i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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Ugly crying & the marauders generation - a pseudo-scientific approach (my marauders crying PhD abstract)
Abstract
In recent days, there have been a variety of claims as to who the prettiest and ugliest crier in the marauders generation could be. This paper aims to address the recent surge in opinions on the matter, and categorize different approaches as well as add a new approach to the scientific examination of ugliness/prettiness when it comes to crying. I hope to provide readers with an overview of the current state of research and encourage all marauders scholars to add their own and I intend to make a contribution to the discourse by committing to the bit and writing a pseudo-academic paper about it instead of actually working on my thesis.
Introduction
In the following paper, the discourse about 5 marauders era characters will be examined in regards to their various levels of perceived ugliness whilst crying. Scholars who may ask why Peter [Pettigrew] is not included in this analysis are advised to refer to acclaimed marauders ugly crying scholar @lynxindisguise's (2023) original poll on the popular blogging website "tumblr.com" which did not include Peter, but rather two non-marauders characters named Lily and Regulus. This paper will follow that approach, since Peter is the nastiest skank bitch I have ever met, I do not trust him and he is a fugly slut. The characters included in this approach are as follows: James Potter, Lily Evans, Sirius Black, Remus Lupin and Regulus Black.
Following the scientific criteria for ugly crying, as stated by lynxindisguise et. al (2023), the question of the ugliest crier can be answered by observing the crying person and assessing their ugly-levels on the following parameters: (1) unbecoming facial expressions, (2) facial swelling/blotching, (3) unsettling noises, (4) snot factor, (5) tear volume, (6) general loss of dignity, (7) glistening eyes/lashes, (8) Victorian heroine factor, (9) elegant tear-wiping, (10) post-cry glow (ibid).
Criteria (1)-(6) can be categorized as the ugly crying parameters whereas (7)-(10) are pretty crying parameters, creating a false binary between ugly and pretty crying, which may be problematised and addressed in another the paper. In contrast to lynxindisguise’s original 10 criteria to measure the aesthetics of crying, this paper proposes to add (11) explosiveness of cry as another ugly crying parameter, in order to get a more clear assessment of where on the ugly-pretty crying scale a character falls.
The ugly crying parameters
(1) Unbecoming facial expressions
James Potter is mentioned in this category by several marauders scholars: @jaylienpotter talks about his red face and ugly sobbing, @artbyace mentions his “scrunched up cry face” and @sectoren claimes “james (…) is that one handsome guy that when the waterworks get going becomes like. Cartoonishly ugly”, raising the question of upkeeping toxic masculinity in order to avoid having to witness more of James Potter’s crying “mug”.
Though James Potter features heavily in this category, another character who is also mentioned just as often is Remus Lupin: @kaaaaaaarf, @appreciatedmoron and @http-starboy all emphasise that Remus Lupin is the one with a red and blotchy face.
(2) facial swelling/blotching
While there is a definitive overlap between the categories of facial swelling/blotching, unbecoming facial expressions and snot factor, Sirius’ and Regulus’ victorian heroine complexions, which give them an advantage in the homonymous category, may be to their disadvantage in the “blotching” category. This will require further research by other scholars.
(3) unsettling noises
James Potter is mentioned in this category by Jaylienpotter (2023), claiming he not only hiccups when crying but also that “his cries are one of the most heartbreaking things you’ll ever hear” and similarly, artbyace states that “James loves and feels so loudly”, whereas “Sirius is silent”, both sentiments are reminiscent of znelda’s (2023) statements that James “was allowed to feel his emotions freely in a loving household” and “Sirius (…) [is] used to hide [his] feelings and [has] become stoic”.
With several other scholars, among them also @jamesunderwater (2023) raising the point that James may be the ugliest crier due to him being “the only one well adjusted enough to have access to his feelings” this raises the question of possibly introducing another category, maybe of emotional awareness/stability to be able to measure this parameter more efficiently, though emotional vulnerability may also just be a part of the unsettling noises parameter, suggesting that there is a correlation between noisiness and the existing environment being welcoming to and accepting of various expressions of emotions.
(4) snot factor
The most popular winner in the snot factor category seems to be Remus Lupin, with several scholars agreeing that his sobs are the dampest and snottiest out of all the candidates. kaaaaaaarf (2023) writes “he turnes all red and blochty and snot drips out of his nose (…) he cant (sic) not cry with his mouth open as well so there is a lot of spit”, and appreciatedmoron (2023) agrees with kaaaaaaarf on this.
It only seems right to me to include spit in the snot category as well, seeing as they’re both crying-related bodily fluids that add to the ugly-cry factor. http-starboy (2023) also mentions snot in regards to Remus Lupin, which compared to both their comments in (1) opens up the question of how unbecoming facial expressions, more particularly redness of the face and snot factor may be related, as several authors seem to write about both specifically in relation to each other. Whether this is just pure coincidence or not would need further research, for which we currently do not have enough funding. This is only one of the many research gaps in the relatively new field of marauder’s ugly crying studies, which cannot fully be addressed in this paper.
