#but what choice do I have at this point I mean LOOK AT THEM

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #character design #black characters #black character design #black culture

[that-spider-fan-over-there]

What the fuck did Horikoshi say to Studio Bones, Nobuhiko Okamoto and Daiki Yamashita for them to fanfic out the canon-

I'm enjoying it don't get me wrong but sometimes I have to remind myself BNHA is more thought out than most shonen what do you mean emotional consequences aren't forgotten "control your heart" is not a forgotten plot point and Izuku actually is traumatized by Katsuki being stabbed and then they took a breather at the sunset spot reserved for that talk with Ochako and they look closer in a physical and emotional sense and that's actually canon don't mess with a guy like that let alone a fandom-

What do you mean guilt and shame are the only barriers preventing them from reaching each other when they'd be standing closer by sharing and overcoming it what do you mean Studio Bones confirmed Izuku specifically left because he couldn't see that happening to Katsuki again what do you mean they're simultaneously bound to each other by choice and willingly forced apart by their duties as heroes without realizing the full extent of this choice as if they're twin stars-

STUDIO BONES WHAT DID HORIKOSHI TELL YOU-

How the fuck haven't I imploded because I feel like I will when the 358-369 episode(s) comes out also BKDK fans how we feeling knowing they've accidentally overshadowed the "Shigaraki Tomura" part of the recap-

#Boku no Hero Academia #BNHA Spoilers #MHA Spoilers #Midoriya Izuku #Bakugou Katsuki #BKDK #KTIZ #spider.posts #i'm lucid enough to say i'm gonna regret typing this out later on because I SHOULD BE ASLEEP IDC #I NEED TO SHOUT THIS ALL OUT BABY I AM GONNA IMPLODE OTHERWISE #THE BKDK SHIPPER IN ME NEEDS THIS DAMN IT

[loveemagicpeace]

🏹Astrology Notes 🛼

People with many aspects of Neptune, especially Neptune Square North Node, can get into bad paths (alcohol, drugs...) many times they look for a solution by running away from problems. In life, they struggle with many difficult, incomprehensible, strange things. They may come across many people who deceive them.

Pluto opp chiron - can illustrate that you never really get over your traumas that were inflicted on you when you were little. Many times you can carry a swordsman's side inside you and never really let it go.

Mercury opp chiron- you have a hard time expressing or talking about your pain. It can often take a really long time to talk about what's bothering you.

Mercury conj Pluto- you can always be secretive about what you say. It could also be that a part of you is always hidden behind words.

The aspect of the moon and Saturn indicates the relationship the person has with his mother. People who have very strong aspects with the moon and saturn can be very attached to their mother and the mother has a great influence on them. It also shows that this person is not emotionally open and can always keep their feelings inside.

Dynamic aspects (opposition, square, inconjunction, semi-square) between Saturn and Jupiter indicate that a person can be full of hope at one moment and completely desperate at the next. These aspects are often associated with suicide. Because people can hardly bear such strong energy.

There are differences: Sagittarius is much more changeable than Jupiter, more freedom-loving and irresponsible. Sagittarius is less likely to symbolize the acquisition of material goods. Also, being a sign and therefore a less powerful symbol than a planet, it is less likely than Jupiter to operate at an excessive level. Sagittarius is less likely to signify waste, excess, or arrogance. Sagittarius gets along best with planets like Mars, Uranus, and the Sun, which are fast-moving, energetic, and not resistant to change.

Strongly emotional planets do not do well in Capricorn because the sign tends to repress emotion in favor of discipline. The Moon is particularly difficult here, because Capricorn will not allow the Moon to enjoy being dependent on others, a mode of relationship that is absolutely essential to the Moon’s functioning at some point in life. Venus is also not at its best, because its emotional criteria for choice are likely to be subordinated to practical criteria. Venus in Capricorn can also indicate an attraction to older persons who can serve as authority figures as well as lovers.

The Pisces symbol is two fishes swimming in opposite directions, and like Sagittarius and Gemini, Pisces is traditionally referred to as a dual sign. There are two types of Piscean: the advanced (Pisces as the last stage in the evolution of the archetypal ego or self) and the primitive (Pisces as the stage just prior to a new beginning in Aries).

Pluto in the 3rd house can represent a very strong bond with a sister. So separation with your sister can very difficult if you live far apart. You can create a beautiful and strong bond with your sister.

Mars in the 5th house indicates a difficult birth and problems with children. Children may be restless, aggressive or angry. It is important to look at aspects.

Jupiter in the 9th house often indicates good intuition and prophetic dreams. So it is important to remember your dreams.

Virgo rising people are so beautiful. I notice that women have beautiful faces and skin. Men, on the other hand, have well-developed eyes and bodies. I would say that virgins can have more beautiful beauty than technical ones in the subsign. Otherwise, it depends on where Mercury falls in the house, but still, their beauty is very naturally beautiful.

Moon in the third house indicates sensitive emotions and feelings. Moods change quickly.

The Moon in the fifth house indicates great success for children. Also a  person very dedicated to fun.

Moon in the sixth house can mean too much strain in terms of health. Lots of public contact. It can also mean insecurity and health problems in the first 7 years.

Mars in 7th house can mean that the individual is too open in relationships and dealings. It can also mean that he is jealous, intense and controlling.

Mars in the 11th house means you can be argumentative and want things your way. Many times the need for freedom is strong.

Mars in 12th house- the individual is interested in hidden things. You can join things that are secret. You like to work in the shadows. And you present your things when you are sure of them.

Uranus in the first house often shows that your personality is very unique and special. You have an energy that others find rare and interesting. You are a person who does not like drug treatment and prefers to find a different way (natural way of treatment). You want a job that is free and you don't like being controlled by others.

Uranus in the seventh house indicates premature engagement or marriage. It also means inharmonious relationships (if the aspects are not good). It also indicates a relationship in which one is ingenious and clever.

Uranus in ten house people are prone to emotional or physical loss through one parent. It is said that people with this position are also inclined to have two professions at the same time. It is important for women to check if her Uranus is in the 10th house of a man. Because this can indicate that the man is more focused on his career than her.

A person with mercury in the 9th house will always know at least 2 foreign languages, if not more. These people learn foreign languages very quickly and quickly understand others. They often prefer foreign languages.

Mars in Libra -A person can be quarrelsome and inharmonious. But it's not always like that. It depends on what aspects the person has. Person can be very passive aggressive and hides a lot of their energy. Many times they do something, but in reality they want something completely different. They can place the blame on others in many cases unless the person has Venus in good stabile sign.

Chart ruler of 8th house in 5th house -if it is  in bad aspects, it can indicate the possibility of miscarriage, loss of a child at birth or in youth.

Chart ruler  of 8th house in 8th house symbolizes benefit from the dead. Interest in immortality, spirituality. If the ruler is in an bad position then there can be problems with dying.

Chart ruler of the 9th house in 4th house travel is necessary for family matters. Property comes from relatives and partner.

Chart ruler of the 9th house in 6th house means handling due to travel. As well as good success abroad. If the aspects are in an unfavorable position, it can mean illness while traveling.

