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#but there you go
demon-witch-cat · 2 months
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Hi there,
Question for your Branch is Keith’s Unofficial Dad AU (Sorry I can’t remember the actual name of the AU)
How would BroZone react to meeting Keith for the first time? And vice versa.
Also would Keith get along with BroZone?
And would BroZone think Keith is actually Branch’s Son?
Guess I ask more questions than I thought I would😅
(So sorry for taking so long to answer! I feel so bad!) 
Don’t worry, I only recently figured out the name! (thanks to @super-secret-agent-of-sin) Though, their relationship is less father-son, and more just big brother-little brother. That’s just how I personally see them! Which is especially funny when you throw in Brozone, Branch’s “actual” brothers.  
Before I start, I just real quick want to say that this is for if I stick more closely with cannon, where Floyd is the one captured and Keth just happens to tag along.   I have another idea for the AU, where Branch is the one captured, in front of Keith/after saving Keith, instead of Floyd. So, Floyd and Keith both replace/swap with Branch in the journey (If that makes sense). I can talk about that too, but I figured this one would be easier to work with. 
Now, I do like to think that there is a moment for each brother (maybe not Floyd, idk) where they’d see this trolling with blue hair, almost the exact same shade of blue as Branches when he was little, holding their youngest brothers hand staring at them with wide blue eyes, and immediately think “Oh shit, this is B’s kid!” And if they say this, Branch will quickly correct their thinking with a “What, no, Keith isn’t my kid! He’s my little brother, who I adore very much!” saying it both proudly, and slightly pettily. With Keith going “Yeah!” Before sticking is tongue out. 
Anyways, after that part, I think each brother would have a different reaction and feelings. 
KEITH 
Starting with Keith, he doesn’t like them. At least at the beginning he doesn’t. In his mind, they left Branch when he was little, and Branch clearly doesn’t like them, so he doesn’t like them. Because of this Keith decides to tag along on the mission so he can ‘protect’ Branch. Over the course of movie, he relaxes a bit with the creepy stares and feirce and childishly blunt comments. However, that doesn’t mean he likes them, especially with all the talk of ‘perfect’ and them calling Branch nicknames he very clearly doesn’t like. Keith doesn’t really understand the entire situation, he just doesn’t like how they just act like everything is normal with Branch. Like they are brothers. He does slowly warm up to them after the events of the movie though. Eventually seeing them all as older brothers as well. Though not after a bunch more creepy glares, blunt comments, and many pranks. Keith can be a menace when he wants to be. Branch will always be his favorite though, and vice versa. 
JOHN DORY 
John would be surprised, especially with how close they are, and probably feel jealous about it but ultimately take it in stride. Maybe during the fight, he makes a comment on the fact that Keith isn’t really Branch's brother, which sets Branch off even more, but he’d feel bad about it immediately afterwards. Especially seeing the heartbreaking look in Keiths eyes. After the movie’s events, though, he’d be all over it, and I can see him being the first or second brother to win over Keith (after apologizing for the comment). Especially with their common interest in the woods/outdoors (which is also shared with Branch, obviously). I think they could have a cute dynamic, once they get past the cannon drama. 
BRUCE 
Bruce would also take Branch and Keith being brothers in stride. He’d also feel very proud of Branch, especially when the first interaction he sees between the two is Keith tugging at Branches hand, asking if he can play with his own kids, and Branch turning to look at him in his own question, before agreeing, insisting that he be careful and to not wander off too far. His baby bro is so responsible and clearly a good big brother! Also, his dad instincts would totally kick in when he’s around him (like with tiny), but at the same time he wouldn’t usually get a chance to act on them because Branch was usually already on top of it. Keith looks like he’s wandering too far off? Branch is already calling him back or walking over to him. Keith’s looking nervous about the situation? Branch seems to know exactly what to do to calm the young trolling down. Hug time? The two don’t even think about it, Branch just automatically opens his arms for Keith to immediately jump into(or, even funnier, Keith and Poppy both race to hug Branch, who looks like he’s just accepted it a long time ago) That part does kind of sting though, as when he’d hugged Branch for the first time in years, he was shoved away with an uncomfortable, yet stern look. And then immediately almost being bitten by the green trolling. 
