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#don't let them do that to good omens

andiv3r · 7 months

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Tumblr folks 💀 pls help me I was drawing Crowley (the same WIP I posted earlier) and my homophobic Baptist Christian grandma came up and said "whatcha drawing" and I can't very well say "oh I'm drawing a gay genderfluid demon" now can I? So I just said "uhhh... a... person." And she was staring SO SUSPICIOUSLY AT THE DRAWING AND HIS EYES AND THE POINTY EARS I GAVE HIM and I just had to SIT THERE-

Also here's an update on the drawing.

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junipum · 9 months

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im sooo annoyed seeing some of the GO2 posts that are calling it "low quality" or fanfiction in a negative sense. like yeah ik we're all entitled to our own opinions but i truly don't see half the issues with it that would elicit such criticism. i get it might've been a little less action packed than s1, but that doesn't make it bad! or poorer quality! stories have ups and downs, and i don't even see this as a down at all. i genuinely really like s2, and i think it lives up to the hype. i know i certainly believe it was worth the wait! i think the ending was good as well. i would've loved a happy ending right away, but it's a well known fact that stories only get better endings after something heartbreaking or drastic happens that totally throws a wrench in the plans. i can't help but think of the end of hannibal s2. while at the time of release fans might've been mad possibly, but now with s3 we look back at that and cherish it as just another layer of the show and their relationship. i can only pray that we get a s3 that gives gaiman and pratchet time to finish/continue the narrative they're creating. aziraphale and crowley deserve more time to fix their relationship, and the writers/directors deserve more time to continue the plot without being stopped by annoying critics

#sorry for the rant im just. ugh #oh ANOTHER thing #people call it queerbait when they don't kiss #then call it fanfiction when they do #literally what #if you can give me one good reason to use fanfiction as an insult against s2 #that DOESN'T revolve around the kiss or their relationship development in s2 #ill listen and form my own opinion around that. but if that's your ONLY reason to call it that #politely shut up.#i am a fan of house. i have watched all of voltron as it came out. i am aware of what actual queerbaiting is as well as unintentional romanc #so many shows ive seen before have gotten cancelled because there was lgbt+ rep in it. please just don't let this be one of them #good omens #good omens 2

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eviebane · 5 months

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Neil is up to something

there is an excellent post (that I've blimming lost) about how Neil is very familiar with magic tricks but read this wonderful compilation of metas and you'll get the idea - NEW Crackpotting Theory Tracker

Magic plays a big part in Good Omens - and Neil is up to his own magic trick. Sendarya talked about how the kiss is a misdirection to the audience from what is actually happening

so let's get rid of the kiss (because I definitely find it distracting!) and let's look at what happens between Metatron and Aziraphale in 2x06

This is not an angel that wants to return to Heaven. He looks bored, like he doesn't even know why Metatron is there or why he's talking to HIM about who the next Supreme Archangel should be.

"Michael?" it's like he couldn't give less of a toss if he tried

he's just like hmm? yeah ok, super interesting, can i leave now

When Metatron suggests Azi should take over as Supreme Archangel, he looks horrified. this is not good news, at all.

Metatron tries to sweet talk him. You're so honest, such a good leader~

Azi isn't convinced.

"I've been looking back over a number of your... previous exploits, and I see that in quite a few of them you formed a-"

THAT EYE TWITCH

"-de facto partnership with the demon Crowley."

LOOK AT THIS REACTION. fear. worry. panic. guilt(?). we see that fight or flight response kick in - the eye movements, the swallow.

Can I point out, WE NEVER SEE AZI'S IMMEDIATE REACTION TO THIS OFFER. But I think we know that it's not a positive reaction - he knows what Crowley thinks of Heaven.

What we do see is the end of that conversation, and Azi is nervous and faking smiles. He is now agreeing to go along with Metatron's plan, even though the last time we saw him, he was completely resisting it. Something happened to cause this change.

It's very possible that Aziraphale has now made his own plan, but he has to make it seem like he's going along with Metatron's plan. The Metatron is very direct to Aziraphale that he knows about his relationship with Crowley, and as we know, Aziraphale is terrified of Crowley being destroyed. This was perceived as a threat to Crowley and possibly humanity, and Metatron's bombshell "the Second Coming" definitely extended that threat to humanity, which Azi is a fierce protector of.

"But what am I?" "You're just an angel who goes along with Heaven as far as you can."

This angel did not want to return to Heaven. This angel is essentially being held hostage and is trying to save the two things he loves most from complete and utter destruction.

Fell the Marvellous has saved Crowley before, in 1941, with a perfectly timed sleight of hand. Now this time he must save everything, with his own death-defying 'bullet catch'.

What Neil is up to, well. I don't think we'll know until we see it. A good magician never tells.

Edit: 'Trust Me' - Aziraphale's Season 3 'Bullet Catch'

#good omens #crowley #aziraphale #ineffable husbands #aziracrow #goodomens #good omens 2 #gomens #gomens 2 #ineffable divorce #good omens meta #metatron #good omens s3 #good omens season 3

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itsclydebitches · 9 months

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Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.

It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.

The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.

Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...

