#anyway dc hire me challenge | Explore Tumblr Posts and Blogs

meruz · 3 years

Text

once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train

like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.

AFJHDSLKGH I’m sorry I (probably) won’t do it again??

Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous)

(ominous preview)

These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS

a) How is it working as a BG artist? Is it hard? What show are you drawing for?

I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL

A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.

b) ~~~THANK YOU!! ~~~

c) What exactly do you like to draw most [in a background]?

@kaitomiury Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL.

I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.

d) Do you have any tips on how to paint (observational)?

god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.

But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.

My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.

e) Do you have tips for drawing cleanly on heavypaint?

@marigoldfool UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.

f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?

Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...

I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.

If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.

Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.

Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.

Some more general art questions

a) Do you have any process/tips to start drawing character/bodies/heads?

I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.

1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.

2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.

Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.

oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!

b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?

Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.

If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close.

Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.

I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.

for the first 2, I direct you to my FAQ

For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.

(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)

a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!

b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL

c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)

a, b, c, d) yessss my Watch Infinity Train agenda is working....

e) aw thank you!! i think you should watch infinity train :)

#ask #trying this new thing where i tag people in the body of the post instead

359 notes · View notes

sineala · 2 years

Text

The Avengers... meet Death!

Earlier today the question came up on the 616 Steve/Tony Discord of whether 616 Tony has met Death.

So I did some research.

I didn't know the answer to this, and I was curious. Sometimes when I am writing Steve/Tony fanfiction and would like to have them discuss the abstract concept of death, and then I remember that Death in Marvel Comics is a lot more... corporeal... than that. Death is one of the Abstract Entities, and as such she is an actual being that someone could theoretically meet. (I don't think she's quite as cool as DC's Death of the Endless but I do know that Death of the Endless somehow attends Rick Jones & Marlo Chandler's wedding in Hulk #418, which is in no way as cool as the bachelor party in #417 in which Captain America both accidentally hires a stripper and then covers his face while everyone else watches adult films. These are the only two Hulk issues I have ever read.)

But, yes, Death is very real in Marvel Comics. Thanos and Deadpool are both in love with her. You probably knew that.

So I've never actually looked this up, and when I have written fanfic where I want Steve and/or Tony to start thinking about death and then remember that they have met Death, I just kind of... assumed they'd probably met Death at some point because superheroes lead exciting lives. They were probably all in Infinity Gauntlet together. I figured if I was wrong, someone would tell me.

But today I went and looked it up. I went to Death's Marvel wiki entry, opened up the Appearances list, and skimmed through the appearances looking for comics that looked like they might have Avengers in them, and I found Avengers Annual #16 (1987), in which the Grandmaster has captured the Avengers, the West Coast Avengers, and also Death.

The splash page in fact features all of those characters. The Grandmaster is right there informing all the superheroes of the fact that he has captured them all and Death, and Steve and Tony are two of the heroes there. There they are. With Death.

So, yeah, Steve and Tony have both met Death. So have many of the big-name Avengers, it turns out. In case you were wondering. So feel free to keep taking those "meeting Death" metaphors very very literally.

(And, yeah, I'm pretty sure Steve and Tony and Death were all in Infinity Gauntlet together but without rereading it I cannot guarantee that either of them were on panel with Death, unlike here, where they are.)

The actual plot of Avengers Annual #16 there, in case you're wondering, is a giant punch-fest in which the Grandmaster is bored and makes everyone fight to the death. All the Avengers from both teams die except Steve and Clint, and Clint then challenges the Grandmaster to play a game of chance (guess which hand the arrow that still has an arrowhead is in) and if the Grandmaster loses he'll let everyone go.

So Clint cheats, naturally.

He palms the arrowhead of the arrow the Grandmaster chose, and he shows the Grandmaster a headless arrow. Hooray, the Avengers win! I think this is the most Clint Barton thing that Clint Barton has ever done.

Everyone gets to go home, including Death, and as a parting gift, I guess, Death resurrects all the Avengers and sends them back to Earth. Unlike, say, the Avengers dying in the Korvac Saga, where Moondragon wipes their memories, that doesn't seem to have happened here, because judging by the end of the issue, when they are back on Earth, they do remember everything that transpired. So, yeah. The Avengers have personally met Death and they remember that.

The hilarious thing is that this storyline is actually the conclusion of the storyline started in Avengers Annual #15, which begins with the Avengers and the WCA playing the First Annual East vs. West Baseball Game, which I actually put some panels of on my Tumblr last month because I thought it was charming that the Avengers canonically play pick-up games of baseball. I enjoy when they clearly all enjoy hanging out with each other.

Anyway, that issue featured the baseball game getting interrupted by the Brotherhood of Evil Mutants, and then Avengers all being thrown into the Raft for unknown reasons, and eventually breaking out of prison. There were then two intervening WCA Annuals I did not read, but clearly some Comics Shit went down, as they say, because somehow they do all get captured by the Grandmaster.

So the end of Avengers Annual #16 features them being transported back to where they were when this all started, in a stadium playing baseball. It was Kansas City in #15 and Houston in #16 because what even is continuity, I guess. The Grandmaster is licking his wounds and watching their baseball game from afar.

I love comics.

#posts i actually wrote

24 notes · View notes

dearericbittle · 3 years

Text

Top 5 2020

So the amazeballs @fairydustedtheory tagged me, and since she made me, I’m actually doing this. Or my version of it anyway. Hope you’re happy!

Top 5 most popular fics

The coolest wolf in the whole wide world, Sterek. T, 8k. Summary: Stiles is surprisingly good at being a wolf. Like, super good at control, loves the drama of making weird entrances, and determined to try all the things. Because he has to find out what’s different about being a wolf. And Derek is going to be his Yoda, whether he wants to or not. Only Stiles is pretty sure Yoda never smelled this good.

Don’t know how to reach you when you get like this (waiting for you to come home), Sterek. T, 21k. Summary: Senator Talia Hale is going to be the first werewolf president. She is also his mother’s best friend, who’s in desperate need of a friendly mage to help her break the curse on her children. Stiles likes a challenge - and the free vacation in DC for his parents.

Step into the daylight (and let it go), Sterek. M, 14k. Summary: Stiles is a grad student with serious insomnia. So when he sees a stranger in need of help, he thinks it’ll be a good way to alleviate the boredom. How the hell was he supposed to know that the weird guy with the baseball cap was a famous actor (and a fucking werewolf)? He just keeps running into the guy. Coincidence? Stiles thinks not.

Did I mention (that I’m in love with you), Sterek. T, 8k. Summary: Stiles is pretty sure that Derek Hale hates him, judging by the way he disappears from the room the second Stiles enters. Derek is pretty sure that the entire world knows about his crush on Stiles Stilinski, and that’s why he has to avoid him. For once the werewolf thing isn’t even his biggest secret.

Everything mixed up (and baked in a beautiful pie), Sterek. T, 42k (6/6). Summary: Stiles’ friends are more of a pain in the ass than usual around the holiday season. Just because he spends all of his time at his bakery, doesn’t mean he’s unhappy. So hiring a fake boyfriend seems like the perfect, simple solution. Instead Stiles stumbles onto a stupid quest to make Derek Hale happy. But surely that will all work out in time.

Honorable mention: (Fuck you they said) As they threw their threads from their wedding bed, Sterek. M, 96k (9/9). Summary: First Son Stiles Stilinski just accidentally caused an international incident. And apparently the only way to save human-werewolf relations is to marry him off to Prince Derek of Triskele. Stiles is going to need all of his acting skills to make the marriage look real, because the Prince is kind of a fucking asshole.

Top 5 underappreciated fics

In this garden there’s no feeling, Travis Konecny x Nolan Patrick (1119). M, 55k. Summary: Nolan Patrick is a heartless, stone cold son of a bitch, and everyone knows it. Travis Konecny knows it too. He just doesn’t seem to care that the team witch is incapable of having feelings. Except when Travis touches Nolan, there’s a curious warmth, and everything that Nolan was sure he knew puts him and his newly rosy cheeks on very thin ice.

you try on callin’ me baby like trying on clothes, Jonathan Toews x Patrick Kane (1988). T, 4k. Summary: In the heat of the moment, in the midst of a game or a celebration, sometimes the words just slip out. Sure, Patrick totally gets that. But he’s pretty sure that Jonny has no clue he’s been calling him baby in various hockey-related moments. Though, how can he not know? How can Sharpy have noticed before Jonny did? He's going to get so much shit for this the second Kaner dares to confront him about it.

Time may change me (but I can’t trace time), Sterek. T, 9k. Summary: Stiles doesn’t like calling himself a mad scientist, but if the shoe fits… And when his latest experiment has some interesting side-effects, he has to re-evaluate some things. Mostly about how to stop acting like a child and be a better husband. Preferably before the adoption stuff pans out.

You were raised by wolves and voices (every night I hear them howling), Sterek. T, 11k. Summary: A sheltered boy with a reputation for telling tall tales, desperate to see the world and find out what monsters are real. A lone Wolf, ostracized from society as he takes contracts to kill the things that go bump in the night. A Mad Wolf, a Dark Druid, and destiny.

On the creature scratches (it doesn’t know how to get out), Sterek. T, 3k. Summary: The world ended seven years ago, and Stiles has spent seven days on the surface trying to track down a girl who is never going to be the love of his life. But is he actually as unloved as he seems to think he is? (Love and Monsters AU)

#Iris writes #Sterek #hockey rpf #1119 #1988

68 notes · View notes

samwontshare · 3 years

Text

What if…? Ultron Won!

So this was a cool episode even if a few things don’t make total sense (aka Thanos having all the stones).

This is another episode filled with sci fi references from Terminator to Wargames to Star Wars. We also see What If…? continue to self reference other MCU movies, specifically Civil War, CATWS, Black Widow, and as fans have been saying since 2018: Clint dies instead of Nat.

This episode was really fun because we see someone become so powerful they’re able to break into The Watcher’s realm. So we’re going to see that multiverse team up that’s been hinted since the trailers!

Other stuff of note:

-Loved the visual of Ultron eating the galaxy- very Galactus!

-My favorite running joke throughout What If…? is that they find a way to kill Tony almost every episode. It’s so funny, and I love it. Sorry Tony fans!

-Nat slinging around her old man’s shield and still landing in her iconic pose.

-Clint’s signature apocalyptic haircut. The arm was a reference to a DC cartoon movie. And obviously Bucky. Can I get through one MCU project without a prosthesis being torn off? Probably not. Maybe since they’ve finally hired a real amputee to play a disabled character after 10 years we’ll see a change but I doubt it. Love to have able bodied actors playing disabled chars while never addressing disability as an identity in any meaningful way except erasure, visual gags and villainy. Anyway—

-Zola! Wow! So this heavily implies there are MORE copies of Zola hanging around somewhere! Is this the last we’ve seen of Zola in the MCU? That could play a factor in Cap 4 as a callback to CATWS. Someone on YouTube theorized Zola is the real PowerBroker but idk about that. (Though I still hope Sharon is deep under cover pretending to be evil, her scene w Karli makes that challenging.)

-I laughed so hard when Ultron sliced Thanos in two- perfectly balanced! So Vision could have single handedly defeated Thanos had he been uninjured. Reminds me why I still think the plot of IW/Endgame was ridic. Does it make sense that Thanos had all the stones? Nah. But I’ll let it slide Bc What If is really silly.

-Haha remember the verse where Loki became President? That appears to be the same verse where Steve Rogers is sworn in. Funny.

-Loved Ultron punching The Watcher literally into other universes. Visually interesting.

-Wait GOTG2 took place just after Age of Ultron?

-I love that he turned to Evil Strange! How long has Evil Strange been in his little prison? Time isn’t always linear. Strange making him say he’s going to break his vow was also funny.

-The Watcher yelling at Clint the same way audiences yell at the TV was very funny.

Can’t wait to see the team up! Starlord T’Challa! Captain Carter! Let’s do it!

#what if…?#what if spoilers

8 notes · View notes

twiststreet · 4 years

Note

I'd be curious for more of your thoughts on that Hibbs piece. I've read him for years and often find him insightful, but this one seems very reactionary in a very typical retailer way ("blinkered" was a good word Kim O'Connor used). Particularly, he seems to pretend that Diamond is just fine as is and that DC had no reason to want to switch distribution. I recently swore off DC, but I've noticed since the switch that those comics have been on time at my lcs each week. Diamond, not so much.

Yeah, I don’t really agree with that (I missed whatever Kim said), though I really don’t know what’s going on at a retail level. I haven’t gone regularly to a comic shop in years.

(Setting aside the health stuff, which is the most striking thing in there:) Hibbs is a retailer writing from a retailer perspective, so wishing that he was saying something else”... I mean, we know what we’re signing up for when we read it; we know how to slot it into our own personal worldviews. I’m not to going to complain that Hibbs isn’t going to tell me how long to cook a steak for, or that he’s not yelling that the Direct Market should be dismantled because if those were what I was looking to read, the egg should be on my face for pulling him up to begin with.