CLAY 
Clay, for some reason, I see him both the most confused, and maybe the most jealous over this. I don’t know why, it’s not because the two wouldn’t get along, because they would. I just see him being like, “Wait what? You have a little brother? ...How?” Like, same vibe as his late reaction to their grandma having been eaten. But then after Branch giving him a quick explanation, he’d kind of just... Doesn't interact with Keith unless he’d need to. At least during the events of the movie. After the movie events though, Clay would learn that Keith likes to create stories, specifically more morbid stories. Just like Branch, he’d also like to listen to Keith’s stories (I hc that Clay likes a lot of different literature. He just has more of an interest in ‘sad’ books).  
FLOYD 
Floyd would be like “Aw, your a big brother now too! That’s so sweet!” And then try to talk to Keith, but Keith would immediately just be on edge and glare at him, considering how the others were. This would throw Floyd, and Branch honestly, through a loop, but he’d try his best to get past it. Branch would try to get Keith relax a little bit, but Keith is stubborn and, as I said before, protective. The others already hurt Branch; he doesn’t know if he can trust Floyd not too. Of course, he’s not as much of a menace with Floyd as he is with the others. But it's literally only because he almost died and is still healing. By the time he’s recovered though, Keith would trust/like him enough not to go full menace little brother on him.  
Sorry, I just went on a tangent here, but I’d been thinking about this a lot! So, thank you for giving me a chance to talk about it! 
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deyisacherry · 10 months
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AM I WORTHY ENOUGH TO JOIN THE WH0R3 ECLIPSE CULT?
AM I?!?!??!
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I started this drawing before reading Sleuth Jesters...
at first I was like hehe wh0r3... NOW I'M LIKE THIS EFFIN WH0RE I HATE HIM AND I LOVE HIM SO MUCH GODDAMN YOU ECLIPSE GRRRR
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anyways, detaiiils
i didn't know I could draw shoes... wow
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tagging cause uh- eh- uh- hi i hope you like it!
@naffeclipse
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666writingcafe · 4 months
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Barbatos As A Lover (NSFW)
Before MC, Barbatos is too busy serving Diavolo (and getting used to his physical form after existing in a void for millennia) to worry too much about sex. Has he seen it in action? Yes, both in real life and in media. Has he heard it in the walls of the castle during Diavolo's parties? Yes. Has he actually experienced it for himself? No. But Barbatos is fine with that. He feels like it would distract him from his duties, and so doesn't indulge.
With MC, things begin changing after the human successfully seduces Barbatos during the tutoring session for the Advanced Speechcraft exam. Diavolo catches his butler staring off into space more frequently with a wistful expression, and eventually gets him to confess that he's daydreaming about MC. In typical fashion, this excites the Demon Prince, and he starts behaving as Barbatos' wingman (much to Barbatos' chagrin). MC acts oblivious, but in reality they're plotting a plan. They know that they have to get Barbatos alone and in a relaxed mood before they can do anything, and so they're waiting for the right opportunity to strike (which doesn't happen for a good while, because either everyone's up MC and Barbatos' butts, or Barbatos is in butler mode). Eventually, one presents itself in the form of concert tickets. MC won two tickets to see one of the butler's favorite Devildom metal bands on a Saturday night, and they decide to make a weekend vacation out of it, even going so far as to reserve a hotel room near the venue so that they don't have to travel very far (and can get away from prying eyes). The two of them leave Thursday evening and spend the entirety of Friday and Saturday morning getting to know each other, and it quickly becomes evident to both parties that there is some serious sexual tension between them. By the time the concert's over, they're about two seconds away from ripping each other's clothes off, and well...let's just say that they don't get much sleep when they return to the hotel and that they check out the next day noticeably disheveled and with marks and scratches that they didn't have before.
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kalinara · 1 year
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I’ve thought about this a lot, and it occurs to me that I don’t think Ted’s problem is that he doesn’t get angry or needs to learn that not everyone has to be forgiven.
Because we already HAVE someone that Ted is angry at, someone that Ted doesn’t forgive:
His father.
Ted Lasso has never forgiven his father.  And we can see that in so many ways:
1) His refusal to go to the funeral.  That was a child’s decision, of course, but we can hear it in the way he talks about it now.  The rapid speech, the sharp note in his voice.  “Because he quit.”
2) The whole thing about quitting.  Ted Lasso doesn’t quit.  It’s a big motif.  For the most part, it’s a positive one (see: Sharon using it to motivate him), but it can get him trapped in a hopeless spiral (see: Michelle).