#Good Omens #Good Omens spoilers #Good Omens 2 #Good Omens 2 spoilers #GO2 #GO2 spoilers #mymetas #this is so rough and I'll probably write better metas later #but I just have FEELINGS RIGHT NOW OKAY

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fuckyeahgoodomens · 3 months

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Terry Pratchett and Neil Gaiman at NADWCON 2011 (North American Discworld Convention) ❤

Neil: The single worst experience that we went through was, I think, the film. The first go round on the film, where it was bought by very nice people who convinced us they were very nice because we were absolute innocent. And I just remember going up for the first meeting with them.

And we were going up for the meeting, and Terry says, 'Here, come over here.'

I said, 'Okay.'

He said, 'Um, look, I'm not sure about these people, and you're not sure about these people. If this is our first meeting, if they're just completely barking, we should have a code word. And whoever says the code word, we both get up in unison and we leave'.

I said, 'Okay, so we need a code word that neither of us could conceivably say in normal conversation.'

And Terry says, 'Yes.'

I said, 'Okay, what about Biggles?' Now, Biggles, for those of you who don't know, was a famous...

Terry, joking: A famous Cardinal. [Cardinal Biggles in Monthy Python].

Neil: He was. Of course.

Terry: They're young, that's the only one they know.

Neil: Captain W. E. Johns wrote books about Biggles, who was a World War I flying ace who, with his pals Ginger and Algy used to go out and shoot out the evil Germans. So, if any Germans are here, you're not evil, it was just in this book. So. So, I say, 'What about Biggles?'

And Terry is, 'Okay. Biggles it is.'

So we head up for the meeting, and we're sitting there around the table talking to what seemed to be terribly nice, sensible people. And then the executive walks in. And the executive in this case was a woman who looked like she had mugged somebody 20 years younger than her and stolen her hair. And she walked in and she didn't... She said like, 'Hi, Neil. Hi, Terry. It's lovely to meet you both. Now, I'm sure that the guys have been talking to you about your book, Good Omens, and what we're thinking about now. Okay, let me just run some stuff past you. We figure the dynamics of this are the kid, Adam, whatever his name is, Newt, the witchfinder. We see him as, like, maybe being Tom Cruise, young, goodlooking, hunky, but he's looking for the witches. And the witch, Athaneema, I think her name was. Okay, so there's Newt and there's Athaneema'.

And I look at Terry, and I need to actually mime this - I think we should do this together.

Fun fact: Neil wrote the 'Athaneema' into the Good Omens series :).

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amuseoffyre · 12 days

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I've been rolling around in Good Omens thoughts again and a gifset made something jump out at me.

This is where the Metatron is going to come undone. He's got the same binary thinking as Heaven. Good or bad. Heaven or hell. Coffee or death. So predictable.

It reminded me of the scene in S1 when Aziraphale is confronted by the angels and they tell him "it's time to choose a side" and this is where it gets chewy and delicious.

Aziraphale points out "there obviously has to be two sides. That's the whole point, so people can make choices. That's what being human means - choices, but that's for them. Our job as angels should be to keep all this working so they can make choices".

He's already arguing for humanity all the way through S1, which is a problem, but it's something he's done consistently. Not questioning. Very much, not questioning. Just... offering suggestions. So this isn't news. He's even made these kind of suggestions to the Metatron before, so not new.

At the end of S1, Crowley points out that he thinks the real 'big one' is coming "Heaven and Hell against humanity". Aziraphale has been sitting with that knowledge for years. He and Crowley have been dancing on the edge of disaster with Heaven and Hell turning up whenever they wanted, invading their space, demanding their time and compliance even though they are seen as rogue agents.

Everything in S2 is Aziraphale trying to maintain the veneer of everything is fine while still dealing with the terror of it all falling apart. The "or death" has been hanging over them the whole time. He saw the attempted execution. He's been told by Heaven that Crowley is under threat.

But the thing about Aziraphale is that he never ever does the predictable thing. Yes, he agreed to go back to Heaven. Yes, the Metatron leveraged Crowley's safety against him to guarantee it. The statement of "I don't want to go back to Heaven" turning around as soon as Crowley's safety is brought into it. Yes, he'll be the Archangel.

But this is the angel who gave away his flaming sword and lied to God's face. This is the angel who interfered in a bet between God and Satan to save the lives of three children. This is the angel who collaborated with a demon so they could have more down time. This is the angel who was swayed towards saving the world because he loves his life there and all his favourite foods and music and indulgences. This is the angel who flipped the bird and dive-bombed out of Heaven to possess a medium and fly a scooter to the end of the world.

Whatever the Metatron thinks he's done by separating Crowley and Aziraphale, he has no idea what he's unleashed. Crowley's bee metaphor comes to mind here. Angels are fiercely protective of Heaven but once you're inside? Well, that's another story. Aziraphale may look like a bee, but he hasn't been a bee for a long, long time. They knew it at his trial.

And Aziraphale can't say he didn't warn them:

"So you're probably thinking if he can do this, I wonder what else he can do and very, very soon, you're all going to get the chance to find out"

Heaven's got a big storm coming and they let it right in through the front door.

#good omens #good omens meta #Aziraphale

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bluberryfields · 8 months

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This is what happens when you're raised by TV and trained in literary analysis

Beyond the crushing heartbreak of that finale, one thing in particular has stuck with me when I look at it in the context of S2 as a whole.

He lays out their relationship, "We're a team, a group. A group of the two of us. And we've spent our existence pretending that we aren't."

