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#anyway enjoy the novella
yloiseconeillants · 1 year
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24. How did they fall for eachother? (Quad of Cope >:))
so i cannot answer for the rest of the quad but like - good god this got long sorry -
Louhi enters the War of the Magi plot after losing Tursas, the Nymian Marine she was partnered with in most senses of the word, to the rising waters of the incoming flood. Rather than return to Nym, she makes it to the mainland - and to Mhach! where she runs into Balor, a black mage who is the embodiment of every piece of anti-Mhach propaganda she's heard in Nym (and actually full of demons) but like, he's in Trouble and healer instincts override wartime politics and she patches him up and they decide to travel together - away from Mhach, and toward Amdapor - where it is rumored that the White Mages may have a cure for the mysterious illness sweeping through Nym.
Balor has only really dealt with members of the cult he was raised in and he's has only ever really been friendly with voidsent, so there's a whole thing about the two of them learning how to act around each other - and the one thing that both of them understand is a vow (though levels of reciprocity remain nebulous). Balor promises to protect Louhi and Louhi promises to protect Balor. It's not something she really thinks he's going to commit to until he actually rips someone (heh) to shreds when they threaten her.
This like. rearranges her brain I think. I don't think she ever thought anyone would do something that violent for her again, in like, the way that Tursas had vowed to protect her as part of the holy bond of SCH/WAR, and she's still Very Much lost in her grief over that, and maaaaaybe starts conflating Balor and Tursas in her mind - which, I think, he recognizes and leans into because he thinks it will help her? A couple of Romance Tropes Later (like! idk! untangling underbrush from his horns? Maybe they cuddle for warmth in a cave!! maybe he ends up needing to take his shirt off so she can attend to a cut in his side and ends up blushing through the treatment when she's never done that previously idk!!) and they do end up being intimate, but Louhi is starting to recognize with growing horror that she's like. Ignoring her duty to Nym AND sort of washing her relationship with Balor with her feelings about Tursas, which isn't fair to Balor or Tursas' memory in her mind.
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GOD BUT LISTEN the thing is that so much of that thinking is her just deliberately trying to distance herself from like, the Actual Feelings she's developing while traveling - not for the vow to protect each other or the ghosts of Tursas she sees in him, but for like. Balor. Being Balor. A joy.
ANYWAY - at some point, Balor shows back up to their camp with ANOTHER injured man in tow: Leanashe. Leanashe has some malady (he's a vampire, Leanashe is a void-aspected vampire) and Balor begs Louhi to treat him - of course she agrees and Leanashe reluctantly begins traveling with them as well (he knows of an Amdapori cult leader who may be able to help Louhi cure the Green Death). Both Louhi and Balor agree that the best thing for Leanashe is for them to volunteer their blood (Because These Are Our Barbies and We Say So) so that he doesn't have to attack any Unwilling Victims.
So like, between Balor and Leanashe and Louhi things are getting very bloody lmao. They are doing their utmost to Ignore Their Problems and the Upcoming Apocalypse and the fact that both Balor and Leanashe are living on borrowed time (ueueueue) - Leanashe is cynical and Balor is earnest and Louhi is indulgent - at least, that's. how they're dealing with their individual issues. How they are, uh, Coping.
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Ah, but I am getting away from the question of how did Louhi fall for Leanashe - it takes a great deal more time and effort, I think. They're sleeping with each other long before feelings get involved. I think with Leanashe it's more that as time passes and the circumstances get more desperate, they realize (through the power of friendship!!!) that their methods of coping and ignoring the truth isn't helping anyone - least of all each other. There's a certain type of love that comes with being vulnerable with someone. They are both processing loss and being kind and honest to each other in ways that they couldn't have been without the uh. upcoming doom. Also, most importantly. They are having the worst fun.
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And ANATU. Beloved Anatu. Anatu joins their party before they reach the Amdapori cult, and she's just. So passionate and full of life, trying to prove herself and her theories and like, I don't know how anyone wouldn't instantly fall in love with a field scientist explaining that she's trying to stabilize the aether in the forest while the world is falling apart. Louhi absolutely does - they collaborate on the aether healing, she eases Anatu into the quad, she would keep her safe through the apocalypse and whatever else comes their way. It is Kismet.
anyway they are all bonded in this life and every other and they give me hives
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see-arcane · 1 month
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Blood of My Blood: The Law's Delay
Shout out to @ibrithir-was-here for putting up with my never-ending goal of overfilling the glorious Blood of My Blood AU with my ramblings and extra shout out to @everchangingfungusthoughts and @animate-mush for tripping me down the slope of Writing Another Text Brick. Specifically via this whole thing.
Summary: Jonathan Harker, now fifteen years deep into his life at Castle Dracula, finds himself the unwilling guest of yet another frightful host and his company. Talk and violence and time tick by.
The sun sinks low.
The dead travel fast.
And a vital Lesson is taught regarding the Law of the land.
Warnings for graphic violence, suicide, and murder.
Jonathan’s head ached.
Partly from the agonized spot at the back of his skull where the cudgel had struck. Mostly from the state of his current company.
They were nomads, he knew, but not Dracula’s men. This lot were too fresh for that. In fact, some wore tailoring that the locals weren’t accustomed to apart from tourists and the occasional city dweller passing through. He wouldn’t bet money on how many were ‘donated’ from past victims and how many were afforded through helping themselves to said victims’ purses and personal cheques. They were a dapper group, whichever the case.
From what he picked up while feigning unconsciousness, there was someone missing from their assembly. Someone’s…paramour? Wife? A young woman close to the presumed leader. Some grousing about superstitious idiots. Counter-grousing about precaution and history and how somebody’s cousin’s friend was slaughtered by the ‘superstitions.’ A third sect was grumbling about how thin Jonathan’s pockets were for a supposed noble, monster or not.
“A half-full purse and a few strips of dried pork don’t particularly line up with your theory, Jacob.”
“Props, idiot. Would some common huntsman be wearing what he wears? Would he have these?”
Jonathan heard the heavy jingle of his set of the castle’s keys. They had taken the ring of them from its chain among a handful of other lightweight treasures. All that and his wedding ring. That would cost them.
“Oh, yes. Of course. Because all the revenants who run a swatch of the Carpathians’ government are surely wandering around with frightful things like jerky and house keys.”
“Are you blind? Do these look like house keys? Half of them look older than the mountains!”
“Well, perhaps that is the ‘prop’ of his property, eh? A fancy set of keys made to look old. They certainly haven’t any rust. It wouldn’t be a terrible gimmick these days. Everyone is a fiend for the local bogeyman or a good haunting. I would do tours with my own castle, dribble a little red sauce on my lip, charge a fee for the thrill and the courtesy of not killing anyone on the way out.”
“You talk like it’s a joke. This, when I was raised in these godforsaken crags, and my own neighbor lost their newborn and its mother in the same night! The father blew his brains out when he found what was left of them in the forest. His forest.” The words were hissed in Jonathan’s direction. “God! If we had known how easy it was to take him by daylight!”
There was a snort. The leader’s voice. Sour.
“You say ‘we’ like you weren’t still in nappies, Jake. Like the castle in question isn’t a fortress on a cliff in the dead center of the mountains, all covered with wolves and your frightful bloodsuckers. What would Mama and Papa do if they knew better back then? March all the way up with the neighborhood and hope they made it in time before sunset? That’s assuming the advised tools of the trade actually mean anything against the bastard in question. If he’s as old as legends claim, throwing himself through a hundred wars’ meat grinders with his head and heart and all his other giblets getting minced, with him still standing after it, who’s to say an axe and stake are enough?”
A kick was delivered to the chair Jonathan sat bound to.
“Assuming this piece of work is said bastard.” Spoken with equal parts resignation and frustration. “I’ll grant he looked a bit off in broad daylight. Sure as hell would pass for a cadaver. But if this is the man who had your slovenly little villages soiling themselves after dark, I’m not impressed.”
Snickers from most of the room. A few grimmer sounds from the believers.
“If you don’t believe us, then—,”
“I believe in precaution, Jake. There are strange things in the world. If we want to believe that talking pile of dust, Vordenberg, who I’ll admit was a museum exhibit in his own right, we had us a near miss back in Gratz. So, fine. We finish this in the fashion of the locals. We can even set the pieces on fire if it makes you happy. Not the point. The point is—,”
A hand caught in Jonathan’s hair and wrenched his bowed head up, making the back of his skull throb anew.
“—we know Katrina was seen with you last, you ghoul.”
Jonathan opened his eyes. It had a noticeably sobering effect on much of the room. His host even eased his hold enough to stop trying to rip Jonathan’s hair out. A glance was spared for the assembled party. Easier now that he wasn’t doing it through his lashes. They really were a well-dressed bunch. One of them even wore the silver watch taken from Jonathan’s pocket quite well, though it clashed somewhat with the dagger he was fiddling with. He’d sprung for a handle with a gold hilt.
“Well?” He received a last yank before the man flung his head against the back of the chair. “Where is she?”
“I’m afraid I don’t know anyone by that name. Could you describe her?”
“Oh, I doubt if she would give her real one out to anyone. But we know you know her, Count.”
Jonathan felt the headache blossoming into a migraine.
“Count?”