3) The darts monologue with Rupert.  Curiosity vs. judgment.   Per Ted, a truly curious man would have asked “Have you played a lot of darts, Ted?”
Thing is, and I can’t believe I’m defending Rupert.  But he DID ask Ted a SIMILAR question.  He asked, “Do you like darts?”
But that was the wrong question.  Because Ted’s answer is a very ambivalent “eh, they’re okay.”
When you think about it, does that emotional reaction fit with everything that comes after?  The folksy anecdote?  The softly fond reveal of playing darts every Sunday from age 10 to 16 in a Sports Bar with his father?
Unless the darts aren’t exactly a happy memory, not anymore.
5) Henry’s name.  This is something that’s haunted me for some time.  That bit in Goodbye Earl when Ted tells us about the dog that bit him.  About the dog he kept, until it died.  That dog is Hank.
Hank is a diminutive of Henry.  
If we take Ted’s anecdote at face value then, Ted had a parent die in his adolescence.  One he clearly did love.  And he named his son after the dead dog instead.  
So yeah, I think Ted has absolutely never forgiven his father.  And that’s the crux of his problem now.
Folks have said that the series really should have made Henry 19.  It would easily fit in Ted’s timeline, and wouldn’t read as much like Ted’s abandoning his son...
Except think about it for a second.  When do kids usually read Johnny Tremain?  Fourth grade?  Fifth?  When they’re about ten years old?
How old was Ted when his dad started (from his perspective) prioritizing his friends over his son?
When did Ted’s father START playing darts with him every Sunday?  
Is Ted really abandoning his son?  I don’t really think so.  But Ted thinks so.  And why does Ted think so?  Because young Ted thought so.  Ted has never forgiven his father, so he can’t forgive himself either.
And that’s what makes it particularly ironic that these fans who say Ted shouldn’t have to “forgive everyone”, and by “everyone”, they mean Nate.  Not Rebecca, not Trent.  Nate.
And the thing about Nate is that Nate is Ted’s son too.  Not literally, but everything in the first and second season built that symbolic relationship.  From Ted noticing him and uplifting him.  Buying him his first suit.  Taking him as his plus one for the Gala.  Including him in the Diamond Dogs.  All of it.
Hell, even Nate’s name.  “Nate”.  “Nate the Great”.  Nate’s real father only ever calls him Nathan.  (Oh, and isn’t there a fascinating comparison between “Wonder Kid” and “Nate the Great”?  Ted has NEVER to my recollection EVER called him the “Wonder Kid”.)
Nate’s anger at Ted is real.  He feels that Ted abandoned him, and he has some justification in that.  Ted was so wrapped up in his own issues that he missed that Nate needed help.  He did (accidently) insult and undermine Nate a few times, in ways that I’d like to think the more alert Ted of Season One would have caught and avoided/mitigated.
But at least SOME of Nate’s anger at Ted is really misdirected anger at his actual father.  This is what causes Nate to believe the worst of Ted, without really any basis.  Is Ted really dismissing Nate’s contributions?  No, of course not.  He’s very quick to credit him.  But Nate hears his father’s cold dismissal deeper in his heart.  The absence of Nate’s picture has nothing to do with dislike, that picture is on his mantle next to Henry’s picture!  That’s how IMPORTANT Nate is to Ted!  But Nate doesn’t know that, and he has no reason to expect that.  And it’s really really sad.
If Ted and Nate never reconcile than what does this mean for Ted?  It means he’s failed a son.  It means he’s failed a son just like he’d been failed.  It means that he’s failing TWO sons.  He needs this reconciliation with Nate as much, if not more, than Nate himself does.  Is Nate’s deed unforgiveable?  Maybe, it’d be to a stranger.  Maybe even to a friend.  But is it unforgiveable to a FATHER?
No.  A parent’s love is (supposed to be) unconditional.  Of course, he will forgive Nate.  Nate’s already BEEN forgiven.  But if they can reconcile...in a way that Ted cannot and will never be able to be reconciled with his father?
I think that would do more good for Ted than any “learning it’s okay not to forgive” lesson ever would.
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balanceoflightanddark · 5 months
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What if this happened?
Azula and Zuko manage to capture the avatar right after Katara quickly healed him while still in Ba Sing Se. The gaang were forced to leave without Aang, altering the day of black sun plan into a rescue mission.