The question with Hibbs I think I always have is “how representative is he of retailers generally, as a store in San Francisco.” (And I think people slightly overstate how non-representative he is because if you hear him talk about his operations, he makes clear he operates differently for different retail audiences, when he had that second store going-- I don’t know if that’s still a thing, but. And also: I don’t fucking know what it means to be San Francisco anymore because what is that city even...). But generally, you know, you take that data point into consideration but still try to get at what you’ve signed up for, when you read what he says-- where are retailers’ heads at... You know, you go “well if Hibbs is at 8 then even adjusting -2 for factors x y and z, that mean Joe Median-Store might be at 6 and 6 is great / isn’t great, etc.”

Hibbs has always erred slightly worried, on the spectrum of human reactions, so you know, (even though I personally tend to be drawn to that more than optimism), I’m not sitting here going “I bet DC’s going to license all their characters tomorrow because he says so” because it’s not like the first time I’ve heard that-- though it remains entirely possible, possibly a good idea for the suits (though probably not for anyone else), who even knows. (Though if you’ve been listening to Rob Liefeld talk on Robservations about Heroes Reborn you’ll already know a significant challenge that would face-- that if they do a trial balloon, the people who already entrenched will do whatever they can to poison the trial balloon so as to make the case for not doing it and remaining entrenched...)(that becomes tougher after multiple waves of layoffs, though).

But what he’s talking about-- DC just did its own Heroes World...? As soon as I heard all that to begin with (and I didn’t pay close attention because the world was happening), my first reaction was “oh shit, Heroes World!” So a comic retailers saying “this is looking the same after __ months in these specific ways” ... I’m going to pay attention to that. I just remember how spectacularly unlikely it was that comics cleaned up the mess they’d made of themselves in the 90′s. It was a ridiculously unlikely set of events that turned things around, and I don’t think you can reasonably expect those events to happen again. (Especially after the “we learned a lesson from the 90′s” part turned out to be a lie, which is something I know I was yelling and screaming about for years and I was getting called like “ungrateful” or something by the Serious Comic Voices of Seriousness for it, there were entire CBR blog posts about how I didn’t understand how great things were now, etc, etc, etc... I don’t think they pull that “we learned not to rip people off” lie again, not this batch of assholes. Though who knows, maybe....)

I mean, sure there are criticisms of Diamond to be had, of trad retail to be had. And there’s the giant black box of “how desperate are people right now” that hasn’t been reported on. There was a time in ‘02-’04 or so when a book distributor or somebody like that went down, and it almost took out Fantagraphics with it. And this seems worse than that! Where’s the money flowing here and whose debts are getting paid first? I don’t have any idea. There’s all these systems in play that have been knocked out by COVID, and who knows who’s owed how much money or how much product is sitting in a warehouse collecting warehouse fees, etc., like this is all a fucking disaster and there’s no reporting on it (comic reporters are too busy encouraging Damon Lindelof to make Watchmen TV shows) and there’s ... DC is a black box in a black box in a black box (he said, having waited for 3 years for DC to answer an easy question once).

But even if DC had good reason to do whatever it did? It doesn’t seem to matter much if the rest of the comic market’s built around Diamond and if no one has the health of the Direct Market on its radar. And DC doesn’t if they fucking fired everyone who understands the health of the Direct Market as even being a fucking concept to begin with, which is extremely likely at this point. Or ... I don’t know-- it’s the old comic problem of people wanting to argue that “the thing is bad an we need to replace the thing.” Diamond’s bad and we need to replace it. Okay. With what? And with comics, the answer is usually “moonbeams and hopes and hugs.” There’s just a lot of wishful thinking out there that a Better Answer just shows up. I don’t know about that...

Comic retail’s built around selling Batman. For DC’s moves to be this impactful, that’s a problem at the core of the system. The undoing was in the origin. So i get that criticism, and it’s well taken (except to the extent there’s an entirely speculative argument built around it that either (a) there would be some other system that’d exist but-for and (b) there’d be some flourishing of human creativity but-for). But that’s still a lot of people and a lot of human energy that’s at issue. And the few life rafts that are out there, you’re not going to get a lot of people on them. Digital is a joke (according to me, a digital comic publisher! hahaha)-- hibbs if anything overstates the possibilities there because as a retailer, he doesn’t want to bring up that we’re in the Golden Age of Comic Piracy. (And ... I like being a digital comic publisher! I’m having fun. But). And bookstores-- bookstores are great, provided your readership expectation are 10-14 year old girls. Which might be better for comics if that became the default comic as compared to 35-50 year old bachelors that’s the DM’s bread and butter, but... I think you probably have to be okay with a lot fewer people having gigs. Bookstores can’t even remotely support the same level of human activity that comic shops can, by the look of things. (You know at some point you have a larger cultural heat death going on, that’s the part I find interesting, but...)

I don’t know. Hibbs might be to an extreme. I might be to an extreme. But having seen people voting for Biden and then going “wait, he’s going to hire racist industry-controlled centrists?? we got nothing for our vote? we’ve been betrayed!”... having seen people talk about what a great human being George Bush was (I saw a tweet fucking today that was like “George Bush was underrated because he was nice to a trans person once”)... I’ve become very cynical about the human memory or ability to learn lessons. I don’t think people remember 1995-1999 in comics, and just... how ridiculous it was when that got turned around. It was like watching them pull off a fucking heist to turn things around last time... Comics are selling-- people are buying comics. So it’s not as bad as last time. It’s nowhere close. But... People overestimate how structured the industry is, and obviously the DC layoffs suggest that the people looking purely at the bottom line don’t understand and didn’t account for the unique levels of institutional knowledge required for the industry... Other media, you don’t hear about hand-selling as much. When have you ever seen a movie because the guy who owns the theater told you it was good?? Or because you saw the director standing over a flea market table looking like they were about to cry...? Like... I don’t know.

I do know for me, I want to start thinking about a next project, and I’ve been looking again at what the Big Hit Books have been these last couple years (I kind of avoided new stuff when I was working on my things) and... You know, part of what changed things in the early 00′s was there were new voices with a new style ready to come in. Now? Jesus, I don’t know. At first blush, everybody’s writing books nearly identically, and it’s just this massive level of bombast and confidence (good for them!) and huge splash pages and hyper-emotional narration and... it all just is this blockbuster schmear that’s very impressive but entirely skippable anyways. None of it’s as a bezerk or strange or just weirdly interesting to me as 10 seconds of a Metal Gear Solid video essay... it’s a lot of big splash pages of Thanos or Thanos-for-creator-owned-comics... But it all seems like halls of mirrors-- none of it seems very outward looking... You know, Kojima did halls of mirrors by the 4th game, too, but in Death Stranding, he had like Amazon deliverypeople, and you’d play the game and go “oh shit, this gig economy is making my formaldehyde-baby cry” and like... he had something besides the hall of mirrors to him. (And I mean, the 4th game is a criticism of the hall of mirrors, according to a video essay I saw, but...). Or you know, it’s like the thing that Rebuild of Evangelion 3 is criticizing, they’re doing unironically... I don’t know. It’s weird; the books are weird; I keep wanting to ask like “what should I be reading here” because I’m mostly ignorant besides a Hulk or a Long Con or Sink or ... I never saw the end of Seeds but I thought Seeds had something...

Sorry to ramble.

#Worst Hobby or Worstest Hobby?

6 notes · View notes

afni-fics · 3 years

Text

Elder Scrolls DC - A Reluctant Dragonborn - Chapter 6: Enter Lucien Flavius

Elder Scrolls DC - A Reluctant Dragonborn - Chapter 6: Enter Lucien Flavius by C_R_Scott Chapters: 6/? Fandom: Elder Scrolls V: Skyrim, Red Robin (Comics), DCU (Comics) Rating: Mature Warnings: Graphic Depictions Of Violence Characters: Tim Drake, Lucien Flavius Additional Tags: Crossover, Crossovers & Fandom Fusions, Skyrim/DCU crossover, Reluctant Dovahkiin | Dragonborn, Not Beta Read

Previous Chapter | Masterlist | Next Chapter

Summary: Tim returns to Riverwood before attempting to trek to Bleak Falls Barrows. However, instead of gathering supplies to prepare for his assignment, he ends up picking up a companion.

(NOTE: I'm in the process of reblogging the initial chapters of this story because, for some reason, Tumblr won't let me edit the earlier versions that I created using the Tumblr app on my phone. I'm also in the process of creating a masterlist for this series)

-------------------------

The next morning, after spending the evening at the Bannered Mare Inn in Whiterun and visiting the apothecary to pick up some salve for his burns, Tim reversed his journey back to Riverwood. As he walked, he thought about something the woman in the apothecary shop said as he made his purchase that morning.

***

"A severe lingering wound like that really needs to be looked at by someone with skills in healing arts. The damage is deep and basic healing potions aren't going to be strong enough to heal it completely. Perhaps if I had some stronger ingredients I could brew up a potion powerful enough to fix this, but I don't have any in stock," the elderly alchemist Arcadia said with concern. "There's a temple of Kynareth up the steps in the Cloud District. It would take a few days, but my friend Danica and her apprentice could heal that completely for you."

Tim had sighed and shaken his head. "I wish I could, but the Jarl's given me an assignment that needs to be completed as soon as possible. I don't have a few days to spare." At the even more concerned look Arcadia gave him, one that was very similar to the kind Alfred used to give him when he'd overwork himself, Tim relented. "When I complete the Jarl's task and return to Whiterun, I promise I'll visit the temple."

***

The salve Arcadia gave him would ease some of the pain and prevent the burn from becoming infected, but it wouldn't heal the wound outright, and she was insistent he visit the temple as soon as he returned to Whiterun. Tim wished he could have taken some time to do this, but Balgruuf was right. With that dragon on the loose, the Jarl and his wizard needed as much information as they could get to protect the people of the hold.

Besides... He was used to working while injured. It almost felt... normal.

What wasn't normal was how little money he now had. The medicine, though necessary, had eaten up nearly all the Septims he had leftover after his night the Bannered Mare Inn. With a deepening sense of dread, Tim realized he couldn't remember ever being so broke before. It was an unsettling anxious feeling that he really didn't like. Is this what it was like for people who had to live paycheck to paycheck, just one medical disaster away from financial ruin? Is this what it felt like to be forced to work on a job not just out of a sense of duty or responsibility, but because if you didn't you'd have to potentially starve or be homeless?

***

"Ah! Good to see you again!" a friendly voice shook Tim from his thoughts. Apparently, while lost in his thoughts on his journey to Riverwood, he'd entered a sort of autopilot and hadn't been aware of how far he'd travelled. He glanced up, startled, to see he was already on the bridge entering Riverwood. He glanced at the sky, noting the color of twilight and the few stars starting to peak out across the expanse. Then he turned to the voice, which belonged to Gerdur.

"Oh. Hello," Tim said.

The blonde Nord woman smiled. "I see that your meeting with Balgruuf went well," she said as she walked over to meet Tim at the gate leading into the town. "The guards from Whiterun just arrived a few hours ago and set up camp on the other end of town. They're already patrolling the area between here and Helgen. Thank you so much for seeing the Jarl for us."

Tim smiled as well. "If it makes Riverwood safer, I'm glad to have been able to help."

Gerdur inclined her head toward the Sleeping Giant Inn. "Come on, let me treat you to a meal and some mead. I'm meeting my husband Hod there, and we would love to hear about how things went with the Jarl over a pint or two."

By reflex, Tim almost declined. But he swiftly remember his current financial state and, of course, he didn't want to be rude to Gerdur. "A meal and some mead sounds wonderful. Lead the way."

***

Because Riverwood was such a small town, news apparently travelled like wildfire among the townsfolks. As Tim settled in at the Sleeping Giant Inn, he had folks coming by every few minutes to thank him for speaking with Jarl Balgruff and sending the guards. So many people were offering to buy him drinks he just couldn't physically consume that the owner of the Inn, a woman named Delphine, actually set up a tab for him that she allowed the citizens of Riverwood to pay into. In the end, as long as he was in Riverwood, Tim would't have to worry about food or drink for a good week at least.

"So the Jarl's mage wants you to fetch something from Bleak Falls Barrow?" Hod, Gurder's husband, asked curiously.

Tim nodded. "Something called a Dragonstone. Have you or anyone else heard of it?"

Gerdur shook her head. "I've lived beneath the shadow of the Barrow nearly my entire life and I've never heard of such a thing."

"What is the Barrow anyways?" Tim asked.

"I forget you're not from Skyrim," Gerdur started. "Back in ancient times, during the Merethic Era, when there was a cult who worshipped dragons instead of the Nine Divine, Bleak Falls Barrow used to be both a temple for them to worship and a place to bury their dead. Of course, now there is no Dragon Cult, and the Barrow are ruins. However, a dark magic lingers in that place, and rumor has it that the halls of the Barrow are still walked by the restless dead, forced to serve their ancient dragon cult masters even now."