“Dracula,” the one called Jacob grated out. He stood close to the table with his hand near the aforementioned tools of the trade. A wood axe. A sharpened garden stake and a sledgehammer. Matches. But he, like the rest of his friends, was content to leave his other hand resting on the pistol at his hip. “Don’t think you can throw your word games around here, you leech. You are not boyar here. You are not even a monster by daylight. Just a man—,”
“A man I am talking to, Jake,” from the leader. He turned back to Jonathan. “You see we have some bias in the retinue. Now, Jake and his cadre believe you are, in fact, the same awful old man who likely played out his Báthory fantasies by killing off a few local rustics for kicks once upon a time. Same white hair, same carcass complexion, and some properly unhealthy-looking windows of the soul. As an aside, you have the same body heat as a slab from the butcher. If you had a chance of living beyond today, I might have recommended you see a doctor about your circulation.
“Because I, like the bulk of the room, am of the belief that you are Count Dracula in the sense that the original Count and some Countess loved each other very much and managed to squat your malformed self out into the world before croaking. And, before departing, father dearest passed on the family tradition of idly killing off whoever was convenient as a little hobby. Am I near enough?”
Jonathan said nothing. Chiefly because he was fighting a wave of nausea, but also because it allowed him to keep his gaze steady. The westward window was visible over his host’s shoulder.
“I asked you a question.”
“I will answer if you tell me how you possibly concluded that a middle-aged man walking in the woods was a nobleman.”
To his surprise, the man revealed his evidence: the tarnished gold clasp of a dragon sitting against a garnet setting. This would also cost them.
“Hard to imagine the average hiker idling around in that corner of the wilds with this particular emblem on his coat.”
“That’s true,” Jonathan nodded. “I am not a hiker or a hunter any more than I’m a count. I am only the castle’s retainer.”
“Ah, well. That’s different. We are men of the people, sir, and we take pride in doing our fellow servile class the courtesy of a quick death. It’s only the aristos and nouveau riche who get the extra effort. Them and bleached out old bastards who go around taking what’s ours. What’s mine.” Jonathan watched the man slide a handsome pearl-handled blade from his pocket. It had a very fine edge. “Case in point, a certain young lady, of the flaxen and doe-eyed variety, being spotted in town with an older man of very unique description, not two days ago. Who she left with in his goddamn caleche.”
The blade came down in a gleaming arc. It sank cleanly into Jonathan’s left shoulder. Jonathan screamed at this and at the blade being flicked out. The steel was wiped clean on his sleeve.
“It should go without saying,” the leader said over Jonathan’s noise, steadily dwindling into hard breaths behind his teeth, “that the locals have a few choice theories about just who and what the man driving those horses is. Human? Dead? Dracula or one of his cohorts? Anyone who’d know for certain is either underground or a living antique themselves. Oh. But they did point out you seemed polite enough, according to most. Not someone anyone is eager to shake hands with, but fair. If you are the old devil of before, the younger generation are relieved you’ve gone mellow with the new century. Well done on the new leaf.”
“They were lying,” Jacob intoned, the picture of exasperation. “We all used to lie about him! He had eyes and ears everywhere! You didn’t mention him aloud unless you wanted to wake up to your child missing or you yourself being drunk dry or taken apart! I’m telling you, Katrina is already gone or worse!” His hand clutched eagerly at the whittled garden stake. “Let us be done with this, Anthony.” 
Anthony gave his blade another cleaning swipe. He opened his mouth—
“The stake is wrong.”
—and closed it. He and the others peered down at Jonathan as he righted himself against the chair. The migraine was marching in circles around his head now, lighting fireworks and banging pans. At least his shoulder was a small distraction.
“Say again?”
“The stake. You haven’t finished the end of it. If you don’t burn the point down, harden it, the wood will just splinter if you don’t get it in one blow. One of you took the flint lighter from my coat, yes? Use that and save yourself the matches.”
The room looked owlishly at him. Jacob and his small band especially. Awkwardly, one of the latter fished out the stolen lighter and began cooking the point with its steady flame.
“See that? He’s already feeling accommodating.” Anthony clapped his palm with heavy chumminess against the wounded shoulder. Jonathan winced appropriately, stealing another squinting glance at the window. “Care to keep in this giving mood, or would you like me to even things out?” The blade pointed airily at Jonathan’s right shoulder.
“No need. I said before, I do not know anyone named Katrina. But I did give a ride to a young woman two days ago. Not ‘flaxen,’ though. Her hair was red.”
Anthony abruptly straightened. The blade twisted and fidgeted in his fingers.
“Red,” under Anthony’s breath. His brow furrowed. “She took the wig too?” There was a low murmur from the less vampirically-invested portion of the group, of that specific tone that declares ‘I told you so’ by vowels alone. Anthony whirled on these members like a viper. Several mouths snapped shut. “Did you lot have something you wished to share? Hmm? I’m all ears.”
Interest increased in the state of each other’s shoes, the floor, the lovely view of the mountains, and the progress of the stake. It was now neatly blackened and free of loose slivers. Jacob stood by with it, toying with it as Anthony had his knife. He kept trying and failing to meet Jonathan’s gaze.
“Ah,” Anthony grinned mirthlessly, “that’s what I thought you said.” The blade flashed. “Now, Count, Retainer, Whoever or Whatever, while you are being forthcoming, is she alive or dead? I confess I might be just as happy with one or the other at this point, so no need to fret over a lie.”
“She was alive the last time I saw her. I dropped her off outside Bistritz,” Jonathan said, clearly recalling turning the horses toward Bukovina. He winced again as Anthony laid a hand on the bleeding shoulder, driving his thumb against the wound as he leaned.
“And? How did the bitch pay for her ride? Did you introduce her to necrophilia or did she just throw my money at you?”
“Neither. I am a married man and you can tell I had no bank vault in my pockets. In any case, I must assume whatever she took from you was fair recompense.” Jonathan felt a shift come through him. The old cold tilt that made him lean three-quarters of the way out of humanity and into something else. Whatever it was that lit his eyes and froze the air around him. That made the entire room shift an unconscious inch back. “Considering the state of her face.”
Anthony’s own countenance squirmed between aggravation, anger, and a surreal flash of embarrassment. As if leaving the girl’s face mottled with patches in shades of plum and charcoal was the equivalent of friends overhearing a marital spat in the next room. The man’s lip curled, making the well-trimmed whiskers twitch.
“Do forgive me if my decorum isn’t up to your standards, sir. I tend to get a touch irate when the thankless sow I’ve been bedding not only comes within inches of blowing our cover over some brat who went and poked his head out at the wrong time, but has the gall to try and resign after a few threadbare months. As if I didn’t scrape the little strumpet out of the gutter with my own hands.” A storm roiled in the man’s face. “Had a whole life of gold ahead of her, getting to play out her idiot actress dreams, and she thanks us by taking off with three hotels’ worth of work. Over a goddamn toddler. But that is the way with women, isn’t it? Always falling apart over a babe.”
“Men as well, in my experience,” Jonathan hummed. His line of sight drifted back to Jacob, whose attention was now firmly split between Jonathan and the view from the west window. Even halfway through spring, the sunsets did still tend to rush in the mountains. Shadows were already starting to stretch.
“Personal experience?” Anthony asked with an appraising glance that saw value in the negatives with Jonathan’s mien. “Is there a little Dracula pup crawling around nursing on the countryside?”
“Oh, no. He’s grown out of crawling. Apart from roaming along the castle walls, when he wants to surprise me. There’s no getting away with it with his mother.” Jonathan swallowed a bitter lump, knowing it had to be heard aloud, “Or his father.” Jacob was looking at him now. This time Jonathan held his eyes as they grew an increment wider. A slight dew of sweat had formed on the young man’s brow. “I only know where they are half the time. But they can always find me.”
Anthony barked an acidic note that tried to be a laugh.
“Is this the part where you tell us you’ll be missed? That there’s some cavalry who will come seeking vengeance? Please spare yourself the storytelling. If you were anything other than a relic living off a skeleton staff you wouldn’t be driving your own horses or puttering around by your lonesome. Really, what we’re doing here is a public good. What’s the loss of one more parasite riding into the twilight of peerage’s relevance?”
“Regrettably, he has thought ahead on that,” Jonathan admitted. “The gold he’s already sitting on is kept partly for emergency seed money, but mostly as a memento. He’s been on top of the capitalistic pulse since 1652 going by the oldest records. Given another decade, I believe he’ll be a magnate in a dozen industries from here to the United Kingdom.” A genuine moue puckered his face. “He calls it investing in the live-stock. No, I didn’t think it was funny either.”
This he addressed to Jacob.
Jacob, who had to set the stake down because his hand was shaking.
Jacob, who had been keeping watch of him and the window and seen how blandly Jonathan greeted the approaching dusk.
Jacob, who had finally taken a closer look at what Jonathan wore under his coat. His coat, worn because he was always cold—a chill that he truly felt. Covering an ensemble of boots, long sleeves, and a high collar. In mid-April. 
“…You still have time,” Jonathan told him gently. “If you had your childhood here, you know there’s time. You still wear your crucifix, yes?” Jacob flicked his gaze up to Jonathan’s. His whole face seemed to shine with perspiration. He did not know what was wrong yet, what piece was missing, but he scented something. “Do you? Any of you?”
Jacob nodded jerkily. The men behind him did likewise. Some fidgeted at their shirts.
“That’s good. It sickens them, did you know? Stings them away from the throat.” Jonathan smiled for him. A sad curl. “Hold it out before you if you like.” He tipped up his chin. Just above the shirt collar was a glimpse of sickish color against the maggot-white skin. Something worse than a bruise. “You can check. Or ask one of your friends. But it does help to know for certain. To have it confirmed.” The smile grew worse in its apology. “There have been no vampire attacks in Transylvania for the past fifteen years. The youngest around here take it all as local legends. Parents’ and grandparents’ fairy tales. Because they grew up without knowing what you do. Without realizing why people stopped disappearing after dark when Count Dracula still rules here. When there are still sharp mouths to feed up in his mountains.”
