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#because it's the 19th century
black-rose-writings · 10 months
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Dear Saints, I forgot how much I hate trying to write Alina.
Shit's not good for my mental health.
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sableeira · 11 months
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whoever edited that bsd official art to make it look like chuuya is holding onto dazai’s arm will be put on trial for irrevocably changing my brain chemistry and making me so much worse
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the original and the edit in question. this artwork really makes me crave a mid to late 19th century historical au where Chuuya is a swordsman struggling with changes to his job due to the meiji restoration and with Dazai as a detective/private investigator who hires Chuuya as his bodyguard when a seemingly harmless investigation turns dangerous. they kind of hate each other (as per usual) but Chuuya needs the job and Dazai, while he proclaims to dislike chuuya, is also very smitten with chuuya’s fighting style and temper (as per usual).
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therepublicofletters · 6 months
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26.10.23 || Having a caffeine-induced archive high from the tiramisù I had at dinner, hoping it lasts me the next three years
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stheresya · 9 months
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Daenerys' storyline in ADWD is a good way to complexify heroic narratives without invalidating the idealism of the savior. What is in question isn't the morality of freeing slaves (because that's already indisputable), but how to integrate them in society in a effective way when that goes against ancient traditions of subjugation. It offers an honest portrayal of power struggle, how the oppressing class does not give up their power easily, and in order to make a revolution stick you must give the oppressed the necessary tools to keep themselves empowered, the oppressed must be able and willing to reign fire on those who seek to put them in chains again. With heroic narratives there's always an extraordinary someone saving people from certain doom and everyone is happy. the end. But with Dany there's an exploration of the aftermath. Her storyline explores her struggle of wanting to do good, on trying to keep her people safe while dealing with powerful people who seek to maintain their hierarchies. It's an exploration of what power can mean to different groups. Power can be about subjugation but it can also be a way to prevent yourself from being subjugated. The great masters would not have behaved differently if Dany had proposed gradual and peaceful reforms on slavery, because they cared first and foremost about their status as a ruling class, and that status was only possible through the exploitation of other people, because for a group to be above requires all others to be below, stepped on by those above.
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edoutft · 9 months
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Hi people! I released my graduation movie on vimeo, link here! It's about gay men being sad on the sea, feel free to watch and maybe tell me what you thought about it :)
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artemisyates · 2 months
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Some more artwork of Henry Jekyll, wearing a corset based on this advertisement for men's corsets circa 1880 as I quite like the more natural shape of it:
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finnlongman · 27 days
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Working theories about the processes at work in the Babyfication of Cú Chulainn in the 17th-19th century Ulster Cycle tales:
All of these late stories position themselves as taking place before Táin Bó Cúailnge. This is obvious from the fact that Fer Diad is present in lots of them, but is also just narratively convenient for them, I think.
Cú Chulainn is 17 in TBC, so our starting point is that he must be younger than that.
Generally these stories position themselves as occurring after Tochmarc Emire/Foglaim Con Culainn. Again, this is partly evident from the presence of Fer Diad. Some of them overlap slightly with it.
Cú Chulainn's age in TE isn't stated outright, but following the Boyhood Deeds, he might be as young as about 6.
He must therefore be aged between 6 and 17 when all these stories take place.
Tóruigheacht Gruaidhe Griansholus, the oldest of these stories (1679), states that he is 15 -- presumably with the primary intent of firmly locating the story before TBC. The Ulaid are concerned about the idea of him going off an international road trip alone because of his age, and express this concern, but he does it anyway. His youth is occasionally referenced, but on the whole he is much as he appears in earlier texts: a skilled and precocious warrior.
Eachtra na gCuradh and Coimheasgar na gCuradh come next (early 18th cent). They notice this detail in TGG and decide to elaborate on it further: Cú Chulainn is younger than 15, and is going on adventures only in the company of other warriors; it is occurring pre-TGG, making that his first solo adventure.
Because he is too young to go on adventures by himself, and because those responsible for him are frequently concerned for him, this gives the impression that Conall et al are babysitting him.