Chart ruler of the 9th house in 7th house means marriage in a foreign country or marriage with a foreigner. It often symbolizes a person living in another country. If it is in an unfavorable position, it may mean that relatives oppose the marriage.

The ruler of the 10th house in the 1st house- can mean a lot of ambition and talents. But it can mean loss due to father.

The ruler of the 10th house in the 6th house- symbolizes a humble position in society. Treatment can be an important part of an individual's life. If the aspects are bad, it can mean loss of career due to health.

Ruler of 10th house in 7th house- indicates benefit from public. Lawsuits are positive and marriage can bring fame.

Ruler of the 10th house in the 11th house - symbolizes the fulfillment of dreams. Strong and influential friends help the individual.

-Rebekah🧚🏻‍♀️🦋

#astrology #zodiac signs #astrological houses #birth chart #astrology observations #moon #my notes #planets #energy

[moodymisty]

Perhaps a 40k character of your choice and someone not very comfortable in their body? Shamelessly self inserting I guess. Thanks so much! ☺️

[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]

Author’s note: Decided to do Guilliman. You didn’t specify anything (which is fine!) so I kept it vague for you. Enjoy!

Relationship: Guilliman/Fem!Reader(no pronouns are used, but reader compares themself to Fulgrim's wives and also mentions wanting a dress so femcoded one could say)

Warnings: None really

You wonder how Macaggian history can be so, boring. These history tomes Guilliman had given you while interesting, have largely been unbearably dull; Filled with little more than debate and the trials of leadership.

You had far preferred what Russ had once told you about the history of Fenris when you asked, though you’d never dare speak that to your beloved Primarch aloud.

Said primarch returns to your shared room not moments after you think of him, raking a hand through his own short blonde hair.

It’s quite late, the moon is high in the sky and has been for awhile now, and you assume he hasn’t had any rest in multiple days given you’ve seen little of him these past few. He’s been even busier than usual, since visiting Terra. Even if he has his Commanders take over a good portion of his duties while away from Ultramar, his duties on Terra tend to overtake his time and then some.

With nary a hello, Guilliman climbs onto the bed you’ve been reading in and swiftly lays down on it. The bed groans under his weight despite having been made for someone of his size.

He much larger hands reach to grip you by the waist and pull your closer, laying his face on your stomach overtop of the fabric of your nightgown. Your legs go over his left shoulder, as his left arm curls around your bottom, hip, and up your side to hold you close.

“Guilliman?”

He sighs into your belly.

“Give me a moment, if you will. I’m at my limit with these men today.” You assume he means his fellow primarchs. “Let me enjoy you for a bit now that I’m free of them for the time being.”

You want him to be happy, but you can’t help but shift a bit under him, nervous as he speaks so overtly, and touches you with so little hesitation.

“Are you sure you’re comfortable?” You whisper, nervously twirling a piece of his blonde and ever so slightly grey hair around your fingertip.

“Yes. You are perfect,” He says, your eyes widening at the declaration. You're so offset by it your mind wanders and can’t help but mumble:

“I find that hard to believe…”

You feel him suddenly tense, and he lifts his head to look at you.

“You do not believe me?”

He almost seems insulted by it; Like you think he’s a liar. You shake your head as you look away from his furrowed brow. You hadn’t expected him to spear you to the wall so harshly for your self-deprecating comment.

“No I just…” You grunt in frustration at not finding the right words. The Macragge tome he'd given you lays at your side, and you push it away a bit more. “I sometimes just think there are people out there far more, physically suited to stand beside you than me.” He loses some of his insulted demeanor, but his brow stays furrowed as you pick up pace and begin rambling.

“I mean, look at some of Fulgrim’s wives they-“ He cuts you off with his stoic, firm voice.

“You know how Fulgrim is. You know why and how they look the way they do.” He sighs, the wrinkles around his nose and eyes exaggerating for a moment. “Forget all of that.” He points a finger at you.

“And don’t bring him up again, I’ve had quite enough of him and his comments for quite some time.”

You smile a bit, and he softens. He’s glad you find his aggravation amusing somehow. You do wonder what Fulgrim commented about however; Though you know he has a habit of sometimes treading a bit too far into Roboute’s personal life. Into everyone's personal life honestly, though Roboute having you has made him the prime target of Fulgrim's gossip and colloquies.

His hand squeezes you reassuringly, arm continuing to awkwardly cradle you. He raises his other hand to brush his thumb across your cheek for a moment.

“You are perfect to me. You don’t need all of those lavish things.” He adds on. “Unless you want them, of course. I won’t deny you anything I can give.” Your smile gets wider, and he feels your body relax against him.

“I don’t need any of it,” You pause. “But if a dress showed up one day I wouldn’t complain, per se.”

Thankfully Guilliman can tell you’re clearly joking, and rolls his eyes. You speak up again a bit more subtly.

“Or maybe something a bit more, delicate? You could pick it.”

Guilliman takes a moment to catch your meaning before he awkwardly coughs, looks at you gentle but expectant smile.

“I’ll, see what I can do.”

Guilliman swiftly ends the topic by returning his head to lay on your stomach, and rest his eyes for a moment to the feeling of you raking your fingers through his hair.

#return of the queue #roboute Guilliman x reader #primarch x reader #warhammer 40k x reader #reader insert #reader #mywriting

[imshii-kin]

Good Luck

Platonic Yandere Dc x reincarnated Reader

I made this a bit ago so have mercy :,)

Wattpad

Summary : Y/n, who recently taken an interest in the DC universe, finds themself in that very universe after a little roadkill accident.

Prologue, Chapter # 1 (you are here)

It'd had been an hour since you woke up and gained your past life memories. In that time, you have made four deductions on your current situation.

One, you died.

Two, you hate trucks with a passion.

Three, your memories of your 'current life' are completely gone.

"What do you think could've caused this Lois? She was completely fine yesterday." A man with dark hair and blue eyes was currently pacing around his apartment. The man's name was Clark Kent.

And four, you were part of the Kent family.

You were in the DC universe

__

'...I didn't even get to finish Security Breach.' You thought as you watched your 'parents' talk. They were discussing your current situation regarding 'your' memory's. 

In all honesty you were currently freaking. Out of all the universes to be reincarnated you got one of the most dangerous universes out there. Why couldn't you be reincarnated in a chick

 Lois was trying to talk to you, but you were currently already having an existential crisis.

So, you, justifiably, didn't feel like talking to people.

So now it was Clarks turn to try and talk to you. "Y/n, can you tell us what could have happened? If you can't, I'll have to contact Bruce to see if we can get J'onn to help you out." 

You thought for a moment. How would these people react to the fact that you had a past life. More importantly, how would they react if they knew that it was most likely the fact that you regain your past life memories caused your current ones to be erased. 

But as much as you wanted to come up with an excuse you couldn't think of one.

Clark sighed disappointedly, "I guess I'll have to call Bruce." He cringed when he mentioned Bruce's name.

That's never a good sign.

__ 

"What do you mean 'No' Bruce!?" Clark yelled at the billionaire, who was trying to calm down and reason with the hero. 