Jacob gawped openly now. He looked strangely like the boy he might have been fifteen years ago, hearing his neighbors whisper and moan about the latest loss in the night. Fifteen years ago, when a foolish young Englishman had come to Castle Dracula, and everyone had known. No one had seen him again…supposing one belonged to a family who had moved away at last, daring their monstrous master’s ire to save their son.
“Oh, for God’s sake, what is this? Are we playing theatre now?” Anthony and his handful of fellow eye-rollers looked between Jonathan and Jacob as if expecting to spot some invisible party holding up script cards for them. “Jake, if you want to play at slaying the vampire, you are welcome to it. Get your stick and your hammer and have at it. Erik, take the axe.” He waved his blade like an impatient conductor with his baton. “Well?”
Jacob moved forward without the stake. His crucifix was held out as far as the cord would allow.
Then he hooked Jonathan’s shirt collar and pulled it open.
Jonathan hadn’t been able to get a good look at the full state of himself in some while. Occasionally he might steal a glance in a mirror for sale or a clean shop window in town. There was rarely anything good to see as far as his development went. Age was not weathering him the way it would an ordinary man. What should have become the easy creasing of crow’s feet and smile lines had given way to something sunken and grey. More than a few children had come to nickname him ‘Herr Geist’ when he passed through. On one occasion, he’d been approached by an American claiming to be a talent scout for a circus who thought Jonathan could easily bill as, The Walking Corpse.
But that was all just the effect of his face. He hadn’t seen his throat or a clear view of his shoulders in years; the real estate with the greatest number of visits for fifteen years. It had to be at least twice as unpleasant a sight as his forearms, pocked by only one hungry mouth’s nursing. To judge by the shudder of revulsion that jolted the entire room back on its heels, his neck was apparently quite the visual.
To judge by Jacob’s expression, the discolored map of ruined skin and old punctures was his own obituary in all capitals. Nor was it a very peaceful end it spelled out. His eyes rolled up to Jonathan’s like wet marbles. Jonathan could no longer maintain his smile, however somber. There was only condolence in the look.
“I told you. I am Castle Dracula’s retainer. At least, in the sense of a retaining wall. I have played the role of its inhabitants’ personal bloodletting pantry for a quarter of a century. Which would be cause enough to worry. But I am also a married man and that is worse.”
Jacob wobbled on his feet like a sapling in a high breeze. He almost fell over with a cry when the first thunderclap boomed over the cabin’s roof. A horrified look shot to the westward window. Sunset was less than a jagged slit across the mountaintops, already erased in the smear of a rushing storm. Lightning drew livid eyes in the clouds.
“I am sorry. You might have had a chance if you hadn’t been cautious,” Jonathan went on. “There would have been a coin toss if you had simply shot me dead in the forest. I fear I am testing everyone’s patience in that household by keeping to my contract against turning until the twenty-year mark. Special occasion and all that. But if you had gone with a bullet or a slit throat, that would mean that I would be undead by sundown. You would still be slain for trespassing on private property,” he gestured to himself as best he could with his bound hands, “but it would have been tidier. They might even be grateful for ripping off the plaster and booting me over the threshold. A mere snapped neck apiece.  
“Unfortunately, I saw your tools of the trade. I heard your plans for ‘destroying the vampire,’ or the madman playing pretend as such. Heart staked, head removed, burn the body. All very thorough. But because I saw and heard these things, they saw and heard these things. Just as they know your faces now.”
Thunder snarled again. An explosive sound joined with a noon-bright flicker of lightning. Wolves sang a violent song. Close.
Jacob’s friends within the gang were talking in frantic tones to each other. The rationalists of Anthony’s side of the room seemed a touch less comfortable where they stood, grasping at their holsters. Anthony himself looked as if he was waiting to wake from a particularly confusing dream.
Jacob’s eyes were running. Pleading. A man only five short years past being a boy.
Jonathan still could not hold a smile for him, but he spoke in the tone he had for Quincey the time he’d came across a bat with a half-broken neck in the forest. Wings smashed, head cracked open, it had been alive in the worst way. Quincey had been thirteen then, considering himself practically a skip away from adulthood. He had still gone to his Papa, eyes dewy with blood trying not to spill, asking please…please…
Jonathan thought back to how his son had hidden in his coat sleeve while he ended the creature’s pain with a brisk twist.
It was quick, you see? It won’t hurt anymore now, shh, it’s alright, son.
“It’s alright,” he said in the present. “You still have time.” Not much. A few minutes at most. But still, “You’ll be safe from it. From all of it.”
Jacob nodded with a twitch. A puppet on a caught string. His hand trembled as it held up the crucifix again.
“…May I keep this? After?” Jonathan nodded. “Thank you.”
Jacob kissed the Cross and tucked it under his shirt.
“Jake, I swear to God, if you don’t drop this act, I will—,”
Bang.
The sound was almost lost in another thunderclap. Not so for the sound of Jacob’s corpse hitting the floor, the new tunnel in his head oozing a scarlet pond out from under his skull. There was a moment of quiet.
Then the wolves bayed again.
The men bayed too. Curses and questions of equal inanity whirled around the room.
Bang.
The sound of Anthony’s own pistol firing a hole through the ceiling.
“Shut. Up. Every one of you, bite your idiot tongues.” The barrel swung to point at Jonathan’s temple. “He says he has people on the way? He says they’re vampires or werewolves or the Four Horsemen a-riding? Then it would perhaps behoove us to think rather than squeal like women over this,” his shoe struck Jacob’s corpse, “fool’s choice of exit. Coward.” He snapped his fingers at the room. “Come on! Block the windows, set up arms! Move!”
And so they moved. Some men scrambled and shouldered into each other trying to cover the windows. Chairs were broken into pieces for stakes. Guns were unpacked and loaded. Erik held the axe as if his hands were welded to it. Anthony, meanwhile, took one of the unbroken chairs for himself and perched at Jonathan’s side. Something between supreme irritation and a baffled sort of wonder shaped his face.
“I do have to give you credit if this is all improvisation on your part. You should have been booked at the Grand Guignol instead of rotting up here.”
Jonathan watched Erik begin to pace, gripping the axe as though it doubled for a shield.
“That or one of those hypnotist acts. Jake was always a nervous one. An easy mark, ironically enough.”
Jonathan’s peripheral caught on Erik’s figure as he came to a stop by the door. There was no peephole to spy through, yet he inclined his head toward it. His ear was cocked as if listening for something under the thunder and wolves.
“But supposing this amounts to something more than an act, I admit I’m curious to see what these things are supposed to be like outside the pulp on the bookshelves or clogging up the stage. Everyone has their opinion on them these days.”
Erik first frowned, then nodded at the bolted door. The anxious creases of his face began to smooth. A smile tugged his lips up as the axe lowered.
“Are they the same kind of horror show as you?”
“Usually quite the opposite,” Jonathan allowed. “But that is by choice. They make some rather impressive exceptions when the occasion calls for it.”
Erik set the axe down. His freed hands moved the wooden bolt aside and reached for the key on its hook. This didn’t go unnoticed. The nearest man, one of Jacob’s friends, jolted toward him.
“Erik, what the hell are you doing?”
“Didn’t you hear her?” Erik spoke over him in a dreaming lilt. “The girl outside. Lovely voice.” He turned the key in the lock. “She and her brother got lost in the storm.” He turned the knob. “Wouldn’t be right to leave them out th—,”
Bang.
Erik dropped like a felled tree. Jacob’s friend whirled on the rest of the room, his gun and free hand up. He had his crucifix worn outside his shirt now.
“I had to! You know I had to! Jacob and old Vordenberg laid it out, didn’t they? You invite the things in and it’s all over!” He pointed at the door with the new stain on its timber. “One of them is out there right now, trying to worm into our heads, so we’ll let it over the threshold.”
As every eye nailed itself to the man and the door and the second corpse within five minutes, no one paid attention to the fireplace. They had not lit it, having opted solely for lamps. Chimney smoke would give away their location to anyone happening by the area.
Only Jonathan stared at the open stone mouth of the hearth. Watching what crawled out. Watching it watch him.
Anthony swatted Jonathan in his bad shoulder. He looked up and realized he’d been asked a question.
“Pardon?”
“Is he. Telling. The truth. Or did Erik lose his brains over nothing?”
“A vampire cannot cross the threshold of someone’s home without invitation. I think, at a stretch, you could call this temporary base of yours ‘home.’ Strict definition is tricky for travelers. But if you declare this place yours—,”
“We do,” insisted half the room in unison.
“We do,” Anthony echoed, somewhat dryly. “Our lovely domicile, this. And we are strictly against welcoming any visitors tonight.”
“Understandable. But there’s still the trouble of this afternoon. It’s hard to be more insistent about an invitation than resorting to abduction.”
“And? What of it?”
The fireplace continued to purge its contents out and out and out. Cooling the room like a thin and steady gust. Heads finally began to turn as gooseflesh spread and the sight became unignorable: A thick mist had been pouring into the room since Erik’s brains splattered on the door.
“You thought I was Count Dracula. Whether I was him or not, he was the man you wanted here.” Jonathan looked Anthony in the eye. He was not surprised at what he found there as it squirmed and sweated. “I’m afraid you invited him in two hours ago.”
The lamps guttered. One snuffed. Then its neighbor. A third, a fourth. Voices raised in tandem with the weapons.
“Light them!” came the universal cry. “Turn them back up, come on!”
