I need codependent Danny/Jason as a little treat (for me) and I love the idea of them having some sort of instant connection the moment they meet (bc ghost stuff idk)
Danny who's been dropped in Gotham with no way home (alt universe??) and he's been here for 36 hours and having a Very bad time senses a liminal being and immediately latches onto them heedless of the fact that his new best friend is shooting at some seedy guys in an alley and goes off about how stressed he is and how he can't make it back to the ghost zone and what a bad day he's been having (and it's important to note Danny is a littol ghost boy literally hanging off of Jason's neck as he floats aimlessly) and Jason is like "who are you??" And Danny is like "oh sorry I'm Danny lol" and then just continues lamenting his woes
And honestly ? This might as well happen. Nothing about this Danny guy(is he human?) gives Jason a bad vibe and tbh he's never felt more calm and level headed before so he just keeps up his usual Red Hood patrol and doesn't even think about it when he heads back to a safehouse and feeds Danny dinner (breakfast) before crashing for half the day
The only thing I actually need is Jason meeting up with the bats for some sort of Intel meeting and they're like "uhhh who's that" and Jason is like "that's Danny." And does not elaborate (very ".... What do you have there?" "A smoothie" vibes)
And it takes them a while to realize that these two have known each other for less than 12 hours and are literally attached at the hip
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people blame mako for fumbling the two baddest bitches on the planet, but if i knew one of them, let alone both of them, i wouldn’t know how to act either. i’d be acting like boo boo the fool just to get them to notice me, and then when they did actually notice me my whole brain would just shut down and turn to mush probably. and i’m saying this as an adult woman with game. mako was a socially inept maladjusted traumatized teenage boy with no swag and no prospects. the fact that the two most beautiful powerful amazing girls in the world were both vying for his poor autistic ass after spending his whole life just trying to survive in the conditions that made oliver twist is crazy!!! people get soooo mad at him for fumbling korra and asami but like. can we be honest for a second. like can we be soooo forreal rn. you’d fumble them too. we all would.
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
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when i hear "found family" in relation to an ensemble of fictional characters in media there's two different things that could be happening here.
often it's what i think of as forced family, which is like "i found myself in a situation with these people" but a key part of the trope is that, like most families of origin, they're stuck with each other and can't leave without taking extreme action. voyager's "found family" is a forced family. i'm watching m*a*s*h now and it seems that way too. in both cases there's an outside constraint where you literally cannot escape these people and so grow to love them as a result, often in a codependent or unhealthy way but you are closer to them than you will ever be to anyone who did not share this experience. you would sell some of them to satan for one corn chip but god help any outsider who tries to break you up or even understand the situation. sometimes you get lucky and there's a person or two in there that you would choose to spend every day with regardless of circumstance (but would you really? can you even tell for sure??). but also it's "i will never ever speak to you again as long as i live but i'm really bored so can you give me a ride to the 7-11 first."
meanwhile chosen family is more like star trek the next generation where they are placed in this group at random but there's no hostage element to it. any one of them could request a transfer at any time, but they never will because this community and group of people have become an inseparable part of their identity. in both cases they'd saddle up and risk their lives to save each other forever at any personal cost ("not to me, not if it's you") but forced family also contains the element of "i'll fucking do it but christ alive." not every ensemble fits into one or the other but i think it's fun to distinguish as a concept.
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getting to a point with nerd bakugou where you're not even playing games online together anymore, you're just — chatting, all day 🥺
and you've gotten close enough that you'll send him a mirror selfie and even if your phone is mostly covering your face, he's ZOOMING IN ON THAT BABY and over-analyzing the hell out of it 🥺 trying to figure out what you look like 🥺 and every single photo he sends in return is assessed for a minimum of 20 minutes, because he wants to make sure his reflection isn't showing anything or his body doesn't look weird, that his posture is right 🥺
and the first time you send something back like, "you look nice today 😊🩷", even though he's just showing off his shirt from a movie you both like — he's having to put his phone down on his desk and put his hands over his face because he feels so airbruqoabdka about you !!!!!
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oh, i am so enamored with the way the lesson of the velveteen rabbit rings true in our modern life. i love that we name our spaceships and write love poems to old buildings. i love that we all cried about the mars rover, that we made her so real that she was no longer a machine but a friend, a companion, a hero.
i love that we become attached to certain mugs, spoons, mason jars. that we develop a strange protective love-hate of our tablets, that we feel weirdly reverent about our new notebook. we name our cars silly things like the crab shack and call our favorite whisk attachment the one great destroyer.
there's a dog statue at my local park that has a golden back and golden head from how often people have pet it. at my college campus, people love an ugly little pointless sculpture we call bacon pants or bacon legs. we assign personalities to fountains, parks, laptops.
i love that our basic instinct is to include others in our community, even where there isn't a real community to speak of. that we love things, even when they cannot physically love us back - for us, the exchange isn't what's important. we give our heart to things so entirely that the thing begins to, in its own way, have its own heart.
the last transmission from the mars rover was not words; it was data. nevertheless, someone translated for her. my battery is low and it's getting dark. they made her last words a poem. they looked at data and saw a soul, a divine spark.
i keep thinking about the first AI born truly free-thinking. i keep thinking about the way scientists and artists talk about their work. how their eyes light up and their hands start moving, how even when they're flat broke and confused and the coding isn't working - there's this love of the thing. i keep thinking that whatever is being born into this new world will be born here on purpose, over a long time, with great energy. that when it arrives, the first thing it will know is most likely the hands of a creator delighted, overcome.
that we made it in our image. that the image we wrote was one of human compassion within ingenuity. that we couldn't make this thing without it being a labor of real-and-true: love.
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no but really the focus on pronouns Determining Actual Gender And Having Unique Social Roles in lgbt spaces is absolutely bizarre and beyond any form of basic material analysis of gender it exists in the real world. like speaking from experience you can literally be a stone butch lesbian who goes out of ur way to exclusively dress in traditionally masculine clothes, who uses a masculine name, who intentionally and explicitly plays a complex and deeply nonconforming gender role as both social performance art and for personal fulfilment, and then get lumped in by other lgbt people in the category of "she/her type" (and, more broadly, if you use she/her and are afab, you inevitably get labeled as 'cis' regardless of your actual gender performance as interpreted by the world writ large) just because you dont care enough about pronouns to determine and enforce the use of any others for yourself
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