"Clark, I just think you're going a little overboard, let me take her back to Gotham. I can use my computers and resources that are stored in the bat cave to figure out what's wrong." Bruce explained. "We don't need to summon the justice league for this." While watching the argument, you notice Bruce's extreme reluctance to meet up with the league. 

Wonder why that is.

Clark runs a hand through his hair, obviously frustrated. "Why would I let my daughter go to Gotham, for all I know, you're going to turn her into one of your robins and get her killed, just like Jason!"

Oh damn, this was getting interesting.

You were enjoying the argument between Bruce and Clark, that was until you felt a tape on your shoulder. Turning around, you see it was Jon, and he had quite the troubled look on his face. "Y/n," He started, "if you had the choice, would you go with Bruce?" He asked you.

"I don't know." You say with a straight face.

Obviously, you were lying.

You would absolutely go with Bruce. He's rich, he lives in a mansion, and he has resources that may be able to help you find a way home. 

Also, for all you knew, you could be in a version of the Justice Lords, or Injustice. Bruce's strained relationship with the League sort of pointed to those possibility

You hear footsteps approaching you from behind, you turn around to see an irritated Clark approaching you. "Well, she luckily doesn't have a choice. She isn't going." He huffed.

"..." 

"Clark, do you want her to get the best treatment or not?" Surprisingly, Lois spoke up this time. Sighing, she took Clark's hand.

"Bruce won't turn her into a Robin, plus she'll be in one of the most protected places in Gotham, getting the best treatment she could ever get. I think we should let Bruce take her until we figure out what, or... who caused this."

'...why is everyone in this god damn world so mellow dramatic?' You look at them with a mixture of disappointment and boredom.

"Fine, but if he can't fix this in one month, we'll take her back immediately."

----------------------------------------------------------------------------------------------------------------

Game scale!!

Rules For Our Lovely Game!! 

Rule number one! Never go above 55%.

Rule number two! If you do go above 55%, R U N

Rule number three! Stay alive.

Clark Kent: 39%

What can I say, nothing beats a parent's love.

Lois: 39%

Seems healthy to me.

Jon: 34%

Yup! Seems like kids are the more sensible ones.

Bruce: 15%

Don't worry it'll go up, but be sensible, you two just met.

#platonic yandere #batfam #yandere dc #yandere superfam #yandere dick grayson #yandere jason todd #yandere damian wayne #yandere tim drake #yandere bruce wayne #yandere clark kent #yandere justice league #yandere nightwing #yandere red hood #yandere red robin #yandere robin #yandere superman #yandere batman

[nothorses]

What is your opinion on terf blocklists, where every one on there at the time had clear and intentional radfem beliefs pushing shitty ideas about trans people and easily identifiable as to what exactly they believe via what they say and circulate and who they constantly reblog shitty things about trans people from?

I promise this is a genuine good faith question; I want to understand if the thing I've been taught be others to do with the purported intention of eliminating platforms for terfs to protect ourselves and others is actually helpful or if that also has far reaching consequences I hadn't considered before. I'm trying to think about it but struggling with the idea I got taught to do them/follow them (blocklists) for being to identify correctly and block, not harass. But do the harms of encouraging that approach actually outweigh the benefits and that doesn't change even if the blocklist is for actual bigots?

Again, genuine question. Trying to learn.

I think the problem here is less in how a blocklist is constructed; it's not hard to imagine that a list can be made under strict enough criteria, with enough careful vetting, to contain only Genuinely Bad People- or at least people who would not object to being placed in the category of that list. It's also not hard to come up with categories of people that feel morally reprehensible enough, and unattached from any marginalized identity enough, to be "safe" to target: it would be absurd to argue against a "Nazi blocklist" that contains only self-proclaimed Nazis.

The problem also isn't really in how blocklists are intended to be used; it's pretty fair that someone might want a list of people to block pre-emptively in order to avoid harassment, particularly when that harassment is bigoted. It's not hard to imagine that someone making such a list is doing so with the intent that it only be used for blocking, and that they might even make an effort to say as much in the post. And at that point, is it really their fault if someone goes against their clearly-stated wishes?

The problem is that a blocklist is, by fundamental design, "free research". It's put forth entirely so other people do not have to do their own research, which means the entire premise discourages people from doing that research.

You aren't offering up a list of people that others should go look into and form their own opinion about, you're offering up a list of people you already did the research on so people can copy/paste and be done with it. It would be counterproductive- and frankly silly- to post a blocklist with some "but make sure to double check these yourself!" disclaimer, because like, that's not the point of the list. Nobody is going to do that. Even if they did, they're looking into these people under the assumption that there is something to find; everything is going to look suspicious in a way it never would have without that framing.

The question isn't whether a blocklist can be made with good intentions and due diligence; the question is whether it can be made with ill intent or sloppy execution, whether anyone can tell the difference, how likely they are to actually check, what you're doing with that list, and what impact your choices have.

If I make a list, the message I send is, "you can trust me. I did the research, I did it right, and this is a Good Blocklist. If you trust me, you should trust this list."

If I reblog a blocklist, the message I send is, "I trust this list. I may have even checked it myself. This is a Good Blocklist. If you trust me, you should trust this list."

The majority of the people who follow me probably believe they can trust me to some extent; oftentimes, people just trust that whatever is on their dashboard is trustworthy, because someone they follow put it there. Those are their friends, and their friends are trustworthy!

This should make you nervous. You should not be comfortable with this. People make mistakes all the time, and even if they did do the research (it's so much more likely that they did not, especially if they're not the original creator), someone else's standards of what kind of person "deserves" to be on a list like that are very likely different from your's. Are you going to double check every single name on that list yourself?

Well, if the accusation is bad enough, probably not. Especially if the accusation is something like "Nazi" or "TERF". And if you do start checking, how likely are you to check every single name? If the first 3 or 5 seem to check out, will you bother with the other 50 on the list?

What if OP hid someone in that list who doesn't belong there; someone they just have a personal grudge against? What if OP defines "TERF" to mean "anyone I assume doesn't think trans women are the most oppressed", and after the first 15 actual TERFs, the list is just a bunch of transmascs- many of whom don't even disagree with OP in the first place? What if they define "TERF" to include anyone who has ever been a TERF, and one of the people on that list is a trans person that has been rumored- without any foundation or grain of truth whatsoever- to have once been a TERF?

Will you know? Will you check? Even if someone you trust reblogs it? Even if someone you trust made it?

A blocklist may not have the same kind of obviously punitive intent as a callout post does, but it's a tool from the same toolbox. People think callout posts are about "safety", too. Lots of people also think that about the criminal justice system, about prisons, about the death penalty.

The question is not whether that could be true, or whether there could be a world in which justice is administered correctly with these tools. The question is whether it could fail, and who it hurts when it does.

Who can abuse this system? How easy is it to do so? Who is most likely to be hurt; is it the intended target, or people who are already disempowered by our systems and society?

What is the best way to go about this?