But the room blackened and blackened until it came down to one canny fellow who’d dived for a lantern. The same man who’d pocketed the flint lighter. He lit the lantern and set it shakily on the table, its glow seemingly safer than the lamps’. The lighter was almost as bright in his hand, making a spotlight for himself in the ruddy gloom.
“What? What is it?”
Every head was turned to face him. Every eye wide enough to show its whites, like the stares of startled horses. The man opened his mouth to utter a third query—and stopped.
There was a hand on his shoulder. Cold. Far colder than the man he’d taken the lighter from. Its fingers ended in claws.
Above his head, the firelight caught on what might charitably be called a grin. It was, in fact, the default state of Count Dracula’s jaw in this shape. A medley of the wolf and the bat and the nightmares that are born when children’s imaginations first start to sketch the things that will eat them in the dark.
Jonathan wished he could have closed his eyes for all that followed. He did try. But there was an implicit order sunk into his mind that demanded he watch. Had this been a decade ago, this may have been for the sake of an object lesson.
This is what I can do. This is what I would have done to your little hunting party at the right hour, with your guard down for an instant. This is what I will do to any sheltering cattle you try to run away to with wife and child. Watch, my friend. Watch.
But that was practically a lifetime past. They were coming up on a mere five years until the wait was over and his free will and the final fig leaf of humanity was forfeit. Which suggested that he was a captive audience solely for the fact that an audience was desired. There was some artistry to it all, in a medieval sense. Some of the acts performed with the makeshift stakes and the barrels of guns and certain repurposed bones reminded Jonathan of old woodcuts left out for him to see once upon a time, back in that first summer alone with the castle’s Master.  
By the time one of the men died choking on his own severed arm, the rest of the lot stopped shooting and herded themselves to the door, desperate. To their relief, there was no vampire at the threshold. They fled.
A heartbeat passed before the screaming began anew. Gunfire mingled with it. The screaming dwindled down and down, the choir thinning to a single shriek that ended on a terrible sound. Wet and crunching. Wolves were heard soon after.
Anthony had not moved from his position behind Jonathan’s chair. He’d resumed his grip on his hair, this time holding his blade just below the Adam’s apple.
“If you don’t have a head,” Anthony panted at the Count, now busy picking gristle from the spades of his nails, “you can’t be undead. The plays make a lot of fuss about staking the heart, but this?” He tugged Jonathan’s head back another inch and pressed the blade’s edge until the skin broke. “I figure it’s a fair bit more vital. I am a practiced man at my profession and quick when I need to be. You want him in one piece instead of two, you leak yourself out the door, call off your pets, and I’ll send him on his way come sunrise.” Though he couldn’t see him, Jonathan was certain the man was trying to smile. “If you’re amenable, perhaps we can even get a silver lining out of this whole thing.”
Dracula sucked a piece of sinew out of his thumbnail.
“I am accustomed to getting my hands dirty. While I’ve been in the habit of leading assorted hapless dregs around, I can easily see myself following someone worth respect. Your friend here indicated he’s on the edge of retirement anyway, and I imagine you could do with someone to step into the role. Or add to the ranks.”
Dracula busied himself with scanning the floor. He plucked up the silver watch still chained to a torso that was twisted like a wrung washcloth. A scowl was spared upon retrieving the key ring from a puddle of a head. Then the pouch containing Jonathan’s allowance. He deposited each bit of treasure found on the table. The last thing he discovered was Jonathan’s wedding ring. He seemed to ponder flicking it aside, but saw Jonathan watching. The ring was dropped in the pile the way one might discard a clump of dirt.
“Well?” from Anthony. “Do you talk or not?”
“I do,” from the Count. “Though not usually to vermin. Especially ones who raid my pantry.”
“Honest mistake on our part. I hadn’t realized you were the one-in-a-thousand legend that isn’t just the fumes of an invented ghost story.”
“I see.” Dracula bent and retrieved the stake that had its point burned. It left the holster of a man’s sternum with a damp sound. “And this too was a mistake?”
“Just trying to placate the skittish sorts in the party. You saw how Jake was.”
“I did.” The Count tapped the stake’s point against his chin, pondering. “In fact, I think I recall a face like his. A sailor I met once. He took to the sea, having no bullet in reach.” He leveled the stake at Anthony’s head. “You called him a coward for this, yes?”
“Am I wrong?”
“There is a fine line between cowardice and wisdom,” Dracula shrugged. “It moves more than you would think. Little Jacob was wise tonight, if sadly mistaken in his target. He was not the first of his type. Likely not the last. The same goes for you, vermin. You, who squeak and chitter about preying upon the predator, and then try to sell yourself to the cat.” Though much of his face had reset to a human shape, the Count’s teeth remained a bristling forest of white needles when he grinned. “I have had this land in my jaws for half a millennium. I have not gone a single century without your like slinking underfoot, thinking to kiss my cape and offer a tithe of others’ throats to win my favor. My power.”
“Way of the world, isn’t it? Strong bows to stronger. What makes this cadaver,” another jerk on Jonathan’s hair, another throb in his skull, “so special? Better resumé? Seasoned arteries?”
“A number of things.” Another shrug, a twirl of the stake like a toy. “He does so hate to hear it anymore. It has been so long since any kind of praise heartened him and age has made him shy. But he cannot shush me, so I can say he does far more than bleed, be it himself or his victims of old. He certainly has a more impressive history than robbing and gutting tourists for a living, and so is far more attuned to the Law of this land than any other. Not the yapping dogs of mortal authorities. Not your jailor or judge or bureaucrat. Not even those of the sciences, such as they are.”
Thunder cracked and lightning danced. The Count’s eyes burned brighter than the lantern.
“He knows that I am Law in these mountains. That my will, my word, and my want order all that is here. He knows that there is no escaping consequence for trespassing upon what is mine. But.” The Count clapped the stake into his open palm with the joviality of a cruel teacher with his yardstick. “Beyond all this, he is something which guarantees his value over yours or any other’s. He warned you himself.” The jagged grin turned almost saccharine. “He is a married man. And you have kept him out far too late for his spouses’ liking.”  
Anthony shifted behind the chair. The grip on Jonathan’s hair shuddered a moment as if suddenly repulsed to be touching it.
“God. Even the monsters are in on that depravity up here?”
“Depravity is a pastime of mine. But I am not so low as to debase myself by touching filth like yours.” So saying, the Count raised both hands in mock surrender. “I shall not waste my time or teeth on you.”
“Fine. Fine, you say that and I can believe you. Once you’re out the door.”  
The door, still open.
The door, which Anthony had not dared to look at for fear of taking eyes off the Count.
The door, full of mist.
“Ah, but I cannot go yet. There is a show I have been so looking forward to. You mentioned the Grand Guignol. Such a promising establishment! I plan to see it in person some night. But for now, we must content ourselves with your meager scene.”
Anthony opened his mouth to ask something. Say something. Maybe he was just drawing breath. Whatever the reason, his mouth froze in a voiceless O of epiphany.
There was a hand on his shoulder. Cold.
It distracted him from the other, decorated with its simple gold band, locking around the man’s forearm; the one responsible for holding the blade.
Snap.
Anthony’s mouth dropped open wider, belting a screech that left Jonathan’s ears ringing. Then the man was torn away from the back of the chair and all the noise of him was pinned and shrilling on the floor. Laced over the ensuing sounds of his dismantling, both vocal and visceral, was a voice that threaded through the mind more than the ear:
He cut you. Twice he cut you.
“I’ll be fine, Mina.” Said because there was concern in the statement. There was. But, more pertinently, there was the accusation. The condemnation. The citing of the crime.
He cut you. He meant to kill you. He meant to unmake you out of reach forever.
Anthony made a new and piercing noise. The kind just an octave short of a dog whistle. Jonathan winced.
“And he failed to. It’s alright, Darling.”
“Hardly,” from the Count, now turning Anthony’s abandoned seat around to face the slaughter. “You are too soft as always, my friend. Even when it comes to a rightful culling. Or do you think they deserved to live after their crimes?”
“I think this was excessive.” Jonathan withheld a sigh as Dracula hooked the back of his chair, hoisting and turning it so that his back was no longer to Mina’s work. She seemed to have an innate understanding of what could be taken apart and to what degree, the better to leave Anthony still clinging miserably to a thread of life. “And I also think I’m ready to have these off.”
He flexed his hands and feet as far as they could go against the ropes.
“Have what off?” Dracula asked as he swiped a finger into the shoulder wound. A child stealing cake icing. He clicked his tongue. “This would happen just after a feeding. All this guilt-free cuisine and your knights-errant are too full to enjoy the banquet. A pity. Have you eaten?”
“If I had my hands free, I could get my—,” Jonathan pursed his lips as Dracula brandished a bouquet of the retrieved dried pork. Deciding against waiting for the mesmer to prod him into it, he opened his mouth a crack. Bit. Chewed.
“Do you suppose the Grand Guignol has concessions? Any actual blood used in place of the stage swill?”
Jonathan swallowed. A nauseous feat, considering the piece Mina removed from Anthony in the same moment. 
“I doubt any director is so dedicated, Sir.” Anthony was growing quieter now. There wasn’t enough air in him. Jonathan could tell by the glimpse of lung through his ribs. “Does Quincey know about this?”
No. It was blocked from him. He believes we are out on business.
Crunch. Twist. Rip.
Anthony went silent and still at last. Dracula afforded this a light round of applause.
