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#but if it doesnt then feel free to ask :)!
bluegiragi · 1 year
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monster au intros - team 141 feat. Price, Ghost, Soap and Gaz!
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rbtlvr · 7 months
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(text from this post, fic is little kid with a big death wish by @remedyturtles)
i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!
okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again
your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next
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lichen-punk · 11 months
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pants update O.o
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relaxxattack · 7 months
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every time someone calls moirallegience just an alien qpr i wilt a lil like YEAH thats more or less the CLOSEST human thing but its also Literally Not That. like a qpr is fundanmentally not romantic and thats not even going into moirails whole Actual Purpose of calming ppl down. its just. aughhhhh pisses me off i see the confusion but, as aformentioned, aughhhhh
OH MY GOD THIS HAS BEEN BOTHERING ME TOO.... but i don't want to get petty at the people in my notes always saying "moirails are QPRs!" because in some ways that is the closest human thing so it's hard to be mad...
i think there's definitely some overlap in some ways. but NOT because moirallegiance and qprs are the same at all really, but INSTEAD because both relationships have unconventional boundaries defined by the people within them.
you know... like every relationship.
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like the only reason the two have overlap is because they are both partnerships that emotionally care for each other but can choose to not bang (which is true for any romance anyway, even if it's considered abnormal). they're both just romances* that are unconventional to human norms, which makes people view them as the same thing when they're not.
i think the REAL issue here is that humans insist on using human words to understand things that are just, fundamentally, alien. can't we just appreciate alien romance for being... alien romance?
no, it's not platonic, it's romantic. it's just romantic in a way you aren't quite wired to understand, is all.
*in generalization, most QPRs are not romantic, because they are made up of aroaces who are life partners in a non-romantic way. however i want to disagree with you that none of them are romantic, because that is up to the partners in question.
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cpunkhobie · 1 year
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i'm sorry
this isn't about you
^ and other things left unsaid
neglected au is by the fabulous @nerves-nebula and HAS been eating away at my brain for the past week. I think before this they had just had an argument where Donnie went outside to cool down and - you get the rest.
these two posts in particular were what I was thinking of while drawing this so some generally needed contexts: og inspo - comic (slur + ableism + sa tw for comic)
I don't imagine this was abt that moment in particular but more abt ALL those times that Leo just couldn't keep her fucking mouth shut . This takes place p early on to when they first left the sewers. So ya <3
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bahoreal · 7 months
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important question
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phatcatphergus · 3 months
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Hi, you reblogged me with a lore dump about Q! Tubbo and you mentioned that you'd be willing to do a character analysis? Please, I'm invested at this point
Ahhhhh omg hi! I can't believe you came back for more lol. You shall soon be a qtubbo stan like the rest of us.
I do want to preface this by saying that this is my personal lore interpretation so it's subjective. So many people have great analyses of his character, so I recommend watching a couple streams or looking at the tag for a broad scope as well!
That being said...
I think the best word to describe qtubbo is loss.
He was brought to the island having already lost parts of himself he didn't know. Through his time on the island, he lost respect, credibility, friends, family, teammates, nieces and nephews, penpals, godkids, mentors, and himself. He never had something he didn't end up losing, whether by choice or force. He loses what matters most to him, yet he continues giving his all to everyone he meets.
He came to the island with loss and no sense of who he was or where he came from, yet he spent all of his time for the benefit of others. He worked day and night so that other people wouldn't experience the loss of what he could prevent such as items or supplies. He never wanted anyone to experience what he experienced, even when they were the ones perpetuating it.
No one ever cared about him unless it was for a reason. His relationships were transactional and needed to be because who would ever care for someone with no firm sense of self or where you came from? When he couldn't provide a transaction of care, he made himself useful, he became indispensable so that even if people didn't like him for him, they could use his skills until they didn't need him anymore.
The only time he actually felt that someone cared for him, just to care about him, was Fred. Fred had no emotions, no sense of self, and no past to speak of. Fred was someone who had no reason to hate or use Tubbo because Fred was like Tubbo. Fred was the first person who could care for Tubbo because he wanted to, and not because of his use or someone's sense of responsibility.
Losing Fred meant losing the one person who cared about him without strings attached. Anyone else only cared about him because he was useful, a leader, an engineer, a neighbor, a business partner, a babysitter, someone to steal from, or just someone to poke fun at. Until Sunny.
With Sunny, Tubbo knew better than to expect her to stay with him. He learned from his past that he doesn't deserve something as wonderful as Sunny, that he can only love and wait until she is ripped away too. If he wasn't good enough to keep Fred, why on earth would he be even partially enough for Sunny.