Even done correctly, a blocklist is not the most effective tool here: people can remake their blogs, change urls, and often have sockpuppets ready to go anyway. The list is rendered useless and inert as soon as enough people change their strategies to evade it. A more effective tool is education; teaching people how to recognize a TERF, or TERF ideology, on their own. Teaching them why those ideas are problematic. Encouraging them to block and disengage, and teaching them why engaging is harmful and counterproductive. Talking about de-radicalization, cult recruitment and radicalization tactics, and how to fight this epidemic.

Telling people what to think does not solve the problem, but teaching them how to be critical might.

[throughthetwistedmirror]

Otome Game ~ *Idia Shroud*

Summary: It was Idia's idea to game with you. But when you ask him for help with your otome game, he can't help but notice some similarities between him and your favorite character...

Pairing: Idia Shroud X Fem!Reader

Genre: Fluffy Oneshot

Word Count: 1004

Warning: Otome gaming

Masterlist

Taglist: @savanaclaw1996 @goseew

It was Idia's idea to game with you, although he only asked because you mentioned that you had a new game that you haven't gotten around to playing yet. You were sure he had ulterior motives when he asked you to hang out, but you didn't bring it up with him as you didn't want to scare him off. Instead, you simply grabbed your game and met him at his dorm.

Ortho was more than excited to see you. You always held a special affection to Idia's little brother that didn't go unnoticed by both parties. On more than one occasion when you weren't around, Ortho would beg his brother to finally ask you out. But Idia was far too terrified to approach you with a romantic relationship. So he simply settled for a friendship that he would never ever, ever, EVER take advantage of.

Idia made sure to clean his room before you arrived and you were pleasantly surprised. Whenever you crashed the Board Game Club meetings, Azul would go on and on about how filthy his room was. Still, you didn't point it out to him. You didn't want to make him feel any more self-conscious than he already was.

After exchanging some casual pleasantries, the two of you fell into your gaming. It was calm and relaxing. You found yourself enjoying your time with the dorm leader of Ignihyde more than you anticipated. He was considerate about your own gaming experience and kept his reactions to his game quiet. Every so often you would look up and watch what he was doing, asking questions when you felt it was appropriate. He answered all of your questions with ease and even reciprocated by asking questions about your game. All and all, it was the perfect afternoon with one of your favorite people.

Then you hit a rough patch in your game. Your sigh of frustration alerted Idia, who knew exactly what it meant: you needed help. Now, Idia doesn't like to boast about his exceptional skills when it comes to video games, but surely he could appear like your knight in shining armor and lend you a hand?

"What's wrong?" He softly asks, his gaze still trained on the game he was playing.

"I'm stuck. I don't know which boyfriend to choose." You mumble, flicking through the different options in your otome game.

Idia thought it was a good thing you weren't paying attention to him as his hair flickered pink for a brief moment. He fumbled with his control to pause his game before finally addressing your issue.

"What, what do you mean?"

You showed him the screen of your game console. "So my new game is an otome game. I have seven boys to choose from. I just completed the intro and now I have to pick one, but I don't know who to choose."

He frowned and looked at your options. "Why don't you just pick one that you like and then do the other routes later."

"That's the problem. You can only choose once. If I want to complete the other routes, I have to buy another game. It's a major capitalism scheme, but I thought the game looked fun." You shrug. "Any idea who I should choose?"

"Uh... why don't you tell me about them and then I'll help you decide."

You nod with a smile that makes the tips of his hair turn pink again. "Okay in order here you have: Ryushi, the strict student body president who just needs someone to soften his edges, Ietsuna, the lazy slacker who only cares about you, Amane, the bad boy who likes to tease and torment, Kobo, the golden retriever who is the fan favorite, Michinori, the cultured exchange student who is a little fruity in my opinion, Masanobu, the secret prince of the school who would do anything for you, and Ichibei, the otaku with a heart of gold."

"Wow." He's surprised with how typical the choices are like every other otome game. He would normally say pick the one you're most interested in as they're pretty average, but considering you can only make one choice, you have to be careful. "I guess I'd have to say the choice is up to you."

You give him a pout. "You're really going to make me make such a tough decision all on my own? You're so mean, Idia!"

He panics at your words, not meaning to make you upset with him. "Well I mean it's your game! You should pick the boy you feel is the most special to you! I can't really help you make that decision."

"I suppose you're right..."

"Who do you feel is special?"

You shrug and glance back at your choices. "Well, I first thought about Masanobu because who wouldn't want to be a princess? But I felt he was trying too hard in the prologue to try and gain your favor. So I went through the options again and I'm stuck on two: Amane and Ichibei."

He tried to not let you know how surprised and flustered he was. "Oh?"

You nod. "I mean, I'm so like other girls when I say I love a bad boy, but Ichibei... he seemed so sweet and shy. I couldn't help but be drawn to him. I think he might be my favorite."

Your explanation was not helping the poor boy's rapidly beating heart. Based on your little description about him, Idia couldn't help but see similarities between him and Ichibei. Was this your subtle way of saying he was your favorite too? Was it too much to hope that that was true?

"I think you should go with your favorite."

You beamed at his words and his heart skipped several beats. "I think you're absolutely correct! Thank you Idia!"

"You're welcome." He mumbled and tried to return to his game. But he was distracted. Your words and your choice hit him harder than he anticipated. Perhaps Ortho was right. He should ask you out…

#Twisted Wonderland #Twisted Wonderland Fanfiction #Twisted Wonderland Oneshot #Anime #Anime Fanfiction #Anime Oneshot #Ignihyde #Idia Shroud #Idia Shroud X Reader #Idia Shroud Fanfiction #Idia Shroud Oneshot #Idia Shroud Fluff #Idia #Idia X Reader #Idia Fanfiction #Idia Oneshot #Idia Fluff #Gamer #Gamer AU #Oneshot #Fluff

[dangermousie]

Something that struck me extra on this LLTG rewatch - how subtle yet unmistakable the narrative is about the fact that being sheltered and spoiled as a woman is a recipe for disaster.

NN, ill-educated STEM feral child, gets how important marriage partner choice is more than all the rest of them, properly brought up in womanly virtues.

No, I don't mean she yearns for true love (she gets it, eventually, but that is not what she hopes or looks for) - but what she gets and a lot of the rest of the young women we see do not, is that you want a husband you can like and get along with, who can let you be yourself (and who is also acceptable socially because she's pragmatic.)

That is why her first choice, until it's OBE, is Yao - he's sweet and he's a friend and she knows she'd be the boss in that marriage. All the ladies in the capital swoon for Ling Buyi but she is never consciously swayed. She doesn't realize he likes her and she's not someone to build fantasies/pine for someone she can't have (in a way, knowing the man likes her is a necessary precondition for her to be even able to open her heart - she's spent too much of her childhood fruitlessly yearning for familial love to want to repeat that in her marriage.) Yao openly adores her so this allows her to consider him as a partner (that is why Scholar dude never had a chance btw, his courtship style is negging and NN is the last person that would work for.)

