraph of text into HTML, I understand that far, but any Italian I find is already on a website.

Moving more into apps that might work, Redditors on the LaTeX discussion suggested SIL Fieldworks, which is a professional language tech tool. Fieldworks isn't a program I'd previously encountered but much as with the ones I had, it looks like the learning curve is fairly steep and it is definitely overkill generally for what I need, though it might also harbor within it the thing I want. It is free, so I may download and play around with it.

@brightwanderer suggested using note-taking or "whiteboard" apps such as Freeform or Nebo; these are generally a kind of "infinite canvas" in which you can drop objects, text boxes, or handwriting. I don't know that Freeform would be measurably different to just using Word and a macro, since I'd still have to input/format all the text and then be stuck with the same "fixed text" setup -- and it's also iOS only -- but for some folks it might be more helpful. Nebo is a similar infinite-canvas with unfortunately the same issues, though on the plus it's available for Android, which is where most of my mobile property resides.

@bloodbright suggested that I was looking for a CAT tool, a professional translation tool mainly used by translators working in the field. This was a concept I'd encountered, but I hadn't found a good starting place. They suggested Smartcat and OmegaT. Smartcat bills itself as an AI translation platform and is HARD pushing the "don't translate it yourself, hire a translator or let AI do it" angle, so it's difficult to tell what it offers in terms of actual tools for translators, and it's also cagey about pricing, so I can't really evaluate it. OmegaT is free and gives off big "some weirdo homebrewed this in their basement" vibe (which I am here for) but I also recognized it from screengrabs that were the reason I veered away from professional-grade software: it looked too complex. Realistically, the major downside of OmegaT is that I don't think I can put it on my phone. One thing I did find interesting is that once you translate a portion of the text, the original language goes away, though I assume you can turn that off if needed. I do kind of like that because it means my distractable brain is looking at Less Stuff.

So where did I end up?

Well, it looked like I was going to have to try a homebrew myself. I had the idea of trying some of the initial suggestions but in reverse -- designing a document where every other line was a single-cell table fixed to the page. You could paste in the Italian, which would wrap around the cells, and then enter the English in the cells.

You can fix a table in place in Google Docs -- you click on the table, then under Table > Style select Wrap Text, Both Sides, and Fix On Page. Getting the whole page set up is a little labor intensive but once you did that, you could just save it as a template and make a duplicate of it each time. And this actually works….on desktop.

Unfortunately, if you open it in the mobile Docs app, the app can't handle the fixed tables and automatically moves them all to after the text that's been pasted in. I tried redesigning it so that it's a table within a table -- one for the Italian, then within that a series of them for the English -- but when you nest a table in Google Docs, it doesn't let you fix the second table in place. And you are also still dealing with the wrap issue, although you can resize the page and add a large right-hand margin as a kludge of a fix for that.

You can build this same kind of document in Word, so I tried building one in Word and then uploading it to Drive, but when you open the Word file in Docs (or in Microsoft Word for Android), it still strips the fixed positioning -- there's just some functionality missing from both apps that doesn't allow them to handle fixed-position tables.

So, the design is sound, just not the final execution. If I could program an app, I could probably remedy the issues with it -- it's simply a series of text boxes nested inside one another with different formatting. I would imagine that's relatively basic to set up, although given that neither Docs nor Word can handle fixed tables in mobile, perhaps I've stumbled on a much bigger problem that everyone is ignoring because nobody actually needs or wants fixed tables in mobile. :D

Experimentation is ongoing, anyway. I might simply have to resign myself to the fact that my translation study is going to have to be in front of a computer, which might be for the best anyway when I inevitably want to compare my translation to an auto-translate to see where I might have read something wrong.

#language learning #translation #sam learns italian

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eggyboyoart · 1 year

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I was gonna post a vid on tiktok bc I have more followers there but i'll post it here because-

When I die, I wanna be reincarnated into Redacted Tumblr as a beautiful Lasko/Gavin spicy fic-

Anyway, I drew the D.A.M.N. boys + Imperium AU :D Please look at them, its late and I'm tired.