He mourned her loss the day he got her. He knew he wasn't the best for her, he wasn't anywhere close to what Sunny deserved, but he did his best regardless and loved her more than life itself. Sunny became his tether and the only reason for him to stay alive. Sunny needed him like he needed Sunny. Sunny was the only reason he kept himself alive after Fred's funeral. Through the jeers, through the belittlement, through the disregard for his feelings, Sunny was there and provided him with enough purpose to keep going.
Fit and Pac dating made his only sense of security start to crumble. The two people he figured would stick by his side were moving along without him. They wouldn't need him in their life because they would need each other. They don't need his friendship anymore, his usefulness has worn itself out. He doesn't see them extending a hand to him as they step forward because he's too focused on the empty voids in his past where others should be.
He tries to break them up, and even if they hate him, he can rationalize that he did it for the right reasons. They may hate him but they're stuck with him, kicking and screaming by his side. Everyone tells him that he needs to find Fred, that he's projecting his romantic life onto theirs. In reality, he is too scared of leaving the island the exact way he started, with nothing to his name and no one by his side.
His character is such a battle between what he wants to do and what he feels that he needs to do. His entire run through purgatory was fighting others for eggs that weren't even his. He spends his days working on projects for other people and picking apart his failures when others can only see his success. He works tirelessly so that Sunny won't ever understand what it's like to be underestimated, beaten down, mischaracterized, and alone. Even if the world is against them, he will be in her corner to fight until his dying breath.
He loves so deeply and so purely. He tries to compensate for the lack of it that he has received after giving it away to whoever asks. He is depressed, anxious, and on alert. He has gone through trials and events with his head high and carrying the weight of others on his shoulders. He loves and he gives and continues to even when the people he gives his love to throw it to the side.
He has people in his corner, but his fear of them leaving has already made them vanish in his mind. He's a killer and a father. An engineer and a friend. A penpal and an adversary. He is loss and he is love.
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spigobath · 5 months
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alright now to complete the albatrio. when i think of Chip, i think of fear.
I think of it as digging deep in him, a constant haunt to his life. I think he tries to act like he's strong to cover up the fact that he is scared. He is so scared of being forgotten, of being nothing, of not being enough- But most of all, Chip is afraid of loss. He would look at the black sea and feel an echo of his nightmares, see flashes of losing everything he had gotten. Chip was loved, finally, and he was something, finally, and then it all was gone.
I wonder if he ever thinks about that first ship. The big chipper. I wonder if he mourns it. I wonder if he was such a bastard to test Jay and Gill. I wonder if he was so scared he would be left again, that he would be hurt again, that he lashed out. I wonder if he never fully trusted them in the beginning, either. I wonder if he looked at Jay, and saw Price. Saw her manipulation, and was waiting to run the moment she revealed her true colors. I wonder if he looked at Gillion, and felt scared that he was next to someone so clearly important to someone, and was scared of his own hands hurting that.
I wonder if Chip intentionally pushed them away because he was both afraid of being hurt and of hurting other people. Maybe, in his haunted mind, he remembers that monster in the black sea, or the man he killed, or every other misfortune act of his life.
Imagine how he felt when he saw Lizzie again, just to realize he didn't truly know her anymore. That despite gaining and gaining he still lost. Imagine when he saw Rufus, and could only grieve the fact that he was young and stupid and never appreciate the time on the Midnight Rose. I wonder how he felt when Jay shot Gill. I wonder if he thought he was finally losing the two people he was finally reluctantly trusting. I wonder if he blames himself for what happened to that girl during the murder mystery. I wonder if everywhere he goes, he only feels the lingering feeling of loss.
Remember the fae wild arc?? He lost so much. He lost Gillion completely. And he almost quit after that. Because he has bonded so close to his crew, he loves them so much because if Chip isn't afraid then he is so caring. He loved them so much, that he would rather leave. I have a piece of dialogue saved from that actually
Gillion: Scared of what?
Chip: Of exactly what happened. Gill I handed you that card, and we lost you and I- And it's not the first time- And it won't be the last I- I'm bad luck. I'm a bad pirate, l'm a bad hero. I'm just bad.
Anyways I could talk so much about his fear. Where Jay is guilt and grief, Gill is trust and maybe some retribution, and Chip is love and fear. Where he loves, he is afraid, and when he fears he loves.
I think that's why it's so impactful that he lost his heart. The symbolism of love, his love which was so resilient, stolen. He LOST his heart, and in turn he started losing who he was. Everything he was afraid of happened in that sea.
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stiffyck · 3 months
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Sobbing thinking about casual acceptance.
Hermits just being chill about each other. Someone announcing in chat they use different pronouns now and the hermits just responding with thumbsup and "cheers man" and stuff like that. Then using those pronouns without any issues.