In fact, even after she knows Ling Buyi likes her, she is NOT excited to marry him because she doesn't want someone too high a status compared to her and someone as strong-willed as him because what she sees, and a lot of the rest of women looking for husbands in this story do not, that if there is a huge status disparity and a man is used to getting his own way, there is a risk of having yourself subsumed. A lot of the latter half is the two awkward, scarred by various trauma young people navigating boundaries of their relationship and what is OK for them and what is not (Ling Buyi IS used to barking orders, NN is overly defensive about even the slightest suggestions - they eventually meet in the middle and it's lovely but it's even more lovely that the drama shows it takes work and conversations and compromises.)

The thing that she gets, perhaps because she's a pragmatic survivor, is how the choice of a husband is the most important thing for a woman in that society. Her life fully depends on that, even more than of e.g., an Austen heroine, because in addition to those hurdles, this is a polygamous society (so how many other women brought in and how husband treats the legal wife versus concubines etc also is an issue) AND a society where if your husband goes down, you and your kids will be executed/enslaved along with him. We see how badly wrong marriages can go - Yao's eventual wife's first marriage is a great example, where she marries a man who abuses her and kills her family. Or even that one woman who marries a general who dotes on her and is a great husband, but commits treason and is executed (and she's only spared by the grace of the emperor.)

And the fact that all those women swoon for Ling Buyi and want to marry him SHOWS how the sheltered/spoiled thing has fucked them up. Remember princess whatever? She is dead set on marrying Ling Buyi and it's insane to me. Yes, he's good-looking and quasi-son of the emperor who dotes on him (since it's safe to do so, he's outside the dynastic fight) but that's great for about three minutes and boasting at parties. She is so sheltered from reality, she does not think what it would be like to be married to him. I don't mean his revenge quest since nobody knows. I mean if he was exactly who he appears with no other goals. Ling Buyi dislikes her and makes it known. He's rude to her (he's rude in general. Hell, he's rude to his parental family, openly! And emperor lets him get away with it), he clearly looks down on her and at a couple of points he genuinely threatens her and her family with murder. He's not charming or gentle or considerate. THIS IS NOT A MAN YOU WANT TO MARRY OMG!!! It has clearly not occurred to her to think past being carried into this house, envy of all her girlfriends - day in, day out with a rude, violent man who is the emperor's favorite (so you can't really seek help from your family if he doesn't treat you well), who dislikes you and who is entitled to take other wives.

Anyway, I love NN and her pragmatic mind and that she makes Ling Buyi EARN her consent and her loyalty and her love. (But then she is ride or die for him, isn't she?)

#cdrama #love like the galaxy

[nunalastor]

Dark Forced Family/Overlord Found Family

Having Vox on the team might seem like an odd choice given his bad relationship with Alastor, but what sold it for the overlords that the risk was worth it was the power Vox shares with Alastor over radio waves. Vox has a way of communicating with Alastor that none of the others have, because Lucifer may have suppressed Alastor's magic into nonexistence, but he can't outright destroy it, that would cause unimaginable damage, and Lucifer may be crazy but even he knows taking that step is too far. But that means Alastor's power still exists, just suppressed, so if Vox can get close to him, he might be able to get a sense of what they're dealing with.

This wasn't relevant until the final fight with Lucifer. Zestial and Carmilla as the oldest overlord and the one with a shit ton of angel-killing weapons are at the front, with Rosie and Vox taking care of Alastor's body. Vox can feel how weak Alastor has become, he won't last the night if this continues, but that power is still there under the surface, he can feel it and if he really looked, he could see all of Alastor's pain.

He can't speak for Alastor, he can't wake Alastor on his own even if he tried. All he can do is use that to switch off safe mode and beat it into the king's head just how much pain Alastor is in. He is the overlord of technology, and one of his skills is communication, he can rub that in Lucifer's face as much as he has to if it means Alastor survives.

The fight isn't easy, between coming up with songs on the dime, Carmilla and Zestial dancing around, Charlie trying to defuse, and Rosie taking care of Alastor (she would fight but Alastor needs some blood to drink and to be as far from this fight as possible), but they see Vox's methods slowly making Lucifer break down. Vox doesn't need to say anything, just the aggression he is fighting with and a power Lucifer would know he shares with Alastor is enough to get the point across.

Until eventually, Lucifer stops fighting, and he seems to be on the brink of crying, though none of them can tell because his hat is shadowing most of his face. Before any of them can decide what to do, Lucifer quietly asks, "You'll take care of him?" None of them know how to answer to that, but figured the worst that would happen being honest was a continuation of the fight, so they confirm.

Lucifer snaps his fingers, and a gold chain around Alastor's neck appears, only to shatter in Lucifer's grip. Alastor's soul was free, and that included his magic that without warning caused the entire tower and hotel to be caught in a violent explosion.

The overlords get their bearings only a few moments later, looking around the hotel in ruin, all of its residents and the royal family whisked away to safety, and Alastor protected by a shield but left behind. Nobody knows what to think of what just happened. Was that it? Lucifer wised up and after everything... just stopped? What was going on?

Zestial convinces them the logistics don't matter right now. Alastor has his soul and his magic back, but he has yet to awaken. It would be best to provide him with emergency treatment either in the safety of Vee Tower or Cannibal Town.

The other overlords agree and Carmilla carries Alastor to get him to a hospital, but Zestial lingers behind for a moment, looking behind him and seeing Roo standing there. He thanks her for her assistance, and that is when Roo holds up a contract in her hand. "I was just fulfilling my end of the deal."

What Zestial hadn't told the others was that he had made a deal with Roo, selling his soul so she would say and do anything to convince Lucifer to let Alastor go, all he would need was a final push. He had a good run, and even if the deal was going to damn him in secret, at least his friends and his grandson had been able to survive.

👀

#hazbin hotel #nunalastor asks #dark forced family #overlord found family

[bestworstcase]

option 1: tai’s guarding the crown of choice.

pros:

a legitimately important task that recontextualizes his ongoing decision to remain on patch as a personal sacrifice he makes for the greater good.

ozpin would pick the guy named for the god of light to be the gatekeeper of choice, huh.

if any parent in this story is meant to die, it’s him, and narratively this is the most intuitive way to do it.

cons:

realistically, what can tai do to prevent salem / cinder / summer from accessing the vault if they find it? if he’s the gatekeeper, staying on patch alone after everyone else evacuates achieves nothing except, ah, signaling to the enemy that the real vault is under signal academy. bad plan.

it means oz is breaking his promise to be honest and forthcoming, undermining his character growth for the sake of ‘surprising’ the audience with the most obvious answer.

means qrow has either been kept in the dark (see prev point) or he’s also deliberately hiding this information from his nieces after they asked him outright if he knew where tai is; this is so far afield for his character as to border on character assassination, and likewise undermines his positive growth since v7.

honestly makes both yang and ruby seem kind of stupid. they know the crown is hidden somewhere near beacon, that ozpin did something to protect it differently from the others, and that their father hasn’t left patch. ruby was sharp enough to guess that long memory might be a relic hidden in plain sight; yang is just as smart, and she knows tai had “some things” to look after on patch. are we expected to believe that “hey, is dad guarding the relic?” somehow hasn’t occurred to either of them?

