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#but seriously find something to do. anything that involves creation
arctic-hands · 1 year
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My best advice to sick and disabled kids, as someone whose been sick to the point of disabilty since I was four, is to pick up a creative hobby. Learn to draw, take up knitting, learn the guitar if you're strong enough to hold one and take up ukulele if you're not. Do something that will stimulate your brain and give you the satisfaction of creation, as well as distraction.
My parents' idea of occupying my time thru appointments and infusions and hospitalizations and sick days was just piling me with books and video games. Which is fine! Great escapism, fun to do, saves you from boredom. But sometimes you don't need to escape, sometimes you need to create, and not knowing how or where to start fills you with a feeling of frustration and helplessness. Reading gave me a fantastic imagination and I created worlds in my head that I had no way of getting out to share or saving for posterity.
My parents had hobbies of their own. Mom's a fiber artist and dad's a musician, and I asked them repeatedly over my childhood to teach me what they were doing but they always waffled on it and never did. Hell I didn't even learn how to cook until I was eighteen. So I was left with books and video games and no sense of satisfaction in my ability to do anything.
I took up art in my mid twenties, mostly by watching YouTube tutorials or checking out how to draw books from the library. They say the best time to start is yesterday, but the second best time is to start is today. I don't create art every day. I have more pain and exhaustion days than I do creative days. But when I can create it feels empowering, and power is something I don't have as a disabled person.
And I'm not saying take up a creative hobby so you have something to sell to fall back financially when you're too sick to work (obvs if you want to you can, but that's not the point of this advice). Paint pictures just to hang up in your bedroom. Crochet clothes for your dog. Write songs with lyrics that only make sense to you. And if no one is willing to teach you these skills, seek out resources and basically teach yourself.
I don't know how to end this post, but I am begging every sick kid (and sick adults too, for that matter) to not just wait for your life to end, distracting yourself solely with passive hobbies like books and games that have been scripted out to have pre-determined endings decided for you. Find an outlet you can do to create, for your own sense of satisfaction if nothing else.
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danstillcreates · 6 months
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I'm gonna write some stuff about the protagonists of my comic
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This is a slice of life project about three aliens with nowhere else to go living on a spaceship with a reality bending entity.
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Age: Over 3,000,000
Stella is a being known as an Outlier, an entity from a realm beyond reality. Five years ago, she decided to leave that boring realm and enter reality. While there, she discovered old sci fi movies. They inspired her to travel the galaxy and become"the greatest hero in the galaxy". She got her own spaceship and took off for adventure.
She often acts like she's the protagonist of her own sci fi movie. She does genuinely want to help others. She'd just prefer it if helping others involved lasers. She has reality bending powers but since she doesn't know much about reality, she doesn't realize how powerful she is.
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Age: 32
Grantis is an alien scientist who seems to have the whole universe against him. He once worked for a space emperor who wanted him to create mutant soldiers. His anger and desire to prove himself made him want to create something worse. He wanted to create his own monster. He did succeed in creating a lifeform but he ended up getting emotionally attached it them. He tried to keep his creation a secret but rumors about him creating a monster spread throughout the galaxy. To protect his child from the empire and everyone else who would want to harm them, he ran and hid.
He tends to take things too seriously and has trouble trusting others but he is a loving father.
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Age: 35
Bawr is an alien drifter. He's been traveling from planet to planet in order to get away from the empire. However, it seemed like no matter where he went, the empire was not too far away. After meeting Grantis and seeing that all of the rumors he heard about him were not true, he decided to help him escape and survive. It's not like he had anything better to do.
He tends to not take things seriously enough and he likes to mess with others but he's reliable. He has acquired a number of helpful skills while traveling... and some not so helpful skills.
Bawr and Grantis don't always see eye to eye but at least they can trust each other. Bawr has even gotten Grantis to laugh a few times.
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Age: 4
Ruffle is Grantis' creation. They're just a playful, innocent child who wants everyone to be happy. Their favorite thing to do is draw.
They love everyone on the ship.
Fortunately for these characters, the emperor has been defeated. Unfortunately, that's not the end of their problems. For now, they'll just stay with Stella, wait for things to calm down, and hope trouble doesn't find them.
But it probably will.
Those are the four main characters of this project. If you have any questions about them, feel free to ask.
I'll probably make a post about some of the other characters later.
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heartfullofleeches · 2 years
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I am….. in lOVE with Maddox
like I know we don’t have a lot of info on him at the mo but he is the love of my entire life (after life??)
Anyway I read your entire blog in one afternoon and I am just about to combust with all the love I have for your writings,,, if possible could I request some head canons on our dear reaper boy, please? (Maybe some NSFW content if you feel like it) thank you I appreciate and love you
Yandere Grim Reaper Oc Cannons (Nsfw + art at bottom)
(An: this became kind of a lore dump as some point)
Maddox is nonbinary (he/they)
They’re not shy, just… distant. It’s been so long since he has been around another being human or otherwise for as long as he’s been with you. As such, they find it hard to express their feelings to you and avoid you unintentionally due to trying to figure things out. Will still your belongings if you ever leave them about since he does long to be by your side 
His favorite thing item would have to be the jacket he constantly wears. They found it in your closet and something about it brings them so much joy. Maybe it’s because it reminds them of your warmth, and they have so little of their own. They have trouble sleeping if they’re not wearing it 
Since he’s used to death and despair, any positive emotion of yours sends them over the moon with joy. As a reverse, they think they struggles to comfort you in times of turmoil, but experiences with grief lead them to be a decent hand to hold
They are technically the “baby" of the grim reapers. In the lore of this universe, there are grim reapers and angels who take on the role of them as well. Grim reapers are separate from God’s creations and in charge of watching the sands of time as well as guiding lost souls to their final destination. Angels only guide them. Their official title is Twelve as they are the twelfth and known last reaper. 
Despite the last point, they tend to lose track of time quite easily in the mortal realm, especially when they are with you. Holding you for seconds feels like hours, yet that still isn’t enough for him to be satisfied.
They don’t like their human form as they were seriously injured in it in the past.
Honestly, I would argue he is the most deadly of the three living with you. While they wouldn’t outright kill a human that took a fancy to you, they would be more willing for things to happen to the hourglass attached to said person; even if it’s against the rules. On top of this, prolonged exposure to life causes odd things to happen to it, such as their lifespan jumping forward or backwards and on rare near fatal accidents. You are safe from this as you have his heart; both literally and metaphorically. He will watch your admirers soul drown into inexistence within the sands of time, unsure why it brings them peace. 
When a soul is lost there or devoured that person’s existence is erased completely. They’ll do their best to comfort you and sweep off any fleeting memories as mere dreams or memories of a friend long gone.
On a final and lighter note, they enjoy spicy foods the most
(These next cannons are nsfw. Stop here if you don’t wish to see.)
With the fact they’ve haven’t around anyone in ages, they don’t know the touch of another either. On top of that, feelings such as lust and bodily desires are new as he’s never taken human form for long. Would probably get aroused from just your first kiss.
He may do research, but would prefer you guide them yourself and let them know how to carcass you properly. You are their first, their only; they want to give you want you need as moreso.
They are notably more submissive than anything, and somewhat hesitant to touch you. These hands have only held misfortune and decay, it almost doesn’t feel right to be able to hold something like you. Aside from that, most of their fantasies just happen to involve you taking them under your control with them 
Upon becoming more comfortable overtime, they can’t keep their hands from roaming all over your body. Groping your chest, locking around your thighs; even smaller things like just holding onto yours as enough for him.
Another thing is that he lives for praise. Tell him that he’s doing a good job, promise that you’ll never leave. They come bashful that such simple words get them going so easily, but the emotions that fill them upon hearing are too great. 
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voxofthevoid · 3 months
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if it's not too late for the ask game, yuta/rika and geto/yuuji? (and just for fun: kenjaku/yuuji's dad?)
Still playing it, dw! And ah, these will be fun:
Yuuta/Rika
Ship It
What made you ship it?
I support the monsterfuckers by default. Get it, Yuuta!
In all seriousness, this isn't something I'd actively think about or seek out, but I like the weird, fucked-up mess this is in canon. The trauma-prompted creation of Rika and how she stays with Yuuta for years as an extremely powerful monster with the mentality of a child—it's a cool concept.
What are your favorite things about the ship?
The monsterfuckery, of course. In general, it amuses me greatly that Yuuta's type seems to be "inhuman special-grade curse." He kisses two "people" onscreen, and it's Rika and Kurourushi. I still think they should've let him out into the battlefield when Mahoraga and Agito entered the picture. Flash some dick/hole, save the day.
Is there an unpopular opinion you have on your ship?
I think every word I say about Yuuta's sexuality would piss off his Reddit-type stans; does that count?
Yuuji/Getou
Don’t Ship It
Warning for my rather vehement dislike of Getou popping up below.
Why don’t you ship it?
The only thing I ship Getou with is a lobotomy.
What would have made you like it?
I'll be honest, Getou's pretty enough that I'd have sniffed around him (in this context, sniffing around involves writing Yuuji dicking him down) if not for his more...hardcore fans tainting the whole character for me. I was never his fan, but I find him to be interestingly written, especially pre-defection when he still had functional brain cells, and I might have delved into that some. I still do, but mostly in the form of past!stsg or just through Gojou's thoughts.
Despite not shipping it, do you have anything positive to say about it?
I do think that, in a senpai-kouhai AU or in a time travel scenario, Yuuji and Getou would have very interesting interactions. They have similar (not the same) ideologies born out of very different mentalities, and those alone would lead to some insightful conversations. Yuuji's reaction to his defection and its rationale would also be fun to explore from various angles.
Kenjaku/Jin
Ship It
What made you ship it?
The Kaorijaku reveal, 'nuff said. Seriously, that blew my mind and did all sorts of ungentlemanly things to my perception of JJK overall.
What are your favorite things about the ship?
I love Kenjaku and think they deserve a husband who looks at them wearing his wife's corpse like a pretty sleeve and goes, "This Is My Normal Wife Who Totally Didn't Die. Let's Make A Baby." I'd also love to know whether, when, and how Kenjaku killed Jin. We don't know if they did, just that Wasuke was afraid of it. Clearly, they left Yuuji before Jin passed, and it could have been an unrelated incident, but I'd prefer it if Kenjaku did kill him.
Is there an unpopular opinion you have on your ship?
Tbh the only opinions I see on Kenjaku/Jin are those of @cursedvibes, and I enjoy his takes on them. If there are larger conversations about this ship in the fandom, I remain blissfully unaware.
Ask can be found game here.
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and-stir-the-stars · 7 months
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Oooof, first of all good luck with college and dealing with whatever is happening in your life, it gets better and worse but thats life
Anyways, so about the sisrer location arc in the saffron pawn au, how does Michael get involved in it in the first place?