Someone dressing in a more non conventional way and just getting casual compliments.
Just them not making a big deal out of stuff like this.
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napoleon-usher · 1 year
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KEYFRAME TUTORIAL FOR THOSE WITH A WORKING KNOWLEDGE OF PHOTOSHOP AND GIFMAKING
This is my gif with the coloring I want it to have eventually (including the manipulated color). I changed the yellows and reds in the scene to be purple. I want the majority of the gif to be purple and cyan, but do not want it to be on her skin.
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First add a layer mask to the adjustments that are creating the color you want to remove. I used several layers to create the purple coloring, so I grouped them together and added the layer mask to the group instead of having to do them individually. In this case, I erased anywhere the purple was on her skin.
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She is walking away in this scene, so this layer mask alone is not enough. This is where keyframes come in.
In the timeline window, scroll to the layer that your layer mask is on (or in my case, group). On the far left side, each of the layers should have an arrow which toggles a drop down menu. Click it and it will list options for Opacity, Layer Mask Position, and Layer Mask Enable. Make sure the current time indicator (small blue arrow and red vertical line in the timeline window) is positioned at 00:00:00 and then select the clock icon next to Layer Mask Position. It should place a small yellow diamond at the same place as the indicator. Each successive move of the mask will place a grey diamond at the timestamp that you move it.
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CMD+click on the layer mask in the Layers window so that the area of the mask becomes outlined with a dotted line in the main workspace. Click the chain icon next to the layer mask in the Layers window to unlock the mask's movement.
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The next steps are the most tedious. You have to manually move the layer mask every few frames to a new position that follows the movement of the gif. I usually zoom the timeline in so that each second is broken into six sections and pick a new layer mask position at approximately each section. If there is more rapid movement in the gif, you may have to pick new positions at more frequent intervals and vice versa.
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After the initial layer mask is set at the 00:00:00 point in the timeline, select the next interval that you want the layer mask to move to. Do this by moving the time indicator to your chosen point. Now with the move tool, click within the layer mask and drag it to where it needs to be to keep coverage on your desired area. The longer/more frames in the gif, the more keyframe points you will have to select. This gif was about 2.5 seconds long and I used 14 different points.
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These are just a few of the keyframes I made on this gif. You can see here that the original area that I erased in the layer mask doesn't quite cover all of her skin throughout the movement. I just erase a bit more until I'm satisfied with the coverage.
Once you have mapped all the points out, deselect the mask area and click the blank space where the chain icon was to make it reappear and return the mask to a locked position.
Scrub through the gif to make sure that the mask covers everything you want and also that the keyframes make it move smoothly. Shorter intervals and minor position changes between keyframes usually keeps choppiness (this normally presents as the mask noticeably jumping to a new position) to a minimum. You should not be able to notice the mask's movement except in the way it removes color from specific areas as intended.
Export and save the gif as normal.
This is my finished result:
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starlitcrows · 1 year
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[ GIVE ME YOUR LOVE ], a grima/robin animatic.
based on the “divinities rend dreams” FE13 AU on AO3.
song is “love me love me love me - rock arrange (english cover)” by will stetson.
happy valentine’s day, everyone!
[ you can also watch it here on youtube! ]
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kerizaret · 21 days
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"Let me stay with you one last time..."
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kheprriverse · 9 months
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Time's ref is done!
Also decided to give a cleaner look at their sword and it's sheathe. Especially since the only time I drew the sheathe was in this post and it was a rather quick and mindless doodle.
ANYWAYS— I’ll probs end up adding more eventually, I always end up adding more. I have other versions of them on the way :>
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aroaceleovaldez · 14 days
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finally finished my project of collecting voiceclaims that are as close as i can find for my hcs of the main HoO cast - just for funsies so it's not as perfect as I'd like but whatever, it was a neat exploration and exercise of me trying to think of literally any franchise for voice actors.
Leo got two cause I had trouble of finding good clips for the voiceclaim that's closers to my hcs for him (the second half of his section). Also got to play the fun game of digging through my art for decent doodles of each character.
Also fun fact, I am almost completely unfamiliar with 3 franchises in this video and was just digging for voice clips on youtube. Try to guess which ones.
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can-of-slorgs · 15 days
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The other researchers are also here! (magical edition!)
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magnolia-sunrise · 6 months
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the halloween special, i mean, Medieval AU continues>> the arrival of the grievously wounded Kingsguard disrupts Bastien's very isolated, very drunk rural village life - but in much different way than he expected. somehow, miraculously, Wolfgang slowly recovers, and the two of them spend many evenings sharing wine and stories by the fireside, finding each other to be pleasant company.
but how long will the vampire be able to resist the call of the priest's blood >:3
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