I also have a speedpaint of them on my yt (eggyboyoart) so if you wanted to look at that as well, I would be rlly happy :))

(TW: Spoilers for Imperium AU)

I wanted Lasko to look super light and soft and cloud-like while also being kind of elegant?? He looks so poofy :D

I hc that he takes rlly RLLY great care of his hair, like- mans has a 23 step routine to keep it untangled and soft :))

The hair routine also helps him relax and de-stress after a long day

I also headcanon that he wears a lot of light, soft sweaters with a button up underneath for that academic soft boy look

In the Imperium AU, he got the scar across his eye from a wayward daemon who tried to attack him in the D.A.M.N. daemon haven.

He wears his hair tied back into a low pony tail to seem more 'professional', bc my mans is the ACADEMY PRESIDENT :D

Imp! Lasko wears a black suit with a white button up and either a red or light blue tie (gotta keep it professional when you're tormenting daemons and chasing after uninterested freelancers :|)

IDK why but whenever I imagine Damien (original timeline), its always with rlly short hair

idk I feel like if he had long hair, it would make him too warm around his neck and that'd make him uncomfortable and grumpy (well, more grumpy than he usually is anyway)

gotta keep the neck open for air flow (and easy access-)

I think he wears a lot of sleeveless clothes (tank tops, sleeveless hoodies, etc and shorts bc of the heat

Damien is a chronic khaki shorts wearer, I'M SORRY-

Imp! Damien is royalty so obvs gotta keep it professional

I feel like he would have other priorities than cutting his hair so it mostly just gets slicked back out of his face

The scar on his neck is from a failed assassination attempt (our boy damien stays livin', unlike Angel-)

I feel like he still wears sleeveless shirts but also wears a fur cape (like, one of those white ones with the black spots with the red velvet) which seems counter intuitive.

I am relieved to say that Imp! Damien doesn't wear khaki shorts :D silver linings, guys-

I wanna start this off my saying, Imp! Huxley might be one of my favourite characters

Hes just, such a piece of shit and I don't want to change him, I want him to stay exactly how he is, thats the POINT-

Freelancer bought him neon jewellery for his lip piercings and he screamed when he got them

also a sweater wearer like lasko but he likes his sweaters to be oversized, but because hes just big, his sweaters are like blankets for regular sized ppl

he has his hair kinda long-ish bc freelancer enjoys playing with it and he likes making his friends happy so he keeps it kinda long just for them-

Imp! Huxley is a piece of shit and we love him for that

He doesn't have friends so his hair is shorter

He probably wears tactical gear/uniform bc he is an enforcer, but its all like a dark green which looks rlly good on him

no neon piercings for Imp! Hux as much as I hate to say it

GAVIN OUR FASHION ICON-

He knows clothes like he knows freelancer's body- IN AND OUT. Hes got that shit LOCKED DOWN

Freelancer gave him the heart glasses as a gift

Gavin never saw the appeal of piercings until freelancer said they would look hot on him, REALLY enjoys all the different types of jewellery

Probably wears patterned button up shirts (with as many buttons undone as possible) with skin tight jean/leather pants

Imp! Gavin dresses like hes homeless, theres no time for fashion when you're trying to survive in an dystopian magic world where everyone hates you :P

I hc that when a Daemon gets low in energy/emotions, they can't keep their 'glamour/human form' up so they forcibly have to take on their more daemonic traits (horns, coloured eyes, markings, tails, claws, etc)

and bc of the shit hole that the Imperium AU world is... :|

I also hc that only sex and sadism daemons have coloured sclera

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bougiebutchbinch · 19 days

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I AM THINKING THOUGHTS

specifically

asexual Izzy who thinks sex is the only way he can access Those Sweet Snuggles And Aftercare

he's trying SO HARD to repair things between him and ed and stede in the aftermath of S2, where they've all survived and are setting up a cute, doomed domestic future in their inn

only... he's still drowning in insecurity that ed and stede would be far better off as a pair without him, wondering whether he should've died, fretting that he's going to ruin everything again

so he decides, as the KING of fucked-up acts of service, that the best way to Make This Work and for him not to fall back into destructive past patterns is to.... never say no to anything that Stede and Ed want to do. Including sex.

Obviously, this doesn't end well.