tai harbors a whole lot of resentment toward ozpin, and based on qrow kicking him out of ruby’s bedroom to drip-feed her hints on where to go next, he seems to have been on the outer perimeter of the inner circle. why would oz entrust him with the relic’s safety?

glynda—ozpin’s scrupulously loyal second-in-command whose emblem is a crown and whose semblance puts her on par with a maiden—is a far more narratively plausible vault-guardian than tai, and the “sun dragon” makes a damn good red herring.

if he’s guarding the vault, he dies. sorry. but the point of putting the father of 2/4 protagonists in between the two main villains and the thing they want most (choice) is so they can kill him to get it, increasing tension and raising the emotional stakes of negotiating peace. to be clear, rwby is willing to Go There, but i think it’s an unsatisfactory way to close out the rose xiao long family arc.

option 2: survivors trapped under mountain glenn, and tai is taking point.

pros:

a genuinely important, worthwhile thing for him to be doing—even more so than guarding the crown. likely sets up a resolution for him in the vein of “you can be a good huntsman or a good father, and tai picked being a huntsman,” which is an elegant way to balance his contradictions.

gives him meaningful stuff to do in v10; for example, one stealthy huntsman with a bullhead could slip in and out of mountain glenn to get a few dozen people out at a time, and/or run supplies and messages between the kingdoms.

we get to see zwei back in action around mountain glenn :)

introduces a natural segue from playing defense in vacuo to mounting a counteroffensive against beacon as tai’s work clarifies the situation in vale.

easily the most 'heroic' direction for him without contorting the story to arbitrarily lionize tai: he’s a scout preparing the stage for the heroes to take the fight to salem, making him the good counterpart to watts.

cons:

makes no sense to keep it a secret. the emotional beats of B4 can still happen if the girls know this is what tai’s doing: instead of “do you… wonder why he’s not here? i know qrow said he’s on assignment, but what’s more important than here?” yang says “do you… wish he were here? with us? i know qrow said he’s looking for survivors, but how many of them can there really be by now? we need all the help we can get,” and ruby says “maybe we don’t have the full picture” as in maybe dad knows something we don’t and that’s why he hasn’t given up yet. the emotion is the same, and the big "they’re hiding in mountain glenn" reveal is hinted without spoiling.

leaves hanging the narrative thread of what tai has been doing since the fall of beacon, because the “some things” he was dealing with in v4 obviously wasn’t this.

option 3: tai is dead.

pros:

explains the apparent secrecy; qrow knows tai was away “on assignment” (i.e., had taken a huntsman contract that brought him out of the kingdom) at the time salem attacked vale, so he is missing but not yet presumed dead.

might reopen the mystery box of summer’s last mission through the real-deal “left on a mission and never came back” echo.

cons:

raven would know.

it’s a cheap, narratively unsatisfying twist that fails to deliver on the bread crumbs set up in v2-3 (tai starts going on missions again) and v4 (“some things”), and also undermines any serious emotional resolution with regard to yang and ruby’s complex relationships with tai.

option 4: summer’s working with salem, and tai is trying to convince her to come back.

pros:

“some things” being his presumed-dead wife who left him to join the enemy and with whom tai is now having an affair or otherwise hoping to coax back to the heroic side through the power of love whilst also keeping his mouth shut about her being a) still alive and b) a traitor is OBJECTIVELY the funniest answer.

brings forward and interrogates the way tai’s romantic grief informs the choices he makes as a parent: from hiding raven and then refusing to talk about her with yang, to shutting down when he lost summer and letting his five-year-old pick up the pieces, to discovering and then keeping summer’s secrets for the sake of some faint hope that she might finally come back to him.

cogent with the Dead (Absent) Mother / Neglectful Father / Evil Stepmother fairytale paradigm rwby deconstructs with raven, tai, and summer; the father chooses the stepmother over his children.

raises the emotional stakes of the war for summer through direct confrontation with the life she left behind, creating narrative opportunities to develop her character (is she still in love with tai? how does she feel about being his first priority, over their children? does she resent that he has her on this pedestal even now?) and apply pressure to her relationships with salem and cinder (do they know? is summer keeping her communication with him a secret, too? or is he an “asset” she’s using for salem’s benefit?).

consequently, raises the momentum of the narrative toward negotiation with salem; tai still has the coalition’s trust, however strained his personal relationships may be. summer is the obvious ambassador for salem’s side of the war, but she’s also the traitor who needs someone to vouch for her good intentions.

the secrecy needs no explanation: just as summer’s last mission was a summer secret, tai’s "assignment" is a taiyang secret and the girls know everything that oz and qrow do, because all of them have been left in the dark. raven might know, and she has the means to find if she doesn’t, but tai’s whereabouts are entangled with what raven knows about summer, so she can’t explain where tai is or why until she reveals her deep dark secrets about what happened between her and summer that night.

foreshadowing is solid: tai starts to go on "missions" again in v2, after the inner circle becomes aware that salem has infiltrated beacon and just before the breach downtown. when ruby visits summer’s grave in v3, she says "[dad] told me he’s going to be on some mission soon! i think he misses adventuring with you." he’s got to "look after some things" (but he isn’t talking about yang, because he stays home after she leaves). and then with B4 we have ruby echoing what the blacksmith taught her about summer in relation to tai, "maybe we don’t have the full picture?"

juicy

cons:

???

dependent on the unconfirmed theory that summer is working for salem as herself, not some unrecognizable enslaved monster, but i am as confident in that as i was about salem going to vale next and we all know how that turned out :)

taking their mom was not enough salem had to go for the full set APPARENTLY

option 5: secret fifth thing

pros:

???

cons:

???

[ineffectualdemon]

I don't think authors or book sellers or even reviewers using fanfic/trope keywords like "Enemies to lovers" is bad

Because honestly? It's not new either

1. It's been a staple bit of marketing in Romance for decades ("Bodice Rippers"? Hello!?)

2. It's not that far off of where genre marketing was in the 90s and 2000s "Its another one of those Sword and Sorcery books"

3. People have always gravitated towards and recommended books based on story elements that they really like that don't necessarily tell you anything about the plot

"This book has time travel!" Was one of mine for a long time. I'm still going to read any old trash if there is even a whiff of time travel! And I will be excited and bring it up while recommending it even if it's not relevant to the plot or tell you anything about the genre of story

I am not alone about this!

"This one has vampires!" - vampire friend recommendation

"this one has cool battles!" - friend who likes battles

"this one is really funny!" - friend who likes comedy

I have rarely had anyone start a pitch with the plot ever in my whole life. They start with what they find fun or exciting

Then they will talk about the plot

Online you have less time and also it's an good short hand to get people's attention based on what story elements they love

We just have a lot more specific phrasing thanks to fanfic that helps them quick fire these things

An author or publisher using fanfic/trope style tags to promote their work are not failing by not leading with a plot synopsis. They are doing the equivalent of shouting their goods in the marketplace to attract customers

If someone came to me and said 'Hey, I think you might like this story. It's about time travelling bisexual robots" then I want to ask more questions and look it up and see the genre and plot summary

That two second sell is enough to get me intrigued which is the entire point and if I look at it more and see its say, horror, i might go "ah dang, not for me."