If im remembering correctly, William is dead by now, so he probably didnt tell mike about it, then again, he might have find out through Williams notes or something like that...
And for michael to accept, i dont think its that hard, specially if he knows elizabeth might be down there...
Does evan know about the possesed animatronic things in this au? Are they even a thing in this particular take? If so, did he tell michael about it?
How does Evan notice Michael is working for afton robotics in the first place? Does mike tell him? Or does he discover it after mike doesnt get home in night 4?
(sorry for rambling it, i actually really like sister location implications in general and this au just intensifies that :>) alsoo take all the time you need to answer!
so when the sister location arc takes place-- when Evan is 17, about three or four years after the Arrest-- William is on death row but is not yet dead. On death row, he sends Mike a letter-- likely an encoded one that could get past inspection by authorities and that only his children would be able to understand-- that tells Michael he can find his sister (who "went missing" when they were kids) if he comes to talk to him. Mike doesn't want to, but he's scared what "finding" Liz means.
Is Liz dead? Did William isolate and manipulate her to a degree even more intense than he did Evan? Is she abandoned somewhere now that Will is in jail?
So he goes to talk to William, in secret, not telling Ev or Jem about it. William honestly partly wants to take in the glory of his would-be greatest accompliment (Mike, who was so close to being "Like William") one more time. William also just wants the control of being able to make Mike come to him even tho Mike clearly doesn't want to-- control is one thing that Will desperately needs and is lacking in this high security prison. And another part of William wants one more last-ditch effort to make Mike be Like Him by showing off the "glory" of all he accomplished, and Will sees the sister location as the best way to do that since 1) Liz is there and he knows Mike can't resist and 2) that location was William's most successful, "grand" creation in terms of luring and killing kids. If anything can make Mike see the "beauty" and efficiency in what he does, it's the SL, right?
Anyway, Will doesn't give Mike specifics. Liz is down there he says, but refuses to answer whether she's okay or if she's dead or what happened to her all those years ago or what's been happening to her in the meantime. Maybe part of Mike thinks he might find his sister, kidnapped and hurt and seriously malnourished and even more thoroughly brainwashed than Evan was, but still alive down there.
as for whether possession is a thing in this universe. It is, but I don't want the au to become "Evan and Mike risk their lives every day and night trying to free souls and right their father's mistakes." The point of the au is to give them some distance from that, and let them grow and heal without the weight of what William did weighing on them, yk? So there is possession in the universe, but it'll definitely be a less common occurrence, with a lot of the famous ghost cast from the series not present in the au. I know I want Charlie/the Puppet and Liz/Baby to be possessed, but as for all the other spirits, I'm not sure which ones, if any, exist as ghosts. There are probably only a handful of ghosts other then Charlie and Liz.
Does Evan know about possession before the SL arc? Yes and no.
He knows his dad would put children's corpses in the suits. And he knows that the suits don't quite act right. I don't think Evan ever consciously makes the connection that it's possession that causes this. It might weigh on his subconscious, especially since there's all these rumors around town about living or otherwise haunted animatronics, but he's never consciously aware of this. He tells himself he's being irrational and childish, likely parroting Mike and William's words about his old (and current, as much as he tries to deny it) fear of animatronics.
Evan DOES find out that one of William’s animatronics killed Liz when Ev gets a glimpse at some of Will's notes that he wasn't supposed to see. Evan is haunted by the information and confronts Will about it. Evan mayhaps even starts to understand that his sister is posessing Circus Baby, but the knowledge-- especially when paired with William's anger and violence toward Evan's reaction, esp if Evan sneaks away to see CB-- is too horrible, and Evan represses it away. So in effect, Evan doesn't know about possession or what happened to his sister. The Sister Location arc starts to tug at these repressed memories, and Evan is increasingly sure that Mike is in danger but can't name WHY Mike would be in danger. Not until he and Jem get to the Sister Location and they see for themselves. So Evan wouldn't have known about/remembered possession to be able to tell Mike about it, not until it was too late.
The sister location is supposed to be in Utah, either under or near the Afton house. I don't know exactly where the brothers are living by the time the SL arc rolls around, but it wouldn't be in Utah. So Mike wouldn't be coming home every night while working at the SL; he'd be returning to a motel or hotel room in this au.
When he gets Will's letter, he asks Jeremy to watch over Evan for a bit and leaves, essentially refusing to say where he's going and refusing to take no for an answer. He comes up with some excuse that neither Ev or Jem really buy for why he's leaving.
Evan or Jem end up finding Will's letter in Mike's room, and they end up having to talk to William, too. I don't think Will would purposely tell them where Mike is, but he would either let it slip or accidentally say something that triggers a repressed memory of Evan’s about Circus Baby's, thus revealing Mike's location
From there, they go to the SL-- both of them tense and terrified, not knowing what they'll find-- and narrowly save Mike from being scooped (and only narrowly saving themselves)
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deepperplexity · 1 year
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Prompt: 24. Christmas Party
Pairing: Is there even one? It’s a secret… Read and find out, much like unwrapping a Christmas gift, no?
POV: Second, Reader [+First, Narrator]
Setting: Your home, kinda? More secrets I guess…
Continuation of: 23. Cherishing Joy (and 23 + 24 of RICKMAS 2021)
A/N: This fic, well, my late-night brain surprised me… Remember how I said I couldn’t possibly top the final fic of 2021? Well I think that may still hold true (it was so good last RICKMAS, wasn’t it?) HOWEVER(!) I still managed to come up with something COMPLETELY NEW for the final fic of this year and I seriously hope you will like it, gosh, I don’t know what to do if I disappoint you with this one… If that’s the case, I’m sorry RICKMAS 2022 didn’t end how you thought but for me, with all the new beginnings 2022 offered I find it rather perfect with something old turned into something new. I don’t think I’ve ever seen anything like this during the decade I’ve been writing and reading fanfiction. Tell me if this has already been done and where I can find something similar if that’s the case please 😂
I’m very sorry I’m five months late… I promised I’d finish this, so here it is. Something different, something new yet old, something I hope will make you ugly-cry but in the end make you feel warmth and joy 💚
As always I have to take certain liberties with the Reader Character, or I can’t write a functional story, but I hope I’ve managed to make the right choices for the majority of you — like having an undying love of Snape for example 👀 And I usually avoid involving other forms of media directly but part of this fics creation is a fanedit I saw a long time ago that I to this day find to be absolute perfection, and it also happens that it’s something that not only brings me immense joy but fucking terrible pain as well since it’s an impossibility. And this fic, this story, is about just that. Accepting you cannot do anything about the impossible but you can find joy in this life and the possibilities within it — even if there will always be things we wish to change and things we cannot see ourselves.
I’ll let you get on with the fic, after all, you’ve waited for months 🙈😅💚
Tags/TW’s: Honestly, there’s no real warnings beyond this fic being emotional af and based on the real you…
Abbr.: Y/N - Your Name
Word Count: 6.5k+
Masterlist page // Masterlist post // AO3 // LINK TREE
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You bolted upright. The little blue star glowing atop your table had come from nowhere. It just appeared, out of thin air. You clutched your wrist, feeling the strings from last year beneath your palm. Again? You thought and the joy which shot through you mixed with terrible dread. You remembered the pain from last year, the tears and the goodbyes. The horror of having to leave them all behind, knowing they had all been waiting for you to arrive.
But then there was the purest of joy, getting to hug them, see them, talk with them. It had been more than you could ever have dreamt of. So, it wasn’t really strange that you reached for the star with trembling but quick fingers, was it?
It unravelled, unfolding itself in your hand as if it were made by paper. The faint blue glow turned brighter as the star disintegrated into glittery dust floating into the air. You watched with wonder while I felt my entire body morphing, this is not gonna be pleasant, but what wouldn’t I do for you, darling.
Your eyes widened before a scream left your mouth as I appeared. “You’re-, what-, who-, you’re Helena Bonham Carter!” you shrieked while I coughed out some universe dust. “You know, travelling between dimensions is not comfortable, do you remember that awful feeling of falling upwards?” I asked, tugging on the puffy sleeves of my sparkling white dress with tiny hands before flying over to the window. The darkness outside offered me a hazy reflection.
“Oh, well, this is a rather pleasant form,” I said with a voice not my own. “You’re-, you’re a fairy?” you asked and I turned mid-air, my little wings flapping behind me while the huge dress swished about, all sparkles and shine. “I think, you may have conjured me as a fairy godmother, doesn’t Miss Helena play that role in Cinderella?” I asked while floating forward, being a miniature version of a human. “I conjured you?” you asked and I nodded, a glittery wand appearing in my hand while my dress turned even shinier. Now, I couldn’t very well begin explaining the ins and outs of magical creativity or the flow of magic, nor the many layers of the universe or the way a wish in one world may be granted in another. That was too frikkin much to get into - and you looked kinda shocked, still.
“Next time, try thinking of someone less, umh, puffy, if you don’t mind, darling,” I said with a smile and I couldn’t help but adore the confused blush creeping across your cheeks. At least you seemed to relax a tad more. “Did I fall asleep?” you asked. “Nope, not at all, I can slap you if you want to make sure?” Your hands shot out into the air. “No, no, I’m good, I’m all good,” you protested while I fluttered down to stand on your table, pushing at the leftover glitter with my shoes.
My mannerisms seemed to take after those of the person whose form I was in and I quite liked Helena’s ways of moving around a lot and always doing very loud expressions with her face, very much like myself in my own world. I shook my wand, sparkles coming out of it after a few waves. “There we go,” I said and plopped myself down on the edge of the table, dangling my feet. “Well, sit, I’m gonna strain my neck if you stand like that.” You flopped down on the couch faster than I had expected.
“Thanks, now—” “I’m sorry, but who are you if you’re not her, or a fairy godmother?” you asked and I tilted my head, a tad offended truth be told but I guess the question was valid. “Plex, obviously, who else would I be?” “You’re Plex?” “Well yeah, I don’t look like this usually, but magic is strange and I think since you conjured me into this world I had to take on a form you would find comfort and safety with, one of the rules of magic that’s summoned. The summoned can’t really choose their form, it’s complicated, shall we get on with it?” “With what?” you asked, looking confused yet again. “You’re heart’s wish of course.” “My-, what?”
I sighed and got myself up (not bloody easy when wearing an enormous dress you know). “So, every heart has several wishes, one of those wishes got me here,” I began while pacing over the table, “and given I’m here it has to be a creative wish about Alan Rickman, that’s the wishes I grant, so what’s your wish about him? And no, I can’t get him back or allow you to see him - he’s quite the angel though, I must say, and he’s fantastic at dinner parties, always entertaining.” “You know him?!” you shrieked and I stopped, looking at you in that bored way of Helena’s. “Well, obviously, how do you think I manage to get all his characters so on the nose? Pun very much intended, mind you,” I said with a smirk. “He’s a terrible co-writer, by the way, being a director and all that, so I only allow him to give me five comments per work and that’s it. He’s still rather pissy about me killing you off at the end of Death’s Judge you know,” I continued with a pointed look toward you, “but he’d already used his five comments for the last book, so, whoopsie-daisy, what can you do?” I half giggled and half sighed while shrugging my shoulders in that distinct way of Helena’s.