He then turns his head away and says, "I mean, the last few years, not really."

He pauses here, facing the interior of the bookshop. Really looks it up and down.

Turns back, "And I would like to spend" before choking on his words and looks toward the window. He can't finish saying something like "And I would like to spend eternity with you" because that's too much, too fast, for both of them.

But it's that "last few years" bit that has firmly lodged itself in my very broken brain.

According to Gaiman, it's been "a few years" since the end of Season 1. Armageddon has been averted. Heaven and Hell have reluctantly retreated. Crowley and Aziraphale have been effectively cut loose from their "sides," leaving them to form their own side.

So at the start of Season 2, we get a glimpse of the “fragile existence” they have carved out for themselves. To me, the biggest difference that we see is how they exist together in front of others. Going to the coffee shop, the pub, and the other shops along the street that Aziraphale has lived on for over 200 years. And don’t forget how they act in front of Nina, Maggie, and sweet, dim Muriel.

At the coffee shop, Aziraphale stammers a bit when Nina asks who Crowley is, but he still seems to have affection in his voice when he says, "We go back a long time."

Compared to Shakespearian "He's not my friend! We've never met before. We don't know each other!" panic, this is an incredible difference.

Of course, each time, Crowley is cool and cheeky and does nothing to indicate that they aren't a pair. Though, of course, he does deny it when Nina asks about Aziraphale being his side piece. “He’s not my bit on the side! He’s far too pure of heart to be anyone’s bit on the side.” And refers to him as an “Angel [swallows]I know.”

When they go the pub, Crowley's joy at doing something together in public that they do not normally do is super cute, including his cheeky order for Aziraphale's sherry. Then, when bringing the drinks over to the socially trapped Aziraphale, he greets Mr. Brown with a truly adorable, "Hello" and a signature DT smile. Then upon hearing how “excited” Mr. Fell is to host the meeting, he looks down and says, “Oh? You astonish me.” while Aziraphale sips his sherry and squirms.

We also watch as Crowley follows Aziraphale as he goes to each shop and talks to the owners about the meeting/secret ball. In theory, Crowley has no reason to tag along, and he certainly doesn’t help sway anyone who doesn’t want to/can’t go. He goofs around at the magic shop. He splays out on the bench, chin on hand, looking for all the world a husband waiting for his wife to pick out a dress at the department store. They are so married it’s ridiculous.

Finally, their behavior in front of Muriel while inside their sanctuary. Crowley sits on the arm of Aziraphale’s chair, somehow looking supremely comfortable on the old-fashioned furniture. He folds up those gloriously long limbs and presses himself as close as possible.

He smiles and plays along with Aziraphale’s coaching of Muriel in her disguise. Calls him Angel and asks to speak in private. And at the end, during the awful wait while Aziraphale talks with The Metatron, Crowley cleans up the shop and tells Muriel that he and Aziraphale will need some “us” time after all this. No beating around the bush.

Without oversight, they can be openly together and happy. But Heaven just can’t let that happen.

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azfell-ajcrowley · 2 months

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Something we didn't notice (part 2)

part 1

Overall, the meta is based on close observation of Aziraphale (for the most part) and Crowley. Without speculation or trying to guess what we haven't been shown (well, almost).

The Metatron makes it clear that he is watching Aziraphale delivering the "good news". Aziraphale looks back at him.

The first thing I'd like to explain. The Metatron is talking to Muriel, and then he stares at the window of the bookshop duplicating that gaze toward Crowley. The frame changes and we see Aziraphale looking out the same window, just for a second, but he will do it repeatedly.

As Crowley starts his monologue, Aziraphale tries to stop him by gesturing for him not to say too much, while looking out the window himself. Aziraphale continues to turn to the window with every meaningful attempt to speak.

Let's also note that Aziraphale doesn't usually behave in a similar way in conversations with Crowley. Yes, Aziraphale is characterised by active gesticulation, but the constant pauses, averting his eyes from the interlocutor, nervous and jerky movements - these are messengers that angel is holding something back, hiding or simply doesn't want to tell. Most often we see this Aziraphale in conversations with the leadership - God and Archangels.

https://commonmexicanname.tumblr.com/post/734305363759890432/good-omens-thoughts

Here's a prime example, comparing his interaction with Archangels when he's caught off guard and frantically trying to figure out how to get out of the situation.

I don't think Aziraphale is just lying to Crowley here, no. He just has an audience beyond Crowley. He tries to tell everything, knowing he has more than one viewer.

When Aziraphale mentions the Metatron, he is not just hinting, he points his index fingers - one at the window, another at Heaven, and then in a distinctly active quick motion once more at the WINDOW.

And again - turns his face to the window at the words about Gabriel failing, and then tilts his head towards the transparent panes of the bookshop.

The conversation with the Metatron is important, among other things, to assess Aziraphale's behaviour when Crowley is mentioned by his superiors. At the words about their partnership Aziraphale looks frightened: his facial muscles are tense, his forehead and eyebrows are furrowed, and there is a terror in his eyes.

When the God's spokesman concludes his really suspicious speech, Aziraphale swallows nervously and averts his eyes. He certainly doesn't look like someone who's been offered the fulfilment of his cherished dream. And not like someone who believes it.

Aziraphale looks like someone who has just found out what an enormous amount of incriminating information is in his opponent's possession.