James Potter is also mentioned in the snot category, namely by the marauders scholar artbyace (2023).
(5) tear volume
Artbyace (2023) claims James Potter is “full on bawling” which can only be assumed to refer to tear volume, but the most convincing argument for tear volume comes from the acclaimed marauders scholar @fruityindividual (2023), stating that “tsunami warning tones go off in sirius’ brain anytime remus is close 2 (sic) tears” which already indicates high levels of tear volumes. The author then goes on to specify the volume by claiming that “indeed the ocean wishes rj lupin would jump in and help contribute 2 (sic) rising sea levels”, further emphasizing the volume of Remus's tears.
(6) general loss of dignity
@pastaplatypus (2023) writes about James Potter not being able to do a Melodramatic Bollywood Cry, which is perceived as inherently racist by the crier.
I would like to argue that Sirius Black also deserves to be mentioned in this category. While as of today, with less than 1 hour left to vote, 15.5% of voters agree that Sirius is the ugliest crier, the more outspoken voices all argue for different ugly criers. Due to their upbringing, I am tempted to name both Black brothers in the “loss of dignity” category and look forward to reading future contributions to this discussion.
The pretty crying parameters
(7) glistening eyes/lashes
Undoubtedly Sirius Black deserves to be mentioned in this category. I believe his dark lashes and glimmering eyes are part of what makes him the prettiest crier. Whereas Remus’s eyes also sometimes glisten or appear red, and it is usually attributed to be caused by drug consumption, which more often than not is a wrong assumption, but he happily goes along with the pretense of being a weed-smoking bad boy in order to hide his ugly crying damp tendencies.
(8) Victorian heroine factor
It almost seems superfluous to even mention Sirius (and, to a lesser degree, Regulus) Black in this category. This category was made for Sirius, as is apparent when reading lynxindisguises (2023) description of the victorian heroine factor, in response to a question by the scholar @plecotusauritus:
“the Victorian Heroine Factor is a deeply scientific assessment of the Vibes. Is this person giving tragically beautiful, windswept Victorian Heroine, sobbing gently into their hands while sprawled across a boulder or a well or a fountain of some sort? When they look up at you, do their tear-plumped lips part elegantly as a single tear slides down their cheek?”
(9) elegant tear-wiping
There hasn't been a lot of research in this area, but I would like to propose handkerchiefs with embroidered initials and family crests as another potential factor in favor of the Black brothers scoring high marks in this category as well as the Victorian heroine factor.
(10) post-cry glow
Artbyace (2023) claims “lily is always beautiful (…) even when crying”, which is echoed by znelda’s (2023) earlier claim that “Lily (…) [is] a woman and no woman is ugly when crying.”
Sirius is the other popular choice by marauders scholars for this category, with @in-flvx (2023) stating that he “handsomely handsomes while dying after 12 years of torture hell and another year in shackles”, which would mean that “a few tears would[n’t] stop him from being the hottest person in the room at all times” (ibid).
Additional parameters
I am suggesting to introduce an additional metric in order to further specify and better assess the ugly-crying levels:
(11) explosiveness of cry
@felixantares (2023) introduces the idea that Remus “is the type that very few people have been seen cry because he ignores every difficult emotion hes (sic) ever had (…) and it all explodes at once and its horrible to watch when he breaks down”, a sentiment shared by several of the other authors mentioned above in various other categories.
Further opinions & conclusions
The most popular consensus seems to be that Sirius cannot be the ugliest crier, sometimes also in direct comparison to his brother: @spindrifters (2023) answers the question of the ugliest crier with “obviously it’s regulus”, elaborating that “at least [it’s] definitely not sirius bc (sic) reg is canonically less handsome in all ways” which brings up the question if regular beauty plays into ugly crying. This is contrasted by lynxindisguises argument, that Sirius may be an ugly crier because he’s so gorgeous, and his ugly crying subverts the expectations of beauty:
“the most beautiful man alive looks hideous while crying, and his deeply awkward and perpetually damp bf (sic) is literally in his element while crying – dampness becomes him, you might say.”
This statement raises yet another question – does regular crying make the crier more or less ugly? Can an ugly crier become a pretty crier by practice or are we all born either ugly or pretty criers, condemned to this fate for life?
While this paper has given an overview of the current state of research to ugly crying/pretty crying, it has also raised many more questions. Other topics which may be addressed in future papers also include the philosophical question whether ugly crying is in the eye of the beholder and if it is possible to ugly cry without being perceived, and if it is possible to ugly cry if the person perceiving you doesn’t find it ugly. Since the research field of ugly crying is a relatively new one, we can only hope to read many more opinions on these and other topics in the future, and I look forward to reading different scholar’s approaches to these highly relevant topics.
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