Until the end of "Day of black sun pt 2", Aang is stuck as Azula's prisoner. As the main character, Aang would still have the most screen time but it gets shared with Azula and he spends the most time with her.
What do you think will happen between them? What could "The Beach" episode look like with Aang in it?
Well, this is an interesting ask.
The first most definite thing I can say is whether or not Azula and Zuko know that Aang is alive. I would wager they would capture his body which might not necessarily be conscious to show that the Avatar is indeed dead. Naturally, this could lead to a nightmarish scenario like at the start of Book 3 where Aang wakes up on a Fire Nation ship, only for it to be under the control of the Fire Nation instead of being captured.
Course, I wouldn't imagine Aang's initial escape attempt being too successful given that he just recovered from being shot in the back. Azula and Zuko would still be able to hold him till he gets to the Fire Nation where Ozai...I doubt Aang is going to be kept in good condition since killing him would just cause the Avatar to reincarnate. Therefore, I could see Ozai keeping him in torturous conditions not unlike what Zhao put him through in Book 1. Alive, but unable to do anything. Might even give Azula the "honor" of watching him since Zuko has returned to become the Crown Prince.
But let's assume that Aang is able to try and make an escape attempt a few times. I mean let's face it, he's not exactly someone who's easy to keep down. I could see Azula wanting to keep his escape attempts under wraps so Ozai's wrath would not directed towards her. Now here's where things get interesting. She starts noticing that Aang is avoiding killing anyone, isn't going into the Avatar State, and overall isn't acting like what the Avatar is expected to act like by the Fire Nation (which we can get some interesting worldbuilding by seeing how they view the Avatar from their perspective).
If we go down this avenue of thought, Azula might assume that putting the Avatar in torturous conditions isn't working since he keeps trying to break out. What she might feel work better is if he was broken mentally so he simply wouldn't have the will to fight. To this end, she might give him better conditions that are less torturous, but she'll try to break him by passing stories about his friends dying or being captured or something. Make it clear that he can escape, but break his will to fight. Maybe have daily "chats" taunting him.
Now here's where things get interesting: Aang won't break. He knows Azula's lying to break him...but in the process, she inadvertently starts letting him know about her upbringing by divulging what her worldview is. Maybe even starts to feel a bit sorry for her than anything. I mean he did feel bad for Zuko even when the latter was trying to kill him, so it's completely in the realm of possibility. Which in turn befuddles Azula since everything she does to break him doesn't work, and she knows he's sympathizing with her.
Which leads to the Ember Island. This could be Azula's last chance at breaking Aang, showing how pathetic he is for sympathizing with a monster and not even attempting to escape when he has a chance. It backfires since Aang knows enough that Azula is NOT a monster, and tells her this. And the reason he doesn't want to escape is because he's afraid that Ozai's going to come after her for letting him escape (which isn't out of the question since Ozai is becoming more and more frustrated with Azula's lack of progress). As badly as he wants to escape, he doesn't want anyone else to suffer on his hands. Not even Azula.
Now here you can go a few routes. For me, Aang would eventually escape once he realizes that Azula won't budge. But he times it during a time where her back is turned, like the Day of the Black Sun so there's a reason for why her security is lax. Or he comes into contact with the rest of the Gaang and he escapes during the Black Sun Invasion so as to make it look like a rescue instead of incompetence on Azula's part. Either way, I do feel that Aang would advocate for mercy on behalf for Azula or at least make sure she doesn't rot someplace after Sozin's Comet. Azula would obviously assume that Aang abandoned her like everyone else, but Aang coming back and telling her the truth would give her a bit of a mental safety net and possibly lead to the road for recovery.
All in all, this was a good ask. You can do a lot with this, either go Azulaang, worldbuild for the Fire Nation, humanize Azula to Aang, maybe cause Aang to form a rift with Zuko or Iroh due to their differing opinions on Azula. You can do something with this given the ideas I just pointed out.
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So I don’t know whether my brain is just totally lagging behind (very possible), but I just thought back to this shot of Mikasa with the bird wings in the last episode (and the manga):
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And when I was first watching the final chapters, I was too hyped to pay much attention to it and just thought ‘sick frame’, but looking back over it, it’s pretty symbolic considering the strong imagery of birds representing freedom within the show: I’m taking it as showing that in this final battle, out of Eren and Mikasa, Mikasa is the one acting out of free will here — she’s the one who’s free by fighting against her emotional ties between what she wants to do (live peacefully with Eren) vs what she needs to do (stop—and kill—him before he destroys the whole world); she’s the one who’s fighting to break out of this cycle of violence, whereas Eren is only perpetuating it.