"Tell me you said no. Tell me you said NO." Crowley is definitely shocked and horrified, he thinks the best of his angel. He can't believe what's going on (and he isn't supposed to).

Aziraphale turns his head towards the window again as an answer.

He actually said:

And

We see him right before he walks into the bookshop, he never says yes to the Metatron.

Aziraphale utters his most delusional words while looking out the window. Of course, they're not meant for Crowley. Aziraphale hasn't believed it for a long time, Crowley even more so.

And then Crowley says "Oh, God", without correcting himself afterwards, because this demon can only hope in God here.

For a second Aziraphale has a look of hope on his face that Crowley has realised what he's getting at. Then Aziraphale realises that Crowley is trying to confess. He's waited for so long not to realise. He was about to confess too.

Aziraphale already knows everything Crowley is about to tell him, but more importantly, literally everyone already knows it. It's impossible to stay and start pretending again that there's nothing between them.

Aziraphale has a completely blank stare past Crowley, and then he looks out the window. Again.

And then the most interesting thing happens. Crowley starts his line "And I would like to spend…" But he turns his head and finally looks out the window, where Aziraphale has been pointing so hard since the beginning of their conversation.

Maybe that's the reason Crowley doesn't complete the sentence. And he begins to pick up different words. Maybe not, maybe the sun from the outside is preventing him from seeing the Metatron.

In the final part of their conversation, when they move closer to the bookshop's door, Aziraphale looks towards the window again.

After "no nightingales" line he turns away to hide his feelings and pain.

The cherry on the cake is the kiss, Aziraphale is falling into the abyss. He averts his eyes trying to figure out if the Metatron could have seen what just happened.

When Crowley leaves, Aziraphale thinks he's lost him. But then, even when the Metatron walks in and says devaluing words about Crowley, Aziraphale can't tear himself away from the window, because now he can see Crowley there. Maybe not everything is lost.

Aziraphale retreats back to the clock - to the very spot where Crowley was standing a few minutes ago. He looks out the window at Crowley, as if to say, "I stand where you stood, you stand where the Metatron stood."

#aziraphale #crowley #good omens #good omens meta #ineffable husbands #final fifteen #good ineffable omens #good omens 2 #good omens analysis #good omens parallels #ineffable divorce #ineffable spouses #the final fifteen #the metatron #good omens finale #good omens theories #good omens thoughts #good omens theory #good omens clues

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neil-gaiman · 6 months

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Hello Mr Neil,

I want to share how I feel about Sherryl the supermodel from Good Omens. You've answered a question previously when someone felt that her representation was lacking empathy (re the visual effects note in the script book, although the scene was cut), and I want to offer my thoughts to help people who felt that way about Sherryl.

The book (Good Omens, not the scripts, which I haven't read) plays with dark topics and makes them absurd and fun, aiming the jabs at the systems that (mis)guide or harm people (there are Beliefs, the People who Believe them, and the odd ways of living that make sense to them). Famine's D-Plan sums up the diet industry and a culture of starvation: of course we don't laugh /at/ Sherryl, we understand (because of everything the novel sets up) that like every other human she does her best with the frameworks she's got. It's empathetic, because that's what Good Omens is. Understanding that let me reframe the knee-jerk reaction I had on my first read of the scene in the book.

[For the TV show, though, as you've explained in the past, certain things had to be adapted to the time. I wonder sometimes - because I know that you do these things well - how you felt about approaching Sherryl nearly 30 years later.]

I think the trouble for me was that the scene in the book felt cruel at first. Now, I think 'A skeleton in a Dior dress' beautifully sums up the sacrifice of her humanity to become New York's top model. It's death dressed up - that's how such extremely-ill supermodels *should* appear to us if only we were unblinkered. One should see plainly the actual violence in an emaciated person's appearance. Maybe growing up with early 2000s aggressive body-shaming British TV shows and an overweight mother of Sherryl's generation as well as personal experience of anorexia made the 'skeleton' image feel cruel, now-overdone and recognisable to the nastiest unhealed bits in my psyche.

I think the frightened human animal in me initially recoiled from the dehumanisation. The pit of me jerked at the descriptions of Sherryl that felt like real insults, pulled straight from mainstream body-shaming media of my formative years. Of course, Good Omens predates this - thin was in, religiously, and the scene was subversive then - but that was my initial bodily feeling, not a thoughtful response. I describe it to illustrate where the challenge was, after we've gone from skinny worship in the 90s, to domestic skinny enforcement, to skinny shame, to wherever we are now in the popular orthorexic fitness culture and clean-eating minefield etc etc. Starvation dehumanises, and Sherryl was sick to the point of being inhuman - the scene under a microscope might feel complicit in dehumanisation to the sensibilities of teens and young adults today (for the same reason that people in Trafalgar Square can't see England), but within the book it humanises Sherryl by showing you plainly what awful thing has happened to her.

What the book did for me was let me delight in a sense of humour that makes difficult things totally absurd and therefore perfectly understandable. It told me, everyone is doing their best (to the best of their understanding), and when the fun-poking poked at my own pressure points, it said, lovingly, yes, you too. Many things about the book are like laughing with a friend or receiving a warm hug - it makes the big things so silly, and shared, and okay.