I looked around, allowing you a moment to stop gaping at me. “This isn’t really festive, is it?” I flicked my wand, getting the sparkles to work again and drew it all around the room, making Christmas lights, candles, little figurines and even a gingerbread house appear with a skating little elf on a mirror made to look like ice. “Much better.”
You were still gaping at me when I turned back; I sighed. “You know, we don’t have all night so what’s your wish darling?” I didn’t mean to be rude but the magic would only last for an hour, and the sooner that hour could start the better I could make that hour for you. “I-, I don’t know,” you said. “Sure you do, otherwise I wouldn’t be here.”
You opened and closed your mouth a few times before you shook your head. You seemed all out of sorts and even if I could feel your wish I couldn’t grant it if you didn’t tell me something about it. So, I floated about the room for a moment longer while your eyes followed me. It was strange being seen by you. Usually, I was the one watching and none would be the wiser about it — ever.
“Tell you what,” I said and flew up to your face, “what do you wish for most regarding Alan? That he’d said something specific? That he had worn some specific clothes?” I asked. “Well, no, not really. I just…” “Yes..? You what?” “Oh, I just wish there was more of him, you know… Like, just, more. He left us too soon and now there’s nothing left I haven’t seen of him. And, he should have played more parts like Turpin and Snape, you know, the dark and truly brooding type with a streak of callousness almost. He does-, did those so well and I wish there had been more.” “Well, there you go then,” I said with a smile while twirling away from you, feeling my magic pulse and sizzle within my veins — my creativity already running away with me when my eyes snagged on your bookshelf filled with knick-knacks, figurines, books and movie-related items. There was the standard Harry Potter merch too of course, but that was not what my eyes got stuck on.
“A Disney fan, are we?” I asked with a smirk, feeling things fall into place. “Well, yes, who’s not in love with Disney?” “True, true, very true,” I admitted while nodding and thinking, the tip of my wand tapping against my bottom lip.
THAT’S IT! “This whole time-, but of course! How silly of me,” I chided myself with and turned back toward you with quite the mischievous smile — Helena truly has the most marvellous expressions, perhaps I should take on her form more often? “Umh, what? What’s silly?” “Oh, don’t you worry, darling. Plex has this in the bag! Now, let’s see, we’ll need, some sparkle, some… twirling, annnnd-, there!” My wand turned into my magical pen while the inkhorn, glowing a marvellous shade of purple with red mist coming from it, plopped into existence right at that moment.
My hand instantly began filling the air in front of me with sparkling words. I couldn’t believe the luck of having to grant your wish, the magical force of creativity always the most strong and powerful when shared and wished for by others.
“You still have the strings around your wrist, good, good, good,” I muttered to myself while glancing toward you, your wide eyes seemingly enchanted by the glowing letters quickly turning into sentences and paragraphs mid-air.
“Remember last time you had to hold your breath?” You nodded eagerly. “Well, you might wanna close your eyes and do just that in three, two, one!” I flicked my pen, slashing the air at the end of a sentence and was pulled out of your universe when my creativity alone took over, catapulting you through time and space, sending you to another world nearly identical to your own…
≪⁕≫
Not again! You thought and cinched your eyes while barely having enough time to inhale a deep breath. The pulling around your stomach, the feeling of falling upwards just as horrendous as last year.
You gasped for air as your feet hit the ground. The world spun for a second longer before you managed to open your eyes only to scrunch your eyebrows. “What in the world?” you asked out loud while looking around your own home, your own living room. Yet, it wasn’t. There were little things out of place, small objects you didn’t recognise on your shelves, the windows a different shape and the curtains a different shade than your own. Same colour though.
The TV was on, some strange talk show with a Christmas theme to it. You didn’t recognise the woman who seemed to be the host. Not that it mattered, you were too busy wondering why you felt at home yet also didn’t. Why there were no posters of Snape on the walls or why the room lacked all the details, merch and fandom creations you’d had of him in your true home. Where is-, is this another-, why wouldn’t I have Snape everywhere? Oh god, no, don’t tell me there’s a universe where Alan didn’t play Snape?!
Your reactions made me smirk as I hovered next to you, unseen once more. I was there, but you would never know it. I was waiting, with my heart fluttering as I listened in on your nearly panicked thoughts.
Applauding erupted and your eyes got snagged by the TV. There he was. In the flesh, with his distinct smile and that gentle waving he always did when walking up on a stage or passing fans. Alan Rickman. Alive and well. You gasped as you sank down on the couch, your body instinctively knew where it was while your eyes were glued to the TV.
Your hands went to your mouth, staving off another harsh exhale. He looks… older. Oh my god, he looks older! Tears formed in your eyes while you watched Alan take a seat opposite the host, still smiling widely with more wrinkles around his mouth and eyes, slightly longer and more white hair than before and his belly was there. He was rounded and healthy looking, no sign of the cancer that stole him from your world.
“What a greeting,” the host said. Alan chuckled and your heart stuttered. “Quite the welcome, indeed,” he said and your brain seemed to falter at hearing him speak, new words in a new manner in a new environment. “But we’re not here to discuss greetings and the amount of love the world has for you and your phenomenal character portrayal, are we?” the host continued, her dark eyes alight with appreciation and a hint of wonder while she viewed the man you loved above all else.
Alan chuckled on screen, leaning back and then laughing a bit louder while he gave the audience and camera a direct look. Oh god, he’s alive… He’s alive and well and… happy. “So, now, to the question we’re all wanting to hear your answer to,” the host said while she leaned forward and Alan gave her his attention while you leaned forward as well, entranced by the screen and in utter havoc at seeing him once more.
“Is it a Christmas movie, or isn’t it?” the host asked and your mind got flung to Die Hard, the scene where Alan entered the building with his goons and you giggled at the fact that even in other universes this appeared a question that was repeated time and time again, every December. You knew he’d say no but you couldn’t wait to hear it, hear his voice in this new manner, even darker and slightly raspier than in your world as he was now seventy-nine — six years older than he’d ever be in your world.
Alan’s laugh pulled you out of your remembrance. “Angelika, must we do this every year? My answer remains the same, darling,” he said with a smile and your mind screamed like a school girl at hearing him use the term ‘darling’. The host, Angelika, smiled and asked him to indulge her. “It’s not a Christmas movie,” he said, “it will never be a Christmas movie.” “Yet every year, on the twenty-first of December it plays on television,” Angelika said with warmth in her voice while Alan shrugged and did that specific little lifting of his brows.
“I mean, what sort of Christmas movie has nothing to do with Christmas?” Alan continued while the audience laughed. “There’s fire, death, a manhunt and all sorts of un-Christmas-like things, not to mention the backlash about the romantic interest he took in her, and in this adaptation her of him.” “What?” you asked out loud, sitting up straighter while Angelika nodded and agreed with him. “What romance? What woman?” you asked the TV as Alan leaned back in his seat.
The host turned toward the camera. “Text us a yes or a no, tell us what you think, is Paris In Flames and Lust a Christmas movie? Is this upturned, distorted live adaptation of the classical story a must for Christmas to be complete for you?” she asked the audience and camera and you had no idea what movie she talked of. There was no movie like that in your universe.
“Angelika, honestly, how could a movie about a judge falling in love with the thing he hates the most be a Christmas movie? He kills her and himself in the end, it’s more the retelling of Romeo and Juliette, a tragedy, than that of the Hunchback Of Notre Dame that’s about freedom,” he said and your entire body stiffened. Your heart hammered, your mind turned utterly quiet and the world seemed to hold its breath along with you. As if time slowed down as realisation dawned on you.
“I’m sorry, Alan, but I think you’ll be outvoted on this one,” Angelika laughed along with the audience’s clapping in agreement. Alan simply laughed and shook his head. “I’m grateful for the love this story has received though, with its darker theme and twisting of the original story it nearly feels like the untold story behind it all,” he said and the audience cheered anew, chanting Alan’s name with love.
“Well, we’ll see what the voters say in a few minutes. First, we’ll watch one of the numerous fan edits sent in for this celebration of Paris In Flames and Lust’s twentieth anniversary!” The crowd erupted in cheers while the camera zoomed in on Alan, his warm smile unmistakable. He was flustered and honoured, you knew all his expressions and the way his eyes darted between the crowd and the host had your heart in upheaval.
And then the sound slowly died out, the sound of a song you’d never heard before began to play, the male singer singing in French as the screen went from black to an array of colours, a woman dressed in the most beautiful saree, laughing and moving in slowmotion across the screen while colours were thrown and her face was split in absolute joy as the music turned louder. That’s-, no way! Deepika?! Oh my god, she’s-, is she Esmeralda?!
There was dancing and scenes of people, Notre Dame, a pope and finally, Alan Rickman… you were glued to the TV with tears streaming down your face as you watched the most beautiful fan edit you’d ever come across. The fact it played on what appeared to be national television fried your brain. This was not your world, this world was… better.
The music turned intense and you were lost to the story unfolding before you like a summary of the movie you would never be able to see in its entirety. But the edit had you in its grip as it tore at your heart with it’s beauty, the thought of having something new of Alan, of him playing the brooding, calloused and broken character you so loved him as. The screen lit up with colours and you sobbed as you watched…
[Watch THIS edit by Mina Le Fay before continuing]
Your eyes were brimming with tears, my own heart ached at seeing the pain-mixed joy you were drowning within. But you kept watching the TV as the talk show returned with a roar of applause from the audience as the camera swiped over them before landing back on Alan. I’ll never see it… You thought as he stood and bowed on the stage right before the crowd roared as the camera zoomed over to Deepika Padukone. Alan stepped toward her and they met with a deep embrace while the crowd went wild.
They spoke but the microphones didn’t catch the words and then Alan led her by her hand to the seat next to his. Your heart twisted, her beauty was striking even without the costumes and adornments she’d worn in the movie — which you’d only ever see that perfect adaptation of.
Angelika began speaking with the both of them but you cried and looked through the watery haze as Alan smiled and laughed with Deepika who seemed more than happy to see him again. Professional care and perhaps a friendship between them. He looked so utterly happy and well, so perfectly healthy and joyous. Just how you always pictured him. He was perfection and he was alive.
“So, Alan and Deepika,” Angelika said while you snivelled and swiped at your cheeks to rid you of the overflowing tears. “I’ve heard a rumour,” she continued and smirked at the two who both shared a look — as if they knew where the conversation was headed. “Go on, ask,” Alan said as you drew a shuddering breath. “Is it true you two are currently in the middle of producing the origin story of Judge Turpin where you, Deepika, will play the woman who got away in his youth?”