“Not wholly a lie, you will grant. Though I suspect the boy thinks it was code for a more,” the Count made a face caught between glee and disdain, “intimate excursion. Which should be an easy enough ward against any prying you fear from him. You may have made a sickening romantic of the boy, but there is never a child alive or undead who wishes to know what his parents get up to out of his sight.” The Count craned his head, squinting at what was left of Anthony. “Did you come across it?”
That depends. Where’s mine?
Mina stood with the dragon clasp in one red hand and her other held out and open. Dracula idled a moment or three longer than was necessary before the stolen wedding band was produced. Clasp and ring were thrown rather than exchanged. Jonathan had each reattached to him. Though the Count spared a curse in three different languages at finding the coat not only mangled at the shoulder, but torn where the clasp had been ripped away.
“As if they could not understand the mechanics of a brooch? You should have pinned this in his eye.”
You should have fed him the stake. Look at this.
Mina touched the nick on Jonathan’s throat.
I know you count my wound as a blessing, but I would think you’d not risk losing his voice.
“I had to stall while you cleared up the leftovers outside. I may as well have left you with the boy.”
And lost your show and your diversion.
“You—,”
“I cannot feel my feet anymore,” Jonathan announced. “And I would like to stitch and plaster myself before we head out. Whatever Quincey may think we’re up to, it will be easier to lie without me looking like I just left,” he gestured as best he could at the room, “this.”
A minor miracle came and went as there was no suggestion made that they simply lay a new bite apiece over the wounds. The ropes were cut, what was filched was returned to its owner, give or take a little scavenging of their own. Jacob and the others were left with their tokens of the Son. Outside, the wolves went on enjoying the meal Mina had left for them. Up until a titanic thunderbolt struck the cabin and sent them scrambling. The building went up like a great bonfire.
“I know, my friend, you were clearly looking forward to digging more graves. But you must admit my method is quicker and far more thorough in erasing evidence.” The nettling cadence waned. “I suggest you avoid wandering away from the castle for some time. Considering your state.”
Not while dressed in this, at the very least. It’s clear this insignia draws as much ire as it deters.
“A fluke,” the Count huffed. “Such degenerates as those are rare. The chattel know better. Besides, the folly was in drawing attention by playing Good Samaritan to the wrong victim and her maudlin pleading. Something else to keep in mind.” Jonathan tried and failed to keep his head down as the hook landed in his mind and turned his eyes up. Dead blue against burning red. “At least for as long you insist on holding to your last few years as…this.”
Jonathan bit into his last strip of the dried pork. Loudly.
“Five years. That’s all.”
“Four and a half.”
“Four and a half I mean to savor. In-between being waylaid.” The careful placidity fractured as his free hand drifted up to the back of his skull. Still aching. “I think I shall finish off the Golden Mediasch tonight.” His hand was plucked away by Mina’s own, her chilled fingers seeking out the tender place under his hair. Her fingertips felt the scabbing patch.
I should have skinned him.
“You are welcome to stroll through the fire and do so,” the Count hummed. But his smile stopped short of his eyes and his own hand swept Mina’s away to thumb at the ache. “The Mediasch is barely more than fruit juice. You will want something stronger.”
Jonathan didn’t argue. Nor did he protest when the horses of his ex-hosts were commandeered for the return to the castle. Quincey thrilled at the sight of them almost as if they had arrived riding wolves. Was this the business they went on? Tunet and Pretekár were quite new—and solid obsidian as the horses before had been—but it was good to see them gain more company. And they’d picked piebald this time!
“They’re beautiful. Do they have names yet?”
“Thought we’d leave that to you,” Jonathan managed lightly enough. Or nearly so. Quincey frowned at him, nose pricking at the smell of dried blood.
“Papa, are you alright? You—,” his eyes landed on the coat, “—what happened?”
 “Just a quick lesson from our new friends about minding their moods. I was tossed and landed in a less than opportune pile of rocks.”
Quincey scowled at that and scrutinized the stallions.
“Which one? I’m not riding him. Or petting him, even.” He considered. “At least for a month.”
“Seems a cruelty too far. I suppose I just won’t reveal the guilty party.”
“And what if I get on the wrong horse and I get tossed and land on a rock somewhere? What then?”
“Then you will get back up and be perfectly alright. Or am I misremembering the night you fell asleep on the side of the north turret and fell through half a tree on your way down?”
“Yes, well. They were fairly soft branches.” Quincey fought and lost the attempt to keep his smile up. “Papa?”
“Yes?”
“The horses weren’t the actual business, were they? You could have gotten them yourself.”
“That’s true. The horses were only picked up afterward. Quite a bargain, not counting the lumps.”
“Then what happened?”
Jonathan looked at his son. His Sweetheart, though the boy had finally started to bud into that stage that visits all adolescents, demanding a shedding of childhood names. There was a dusting of stubble barely fringing his jaw and his mother’s own whorls outgrowing the edges of his last haircut. But the eyes were still a child’s. Bright and molten as the sun at dusk.
“…There was some trouble two days ago. I aided a girl trying to leave behind some people who hurt others. Who hurt her. They had some less than scrupulous plans for the future and had already bypassed local authorities to get where they were by the time I crossed them. So I reached out for some assistance.” And, because he felt the air prickling with observation, “Your Father was very keen to educate them on the difference between the laws of other lands versus the Law of his land. And your Mum has always been of a rescuer’s bent as a rule. So.”
“So Mum and Father caught them? Together?” The sunset eyes gleamed at the prospect.  
“They did,” Jonathan nodded.
“Were they bandits?”
“Of a sort. But they won’t hurt anyone now.” Jonathan watched from the corner of his eye how the boy, so near to a young man, glowed over the notion of being a son to heroes.
He got to the tower before he felt his eyes begin to sting as sharply as his head.
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grimdarkfandango · 3 months
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was the special kind of tired-distracted this morning (thinking about blorbos, 7:30am) that I put my coffee in the french press, poured in the water, popped on the lid, and then immediately plunged and poured it. didn't notice until I had already cleaned out the press and was standing in the kitchen going 'wait a minute'.
needless to say my thirty second brew was weak as shit, thankfully the only thing I had on this morning was watching surprisingly investing werewolf casefic cdrama with friends
morale of the story: make coffee before your coffee so you can make your coffee right (or maybe stop rotating blorbos for a hot second and remember what you're doing, but that's less likely)
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mieczyhale · 5 months
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thank you @ alice oseman for including the "explanations for american readers" at the end of the nick & charlie novella. truly a god-send bc it covers a few things / phrases i've been lost on and haven't found a simple answer for anywhere else
like no, i didn't need to know these school terms to understand or enjoy heartstopper, but i wanted to know and understand them and now i do
little joys
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senselessalchemist · 1 year
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writing my goddamn fic be like and it's still not done
(disclaimer this may not be long for some people but it is for me)
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terpia · 8 months
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I check Katherine Addison's twitter every now and then to see if there are any news about the Witness of the Dead 3. No news yet, but I did find out that a new Kyle Booth novella (main character from The Bone Key novel she published as Sarah Monette) has just been published, which is pretty amazing news to start what I have reason to believe will be a pretty shitty day.
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libraryleopard · 11 months
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Adult Regency M/F romance novella
When down-on-his luck architect Simon is hired by an old flame to attend a garden party and design a folly, he asks Maggie, the hostess of a gambling den, to pose as his mistress for the weekend to keep his former lover off his back–but real sparks begin to fly between Simon and Maggie, complicating things
Explores class and Jewish identity in Regency England
Sephardic Jewish main character; bi main character; gay side character
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fingertipsmp3 · 8 days
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This book I’m reading is so good I’m genuinely mad that I put off reading it
#before any of you get excited thinking i’m about to recommend high class literature it’s an ice planet barbarians book#specifically barbarian’s choice#i was like ‘hmm i mean i Like farli but i’ve been enjoying the formula of human x sa-khui romances’#but i wanted to read something that wouldn’t require too many of my brain cells because honestly i did a lot today. so i picked it up#and oh my godddddddd#SO good. literally so so good. i was ready for mardok to be some boring green alien; like i’d braced myself for him to have weird feet#or something like that. but he’s modern sahk??? which is somehow the absolute BEST thing he could’ve been#i’m squealing and kicking my feet in bed it’s SO good. farli is adorable. mardok is hot. mardok’s crew are dicks#the worldbuilding is chef’s fucking KISS i am living#maybe my standards have eroded after nearly a dozen books of people boning down in caves but i’m obsessed with this#i think i’m going to finish this series honestly. like i blitzed through the novellas for absolutely no reason#would anyone want me to rank them? would literally anyone on planet earth be interested in that? fuck it i might do it anyway#honestly as it stands now; this book is easily my favourite. maddie’s book is second and kira’s is third#tiffany’s probably fourth. then josie’s. and i have a soft spot for the holiday novella#bottom of the list would be stacy’s book and potentially georgie’s and liz’s. maybe asha’s as well unfortunately#harlow and lila were great but not my absolute favourites#personal
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i have to translate a book by friday and i’ve barely started i’m going to CRY
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Hiii. It's been while, but here I am to annoy you with the occasional prompt once more :P
How would the SDV + SVE spouses react to the farmer (who is their partner, spouses or just dating) introducing them to the racoon family? (Because I love torturing Magnus, maybe the parents end up trusting him with their children and make him their babysitter)
❗🦝Spoilers for SDV 1.6.🦝❗
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Heya, good to see you again! :3
When I wrote the headcanon about this, I'm surprised that no one in the game reacted to the new raccoon house. Like, nobody? Not even least Marnie or Leah? Oh, well... 😅Anyway, thanks for the ask and enjoy! 💕
SDV/SVE spouses react to the Farmer introducing them to the raccoon family:
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SDV bachelors/ettes:
The little gray lumps decided to playfully attack Sam right away, poking their wet noses at him and pawing through his bag looking for anything interesting. The young guitarist laughed resoundingly, and decided to use his hand as a "claw" to show the raccoons that he was accepting the game. The babies are having fun squeaking and jumping, Sam is outright glowing with happiness, the parent raccoons are taking a break from the noisy kids, and Farmer is taking pictures on their phone to capture this touching moment.
