#and now i feel like the actual lore is just gonna disappoint | Explore Tumblr Posts and Blogs

genericpuff · 10 days

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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vvynia · 6 months

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abby and your family’s thanksgiving

pairing: a. anderson x black southern belle!reader

genre: fluff w/ brief mention of smut (mdni)

word count: its headcanons so its short but idk the specific number sowwwy

warnings: not beta read, brief mentions of homophobia but only bc reader’s family isn’t like that, mention of family drama, pregnancy mention, brief moment where religion is talked about (saying grace/prayer)

synopsis: this is literally just headcanons of what would happen if our beloved abby anderson attended your family’s thanksgiving/reunion if you don’t celebrate. very much black reader-centric, but anyone’s welcome to read it esp if you’re from the south cause this is also heavily southern reader coded.

bringing abby anderson to your black (southern) family’s thanksgiving would be a sight to behold.

and imagine its everyone’s FIRST time meeting her too. assuming everyone is super cool and unhateful, i just know she’d have all the aunties’ attention. they see her height, her build and turn to you talkin about, “now, where’d you find her?”

abby would 100% be in ya grandmama’s backyard huddled around the grill with the uncles and dads. she’s got a lil beer in hand (she probably doesn’t even like beer but she likes fitting in and it isn’t all bad when the bonding is genuine) one of em goes “mhm that turkey bout done smokin” and abby is taking mental notes cause one day, she’s gonna smoke a turkey for you two’s family, in your backyard, and your grandkids are gonna be running around

the kids are OBSESSED with her. they climb her like she’s a jungle gym, ask her to throw them in the air, ask her all types of questions. “ABIGAIL! come play with us!” and she does, but the whole time she’s wondering how they discovered what her full name is cause she sure ain’t tell em lool

sometime after, she gets together in the livingroom with you and your cousins, then that one uncle or aunt comes in, says a few words, then leaves with a plate. the gossip commences lol and she’s so in tune to what ya’ll are talking about. she thought her family could dog somebody out?

all that pales in comparison to yall’s words. these sly (and sometimes even blatant) insults are unhinged, the storyline is juicy. she feels like she’s listening to an audiobook of lore. and whenever she asks a question for clarification, someone is always ready to start from the beginning with “see, what had happened was” and “to make a long story short” (the story was not made short)

then it actually comes time to eat, time for her to have her taste buds born anew

your family has whipped up some southern classics: sweet potato pie, pig feet, neck bones and collard greens, cabbage, pound cake, and every other dish you can think of.

you were in charge of the sweet tea, but this year you made a peach batch cause you know abby likes peaches 🥰

ya’ll say grace cause lets be real, if this is the south, somebody baptist and its probably the family matriarch lol

abby is respectful about it whether she believes in god or not cause your family has treated her with the most open of arms and she can feel the love and hospitality all around (if god is real, she thinks, he would’ve wanted everyone who believes in him to be like my sweet girl’s family)

when ya’ll are done and everyone has plated their food, they’re all silently waiting for the white girl’s reaction. they’re trying to play it off, be casual, not stare LOL but they know what’s coming i must admit

and abby doesn’t disappoint cause as you’re sitting next to her, soon as she puts some of them collard greens in her mouth and a couple candied yams and your grandaddy’s secret cast iron skillet macaroni recipe in her mouth, the satisfaction is written all over her face

everyone starts laughing when one of the kids say, “damn, girl, is it good?” to which they’re scolded lol but ofc abby nods like she’s trying to shake the hair follicles out her head

after everyone has ate and said what they’re thankful for (she says she’s thankful for you ofc but she leaves out how thankful she is for getting to strap you down at least twice a week), you two go sit on the porch alone.

you’re leaned against her in a two-seater rocking chair, bellies impossibly full, enjoying the gentle breeze and setting sun and the scent of food that is still wafting from the house

one of your cousin’s kids runs up from the backyard, comes up to you asking for help with opening a new toy, so you help

abby sees how cool you are, how in your element you are with your family, and this moment truly solidifies how much she wants this with you too. ya’ll have had the kids conversation before, so she knows you want at least one

she can’t help but think how gorgeous you’d look bein her housewife, barefoot and pregnant and divine and ethereal, starting a family, never having to worry for a thing bc she’s gonna take care of you

and she knows, when she needs it, you’ll take care of her too

I LOVE LOVE

#abby anderson x black reader #abby anderson x reader #abby x reader #abby headcanons #abby anderson #thanksgiving #tlou 2 #tlou #lesbian #wlw

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littledemondani · 5 months

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Miss ma'am your most recent smutty blurb for my last jealous fuckboy!Eddie thought has absolutely WRECKED ME!!! Why is he not real!!! I need him so bad this is driving me insane oh my god

But I'm DYINGGG to hear more of your thoughts too! Like how do you think would he react or like how is he gonna try to shrug off the jealousy when you tell him that you wanna stop hooking up and fooling around because you kinda wanna go back to the dating scene......