"So dragons, magic, and zombies... great..." Tim muttered sullenly into his mug of ale before draining the last bit of it.

Hod regarded Tim with concern. "Are you sure you want to go to the Barrow? Last we saw you, you weren't in the best of shape after Helgen."

Tim force a reassuring smile. "I'm fine now. I visited Arcadia in Whiterun and she gave me some medicine. Nothing to worry about."

Hod breathed a small sigh of relief. "That's good. Even a healthy warrior visiting the Barrow would find exploring that accursed place a challenge."

***

Gerdur and her husband lingered a bit longer at the inn with Tim. But as the hour grew late, they rose to leave. Being woodcutters, their day started early. "Make sure you come to our home after you're done here," Gerdur insisted. "Don't go wasting your coin on the inn for the night."

"Of course. I won't be much longer. Just want to finish this pint."

By now most of the patrons of the inn had gone, and once Hod and Gerdur left, there were just one or two left. Tim's smile faded as he stared into mug.

"What am I going to do?" he whispered to himself.

"Excuse me, sir. I don't normally do this, but... erm... have you got a moment to talk?"

Tim barely heard the footsteps approaching him, but he did notice when a stranger took a seat on the bench next to him where Hod had been just a short time before. Tim glanced at the man. He clearly wasn't a Nord. The accent was more... British, and he wore clothing that clearly spoke of someone with money. It confused Tim and immediately put him on guard. "I might," Tim responded cooly before feigning taking a sip from his mug.

The stranger smiled. "Marvelous. My name is Lucien Flavius. I'm a scientist, philosopher, amateur wizard, and something of a musician, though I supposed that's more of a hobby..."

Tim narrowed his brows as he stared hard at Lucien, silently willing him to please get to the point.

Lucien appeared to get the hint. "Ah- I couldn't help overhearing that you are going to be making a trip up to the Bleak Falls Barrows in the morning."

"I might... What is it to you?"

"Well, as a matter of fact, I'm here in Skyrim on an expedition - academic mainly. I'm currently employed as a researcher for a new museum based out of Solitude. I was sent to this region on a few errands, and one of them is investigating those same Barrows. I'm to investigate the ruins and determine if they're of enough significant archaeological importance to fund a fully manned excavation into it.

"Alas, when I got here, I found out that in addition to the Barrow being crawling with Draugr, the outer area around the ruins has become the infested with bandits.

"Trouble is, I'm really not much of a fighter. I know a few spells and can just about swing a sword, but beyond that I'm pretty useless in combat. Skyrim's no place for a... 'milk drinker' like me - not on my own anyway. So I'm looking for someone to travel with.

"My original plan was to make my way to Whiterun in the morning and hire a mercenary to escort me through the Barrow, but since you're already heading that way, perhaps I could tag along with you instead? It would save me a couple of days of travel between here and Whiterun."

Tim began to shake his head. "It wouldn't be safe--"

"I will, of course, compensate you most handsomely for putting up with me."

"Really, Lucien, I don't think--"

"Would three hundred Septims up front be enough?"

Tim was so startled by the amount he couldn't mask his wide eyed look of surprise and his protest against Lucien seemed to be cut off at the knees. Sensing a crack in the young man's resolve, the scholar pushed forward, sweetening the pot even further as he pulled out a bag bulging with coin and set it on the table between them.

"Here. You can have this now. After that, I'll top you up every time we come across something useful to my research. This is all at your discretion, of course. No obligations, save that you take me with you, and assist in keeping me alive wherever possible."

He wanted to say no. Tim wanted to push the bag of coins away and encourage the scholar to go to Whiterun and hire a proper mercenary to keep him safe. It would be better for him that way. However...

"I suppose we have a deal," Tim finally relented with a sigh as he picked up the bag of coins and weighed it thoughtfully in his hand.

Lucien's face lit up. "Oh, splendid! This is going to be quite the adventure!"

-------------------------

NOTE: Lucien Flavius is an original character Joseph Russell that can be downloaded and added to your Skyrim game as an immersive, fully voiced unique follower.

(https://www.nexusmods.com/skyrimspecialedition/mods/20035)

Normally, you would find him in the inn of a different town, but I've made some adjustments in this story so that Tim meets him w/out going there. In this story, Lucien is a scholar working for a special new museum based out of Solitude (https://www.nexusmods.com/skyrimspecialedition/mods/11802) and he's actually on the "relic hunter" initial storyline that comes if you use the "Alternate Start - Live Another Life" mod where your main character chooses to go to Solitude via ship and you have a life where you are a relic hunter invited by the museum's curator to Skyrim (https://www.nexusmods.com/skyrimspecialedition/mods/272).

#elder scrolls dc #tim drake #red robin #fanfiction #batfam #wip #crossover #skyrim fanfiction #spoiler warning: skyrim

1 note · View note

popculturebuffet · 5 years

Text

Analysis of X: Excalibur: The Sword is Drawn

In honor of britan’s premire superhero team returning today, we take a look back at the original team. Kitty Pryde and Nightcrawler must team up with a drunkard magical british superman and his chipper shapeshifting sorta girlfriend to save their old teammate from an alternate dystopian future with the power of a god from both a squad of skin stealing wolves sicced on her by a sinsiter reality show producer from another dimension and a group of intergalactic weirdo bounty hunters after her due to an entirely separate omniversal dictator who wants to bang british superman. Somehow, Grant Morrison didn’t write this. I would like to, if I may, take you on a strange journey after the cut.

Excalibur has always been the odd mutant out of the X-Men franchise.And that’s in part because the bulk of it’s mythos and characters come not from the deep wells of the X-Men comics of the time, but from another character Chris Claremont had a huge hand in: Captain Britain

Created shortly after Claremont got his start on the All-New All-Diffrent X-Men, redefining the X-Men forever and making them into the sales juggernaut they were for the 80′s and early to mid-90′s and are again today at long last, Captain Britan was Brian Braddock, a scientist who, while escaping a hired goon who torched his workplace, crashed his motorbike. He was saved by, of all things, Merlin... yes exactly the one your thinking of.... and his daughter and omniveral guardian Roma. They choose Brian to be their champion choosing either the staff of right or the sword of might and, not really being a fighter, Brian chose the staff and a hero was born.

Cap was created for the UK Divison of Marvel and while Claremont did a sizeable amount of work on the character, including introducing Brian’s sister and future X-Man and as of this week Captain Britan herself Betsy Braddock, it was two other men who made most of his mythos and the stuff that would end up being the backbone of Excalibur: Alan Davis, an absolutely monsterous talent of an artist and all around nice guy and... your going to want to sit down if you don’t know this I sure as hell was surprised, Alan Fucking Moore... and if that’s not his actual middle name it should be. Yes he of long beards, genere definting runs and yelling at the young people to get off his lawn and DC to stop hurting his baby Watchmen, THAT Alan Moore worked for marvel breifly. This was his only work with them shockingly. Not so shockingly he and Davis redefined the character, created most of the concepts that would be carried over to Excalibur, and gave the character a spiffy new costume seen above, one so good it’s stuck even into the modern era. Moore, and some other artists in addition to Davis, crafted a long epic about Cap going up against Mad Jim Jaspers, a reality warping mutant who was as insane as his name suggested and introduced many things that would become the backbone of the character, as well as establishing Moore’s habit of taking a less than sucessful B-List hero and utterly turning him on his head. Their also the ones who dubbed Marvel’s main universe 616, a fun fact I honestly had forgotten. But of course after Moore left Cap fell by the wayside, making a cameo or too in other marvel books in the US while Betsy made her way to the X-Men just when they needed new blood most. More on that in a bit. But he wouldn’t stay on the sidelines for long. See Chris Claremont has a habit of taking characters he created and using them later if they’d been forgotten somehow or put off to the wayside. Mystique, one of the x-men’s most iconic enemies... was a Ms.Marvel (The carol danvers one before she got the rank up), enemy. Sabertooth? An old iron fist villian he’d created and taken a shine to. Arcade was inveted for a team up of Spider-Man and Captain Britan before primarily becoming an X-Men villian for most of his life. And of course Betsy was a a supporting character who became one of the x-men’s most iconic members through a weird mind swap with a japanese woman before recently getting her old body back. Claremont dosen’t like leaving his charcters to twist in the wind and thus brought most of them into the x-men mythos. Even Spider-Woman, depowered at the time, ended up as a major Wolverine supporting character. One of Claremont’s strengths as a writer to me is that he never truly forgot anything he created or worked on, and the X-Men benefited greatly from it. So while it probably surprised american readers who only thought of Captain Britain as a c-list hero who teamed up with Spider-Man and Captain America, it’s no surprise in hindsight that for his second X-Men ongoing, having also made a TON of mini series, he choose to bring Brian to the big time. While I can’t find much background on Excalibur, I conjecture that Chris wanted to go a bit lighter.

The X-Men were in a DARK place at the time. I mean the X-Men were never all sunshine and roses but most of the humor of the book and lighter moments were gone at the time thanks to the Mutant Massacre, an event where the Morlocks, a group of disfigured homeless mutants who felt at odds with society and thus lived in the tunnels under New York, were slaughtered by professional hitsquad the Mauraders who killed all but a handful of them and during the fight with the X-men took 3 of them out of commission: Nightcrawler had fallen into a coma after overtaking his already crippled teleportation powers defeating one of the mauraders, Kitty Pryde slowly started to disappear, unable to phase back to solid after taking an electric spear for Rouge, and Colossus was heavily wounded in ways I forgot and since he rejoined the X-Men, aren’t really relevant here anyway. The X-Men were up against the wall against a barrage of ruthless opponents, working with longtime foe magneto since Xavier got trapped in space, as you do, and were not in a really happy place. So it feels like, even if the angst was still present because Claremont would go into withdrawl if there wasn’t some form of angst to work off, Excalibur was created as a way for him to do something different in the X-Mold and lighter so he could go as dark as he needed to. So by injuring Kitty and Kurt, he took them off the board and had a starting point for the team, and by adding Captain Britan and his girlfriend Meggan, a shapeshifting empath brought back one of his own creations and brought him into the american side of Marvel, and gave him an almost complete team. It also had the bonus of likely enticing Alan Davis, who in one of the few background things I could find about this book, didn’t really want to work on an established title like X-Men where there were expectations how it was supposed to look etc. But they were still about one member short of a team... but thankfully chris claremont had squared away a spare x-man for just such an occasion.

Enter. Phoenix, aka Rachel Summers. The daughter of Jean Grey and Scott Summers from the Days of Future Past timeline, Rachel ended up in our timeline, bonded to the Phoenix Force like her mom, and struggling with the power, eventually running away after attempting to kill Selene, an evil sorceress who hunted her in an attempt to drain her power. She fled, not sure wether she should rejoin her team or not, and was instead lured into joining Mojo on the promise of a new start. Mojo.. is this guy.

Strap yourselves in for this one: Mojo is the dictator of another dimension that runs off TV, essentially crafting shows for the media hungry populous and kidnapping the X-Men every so often to show up on his programs, to the point he once swapped Psylocke’s natural eyes out with robot camera eyes that looked like the normal eyes so he could record the X-Men’s adventures as it happened, which itself isn’t a bad concept. He didn’t show up to Rachel in person of course, partly because he’s too lazy and partly because he looks like what happens when lightning strikes a pile of twinkies and exposed wiring and somehow brings them to life. She was sent here for the same reason as Kurt and Kitty: to keep her off the board and set up her return here. It’s one of Claremont’s strengths to me: While he ocasionally forgets a subplot or dosen’t realize how wonky one is, more often than not he knows where the story is going and has a plan for it, and thus set up Excalibur a year in advance in the pages of Mutant Massacre.

Speaking of setup there’s one final thing to cover before we begin, the second X-Men crossover event and the one that directly leads into this: Fall of The Mutants, aka one of the worst days in the life of one Kitty Pryde. First her best friend and human google translate Doug Ramsey died while on a misson with the new mutants, sacrificing himself to save the life of his girlfriend Wolfsbane.