Thanks :) x <3

I am glad that is how you saw her. That is how we saw her. (I'm reminded of the only time I was ever at a high fashion event, where I found myself profoundly shocked by the incredible thinness of the models, and how sorry for them I felt, and how I wanted to feed them soup and stew and sandwiches. And of a high fashion model I knew a little, when she went out with a friend of mine, who told me that some girls she knew used heroin to stop the hunger pains, injecting themselves between their toes, and later I learned that my friend broke up with her when he learned she was a heroin addict.)

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regulusrules · 9 months

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A very long meta explaining why the confession scene in Good Omens is the best that has ever been written and performed on screen

First of, the scene begins with two different realisations that makes each of them believe that their dynamic will significantly change (Crowley wanting to confess his love and Aziraphale wanting to break out the news about heaven). This, you can see, creates an unprecedented shift in their energy, makes them super excited (Azi) and super nervous (Crowley) to break the news to one another. And despite the two matters being drastically different, when Aziraphale begins his revelation we don't get the Miscommunication trope where Crowley listens to the offer and passively retreats back his emotions. No. He is steadfast in his resolution, in his love for Aziraphale.

And that right here is king attitude no.1, because even if Aziraphale just threw something so godforsaken on him, he won't allow himself to be cowardly or let go of the one person he loves more than eternity. Crowley still bares his heart, still lets it all out, because he will not lose Aziraphale in his naivete of still believing that Heaven is good and Hell is evil. (I write this with supreme detachment of my own beliefs lol) He tries to make Aziraphale understand that sides didn't do them any good the past 6000 years, that the only solid foundation they ever had was them, and that Crowley would rather have them than have everything.

The way you hear Tennant's voice breaking when he said “And we spent our whole existence pretending that we aren’t”, is the perfect reflection of how Crowley genuinely despairs the time they lost and wouldn't have any more of it. And even with how bare and raw he's feeling with revealing all this, he still goes on. He still tries to tell him and I would like to spend our whole existence together, but struggles and struggles because he's strung wide open. But he keeps trying.

Now you see here a moment of disbelief on Aziraphale's behalf, because he doesn't understand why Crowley would refuse going back to heaven with him when all Aziraphale remembers of Angel!Crowley was how utterly bright his eyes shone when he lit up the stars and surely Crowley must miss that too? He wants the same thing Crowley is saying, just in a different dimension. The “I can make a difference” immediately changes to “We can make a difference” because that's all what’s ever been for Aziraphale; them changing the small engines of the world according to their partnered will. He is genuinely benign and not ill-intentioned when he says “Nothing lasts forever”, because he truly wants a better life for them, a better existence. And that's when it gets better: Crowley has his walls back up, he's walking away, because he can't bear that he was never enough as he is for Aziraphale. That he was never worth reciprocation.

But Aziraphale doesn't let him leave.

And that is king attitude no.2, because he doesn't want Crowley to leave when things are strewn all over the place that they don't know where they stand. All Aziraphale ever wanted was for them to stand on the same ground. He asks him to come back to him but hides it by finishing it with “to heaven!” because the whole conversation is going too fast for him, and he's undergoing a religious crisis of sorts that does not end in 6000 years, yet even so he still doesn't want to lose Crowley because he's everything he has and he can't do it without him and “I — I need you!”

And that's when it gets reaaally interesting. Aziraphale's expression then turns from sorrowful desperation to rageful desperation, because he's baring his heart and Crowley is walking away from him. Their solid ground is completely shaken when he says “I don't think you understand what I'm offering you” because he's trying to be subtle about his love for Crowley and still direct as much as he can, but Crowley responds with a condescending “I think I understand a whole lot better than you do” and if this isn't peak human beings in their arguments, I don't know what is. Because we all think we are so misunderstood every time we get into an argument with someone we love, and we absolutely despise it when we feel patronized, so it's no wonder Aziraphale bitterly says “Then there's nothing more to say”, because if Crowley understands, truly does, then he'd see right past his fear to how much he loves the ground Crowley walks over.

And on the other hand I don't believe Crowley truly meant to be patronizing, but in a desperate last attempt he wanted to make Aziraphale understand what he is trying to say, what he spent his entire eternity feeling for Aziraphale, what Aziraphale would be giving up if he goes to heaven. What their life sounds like with no nightingales.

“You idiot, we could've been.. us” is the very culmination of love confessions. It took every single emotion and equated it. Tennant's delivery of it was unsurpassed in the way that it truly covers everything. And the way he grabbed Aziraphale, not entirely lovingly but desperately and angrily and, honest to God, awfully, is the reason why their kiss is so perfect. No queerbaiting, no beating around bushes. It is raw and sad and giving and agonising. Crowley wants to say see what you're giving up? See what we can have? And all Aziraphale thinks is how could you lay this on me now after everything, after every chance we could've been something, after me loving you from the first time I've met you. He's angry towards himself too, because nothing he can offer Crowley will be good enough that he chooses him instead of his choices. Sheen's choice in making his character grab Crowley's shoulder and let it go and then grab it once more in desperation is so unexplainably perfect of how much Aziraphale wants to hold onto Crowley.

But in the back of his mind, Crowley isn't choosing the same. Instead, Crowley's choosing to run from something that no doubt will rebound in their faces. They are angels and demons of heaven and hell, how could Crowley expect they could run and hide without being a repercussion later on? At least what Aziraphale is suggesting ensures that they will have a high position of power, enough to make them together, enough to make them happy, but instead, Crowley is walking away.