[very, very poor communication leading to rape, internalised aphobia]

Izzy has, crucially, never been in a relationship before. He's had sex quite a few times, but even when consensual it was always a bit miserable and traumatic. He didn't enjoy it, and privately worries that a part of him is broken because he didn't enjoy it.

But he'll enjoy it with Ed and Stede! Because he loves them! He's sure of it!

Only then, they try and...

And Izzy hates it.

He just hates himself more, for not being able to give them this. Because he loves them - he does. What's wrong with him? Why can't he just stop being a scared little prude and relax and let them love him, too?

Ed and Stede like sex. They really like sex - they have it together LOADS, with or without Izzy's involvement. Izzy's desperate not to be left out, and determined not to be the stone in this mechanism, ruining everything for the men he loves.

Thankfully, he's a massive masochist! It's easy to internalise that sex with them is his 'punishment' for breaking them up that one time, and something he simply has to grit his teeth and suffer through so they'll hold him, after! And if he breaks down sobbing most of the time and starts whimpering 'sorry, sorry, sorry'.... well, he'll insist shamefaced that it's a shitty reaction to old trauma, if either of them ask - or that it's cathartic for him, or some shit. Nothing to do with Ed or Stede personally, or wanting them to stop. He loves them. He wants to be with them. In every way. He promises.

Meanwhile, Ed and Stede are terrified that if they 'leave Izzy out', they'll be the ones ruining everything. So, they're sure to give him as much physical affection as they give each other! Ed thinks he's 'making up for lost time', and presumes this is what Izzy wanted from him all along but was too stuck in his ways to ask for. Stede is delighted to be discovering The Joys Of Gay Sex, and wants to share the pleasure and experience everything imaginable with Izzy.

Izzy is. Suffering.

Still, he's genuinely kinky and enjoys pain. The obvious answer is for him to ask them to tie him up and gag him while they fuck him so he won't accidentally say anything 'silly' like "No, please, stop."

Stede and Ed are kinda.... wary, because that's pretty hardcore! What if Izzy decides he doesn't want this, part way through? But Ed admits he's fooled around with Jack a few times in a similar way (though of course, that was heartily consensual) and Stede has read a few.... interesting books on the subject of darker flavours of lust, and so, after a whispered conversation, they agree to give Izzy what he 'needs'.

It's a lot easier to bear sex when it's about pain, not pleasure and intimacy and all those other things Izzy struggles to feel when he's got another body pushing inside of his.

Only problem is... Ed and Stede don't particularly enjoy hurting him like that. Especially not Ed, who's looking closer to a breakdown every time Izzy hopefully pulls out the gag after Ed intiates sex. Reluctantly, Izzy agrees to save the ropes and gag for when they're feeling, as Ed puts it 'spicy' - special occasions, not every day - and goes back to letting his lovers treat him like he's something special (he's not he's not he's not) while every touch only makes him feel more like a cracked glass a single bump away from shattering.

Maybe a part of Izzy 'communication is NOT my middle name' Hands expects them to notice and WANTS them to notice, but a far bigger part is absolutely desperate to hide how much he's Not Liking This. It becomes an immensely fucked-up challenge for him, to prevent Stede and Ed from knowing they're hurting him more with all this gentle, tender missionary, than that time he got them to flog his back bloody, that was actually the closest he came to enjoying their time together in bed. Unfortunately, for all their flaws, Ed and Stede are both observant, and even (occasionally) emotionally intelligent. So when Izzy starts devolving into a shaking wreck who cringes from them even as he tries to enjoy their touches, they do notice.

But every time Ed and Stede try to start an honest conversation on the topic of intimacy, Izzy clams right up and insists everything's fine.

This is fucking devastating to Ed and Stede because... they can't keep going like this. They've worked so hard - Ed especially! - to get to a point in their lives where they're happy and not hurting anyone. But Ed knows a thing or two about using other people to self-destruct, and looking at Izzy at the moment is like looking in a warped mirror. It's making him have almost as many breakdowns as Izzy, eaten alive with guilt and horror for all the shit he's done, all the people he's hurt, how he's hurt Izzy so awfully in the past (how it feels like he's hurting him still, though Izzy insists he wants it; Izzy insists he's okay...)