Basically, for all his talk of freedom, Eren in this battle is a slave to it (as he says so himself); just treading the course he’s predetermined for himself. Mikasa is the one who we thought throughout the series had the ‘least’ free will (regarding all the false ideas of the Ackerman bond and even just through the strength of her devotion to Eren and compliance with his wishes), but it turns out in the final fight that she’s the one unshackled by destiny or hatred here, not Eren, whose nature has led him down an unchangeable path he has to follow because of that nature.
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fantasiees · 23 days
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You have blue eyes?? Can we see? 👉🏽👈🏽
You can have this extreme closeup of one of them 👁️👁️👁️👁️👁️👁️👁️👁️👁️👁️👁️
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dribs-and-drabbles · 11 months
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Colours in Our Skyy 2 Bad Buddy ep 1
I was nervous in the run up to the Our Skyy 2 eps, not least to see what Aof and the team were going to do with our beloved characters and their stories, but also to see if the colours I had interpreted during the series stayed consistent.
And after two out of three (four?) episodes, I think they are.
In ep 1, right off the bat Pat's Blue and Pran's Red make an appearance...but the faculty jackets lend themselves to offering consistency here (the photo makes the blue look black but they are a dark blue).
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But as soon as the action shifts to the auditorium, we can see Pat and Pran's world is full of blue and red. The red curtain is a big part of this but look at the array of random blue and red objects in the room...some of which also move into a different spot later.
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Pat and Pran quite rightly (and as others have already pointed out) exchange their colours in the early part of the ep. I thought it was interesting that they didn't feel like they needed to hide their...friendship...to Ajan Pichai - the senior who Ming could quite easily hear about them from - not reacting at all to him seeing Pat's arm around Pran.
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More blue and red pairings are seen in Pran's shirt and the ice pack (which I pointed out in my addition to @grapejuicegay's post that Pran is 'icing' the same shoulder that he hurt in BBS ep 1 when Pat had the bruised cheek even though Pran didn't get hurt this time round), in Ink and Pa's outfits (the pic is a bit blurry but I wanted to show Pa's red handbag - I really wish I could see what was written on her top), and in the Hightem meeting room. (Note also that Pa carries a tote bag which has orange and lime green - their colours).
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Pops of blue and red also inhabit Ajan Pichai's office (the plaque, book, flowers, even the pens!) but I want to draw your attention to Pichai's shirt - a dark/olive green - a colour for 'bad' things (conflict, an obstacle to Pat and Pran's happiness etc) - and we see Pichai pit them against each other rather than choose between them to end the argument, thus causing them further problems.
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Later, Pichai wears a lighter shirt...which could be labelled as light blue, grey, or a light mint...but regardless, he accepts the end to the auditorium dispute and unknowingly sets up an opportunity for Pat and Pran to have some couple-time alone up north. This is also when he sees Pat with his arm around Pran, so perhaps it also shows his silent support of their...friendship.
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Back to the dark green and it's also on the tent in Pat and Pran's apartment, so it's no surprise that things go wrong for Pat when he comes back and thinks Wai is Pran. (Note also the orange...but I'll talk about that in ep 2's post 😏)
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But on to yellow - the colour that seems to symbolise Pat and Pran's love and happiness - and I thought it was a nice touch to have Korn pick out the broom with the yellow handle and then be thankful for Pat and Pran and tell Wai he loved him. Yellow was also in the cushions that Pat and Pran (and Wai in the morning) laid on when they had their Soft™ lovely-dovey moment, and it was heartbreaking to see Pran had changed into a yellow t-shirt to go and find Pat before their second 'honeymoon' trip only for him to hear Pat exaggeratedly badmouthing him.
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And finally brown - a colour that seems to represent sacrifice, submission, or yielding - and we see it first on Korn as he tricks Pat into drinking with them. Pat then yields to peer pressure and ends up staying longer and drinking much more than he originally planned. That choice ultimately meant he sacrificed his opportunity to go to Pha Pun Dao with Pran the next day. Pat, also already having to sacrifice an open relationship with Pran because of their family situation, is somewhat forced to speak bad of Pran to hide their relationship causing a conflict between him and Pran who overhears him from outside.