As if someone was challenging god to make her days worth, at the same time as this tragedy the X-Men, at the time made up of Storm, Wolverine, Psylocke, Rouge, Havok, Dazzler, Longshot and with tag along Madeline Piror whose story is too much to get into here, were locked in a battle with force of chaos and actual demon Nemisis, a being summoned by their sorta ally Forge by accident. Forge can also build any device he pleases but since every fifth x-men character has magic ruin their life, someone had to take the bullet caked with demon blood. At any rate the only way to stop him.. 9 souls were part of the ritual that brought Nemisis in, 9 souls were needed for the ritual to seal him up. And the X-Men, being true heroes determined to do whatever it took, gladly offered up their lives to defeat the demon and save the world. As the world looked on, the X-Men died, for once not feared and hated, but honored and mourned as heroes. Of course this being a comic book Forge’s method of saving the world was turning the X-Men into pure soul energy and throwing them at the demon but that somehow makes it more epic. And of course, it’s no suprise one of their dearest friends was watching from Muir Island, which was serving as a recovery ward for the surviviors of the massacre and was run by longtime X-Men Ally and lynchpin of Hickman’s run Moira Mactaggert

Thankfully, Kitty got one tiny sliver of sunshine on the worst day of her life: Kurt woke up from his coma... just in time to tell him the only family he’d ever known is dead. And that’s where we pick up, with our two heroes trying to figure out what to do now they’ve lost everything. But before we FINALLY get started, this bit was way longer than I meant it to be, your probably curious how long the X-Men stayed dead as well.. this is comics and they were the hottest team int he world. This wasn’t going to stick even if Claremont was serious about ending the series. And the answer, and i’m not making this up I counted, is two pages. Yup, TWO PAGES. Not kidding. Ironically enough Roma, the omniversal goddess daughter of merlin I mentioned, got wrapped up in all this and, moved by the X-Men’s bravery, gave them the chance to come back and start over however they like, and the X-Men choose to be unable to be picked up on tape and let the world think they were dead so they could strike back at their mounting enemies. Granted I feel that while the “play dead and take out our worse foes while we have the advantage” is a good part of it, not telling the new mutants or kitty and kurt is not only cruel, but just paints a target on a bunch of teenagers backs. Sure teenagers who’ve faced worse but still. But I digress, that’s a rant for when I cover Fall of the Mutants at some point and this exposition has taken far longer than I wanted it to. And so here we are at the one shot that would forge a team and finally, we can get into it: The cover, way up there is decent. It shows a nice right melee between Excalibur, the Warwolves and the Technet, though it makes it look like Gatecrasher is part of the team when she is in fact one of the issue’s main antagonist and is overall a bit weirdly composed. It doesn't help the proper Excalibur #1 has one of the best x-team covers of all time.

As you can see the comparison dosen’t help the far messier above cover. It’s just average in comparison to the creative and funny covers Davis would provide throughout both runs and the majestic one above. WE open on Kitty Pryde, understandably, having a nightmare, being dragged by a crew of makeup people just off screen and smack into

Oh good marvel’s already working on the new X-Men movie. Thank god I thought they really WERE going to take 5 years to do it. Naturally she is curious why their in hollywood but dosen’t suspect fowl play because well... to put it in a personal persepctive if I saw my grandpa I lost a few years ago or my dog I lost in high school that was the same age as me, alive healthy and back, i’d be confused as hell but mostly? I’d just be relived and hope beyond hope it was real, as poor Kitty is diong. Unfortunatley the illusion something isn’t up lasts all about a panel before this happens.

First of all: AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!. Second. as AHHHHHH! as it is.. it could’ve been worse.

It soon becomes clear something is up as Kitty wails around confused, wondering why Rouge’s powers don’t work and why the X-Men are acting as if nothing is real before action is called and they run off.. it’s then Kitty finally encounters a freindly face.

It's now from context clear just what the fuck is going on: this isn't JUST a dream: Rachel has somehow dragged Kitty into Mojoworld through her dreams, warning her, as seen above that with the X-Men gone, their image can be twisted and exploited by those wanting to use it for their own image. This warning is cut short when Fake Xavier starts shouting and soon we get this lovely image.

As we can see Rachel deeply regrets running but Mojo won't let her go.. fortunatley Kitty phases the chains and lets Rachel go, with Rachel promising to see kitty again soon as she flees.. unfortunatley Kitty's pissed off Mojo's actors...

Again, it could’ve been worse.

Kitty wakes up and naturally angsts a bit over that fucked up dream she had and then sees a phoenix in the sky, wondering what could it mean and what could the dream mean.

A lot to unpack here. First off... Perverso...

Second, my heart breaks at that last line.. and it’s true. Kitty likely feels, like a lot of people going through grief, that maybe they could’ve done something. Maybe if she was there she could’ve stopped their deaths and saved the day or failing that, she could’ve gone with them. So she wouldn’t have to feel awful about being here while they aren’t, so she wouldn’t feel the unbearable weight of being one of the last X-Men. But the sad truth is, she wouldn’t of made any diffrence. None of them would’ve taken the last slot and would’ve given it instead to their tagalong Madeline Prior so she could see her family again. They died selfilesly, and nothing she could’ve done would’ve stopped them.

As seen above Kitty tries to take solace in petting her dragon Lockheed. Yes Kitty has a dragon for those who didn’t know about him or were only familiar with her from the cartoons.. though why X-Men Evolution never thought to introduce Lockheed is beyond me. He’s a space dragon that stowed away when the X-Men returned from well.. space, and saved Kitty’s life, taking up residence as her pet. He was later revealed to be far more sapient than he seems, but still hangs around Kitty because it’s an effed up world, but it’s a two player game. But as demonstrated Kitty’s powers have inverted. While she has gotten better, as I talked about in my Mauraders #1 review she was fading from existance shortly after the massacre, her intangiable state is now her natural one. She has to concenrate to turn solid. So in addition to having lost just about everything, her powers are broken too. Kitty then sees a picture of her shortly after she joined the X-Men before having a good cry about how most of the people in the picture are dead and professor xavier got shot up into space. Thankfully he dosen’t have to watch cheesy movies.. unless it’s Cho’d turn to pick the movie. For some reason it’s ALWAYS Cool as Ice. no one knows why.

Meanwhile, in the seas of mood whiplash, we meet Meggan. Meggan, like most of the cast, is a mutant, something I was unaware of until now even though the I just thought she was some sort of magical creature, but no, she’s a mutant and the naration outright calls her one. I’m just stupid or thought they just classifed her wrong I guess. Unlike most mutants, who manifest powers at puberty, she manifested hers at birth. Megan is an empathic shapeshifter, basically meaning that she shifts based on those around her’s perception of her. And sadly her upbringing was not a happy one as, since she was born with fur, her parents saw her as a monster and left her in a caravan alone, with the rest of her romani community making up rumors about her.. and due to being unable to control her powers shape shifted into the monster they thought she was. She was raised on televisoin and thus has a rather naive sense of the outside world, and later bonded with brian after he took her in, her home having been destroyed due to lots of stuff I don’t have time to go into, and she later took up her current default form after realizing she was a shapeshifter in the first place. But yes our bubbly shapeshifter is swimming with the dolphins and due to her emphatic ablites, she can commuincate with them learns how to swim like them and, thanks to her ablities, has shifted to do so the best. She’s lost track of time though and heads home to the lighthouse she and Brian live in. She returns home to find the place ransacked, and since she didn’t feed her mogwii after midnight.. this time, she searches for the cause.. and the cause turns out to be similar to the reason Kitty is crying her eyes out miles away in scotland.

When Kitty and Kurt lost their surrogate family, Brian lost his too. As stated far above Betsy was his sister, and they were very close from the looks of it, and the loss of her naturally shattered the man. Meggan tries to comfort him but.. it goes about as well as you’d expect, especially since Brian has been heavily drinking on top of his grief.

This scene.. is really damn sad but really well written. Brian, as I joked in the teaser, has the powers of superman basically minus the add ons like heat vision and frost breath.. yet he couldn't save Betsy. But as Meggan accuratley puts things, he couldn’t of known she was in danger and she was a grown woman. As I said, she choose to sacrifice herself, and as I didn’t fill in, the spell only works with WILLING participants. All that would’ve changed had he gone is Madelyne Prior would be alive and not him. And it’s things like this that also made me take such umbrage with the X-Men faking their deaths: their causing, real genuine greif to people... while I joked mildly about the telpathy thing, i’m not sure betsy’s range, I AM sure that being a telepath one of the simpliest trick is masking your presence. It’d take a lot of effort and be mildly invasive, but keeping yourself hidden to tell your brother goodbye is hardly more morally grey than faking your death and leaving him in a drunken stupor. This is especailly bad once they get a teleporter shortly into their australian stay, as Gateway could SEND HER to him, with no risk of detection, and have her explain it in person with storm in tow. Instead they hurt their friends and loved ones for a plan that ultimatley didn’t quite pan out.

Meggan herself mopes for a second, understandable as Betsy was her friend too and she's hurt she's gone and blames herself.. before snapping out of it, realizing that Brian is just lashing out and needs help, but unable to face him like he is, she leaves him a pictoral note, since she's functionally illiterate, and goes to get advice from Kitty and Kurt, wanting to help him open up the way he helped her do the same. Meanwhile...

Jesus christ this comic loves abrupt tonal shifts.. but yeah Kurt is excercising, but then reflexively teleports after he takes a hit. As I mentioned earlier Kurt’s teleporting is strained, having gotten injured in a battle with Nimrod, who really hickman you couldn’t of come up with either a better name or a reason he’s called that when you brought him back in House and Powers?, and as a result comaed himself defeating one of the mauraders. And while the coma thing cleared up nicely his powers are still a fraction of what they once were and one teleport while injured no less leaves him too shaky to continue and reaching for the saftey panel. Thankfully Kitty phases through it while checking up on him, having been told through the island’s backup alarms that he was doing this borderline suicidal shenanigan. Kitty naturally lays into him over it.

Kitty's rage is entirely warranted: She just lost her surrogate family and her best friend. Things with her parents are strained. She dosen't want to loose the only family she really has left because he feels the same things she feels and is nearly killing himself to try and deal with it. Kurt apologizes, admitting the painful part of it: that he was HAPPY when he woke up from his coma, overjoyed to finally be alive again, to live again.. only to find out his family is dead from one of his closest friends. And with this i'm reminded of Steven Universe.. just go with me. There Pearl mourned for a good decade about loosing Rose because well.. she was everything she had. She , literally and metaphorically, freed her, she was her world.. and Rose moved on to someone else romantically and then decided to up and leave the mortal coil. Her entire world left her and she had no idea to cope or as she put it in song, "Who am I now in this world without her?" That's what our heroes are dealing with: for Kitty and Kurt the X-Men were their world.. not in such a co-dependent way as rose but for Kurt, it was his family: through them he went from a monster in the world's eyes, hiding from it and tired of having to do so, to a bold hero who refused to hide who he was anymore and who had family and a purpose. For young Kitty, she found parental figures in a time when her actual parents, particularly her dad, were going through a messy divorce, found strength she never knew to the point she EARNED her right to stay on the X-Men after Xavier started a junior class and wanted her to go there, and really came of age. The X-Men made them who they are today and without them.. just who are they? But before they can dive into that themselves our heroes find out something disturbing: they had the same exact dream about rachel, complete with helping her escape. Maybe they really did or maybe it was just a warning, the conculsion our heroes reach, and while Kitty does resolve to do something about it, determining that just because their injured dosen’t mean they’ve stopped being X-Men, but before they can deal with this they get a guest.

No but she’s just as weird and abrubt:

This is Gatecrasher, leader of the The Technet, a group of interdimensional mercenaries and bounty hunters. She wants to speak with the lady of the house but that’s not really and option as she’s kinda on a schedule. You know people to grab, drinks to be drunks, sapient racoons to bone.. that sorta thing.. and the last one isn’t something I pulled out of nowhere the recent Rocket Racoon solo not only brought in the technet but had her fancy the guy. Guess it’s the fuzzy, as Kurt himself will tell you chicks dig the fuzzy. It’s why he’s Krakoa’s orgy meister. Before Kitty and Kurt can find out who Gatecrasher is and why she’s here, Meggan soars in.. and hisses at Gatecrasher. See The good captain and the Technet have a history: they’ve been both enemies and reluctant allies, so naturally Meggan is worried their here for Brian. But this time they have no buisness with the good Captain... and when asked by kitty why she’s here Gatecrasher uses a telecom crystal, some sort of magic hologram recording, to explain herself:

Saturnyne is , as she says an omniversal majestrix. This basically means she runs the day to day operations of the Captain Britan Corps, basically the Captain Britians for every reality, helps give underdeveloped words nudges toward advancment and general multiversal maintince stuff. Sorta like a combination of Omnitraxus and Hekapoo from star vs the forces of evil but without being a racist asshole. I mean she’s still an asshole, just not a racist one. She and Brian have a romantic history. As you can also see each of the team is having a different reaction to her: Kurt is popping a boner just off screen, maybe he can invite her to Krakoa orgy night hmm?, Meggan is pissed because she and Brian were a thing once, and Kitty just found out she likes ladies AND she likes guy. What i’m saying is it dosen’t take an intellectual to get that she’s bisexual. And yes I know she turned down Karma off screen later on but that was A) the result of another writer changing things after the previous writer on both character, Chris Claremont himself, apparently had sizeable ship tease for them. and B) if her ex boyfriend iceman can be retconned to have been a heavily closeted until very recently gay man this whole time, Kitty can also have been sticking to the closet or just simply have not explored that side if we want. Anyways it turns out there here for rachel at Saturnyne’s orders, because she’s apparently a theat to the multiverse.. not too much of a stretch when in one reality her mom going dark phoenix destroyed damn near everything and even here the phoenix force has snuffed out entire galaxies. She’s apparently on her way back to earth, and it’s the Technet’s job to catch her. As for the specifics.. Gatecrasher has no idea. And frankly when an omniversal goddess asks you go fetch someone for what I assume is a yak that has a comparentment in it’s back with millions of dollars stashed inside, you don’t really care. Kitty being Kitty, refuses to help her find their friend and until she knows more, she’s willing to fight her on it. Unfortunatley, as you can probably tell, Gatecrasher wasn’t dumb enough to go after a being that can eat an entire solar system alone.