But like not in a way where you're implying that you wanna date him (because duh he's the resident fuckboy!!! And also because it's kind of your own way of burying down your budding feelings for him because you think he's not the type to settle down)

Is he gonna agree??? Is he gonna think about actually asking you to be official??? How is he gonna react??? I WANNA KNOWWW

(is it too obvious that i'm in WAYYY too deep in the jealous fuckboy!Eddie lore lmaoooooo)

i’ve talked with @andvys about this exact idea!! i have a few scenarios that i keep flip flopping between. (also, i love that you’re wanting his lore! he’s got lots of it lmao)

first scenario is eddie not giving a shit about it. he treats you bringing up wanting to date like it isn’t a big deal. he’s in denial about his feelings, so while he is disappointed, he just sees it as good pussy he can’t fuck anymore. brutal, i know, but he is a fuckboy after all. 🤷🏻‍♀️ during the time away from eddie, you end up dating this really nice guy but you find yourself not being as into him as you thought you’d be. he doesn’t kiss you, fuck you, treat you, or understand you the way eddie does. you’re constantly comparing the two. because you are also in denial about your feelings for him.

second scenario is him questioning why you want to start dating. from the very beginning, you have told eddie dating isn’t your thing, it isn’t something you want right now, you just want to fuck without strings attached. he does this in a teasing way, because you don’t talk to him about anything. you keep most things to yourself so he begins to wonder if you met someone that may have changed your mind. when you tell him that yeah, you did, and he’s really sweet and different from the others, his jealousy shows.

i see fboy eddie being so damn stubborn that he wouldn’t ask you right away to be official. he is struggling with his own beliefs and attitude towards being in a relationship that it keeps him from all of that. he doesn’t feel like he’d be a good enough boyfriend, he has been hurt one too many times in his past to believe that a relationship with not just you, but anyone, would be long lasting and not end in fucking disaster.

so a definite break from him does happen in his lore, and during that time he buries his feelings in pussy. you don’t talk to him the way you used to and only see him at parties or bars that the both of you happen to be at. you see him with different girls each time and hear about them from your friends who run in the same social circle as him.

there’s so much more i could go on and on about, but i haven’t fully finished deciding on what to keep and change and add.

#eddie munson #fuckboy!eddie #eddie munson x reader #eddie munson x fem!reader #eddie munson smut #eddie munson hcs

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auramgold · 3 months

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On Acht and Romance

going into side order, from the september direct trailer where Acht was first revealed i remember the joke at the time clearly being "and now Marina's ex is here".

the way this line [image description in alt] was written was basically the only evidence for this kind of idea, when the theories were kind of "Marina's order tantrum is sucking people in from her past and the DLC will be about going through her memories", so ellipses in a line like this is basically all theory crafters on no info need to go for shipping.

i'm not one who's super into plot theory crafting, i know full well the tendency to theorize something that's cooler than what you actually get and being disappointed that the story didn't live up to your imagination. the things i was obsessed with in side order promotional material was the obvious bleached coral theme, the symbolism of coral ejecting it that which keeps it safe out of stress being mapped onto Marina, the idea of her pushing those she loves (and those that keep her colorful) away out of a spiral (and it does turn out that was basically exactly what the prologue was going for)

so the whole "Acht and Marina exes" thing was kinda just a joke to me, wasn't even on my radar as something they were actually going to lean into, frankly i was still scared nintendo was going to make them kill pearlina by sending Marina to superhell or smth and we'd end up with a splatoonified destiel meme

so when the DLC comes out and it is legitimately a "they knew each other since childhood" thing, and the running bit is Acht feeling awkward third-wheeling pearlina, and it's explicit in text that one of the reasons they're coming back after the DLC is over is to scope out Pearl as the girl who took down the NILS statue who is now dating Marina... it struck me as really interesting.

at first it was me keeping up the "Marina and Acht are exes" as a joke, but as i kept reading dialogue lines, it slowly became less of a joke, they were to some degree dating because opposite but complimentary autisms, and then drifting apart as Marina got pulled away on the big girl assignment with DJ Octavio, and then the despair of knowing Marina left without even saying goodbye to Acht... it fits well into that reading, it slowly became less of a joke to believe that

but the thing that really makes me think this is intentional subtext is the final Acht diary entry you get from clearing Eight's palette. through the rest of side order talking about Acht's backstory, it seemed like they were retconning the OE lore that Acht had gotten themself sanitized intentionally, losing themself so they could explore their music deeper. but in the final diary, where Acht directly says they drifted into the deepsea metro to fall into their music, because, and i quote

"Hey, Marina. You can guess the chaos your desertion caused. I ended up without much to do except make music. "

they fell into a depression spiral when their girlfriend deserted their society without so much as saying goodbye, falling into their music deep away from interacting with everyone else, to the point that, as the old lore implies, they chose to give up their identity to escape the depression, but sanitization so thoroughly did it that they forget even making the choice.

so when they get brought out of that haze back into being themself again, with the only the barest strung-together horrified memories of what happened in the half a decade interim gap in their life, only to find themself replaced by some inkling they don't know at all, of course they're gonna be awkward seeing the two flirting.

they put on a stoic face because that's clearly their coping mechanism within this damaged body they barely recognize, hiding their eyes behind their tinted glasses so they can't be seen beneath. but the only time they let themself be vulnerable, the only time their eyes can be seen, is when they charge out in the climax when the world is at stake, diving in to try to save Marina, leaving the elevator and its protection behind to help the only person they remember ever caring about.

it's why i don't really like the aroace reading that much, because i think this reading is even more tragic and fits into the themes. the world has changed, it can't go back to how it once was, you can't put the octolings back in the canyon bottle. Marina abandoned Acht to the point they got their identity destroyed willingly to escape the pain, and when Acht came back they were replaced by the inkling whose voice they remember even through the haze of sanitized memories.

the lingering effects of sanitization have changed how they relate to everything (i think there's a fair argument to be made for the idea that sanitization took their gender can't have shit in the deepsea metro), but Acht clearly still cares for Marina and still, the slightest bit, resents having to be reminded repeatedly every time pearlina flirts in front of them how they were replaced.