Sebastian was probably most at ease with the raccoons, sitting on the grass while the little cubs sniffed curiously at the stranger. Farmer crouched nearby, showing their forest friends that Sebby could be trusted. So in five minutes the little raccoons were already playing and jumping around the two of them without restraint. Funny little animals. He won't mind continuing to frolic with his friendly neighbors. Hm, maybe bring them a tasty treat?
Well... Those are definitely real raccoons. It's just that after Farmer's words "neighbors-raccoons", Elliott thought at first that his dear husband did not characterize people so kindly, and then the writer remembered that he had never heard of any new residents of the Valley. The raccoons were surprisingly calm, they seemed to know Farmer for a long time, and the cubs were not afraid of Elliott at all. "Meeting with the forest neighbors..." Hmm, not a bad title for his little novella...
When the Farmer told Harvey that they had purchased so many broccoli seeds from raccoons, the local doctor thought it was a bit of an odd joke that he had no way of understanding. But now he saw with his own eyes as the raccoon came out of their little house and gave Harvey's spouse a baggie of seeds, taking pine cones in exchange. A mixture of confusion and shock, and then complete acceptance of the fact, because, as far back as Harvey could remember, the Farmer had done stranger things.
Shane stood motionless, with a "I don't get paid enough for this shit" look on his face while little baby raccoons sat on his head, shoulders, and scratched his new shoes. He definitely thinks he looks silly. But they seem like cool animals, not aggressive, plus Farmer is smiling so wide and sincere at this picture. So Shane is willing to put up with the squeaky sounds of the fidgety cubs once a week. The only no is introducing his with Farmer children or Jas. Better save that sorry.
Raccoons? Not the same ones Alex's grandfather has been complaining about for the past week? The athlete is used to seeing them as pests, since Alex used to be the one who was always picking up trash from the overturned trash bin. So he shows a bit of distrust when he finds out that their "new cool neighbors" are raccoons. Although Alex has no beef with these raccoons specifically, they seem to be peaceful, plus their cubs are super adorable.
Oh, Leah had known for a long time for that tree stump mini-cabin near the farm. Excellent carpentry, by the way. It was very skillful. And the raccoons who had settled there were apparently enjoying their cozy new place of residence, which would shelter them from any weather. Nevertheless, Leah does not dare to disturb the local fauna and advises Farmer not to get close to the raccoons, believing that animals should be respected.
When Penny saw Farmer with raccoons in their arms, the girl wanted to scream in horror, but ended up just squeaking. These are certainly not dangerous animals like a bear or wolves, but even just a couple of aggressive raccoons can pose a serious threat to humans. And the fact that the Farmer was near their cubes... But these raccoons don't seem to mind human company... probably domesticated. Penny is certainly glad that everything went well, but maybe they both shouldn't bother the wild fauna any further?
So the Farmer has been buying carrot seeds from real raccoons all this time? That's awesome! Abigail isn't exactly thrilled about the carrots, though. She didn't seem too surprised by the situation itself. Even wanted to see what else the forest fauna were selling. Seeds, seeds, more seeds... Oh, magic rock candy? Now that's interesting! Especially while she's looking at all the possible items, the baby raccoons are playing with her. So Abby is very happy to have such neighbors.
Haley squeaked twice, the first out of delight at the raccoon family in their cute little house, and the second out of surprise and fear because the raccoons had come too close to her. They don't carry rabies, do they? She looks at her spouse, waiting for their answer. At Farmer's approval, she decided to gently pet the raccoon, who seems didn't mind at all. It was fun, but Haley had had enough contact with nature for the day. Btw, where is her camera? Because she'll definitely take a dozen cute photos before leaving.
On the one hand, Maru's inner voice urges her to counsel herself and her dear spouse against contact with wild animals. On the other hand, Farmer playing with baby raccoons is probably the cutest thing Maru has ever seen, and her heart instantly melts with an overabundance of cuteness. The young inventor would spend days asking the Farmer about the raccoons themselves and how come they made a house for them.
Forest friends! Emily is unbridled delighted that her spouse has introduced her to a family of raccoons. Small and bright animals that playfully run around the blue-haired girl while she herself smiles at the most adorable picture. The interaction alone filled Emily with a huge amount of positive emotions. Oh, and the raccoons look happy in their cozy little house! She should definitely sew a couple of warm plaids for them, so that the baby raccoons will definitely not freeze in winter.
SVE bachelors/ettes:
Considering that Magnus's partner had previously shown him their ability to talk to the forest fauna ("Deal with bear and maple syrup???"), the introduction to raccoons didn't surprise him too much. What did surprise him, however, was that the parents wanted to give him, a wizard they didn't know well, their raccoon children to look after. With all due respect, he was not a babysitter for forest animals! Magnus already had his own children and a pupil to look after.
*Chuckle* What a adorable forest family. Lance is rather pleased to hear that the Farmer and he have good neighbours. Although the gallant adventurer himself doesn't have a chance to talk to the raccoon parents (and to any wild animals), their behaviour towards Lance says that they are not aggressive and don't consider him a threat. He is more interested in the fact that Farmer is actively trading with the raccoons, exchanging coal for mahogany seeds...
Farmer, wait! Stay away from the raccoons, they can be dangerous! Why don't they listen to Victor? He knows what he's talking about. Moreover, the spaghetti lover has told them many times how he was attacked by a vicious raccoon in town a long time ago. He was terrified. So don't- Farmer? Where are you going? Please don't go near- Oh... Are these raccoons tame? Did they make them a house? To keep them warm in the winter? Oh, how nice of them- ???? Did- did they just buy carrot seeds from raccoons?...
Oh, a raccoon family? This is unusual. Well, Claire kind of realises that the forest is very close by, so it's no wonder there are wildlife running around. but she never noticed this little house with cute raccoon faces sticking out of it. The red-haired girl worries when Farmer gets too close to the animals, what if her parents think they're a threat to the little ones? But they seem to regard them as their own and allow them to be petted. Claire would rather watch from the sidelines if her spouse doesn't mind.
...Olivia was beginning to worry that these raccoons wouldn't hesitate to come to their farm and make a mess in the beds. Living in the city, she knew these animals as pests and disease-carriers that crawl through bins. So she honestly said she wasn't too comfortable around raccoons. Although these ones seem to behave differently, without aggression. And the house is pretty nice. But she will need time to get used to such "neighbours".
Oh, Yoba, the Farmer made this little house themselves?! And the raccoons have babies! Five, or even six! That's so cute! Sophia is even willing to forgive the raccoons for knocking over her trash can last week, because it's the cutest thing she's ever seen in her life. The pink-haired girl is still afraid to touch them since they are wild animals after all. But she'll definitely take 100+ photos of the forest family and be sure to show Scarlett, because it's super adorable!
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anim-ttrpgs · 6 months
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Annoucning the A.N.I.M. TTRPG Book Club!
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The original idea was from @thydungeonguy, but he let us take care of it provided we do most of the heavy lifting to make it run smoothly.
Message either @anim-ttrpgs or @thydungeonguy and just ask to get an invite! It’s free, you just have to ask! Or, you can visit our website and find the discord link there.
Here’s the short version.
We’re running a club that treats (indie) TTRPG-playing like a book club. There’s a nomination period for RPGs, then a vote to decide which RPG we play, then scheduling discussion, then everyone who can make it(we may split up among multiple groups depending on the number of sign-ups) plays the same adventure with the same RPG(usually a 1-2 session adventure, 3 sessions if it has to go on longer), then we discuss it.
Then, repeat.
The purpose of the club is to play indie tabletop role-playing games that aren't D&D5e, bringing new games to people’s attention and getting to experience how those games work in practice. It’s an encouragement to step out of your comfort zone and try new games with enthusiastic people who love them, and even step out of your comfort zone and learn how to GM a game if you’ve never done it. The way we set up the structure of the club makes it very easy, forgiving, and supportive for GMs even when playing a game they’ve never played before—it’s really not as hard as it seems, especially since we use adventure modules, the greatest GM tool ever devised.
Join up by sending us or @thydungeonguy a message or ask, and maybe you’ll even get to play the full version of Eureka: Investigative Urban Fantasy for free! That is, if it gets nominated and wins the vote. Even though we’re running the club, our own games aren’t gonna get special treatment.
Despite, and perhaps especially since, our games aren’t getting special priority in the club, and because the A.N.I.M. team is doing everything to organize and support novice GMs and fellow indie TTRPG authors, organizing and running this club is a good amount of extra work for our very small team for no direct profit. We ask that if you enjoy this club, you kindly leave a tip for us on kofi or support us on patreon. It'll keep this server running smoothly and keep us creating TTRPGs, plus with a patreon subscription of at least $5, you get the prerelease rulebook as well as future updates, two horror adventure modules, and two short stories and a novella taking place in the Eureka world!
Join up by messaging either us or @thydungeonguy, or finding the discord invite link on our website!
Even if that’s not your thing, visit our website anyway to pick up a free copy of the Eureka: Investigative Urban Fantasy demo, complete with a free starter adventure module and pregen character sheets!