It's here we meet the Technet proper and a fight between two former teammates, a shapeshifter they only just now met and who only Kurt recognized, and a team of weird as shit but highly trained bounty hunters goes about as well as the classic matchup of Wolverine vs "Anyone trying to get between him and his beer stash". Kitty is quickly taken out by the yellow girl with green hair, scatterbrain, whose power is.. just that: anyone she touches has their brain go all spacey and weird and kitty knocks herself out falling over when Scatter shuts her thinky parts off. And as for Meggan..

This is Bodybag. And his power is exactly what it looks like: he gulps people up and then keeps them in his sack on the back. It’s weird but i’ts my kind of creative weird and it makes sense for a team of bounty hunters to have a member to store their quarrry. Kurt wisely BAMF’s the fuck out of there, but Gatecrasher decides not to persue him: He’s not their target, and if he wants his friends he’ll have to come back for them anyway, so it’s not like chasing him all over is really worth the effort. She does have Bodybag snag kitty though, and plans to use her and Meggan as bargaining chips.

Meanwhile Rachel finally returns to the story, as seen above a bit discombobulated given you know, she just crossed dimensions or whatever hapepned. She then ends up at a charity masqurade party , just poofying out of nowhere and when she tries to you know, leave...

I just... what the fuck kind of charity event IS this? The chains she brought with her but “no one leaves without permisson. “ I just... THIS IS A CHARITY BALL NOT VIETNAM. And who, besides racist assholes, thinks holdiing someone down with chains is a good idea. Just WHAT IS THIS SCENE. Thankfully we get some other party crashers.

These are Warwolves, a new, as far as I can tell, creation and basically Mojo’s literal hunting dogs. Rachel tries fighting them off but naturally, their Psi-Proof so just blasting them with telekenisis won’t work and uses the objects around her, including her own chains to duck them. But she mutters what’s the point it’s just another sound stage.. except as I said, it isn’t. She’s in foggy london town.

Rachel continues her run through the urban jungle eventually ending up in a subway. No not the restraunt, she’s not that unlucky. Duckign onto a train one of the warwolves globs on.

To be fair most hollywood contracts are basically slavery, but Rachel as a point.. she was basically tricked into singing it, again not exactly uncommon, and refuses to take this bullshit.

This bit is awesome, and doubly so as I left out a bit of Rachel's backstory on purpose earlier: she was a hound. Basically it meant she was enslaved and conditioned to hunt down other mutants, only escaping shortly before days of future past happened and then escsaping into the present. So naturally the thought of being enslaved and forced to do some asshole's bidding again, to loose her free will? She'll die before that happens and slaughters the warwolf to prove it.. though also scares her fellow passangers in the process. While Rachel tries to explain thing the warwolves greeve.. and Teleporter, Gatecrasher's lizard thing, has located Rachel. Meanwhile Madison is grappling with the fact that not every issue can be settled by comittee... Meanwhile Kurt arrives at the Lighthouse to find Brian stinking of booze and asleep, so he decides to do the only logical thing he can think of.

I fucking love you Kurt. So since Godzilla is too busy at his tax audit to save him from the depths of the ocean Brian wakes up himself pissed and assuming someone tried to kill him. Which granted Kurt outright admitted he might drown but given the only two friends he has left in the world and an innocent he just met who fought beside him despite having no reason to besides it being the right thing are in mortal peril, he has no time to play nice. Kurt’s responses to Brian’s outrage are fucking amazing.

Fucking brutal and accurate: Brian’s alcoholism is killing him and is just as borderline suicidal as Kurt’s play session with largely the same intention. Kurt has no time for wallowing in self pity, no time to baby Brian, as much as it might be warranted, through his grief. Kurt Wagner needs a hero, and since the avengers and fantastic four would likely take hours he dosen’t have, Brian is his best bet at saving his friends. He has no time for pity or sadness, he only has time to save what he has left. He explains the situation to Brian as well as how the hell he found him: since he at least knew of Brian, likely due to Betsy as she was staying with the X-Men prior to joining and just before the massacre, he dug up the X-Men’s file on him and spent the rest of his time getting to him. Brian is, unsurprisingly, in no real mood to help and mopes that there’s really no point in it… and that’s when Kurt somehow gets even more pissed off and 20 times as awesome, with a speech worthy of Sir Patrick Stewart himself.

And as I’ve made abundantly clear that’s the point of this story: The X-Men’s temporary death was unfair, left a lot of pain in their wake and left our heroes scrambling to figure out where do they go from here? And it’s here Nightcrawler is the first besides Meggan, whose simple world view means it was a lot easier to process things and took her three panels to get herself in gear to help Brian, to really turn a corner on his grief. He’s sad his friends are dead, he wishes more than anything that he could’ve died a hero like them instead of living with the misery and sorrow of them being gone.. but he’s alive. And he’s going to honor them the best he can by being the kind of man they wanted him to be. And to me this is why Kurt became leader: out of the five he has the most experience, with only Brian rivaling him in that, but also the most drive. He may of lost everything, but by god he’s going to keep moving. Sure his friends died, it’s the risk of the trade.. but they’d want him to live, to take up the sword and keep fighting so that the dream dosen’t fade out. It’s why, as much as I don’t agree with it, they kept hteir resurrection a secret: because the safety of all mutants, of their friends, is more important than one man. And Kurt is going to honor that. But not before giving Brian another verbal bitchslapping.

Of course it’s not easy as Brian DID die to become captain britan.. and the memory haunts him. And he wonders when it’ll come from him.. and he’s afraid of it. But the question is will he let his fear of the reaper swallow him whole or live like Kurt, fighting on anyways. To truly live.

Meanwhile Rachel is the only member of the forming team to not have had a full on mope sesh so she gets on that, but it only lasts for about a panel and like most of the angst in this comic is warranted: Rachel comptemplates if she should go back to the X-Men.. but realizes despite running out on them , their family, and she has no other options. But before she can learn the truth the technet are upon her and bodybag scoops her up. Gatecrasher plans to release Kitty and Meggan and one thing I like that I hadn’t noticed in previous reads is Gatecrasher is a fairly intresting antagonist. She’s not “evil”, she’s just a merc wanting a payday, and in this case was hired by a legitmate if pompus source. While she takes Kitty and Meggan, it’s more out of pragmatisim and as noted she plans to release the two when she could’ve let Bodybag digest them, and when first showing up is perfectly cordial to Kurt and Kitty, and only fights when it’s clear our heroes won’t let her just walk off with their old friend. It makes me glad there’s far more of her and the technet to come as the series goes on and a ton more in Alan Davis run when I get to that. Their intresting characters with unique power sets and inject a sense of fun into what would otherwise be a fairly dreary story. Anyways before she can do that the warwolves strike and are too dumb to know when to quit so a fight breaks out and Gatecrasher beats the piss out of one while Kurt arrives, watching from the shadows. As for why no one’s spotted him... i’ts simple: One of his powers is to blend into shadows. It’s not used often and it’s forgotten quite a bit, but it is one he’s used on ocasion and even IF Claremont just retconned it out, his foes are too busy to notice. Kurt once again shows how awesome he is and tricks one of the wolves into slashing the bags containing his friends open. Gross but oh so triumphant.

Unfortunatley his victory is short lived: Meggan and Kitty are still woozy as, while I didn’t mention this earlier, Bodybags bags contain a paralyzing goop so they still aren’t quite ready to fight and while Rachel is, she can’t psy zap the dog. Luckily for Kurt gatecrasher yanks it away. Unluckily, she prepares to beat him into furry blue chunklets on the ground. Luckily...

Brian has finally gotten his shit together to save the day.. for all of a panel…

While Brian is fighting who or whatever that is Rachel and Kitty try to get into things but are blindsided by ringtoss and joyboy whose powers well...

Yeah while ringtoss, if still weird isn’t TOO out of the ordinary for Marvel, Joyboy seems like he’s some sorta lost Jojo’s bizarre adventure stand. It’s also another reason to love the technet as again, their powers are just so fucking creative and weird. But that’s also what makes them such a threat: Their powers aren’t what most heroes usually deal with, and thus they have the element of surprise, helped by the fact their all from separate dimensions, meaning even in space, where their likely more ready for nonsense, they still have the upper hand by being races most space peeps aren’t ready for. Speaking of not ready,w ehave two last members to cover...

They speak for themselves, and while they do so Brian tries to rescue Meggan but is stopped by scatterbrain. Nightcrawler notices their asses are getting kicked and figures out WHY: The Warwolves and The Technet are teams. They work together regularly. Excalibur at this point is three former teammates in a disorienting situation and two british persons they just met. And if they don’t’ start working together they aren’t going to last. So Nightcrawler decides to fix that by knocking a warwolf into Ringtoss, who then collapses into waxwork whose touch takes out both and leaves Rachel free. Rachel quickly takes out Joyboy and with him out of the way, Kitty and Kurt can focus on Gatecrasher:

And with that Gatecrasher knows when to fold em and teleports the team away to fight another day, while the Warwolves slinked off in the confusion. Both will be back, obviously, but for now our heroes have one, Brian and Meggan make up and make out, and with the chaos settled Kitty, Rachel and Kurt have a tearful reunion.

Our heroes celebrate with a campfire and memories of their fallen comrades, with Rachel admitting she’s not sure what’s real or not after her experiences with Mojo. Brian prepares to leave and take care of the Warwolves himself.. but Rachel objects. The three others don’t have lives to return to, and just because the X-Men are gone dosent’ mean Xaviers dream should die out, likening them to the symbol of King Arthurs sword Excalibur. Kitty and Kurt start to agree, pointing out their dream taught them that if theirs a vacuum left in the X-Men’s legacy, someone will use it for their own ends. Rachel affirms her reasons for staying as a team, saying she’s tired of running: She’s done so all her live and she wants to , for once, stand for something. Meggan, having had similar problems in the past, agrees with her and the rest of the crew quickly come on board and thus we close on this image as a new team, and a new legacy, is forged: Excalibur is born.

Final Thoughts: The Sword is Forged is an utter classic and a great way to start things off. Our heroes are established, Rachel, who I felt was a bit thrown around by the plot during her time on the X-Men, is fleshed out a bit more and given purpose while Brian and Meggan are decently introduced to the audience. My only real complaints is that Davis and Claremont sometimes forget that American audiences won’t know who half these people are and while they introduce the Technet and Saturnyne well enough, they still never backtrack to explain them better later and what history I DID get I had to dig up for myself online. That aside the story, while having a lot of angst, is well done and has a good flow to it and ends on a high note, the characters are likeable enough, the villains are all creative though the Warwolves feel slight next to the Technet and will get fleshed out a bit more in the series proper. And of course I’d be a moron if I didn’t compliment Alan Davis wonderful art, which captures the whimsical tone well, the emotion in certain scenes perfectly and holds up beautifully years later. Overall The Sword is Forged is a great team origin story and if you liked what you saw here I’d recommend checking it out. Next time, hopefully tonight, we finally get to to the new Excalibur as Brian and his sister and thrust into the shit and a new Captain Britain is born. Until then, courage.

#analysis of x #excalibur #captain britan #meggan #nightcrawler #kitty pryde #rachel summers #the technet #gatecrasher #warwolves #mojoworld #x-men #chris claremont #alan davis #dawn of x

28 notes · View notes

djinmer4 · 4 years

Text

Scarborough Fair (Noir AU)

“Are you absolutely certain this is what you want?” Stefan made no effort to keep his voice down, but the noise of the party easily drowned him out.

“I don’t understand your question,” Jimaine carefully brushed a few straggling hairs back into her coiffure. “My fiancee is handsome, charming, polite and generous. Plus, Kurt’s our foster brother, we’ve known him for years. What more could I want?”

“I guess if you’re happy, that’s enough.” Jimaine held out her arm, but her brother waved her away. “Go and wow your fiance. This party’s for you after all.”

She flashed a quick smile and strode into the festivities. Kurt’s grin dutifully widened at her entrance, and he offered his arm to squire her around. Stefan remained in the shadows, offering brief smiles and nods at any guests who noticed him but refraining from participating.

As he observed, he found himself being less and less happy about the upcoming nuptials. On the surface, it was a fairytale marriage, with Jimaine as the golden bride and Kurt as the handsome groom. And yet . . .