#acht splatoon #side order spoilers #dedf1sh #side order #splatoon 3 side order #seriously i'm so normal about this you have no idea #splatoon #splatoon 3

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sporesgalaxy · 1 year

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I've been seeing a lot of Trigun posts around and ngl it's got me interested in the show! What's your recommendation for what to start with first? Like reading the manga first or starting with Stampede?

I actually really recommend MY experience, which was Trigun 1998 -> Trigun Stampede -> Trigun & Trigun Maximum manga

I'll explain why under the cut :) But tl;dr the order is

Very Little Lore Explained -> Some Lore Explained -> All Lore Explained And Woven Beautifully Into The Themes

Trigun 1998

the Trigun 1998 anime was made before the manga was finished, so some major plot points towards the end are very different because they were at least partially improvised. There is also very very little worldbuilding lore revealed in the 1998 anime-- but when they did touch on it, it really piqued my interest!

I'd imagine the 1998 anime might be a bit disappointing to watch after Stampede or the manga, when you're aware of all the cool characters and worldbuilding you're missing out on. Going into 1998 blind, I just felt vaguely confused yet emotionally compelled & willing to accept it because YeeHaw Space Cowboy, yknow?

Stampede

Trigun Stampede was made after the completion of the manga, and was clearly more than excited to dig into the worldbuilding and villain buildup that the original anime missed out on. But as I've said it ends up so tightly paced that it's missing the weight 1998's slower pacing could lend to the Average Human Lives around Vash.

It will offer you much more worldbuilding and some very strong character introductions, which I think are good lead-ups for meeting the characters in their Fullest Forms in the manga.

The Manga

Now, the animes are gonna leave you with a lot of questions. About character motivations and Plants, mostly. You'll feel the themes were well-delivered, but have the distinct feeling that they could be stronger. They're also going to leave you wanting more time to spend with these charming, lovable characters.

I am delighted to say that the manga delivers everything you could possibly be left wanting for after the animes BEAUTIFULLY, AND THEN SOME!!!!!!! I've been devouring it at a record pace and it has yet to disappoint. The themes and their spectacular deliveries are changing my brain chemistry. I'm absorbing it into my soul.

Please Please Please even if you dont like either anime, read the manga anyway. Especially if you don't like either anime because you feel they don't deliver on their philosophical musings adequately. Because the manga DOES deliver. So much. Please I'm begging. It's so good it's so fucking good

#trigun #my trigun #asks

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ruumirmir · 4 months

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𝘈 𝘴𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘷𝘰𝘪𝘤𝘦𝘭𝘪𝘯𝘦𝘴 𝘧𝘳𝘰𝘮 𝘗𝘢𝘯𝘵𝘢𝘭𝘰𝘯𝘦'𝘴 𝘥𝘢𝘳𝘭𝘪𝘯𝘨, 𝘛𝘰 𝘺𝘰𝘶, 𝘛𝘳𝘢𝘷𝘦𝘭𝘭𝘦𝘳 𝘰𝘧 𝘢 𝘵𝘩𝘰𝘶𝘴𝘢𝘯𝘥 𝘴𝘵𝘢𝘳𝘴

Part I Part II

ੈ♡˳ Author's◇ note - Haha what if I pretended my shamelessly OCfied male reader was a character :))) Here's to me doing everything possible to build up my "reader" lore. Everything except actually drawing and naming him 😭 If you're curious about previous posts regarding my mans, you could skim over These!! Me when writing this: im gonna make up SO MUCH BULLSHIT about snezhnaya and the other harbingers.

𝘝𝘰𝘪𝘤𝘦 : ENG - Stephen Fu (Noe Archiviste from Vanitas no Carte) JP - Kento Ito (Dan Heng from Honkai Star Rail)

𝘉𝘪𝘳𝘵𝘩𝘥𝘢𝘺 : October 19 (Libra)

𝘈𝘧𝘧𝘪𝘭𝘪𝘢𝘵𝘪𝘰𝘯 : Northland Bank of the Fatui

𝘝𝘪𝘴𝘪𝘰𝘯 : Hydro

𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯 : Cygnus Venatici (The Hunting Swan)

A senior branch manager of Snezhnaya’s Northland bank. As a fatuus, he is formally well-known as the Venator Dux, who mans the Snezhnayan Order of Gold and Exchange founded by the Ninth Harbinger. He hunts in pursuit of the Tsar's vision, but his loyalties are far removed from her.

𝘝𝘰𝘪𝘤𝘦-𝘖𝘷𝘦𝘳𝘴

𝘏𝘦𝘭𝘭𝘰 Ah, the renowned traveller, in the flesh. A visitor to each of the seven nations, while your reputation has run across the continent twice over. It is a pleasure to make your acquaintance. If you've heard of the Snezhnayan Order of Gold and Exchange, that'd be me who's in charge of it. I am one of the agents within Lord Regrator's primary circle of officials, so you may address me as Venator dux.

𝘊𝘩𝘢𝘵: 𝘐𝘮𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 I've been in my respective position for over a decade now, and for the last four years, have come across choice tales surrounding your name. A big fan of your work, really! Lord Regrator has had his interest piqued for a while now... so for the sake of civilized peace and alliance, let's get along... shall we? Try not to cause any trouble and I might consider putting in a good word for you.

𝘊𝘩𝘢𝘵: 𝘋𝘶𝘵𝘺 𝘉𝘦𝘩𝘪𝘯𝘥 𝘋𝘦𝘴𝘬𝘴 A large bulk of my work is centered around days of scrawling pen over paper... but really, one can only digest hefty documents for so long. I've had my fill for many years on end-... now, I'd prefer to partake in more physical tasks.