Eventually, for the sake of Ed's crumbling mental health, he and Stede sit down with Izzy and tearfully confess that they love him. They really do. But this isn't working out. Izzy isn't happy, and that's making them unhappy. They can't go on like this or they're all going to suffer.

Once they finish speaking, Izzy just. Crumples. And sobs. He's so stressed. He's so tired. He's so nervous and twitchy and flighty and he doesn't know why. He's tried SO HARD to make this work (by sacrificing his own happiness over and over and over, thinking it's inherently worth less than Ed and Stede's, refusing to believe that they couldn't be happy unless he's happy too).

And he's FAILED. Like he fails at every fucking thing.

Stede and Ed just. Look at each other. Like 'uhhhh I think we're missing something here'.

Once they finally get Izzy to tearfully confess that he just doesn't like sex and doesn't think he ever will they're like. Oh. Oh that's easy. We just won't have sex? You can still watch us if you don't wanna feel left out, or just hang in the room while we fuck, but you don't have to be involved? And the two of them get really excited and puppyish because oh my gosh this is a thing we can actually fix, maybe we don't have to break up after all?

But then Izzy is so embarrassed about how SIMPLE they made the solution and how he couldn't see it himself that he determines that they're better off without him after all, and runs away in the middle of the night to give them a 'fresh start'

To which, duh, Stede and Ed set off after him, because they're NOT gonna let Izzy sacrifice himself AGAIN for 'their' sake. The little twat.

There will be a happy ending but it'll take a while and they'll have to chase Izzy all over the seven seas to convince him to give their threesome another chance. The end.

#steddyhands #izzy hands #ofmd izzy #ofmd #stizzy #edizzy #ed teach #gentlebeard #stede bonnet #ofmd stede #ofmd edward teach #our flag means death #my fic #bbb creates

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queen-mihai · 6 months

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I want flight attendants to be overpaid and relaxed. I want the job to be so efficient and well managed that it seems like they barely have to lift a finger.

Now before I continue, I'm gonna address the first argument that bigots are gonna claim I'm "not thinking about"

"Well if two flight attendants can take care of a flight while barely lifting a finger, surely the airline will just fire one of them. Don't you think one of them would just get fired?"

No. And imma tell you why.

Two attendants might be able to barely lift a finger on a normal day. But those same two are gonna have a HARD frickin time trying to keep up with 30 or more unruly passengers who are all panicking at the same time. You don't fire somebody who could help on a bad day based on how easy their job is on a good day. People who disagree with that statement have NO business holding a leadership position.

Back to people.

I want teachers overpaid and underworked. Teachers are some of the most creative people you'll ever meet. Now imagine all that brainpower and they're in a school that's actually well funded and they don't need to worry how to pay their MORTGAGE. Now you're talking a generation of people who are taught by teachers who can actually show how much passion they have for what they do.

I want people flipping burgers to be able to afford luxury living. A house, a car, a cottage with a little boat where they take vacations 5 weeks out of every year. That's a hard fucking job. Pay them.

I want the people who pave the roads to fly around the world, meeting people they may never have otherwise met. No matter what country from which they have origins.

I want people who clean toilets to dance with royalty and for that to be so common as to be boring.

I want race car drivers and race team owners to be members of the same clubs and relax at each other's houses during the off seasons.

I want every seat on every transport to feel like first class.

Exclusivity is bullshit. Nobody is gonna be a part of everything. I am excited to learn how to fly but less excited to dive in a cave. No individual person is going to be interested in everything and if you don't want to wait in a line, then maybe you should learn patience. And if your job is so demanding that waiting in line for an hour would RUIN YOUR LIFE, then maybe YOU NEED HELP TOO.

I want design engineers not to be overworked even if they're well paid.

I want managers to have good communication with their teams and easy work managing their part of the business.

I want executives to have access to the REAL numbers and for them to be able to make decisions that make sense for everybody instead of just shareholders.

I want more businesses to be employee owned, and for every decision maker to make decisions for the good of the people impacted by those decisions.

And I want anyone not willing to do so removed from power.

