spoilers below ❗️
ugh miles was SO mistreated it actually makes me sad 😭 even though he really really loved art and it was something he shared and bonded with uncle Aaron over, he still changed his whole career path to physics, just to try and figure out how to go see his friends, only to find out that they could’ve visited him so easily this entire time, but chose not to.
just thinking about how alone he felt in the first movie, and the second one especially. how he literally has no one to hear him out, nobody he feels comfortable putting into his corner other than those who are in an entirely different dimension. then he finds out that there’s a whole spider-society of people who are JUST like him, hundreds who share his struggles and know his pain… a place where every spider person has access to but him.
imagine feeling so alone, not being able to confide in anyone about what’s going on, nobody to rant to about the weight of carrying an entire city on your shoulders. you can’t even text them either, and all you have are your memories to go by.
then boom, you get to the place where you should feel nothing BUT accepted, and still, you don’t belong there either. you’re told you’re not even supposed to be what’s become your entire life, that you ruined everything and you don’t really belong anywhere, that your leap of faith meant nothing because it wasn’t even yours to take. because you’re an anomaly, a “mistake”. and everyone just watches, because they knew this would happen.
IM GONNA SCREAM I HATE IT. HERE.
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say what you will about roman being a piece of shit and every word you say will undoubtedly be true. but it means something that I got sick to my stomach watching kendall repeatedly tell roman “you fucked it” when roman is at his absolute lowest, just to manipulate him into being subservient the way logan manipulated kendall himself in the s1 finale. it means something that I was crying watching roman break down completely at the funeral, sobbing in ways no one has seen him sob before as he asks to get his dad out of the coffin like a little kid who can’t fathom death. it means something— everything— that I was nauseous watching roman self-destruct, go looking for a fight all while a loop of his whimpering is going viral and being mocked and the ONLY person even remotely uncomfortable with it is gerri.
it doesn’t matter if you’re a piece of shit. in this world, in this game, emotion like that gets shot down, scarfed on by sharks. nobody deserves that. not in this lifetime anyway.
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Tie up those lines ‘cause I shot the albatross and I will swim across,
The old man and the sea has nothing on me,
‘Cause this love is steady, truer than North,
Now you take that on board.
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Another idea for the opening scene of the s2 trailer:
Lucius, sopping wet, walks into a random bar. The bartender says “what the hell happened to you?” and Lucius says “Have you heard of the Gentleman Pirate?”.
Cue trailer.
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I love how we prefer to imagine and, even more than that, hope that the public votes are wrong and manipulated, because we do not want to think so many people may be terrible and ignore the distress human beings are going through at this very moment.
Antisemitism my ass, being sensitive to people’s suffering is just called being human.
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I can't believe I hadn't noticed this before, but dining at the Ritz wasn't a usual Thing that Aziraphale and Crowley would just do before the Antichrist business. At the end of S1, after they switch back, Crowley says "let me tempt you to a spot of lunch?" and Aziraphale suggests the Ritz.
In 1967, right before the "you go too fast for me, Crowley" moment, Aziraphale wistfully suggests that perhaps one day they could go on a picnic, or dine at the Ritz. Typically romantic date sort of things. And it just dawned on me that despite having that conversation, they had never dared to do such a thing. It had only ever been a fanciful idea, a fantasy, something too risky to actually do.
Until Aziraphale suggests it after the non-Apocalypse. Because he feels like maybe they can begin to stop holding back, because they're on Their Own Side now and they won't be under as much scrutiny. He still needed to go slow, but by suggesting the Ritz he implies that things have changed, that they could maybe be free.
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Do you ever think about sea turtles? How right from the start they must fight for their life? Unprepared, unguided, unprotected. They are born into a battlefield, struggling to reach the safety of the ocean, blue, dragging themselves through harsh sands and predator bites. Do you think they mourn for their fallen siblings? For the ones that died before even having a chance to taste salt? For the ones taken right at the gates of the sea?
Do you ever think about how they live alone? No parents to shelter them, to home to come to. Just a little turtle left to its own devices on the great blue. Do you think they resent their mothers for abandoning them? Their fathers for not feeding them? Do you think their hard shells are layered with trauma and longing and grief for a home that never was?
And do you ever think about how even in their absence, they turn into their parents? How after through all the hardship they return to the same beach they were born in, the only place where the scent of a long lost family still lingers? How they find comfort in broken eggshells, the only cradle they've ever known? How they too leave hundreds of children on the graveyard of brothers and sisters, perpetuating that cycle?
Do you think they ever hate themselves for it? That they wish to stay, but are forced to leave by whatever force compells them to the ocean? Or have the memories of a broken childhood been slowly washed away, mingling themselves with the blood of their ancestors?
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I don't really post my drawings here, but here you have a cute ofmd doodle for inktober.
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