𝘊𝘩𝘢𝘵: 𝘛𝘳𝘢𝘪𝘯𝘪𝘯𝘨 I fear the new batch of rookies are growing too lax in their combat training… perhaps it was my uninspiring teaching method today. As a Venator, it simply won’t do to disappoint them. Traveller, would you help a man out and join the session today? The trainees could do with a fresh perspective on things.

𝘞𝘩𝘦𝘯 𝘐𝘵 𝘙𝘢𝘪𝘯𝘴

No shelter to be seen... here's to praying that you don't catch a cold. Oh don't worry about me, I seldom get sick.

𝘞𝘩𝘦𝘯 𝘛𝘩𝘶𝘯𝘥𝘦𝘳 𝘚𝘵𝘳𝘪𝘬𝘦𝘴 I've always wondered how the real clap of thunder would feel in comparison to a shock of electro. Unless you want to volunteer for that, watch your step.

𝘞𝘩𝘦𝘯 𝘐𝘵 𝘚𝘯𝘰𝘸𝘴 Eh... I've seen it once, I've seen it a thousand times. That being said, the nights that are covered in an impossibly slow curtain of snowfall are some of the rarer times I stop to admire it.

𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘚𝘶𝘯 𝘐𝘴 𝘖𝘶𝘵 Finally. Some real warmth to my face. I am but a simple man, languishing like a wilted flower in the absence of our sun's blazing gaze.

𝘐𝘯 𝘵𝘩𝘦 𝘋𝘦𝘴𝘦𝘳𝘵 Actually... I think I might just prefer the miserable winter cold over this.

𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘞𝘪𝘯𝘥 𝘐𝘴 𝘉𝘭𝘰𝘸𝘪𝘯𝘨 What's with the aggressive breeze today? Does the Anemo archon have bills to pay?

𝘎𝘰𝘰𝘥 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 Good morning. I was about to stop by the city lake on my way to the bank and feed the local geese. You can come along if you'd like. Keep your distance from Tatiana though. She bites.

𝘎𝘰𝘰𝘥 𝘈𝘧𝘵𝘦𝘳𝘯𝘰𝘰𝘯 On a slow lazy day, I'd be waking up around noon. Fortunately, the weekend is right around the corner, so I can do just that.

𝘎𝘰𝘰𝘥 𝘌𝘷𝘦𝘯𝘪𝘯𝘨 Although the Northland "bank" closes to the public by evening, the building itself stays open till midnight for other classified affairs. So I may as well make the most of my break time before I'm needed again.

𝘎𝘰𝘰𝘥 𝘕𝘪𝘨𝘩𝘵 Oh, I must've lost track of time. It's quite late into the night, so before I go, let me walk you back to whatever establishment you're staying at... Oh, uh- I'm... not sure I heard you correctly. You said you live... inside... a teapot...?

𝘈𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘝𝘦𝘯𝘢𝘵𝘰𝘳: 𝘚𝘯𝘦𝘻𝘩𝘯𝘢𝘺𝘢𝘯 𝘖𝘳𝘥𝘦𝘳 𝘰𝘧 𝘎𝘰𝘭𝘥 𝘢𝘯𝘥 𝘌𝘹𝘤𝘩𝘢𝘯𝘨𝘦 It was the very first decree of order at the hands of Lord Regrator when he came into power as a Harbinger many years ago; to inaugurate a faction dedicated to rearing the potential he painstakingly carved into the foundations of the Northland bank. It is just as the name implies. An executive body responsible for developing economic policies and providing regulation, consulting, and forecasting of socioeconomic and business development, ranging from simple roadside shops to production factories-Oh, have I lost you? Haha... don't apologize, I've seen that expression a couple times before. In simple terms: we help run the nation's cycle of mora, trade system, and citizen’s businesses.

𝘈𝘣𝘰𝘶𝘵 𝘵𝘩𝘦 𝘝𝘦𝘯𝘢𝘵𝘰𝘳: 𝘛𝘩𝘦 𝘏𝘶𝘯𝘵 [Unlocked at Friendship Lv. 4] The title bestowed upon me, Venator Dux, signifies not just leadership but mastery over a successful hunt- or in some cases, a successful business strategy. The master hunter requires a discerning eye, a mind that can decipher the intricate patterns woven by our adversaries. Information is our ammunition, and knowledge is the silent arrow that strikes before the prey even realizes the hunt has begun.

𝘈𝘣𝘰𝘶𝘵 𝘜𝘴: 𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘪𝘯𝘨 𝘈𝘳𝘵𝘴 Various forms of dance and song are the lifeblood of Snezhnaya’s festivals. During fall, you’ll find multiple dance troupes and clowns passing each village, town, and city to perform. I personally look forward to the dancers.

𝘈𝘣𝘰𝘶𝘵 𝘜𝘴: 𝘓𝘰𝘺𝘢𝘭𝘵𝘺 [Unlocked at Friendship Lv. 6] Your little companion has stuck with you since day one? Truly? That is… a highly admirable trait, one that I will always stand by. Loyalty is not a mere pledge, it anticipates the unspoken desires of another; a commitment that transcends the superficial bonds of allegiance. I keep this ideal close to my heart... for only a single person.

𝘈𝘣𝘰𝘶𝘵 𝘛𝘩𝘦 𝘝𝘪𝘴𝘪𝘰𝘯 I was hesitant to use a delusion in the first place, so frankly, I’m glad to have been gifted this for whatever reason I was found worthy of. However… Lord Regrator harbours an uncanny dislike for my vision. It’s not something that has been brought up, but I can read between the lines.