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The next day, Pran sets off for Pha Pun Dao alone, wearing a brown jacket (and an orange t-shirt which I will also talk about in ep 2's post). He sacrifices the companionship of Pat in order to show he can do things without him (and is ultimately glad when Pat turns up even if he doesn't show it well) but also has to sacrifice his dignity in the process when he has to walk to the village after the jeep breaks down. And if it weren't for the fact that it was another expected and delicious parallel, the olive-green of the jeep was a clear give-away that Pran was about to suffer in this.
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Lastly, I'll just mention Pat and Pran's backpacks - teal and mint green respectively - the colours which seemed to symbolise Pat and Pran's union as a couple (I couldn't think of a better way to put it 🤭). They were supposed to go on this trip together, to have a second 'honeymoon' where they could be together freely...but despite being apart, they're still carrying/keeping their unity with them. Note also that Pat is shrouded in yellow (on his socks as well!) when he's trying to show his love for Pran and return them to a happier place, albeit unsuccessfully.
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[ep 1] [ep 2] [ep 3] [ep 4] (<- I'm being hopeful)
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roach-works · 2 years
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YOU PIONEERED THE TENTACLE DICKS? I truly have so much to thank you for in my life.
i don't think i can take FULL credit for tentacle dicks because it was for sure a group effort! like, plenty of other weirdos cheerfully piled on to the idea and wrote it too, and i am still full of gratitude and affection for everyone involved.
but still, at the time i showed up to write as much alien porn as i could get away with, the general fandom zeitgeist seemed to be leaning towards 'trolls have extremely human genitals, one per each, except they're either grey or fun colored' and i was just like, no.
because, what the fuck! absolutely not. absolutely i was not having this Grade A Heterosexual Nonsense as the fanon default. like sure, fine, i got that everyone is used to having human characters front and center but the trolls had already been established as insectile bisexuals and i was going to write and draw them as slimy tentacular hermaphrodites so relentlessly that a greyscale penis looked like the boring coward option it is.
and i won! on 4chan boards that catered mostly to straight male fans, they kept going with human-normal depictions of males as penetrators and females as the penetrated, but the lj kinkmeme and early tumblr were the province of much weirder people who were extremely happy to imagine alternate genital configurations.
ten years ago, gender norms in fanfic (and everywhere) were a lot more rigid than they've since become, and they're still not all that flexible today! so at the time it was a lot of fun for me to just decide that i wasn't going to reproduce any human sex and gender norms, and to see a lot of other writers and artists agree that this was fun and cool. because it is fun and cool! sometimes you just want to be a fucking alien for awhile.
and look at some tentacle dicks.
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vlindervin7 · 1 year
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found out that on average humans only spend twenty minutes eating meals a day and i think that is just so incredibly sad. breakfast alone should take longer than that
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blackjackkent · 1 month
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WIP Wednesday
No one tagged me but I've seen a few posts go by with open tags today and this is one of the things floating around for me rn. Tbh I'm posting it partly in the hope that showing a bit of it will help me be brave enough to post the full thing when it's done, lol; E-rated is new territory for me (though this snippet is tame). XD
----
Karlach goes still in an instant, hearing that shift in Hector's tone. Everything stops. Her hand leaves him, her weight shifts to his side. Her shoulders jerk with hitched breath as she struggles to get control of herself. And her eyes lock onto his and stay there; their pale blue glow is almost masked by how wide her pupils are, but the ravenous desire has been replaced abruptly with concern.
“No good?” she asks softly. “I’m-- fuck. I’m sorry. Is this… not what you wanted?”
“No-- no, it’s fine--” he stammers out hastily. He reaches convulsively for her hand, pulls it to his chest as if he’s afraid the shadows around their camp are going to drag her away from him. “No,” he says, more calmly, reassured by the feeling of her palm settling over his heart. “It's good-- it's perfect. You’re perfect.”
Embarrassment floods him and he squeezes his eyes shut and turns his head away. “You’re perfect,” he repeats softly. “I just…have no idea what I’m doing, and you surprised me.”
“What? Hec…” She reaches out, cups his cheek to draw his face back towards her, to force him to meet her eyes. She reads his expression more closely for a long moment, and then her eyebrows shoot up. “Oh, fuck,” she says, startled. “You haven’t done this before, have you?”