Each and every person alive can do *something* to help make all this a reality

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mchlgayser · 1 year

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𝐇𝐈𝐒 𝐐𝐔𝐄𝐄𝐍 ft izana kurokawa

𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: The gang leader of your boyfriend's rivalry team to a liking to you, his queen.

𝐠𝐞𝐧𝐫𝐞: angst to fluff / ( ☆ )

𝐰𝐚𝐫𝐧𝐢𝐧𝐠: yandere theme, jealousy, possessive and obsession, violence, languages, and death threat

𝐧𝐨𝐭𝐞𝐬: HELLO! OMG, first of all, I am freaking out (not really) because I don't know how well this is gonna turn out. After all, it's been so long since I last made a one-shot with yandere themes! The last one was Shidou Ryusei's from Blue lock. But it wasn't gonna be half as gore (I think?) as this one! Hopefully, it was okay BUT let me know what you think in the comment! Happy reading xx (E/T known as eye types)

You were in the kitchen eating breakfast when your boyfriend came in 'Hey,' You bid eyeing up from the bowl of milk and cereal towards him. He got out a glass and poured cold water, chugging it down. 'I gotta go, Kakucho called and there'll be a meeting!' He kisses the crown of your head before he left the estate.

You blink a few times looking back at the spot he was at and the front door not far from the kitchen hall. You shrug continue eating, your acrylic nail made a tapping sound against the phone as you scroll using your other hand.

It was late, nearly a quarter of one but still no sign of your boyfriend. Izana was supposed to be exactly thirty minutes ago, max but here you are waiting for him yet the half-Filipino guy never made it back home until a phone call erupted the spacious hall.

'Where are you?'

'Hey, lovey, I don't think I'll be back tonight. There's been a mistake at work and I need to get it done. Kakucho will drop by to get you some food-' The passcode on the door is punched open and the sight of the scarred male arrived.

'He's here, see you!' You hung up the call and get the plastic bag from Kakucho 'Woah, this is a lot!'

'Izana asked me to get an extra, as an apology...' You huff, eyes on the heavy plastic bag 'Would you mind accompanying me?' He was reluctant but nodded nonetheless. 'You get this ready, I'm gonna bring us some fine wine!' You singsong as you skip to the wine restoring cabinet and get the finest wine, the one you got on your birthday.

Kakucho sat on the medium-sized couch whilst you sat on the main couch, getting comfortable 'But don't Izana have works for you?' You asked away, pouring down the wine into his wine cup. He shake his head 'I was done for the night, Izana is occupied because a new gang was requested to do private business with us.' You wiggle your brow at him 'Really, I guess that's why he was so busy the rest of the week.' He hums and bottoms up the drink while you did the same 'Ahh, this is so good! Here!' You gave him the whole bottle and smile lazily 'You should hide or throw it while you can, Izana will be pissed if he knows I drink more than a cup!' You hiccuped

'Already?' Kakucho chuckles and puts aside the wine, away from you. 'But the gang you was talking about, who are they?' He looks up from you, one brow furrowing 'Why do you want to know? Do you even know other gangs other than Tenjiku?' You pout at him 'Izana told me all of his business partners, I wanna know if I know this one!' You hiccup once more. Kakucho walks out to the kitchen to grab a water bottle and handed it to you.

'They're Doncan. Do you know them?' You gulp the drink and wipe off the access from the corner of your mouth 'Oh them - but aren't they like you guys, rivalry?' He handed you a proper napkin once he speaks up 'A new gang formed, and surprisingly gained lots of members in a few months. They wanted to take out the two top Japanese drug organizations. We had no choice but to join hands. It's a win-win situation anyway.' He shrugs gulping down another cup of wine. You look at the half-full glass with lust.

'I want more drink!' You snapped out of your thoughts and slap your face 'Easy Y/n if you hurt yourself I will be responsible for it. You know how Izana is...' You sigh in contempt, laying down on the couch with a faint thud 'My boyfriend is so dreamy! Always putting me first.' Your eyes hooded and sleepy 'You should sleep. I will take care of you until Izana's home.' You hum patting his arm through his suit and yawning 'Thank you Kakucho!'