Your eyes widened, the TV was utterly silent as Alan and Deepika shared another knowing look. “Indeed,” Alan said, “but you have been slightly misinformed. As this tragedy did so well, we decided to do another. So, as you can guess, Deepika will play the woman Judge Turpin loved wholeheartedly and—” “Alan, you’ll spoil the ending!” Deepika said with a laugh while she grabbed his hand. “Oh, the ending is already out there, even if few have read that intricate story. I’m still rather surprised by it, and it being out there in such a way. Freely available… Nothing but passion for the art, just the type of writer I find most enjoyable to work with,” Alan said while the camera zoomed over to Angelika’s shocked face, her mouth agape while staring into the camera. “Not another word, Alan,” Deepika said with a smile and shake of her head and Alan chuckled. “Very well.” “What? NO! Tell me!” you shouted at the TV, desperate to figure out what he was talking about, but the first string around your wrist glowed. No, no, I need forever in this universe!
“Well, we shall all wait eagerly for that story to come to the screen, but do tell, who will be playing the young Judge Turpin?” Angelika said with a gleam in her eyes, hungry for information just like you. “We’re not allowed to disclose that yet, you must wait and see,” Deepika said and you wanted to scream. You needed to know.
A loud knocking came from the door and you jolted. What the— Another round of knocking. “Come on! Open up!” a female voice called, the sound muffled by the closed door. You didn’t recognise the voice though. “(Y/N),” she called out and knocked again, harder. “You’re so slow! I KNOW YOUR GONNA WATCH IT!” Whatch what? You wondered as you snivelled and wiped at your tears as the talk show was cut for commercials.
You walked over to the door, trying to calm your breaths and raging heart. Should I pretend I’m not here? You wondered but there was a pull within you, a sensation that told you whoever was on the other side loved you and was important to the you of this universe. “I swear to god—” another round of banging “—open this door right now! You’re not watching it without me!” the voice shouted and you reached for the handle while I watched with bated breath to see your reaction.
You pulled the door open slowly, but it got pushed open as a woman you’d never seen before entered in a rush. Her hair swished about her face, and her clothes looked worn and perfectly comfy. Much like your own clothes. “What took you so long?” she asked as she dumped a whole bag of snacks and drinks on the floor.
Fuck, fuck, fuck, what do I do? What do I say? You wondered as panic crept along your veins. She just stared at you, her beauty absolutely striking and the gorgeousness of her body — despite it being hidden behind puffy clothes — made you wonder how someone so perfect was in your home. What kind of universe you’d landed in where someone like her obviously had a close relationship with you.
“You’re always so quiet, I swear to god you were broken as a child,” she said with a deep sigh but there was love in her sweet voice, and care. The genuine kind. And as you stared at her, not knowing what to do with yourself she sighed and grabbed the bag anew. “Come on, it’s starting in two minutes,” she said after having glanced at her wrist and you simply nodded, not understanding the emotions that were bubbling within you. They were so warm, so familiar, so unknown.
As you closed the door she made her way into the living room. When you arrived she’d already covered the table with all your favourite snacks, your favourite drinks and some strange candies you’d never seen before. Perhaps they don’t exist in my universe?
“(Y/n), I swear to god, if you’re gonna just stand there and look at me like that I’ll kiss you to snap you out of it. Why have you been crying anyway?” she asked and you blanched. Was this a partner in this universe? Was she someone super important? It felt like it, in your heart. It felt like the woman looking at you was beyond important, but there was a barrier there too. As if the you in this world loved her and it transferred into you but you were from another universe so perhaps the sensation was yours but not yours fully?
“Don’t tell me, you watched the Angelika Realm show?” Your eyes widened. “Ha! I knew it, you’re such a sob, love.” The woman shook her head and laughed, but it was again in that warm and caring manner. As if she loved that about you. But you hadn’t cried for the reason she thought, no matter what reason that was. “Sit your ass down, it’s starting,” she said and you obeyed, sitting down on the other end of the couch as she switched the channel on the TV.
The Fox Century intro filled the screen and your eyes flicked between it and the woman on the other end of the couch. She was just so beautiful and you felt a lump form in your gut, a knot of worry too familiar for you. The comparing started that very same second, the doubt of yourself consuming you while you tried to focus on the TV and not all the things perfect with her and wrong with you.
“God, I’m so excited, every year it’s the same but still, I can’t believe I get to do this every Christmas with you,” the woman said and you looked towards her, only to find her staring at you with a wide smile. “I know it’s selfish, given why you’re not with your family, but I’m so happy I met you… someone who understands the— THERE HE IS!” she shrieked as the both of you looked at the screen just as Alan appeared on screen dressed in a frock coat version of Disney’s Frollo. He was absolutely stunning and warmth churned within you while the hurt and pain stabbed at your heart.
“Fuck me, he’s perfection,” she said and sighed happily while positively ogling the screen. It made you giggle, that spreading warmth taking over more and more while your eyes watered at seeing Alan Rickman in something new, something perfect, something dark and perfectly suited for his portrayal. “What you giggling for? You’re a bigger simp than me,” she laughed and threw a pillow at you. You caught it just in time.
“You know, having you is like the best gift from the world, ever.” Her words were sincere but spoken in a passing manner as she reached for a snack from the table. As if it was something obvious, something she said often, something you were already supposed to know. I’m lucky in this universe, you thought as you hugged the pillow. “You okay?” she asked while your eyes got hooked by the TV, showing Alan walking through a giant church while choir music began to play softly. “I’m-, no sure,” you confessed. Not knowing what to say. You were all over the place and the feelings of real life mixed with those of the other you. “Are you already imagining the scene where he burns her? You’re like an hour ahead in the movie!” HE BURNS HER?!
Your head whipped around, the image of Deepika as Esmeralda burning on the stake filling your head. “Why are you looking at me like you didn’t know? We’ve watched this like twenty times, and for the past five years on Christmas. You’re so emotionally invested it’s almost scary,” she laughed. “God, I’m gonna have to hold you through your bawling this year too when he takes his own life, aren’t I?” she asked and your mouth plopped open in horror.
Alan’s death roared in your veins, the loss of him filling you to the brim as he began to sing on screen. You were instantly entranced as he sang about righteousness and civility, about being in God’s eye and under his command. His baritone voice was perfect, the music effortlessly consuming, and the look of severity he held his features to was absolute perfection. He was made to play Judge Frollo. And I won’t witness it all, I’ll never have that, never ever… The thought was stark and hurt something fiercely as you watched the movie unfold before you.
Tears wetted your cheeks, your teeth biting down on your lower lip. You wanted to bawl, wanted to scream and shout how unfair it was that you’d never have the life of the universe you were visiting. But I knew, deep down I knew you loved the glimpse of the world where he was alive and well. I knew it was painful, knew it would torture you, but also give you a small relief — seeing him again, fulfilling your wish even if it could never truly be granted fully. Death was permanent. No amount of magic could ever undo it.
“He’s so beautiful,” you whispered as the song came to its crescendo. “Perfection,” the woman next to you whispered as you were both enthralled. “I can’t wait to see him in Death’s Judge next year, gosh, he’s going to be perfect… Even if it won’t be many scenes. You know, given it’s the history of him. I bet they’ll only have a few scenes at the end tying it in with Sweeney Todd. But I’m glad it’s Tim Burton doing the movie, I just know he’ll make it perfect and we already have tickets for the première.” We do? I’ll— No, I won’t… Fuck, I hope you know how lucky you are in this universe, you thought as you clutched the pillow even harder.
You blinked, your eyes widening as the dancing Deepika entered the scene, her depiction of Esmeralda pure perfection. You gasped as the scene switched, showing Alan anew, showing Frollo gasping at the view of the dancing beauty — him falling in love at first sight. It was beautiful acting, perfection as always. The story was different from the original one, not a real retelling but an adaptation.
You snivelled and a warm hand grabbed your wrist, pulling you swiftly toward the woman whose name you didn’t know. But in her arms you felt comfort. “You’re such a baby, love,” she whispered and kissed the top of your head with the sound of a smile in her voice. Your whole heart fluttered and hammered but it wasn’t truly your emotions. It was false yet true, confusing yet so absolutely clear.
You sank deeper into her, relaxing in her embrace as you watched Paris In Flames and Lust unfold, nearly forgetting for a moment it would all be ripped away from you, not remembering that the words spoken through the speakers would never ever be hard again for you.
The second string around your wrist began to glow and you jolted, bolting upright as reality sank its shiny claws into you. No, no, no, not yet! “What’s the matter? You’ve never reacted to this scene before? Don’t tell me you’re getting hot for Phoebus too. Come on, we watched one fanedit of him and Frollo and you’re getting all jolted now?” “No, no I-, I have no time,” you exhaled as you wrapped your hand around your wrist, pressing the strings into your skin while you tried to burn the image of Alan as Frollo into the very fibres of your brain. “No time? We have all the time in the world, what are you on about?” “I—” Can’t tell you… Fuck, I don’t want to leave. This feels so right. “You’re acting weirder than usual, I love your weirdness but—”
The world began to spin around you. The TV blurred and the hands grabbing your shoulders were barely there. You couldn’t focus your eyes on her when the whole room looked as if it were breaking down, piece by piece. No, no, no, not yet! I need more time! This feels perfect, I-, I need more time! Plex! Give me more—
All air left your lungs as the hands holding your shoulders fully disappeared, you were falling upwards, your limbs being tugged in different directions while your lungs burned from the lack of oxygen. The sound of Alan singing about love killing him came and went in waves as darkness pushed and pulled at you. You couldn’t scream, couldn’t breathe, couldn’t see but you felt it all.
I watched as all the souls of you in a multitude of universes passed through you. Every life of yours that wasn’t truly yours exploded in an array of sensations, burying you like a tidal wave. I used every ounce of magic I had left to protect you from the sensations — but it was a common occurrence. Travelling through universes meant passing others by and souls all across the multiverse in its endlessness were connected.
You left my sight as the darkness opened up and swallowed you whole. You were back where you belonged and my power depleted, my magic consumed. “Good luck, darling,” I whispered to the darkness as I was pulled downward uncomfortably and cast back into my own realm.
≪⁕≫
You gasped for breath, splayed out on the floor in your own home, while everything hurt like hell. Your entire body ached and for a moment it felt as if you were too full. Images flashed in your mind of things you knew you had never actually seen. What was that? You wondered as you sat yourself up.
Everything came rushing back in one swoop. The universe you had visited, the things you’d seen and felt, the love another human had for you, the life of Alan, the new views and sounds you’d been granted.
You cried. Cried and wailed as you shook on the floor, holding on to the memories. It felt like dancing over a minefield, as if any second it all could be ripped to shreds. Taken from you. But it had been real. The string around your wrist was more than enough proof as the third string, from the last star of last year, glowed in pulses. The wonder of that other world still lingered, the hurt and joy as palpable as the floor beneath you.