And when Crowley lets go of him, not the other way around because of course it is Crowley who must let go and detach from the utter pain that pierced his heart, you can see his expression being one of defeated longing. He sees all expressions passing across Aziraphale, sees how torn apart the other man is, too, and awaits just a semblance of anything they could work with. But instead, Aziraphale's face closes, and he tells Crowley “I forgive you”, and Crowley thinks this must be his second falling, because he's never felt more pain. “Don’t bother”, he says, yet still waits for Aziraphale outside and doesn't leave until Aziraphale has left him. Because in the end, Crowley would always be there for Aziraphale, even if he doesn’t feel worthy of it.

And that, my beloveds, is why eternity will remember this scene.

#good omens #good omens 2 #good omens spoilers #david tennant #michael sheen #good omens meta #LJ metas #regulusrules metas

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vidavalor · 4 months

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Crepes: The 1.01 sex meta thing

Alright, my romantic and horny murder hornet friends...

...come and get your very requested 1.01-scene(s)-that-shows-that-Crowley-and-Aziraphale-are-lovers sex meta thing.

We'll be getting a bit blush-inducing NSFW under the cut so keep that in mind...

As Fraulein Maria suggests: Let's start at the very beginning... a very good place to start... when you read, you begin with: A, B, C...

...when you speak Ineffable Husbands, the show tells us, you begin with: lunch, alcohol, and crepes...

We're going to do this semi-glossary-style, since those have proven popular and it works well for this. There are some very brief mentions of Satan's attacks on Crowley, for those that would like to know of that ahead of time. Other than that, I don't think any other trigger warnings apply.

"Gentlemen, in your role as the audience, could you, perhaps, give us more to work with?" -- William Shakespeare, 1601, meta-ing for the writers and performers of Good Omens, requesting us to dive a little deeper.