Which is fine

But I might go "hmmm I don't normally like horror but I do like time travel and bisexual robots" and give it a try. And I might not enjoy it but I am making an informed choice

Also with authors especially if you scroll down a little more or click the read more or spend longer than 2 seconds on the video they usually tell you more about the book

And if all you are getting is the literary equivalent of "Fish! Fresh Fish!' And NOTHING else

Maybe that's a reflection of where you are on the internet because where I am if I stop I hear about what kind of fish they have and how long ago they were caught and loads about how it was caught - you get what I mean?

#books #reading

[littlemisssquiggles]

Okay…I gotta talk about these last two episodes of RWBY Beyond…

As much as I liked the “Boba” episode; I mean it was very sweet for the series to finally address one of the remnant elephants in the room which was Yang and Ruby briefly discussing what happened to her in the Ever After.

I liked that Yang finally no longer needed to front the burden of leadership by herself like how it was in the past.

I like that the show finally had that point brought up because it’s been a key observation of Ruby’s role in the group for a really long time. So I’m happy we finally got this development along with other drops of info---like Tai Yang missing in action in Vacuo.

That’s interesting. What could Tai be doing if he’s not in Vacuo with everyone else? My best bet is that Tai is probably teamed up with Glynda Goodwitch since she’s also MIA and the “assignment” at hand must have something to do with the true whereabouts of the Chamber of Choice. At this point, it has to be that.

Overall, “Boba” was a sweet episode and I’m looking forward to seeing how this new detail will be used in the future. The episode left off with Ruby and Yang agreeing on using the word “boba” to signal to one another when they will need emotional support from each other moving forward and I’m looking forward to see how that will come into play down the line.

That being said, while the last episode was nice, it’s not the one that I got my attention. It’s actually the previous episode. The one with the Adventures of Somewhat. Particularly how that one ended.

That ending got me hyped.

One thing that I’ve been itching for was to have RWBY return to the Ever After. And the main reason I wanted for this return is because of Oscar.

As ya’ll know, Oscar is going through the Merge with Ozpin which he is also trying his best to fight off.

So one headcanon that I’ve been playing with is something tragic happening to Oscar to force RWBY and co to return to the Ever After in order to help him.

So my headcanon was that while in Remnant, Oscar gets poisoned by Tyrian and falls into a comatose state, twerking the lines of life of death. In order to save Oscar, Ruby and the others figure out the only way to help him lies in the Tree of the Ever After. So they have to figure out a way to get to the Ever After. Unfortunately, the only way for them to get back to the Ever After is through how they got there in the first place: through the powers of the Relic of Creation which is sadly in the possessions of Salem. Therefore, our heroes must figure out a way to regain the Staff in order to get back to the Ever After in time to help Oscar go to the Tree so he can be saved through his own form of ascension.

The portal that opened was one of the portals created through the power of the Relic of Creation. And given Somewhat’s reaction, it has to be someone that they recognize which means that whoever it is before them has either got to be Ruby or all of Team RWBY (plus Jaune).

My money is that it’s probably Ruby since Ruby was the closest to the Somewhat back when they were still Little.

Either way, this has me excited! I mean, yeah sure, I could completely be heavily mistaken about this return to the Ever After being connected to needing to save Oscar at all.

But regardless, it does at least confirm that there will be a return to the Ever After to come for V10.

Personally, as a Pinehead, I want this return to be related to helping Oscar with the Merge so badly because I can’t think of it being related to anything else but that. Unless it has to do with finding a way to stop Salem in the Ever After.

I mean, it was highlighted back in V9 that the Brother Gods were the “children” of the Tree of the Ever After. And given that Salem is a by product of the Brother Gods’ meddling, finding a solution to undoing Salem’s immortality in the very birthplace of the very Gods who made her what she is isn’t too far of a stretch. I mean it makes sense from a narrative standpoint.

But regardless of that, I’m sticking with my first hunch. I really, really want the Return to the Ever After to have to do with Oscar’s Merge and potential Ascension.

I just want it to be about taking Oscar to the Tree.

I need it to be about that because…it makes sense. Ever since ascension and the Tree were brought into RWBY’s lore, I’ve been wanting Oscar to go to the Tree since I really think it could be the key to helping with the Merge.

Either to stop it as a whole or…have Oscar go through his own form of reform and become the person he needs to become.

Of all the characters who I wanted to meet the Blacksmith, Oscar is one of them. Like he’s the perfect candidate for this kind of development.

But I dunno. These are just my wild thoughts on this subject after watching the final two episode of RWBY Beyond.

Speaking of which, that's it. That's all the episodes of RB officially out which means, as of now, that's it for RWBY until they announce something about V10.

In the mean time, these are my jumbled thoughts on the last two episodes.

~LMS (2024)

#squiggles talks: rwby #rwby #oscar pine #rwby theories #rwby spoilers #rwby beyond #rwby somewhat #ruby rose #yang xiao long

[pis3update]

Stop Those Mermaids! by MrFatCat

"I like mermaids and like how mermaids was designed by EA. I always like to meet them on dive spot... but meet them on the streets of megapolis, or in arctic- or futuristic-themed world? Well, this kind of meeting looks very strange. Let's fix it! Well, what's wrong with EA mermaids? There are 2 ways how you can meet mermaids in your sim-world. 1. Spawned mermaids 1-4 mermaids spawned in every world which has at least one dive spot. They lives in special invisible mermaids cave and your sim can meet them on dive spot only. Once meet the spawned mermaid your sim can socialite with her, befriend her, invite her in his house, even let her life in his house or marry her. It is all depend on player's choice. Dive spots were designed by EA in tropic style - all these corals, fishes, seaweeds, drowned galeons items etc. Mermaids were designed by EA in the same style and looks authentic with this stuff. OK, no problems here. 2. Mermaided sims Since you start a new game, the EA script sets the hidden treat "Mermaid" to random sims and then keep spreading it to reach the percentage pointed in the Populating script. Do you know that old man Joe, the military pensioner? Yesterday he went to bed drunk and today morning he wakes up to be a little mermaid! It happens in every custom world, in every EA Store world and in every EA world exclude WA travel worlds, Into the Future world and University world. You can't change it via Game Setting menu like you can do it for Vampires or Celebrities. Yes, you can cut off the hidden treat "Mermaid" in your world via NRaas Story Progression. But, first thing, it means that you must play the game with NRaas Story Progression mod. This is the global mod which affects most aspects of the game and very weightly for the game perfomance. I like this mod but I like to have a choice too. Second, if you do this - you will kill all mermaids in the world (spawned mermaids too). Another painful point ruled by this script is Emigration. I hate to see how premade sims leaves the town with no reason and replaced with some persons with generated faces, personality and clothes. Once again, you can't change it via Game Settings menu but you can do it via NRaas Story Progression. Same things about it.

...continued on MTS."

More Info + Download @ MTS.