It wasn’t that Kurt was ignoring Jimaine. He had greeted her effusively when she had entered, catered to her every voiced desire, remained well within view during the whole party. But Stefan noticed, aside from the first moment, he never really looked at Jimaine. He answered when she called for him, but he never initiated a conversation with her. And while in view, he was almost never in arms reach of her. If his sister wanted something, she had to walk over to him, never the other way around.

“Don’t you want a husband who will actually see you rather than take you for granted?” he whispered to himself.

~~~~~~~

He crouched on a hillside, burying himself in the low shrub. It was nothing like Bavaria or Winzeldorf or Schwarzwald or any other place he’d ever been hunting. There were no trees, what little cover existed came from the shadows of hills and rocks and low scrub. But that meant the same thing for his opponents. On the battlefield, it was only a question of whose eyes were sharper, whose reflexes were faster. And so far, he’d been better than all his challengers.

Through the scope, he watched a sparrow land and peck at the frozen soil. He followed it into the brush, searching for the telltale glint of metal. He snuggled deeper into the camouflage blanket, letting it obscure the shadow of his body and hold back the biting cold. He’s the only one on watch this hour, the rest of the squad in exhausted, fitful slumber will eventually end at an officer’s command or the whistle of incoming bombs with the dawn.

Not seeing any threats, he takes a few minutes to pull out his holdout. He cleans the pistol but refrains from polishing it. Too many fellow soldiers have lost their lives from either lack of maintenance or from bright flashes of metal in the dark. An explosion of red breaks the early morning gloom and the silence and he abandons his post, shouting directions to the other waking soldiers. More explosions wrack the night and they retreat through the trenches, the sand and mud and worse sucking the warmth from their legs with every step. A man ahead of him stumbles and falls, and he grabs him by the leather harness on his back. When a break occurs in the artillery fire, he realizes that the man he was dragging was already dead.

~~~~~~~

It’s ridiculously easy to gain access to the cabaret. Despite being frequented by Weimar officials, it’s not one of the higher quality ones. The bouncer doesn’t bother to even ask for ID, nodding him through with barely a glance at the crow’s-feet around his eyes and his thinning hair. He drops his trench coat at the unmanned coat check but keeps his scarf and hat. Inside, no one even glances as he takes a seat at the corner of the bar. Two drinks later, and he leaves his seat for the bathroom.

It’s the work of moments to flip his suit jacket inside out, the white lining hastily limned in black thread to imitate the waiters’ uniforms. His accessories go under the jacket and the blue mask goes his face, hiding the gas scars. Again, he’s thankful for the target’s poor choice of venue. The masks are as gimmicky as they come but all the servers are wearing similar ones and with the dim lighting it could be anyone under the fantastical facade.

It’s another hour before the target shows up and Kurt’s reminded why he hates jobs like these. The music isn’t bad and he’s spent longer on his feet assisting senior surgeons, but suppressing the urge to beat all the rude fools to death is always a chore. But finally, the officer comes in with about half a dozen friends, including a few working girls. The loose way they hang over each other could be an issue, but he’s brought enough strychnine for all.

One of the longer, and frankly more interesting acts comes on stage and he makes his move. About five minutes in, he goes around the table, refilling drinks and dropping quick dissolve capsules in the champagne. The officer and his friends are too riveted to consume their drinks, and he drops off their meals just as the lights come back on. Another fifteen minutes of serving, he slips back into the bathroom changing back into his suit. A couple more drinks at the bar, and then he leaves, just as the first member of the party collapsed.

~~~~~~~

“Jimaine, grab his things.” Stefan lifted the shorter man by the collar of his shirt and threw him out of the wagon. “We’ve reached Winzeldorf, as promised. Don’t let me catch you hanging around here again.”

Kurt brushed himself off, then caught the untidy parcels his foster sister tossed him. “I’ll pray that God will soften your heart and you will repent this, brother.”

“Pray for yourself, murderer!” With that, he turned and ordered the caravan back on the road. Behind them, Kurt slipped on his boots and jacket, gathered his possessions and slipped off into the night.

~~~~~~~

“There’s been extensive degloving across the entire back.” Dr. Wagner let the orderly clear a path through the busy hallways only pausing when they reached the entrance of the theatre.

“Is there any intact skin?” He stripped off the scarf he was wearing and the broader man flinched and averted his eyes.

“I-I don’t think so. The only place that wasn’t shredded was the front of his torso and using skin from there would be like robbing Peter to pay Paul.” The orderly shot the surgeon a confused look as he reached into a wardrobe in his office. “Is that a butcher’s apron?”

“I can never seem to remember to change my clothes before going home. I thought maybe trying to protect my clothes during surgery might at least make me look less suspicious.” The older man quickly tied the apron strings behind him. “Hmm, there doesn’t seem to be much to work with. What about the limbs?”

“Dr. Connors isn’t too optimistic about the results. He said there’s going to be at least one amputation, maybe multiple ones, although he’s holding off until you’ve patched the torso.”

“In that case, I’ll take the skin from the limbs and try to patch over the torso with that.”

“Uh, are you sure that’s wise, doctor?”

He reached back into the ward to pull out the black leather bag containing his personal equipment. “The man’s as good as dead anyway, so this is the perfect time to experiment. If he lives, all well and good, if he dies, that’s what everyone was expecting anyway. Really, there’s nothing to lose in this case.” He replaced his scarf with a new surgical mask and also put on a new pair of thin rubber gloves. “Now go start the carbolic spray.”

~~~~~~~

“Do you ever think about leaving the city?”

Kitty had spent the past 2 hours staring at her typewriter and welcomed the interruption. “Leaving New York? Sometimes, I think it would be nice to live in Boston or DC for a change but I’m pretty happy here. Definitely not going back to Chicago though. Too close to my parents.”

“Not what I meant. I mean something like going out to New Jersey. Or Ridgewood or Greenville.”

Her lips twisted down. “Ugh, no! I hate the idea of living in the countryside, I’d be so bored. Why do you ask?”

He shrugged and then waved a hand in the air, dismissing the subject. “I’ve been a little homesick. Missing the woods of Winzeldorf.”

Kitty lay her hands on the keys, but didn’t apply any pressure to them. “I’m telling you right now, if you’re planning that we get married and move out to some pastoral green acres, I’m giving back the ring immediately.”

His laugh turned into a snort turned into a brief coughing fit. Once he got his breath back (after Kitty fetched him a drink of water) he demurred. “Not right now, certainly! If nothing else, I’d make less moving out of New York. But maybe in a couple of decades, after I retire, would you consider it?”

The frown melted off her face and was replaced by contemplation. “I’ve got to admit, it still doesn’t sound good to me but who knows how I’ll feel in twenty years. Ask me then.”

~~~~~~~~

“There’s another one gone. That’s the third one this year.” Dr. Connors was back from probation (or maybe more accurately stated, he was back on probation).

“Who’s gone?”

“Another one of the nurses. Bertha, I think her name was. They all swear they’re single when they first start, but six months later they’ve gotten engaged to some patient and they’re gone.”

Dr. Wagner looked up from the desk where he was writing case notes. “That’s no good. We can’t stop them from falling in love, but we’re short-handed. Can’t they at least have the decency to tell us when they’re getting engaged so that we have a few months' notice to hire a replacement and train her?”

“Even if the girls are too silly to think of that, you’d think the patients would. But it’s out the door and straight to the chapel.” Connors took a sip of his coffee and grimaced. “Still, it gives men like you a much-needed advantage.”

Blue eyes narrowed above his mask. “What does that mean?”

“Well, I suppose the fact most of your patients are under ether makes it difficult for you to impress them. Still, I’m sure that a few of the lady patients have thought even you to be as hotsy-totsy as Valentino. Or maybe you’ve had a few shebas in the linen closet? Either way, it’d be a sockdollanger for you.”

Kurt took several minutes to untangle the slang that Connors was using. Once he did, he straightened up like a poker had been rammed up his backside. “I’m married, thank you very much.”

The other man simply grinned at him. “Is she from Canada?”