The realness of it, unlike last year’s adventure, made it hurt even more than the loss you’d felt back then. Last year it had all been surreal, fictional. This was real. There was a world out there where you were loved deeply, accepted fully by someone who understood and he was not only alive but healthy and happy. There were words he’d never spoken in your world, characters he’d portrayed that you’d never know about, movies he’d starred in that you’d never see.
Sitting there, among the remnants of memories, made you feel beyond hollow. Abandoned and alone. There was no more of him in your world. But I got this one hour… I-, I got these memories that aren’t ever going to last, you thought while you drew a shuddering breath and wished with all your being you could have been the you back in that world.
Little sizzling sensations erupted over your skin, everywhere clothes didn’t cover it, and you looked up. Little sparkles floated down from the ceiling in a glittery rain and dissipated as soon as they made contact with something. You looked around through the haze of tears while your lips trembled.
The sparkles began to fall upwards when they made contact with something, becoming a dense mass in the centre. A glittery ball twisting in on itself. “What in the—” your words were interrupted as words began to form midair.
In this world, he’s gone. In this time there is no more of him. Even if it hurts, do not foolishly wish for another life when yours is so precious. The world you just visited may appear as a form of heaven. But did you not see? Your undying love of Snape did not exist. The fanart you adore was nowhere to be found, because in that world you never joined the community. You never went online and found the friends you now have. You never met all the people you love, who love you.
There may be things you wish were different in life, there may be things you hate and writhe in pain over. But do not let the bad overshadow the good. There are things you have done — caused — that you cannot see. How you saved her, how you made him feel seen, how you made them smile — and you’ll never know it. Just like they do not know the way that fanfiction made you feel validated, how that fanart spurred you to confess to yourself you enjoyed a controversial ship, how that fanedit made you bawl your eyes out as you realised you were not alone in your fancasting… Think of all the things you’ve felt thanks to others without letting them know, do you not think it’s the same the other way around, darling?
Do not wish for another life because of something you have no control over. Change the things you can, and evolve in a manner that makes you happier. Have care in your heart for yourself and do not dismiss the good of this life in times of hardship and pain. Do not dismiss your importance in this world even when it hurts you. There is only this life, and it’s yours for the taking. So live it, love it, accept what you cannot change but do your best to be part of the bettering of this world even when you cannot see the difference you yourself make. The only thing permanent in your life, is you. But that does not mean you cannot have a permanent effect on someone else, just like Alan has had on you…
Thank you for changing the world with your existence. Yours through the multiverse, Plex
You exhaled a deep, shuddering breath as the sparkles burst into a display not unlike fireworks before all of it disappeared in a soundless burst. You snivelled and wiped at your cheeks. This is nothing like last time, you thought while you hugged yourself. The remnants of the love you’d felt in the other universe slowly dissipated. Quietly turned to nothing.
You squeezed the fabric over your chest, tried to inhale deeply as you lost the sensation of your other self in that other world. You waited for the loneliness to come, for the hurt and sense of loss to take over. But the sparkling words were etched in your mind. You couldn’t ignore them. The feeling you waited for didn’t take hold. Somehow, you felt warm. Despite being alone, despite being the same you as before, despite having seen what could have been that would never exist in your world. You had something else in this world. You meant something else in this world. But you meant something, were someone, as others here were to you. And that was more than enough for a smile to stretch your lips…
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[May:2023]
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arttheclown · 1 year
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alright. this is hopefully going to be the last time i post about the subject but i’d like to set the record straight about the “art is sienna’s dad” theory - most importantly, why it doesn’t hold any water due to extensive evidence that has already been presented to us both within the franchise itself and from behind-the-scenes material / social media stuff involving the cast & crew.
putting this under a cut because this is gonna get lengthy.
whether or not the 9th circle / all hallows’ eve films are still canon to the terrifier universe is debatable at this point, but it’s been confirmed that art’s cat of nine tails (flail) is made up of hair braids taken from previous victims. he had this weapon in the original terrifier, which reveals that the exterminators, the pizza guys, the cat lady, dawn, and tara were not his first victims. therefore, wouldn’t have sienna, jon and barb would have noticed the man of the house was going out in a clown suit and killing people?
the shaws would have surely noticed that art shared the same green eyes, height and build of their supposed father - especially jon, who is intensely observant and researches A Lot. if there were any real intentional ties there, he probably would have put those pieces together a lot sooner & brought it to the attention of his mother and sister.
jonathan appears to possess some degree of telepathic connection with art and/or the little pale girl & never mentions any sense of familiarity. all he says, quite blatantly, is that he doesn’t know what the clowns want beyond needing sienna in a certain location at a certain time.
we literally have a little girl running around who looks just like art (more about this on this post here). if they want a daughter figure for him, there is already one who intentionally resembles him and behaves as if she were his child, or at least pretending to be; not to mention that emily crane is explicitly mentioned to come from a family of mimes and clowns.
 the cast and crew (damien, lauren and the producers) have all ship teased them multiple times and have been doing so since before the movie came out. any tension between art & sienna is not new or something imagined by fans. regardless of how seriously the terrifier team is taking that relationship, they’re aware there’s at least a twisted attraction on art’s side. they would not be doing this if these characters were related.
mr. shaw is implicated to have the power of foresight. why would he draw art if he Was art. mr. shaw was an ARTIST; ART is his unholy creation, if anything. someone (can no longer find the screencap, unfortunately) even pointed out that art’s black-and-white suit is reminiscent of a pencil or charcoal drawing, and that perhaps art doesn’t speak because drawings don’t talk.
furthermore, i doubt art would have left any clues behind for sienna to defeat him, or figure out her ultimate destiny, if he was mr. shaw. art has a lot of things wrong with him but self-sabotaging on purpose doesn’t sound like the guy. it seemed like mr. shaw was trying to help sienna on purposes; perhaps even guiding her from beyond the grave.
art would have recognized sienna’s sword. they made a point he was impressed by it because it was his first time seeing it. if she got that blade from her dad, why did art act so surprised and interested? lauren lavera has additionally gone on the record and shared her own opinion on this scene, suggesting that art knew that the dagger was significant to sienna but wasn’t sure how.
mr. shaw’s death is described almost word-for-word in terrifier 2: he drank an entire bottle of whiskey, crashed his car into a telephone pole and burned to death when the car caught fire. when recounting the story, brooke also mentions he died screaming, and art does not speak. furthermore, we have seen art’s naked body twice; there are no visible burns or scars on him.
brooke and allie know sienna’s parents. they both encounter art at separate points. allie, who has a lot more time to process what’s going on & spends a lot more time interacting with art, does not recognize him whatsoever.
on the topic of art’s first death, damien leone has stated verbatim that when art shot himself at the end of T1, he did not anticipate his return from the dead. david howard thornton has said about the same & intentionally played art as cockier for this reason - because he is only just becoming aware of his own immortality.
even if by some stretch of imagination mr. shaw faked his death and went onto become art, it requires an insane suspension of disbelief. it was a huge deal in terrifier 2 that art’s body disappeared from the morgue. if there was no body found at the sight of mr. shaw’s death, it would have been mentioned already and jonathan would likely be fixating on that mystery instead. sienna would not have let this rest either.
barbara clearly does not recognize art as her husband’s clown persona in any way. it is not out of the realm of possibility that maybe she knew art, or that her husband did - which would explain some of barb’s more bizarre reactions to things - but they were definitely not the same person.
i think that covers pretty much of all of it but yeah. art is not sienna and jonathan’s father. to this very small but very vocal minority, please stop jumping on the posts of random people & making this insistence. it’s weird.
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There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.
- John Rogers
Ayn Rand is perhaps the author of the most childish adult books in existence. Rand is arguably the most overrated "philosopher" although I wouldn't even call her a philosopher. That actually requires at least some critical thinking.
As many young people do I once went on a Rand binge: Atlas Shrugged, We the Living, The Romantic Manifesto. I even read the book by her disciple Leonard Peikoff, Objectivism: The Philosophy of Ayn Rand.
Rand starts with existence exists, which is her axiomatic principle, the starting point from which she builds her belief system. From there she is quick to deny even the possibility of spiritual reality. Eventually she ends in a place where selfishness is a high virtue, altruism a despicable vice, and capitalism the only sane economic system.
Her philosophy is harshly categorical, and corresponds to the developmental stage of black/white either/or thinking of youth. No wonder the people I run across who take her philosophy seriously are always young, at least in their thinking.
As unsavory as these aspects of her philosophy might be, that isn’t what makes her writing bad. She herself says, “The fact that one agrees or disagrees with an artist’s philosophy is irrelevant to an esthetic appraisal of his work qua art.” With this I agree.
Rand’s fiction is a horrid business. It is endlessly didactic, so busy preaching it forgets to pay close attention to life. Her characters deliver lectures. You don’t have to look closely to see they are puppets with Rand’s own lips moving eerily under the mask, her angry eyes staring out through holes in the rubber face. The bad guys in her books are straw men called collectivism, and altruism and they speak only in bromides and Rand gleefully bats them down.
The truth is she is writing bad fiction by design.
In her Romantic Manifesto Rand says, “The greater the work of art, the more profoundly universal its theme.” So far so good. She writes, “Art is a selective re-creation of reality according to an artist’s metaphysical value-judgments.” What exactly does that mean?
Rand believes the work should set forth the author’s vision of an ideal world, not deal with the world as it is. Art, according to Rand should deal only with what is “important,” which sounds fine, but the problem is that when, as Rand consciously does, the artist lops away parts of human existence she believes to be unimportant, we get substandard art.
The artist knows what she is out to prove and sets out to do it. No discovery for the writer, then none for the reader. Rand never lets the story itself say anything meaningful. You want to tell her to shut up already and tell the story. Or find a form more suited for argumentation, like an essay.
We come to art to find something important, no doubt. But it is in careful attention to the literal, physical details - quotidian, often smelly and unpleasant, even disgusting and scary - that we find the important thing for which the work is aiming. The artist is as surprised as everyone else to find the discovery hidden in the muck of life.
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softer-ua · 1 year
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Periodic reminder that this is a pro ship account, I genuinely don’t give af what y’all do with your imaginations
I care too much about what happens to real people to even try to find the time or energy to pretend to assign morality to make believe, frankly I think it’s kinda neat that some people can take horrible dark things and splash enough fantasy on them to make it not so
We know that video games don’t make kids violent, kids being ignored, neglected, and never taught healthy emotional processing makes them violent. The idea that video games were the problem is fear mongering propaganda
The idea that porn addictions exists or that consuming it can desensitize an individual is of the same vain, it takes blame off the individuals who do horrible things and assigns it to some abstract concept that has no bases in reality
Of course people can become addicted to anything technically, even eating couch cushions, anything that acts as a stress reliever for any reason can become a compulsion. But like with couch cushions, there’s a different problem at hand
And someone can become desensitized in the idea that the shock and urgency lesson with exposure, but core values and your morals do not change without extensive personal work
These things are even less when not attached to irl human faces. Humans are very capable of distinguishing fiction from reality, even when we get really involved with them
The myth that we can’t comes from misunderstood and misconstrued findings that when we imagine something it lights up the same areas of the brain as actually doing the action
Which is true, but how we interpret those sensations is different, most people can sense something and still objectively know it isn’t real and will therefore act on that. Someone of sound mind can and does cry at a sad movie, but they will leave the theater aware that while they may still feel sad the character died no real person is actually dead
Porn is similar, it can invoke physical and emotional responses but people are aware it’s not real.