𝘚𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘰 𝘚𝘩𝘢𝘳𝘦 You didn’t hear it from me, but I encourage the employees at the bank to keep a list of all the infuriating and rude customers. It’s to spice up all the sparring and combat practice sessions by naming and dressing up the dummies as people they’d like to kick- Ha!

𝘐𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘪𝘯𝘨 𝘛𝘩𝘪𝘯𝘨𝘴 This wintry climate is harsh and unsustainable for various flora and fauna. The Charmomila flower doesn’t care about any of that. They’ll grow in obnoxious places if they want to. The real deal comes from the summer butterflies that feast on its nectar. After a while their wings turn a beautiful honey-yellow, which are harvested and brewed into the sweetest and most expensive nonalcoholic beverage you’ll find around here. I enjoy a glass of one semi-regularly on work mornings.

𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘈𝘷𝘢𝘳𝘪𝘤𝘦 [Unlocked at Friendship Lv. 6] He will have my sincere respect, always. Lord Regrator has built his empire up from a scratch in the dirt, something impossible to do were he a lesser man. His sacrifices of blood, sweat, and tears has bled into the policies that the bank stands on today. Money breeds imbalance and power, which in turn grants freedom and recognition if you are on the right side of the coin. Regrator is a utilizing man and he guards what’s his, zealously. He will take and take until his arms sag with the weight, and uphold his promise to give out the correct equivalents because he lets his value of fair exchange lead him like a vice. For as long as he stays true to his greed, I will be the hand that reaches forward to grasp what he desires.

𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘋𝘦𝘤𝘰𝘳𝘶𝘮 [Unlocked at Friendship Lv. 6] Lord Regrator expects a strict level of decorousness from everyone working under his name- from me to even the most forgotten grunts. It's nothing outrageous of course. You would only ever see the metaphorical boot-licking than a literal one. I find it a bit much sometimes but the public eye is nothing to scoff at. Especially to a man of his status. The Snezhnayan dvoryane make up more than a third of the Northland Bank's clientele- not to mention the stakes a couple of them have invested. And if there is anything that those feather-headed fools care about, it's posh theatrics. *Sigh* Still... I quite enjoy falling in step with Pantalone's politesse. He has a beautiful manner of speech that I've never been able to measure up to.

𝘈𝘣𝘰𝘶𝘵 𝘙𝘦𝘨𝘳𝘢𝘵𝘰𝘳: 𝘈𝘭𝘭 𝘛𝘩𝘢𝘵 𝘎𝘭𝘪𝘵𝘵𝘦𝘳𝘴 [Unlocked at Friendship Lv. 6] …Why do I feel like you’re trying to fish for critical information...? Fine- I'll concede. It's your head on the line anyways. Lord Regrator is a big player in the system of underground businesses that connect Nathan and Snezhnaya. Technically it could be called a black market, but it’s mainly run by a small council of social elites from both nations. There are occasional hosted auctions, that my lord targets to buy out priceless artifacts from. I’m talking about lost pieces of history and endangered caged beasts over items with resell value. Now… with that being said, as long as this secret remains safe… so do you. It’s always me who’s dispatched to make sure it stays that way.

#➳❥ Ooh Lover Boy #pantalone #genshin #genshin impact #fatui #fatui harbingers #pantalone genshin #genshin impact headcanons #genshin x reader #genshin impact x reader #pantalone x reader #pantalone x male reader #genshin impact fatui #➳❥ Rumour writes #➳❥ rumour says #genshin imagines

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seasidesketches · 7 days

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Cherry Blossoms was beyond disappointing, as expected (spoilers, I guess)

I already went in to this event with 0 expectations since I've already heard things about it that weren't good, but holy shit-

I was expecting it to be bad, but not THAT bad 😭

It was short, rushed, boring, and overall felt like a waste of time, just like Farrah's.

Actually, scratch that: WORSE than Farrah's. At least hers had actual parts and chapters to it 💀

If yall thought any previous story events were rushed, this one will literally feel like flipping a light switch: I literally read the entire thing in less than 10 minutes.

The only compliment I can really give Cherry Blossoms is that the art is still flawless (look at me talking like Sakura now, omfg 💀) like usual. But to me, it wasn't enough to save the story

And what sucks is that there IS good potential here! They could've easily turned this into something interesting, it could've been a 4-5 chapter mystery story like Sea of Sorrow was.....but devs have once again put in 0 effort into esper stories, and it honestly breaks my heart. Why can't we just have 1 good, developed lore already.....

Sakura fans, I'm so so sorry: yall deserved better than this. SHE deserved better than this 😭

I don't think I'm gonna make another post like this until we get a good story again tbh. I'm tired of complaining, and I'm mainly a fanart blog anyways🚪 🚶‍♂️

#dislyte #seaside brain dump #i have 0 hope #for whatever comes after this #feeling bad for the next esper already #devs hurry up and save dislyte already #PLEASE

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featherdusterbelphie · 8 days

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drew WHB Belphie pre-debut because yes?!

Very long discussion under the cut vvv

HE IS HERE YESS (even though he is very late)

I'm very excited for when he drops even though it'll definitely take me a while before I actually get him because I'm f2p only and I have shitty gacha luck hahaha...

Anyway, here are my theories: for some reason, I have a feeling that he's very mean? Or like, he's one of those who will bully MC LOL

(though I can't tell if it's bully because he likes mc, or bully because that's just how he is)

Idk, I just think he'll be prickly because of the piercings. He has so many! Four helix piercings on both ears?! Also, it looks like he's wearing a windbreaker? Or some sporty jacket which makes me think jock...which is also not very sloth-like lmao. It reminds me of typical gangster characters like Draken from Tokrev.