The German refused to dignify that with an answer, instead just dumping the remaining paperwork on the other doctor’s desk and walking out.

~~~~~~~

“Dad sent you over a Christmas gift.”

Kurt looked up from the journal he was reading. “Your parents don’t celebrate Christmas.”

“Yeah, I know. But I think they’ve finally resigned themselves that I’m not going to move back to Chicago and marry a nice Jewish doctor the way they want me to, so they’re at least acknowledging your existence now.”

“Does it help at all that at least I am a doctor? Even if I’m not very nice. ” He carefully unwrapped the fire-engine red wrapping paid and set it aside. Inside the matte velvet box was a pocket watch with the Star of David emblazoned on it. “What’s this?”

“It’s the bare minimum. I think they’re lying to their friends, telling them the reason I’m not coming back is that I really did marry a nice Jewish boy from Queens. If they really accepted you, Mom probably would have pushed that we do another wedding ceremony in Chicago. I suppose I should just be grateful she didn’t sit shiva for me.” Kitty slid down the side of the armchair to curl into his side. “That’s a Pryde family heirloom. It’s been passed down from father to son for about five generations now, but well . . . Dad always said he’d give it to the guy I’d marry. So there’s that.”

He set the journal on the coffee table and pulled her into his lap. “I suppose it would be rather difficult for you to run away now. No one’s going to believe you if you say I’m a bigamist or cheating on you.” He slid his hand around her side, down over her ribs. “And I’m definitely not impotent.”

She giggled at the tickling sensation. “Don’t worry, I’m not interested in exchanging you for a new model, even if your hair is vanishing faster than a dewdropper’s scratch on a bangtail.”

A brief pause. “I have no idea what you just said.”

She chortled again, leaning up to kiss the crow’s-feet around his eyes. “It’s not important. Just be glad at least one of my parents has accepted our marriage. Albeit dragging his feet all the way.”

He thumbed the lid of the pocket watch, tracing the Star with his nail. “Still, it takes a lot of bravery to step out of your comfort zone and let your daughter make her own decisions on these things. Such courage should be rewarded. Do you think he would take it amiss if I returned the gesture?”

She squirmed around until she was lying crosswise in his lap, the cold point of her nose touching bare skin just above the collar of his shirt. “I think that would be a bad idea. He’s gone out of his way to follow your culture this time, now it’s your turn to show that you respect his traditions.”

Kurt sighed, the sound slightly muffled by the mask. “I can’t exactly go back in time and ask his permission to marry you again. And Hannukah’s already passed . . .”

He felt more than saw her shrug. “Dunno. But Dad always did want a boy . . . “

“Well, I’ve never had a father. Maybe we can bond over that.”

#noir au #dr wagner

6 notes · View notes

jcmorgenstern · 5 years

Text

@superohclair oh god okay please know these are all just incoherent ramblings so like, idk, please feel free to add on or ignore me if im just wildly off base but this is a bad summary of what ive been thinking about and also my first titans/batman meta?? (also, hi!)

okay so for the disclaimer round: I am not an actual cultural studies major, nor do I have an extensive background in looking at the police/military industrial complex in media. also my comics knowledge is pretty shaky and im a big noob(I recently got into titans, and before that was pretty ignorant of the dceu besides batman) so I’ll kind of focus in on the show and stuff im more familiar with and apologize in advance?. basically im just a semi-educated idiot with Opinions, anyone with more knowledge/expertise please jump in! this is literally just the bullshit I spat out incoherently off the top of my head. did i mention im a comics noob? because im a comics noob.

so on a general level, I think we can all agree that batman as a cultural force is somewhat on the conservative side, if not simply due to its age and commercial positioning in American culture. there are a lot of challenges and nuances to that and it’s definitely expanding and changing as DC tries to position itself in the way that will...make the most money, but all you have to do is take a gander through the different iterations of the stories in the comics and it’ll smack you in the fucking face. like compare the first iteration of Jason keeping kids out of drugs to the titans version and you’ve got to at least chuckle. at the end of the day, this is a story about a (white male) billionaire who fights crime.

to be fair, I’d argue the romanticization of the police isn’t as aggressive as it could be—they are most often presented as corrupt and incompetent. However, considering the main cop characters depicted like Jim Gordon, the guys in Gotham (it’s been a while since I saw it, sorry) are often the romanticized “good few” (and often or almost always white cis/het men), that’s on pretty shaky ground. I don’t have the background in the comics strong enough to make specific arguments, so I’ll cede the point to someone who does and disagrees, but having recently watched a show that deals excellently with police incompetence, racism, and brutality (7 Seconds on Netflix), I feel at the very least something is deeply missing. like, analysis of race wrt police brutality in any aspect at all whatsoever.

I think it can be compellingly read that batman does heavily play into the military/police industrial complex due to its takes on violence—just play the Arkham games for more than an hour and you’ll know what I mean. to be a little less vague, even though batman as a franchise valorizes “psychiatric treatment” and “nonviolence,” the entire game seems pretty aware it characterizes treatment as a madhouse and nonviolence as breaking someone’s back or neck magically without killing them because you’re a “good guy.” while it is definitely subversive that the franchise even considers these elements at all, they don’t always do a fantastic job living up to them.

and then when you consider the fetishization of tools of violence both in canon and in the fandom, it gets worse. same with prisons—if anything it dehumanizes people in prisons even more than like, cop shows in general, which is pretty impressive(ly bad). like there’s just no nuance afforded and arkham is generally glamorized. the fact that one of the inmates is a crocodile assassin, I will admit, does not help. im not really sure how to mitigate that when, again, one of the inmates is a crocodile assassin, but I think my point still stands. fuck you, killer croc. (im just kidding unfuck him or whatever)

not to take this on a Jason Todd tangent but I was thinking about it this afternoon and again when thinking about that cop scene again and in many ways he does serve as a challenge to both batman’s ideology as well as the ideology of the franchise in general. his depiction is always a bit of a sticking point and it’s always fascinating to me to see how any given adaptation handles it. like Jason’s “”street”” origin has become inseparable from his characterization as an angry, brash, violent kid, and that in itself reflects a whole host of cultural stereotypes that I might argue occasionally/often dip into racialized tropes (like just imagine if he wasn’t white, ok). red hood (a play on robin hood and the outlaws, as I just realized...today) is in my exposure/experience mostly depicted as a villain, but he challenges batman’s no-kill philosophy both on an ethical and practical level. every time the joker escapes he kills a whole score more of innocent people, let alone the other rogues—is it truly ethical to let him live or avoid killing him for the cost of one life and let others die?

moreover, batman’s ““blind”” faith in the justice system (prisons, publicly-funded asylum prisons, courts) is conveniently elided—the story usually ends when he drops bad guy of the day off at arkham or ties up the bad guys and lets the police come etc etc. part of this is obviously bc car chases are more cinematic than dry court procedurals, but there is an alternate universe where bruce wayne never becomes batman and instead advocates for the arkham warden to be replaced with someone competent and the system overhauled, or in programs encouraging a more diverse and educated police force, or even into social welfare programs. (I am vaguely aware this is sometimes/often part of canon, but I don’t think it’s fair to say it’s the main focus. and again, I get it’s not nearly as cinematic).

overall, I think the most frustrating thing about the batman franchise or at least what I’ve seen or read of it is that while it does attempt to deal with corruption and injustice at all levels of the criminal justice system/government, it does so either by treating it as “just how life is” or having Dick or Jim Gordon or whoever the fuckjust wipe it out by “eliminating the dirty cops,” completely ignoring the non-fantasy ways these problems are dealt with in real life. it just isn’t realistic. instead of putting restrictions on police violence or educating cops on how to use their weapons or putting work into eradicating the culture of racism and prejudice or god basically anything it’s just all cinematized into the “good few” triumphing over the bad...somehow. its always unsatisfying and ultimately feels like lip service to me, personally.

this also dovetails with the very frustrating way mental health/”insanity” or “madness” is dealt with in canon, very typical of mainstream fiction. like for example:“madness is like gravity, all it takes is a little push.” yikes, if by ‘push’ you mean significant life stressors, genetic load, and environemntal influences, then sure. challenge any dudebro joker fanboy to explain exactly what combination of DSM disorders the joker has to explain his “””insanity””” and see what happens. (these are, in fact, my plans for this Friday evening. im a hit at parties).

anyway I do really want to wax poetic about that cop scene in 1x06 so im gonna do just that! honestly when I first saw that I immediately sat up like I’d sat on a fucking tack, my cultural studies senses were tingling. the whole “fuck batman” ethos of the show had already been interesting to me, esp in s1, when bruce was basically standing in for the baby boomers and dick being our millennial/GenX hero. I do think dick was explicitly intended to appeal to a millennial audience and embody the millennial ethos. By that logic, the tension between dick and Jason immediately struck me as allegorical (Jason constantly commenting on dick being old, outdated, using slang dick doesn’t understand and generally being full of youthful obnoxious fistbumping energy).

Even if subconsciously on the part of the writers, jason’s over-aggressive energy can be read as a commentary on genZ—seen by mainstream millennial/GenX audiences as taking things too far. Like, the cops in 1x06 could have been Nick Zucco’s hired men or idk pretty much anyone, yet they explicitly chose cops and even had Jason explain why he deliberately went after them for being cops so dick (cop) could judge him for it. his rationale? he was beaten up by cops on the street, so he’s returning the favor. he doesn’t have the focused “righteous” rage of batman or dick/nightwing towards valid targets, he just has rage at the world and specifically the system—framed here as unacceptable or fanatical. as if like, dressing up like a bat and punching people at night is, um, totally normal and uncontroversial.

on a slightly wider scope, the show seems to internally struggle with its own progressive ethos—on the one hand, they hire the wildly talented chellah man, but on the other hand they will likely kill him off soon. or they cast anna diop, drawing wrath from the loudly racist underbelly of fandom, but sideline her. perhaps it’s a genuine struggle, perhaps they simply don’t want to alienate the bigots in the fanbase, but the issue of cops stuck out to me when I was watching as an social issue where they explicitly came down on one side over the other. jason’s characterization is, I admit and appreciate, still nuanced, but I’d argue that’s literally just bc he’s a white guy and a fan favorite. cast an actor of color as Jason and see how fast fandom and the writer’s room turns on him.

anyway i don’t really have the place to speak about what an explicitly nonwhite!cop!dick grayson would look like, but I do think it would be a fascinating and exciting place to start in exploring and correcting the kind of vague and nebulous complaints i raise above. (edit: i should have made more clear, i mean in the show, which hasn’t dealt with dick’s heritage afaik). also, there’s something to be said about the cop vs detective thing but I don’t really have the brain juice or expertise to say it? anyway if you got this far i hope it was at least interesting and again pls jump in id love to hear other people’s takes!!

tldr i took two (2) cultural studies classes and have Opinions

#wow this was a hot fucking mess #i tried to be organized but my thoughts weren't coming out super well #again anyone interested please feel free to jump in or correct me at any place you feel like #i die on the ''jason todd would be treated horribly by fandom if he were a character of color' hill tho #i could go on about 1x06 until im blue in the face but that's the uhh overview. the executive summary.#dc titans #i need meta tags and shit for this show #god help me in too deep #finding the meta side of fandom was a GIFT tho i love this shit #so excited

16 notes · View notes

tessatechaitea · 5 years

Text

Wonder Twins #5

Jayna just punched straight through her brother's butthole.

If you're a being who turns into water, your dick and butthole don't just disappear, right? They just become part of the water! So I'm almost certainly correct in my comment on the cover. Hopefully Mark Russell will explore this topic in a future issue. Until then, I'll be certain to tell everybody I know that Jayna basically fisted Zan. Luckily for the Wonder Twins, I don't know many people and also they are fictional characters. This issue is called "Magic and Games." I think. It will probably take me less time to read this entire comic book than it took me to puzzle out the word "Games" in the font used for the title.

Sure, you can see it now that I already told you what it was! But it was difficult before I worked it out! Although I still wouldn't be surprised to learn the title is "Magic and Galljes" or "Magic and "Gaines" and that the second word is somebody's name.

Usually I don't comment on Mark Russell comic books because to comment on a Mark Russell comic book, you should probably be smart and serious. Sure, he's having fun and writing an entertaining book that I can easily use to make jokes about fisting incest! But he also writes sensitive stories about social justice and systemic bias and ethical dilemmas in changing times and, well, other stuff that I'm too dumb to even discuss in the most general terms! He's a smart guy which is why I hate him with a burning passion! But it's a good hate! It's the kind of envious hate that pushes me to my own Emerald Twilight! I probably won't wind up destroying an entire town and ruining my reputation and becoming the most vilified hero in our universe but I almost certainly will eventually become the avenging spirit of God judging everybody around me! Wait, I think I already am that! Whatever my point is, it's that Mark Russell writes good and I'm too weak to not despise him for it. Polly Math has just won first prize at the science fair because her last name is Math. I guess Sandra Science didn't compete this year so Polly was the obvious next choice. Jayna wins second place because her project on fucking hot guys while being a nerd in high school fell apart when the guy she attempted to science fair fuck turned out to be a villain. It's also possible I'm confusing story lines but you have to expect that kind of thing! I'm not spring chicken! Remembering details between chapters that come out a full month apart has been nearly impossible for the last twenty years! I shouldn't make fun of Polly Math's name because I have a name that people always try to make jokes about too. It's not Grunion Guy! You can probably find it if you do even the smallest amount of Internet research! I'm not going to help you though because I don't want to get called a Deaf Chef anymore! Polly is upset that her father is working with Lex Luthor and the League of Annoyance. But Jayna has a plan to fix things! I bet her plan is to turn into a giant tortoise while Zan turns into an ice dildo and...wait a second! Why am I giving out good ideas that Mark Russell will just steal in a few issues?! Better to not speculate on things! Also, I mean, the cover shows Jayna going with the shark plan.

Okay fine! I'm finally interested in Fox News!

The most disturbing thing about people who watch Fox News is that they ignore five hundred other channels that are showing entertaining things on their television at the same time! Who chooses that shit over Comedy Central or the Game Show Network?! I haven't had cable for nearly twenty years and whenever I'm staying somewhere with cable, it's locked on the Game Show Network 24/7! Who the fuck chooses to watch state propaganda over old game shows?! Fucking psychopaths, that's who!

Polly Math's father wound up working with Lex Industries because only Lex Luthor hired African Americans, I guess? Hadn't he heard of STAR Labs?! Maybe Silas Stone and Sarah Charles fulfilled their quota?