There is of course some nuances to that because of the fat cats in the industry trying convince viewers that the people in the videos aren’t actors performing bits
That has been dangerous for young people who were unfortunately getting their sex education from them because no one in their lives took the time to actually teach them about their bodies and relationships involving other bodies but as awareness of that issue rises the number of victims to that propaganda falls
So the rich try to profit off ignorance and shift blame from themselves while their worst consumers use them as excuses, that’s nothing new. Violent depraved people are like that for their own personal reasons, no media consomption or mental illness makes them like that, it’s all on individuals and their personal failure of morals
Fan creations has the smallest hat in the media ring, from every angle it’s near impossible to have it confused with reality without choosing to do so(like for escapism, which within limits is normal and fine)
Whatever fan creation you’re outraged about, it could be the most deaddove thing ever, like the most rottingest zombie of dead doves, and it still starts with acknowledging that it’s being modeled after a fictitious source like a book or a parasocial relationship with a celebrity
And when I consider that vs the physical irl actions people are taking against irl people I simply can’t bring myself to give a flying rats ass about fiction^2
Like Canada is still finding unmarked graves for native children who were taken from their homes by the church to be forced into dying at residential schools, and I don’t think enough people are taking into account that the indifference shown to these children’s deaths by the church is cruel by Christian standards
Seriously we aren’t even acknowledging that had these children been home with their loved ones the practices around their death would have been vastly different, some cultures don’t practice burials and to put anyone let alone their child in the ground without ceremony would have been the most vial act their community could ever enact
So yeah idgf if you’re blorbo commits a war crime and gets sexy with it, there’s very real war crimes being committed today and very real war crimes of the past going unacknowledged that are vastly more worth of my outrage
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wisteriasakana · 5 months
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Welcome to Soe finally does a real devlog on Pink Pro (but first, she talks about something else) + little announcement!
This experience with jams has taught me that, as I am, the perfect deadline is a month and a half. If it's a full two months, I'll end up doing something else because "there's plenty of time", only to find myself doing it all in the second month/last three weeks.
BUT! It's not like I haven't done anything, what do you think?
[Part where I talk about other things]
🍨 In parallel with the development of Pink Pro, I collaborated with GrandPiekron on his This Tomb of Ours (Run and check it out, it's right HERE!).
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It was great to be part of building a game from scratch and seeing it take shape! Maybe in the next few days, I could publish Erin's beta designs. Fun fact: Her sprite creation time was 10% sprite and 90% hair lock. As I already said for Clea and Aurel, the idea of making everyone bald is increasingly tempting.
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At the moment This Tomb of Ours is not yet complete, literally only the ending is missing, but it is on its way. In the meantime, how about take a look at Doomstone, GrandPiekron's other game? It's complete, but I warn you that it's very dark.
🍨 My collaboration with @time-lapse-games continues, this time for a project that you will soon see on your screens.
Here, instead of sprites and busts, I am the main characters spriter and the betatester. When it's published, I'll obviously spam it here too!
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🍨 As mentioned on Halloween, I'm getting help from two great people who can make Three Yellow Quartzes a game in existing English, and that involves discussing adaptations.
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🍨 For the 100+ downloads (Thank you!) of Interview with a succubus, I contacted a Spanish translator to make it available in an additional language. I love Spanish and who knows, maybe one day I might be able to translate things myself! Hopefully in a more existent Spanish than my English.
I will never stop thanking acadizs for his translation and his patience with my requests.
🍨 Given the introduction of an additional language, I put my hands on Ren'py again to do a single build of Interview with a succubus.
I'd like to do other visual novels, maybe a little longer than ten minutes and more elaborate than two ending branches. I was a little sad that I didn't get to participate in the Once Upon a Time VN Jam, but 1. I had no ideas, 2. I wouldn't have had time even by mistake. I'm eyeing the Winter VN Jam but, barring a miracle, I seriously doubt I'll participate.
🍨 I would also like to go back to translating RPGs into Italian and I contacted again an author whose everything I translated except, like, their most important game. Living Playground: The Witch's Puppets, I'll come back to you!
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🍨 I fixed a few things about The Night of the Candy Apple. I plan to make a dedicated devlog about it, once Pink Pro is published.
[/Part where I talk about other things]
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I've been wanting to make "a pink game" for a while now. I love the aesthetic of games like The Huntress of the Hollow, Sweeter Yesterday and Dreaming Mary and I wanted to make something pink too. I also wanted to do something with sweets tilesets (You might have deduced this from the fact that I made a post on sweets tilesets-), so I decided to merge the two! When I decided to join jams, I decided that I would make my pink and sweets game for the Yuri Jam.
I've already written about the characters in their introductions, so what about the game itself? The game itself, in theory, is very simple: dialogues, cooking minigames, ending requirements, period. Then, of course, maps, sprites, CGs, music, sound effects.
So what's the situation like?
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So geometric...
🍰 The maps are complete. They're the first thing I made and the first thing I finished! Obviously, Chocomill and com-sho could not be missing. I am very satisfied with how they turned out! (… Although I definitely need to practice more with exteriors. Maybe one day I'll be able to build a house other than a rectangle or trapezoid.)
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🍰 The sprites are- The sprites for Chantal and Janet are complete. Margrit's would be complete too, if only I could make her tail decently.
As for now, the sprites of the others exist - Except Zora's, who is always the last. Poor Zora. They are not all 8-directions-complete, but it must be said that not all of them need 8-directions sprites-
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🍰 The busts are complete! I still have to do all the expressions, though. If nothing else, they all have an average of 3/4 expressions, only Chantal has like eight.
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🍰 CGs are almost finished! Only one left.
There's one that I'm extremely satisfied with, I hope you'll like it- Um, actually, it doesn't represent a happy scene, so I'm afraid you won't like it much-
Since I started using Clip Studio Paint not that long ago, I still make stupid mistakes that I notice eight hundred years later, possibly after publishing. Above all: smudged shadows, non-blended shadows and color that goes on the lineart. But I assure you that in traditional I know how to color within the lineart! I learned it in kindergarten!
🍰 The sound side is ready.
More importantly, Pink Pro will also have a customized music track! Maybe I'll talk about it more in depth in a future post, but in the meantime: thanks to DogStudio there will be a story section accompanied by a track that they wrote especially for the game! It has a very particular sound, and inspired me for the main musical genre.
I was sure of one thing: I didn't want to play the "jangling" music typical of sweets contexts. I find them cute, but I wanted to do something different. I hope you like the result!
🍰 On a separate note, since @time-lapse-games has been my sound designer for Three Yellow Quartzes and explained to me the whole philosophy behind the choice of sound effects (?), I pay more attention to the sounds and I feel like putting them even where I wouldn't have put them before. For anyone looking for sound effects for Anything, may Taira Komori's website be with you!
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🍰 Venka's Crafting Script works!
… Well, inserting the latest recipes gave me a weird problem where recipes from, like, Number X to Number Y did not appear. I still have no idea why (I thought the numbers were connected to some variables that were also used in the game or other scripts, but that doesn't seem to be the case, so who knows?), but I solved it by simply dubbing the recipes that didn't appear in the number following Y onwards.
🍰 The cutscenes exist. It's a great achievement. The fundamental parts are there, the scenes of four out of five customers and the ending are missing. I hope I don't get stuck as usual-
And so?
Initially, I wanted to post the whole game in Italian, and then translate it as soon as possible - This is because, 100%, I would not be able to finish the game and translate it by the jam deadline. However, the RL has landed like a volleyball in your face as you walk courtside, and in the next few days I won't have as much time to dedicate to it as I would like.
SO! For the jam I will release a demo. If you stop to read the flavor texts and talk to everyone, the gameplay can last about twenty minutes. Seems like a good timing to me!
In this way, I will be able to publish both the Italian and the English versions. Since the game is 80% ready, I plan to get back to it as soon as I have a bit of a break.
And that's all for now!
To the next time! Hopefully with the demo-
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damazcuz · 1 year
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people should't have to read and write darkfic about bad things happening just for you to see them as "real fans" so who are you to decide that i dont actually love something just because i love it different from you? you seriously sound like a freak with that post, so just guessing you justify reading rape/pedo fic too.
You feel victimized by the suggestion that you don't actually enjoy something that you pick apart to bones and smash to dust and glue back together and call the same. You think you have to defend your right to do so against me, (you don't; please learn to do things that others dislike with grace and in peace) and you were hurt when you read my post and deliberately misinterpreted it, and the easiest thing to do in that state is to lash out with accusations that will make me stop talking and walk back what I said and reinstate you in the right. Saying "actually people shouldn't have to read dark fiction and you must be a pedophile" isn't the most logical leap but it's the most likely to make the other side (me) upset and hurt, and either I'll shut up and go away or I'll flounder to defend myself and look foolish in the process; either way you can feel vindicated in knowing that you shut down some miserable little jester who said that coffeeshop au writers don't hold the same love for fiction as writers of traumaporn fic, or whatever my post was.
I really don't care if you enjoy and create and consume lighthearted romcom soulmates no-conflict AU derivative fiction and art. It doesn't hurt me when you make that. I can say "ugh I don't want to look at this" and scroll past it. You are free to make things that I don't like, and I am free to make things that you don't like, and we'll both be happier if we make those things. And we can both look away from each other's things that make us unhappy. This is healthy and normal.
The thing is, I'm not talking about "darkfic" or whatever. I also wasn't talking about fan works that take a lighthearted low stakes no conflict romcom and turn it into something scary. (Not that I think there's anything wrong with this, either.) Reread my post; I'm talking about original works where canon has conflict and issues and yes even dark plot points sometimes, and people enter the space of that work and say they love it and want to participate in its fandom and want to play and have fun, but then turn their nose up at every piece that makes up the story. It's shallow. It feels disrespectful.
What do you like about the original work? What about it is actually good in your eyes? Do you only listen to that podcast because there's a gay relationship? Do you only read books to blorbofy the scrunkliest meow meow? Do you only watch film so that you can look at gifsets? Do you only consume bitter in hopes of spitting out sweetness? Do you only partake in the act of creation out of some misguided desire to like the things that others like? Do you participate just to say "I participated, unfortunately?" That sounds incredibly joyless to me. I can't imagine engaging with works that I don't like and that don't interest me and forcing myself to be involved in them and peeling them layer by layer until I find what I can scavenge, and then building the world's tiniest, least recognizable monument to nothing. That's so miserable.
