So fucking pissed at people who say that hyperspecific labels “make the queer community look bad” or “is just pure attention seeking”, NO MF I JUST LIKE HAVING A NAME FOR THINGS I FEEL.
Like, my situation with gender is so fucking complicated that having a person coin something such as “dazegender” was so good to me, and I still have a complicated relationship with gender !! I’m so glad for whoever coined the term “Omnisexual/romantic” because it would've been a living nightmare to do mental gymnastics to feel like I fitted pan or bi.
“But those are spectrums” do people treat them as such ? Do they really ? Plus it's just difficult to my head to grasp the concept of “spectrum” it either is or is not, that's how my brain works personally. (My brain needs to be able to name things, basically. And also to know exactly what to do, if we're talking about chores, per say).
In today's generation so many people (me included) just find it SO HARD to put their feelings into words that it is genuinely a blessing to have labels that can label what we feel so precisely (to us, at least), “but you're overcomplicating something that should be simple” feelings are so far from being simple, honestly, and what is simple to you may not be to me, and that's okay, just don't call me attention seeking or whatever.
Also, also !! Hyperspecific labels/flags just make me (at least) feel more validated, since it makes it clear to me that I'm not alone in the way I feel and it kinda validates me (in a good way) :] And it's the Queer Community after all, so I think it's past the time we start actually acting like that.
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i'm unwell!!! because in stede's eyes, ned low was right!! ned says "he [ed] only likes you because of your bumbling amateur status" and calls stede blackbeard's "pet" just like izzy did in series 1
so stede steps up as a captain, kills the man who harmed his crew, and suddenly, for once in stede's life, he isn't a joke! the gentleman pirate is taken seriously and welcomed into the pirate community!
and what happens less than 24 hours later? ed calls their night together a mistake, AND LEAVES.
yes, obviously the situation is more nuanced, and these old men are once again struggling to communicate, but i 100% understand why stede went a bit of the rails at the end of episode 7. stede's been so focused on trying to help ed, that he's completely ignored his own ongoing identity crisis and trauma, and after the incident at the academy in series 1, this meltdown was long overdue.
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I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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I think it's very important that we understand that Papyrus is a jokester
Like, "Oh, Papyrus doesn't know what a laboratory is!" "Papyrus thinks snow cones and snow are the same thing!" "Papyrus is LYING about-" NO!
He is a JOKESTER! He is making funny jokes and japes! He is just as much a funnyman as his brother! He's saying outlandish things ON PURPOSE to make you laugh!
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i think we as whole have a huge problem with the misuse of the word 'platonic'
'platonic' is not a synonym for 'friendship' or 'deep friendship', platonic' and 'romantic' are not mutually exclusive
'platonic' means non-sexual, which means a relationship could be romantic and platonic
love is much more nuanced than you make it to be
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every time I see a take that flattens Ed's character into this boring perfect angel who can do no wrong and has 0 agency because literally every choice he makes is determined by the actions of white men, I add another sentence to my stories where he's a sympathetic, complex and multifaceted trauma victim - but also an abuser who made terrible mistakes of his own volition, who seriously hurt people he cares about and left them traumatised, who feels crushed beneath the terrifying hypermasculine persona he built for himself (which he is still figuring out how to escape/incorporate into his new self/define himself around). A desperate, affection-starved, suicidal man who struggles hugely with his mental health, who deserves a loving support system (just not from his victims unless they want to be a part of it), who can grow and change and do better, who can work on himself and explore himself and find love and happiness.
but y'know, maybe I'm the one who 'hates his character' lmaoooo
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By the way the koseki stuff is why a lot of Rei divorce stuff is genuinely not like...possible. under Japanese law and expectations, she would have essentially lost all access to her kids as the courts would have ruled for Enji and there isn't joint custody in Japan. Add to that the alimony (which is like a one time payment) is decided in favor of the partner who contributed more financially, Rei divorcing Enji would have just been a catastrophe of her losing her kids and money. Not saying there isn't a chance she could do it when Shouto is a legal adult, but again there's the matter of her being able to support herself.
Like don't get me wrong; Rei did some things wrong. I strongly believe she did not handle her children right. That doesn't mean she was not a victim. And that also doesn't mean her kids can't resent her; abuse is fucking complicated and kids can hold bitterness about the parent who lets the abuse happen EVEN if the parent is a victim. themselves.
But the "why didn't she leave him and divorce him?" argument doesn't work for the culture due to the laws themselves. Often time, I think we want to have a lot of anger for the whole Todoroki storyline and Horikoshi's writing of it, but honestly? The actual villain of the Todoroki plotline is Japan's patriarchal society and laws. Horikoshi's writing reflects the absolute awfulness of family relationships in Japan. It takes a minute to find a plethora of articles where Japanese women criticize the Koseki and the way the government treats single parents in general. Sometimes we really just need to understand this is a work from an extremely different culture with its own legal perspective.
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