Temptation accomplished.

~~~

Secret language. A language spoken by secret agents for the purpose of keeping the full, true meaning of their conversation hidden by those who might be observing them. Comprised of code words and phrases that contain other layers of meaning beneath the more easily understood surface layer. Difficult-- and, at times, impossible-- for those who do not speak the language to understand it without a key that unlocks at least one word of the language, revealing the hidden conversation beneath the surface.

Key. Additional context that reveals hidden meaning in a secret language by providing understanding of other layers of meaning beneath the surface in a conversation between secret agents.

Example: some bleating goats in 2500 B.C. illustrating for Aziraphale via additional information and context the true meaning of Crowley's words in the scene. Most keys in Good Omens are separate scenes; this one is an exception because it's the origins of their secret language in the first place. This is also a partner scene to the "no nightingales" moment in 2.06.

Partner scene(s). In Good Omens, a scene or scenes which act as keys to other scene or scenes, providing information and context necessary to fully understand the initial scene, which is usually one we saw earlier in the story.

Example: The Bullet Catch scenes in The Blitz, Part 2 in S2 adding layers of context and meaning to both Crowley and Aziraphale with the paintball gun and Crowley giving the office workers miraculous escapes from death at Tadfield Manor in S1.

Crowley and Aziraphale. Supernatural secret agents of sorts, introduced to us that way by our narrator, God, who points out their penchant for meeting alongside human secret agents in St. James Park. They speak in a secret language that we'll call in this meta Ineffable Husbands Speak that only they-- and God-- speak fluently... but for which Good Omens has been slowing giving us enough information to learn how to speak as well.

Code words. Often neutral-sounding and very common words--by design-- in order to keep the hidden meanings of the secret language secret from outside observers by making it sound like everyday conversation. As a result, code words have dual layers of meaning: they refer to a literal thing on the surface level but also have a secondary meaning beneath that within the secret language.

Example, in Ineffable Husbands Speak: "dining at The Ritz."

To "dine at The Ritz" (in Ineffable Husbands Speak). Surface, literal level: to eat a meal at the restaurant at The Ritz-Carlton, London. Hidden level: to take steps towards being less secretive about their relationship and to live more of a life that is theirs together.

Code phrase/cypher. A phrase that sounds as if it has a single, understood meaning on the surface but is comprised of code words put together to convey a meaning that is hidden from anyone who might hear the phrase but does not speak the secret language. Impossible to understand unless you either created the language or were given instructions on how to speak it... unless you can come into possession of a key that can unlock it.

If spoken to someone who does not have a key to understanding it, they might possibly be able to recognize that you are speaking in a kind of code... but they will not have the understanding of the double meanings of the keywords, nor the context required, to figure out just what the hell you're talking about.

Example: "The clarinet can make beautiful music."

Good Omens included this scene right near the start of the season in 2.01 in which both Crowley and we the audience have no idea what Agent Fuzuli is *really* saying, even if his sentence makes technical, if not really contextual, sense. We can recognize from his over-the-top obvious spy-speak that he is speaking in code. They did so to highlight the existence of hidden language in the show and how important it is to unlocking more layers of meaning in the story.

Neither we nor Crowley expressly need to decode this particular sentence to understand what's happening in the story of Good Omens because Good Omens is not about the romance of Agent Fuzuli and his new paramour, the Azerbaijani Sector Chief. (Cupid!Crowley really out here matchmaking everyone in sight in S2 lol.) If it were, we would be needing to figure out what this clarinet and its beautiful music are all about. Instead, though, the show is suggesting that hidden language and decoding it is paramount-- but we should focus a bit more on the secret language of our main characters Crowley and Aziraphale instead.

Sexual innuendo/sexual euphemism: A kind of secret language in which something that is not inherently sexual is given a sexual connotation. Relies heavily on suggestive tone and context. Often full of in-jokes. Often done to soften talk of sex-- and, just as often, paradoxically, tends to make things actually a bit sexier. Relies on a sense of humor and so increases a sense of playfulness and fun between partners. Is flirting by way of creating a secret language out of innuendo.

Example: To "mend his shirt" in the (code-named) Mrs. Sandwich's sexually euphemistic speak, as brought on by Aziraphale's 19th century-era magic during The Ball, is to give a blowj-- well, actually, here: Crowley will define the innuendo for us through the use of partner scenes...

"Fine *stable* of ladies"... the horse statue where Crowley keeps his glasses in the bookshop... mending Aziraphale's shirt in a way evocative of mending Aziraphale's shirt...

Mrs. Sandwich. A "seamstress." Not her real name. A walking, talking intersection of secret language, innuendo and sex in Good Omens, whose name and the content of her scenes help us confirm we're on the right track in decoding Ineffable Husbands Speak.

Sandwiches. Popular, common food that can be eaten anytime during the day but are most commonly associated with lunch.

Lunch. Midday meal. What Aziraphale offers to buy Crowley in thanks for Crowley rescuing him from The Bastille in the Paris, 1793 scene.

Paris, 1793/The Bastille. Partner scene that acts as the key to the 1.01 scene-- and its subsequent scenes-- that shows the nature of Crowley and Aziraphale's relationship through their use of secret language.

Let's Have Lunch. The 1.01 scene that, when unlocked using its partner scene of 1.03's Paris, 1793 scene, reveals that Crowley and Aziraphale are lovers. How so? Read on. :)

Armageddon: Round One. The end of the world and what Crowley and Aziraphale both separately learn is in motion in 2008 in 1.01. They meet the following day to discuss it and the show tells us then, at the start of the story, exactly one bullet point on their shared timeline-- the very first thing we ever learn about the entire 6,004 years that they have been living on Earth together since the last time we saw them together in Eden. Something important enough that it received its own partner scene in the 1.03 Cold Open basically entirely to help decode this scene in 1.01-- and re-contextualize the 2008 minisode (and a lot more) as a result.

What is this single, very important bullet point?

A lunch they had together in Paris in 1793.

As Crowley & Aziraphale head through the park and argue over whether or not to stop Armageddon, they eventually reach the spot on the side street where Crowley has parked The Bentley. This brings them to not just a conversational impasse but a physical one-- there's nowhere left to walk because they're now at the car and this is when Crowley says:

"Well, let's have lunch, hmm? I still owe you one from..." At this point, we're too busy being charmed by this vintage-y angel and this rock star demon who lunch together on Earth arguing over Armageddon to barely notice the content of this scene and that might be by design. It is sandwiched between two other scenes, both of which understandably get a lot more attention: the "celestial harmonies" conversation on the bench in St. James Park and the kinky lunch at what we'll later learn is The Ritz. ("Lunch" in Ineffable Husbands Speak is not *just* the food kinky lunch, as we'll get into below.)