#MrFatCat #ts3cc #mod #supernatural

[suashii]

kuroo + making dinner ﾉ a late night snack wif him in a college au ? i hope ur week treats u well bbie <3

such a cute suggestion — thank u for sending it! hopefully u enjoy :3

you’re usually better about not leaving a mess by the door when you return to your apartment, but tonight is different. you can’t help but messily kick off your shoes and shed your book bag in the growing pile at the entrance. after a long, draining study session, you can’t be bothered to keep a clean house at the moment. anyway, once you catch sight of your carelessness in the morning, you’re sure you’ll be rushing to pick things up.

“hmm,” you hum, stretching your arms above your head. the action feels good after being stuck in a chair for the past few hours and it seems like now that you’re home, just within reach of your bed, the exhaustion is finally catching up to you. “to eat or to sleep…” you ponder over your choices.

“i vote for the former.” kuroo chimes in from behind you. he replicates your movements, dropping his bag and stretching a bit before he turns and makes his way to the kitchen. “food is fuel, you know,” he tells you matter-of-factly.

“yeah, well, so is sleep. and that sounds like it’ll take a lot less energy than eating.”

he snorts at your reasoning as he surveys the contents of the refrigerator. it’s more bare than he remembers it being—the two of you are past due for a trip to the grocery store. still, he doesn’t let that stop him from trying to convince you to stay up just a little longer for a meal. “fair, but we skipped dinner. you should try to stomach something small at the very least.”

your bed is calling your name, you can hear its tempting whispers from down the hall, but you sigh and nod, joining kuroo in the kitchen to find a replacement for the dinner you missed in favor of reviewing powerpoints. the task seems like a tall one when you get a look in the fridge.

“what do you suggest?” you ask from beside him, “loose lunch meat doesn’t sound too bad.”

he laughs and pinches your arm at your unserious approach, which earns him a pinch back for ever daring to pinch you. 

“what about ramen?” kuroo proposes, lifting an arm to open the cabinet that holds your shared supply of noodles. unsurprisingly, there’s quite a selection of instant ramen at your disposal. “we’re never short on that.”

you take a few seconds to consider it before agreeing—something quick and warm should be satisfying enough.

“take your pick.” kuroo gestures to the multiple differing packages and you point at one—your favorite brand—for him to pull down. he grabs that and one for himself, closing that cabinet and opening the one that houses your pots. the kitchenware clangs loudly as they knock against each other but kuroo doesn’t seem to mind as he juggles the two, carrying them to the sink to fill them with water.

you busy yourself with opening the colorful packages and fishing out the seasoning packs while kuroo brings the pots of water to a boil. other than the gas from the stove and the occasional rustling  of  plastic, a still quiet falls over the kitchen. it’s far from tense or awkward and there’s a beauty that comes with it—being able to enjoy the company of someone without having to share words. and it isn’t lost on you how kuroo tries to take on the bulk of the work, emptying flavor packs and stirring the contents before you get the chance to grab the chopsticks.

he even pours the noodles into your preferred bowl and takes it over to your tiny dining table for you.

“i would have eaten this straight from the pot, you know,” you tell him, sliding into the chair and picking up your utensils to dig in. 

he’s known you long enough to be able to read between the lines of your speech—what you really mean to say is that he made extra dishes that you have no intention of washing. it makes him smile on the other side of the table. “i can handle the dishes.”

“don’t worry, i’ll help you,” you say in between bites. you hold his gaze, blowing on the noodles hanging from your chopsticks. “as long as we do it in the morning.”

he swallows a bite of his own. “deal.”

#omg omg omg i'm sorry this took so long >< #i had an idea of what i wanted to write but #zero time to do so #but! here it is now! so i hope u like~ #kuroo x reader #kuroo fluff

[non-fantasy]

!!!!! tell me!!

OKAY SO

i couldn't sleep until 1:30 am for unimportant reasons but . at 1:30 am, i was suddenly haunted by a question, right. there are these events in tokimeki memorial girls side 3 and 4 called ADV events, where you get to see a short story from the point of view of one of the main love interests. but like. why the hell was it called adv. is it an acronym for something? what does it mean

so at 1:30 in the morning, i went to look up what tokimeki memorial girls side adv means

i do not receive an answer from search engines

instead, somehow, google heard me ask "tokimeki memorial girls side adv meaning" and gave me THIS.

it's insane, right. it's really insane. this is a 27 page essay claiming that tokimeki memorial girls side (2002), beloved romance simulator, is responsible for teaching girls to view themselves in terms of real-life stats, that rejection from anime guys will give gamers self-esteem issues, and how to view yourself through the male gaze to win love.

i look at this 27 page paper and pass out for the next 5 hours, because it is 1:30 am.

BUT. when i wake up. i am READING. i liveblogged it all to my friend in discord dms (HI @nenestansunsthings) and here are. some INCREDIBLE highlights

"the game teaches you that men expect women to change their clothes from time to time"

the author has cited japanese 123 website, livejournal, and tumblr

"japanese players are more receptive to the series' lessons on femininity than overseas players because of the constant affirmations of the japanese cultural setting" the daily affirmations of being in japan

"players are encouraged to save before making choices and reload if they do not satisfy the object of their affections, teaching women to discard their desires and preferences to please men" HAVE YOU NOT PLAYED A VIDEO GAME BEFORE?!

the author can't make up their mind over whether the game has 7 or 9 love interests

they are basing their analysis on the first game specifically but they bring up the second and third game if it supports their point. but information from the second and third games is ignored if it undermines their point

example 1: they complain about rivals mode portraying women as jealous and willing to throw away their friendships for the sake of a man's love, ignoring that game 2 allows you to calmly talk things out with your friend and game 3 entirely does away with girls being rivals entirely, the game 3 girls are always on your side 100%

example 2: they bring up tumblr posts of fans talking about how they'd date the girls to point out how heteronormative the games are. they are talking about the first game. the tumblr posts are talking about a girl from the third game

weird racism

"this game MAY cause players to develop self-worth issues" "this game MIGHT cause players to see themselves in real-life stats" THESE WORDS ARE DOING A LOT OF HEAVY LIFTING.....

the author is WRONG???? ABOUT THE GAME MECHANICS????

they claim that a guy rejected their invitation for a date because they weren't smart enough but once they were smart enough they launched themselves into a monologue about how this is PROBABLY a guy wanting a girl who is smart enough not to embarrass him but not smart enough to surpass him

THAT'S NOT HOW IT WORKS. IT'S RNG. THERE'S NO MINIMUM STAT REQUIREMENT TO ASK SOMEONE OUT HE JUST FLIPPED A COIN AND SAID NO

out of the four love interests they mention by name in this, THREE OF THEM HAVE THEIR NAME SPELLED WRONG

look at this fucking bibliography

they have cited, in order.

a shitpost

someone's entire blog

and all of tumblr's search results for tokimeki memorial girls side 3.

which is not even the game they're talking about.

[laceyeb]

My students: “What do you mean you’re not cheering for the 49ers in the Super Bowl?!”

My wallpaper:

#I mean I live in northern california #but I also grew up in southern california so the chargers are my team #which my students think is hilarious because yikes what a season #but what choice do I have at this point I mean LOOK AT THEM #it’s an obsession at this point and I’m perfectly fine with that