The sun barely set when you woke up in bed, neatly tucked and hair tied just how you liked it. Your head was a bit sore from liquoring up so you got up but a light nudge held you back. You spun your head around seeing Izana in his sleeping attire with his glasses on and a laptop on his lap. His one hand was around your neck and collarbone while his other hand was used to scroll the sensor. 'You scared me!' You revealed as you turn your body around and went to hug him 'What time is it?'

'Barely seven.' He answered eyes never leaving the screen. He turns to you for a moment plastering a chaste kiss on your side temple 'I'm going to work at eight, not gonna be as busy as the other day so I was wondering if you want to follow me?' Your eyes lighted up, it's been so long - one week since you visited or even set foot inside the building.

'Sure, wake me up when it's time to go!' He hums petting your shoulder and caressing it.

You and Izana arrived at his workplace. The guards lined up already waiting for his arrival. You two got arms lined together as you two strode together inside the entrance.

'Ryo Yamada is inside your office room.' Informed Kakucho, stealing a glance and a quick smile your way. You two went inside the elevator accompanied by three of his men into the room. Two of them waited outside the door and you three get inside.

A man probably around your age neatly sit on the leather couch. His Rolex watch flexing inside the dimmed light room. 'There you are! And I see you bought one of your bitch.'

'Be careful how you speak, this is my fiancé.' Despite feeling stunned by the man's remark, you have a shake with him 'Y/n L/n.' He gladly took your hand placing a gentle kiss on your knuckle 'The pleasure is mine, Ryo Yamada.' Izana tears his face away from you and scoff 'Stand far from my missus, Ryo.' The man laughed, both of his hands beside his head.

'Chill Kurokawa, I won't devour the lady... Yet.' Izana was ready to pounce and forget about all this shitty assists from his gang but you held him back.

'It's okay,' He cooled down, adjusting his tie, and have a seat with the man in front of him, you at the side, half-listening.

Izana was not blind. He could see the look Ryo was giving you. That infamous dirty stare he laid upon his victims. Izana being Izana, he would've killed that man with a snap of his finger but every time you held his hand and assure him, he'll just sigh and try to cool his head down. Key Word: Try.

'Aw, come on don't try so hard and be so lovey-dovey! I might die because of jealousy!' He scowls lowly, eyes hooded over your figure. The tanned hand of Izana had reached for his back pocket where he kept his gun. One wrong move again and he'll shoot without hesitation.

'Now business aside,' He man-spread on the chair, hands over his knees with his eyes bore from you to Izana then back to you 'How long have you two known each other?'

'That was none of your' - He was cut by you 'We met in 2005. Izana just got released from juvenile and he was with my brother. Izana calls it 'Love at the first glance.' You chuckle tearing your eyes from Ryo to Izana to see he had already looked at you. That sharp purple eyes of his relaxed in you.

'That's cringe.' His pupils diverted. Hell no, Izana won't let anyone, he means anyone and not even Kakucho to insult how he fell in love with you. It wasn't cringe or drama-like. It was Izana Kurokawa falling in love with you. No matter what, he won't take comments about how he fell in love with you. His haven and his majesty.

His gaze turns from you to Ryo. A fast motions whistle and a scream erupted inside the soundproof room. Ryo was shot right in the knee. His knee busted open out from his expensive slack. A painful agony scream erupts once more. His eyes were bloodshot.

'F'ckin hell! That hurts!' Izana eyes weren't quiver even one bit. His eyes were steady and plain. 'One wrong move again. And I'll make not to miss that thick skull head of yours.' He planted the gun to his forehead mimicking the 'Bang' sound 'You should've thought about the worst consequences before you came barking at my queen, you pathetic loser.'

'Fuck this useless negotiation. With your gang or without, Tenjiku will remain at the top. You and all that shitty gangs below us can fucking rot in hell.' He finished opening up the door as Ryo's guards rush inside. A blood war was incoming but by that time, Kakucho had made sure to put you and Izana back inside the car and to your mansion.

'That scumbag.' You sighed bringing Izana into a hug. Your hand fished inside your purse to grab a pack of tissue wiping off the warm blood stained off his cheeks and lips.

'He won't get his way with you.' He scoops you in his arms earning a small yelp from you, but once you relaxed you laugh 'He won't. Never will.' Noses touching. His eyes find their way to your E/T ones.

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