(Though that will be a very interesting character but it's risky since we already have Levi and not everyone likes him <3 the reason why I didn't draw him very gangster-like is that someone said that he kinda looks inspired by Vkei and I wanted to incorporate that somehow)

I also think he'll have a very... interesting personality. I've drawn him all crazy in the second pic, but very relaxed and a little tired? in the first. That's because I really like drowsy/sleepy eyes and also because he's the representative of the sin sloth so it makes sense. As for the crazy one..I also think that aside from the mean attitude, he'll have a very energetic/eccentric personality based on the art. Like he'll be all up in your face talking about the weirdest shit because he wants to get a reaction. Or he's just one very informed and knowledgeable king who has many, many secrets.

Speaking of secrets, there is his hands. I know the other kings also have hands in their teasers, but with Belphie, I think the hands have more significance. Because like, why is it covering up most of his face??? The other kings at least have an eye, nose and/or mouth showing through the fingers, but Belphie only has his left eye with two pupils. I'm starting to think he's very secretive or mysterious. Maybe he's a reclusive king and that's why not a lot of demons know about him or his country? Or maybe he's as strict and 'militaristic' as Nifleheim's description says of their country? Or maybe he has a scar that he's covering up? Idk but I am gonna be disappointed if it turns out to be a red herring >:(

Oh, and another thing about the hands— I might be grasping at straws here but the fingers look like teeth. The way they're intertwined in front of his face makes it look like teeth, making me think either he has very sharp teeth or his idiosyncrasy is related to teeth (i know, this is beyond grasping at straws now).

Also, I didn't draw his horns because I have no idea how to draw his horns. I can't see it at all in the teaser art unless it's this thing beside one of his hands which is....?? I'm not sure. Because if that's so then he's similar to Valefor with a horn in his eye (correct me if I'm wrong huhu) and if that's the case, then he has a very cool design that's very unique from all the current kings (including Asmo if they're going to reuse the design they had of him from Love Unholyc)

Unless his horn is the black halo above his head? In which case, how the fuck is that connected to his head?? Or is it floating with magic?? I don't understand. Why the halo? Is he connected to the angels in some way? A traitor, perhaps? Is he somehow related to the angelification stuff that I barely know anything about?

ALSO ALSO what's with the Roman numeral six on his forehead??? Is that just a random tattoo or will that mean something lore-wise? If so, does that mean he's the sixth king to be before Lucifer? (this is assuming Luci is the last king and Asmo is the first king) Or is this a hint that he's the sixth king MC visits/breaks the contract with? If it's the latter...then I don't know if I have enough patience to play through however many chapters it will take until we get to Niflheim...and also...my phone storage can't handle it eheu

It could also just not be a Roman numeral six and it could be a Latin word/quote that I have no idea about because it's hidden by his hands. Salvi is the only Latin word I could think of with 'vi' but that means 'saved' and I don't know how that works with Belphie. Because then he got saved?? By who?? And why would he need saving?

So many questions and so many ideas, I wonder when they'll officially introduce him (hopefully not next year...).

Also, does anyone know when Lucifer's selfie card goes into the normal banners? Because I don't see him there and the only thing I'm sure will go into the normal banners is Levi's school card which will be three months from now iirc.

.............................................

>> NEXT

#whb #whb belphegor #my stuff #fanart #rambles #whb theory

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david-talks-sw · 1 year

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Luke Skywalker in 'The Last Jedi' (2/2)

OK, so in Part 1/2 of this post, we explored why Luke's TLJ characterization isn't really inconsistent with what had previously been established in Star Wars lore. It tracks. Dare I say: it works.

And yet... something still feels off, right?

Well, the reason for this is because Luke's character development is impacted by the film's structure, which in turn is impacted by - of all things - Poe's lack of development in Episode VII! Just hear me out!

The intention: Making the audience feel the same emotions as the protagonist, deuteragonists and antagonist.

This is what most movies strive for. Unless the film is trying to go for some dramatic irony, you want your audience to be on the same page with your protagonist, emotionally-speaking.

And y'know what? Rian Johnson does this very well.

Overall, he displays a very good grasp of making us, the audience, feel the same emotions as a film’s protagonist (generally, the main character, whose POV we follow) or deuteragonist (the ‘secondary main character’).

Rey was expecting to meet the Luke from the Original Trilogy, the Luke from Legends... and instead was disappointed to meet an old jaded hermit. Just like many of the fans were.

Finn is fooled by DJ, mistaking him for an archetypal "misfit with a heart of gold". Just like the fans were.

Poe is increasingly frustrated with Holdo, just like we were.

Call it "meta", call it "subversive", the bottom line is that some of the narrative choices that a lot of fans criticize the film for are intentionally placed there to put you in the same mental state as the characters you're following, even during the film's twists.

But as a result, if a character isn’t the protagonist (Rey), or the deuteragonists (Poe or Finn), or even the antagonist (Kylo)... they'll barely get any development.

They might get one or two scenes for themselves tops, but overall secondary characters like Luke, or Holdo, or DJ will mostly be shown through the filter of Rey or Poe’s or Finn's POV.

The Problem: Luke isn't a protagonist or deuteragonist, so he isn't developed to the audience's satisfaction.

Don't get me wrong: Luke has the second-most screen time in the whole film, but that's because Rey is the one with the most screen time, and he's primarily a character in her storyline.