Strongly advise that you engage in something that makes you happy instead of whatever this is. Feel better.
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chaolie · 2 years
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I'm a bit bored so here, an AU idea I've had for quite a while! It's essentially a zombie apocalypse AU, but with a twist involving some Gods trying to interfere! It does get long, so most of it is under the cut! Oh yeah, this also ended up Fundy-centric, but at this point is anyone even surprised?
Please keep in mind that I kinda left this summary on a cliffhanger, and it's a very angsty and painful one! It includes a death, so don't read if you don't think you can handle that right now!
So, we start with a somewhat modern setting. Most characters (Excluding Phil and all the Gods) live in the same city and have relatively normal lives. Phil lives a bit further from the city but stays in contact with his family, and the Gods have a couple of their own dimensions to reside in.
Then, seemingly out of nowhere, a zombie outbreak starts just a few cities away, and the news about it doesn't spread nearly fast enough. That's the first time the Gods step in.
Unfortunately, they're unable to stop the apocalypse. They never quite held that kind of power, and the world ending really threw them off, the best they could do would be to help just a few people... so they do just that.
Every single God chooses one person they want to support. They get to give them a "blessing", so essentially an advantage, and can help them in other ways too. They also make a "bet" to see whose mortal can survive the longest, but only one of them takes it seriously. Now, the Gods and their choices are:
Death decided to help Phil. She used to come down to Earth sometimes before, so they knew each other, and the choice was easy for her. She gave him wings to help him avoid dangers and find his family.
XD, the god of creation, chose Dream. Except, he had no idea what he was doing, no knowledge about mortals, and misunderstood Dream's situation. The gift he gave to Dream? Pretty neat! Any and all of his injuries will heal as long as he still has the will to keep going! The way he made sure Dream would keep going? Lies. Hope this doesn't have any horrible consequences :D
Foolish, the god of life, chose Eret. They were good friends before the world ended, so it made sense to help them! With Foolish's blessing, Eret can now find their other missing friends! It's not very accurate and they can use it once a day, but they can check which direction someone is in! Unfortunately, something weird happened with their eyes when they received the gift... but hey, at least they can see in the dark now, too!
Drista, the goddess of chaos, decided to help Tommy. She knew him from some of her visits to Earth, and he didn't seem to mind her chaos-related powers before, so she figured he'd be fine with whatever she'd offer him. He more or less was, so now he will just randomly get some items every once in a while. They tend to be useful, though!
Bad, the god of darkness, chose Skeppy. Before the apocalypse forced him to stay in the Gods' dimensions, he'd spend like 75% of his time on Earth, with Skeppy, so of course he had to help him! To protect him from any bites, he made his skin diamond!
Here's a tricky one. Overseers. Their "godhood" is a bit complicated (PLEASE ASK ME ABOUT THEM.), but in the end, they got to pick a single mortal together. They picked Jack. They didn't know him before or anything, he just seemed kinda neat. Since they still lack the power of other Gods, they could only offer him what they were "gods" of, so "strong will" and "persistence". It's not much, but hey, it's still a free advantage!
Now, you might be wondering. How the HELL is this Fundy-centric, he has not been mentioned once, what are you even doing?? Well, let me tell you more about him!
He is probably the last person alive in the city and he is absolutely alone. He spends weeks looking for someone, anyone- But everyone else fled from the city while they could. He can't find his friends, he can't find his boyfriend (yes I'm bringing fwt into this.), not even his father! He does start to slowly lose hope...
Then boom! He suddenly runs into Ranboo, who accidentally stumbled back into the city and got separated from his group! After getting him to safety, Fundy learns that actually a huge chunk of their friend group is alive and camping outside of the city. They head there the next opportunity they get.
Now Fundy's finally a part of a group! They have 7 people in total - him, Ranboo, Tubbo, Niki, Jack, Eret, and Hbomb! That also means that they have 2 people chosen by Gods in their group, so what could go wrong?
Things go wrong when they decide to head north, to another city. They hope to find supplies, survivors, or maybe even a zombie-free zone? Who knows, maybe they got the news about the apocalypse and got time to prepare?
Most of them might find out, but Fundy doesn't get that luxury. Sadly, he gets bitten halfway to the city, and the Gods told their champions what a bite means. In order to make this less painful for everyone, Fundy volunteers to leave the group and walk in a different direction.
He walks west, and after a few days, while he's barely standing, he comes across a ruined city. He wanders its streets, and it's strangely empty, strangely quiet... it's still not long before he runs into a single zombie. Before it can get him, he runs into one more thing. A person. Dream.
At first, they're both overjoyed! They found each other again! After all this time! It's so great that Dream doesn't really care how impossible this is, according to what XD told him. But when he tells Fundy about his power, about how even bites can't get him, things turn... sad. Fundy's not immune to bites, and it's too late to try anything. They can spend like a day together, sure, but after that?
They do spend that day together, catching up and ignoring the doom looming over Fundy. Unfortunately, they can't just put off death, and soon enough, the bite gets the best of him. On top of that, the pain and heartbreak of that make Dream's power more or less useless. Uh oh.
...Aaand I'm ending the summary here because it's 3 am, but you best believe the story doesn't end like this. I am dragging the fox fuck out of the afterlife whether he likes it or not, and you bet I'm going to be a bit extra about it, too! I'm just not sure if anyone is remotely interested in what I just wrote here.
If you are, please ask questions. I WANT to elaborate on almost everything here!! Ask about the characters, their groups, the gods, about what happens next!! If you ask nicely, I might even show some doodles I made for this AU a while back? So please don't hesitate from asking!
(Anon is on if you're shy btw)
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galvanizedfriend · 8 months
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I'm scared about all the AI stuff that's been going on. I don't want to lose my work or my characters. Is there anything that we can do to make sure we still keep our works?
So am I. :( In my line of work we're already starting to see the use of AI being seriously discussed to replace certain tasks - and not because it'll make workers' lives easier, or even be necessarily more efficient, since it'll be utter chaos not to have real humans in certain position. It's purely to save money, both by replacing people and by creating more unemployment, which will then lower overall wages.
If you're a writer (I assume you are, since you mentioned you don't want to lose your characters), I don't think it's so much about losing rights over what you create, but having machines being trained on existing content (maybe even yours) in order to do your job. Publishing a single book is work that involves an entire chain of people. The writer is just one part. You have at least one editor, you have someone who prepares the text, you have someone who does formatting, you have sometimes a proof-reader, or sensitivity readers depending on what kind of story you write, then you have artists who create the covers and other related illustrations, and that's not even to mention people such as agents, who perform a very important role identifying good manuscripts, finding new writers, and then representing them.
What AI is already doing is using existing works in order to train a machine in specific styles so that a computer might churn out an entire novel in the space of an hour. They're using someone's work for machine-learning, but they're no longer having to pay any of these people in the chain of creation any money for it. In my country, there are big publishing houses already using AI created illustrations for books. But computers don't have artistry, it doesn't have coloring or drawing styles. They are stealing the work of illustrators to allegedly create something "new", making money off of this thing, and not paying the original creators a dime.
This is a particularly dire situation for independent writers/creators, or writers/creators who publish their work through small, lesser-known publishing houses. There's always going to be a hefty countract for the J.K. Rowlings and the Stephen Kings and other big name authors. It's for the little ones and the ones just starting that things are going to be very complicated if widespread AI use is allowed to continue like this. And then imagine the consequences of this in the long run in terms of authenticity, originality, creativity, diversity. Imagine the consequences of this for entire careers. How many people are actually going to be able to make a living in the publishing industry?
I'm obviously painting a very bad picture here that might seem like an exaggeration right now, but it's certainly the path things are starting to take (like with the book covers I mentioned). And I honestly don't know what we can do. I don't know if there is anything any one person can do to stop it. For so many years, particularly for artists and creators in general (but noy only) we've been told that the internet was where we should be. Showcasing our writing, photography, illustrations, paintings, and so on. It's how people publicize their work and get noticed. If you're not on the internet, you don't exist. You need to have portfolio online, preferably with a built audience. And suddenly, having that kind of thing out there now just means that everything we create can (and probably will) be used to train an AI that will make these very same creations not necessary to the industry anymore. It doesn't stop us from writing, painting, or what have you, but it means we might not be able to make a living out of it anymore.
It's not really about banning the use of AI, it's about establishing rules both about how it is trained, and about whether or not whatever an AI creates should be copyrightable. Honestly, if it's decided that AI-created content, whatever kind of content it might be, cannot be used for profit or protected by intellectual rights, then it's already a very big step, because then it will just not be financially interesting anymore to these industries to replace artists and writers and actors for AI, since anyone will then be able to just steal whatever they create out of that. If Disney have a show where scripts are made by AI, then it can't be copyrighted. Anyone can take it and do their own thing, make a new show, whatever. What are the chances that Disney will then start using solely AI for their scripts (like they want to)?
That's the discussion that needs to happen in the next few years in many, many areas. It's already happening in many countries, within many industries, unions and sectors of society in general. AI can be a very useful, helpful tool, but it cannot be used for exploitation and to create massive unemployment.
I'm not the most politically engaged person in that aspect, but what I can say is if you're ever in a position to have your voice heard, do it. If you know that discussions are happening close to you, or online, see if there's a way for you to take part in it. or just spread the word, make sure more people are aware of it. Discuss it with your friends or your social groups. And if there's a way for you to protect your creations from AI-mining, do it as well. As individual people with very little power, we can often only rely on our representatives to make the right decisions (which doesn't always happen, sadly, especially in certain countries), but there are serious people and unions fighting the good fight out there. We can show our support.