Eachtra na gCuradh appears to take place before Coimheasgar na gCuradh. CnC introduces Láeg and by the end of the story, he and Cú Chulainn have teamed up, ready for TGG. Conall appears slightly less protective of Cú Chulainn, so we can conclude he is slightly older than he was in EnC, when he is very baby (and when Láeg wasn't yet on the scene).
His age is not stated outright in any of these, but I would guess he's aged between 10 and 14. This is based purely on relative chronology and may not hold up to close scrutiny.
Sgéalta Rómánsuíochta are the latest stories (maybe 18th century but preserved in 19th century version). They're not super interested in Cú Chulainn, preferring to foreground other characters. His babyfication makes this easier, since he can appear as a child sidekick (to Ailill Fionn, in the first story), or in a similar capacity to EnC and CnC -- the youngest/most junior member of a group of warriors. Across the four stories, he could be anything from about 7 to about 14 again.
Theories about intertextuality:
Tóruigheacht Gruaidhe Griansholus and Coimheasgar na gCuradh both provably draw on the Stowe version of Táin Bó Cúailnge. There are details that can't have come from any other version of TBC (or any other text that survives). They are not the same details in both texts, so it's not that CnC drew on TGG: both drew on Stowe.
Since EnC is probably by the same author as CnC, we can assume he also had Stowe.
EnC's inclusion of Manannán mac Lir might suggest knowledge of Serglige Con Culainn.
CnC alone of the very late tales (i.e. EnC onwards) includes Láeg, with characterisation details that obviously come from Stowe TBC. Again, it doesn't seem to derive directly from TGG (there's a detail I'd expect to see there if it did); both go back to Stowe and so have similarities but have developed them differently.
All of them are probably drawing on Foglaim Con Culainn; in some places it seems like there might be some reliance on Oidheadh Con Culainn as well. There might be some evidence of drawing on Oidheadh Chonlaioch, particularly the attribution of teaching to Aífe rather than Scáthach, although I know there are also late verse versions of this that might be a source rather than the prose.
SR may be more distant from its source material with heavier reliance on these intervening texts -- there are lots of phrasal similarities between EnC/CnC and SR, but Ó hUiginn disputes the earlier proposal that they were all by the same author and thinks SR are definitely later.
That's what I've got so far. I doubt anyone has suggestions because I don't think anyone has cared about these texts for a couple of centuries, but if you do, hit me.
I am partly writing this post so I can keep track of these thoughts for later, although my PhD corpus ends with TGG, so I won't be talking at length about the others there. (They may come up in passing, though.)
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tortarepostera · 6 days
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Crowley doesn't remember an angel who worked with him in a nebula nor a demon who fought side by side with him, but he remembers easily a human surgeon in 19th century Edinburgh he saw like 5 minutes.
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anglerflsh · 1 year
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robots
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stealingpotatoes · 1 year
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sometimes you just have to paint your pseudo-historical ocs old timey portraits because you're deranged
(commission info // kofi)
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crepegosette · 10 months
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have you ever drawn Chile? I think he/she'd be a great design!
Yeah, I have. I'm still reworking his design, so he always changes when I draw him but I do have a idea of how he is
here's an old comic
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jugendmagazineart · 3 months
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untitled - unknown, M. V., 1897
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daguerreotyping · 1 year
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Daguerreotype portrait of Richard Fletcher Jameson showing off three patterns of plaid to great advantage, photographed in Montrose, Pennsylvania in 1846
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malbenita · 1 year
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14 yo (short) and 16 yo (a guy)
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amygdalae · 28 days
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Ok kava really does give you vivid dreams. Tried some kava candy my dad gave me one evening and in my dreams I had a long conversation with some guy abt the classical piano works of Erik Satie. The gnossienes specifically. No. 2 was his favorite but I'm more partial to No. 1. his T shirt was blue. Also my pubes were gone for some reason
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marzipanandminutiae · 6 months
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tfw you're at a ball and someone asks if you know how to waltz and you say yes but then you get on the floor and discover that she knows only modern waltz and you know only 1860s waltz
there is no box step in 1860s waltz
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