To be fair, he does have his own subplot, he's the spiritual center of the whole film. But concretely, he’s one step above support characters like Holdo, Leia, Rose and DJ. We're barely shown his own POV and mainly view him through Rey's lens.

Like, there's a reason why in this scene...

... we don't see what Luke witnessed in Ben’s mind, simply his reaction to it: Rey didn’t see it either.

All three "Rashomon" flashbacks are what Rey is picturing in her mind when she’s being told three different versions of the story. She doesn't see what Luke witnessed, so we don't see it either.

And you know what? On paper... this is also not really an issue. It's actually quite standard. I mean, Yoda doesn't get much backstory or an arc in Empire Strikes Back. He's just the mentor figure, and we see him through Luke's POV.

There's no arguing that Luke in TLJ receives much more development than Yoda does in ESB.

But y’know what?

Yoda was also never the protagonist of a whole other trilogy.

So if you're gonna tell an audience that "the protagonist of the previous trilogy strayed from the path and is now a completely different person" - even if they eventually make their way back with a character arc - I don’t think it’s out of order for audience members to expect more development than a regular mentor archetype.

Context is expected, and when it isn't delivered, that'll kill the suspension of disbelief, for many fans. They're not just disappointed in Luke like Rey is, they're not immersed in the movie anymore.

So how do you go for what Rian was going while also trying to keep about half the fans from jumping ship?

The Solution (?) Delving deeper into Luke.

So let’s suppose Luke was treated like a deuteragonist. Suppose we see his own POV more, rather than just seeing him through Rey’s eyes. Would that help? And what would that look like?

Firstly, we keep that deleted scene of him mourning Han’s loss.

Or we show it like in the comic adaptation of TLJ, with Luke getting angry at his decision to cut himself off from the Force, unintentionally levitating objects until Chewie consoles him.

WHAT IT DOES: Either version humanizes Luke, shows who he is beneath the jaded mask he's putting on, gives audience a chance to mourn Han with him.

We keep that deleted scene of him explaining to Rey why he thinks the Jedi were flawed, also known as the “3rd lesson scene”.

WHAT IT DOES: Spells out Luke's rationalization that the Jedi Order needs to end. Marks the beginning of Luke's wake up call.

We add one or two additional short flashbacks of Ben gradually becoming darker and unhinged. Maybe he harms one of his fellow students in a fit of rage.

WHAT IT DOES: Clarifies that Ben was going through a dark period and that's why Luke went to confront him in his hut. He didn't just saunter into Ben's hut, sabers blazing.

Maybe halfway through the film, we see Luke pack his bag as he prepares to rescue his friends with Rey, only to find her communicating with Kyloe.

After all, the novelization shows that, upon opening himself to the Force and sensing Leia, he immediately decides to get back in the game. So if that’s not just something Jason Fry added to embellish stuff, let’s see that.

WHAT IT DOES: Drives home the fact that Luke realizes his mistake. (Although, it might also take away from the subsequent scene with Yoda).

Finally, let’s actually see what Luke saw in Ben’s mind: him killing Lor San Tekka, killing Han, killing Leia, murdering Chewie and countless more innocents all with a smile on his face.

WHAT IT DOES: Provides context for Luke's extreme reaction.

Most of these things are already technically canon, the only difference is that it would be shown on screen. And if all these elements are added, then Luke’s reasons for staying away and his reaction in Ben’s hut are already more understandable.

So where’s the flaws in this solution?

Solution Flaw #1: Plot twist would be ruined.

Talking about this one:

Again, we're seeing Luke THROUGH Rey's POV, for the most part. Our reaction is - intentionally - the same reaction as Rey.

The whole point of the twist is that

we, with Rey, believe Kylo can be redeemed, because

we, like Rey, remember Luke redeemed Vader.

So when she realizes “oh shit, Luke was right, he’s too far gone”... we react that way too.

But if we had seen Ben’s turn as well, if we had seen how he was during his training, if we had seen what Luke’s saw in Ben’s mind, we would all collectively agree with Luke and think that Rey is making a mistake in trying to redeem Kylo.

So when Rey walks away from Luke, rather than hoping she succeeds, we’d just be waiting for her to inevitably fail. We'd be thinking:

"Rey, you moron, you're walking into a trap and Kylo isn't gonna turn!"

Emotionally-speaking, we would be detached from the protagonist.

Solution Flaw #2: Increase in the runtime at the cost of other scenes.

The Last Jedi is already the longest film in the franchise. Adding just three of the above-suggestions would increase that runtime, which wouldn’t work. So you’d need to take something out.

But Finn and Poe’s storylines are already stripped down to their bare bones as it is. Hell, so was the Rey/Luke storyline, for that matter.

Actually, wait... why do we have three storylines, in the first place?

After all, if we look at The Empire Strikes Back, they only have two storylines, right?

The protagonist, Luke, goes to Dagobah.

The deuteragonists, Han and Leia, evade the Empire.

Main plot & subplot. Great.

Wouldn't it be better to just have Poe and Finn do the Canto Bight storyline together? That would give us sme remaining time to focus on Luke’s past, right? Where’s the issue?

Well, Rian Johnson put it this way:

Bottom line, in The Force Awakens, Poe is a clear-cut character. Simple as that. He’s charismatic and fun, but there isn’t much room for him to grow.

A lot of people compare his character to Han, but there's an issue with that comparison (besides the obvious fact that Finn is Han and Poe is Leia)...

In ANH, Han has an arc. He's the philosophical antagonist of the film, he's only out for himself which conflicts with Luke's attempts to help others. Han goes from being a selfish irresponsible gun-slinger to taking responsibility and becoming a selfless rebel, a part of something bigger. Arc concluded.