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nothingneverforever · 10 months
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Stuff I’ve just watched and almost completely did not enjoy
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First, Superstore (2015-2021): I watched this show mostly while getting ready for work in the morning or brushing my teeth at night, really just moments where I’m not focusing much and needing to wind up/down, but there were probably only 5 minutes of all the six seasons that I enjoyed even remotely. I know it seems to be a sitcom must-have but really, does every character have to be unlikable? Is that really the only way to depict realness? And I don’t think they were intended to all be insufferable but then again, how could the characters not intentionally have been written that way? Were we actually supposed to feel endeared to their irritating qualities? Which never changed from start to end btw
Did I cry from being utterly moved in the last 10 minutes of the very last episode of the sixth season, yes. Does that mean anything, absolutely not omfg in fact as I’m typing this I’m reminded more and more of how irritating this shit was… and why do Americans only know how to write about or talk about or involve themselves in sex? Can fucking grow up or not seriously
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Ok fuck this shit too I’m sorry I am not anywhere near invested enough to find a better or more effective or astute way of conveying this complaint. When this film first showed up on my home page, I was okayishly-interested since I find Gabrielle Union likeable enough (also thinking of her makes me think of her husband who makes me think of LeBron which is an ever-pleasant experience naturally) but also the male lead Keith Powers is someone who bring such nostalgia, I remember being in my teens and following the fashion world quite closely for whatever nonsense reason and specifically keeping up with the models and runway shows for the sake of saving the pictures as inspiration for my then-“art” creation (OGs remember howmanybrothers…). Anyway, I remember Keith from this era so well : https://black-boys.tumblr.com/post/89627223362/keith-powers-calvin-klein-ss-15/amp
And of course, I excused or perhaps even allowed the ridiculous age gap the leads have (IRL as well as in the show which is about 20 years) because ummmm feminismmsms and reverse sexism ain’t real right gang 😂😅 but anyway yes obviously I was entering into my viewing ready to enjoy a joke of an experience but
Bruh
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Fuck this disgusting shit dude
Yes, the leads are talking about sex and yes, the male character wants to ruin and destroy and demolish the female character in this context …. Shocking!!!!!!!!!
We really can’t have one single fucking romance movie that isn’t pornified in language or imagery or reference huh
Anyway I stopped the movie at that point obviously cos I fucking died
And then again obviously I continued about 3 hours later when I’d run out of cat videos to watch and I need constant constant feed of media input lest I pause and think about work or the rest of my life and add to my alter act overwhelming amount of stress….
And the movie got worse guys she got preggers and they stayed together also she is his mom’s age in the show and they are long-time nemeses so yea 😂😂😂 this is the society liberals want?!!!??!!!??
May my next Netflix watch be something lovely and warm and real and no freaking stupid idiot sex references or scene or whatever boring unimaginative shiat pls…
Anyway I rewatched Haunting of Hill House recently and it was the best ever hehe!
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bilbobagginsomebabez · 2 months
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watching lola sebastian's video the movie james franco doesn't want you to see which discusses atrociously offensive autistic representation and makes me think of all the ways you could do it differently (read: acceptably, well).
i think i would ask a nonverbal autistic person like that blogger* on here that talks a lot about their experience and relationship to language and communication to co-write and/or produce depending on which roles are needed to ensure they're taken seriously. there are absolutely nonverbal autistic people who want to participate in communal acts of creation, who want to present their experiences as art and a representation of what it means to be human. it's worth the effort to find them and involve them. it's necessary.
which brings me to how. this is also a logistical question! depending on their comfort with unfamiliar social environments, i'd probably either A) set them up with a livestream of set at home, a groupchat w the actor, director, producer etc, and whatever other accommodations they need to provide feedback and perspective or B)** if they were comfortable on set, get noise cancelling headphones, a private trailer for Safe Quiet Dont Bother Me Zone, an ipad or something for the groupchat system, and pre-plan a flag-for-attention signal in case any texts get missed. i'd also need a system of hard-drives or cloud storage so my collaborator could review footage at their own pace during filming and catch anything they might have missed. as I understand it, nonverbal autistic people also need extra time to parse language which can be exacerbated by a frantic/urgent/high pressure social environment. so asking them to provide all their feedback on set during filming is just. no.
based on the movies [never been on a set], i think the 'do not enter' zone on a set is communicated through social signals like everybody just kind of avoiding the area and assuming it's obvious, but that isn't obvious for autistic people. so maybe like green screen colored tape around the areas that will be in the camera's view that day. spraypaint on the grass? if sets do not already have this as standard practice, they should.
and these accommodation ideas might be shit! they might suck ASS and be completely different from what my autistic collaborator wants and needs. at which point I'll go "yay! you know exactly what you need and that makes it easy for me to help make it work." but the fact that I was already thinking about it and already have ideas helps them feel more comfortable in sharing their real needs and feel confident that I will do my actual best to accommodate.
I sit here thinking about how to get compassionate and considered autistic representation on screen and i say. ok autistic people need to be directly involved and in a position of authority and control. they have to have a role where they cannot be mown down. and they have to be able to exercise that authority. exercising that authority requires comfort and navigability. so I also have to think about making sure they are comfortable on set and can easily navigate it. so I have to think about what nails-on-a-chalkboard microcosms of hell are lurking on set to surprise and overwhelm.
this forces me to think about what actually bothers autistic people. I have to sit here and identify problems and risks, and that makes me better able to identify them in other contexts. i'm not a film-maker and i'm probably never going to make a movie. i'm never going to put these specific accommodations into place on a movie set. but thinking about it like this situates me to see the environment as the problem, not the disability or the disabled person. if I'm working with an autistic person and they have a meltdown, i don't look at them with fear or frustration, I look for the environmental trigger and how to remove it. I think about how to facilitate their involvement and contribution without putting them through psychological distress.
*don't actually follow them or remember the url, apologies. they just appear on my dash semi-regularly.
**some nonverbal autistic people have a caretaker that also acts as "interpreter" and i understand that this is controversial and sometimes seen as dehumanizing due to the inherent power imbalance. the caretaker is often neurotypical and a family member, and the caretaker's word is often respected over and above clearly communicative body language and vocalizations by the nonverbal autistic person who is assumed to lack full reasoning capabilities. they have little recourse in cases of misinterpretation. however if the nonverbal autistic collaborator has a person like this that they value and would prefer to have on set with them, that person would also probably need to be paid. if they have a job to support themselves and their autistic loved one that they'd have to take time off from to help with filming, participation in the project would financially harm them without paying the caretaker as well. so one paycheck could very well become two and that should be expected.
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biiedwin8 · 3 months
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Does Documenting your Daydreaming Experiences Help with Managing Your Maladaptive Daydreaming?
Today, I'll be answering this question someone asked: "Does documenting your daydreaming events help you?" This is a very good question. Let's say you are daydreaming about some universe, and then once you snap out of it, you document all those things. This thing has two sides to it, but as I said, anything about a coping mechanism or something you want to try, if it's helping you with your addiction, as long as it's ‘not dangerous’ like something extreme, try it out, because it may work for someone else and may not work for you. So the best thing to do with these things is to try.
If you are really documenting your daydreaming, let's say, documenting, "Today, I was here, I was here," in some sense, it may give you a bit of self-awareness on what's really happening. And if you come to real life and then you're documenting it, it may also prevent you from overthinking, because something about the mind is the mind will always try to make associations with things. So when you come out of that daydream and then you document everything, it's like you are present now. Yes, you already were daydreaming, but now, while you are doing the documenting because it's something you enjoy, you fully immerse yourself in the present moment. And when you immerse yourself in the thing you are doing, it means that you are fully present when you are doing that thing. And when you're fully present when you're doing that thing, it will mean that you will not be having a lot of intrusive thoughts.
When you document your daydreaming, it serves as a tool for reducing overthinking. Instead of allowing your mind to wander endlessly, documenting provides a tangible record of your thoughts and experiences. Additionally, it can aid in identifying triggers that prompt your daydreaming episodes. By noting the time, content, and duration of your daydreams, you gain valuable insight into the patterns and cues that lead to these moments of mental wandering. This awareness allows you to better understand the underlying factors driving your daydreaming and empowers you to develop strategies for managing these triggers effectively.
Furthermore, documenting your daydreaming brings awareness to the time you invest in your imaginary world. Initially, you may underestimate the duration of these mental excursions, believing you've only spent a short while lost in thought. However, as you continue to record your daydreams, you may find yourself filling pages with detailed accounts of your imaginative wanderings. Over time, this accumulation of documentation reveals the true extent of your engagement in daydreaming. Much like tracking the consumption of alcohol, consistent documentation exposes patterns and habits that might otherwise go unnoticed. For example, you may realize that you've written dozens or even hundreds of pages detailing your daydreams over the course of a month. This realization serves as a wake-up call, prompting you to acknowledge the significant amount of time you're devoting to this behavior. It highlights the seriousness of the issue, urging you to take steps to address and manage your daydreaming tendencies more effectively.
So, documenting your daydreams, writing about your experiences, can indeed enhance your awareness, help you identify triggers, and reduce overthinking. It's worth trying out. However, as I mentioned earlier, it's crucial to evaluate these strategies for yourself. If you find that documenting your daydreams has a negative impact, it's best to discontinue it.
It's important to recognize that documenting your daydreams isn't a definitive solution. When you document a daydream, you're essentially capturing an illusion—a creation of your own imagination. Therefore, the time you spend documenting could be better invested in addressing real-life issues.
Healing and overcoming daydreaming tendencies involve confronting and managing real-life challenges, rather than finding meaning solely within the contents of your daydreams. Every minute spent analyzing daydreams is a minute lost in addressing real-life issues. For instance, if you spend two to four hours a day daydreaming and then allocate another hour to analyzing those daydreams, you're essentially losing close to six hours each day—time that could be spent on more productive endeavors.
A more effective approach, perhaps, is to journal about your real-life experiences. Reflecting on the emotions you feel before and after daydreaming can bring awareness to your feelings, emotions, and actions in real life. By recognizing patterns in your behavior and emotions, you can take steps to regain control from addictive tendencies.
For example, if you document that your homework was boring today, leading to daydreaming and an inability to complete the task, but you recall completing it successfully last week when you were with a friend, you can start identifying patterns in your behavior. These real-life patterns are key to reclaiming control from addictive behaviors.
Another crucial point I overlooked is the allure of documenting your daydreams. It's incredibly seductive, akin to watching a movie—one where you're the creator, the director, and the star. However, just like with any captivating film, you don't want to watch it incessantly. Imagine you're the mastermind behind Star Wars; naturally, you would want to watch it repeatedly. The same goes for documenting your daydreams; the more you indulge in this activity, the more satisfying it becomes. You may even find yourself sharing your daydreams in forums, reveling in the attention and validation they bring. This satisfaction can quickly become addictive, making it challenging to imagine giving up this newfound identity. When something becomes so intertwined with your sense of self, breaking free from it becomes an uphill battle.
Therefore, my advice is to avoid fixating solely on documenting your daydreams. Instead, redirect your focus towards reclaiming control over your thoughts and behaviors. Start by documenting your real-life experiences, journaling about the challenges and emotions you face. Confronting these issues head-on is the first step towards regaining agency over your life. Only then, once you've established a solid foundation, should you consider indulging in daydreaming and documenting them.
Remember, while these practices may offer benefits, it's essential to remain grounded in reality and honest with yourself. Don't shy away from seeking help or exploring alternative approaches if necessary. Ultimately, the goal is to find what works best for you and to pursue it with sincerity and determination.
Note from the Author
If you’re ready and you’d like my help with overcoming and managing maladaptive daydreaming without spending years in therapy, then you can book a FREE BREAKTHROUGH CALL with me HERE. Happy healing 💙💙. Feel free to share and comment! Use this information with caution, it comes from my own thoughts & bias, experiences and research😊.
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