He shakes his head wordlessly. There’s nothing accusing in the words, but he’s struck with a sudden burst of fear. The way she tells it, she had a string of lovers in the city before the hells stole her away, a level of experience he couldn’t hope to match with his life of lonely nights in monastery dormitories. And there hasn’t really been time to discuss his own level of experience - or lack thereof; this all came together so fast, after so many weeks of longing…
What if she pushes him away? What if she wants someone who can make love with that same animal ferocity? What if she won't wait for his body to catch up with his heart? 
“Ever?” she asks. Her breath is starting to settle, the stuttering glow of the engine in her chest returning to a steady pulse. Despite his nakedness, her eyes have remained locked on his every moment since she drew back.
“Never…” he answers quietly.
Gods… don’t laugh at me, he thinks. His free hand, splayed out against the ground next to him, flexes nervously. 
But she doesn’t laugh. Instead she takes his face in both her hands and kisses him again. This time it’s slow, lingering, achingly gentle, a dramatic departure from the frantic need they both felt a few moments ago. He feels a deep calm spread through him from where her lips touch his. And he knows at that moment that there was never anything to fear. That  whenever he is lost, she will find him again. That he is safe in her hands.
“Lucky me,” she murmurs when the kiss breaks, and she looks down at him with a slow, playful grin. “That means I get to teach you.”
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Am I the only one who's concerned by the way the Hazbin Hotel fandom jokes about Valentino's eyesight?
Yes, the thought of a powerful and terrifying Overlord taking thirty minutes to count three dollar bills is amusing. But I've seen a lot of comments along the lines of, "Valentino's like, 'Who is this guy?' Wouldn't you like to know, blind-ass bitch?" and ... eh ... it doesn't sit right with me.
Like, I won't go so far as to call it ableist, but it's veering pretty close. It's almost as if people are saying it's okay to mock someone for being blind or partially sighted.
I get it. It's fun to dunk on a fictional villain. It feels safe. But we have to remember that Valentino's poor eyesight is not the reason why he's a villain.
He's not bad because he squints at a screen sometimes. He's bad because he's an abusive prick.
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sophieswundergarten · 9 months
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TPJ thoughts again. But. Martina.
Over the course of TPJ, Jackson and Jillson get captured by Milligan, and Martina's probably, what? 16/17? She's running around Europe, maybe as an orphan maybe as someone who just got swept up in Curtain's plans and didn't have the option to go home to her family, and these two people she views as "adults" get taken out.
She doesn't know where, she doesn't know how. But these "big kids" she's looked up to and modeled her behaviour after and idolized for years are suddenly out of the picture. And Curtain just cuts his losses and abandons them.
The period of time between that happening and Martina getting left on the island must have been filled with so much grief and terror. We don't even hear Curtain say anything about where J&J might be, or if his plans have been thrown off or really anything. Martina was mourning the loss of these people she respected and trusted (And probably looked to for protection and at least some kind of older-sibling assistance) when no one else said a word about it, and she didn't even really know Milligan.
She knew he was the guy they all taunted when he got captured at the Institute, and that he was a really good fighter, but that's about it. The Ten Men probably really enjoyed telling her and SQ horribly frightening (And probably 65% made up) stories about what a competent agent Milligan was whenever they got bored.
If she got told anything about the situation, in all likelihood she was petrified that he was out for revenge, and would hurt her and the other Executives just to be cruel the way McCracken and his men would. So, she's bouncing between sheer terror and coming to terms with what Curtain's plans really mean, and then they just leave her.
She gets abandoned to the mercy these people she's been indoctrinated are awful and fully expects to hurt her as the only (Admittedly abhorrent) security and direct parental influence in her life disappears in a very aggressive betrayal.
I just checked, and they leave her caught in a rope hanging upside down off the side of the Shortcut, ten feet above the water
And then she goes on to give up a bunch of Curtain's secrets, but how happy do you think she was to see Jackson and Jillson again? She probably thought they were dead in a ditch or else in some maximum security prison where they'd all be kept in solitary confinement for the rest of their lives. But, lo and behold, they're safe and sound and the Benedicts are actually fighting to keep it that way.
(And then of course there's a spin off idea here of Milligan being the one to have captured and then interrogate them and the three of them learning that he's not a horrible person who's going to hurt them but I don't have time to go into all that right now)
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dono-cho · 2 months
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(Bloodbourne x arkham idea that was discussing with friend
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