I might be misreading this scene but I don't think I am because the white guys with white guys playing golf pictures behind them seem interested in Filo Math if he's Norwegian (so, you know, totally white!) and then when they meet him, they don't want to hire him. It could be that they really are concerned with his specialty! What could that be?! I mean, it can't be any worse than Silas Stone's specialty of turning his son into a cybernetic example of the castration of the black male in America! That's a really terrible specialty! Although Sarah Charles seemed to be pretty into it. See?! This is why I can't review a Mark Russell book! He's making a great point about the systemic bias inherent in corporate hiring practices and I'm not taking it seriously! I mean, he isn't either, really? He's being light-hearted while still making a good point. Which is what I've done, I think, in my comment about Cyborg's lack of a penis! The Scrambler wants to play a trick on society. He's a magician that believes people are frightened of magic and only like the part where everything is normal again. Magician: "Is this your card?" Audience Member: "Why yes! Thank God you picked my card! I was worried I was going to have to live in a world where my card wasn't picked!" Maybe I'm not comprehending his point. Anyway, The Scrambler wants to do a trick where things don't ever go back to normal! He's a monster! Imagine picking the Three of Clubs and nobody ever showing you the Three of Clubs ever again! Ugh, I'm feeling faint. To save Polly's Dad from definite prison time (or possibly, if Superman shows up, an eternity in the Phantom Zone. As if Superman can be bothered with Earth's judicial system! Pshaw!), Jan has challenged the League of Annoyance to a duel at the zoo. I guess if she wants to stress out all of the animals there with a big battle, who am I to judge? I mean other than being the real life version of Hal Jordan's Spectre, of course! At the zoo, Jayna recruits a bunch of Australian animals to help fight which goes as spectacularly as you can imagine it would. And what I mean by that is that a koala is blown to bits. But I guess that's worth it in the grand scheme of getting Polly Math's father to stop working with the League of Annoyance. It's like that philosophical conundrum about an ant that sacrifices its life for even the tiniest amount to better the world. It's just an ant! It practically owes it to the universe to die for nearly nothing! What does this koala bear expect? It should get to live in luxurious confinement at the zoo and not die for a trivial reason? Stupid koala bear. Go fuck yourself, you selfish bastard. The Wonder Twins defeat two out of three of the League of Annoyance members at the expense of just one koala's life and the bruised jaw of an innocent kangaroo. The third member, some woman with a Kryptonian cell phone whose name maybe I should remember, gets away to go regroup. Sylvia is a racist that joined the League because she didn't like the demographics of her small town changing. She's startled by Filo entering the League's headquarters to pack up his stuff and winds up zapping him like she zapped the koala. Okay, I guess the koala isn't as dead as I first thought. I should have realize a Kryptonian phone is probably sending everything to the Phantom Zone. So once again, I, the Grandmaster Comic Book Reader, was correct when I speculated that the worst that could happen to Filo was prison or the Phantom Zone! I'm the smarterest! Sylvia is caught on camera zapping Filo Math and then messes up in an interview when she kind of admits to having maybe zapped more than one black person with her phone off-camera? It's a real public relations nightmare!

But Lex can fix it! His greatest strength is turning public relations nightmares into public relations wet dreams!

Lex News turns Cell Phone Sylvia into a national hero. Because anything is excusable if you just say how scared you were! I mean, as long as you're white! It's scary being white! Sometimes you have to kill people with your legal gun while standing your own ground after confronting somebody for the most inconsequential reasons! It's just the way the world works! At least in America! Happy 4th of July! Just in case some readers weren't smart enough to get that everybody blasted by Sylvia's phone went to the Phantom Zone, Mark Russell supplies us with an image of Filo and the koala and a bunch of Sylvia's other victims (hmm, all black! But that's probably just a coincidence!) in the Phantom Zone. Polly, at the end of her rope with doing the right thing in an unjust world, decides to contact The Scrambler. I can't wait for her big magic trick to fix the world! The Scrambler's big trick to fix the world is to threaten to scramble everybody's identity. Everybody's minds will switch around so that they're now in different bodies. That means the powerful might wind up being the poorest people in the worst poverty. And the only way he won't do it is if the powerful fix the world in thirty days. Seems like a good plan! Except I'm curious to see how they fix it. Most people's ideas of fixing the world rely on the current world still existing somehow. So the fix is handicapped from the beginning by needing to be built on the ruins of the old system. To truly make a new system that works, the old system must be completely razed to the ground. But nobody has the stomach for that. So we make exceptions and compromises, building the new structure on top of a rotting foundation. It's why DC's Universe fixes always fail. They rely on making things new and better but need to remain rooted in the past. Crisis on Infinite Earths was built on a world that still contained members of Infinity Inc. who suddenly didn't fit in the world anymore. So DC then had to do Zero Hour which told new origin stories but still refused to throw out everything that came before to simply start again. Even The New 52, which people hated because they felt it did exactly what I suggested (razing the shit to the ground), didn't work because, I believe, it didn't go far enough! It still accepted Superman had died. It still accepted all of Green Lantern's past. It still contained a Batgirl who was shot by Joker and became Oracle. It was still the DC Universe but with arbitrary and subtle changes that made no real difference except the jettisoning of a ton of history. So it didn't work for anybody! Um, anyway, my initial point was that real life political structures and social dynamics and economic systems can never really be restructured in a meaningful way because they have to kowtow to older ways of thinking and doing things. The comic book stuff was just easier to write about! I'm sure Mark Russell will figure it out! Or he'll just have The Scrambler and Polly Math arrested and nothing will work out like it should and it will just be the punctuation on the idea that everything fucking sucks. Yay! Wonder Twins #5 Rating: A+. Come on! Everything Mark Russell writes gets an A+! It shows how smart I am!

#Wonder Twins #Mark Russell #DC Comics #Comic Book Reviews

7 notes · View notes

hellyeahheroes · 5 years

Text

Best Ongoing Team Books of 2018 - In text because I cannot make it in video

Okay, so my mic is broken, I have barely time to make it work with how many ever hours I’m working recently, so screw it. Last part of my promised list is long overdue anyway, so I’ll just drop it as a text. Apologies for this but yeah, sometimes stuff just piles up. I hope you’ll still enjoy my picks and check the 3 parts that made it to the video

Welcome to Best Books of 2018, the long-awaited final part. I’m terribly sorry it took me so, so terribly long but I had been forced to take many over hours at my day job and it just ate in my time. The rules are as before. The book must still be ongoing in 2018, even if only for a single issue. It also must have more than two issues published in two thousand eighteen. However, if a book got relaunched as effectively the same title, they count as one. This time we’re doing team books. So if you can, go check those titles out at your local store.

Number Ten: Super Sons and its continuation, Adventures of the Super Sons. Work of writers Peter Tomasi and Patrick Gleason with artwork by Carlo Barberi with issue twelve of the first series draw by Tyler Kirkham. Super Sons continue to be an absolute joy. The greatest asset of this story is that Jon and Damian are written as a pair of actual kids, with behavior we would find too childish with other people but appropriate with them. Which only adds charm to an already book that captures joys of being a kid and going on adventures and that embraces silver age weirdness with all kinds of strange stuff, from a bunch of alien kids idealizing Earth supervillains and modeling themselves after them to an alien versions of Cain and Abel and their House of Secret Mysteries. It is a book that you can just pick up, relax and enjoy, lose yourself in fluffy fun. Its time is limited as Adventures is just a mini but I think if there is one title on this list that is just pure escapism, bar themes touched in an issue where our heroes meet their future selves, it is this one.

Number Nine: House of Whispers by writer Nalo Hopkins and artist Domonike Stanton. One of my favorite out of the new Sandman Universe books, it tells a story of a spell gone wrong that results in the tied fate of goddess Erzulie from Vodou religion and girl named Latoya. The former ends up trapped in the Dreaming, cut from her worshippers and desperately needing to come back before she starves without worship. The latter loses her soul in the same accident and now is affected by Cotard’s delusion, a mental disorder that makes a living person believe they’re dead and worse, she can spread it like an infection. While absolutely fantastic with the weaved narrative I will say that at the time it might be even too heavy as the parts that deal with people affected by the delusion, especially Latoya and her girlfriend Maggie, often feel so outright depressing I had to put the book down and take a break. It is not a bad thing, not every comic book has to just make you feel entertained, especially not one aiming at evoking different emotions. But I need to recommend this one with a warning it is not for everyone as people who already feel down might only feel worse. Still, if you are looking for a book either heavily using themes from religion by far underexplored by literature and pop culture in a respectful way or for a book that might leave you shaken and made think, appreciate your life even, this is a book for you.

Number Eight is a tie: Justice League Dark by writer James Tynion the Fourth and artists Alvaro Martinez and Daniel Sampere as well as Justice League Odyssey by writer Joshua Williamson and artists Stjepan Sejic and Philipe Briones. Two of the new Justice League titles have their problems, I’ll admit it. The main villain in Justice League Dark comes off as invincible for the sake of it and the establishment of the Sisterhood of the Sleight hand only to destroy it rubs me the wrong way and Odyssey feels to have missed its impact moment due to delays and artist change. However, both books are still excellent in what they set to do, opening this new age in Justice League books and bringing them back to the flagship role. Be it dark atmosphere of JLD that isn’t mitigated by inclusion of either Detective Chimp or Wonder Woman, in fact it is a stroke of genius to have her confront the darker side of magic, or the outlandish space opera of Odyssey, with super likable cast playing game of cat and mouse with Darkseid himself, the books do bring new to the table and truly make the Justice League currently one of the strongest if not the strongest lines in the big two.

Number Seven: Rogue & Gambit and its continuation Mr & Mrs. X by writer Kelly Thompson and artist Pere Perez on the former and Oscar Balduza and David Lopez. I’m counting it as one book even if an important part, the wedding, took place in a different title and was fairly controversial. But Kelly Thompson has really shown that she feels the two and their relationship and uses as much of their history as possible to build on and inform said relationship. It is in how natural it comes off as, how strong their bond is but also how unafraid of testing it through their adventures Kelly Thompson is that really makes this book so unique. With the cancellation of X-Men: Red and Exiles and with how Uncanny X-Men and Age of X-Man seem in a contest who can drop more balls, this book is now the best ongoing in the X-Line and you will be doing yourself a disservice if you won’t check it out.

Number Six: Justice League by writers Scott Snyder and James Tynion the Fourth and artists Jim Cheung, Jorge Jimenez, Doug Mankhe, Mike Janin, Francis Manapul, Fazer Irving and Guillem March. This book decided to bring the Justice League back to its greatness and to my great surprise, it succeeded. Scott Snyder’s over the top imagination is a perfect fit for this title and in just a few issues he proved he is not afraid of breaking established boundaries and showing us that cosmology of DC Universe is much greater and more amazing than we might have thought, that everything we thought we know hides more secrets and there is always a new adventure right behind the corner. It asks important questions that, while not intended to be political, by Snyder’s own admission, I feel are still questions about life, a current state of the world and our expectations and ourselves. Upon seeing how flawed the world is, how flawed other people are, how flawed, in the end, we ourselves are, what is a correct course of action? Deny it and try to grind yourself into the idea of perfection you want to be even if it is impossible? Embrace your worst and care only about yourself? Or accept you have flaws, that you feel pain and trauma and realize you can still be a good person regardless? That is the theme of Justice League that makes me enjoy this book so much.

Also, they have hired Ferdinand the Minotaur to work at their cafeteria, that’s awesome.

Number Five: The Dreaming by writer Simon Spurrier and artist Bilquis Evely. The Dreaming is in peril. Dream of Endless has left his dominion, there is a hole in it through which strange things come, citizens find themselves in state of unrest and all beloved characters, from Lucien and Matthew to Merv Pumpkinhead and Eve to Cain and Abel are set on a course that will challenge them and will change them in unexpected ways, all while old faces like Glob and Brute come back and new ones like mysterious Dora and merciless Judge Gallows leave their mark on the place. The Dreaming plays with obvious political undertones but on a meta sense, it is another case of what Simon Spurrier is driven to do, to deconstruct the darker corners of comics and try to explore questions of responsibility and morality through it like he did with Legion and X-Force. This new, heavier, darker take on the Dreaming sucked me in instantly and I really hope the ride Spurrier has prepared for us is a long one.

Number Four: Exiles by writer Saladin Ahmed and artists Javier Rodrigues, Rod Reis and Joe Quinones. Exiles had another short-living comeback and it saddens me to see that it has already been cancelled, though not before qualifying on this list. I love Exiles as a series and a concept and the return with all-new cast and Blink was a welcome one. With adventures that are in equal parts fun and serious and characters with such amazing charm as a cartoon kid Wolverine or Valkyrie. What’s more is that the book had such amazing creative artwork, with Rodriguez especially giving it his all and creating some amazing visuals that truly matched increasingly crazier visions that Ahmed has weaved in front of him through the script. This was a top-notch creative team that I sure hope we’ll see them team-up once again on another project in the future. Meanwhile, while brief it it was still a pleasure to come back to this team of weirdos and outcasts hopping between dimensions, one crazier than the other.

Number Three: Wild Storm by writer Warren Ellis and artist John Davis Hunt. Now here is a book that benefits from its stated twenty four issues run. Wild Storm is a slow burn. But it is by far one of the most glorious slow burns in the history of comics. Ellis continues to create a gritty narrative that combines aliens, conspiracies, secret agencies, technological inventions and movie-like decompressed storytelling into a chilling, dark story that absolutely dominates with the atmosphere. The vision of Wildstorm Universe Ellis and Hunt created for us is absolutely captivating and the feel of the world at the verge of total war between two agencies that long time ago stopped caring for common folk, while Jacob Marlowe, Jenny Sparks, and John Lynch, each in their own way, race to stop them or deal with problems they unleash, is unlike any other. There is plain and simply no other book like this on the shelves right now and it is very unlikely there will be such a book soon after it ends.

Number Two: The Terrifics by writer Jeff Lemire and artists Ivan Reis, Evan Doc Sharner, Joe Bennett, Dale Eaglesham. Out of all New Age of Heroes Books this is undeniably the best one. A loving tribute to the original Fantastic Four stories that finds a new quality through use of characters that may fill similar archetypes but are different enough that each brings their own thing to the table, creating new dynamics that liven up known narratives while at the same time the artists manage to get creative, especially the issue that divides each page into a sort of camera following each of the four protagonists one panel per person and uniting them and dividing as they join together or split up, pushing the very boundaries of graphic storytelling as we know it. It is also a book full of warmth and joy and optimism we often do not see in books like that. It is truly a title that has a heart and imagination on its side and it is using them to their full potential.

Honorable Mentions: West Coast Avengers, Champions, Teen Titans

And our Number One is Runaways by writer Rainbow Rowell and artists Kris Anka and David Lafuente. It couldn’t be anything else. Runaways this year was plain and simply the best book on the shelves. Kris Anka’s beautiful art brings to life Rainbow Rowell amazing heart for these characters as she lets them face new challenges in their lives, creating story if teenagers at the verge of adulthood as they try to wrestle less with supervillains and more with their own fears and insecurities and this feeling of childhood and innocence lost for superhero life they never wanted, all as they try to rebuild and maintain their family. It is a story where greatest victories are not supervillain battles, which they seem to win by a fluke most of the time anyway, but to take a step forward, overcome your fear and doubt and admit to yourself that yes, you are worthy of happiness and you will be happy. In that Runaways is without a doubt the book that speaks to me the most and one I wait for every month. I cannot recommend this book enough.

So here are my final picks. I’m exhausted. I will say that recently all stuff in my life made working on the videos harder, especially now that i’m trying, against any better reason to record myself and I might not be able to do it as regularly. I might think of reinventing the format and maybe relegate the channel to a different role in relation to my blog, which I think is by now much more popular. I still have learned a lot in that time of doing these videos and I wish to continue, maybe with a more focused vision. Thank you all for being so long with me and putting up with my nosense and rest assured, I shall return.

- Admin

#Runaways #The Terrifics #Wild Storm #Exiles #the Dreamind #Justice League #Rogue & Gambit #mr. and mrs. x #Justice League Dark #Justice League Odyssey #House of Whispers #Super Sons #Adventures of the Super Sons #Marvel #DC #Vertigo #Sandman Universe #Dark Matter #New Age of DC Heroes

19 notes · View notes