(Hell, this very reason is why Harrison Ford didn’t wanna keep playing him and lobbied to kill him off.)

So in ESB, Leia is the one who has the arc. Han is just being himself. Leia is the one who must slowly come to terms with the fact that she does love him, despite him being a total nerf-herder. So she and Han bicker, there’s conflict there, but there’s also an underlying affection.

As such, when Poe doesn’t have an arc in TFA, and is already on great terms with Finn, then there’s no conflict if you put them together in a subplot.

And conflict is crucial, in storytelling. If it's absent, then the story becomes boring.

As a result, Rian Johnson had to create conflict and growth for Poe.

Which means that, now, a third storyline is thrown in the mix... and the pacing and development of the other two are affected by this. Some really good scenes need to be cut, some stuff needs to get shuffled around.

For example, remember this deleted scene, from further up?

In the commentary, Rian explained that the reason it wasn’t in the film is because it didn’t intercut well with the other two storylines. *Three and a half, if you wanna count Kylo's personal scenes.

As such, there’s no space to add more scenes to develop Luke's perspective.

And if Rian made more space, well, that wouldn't work either. Because while Luke is the spiritual core of the film... this isn't his movie. He's not the protagonist anymore. But he used to be, and if you show him too much (not as Rey's mentor figure, that is, but as a protagonist or deuteragonist), he'll take the spotlight off the new cast with the snap of a finger.

When Michael Arndt was working on the Sequels with George Lucas in 2012, he encountered this same issue:

“Early on I tried to write versions of the story where [Rey] is at home, her home is destroyed, and then she goes on the road and meets Luke. And then she goes and kicks the bad guy’s ass. It just never worked and I struggled with this. This was back in 2012. It just felt like every time Luke came in and entered the movie, he just took it over. Suddenly you didn’t care about your main character anymore because, ‘Oh f*ck, Luke Skywalker's here. I want to see what he’s going to do’.” - Michael Arndt, Entertainment Weekly, 2015

And I'm guessing this is a problem that JJ had to deal with too, hence why Luke was pushed to the end of Episode VII: so as to give the new characters a chance to be developed a bit more, first.

“In a very general sense, the original idea for Episode VII started midway through what we now know as Episode VIII...” - Pablo Hidalgo, Twitter, 2016

There's finally the fact that, while most of those ideas can make Luke's fall more understandable... his story isn't about "how he fell".

It's about how he got back up. The whole point of the film is that even when you've reached your lowest point you can still inspire and be inspired by hope.

So while adding any of the above scenes would only reinforce what was already shown in the movie, be it explicit or subtextual... they wouldn't ADD anything to the theme of learning from failure and getting back in the saddle.

Do I care about Luke’s characterization in TLJ...?

In spite of what the length and intricacy of these two posts might indicate... I don’t, really 😅

Like, sure, I wish more had been done with the character, but Luke was never really my childhood hero, Obi-Wan was.

So Luke in TLJ isn’t a gaping wound in my chest. I didn't whine about it in 2017, nor did I shed tears of joy and said “he’s finally back” when we saw him in The Mandalorian, for example.

Like, it was an awesome scene, but in my mind Luke never left.

Also I’m the type of Star Wars fan who’ll tolerate any addition to the canon by virtue of it being new Star Wars content.

So even if that addition is something I didn’t enjoy during the viewing, I still focus on the positive and roll with it, I come up with a headcanon that'll make it work.

Because you get to do that, with a transmedia franchise!

If you don’t like how it went down in the movie? There's always a comic around the corner that'll retcon it and/or retroactively make it better... that's how it was for the Prequels.

But for the Sequels, it's difficult. There's a scarcity of transmedia content, when it comes to stuff set around the Sequels era.

I mean, can you think of any

Luke-centric work

that serves as a meaningful addendum to what's seen of him in the Sequels?

A novel, a comic issue and a distantly-relevant manga.

That's it.

(The Mandalorian and Book of Boba Fett are too soon after ROTJ to have any meaningful impact on Luke's journey in the Sequels. Some people see Luke's behavior in those shows as "the beginning of his failure", but I covered why I don't think this is really the case, here.)

Instead of just three items, how about a comic mini-series focusing on the year Luke spent training Leia, or on his adventures across the galaxy as he tries to rebuild the Jedi Order? Maybe he meets Cal Kestis, or Quinlan Vos? Maybe he needs to face against an Oppo Rancisis who was consumed by the darkness, post-Order 66?

Or better yet, how about a video game centered on Luke, in the style of Fallen Order or Jedi Academy?

Get Mark Hamill to motion cap it, he's done it before.

This would also allow the fans who grew up with the powerhouse that is Legends Grandmaster Luke Skywaker to have some fun!

Many fans wanted to see Luke in action, in TLJ, and instead got a pretend-samurai fight. Which is nice, powerful and symbolic, he goes out like a true Jedi, it makes the Force more than a superpower... but it's not a lightsaber duel. In a game, though? Players can go to town.

I dunno... any additional content would've smoothed the blow for many people who didn't like what was done with Luke in TLJ. Sure, you'd always have people who just hated the whole thing, but if transmedia content helped reduce the hate for the Prequels, it could've done the same with Luke.

I'm not sure why that route wasn't taken.

#Luke Skywalker #The Last Jedi #Rian Johnson #Star Wars episode VIII #star wars #jedi order #meta #long post #Ahch-To #in defense of the jedi #episode 8 #Ben Solo #Kylo Ren #Mark Hamill #star wars sequel trilogy

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