This is gonna be a blast.
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friendlybowlofsoup · 9 months
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Another Update
Hello Friends,
I have a rather long (but optimistic!) update to share with you all today. As many of you are probably tired of reading these kind of posts, I have a TL;DR here, but I did want to share what has been on my mind in that past half-year that I haven't been here.
It has been rough, and busy as always, but I think I'm finally facing myself and my project for the first time in a very long time.
TL;DR (it's actually long, I have a lot to say (*_ _)人)
I soul-searched and decided to stop compromising on my own feelings with regards to this project. I gave in to everything I wanted to do.
Plot changes, which means some character changes, which means some of the demo is outdated.
GotRM will be switching over to Twine.
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OH MAN DID I SUFFER THE LAST FEW MONTHS
After my previous update, I hunkered down and really analyzed how I wanted to proceed with GotRM as a project. Because even prior to that post, I had already been going through long periods of hiatuses (which you are all aware of), and while I didn't lie about school taking up my time, I was also harboring a growing dissatisfaction with my own writing that really killed my progress for a long time.
So after everything had settled, I sat down and forced myself to peel apart my work. I know I said I would answer asks, but I uninstalled all of my social media and put aside this blog to focus. I made a note of all the things I liked and didn't like, and I made a list of things I wanted to change or improve on. The biggest point was that I also looked at my efficiency during actual writing sessions: how much of my time was spent writing vs. fighting with code? How could I change that?
And after a lot of deliberation, I figured there were a few things I had to change from the ground up, summed up in four points:
My working style was super incompatible with grad school. I can't spend 20-30 minutes scrolling up and down CSIDE checking code or looking for narratives while also jumping between chapters to make sure events line up. As this story grows, the more difficult it becomes to keep track of all the branches, so I needed an alternative working method, which I am adhering to now, and it prioritizes efficiency.
I hated the way I was tracking and coding stats in-game. I have griped so much about coding stats, and I have adhered to such a rigid style that I really felt trapped whenever I was confronted with balancing them out. So I'm throwing that to the wind and redoing how I utilize and convey them. Player-side, this decision doesn't change much since I never fully utilized stats in the demo anyway, and the stats page with indicators will still exist, but I'm getting rid of stat bars and how I treat stat checks.
The story I want to write now is different from the one I started out with. I've known for a while that GotRM was becoming far more than the tiny, wishful novella that I wrote as a teenager. I held onto that old story for a long time, but there's just so much I want to change that I realized I'd been clinging to a story I no longer enjoyed writing. So I spent the majority of the last few months rewriting GotRM from scratch. I redid some worldbuilding, I changed a lot of plot points, and I fixed a lot of characters' backstories accordingly. This meant scrapping stuff from even the demo, but that turned out to not be the biggest issue because:
I wanted to branch away from ChoiceScript. Honestly, I never really cared about getting officially published, but the camaraderie in the forums and on Tumblr were why I committed to CS and CoG. However, ultimately, I really want the functionality that other tools can offer GotRM, and so after a long internal debate, I will be switching over to Twine. Fortunately, since I was rewriting everything anyways, this has been relatively painless, and passage mapping has made everything so much neater. I am trying my best to make it up to chapter 2 before I release the new demo, so please look forwards to that!
And so yes, I am still here, chugging along.
I love this game and this story: it's been my creative escape for as long as I could remember, and you can imagine how frustrated I was when I realized I was starting to dread working on it.
I am forever learning more about myself and my writing style, and this is simply more of that journey. Thank you everyone for sticking around, for joining the discord, and for checking up on me--that I have all of you has truly been a dream.
Hopefully more updates to come soon! I understand that there may be questions about these new changes, so please ask away! I will (try) to release some asks that I've been working on in the drafts too, but I will wait until at least tomorrow to release them so that this post doesn't get drowned out immediately.
And as always, with a lot of love,
FriendlyBowlofSoup (Mei)
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veliseraptor · 25 days
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April Reading Recap
Stars of Chaos vol. 2 by Priest. I'm not quite grabbed by this one yet. I'm not not enjoying it, but the main relationship doesn't quite have me compelled, and the politics aren't quite sharp enough to get me either. I'm not totally sure I'll keep buying the published volumes, at least not at this time, and just read the rest online to see how I end up feeling about it as a whole before making the financial commitment.
Medea by Eilish Quin. Listen, I'm a Medea apologist, but I'm a Medea apologist who is very much of the "she absolutely did all the awful things she's accused of and she is valid" and the author here is going "she did all the awful things she's accused of but it's not as bad as you thought it was because she didn't mean it!" and I'm just. I'm not mad, just disappointed (again). I was so hoping for a book that would do something interesting with a Medea retelling but I probably should've known better than to think it'd be this one. Why, you may ask, do I keep reading myth retellings about my problematic faves when all I do is complain about them? Hope springs eternal, I guess.
She Who Became the Sun and He Who Drowned the World by Shelley Parker-Chan. Exceptional. Might be my favorite books I read in April. I'd already read She Who Became the Sun back when it was first published and knew I'd enjoyed it (was rereading to refresh my memory for the sequel), but I felt like I enjoyed it more the second time around, and I might've liked He Who Drowned the World even more than its predecessor. If you're looking for works of just-barely fantasy with delightfully fucked up queer characters, come get 'em here. I won't say most of them are happy (they're not) or that things end well (they don't), but boy is it good reading.
The Death of Jane Lawrence by Caitlin Starling. Decent horror but not particularly outstanding, in my opinion. I liked The Luminous Dead more.
Untethered Sky by Fonda Lee. I continue to struggle with novellas. This was a perfectly good novella but it felt like it could've been a stronger short story, which I guess is better than the other way I usually come out of novellas, which is "this was a fine novella but it should've been a novel."
The Mountain in the Sea by Ray Nayler. I really liked this. It has more of a thriller-ish edge than I expected, but for all that I think it's a thoughtful book with some interesting things to say, and I feel like it's one I want more people to read so I can talk to them about it. It's set in a sort-of spooky, near-future dystopia, but a lot of it is about, like, the nature of thought and consciousness. Anyway, I found myself compelled.
Islands of Abandonment: Nation Rebounding in the Post-Human Landscape by Cal Flyn. I found myself reading this thinking a lot about The World Without Us, a book I read many years ago and would kind of like to reread, and which I think I liked more than this (at least in my memory). I was hoping for more analysis than I got from this book, which was beautifully written but more nature/travel writing than science. One thing I did appreciate was the attention paid to the human cost of the "abandoned" places examined in this book - the pain that abandonment often signifies, and the trauma it indicates, in spite of the beauty that may come after.
Emperor of Rome: Ruling the Ancient Roman World by Mary Beard. I really liked the way that Beard chose to do this one - namely, taking it by theme rather than by emperor, and breaking down different areas of the emperor's life over time rather than trying to tell a linear narrative. It also let her do some of the better "skeptical" reading of sources that I've read in a popular book on ancient history, where she was actually digging into the "rather than what this says about what this person may or may not have actually done, what does it say about expectations, beliefs, and tropes that people had" kind of reading. And after some of the other popular histories of Rome I've read, thank god for that.
Metamorphoses by Ovid, trans. Stephanie McCarter. Continuing on with my "reading new translations (by women!) of classical epics" run (started with The Odyssey, The Iliad is on my list). It was fun to reread Ovid! As usual one of my favorite parts of this was reading the translator's note and introduction, and I wanted about 500% more of that through the text (tell me about the assonance you're preserving in the Latin!) but did get some of (thanks for the information on the penis/pubic hair puns!). Overall would recommend as a good translation of Ovid that very much does not flinch away from - and makes/keeps appropriately uncomfortable - the sexual assault.
Dark Rise by C.S. Pacat. Slightly more YA than I usually like, but I enjoyed it! I was a little :\ about it for a while, very much feeling the YA cliches of it all, but the late hour twist got me interested again, and I will be picking up the sequel. Did miss the full balls-to-the-wall iddy joy of Captive Prince, though, since I probably wouldn't have picked this book up without the author recognition.
Subversive Sequels in the Bible: How Biblical Stories Mine and Undermine Each Other by Judy Klitsner. I really liked this one, particularly for its commentary comparing and contrasting Eve, and the other women of Genesis, with later Biblical narratives. I don't know how much I buy all of her arguments when it comes to intentionality of all of the comparisons she's drawing, but it certainly makes interesting food for thought, and a good sampler for me of what literary-based Biblical scholarship can look like (and an indication that I'm interested in trying more of it).
Use of Weapons by Iain M. Banks. I read most of my way through this book continuing to really appreciate what Banks does with the Culture novels and planning to continue on reading the next one, but not enjoying this specific one as much as I did The Player of Games in particular, and then I got to the very end of it and went "hang on what the fuck???" but in a decidedly good way. And I'm still kind of thinking about That even though it's been a while, which I think is a positive. Anyway, I don't think I'd recommend this as a starting place for anyone to read the Culture novels, or as a must read, but it was on the upper end of a three star rating.
Juniper & Thorn by Ava Reid. I wanted this to be more gothic horror and less romance and it ended up being more romance and less gothic horror, was my feeling. Not necessarily the book's fault, but if anyone else is eyeing it wondering...now you know.
A Deadly Education by Naomi Novik. I really enjoyed this one! I was kind of skeptical going in - I'm not a big magic school person, as a rule, and the more I feel like something is hyped to me the more I tend to drag my heels about it - but Naomi Novik is really good at what she does and she clearly had a lot of fun here. It's tropey for sure, but I enjoy the narrative voice (very important, in a first person narration), and the action moves along with what I felt was pretty good momentum. The other thing I was worried about - that it'd feel too much like this was just ~commentary on/against Harry Potter~ without saying anything for itself - didn't materialize for me. I'm looking forward to reading the next ones.
The Monster Theory Reader ed. by Jeffrey Andrew Weinstock. I'm so rusty on my academic/theory reading and I felt it reading this collection, some of which was definitely better than others. Kristeva's essay on abjection was particularly rough as far as "I'm reading words and I know all the words but something about the order they're going in is just not making sense to me." Overall...it was a decent primer? There were a few very interesting essays in there; my favorite might've been the one on tanuki in modernizing Japan's folklore, but there were a couple on "monstrous" bodies that made me wish I had someone to discuss them with. That's probably my main problem reading academic works these days: I want a seminar to dissect them afterwards and I just don't have that.
The Sabbath: Its Meaning for Modern Man by Abraham Joshua Heschel. I'm trying to read something Jewish on Shabbat now and finally getting around to reading some Heschel after years of meaning to. I thought "oh, I'll start easy with something nice and short" - yeah, no, Heschel's got a very particular style of writing and there's a lot of theological depth packed into a very short volume. I'm looking forward to reading The Prophets, though.
The Husky and His White Cat Shizun vol. 5 by Rou Bao Bu Chi Rou. I think we're juuuuust about caught up now with the official translation to where I started reading the machine translation, so I'm very excited for (a) things I don't remember as well (b) reading it not in machine translation. Also looking forward to everything about what happened with Nangong Liu and Nangong Xu making more sense this time around, on account of not reading it machine translated, because I didn't follow it so well on my first read and I feel like I'm already doing better. (Though that could also be because it's a reread, no matter how different an experience of one.) Still feel real bad for Ye Wangxi, on so many levels. Mark that one down for 'characters I'd love to know more about what they're thinking.'
The Water Outlaws by S.L. Huang. I really enjoyed S.L. Huang's other work with the Cas Russell series, and I liked this book a little less than those. It felt like an almost winner, for me. Certainly I read through it quickly enough, and I can say I enjoyed it, but I'm not sure I'd give it an enthusiastic recommendation. It falls somewhere in the middle between "a fun action/adventure story" and "something I can sink my teeth into" in a way that didn't quite satisfy either itch. Still, it did make me curious about the source material, which is one of the Chinese classics (Water Margin) and I might go and find a place to read that, if I can; if I'd had that background going in I wonder if my experience of this work would've been more edifying.
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I'm currently rereading A Memory Called Empire so I can (finally) read the sequel (A Desolation Called Peace); I also checked out from the library the next two Scholomance books so I'll be reading those. I'm going to try to throw some nonfiction somewhere in there (maybe The Genius of Birds by Jennifer Ackerman, which I also have out from the library, but maybe something else), but I've still got the sequel to The First Sister sitting on my shelf (also from the library).
Outside of that I've got no big reading plans - I'm working my way through some of the unreads on my own shelf (despite what it may look like, about the library books) and eyeing The Doors of Eden by Adrian Tchaikovsky or a reread of Foundryside by Robert Jackson Bennett so I can continue that series.
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jessaerys · 2 months
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read two novellas yesterday/today:
we had to remove this post by hanna bervoets: a short novella about a woman who works as a content moderator for a social media that shall not be named. it was mid but the goodreads reviews are so fucking obtuse i have decided actually it was great commentary on the slow deterioration that being constantly exposed to disturbing content has on the human psyche. like that was super clear to me in the characters' actions, but it was never spelled out, so it makes sense that the idiots at goodreads are confused
it was reccd to me in my "novels that are so bizarre" post and it was actually just a pretty quiet literary slice of life personal drama lol which was the most confusing part + really skewed my expectations. if you go in knowing nothing out of the ordinary actually happens, i think it's a very solid read
you've lost a lot of blood by eric larocca: fun little horror novella that was kind of pretentious and tonally all over the place but larocca's prose is so beautiful i enjoyed it anyway. the novella-within-a-novella was better than the framing device. i liked how the audiobook narrator said "you've lost a lot of blood" and boy did he say that a lot
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drchucktingle · 1 year
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Hi! Chucked the first Tingler, but it was Straight so it was more pulse than pound. Anyway, I enjoyed it, thank you! Do you have any plans for future horror or sci fi novellas?
I AM GLAD YOU ENJOYED STRAIGHT thank you very much buckaroo.
yes chuck will have two simultaneous writing outputs i will continue to self publish romance and erotica and also traditionally publish queer horror with macmillan imprint NIGHTFIRE who are just wonderful. as part of contract chuck signed it was very important that i was allowed to keep making erotic tingler art at same time, and nightfire buds said 'heck yeah buckaroo' which i think says a lot about their faith in my trot
this summer (july 18 on this timeline) CAMP DAMASCUS will come out in hardcover. this is a queer horror novel about a conversation therapy camp that i am sure you will enjoy and will also rile up conservative scoundrels everywhere. i am very excited about that one, and fact that lead character is autistic like chuck also means a lot to me.
after that is BURY YOUR GAYS (this will come out 2024 this timeline i think) which is the next horror novel. it is not directly connected to camp damascus but as you can tell from camp damascus and straight CHUCK HAS A STYLE OF USING QUEER HORROR TO TACKLE SOCIAL ISSUES. i think tumblr buckaroos ESPECIALLY will like bury your gays.
anyway if you would love to support chuck and my trot PRE-ORDERS are very important to these traditional publishing big timers, so pre-ordering camp damascus would be dang wonderful if that is your way
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goodluckclove · 9 days
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I'm having a lot of fun talking with people about why they struggle in their writing, and I figure I'd share a little bit about what would keep me from writing. It's especially relevant given how soon Blind Trust is coming out - and, like I said, if you're willing to be real to me I'll be real right back.
I'll put it under a read more, as I've had the amount of alcohol that it takes me to be extra loose - meaning half of one canned cocktail. And I don't want to freak anyone out who doesn't want to see me feel a little more angsty than I tend to be online. But as I said before, I want to be honest about the craft as much as I urge others to be.
Here we goooo. Say goodbye to proper capitalization babies, Dad's getting funky.
so i started writing when i was twelve years old. i wrote carnation, a 10k word zombie novella about thinly-veiled representations of me and my two best friends at the time fighting zombies. it wasn't very good. i never wrote anything before. i enjoyed it though, so i proceeded to keep writing, near-constantly for the next fifteen years.
here's the thing, though, and it's something i don't see a lot of elder writers talk about. probably because it's not a super pleasant thing to hear, but i'm pretty sure i could pull it off.
uh, my name is clove gardener. i'm twenty-seven years old now. and i do not think i'm that good of a writer.
i don't think i'm bad. i mean, i've been published. i've worked as a copywriter and a ghostwriter. i've written for work for a few years now, so - like - objectively it must be passable. i don't hate my writing. i think it's accessible, which is cool. but if you were to ask me hey do you think you're a good writer? i would skirt around the question without answering directly until i could figure out a way to change the subject.
at this point i don't think that's going to go away. the improvement, though, has been that i barely think about that anymore. it's like there's a little dipshit in the back of my head, and occasionally he will hiss-whisper this is shit what are you doing until I find a way to shut him up.
i kind of feel like that's just the thing that happens when you're a writer. it's the camp i'd rather be in, at least. because the alternative is that i'm a really good writer who might consider themselves capable to claim authority and tell you how to do things i actually know nothing about. i'd rather have doubt. maybe less than what i have now, but still.
writers, i think, overlap with theater kids in the sense of being dramatic little piss babies. i am proud to say that i am significantly less of a piss baby than i potentially could be, especially considering that i'm in writing and theater. but you're bound to be a little dramatic at some point.
i think in the six-ish months since i've started blind trust, i've had maybe two creative existential crises. that's pretty good. that's reasonable. and they were not too unproductive either. i've learned that you can feel whiny and pitying and scared and self-loathing, and still do the thing.
i don't think you should publish your book. cool, ryan (i named my inner dipshit ryan). i'm doing it anyway.
nobody actually wants to pay money for it. yeah, ryan. maybe.
you're a terrible writer. i like it, though. i want to see how it ends. so let's keep going.
if you're wanting to publish/self-publish, and you think you don't have a chance because you aren't a beacon of self-assurance and confidence - guess what, buddy, i don't think many of the greats were. it's almost a stereotype i've seen of famous writers also being angsty weirdos who crumble into despair because the apple they ate was slightly too mealy (this is based on nothing but i can see it happening to kafka). if you think you can't be a writer because you aren't like me - friend, colleague, son, daughter, child, we are both angsty weirdos and that's okay.
last week i sobbed because riley showed me a video where a kiwi bird was sad and we had to spend the rest of the night watching videos of kiwi birds before donating to a kiwi bird charity. i make one phone call to the doctor and i have to lie down for the rest of the day. i am kind, i am fun, i am funny, and i am also like three bad dice rolls away from a breakdown. you can be both of those things. i have nuance.
i'm fine, by the way. it's been a good day. i'm just stressed about publishing because the thought of asking people to pay Human Currency for my work makes me deeply uncomfortable. but we're going to fucking deal with that, aren't we, ryan?
i don't know if this is unprofessional to reveal, but if it convinces one person to pursue a life in writing even though they sometimes take a trip to the Panic Zone, fuck it. i'm fine, you're fine, we're all going to be fine.
we should name our inner dipshits. drop your dipshit names below. ryan is your classic little goblin, but he's dressed like an e-boy. i think he vapes. i hate him.
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