We also don't yet have the key the first time we watch this scene to decode it because we aren't given that by Good Omens until the 1.03 Cold Open and its Paris, 1793 scene. We can pick up on some vibes in this scene in 1.01 but unless we use the Paris, 1793 scene to fully decode Let's Have Lunch in 1.01, we aren't actually understanding what they are saying and, as Fraulein Greta Kleinschmidt would say, we must know what they are saying... (since we're all not Nazi Zombies, we'll be able to actually figure it out...) :)

...but we do now have the 1.03 Paris, 1793 scene so now, let's check out the moment this scene becomes, um, important-- and that is Aziraphale's response to Crowley's invitation to lunch:

Oh, what's this now...? Crowley owes you lunch from *when,* Aziraphale? From "Paris, 1793", did you say...?!

You mean from the time that you dragged Crowley to The Bastille to save you from a situation you put yourself in and could get yourself out of the entire time because you have a Neil Gaiman-Ask-confirmed, canonical thing for him rescuing you (and because, as a fun S2 partner scene suggests, rescuing you always does make him so happy) and you were so very grateful for the rescue that you offered *to buy him lunch*?! A lunch that this scene in 2008 will confirm you went and had together? A lunch that we had *an entire, separate scene about* in the middle of the 1.03 Cold Open-- alongside The Arrangement and the 1862 breakup and 1941 and the 1967 holy water scene, in terms of importance to understanding this relationship from the show's perspective? THAT LUNCH?! lol

Paris, 1793. The ONE TIME IN THE ENTIRE HISTORY OF THIS RELATIONSHIP lol that it can be safely said that Crowley absolutely, 150%, *most definitely does not owe Aziraphale lunch*. The time we had a whole extra scene over, just to confirm how much Crowley does not owe Aziraphale lunch from this one time in Paris in 1793...

Well, well, well... seems we have ourselves a key. :)

Lunch. Code word in Ineffable Husbands Speak. A code word that, when unlocked, helps to unlock additional language, as we will see.

If Aziraphale's reply to Crowley's lunch invitation is to say the one time in history from which we know Crowley doesn't owe Aziraphale lunch, then Aziraphale's reply is really in response to the hidden, second layer of meaning beneath the lunch invitation, which means that Crowley isn't just asking Aziraphale if he wants to go grab the midday meal together and Aziraphale is more than aware of that. As we will see from the dialogue below, this suggestion that they have lunch on the surface level is also, on the hidden language level, a suggestion that they have sex.

So, ok, let's try this 1.01 scene again, now that we've started to factor in the information we have from its 'Paris, 1793' partner scene from 1.03...

What Aziraphale Is *Not* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to time travel to The French Revolution for lunch; that he would like to go to Paris in the present for lunch; that he wants to go to their favorite creperie; that he wants to go get himself locked up in a maximum security prison so Crowley can come rescue him...

What Aziraphale *Is* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to go to lunch and also that he would like to go to *lunch*-- which is to say that he's in agreement that sex sounds perfect-- and that what he "wants for lunch" is a repeat of how they made love in Paris in 1793.

Let's repeat that because mmhmm lol...

Sitting there in the middle of the second half of Crowley and Aziraphale's second scene in person together, in the middle of the first episode of the show, is Aziraphale recounting sex he and Crowley had over 200 years prior to when this scene is taking place in response to Crowley's suggestion that they shake off the Armageddon blues by sexy lunching their way to spending the night in Aziraphale's bed.

This conversation on the surface is about going to lunch and they are very funny with the literal part of their secret language, as they will actually go to lunch, as we know-- and during that lunch, Crowley will make a joke about the dual layers of meaning of their language when defining the next word in their language for us, which we will get to in a moment. For now, though, let's just go back to the "let's have lunch" scene here and look at the rest of it now that we can understand it on both levels of meaning...

"Well, let's have lunch, hmm? I still owe you one from..." Crowley does not actually owe Aziraphale lunch; this is a way to throw the decisions to him, keeping it sounding like they are just talking about eating lunch-the-midday-meal on the surface when we now know that it's more than that. He trails off and both verbally and non-verbally indicates a whole "you tell me" attitude, having offered up the idea and now giving the choice to Aziraphale. (It's not a magical influence "you tell me" like he did with Sitis, just a verbal ellipsis/non-verbal head shake that hands the conversation over to Aziraphale.) As a result of this and their responses in the rest of the scene, this becomes:

"Well, let's have lunch, hmm? I still owe you one from..." Well, let's have sex, hmm? Let's do our kinky lunch thing. Tell me what you want for later and we'll do that. Whatever you want. Armageddon already fucked up our lunchy dinner that we were supposed to sneak out to have at the fascinating little sushi restaurant where they know you last night-- it can go fuck itself for the afternoon. We're both depressed and tired. Eleven years left. We're almost out of time. I just want to be close to you. Let's have lunch.

"Paris. 1793." I could eat. I never can resist you, you know that. Remember Paris? After The Bastille? I'd like that.

Does Crowley remember The Bastille?

Oh, Crowley remembers The Bastille...

Someone had a very nice time in Paris in 1793 if that little smile and that look and the little "yessss" are any indication. Crowley is down with revisiting The French Revolution and after this, they're both just heading to The Bentley as they continue talking because lunch is on. But why are we even talking about Paris 1793 when we have all seen this episode and know they aren't about to instantly drive back to the bookshop and get their Bastille on?

Anticipatory kink. When partners arrange to have sex in the short term but not immediately and spend the interim time discussing the sex they plan to have as a way of arousing one another over anticipation of the future lovemaking. A form of psychological edging/delayed pleasure. Fancy way of saying 'teasing the fuck out of each other' lol.

The first part of lunch for Crowley and Aziraphale is deciding what's for lunch-- before they go to have lunch-as-in-some-food-- even if part of lunching is that they aren't going to have sex for hours still to come. In addition to the anticipatory element, it's just fun to talk to your partner about sex and the way they do so also has them euphemistically refer back to past times they made love as a way of turning each other on with the memories of those past encounters-- so, doubly fun.

"Yessss. The Reign of Terror. Was that one of ours or one of yours?" Crowley's response to "Paris, 1793." He says 'The Reign of Terror' a little sarcastically, implying that while that is the historical name for the era, he and Aziraphale were actually pretty happy during it, which goes along with what we saw in The Bastille scene. On the surface, though, Crowley and Aziraphale are still attempting to make it sound like they're talking about The Reign of Terror so, technically, "was that one of ours or one of yours?" is a question that is supposed to be about who (Heaven? Hell?) was responsible for The French Revolution but oh, that Paris, 1793 scene is a good partner scene as we know the answer to this question, too...

The French Revolution. Not Crowley's demonic work. The humans thought it up themselves. Established in the Paris, 1793 scene, to help us better understand this bit of the Let's Have Lunch scene.

"Was that one of ours or one of yours?" Look at the wording of that. By definition, since Crowley is speaking to Aziraphale, the "ours" has to include Aziraphale. It's a subtle but present indicator that this isn't entirely smooth language on the surface here because it's accounting for two layers of meaning at once. If it is just about who is responsible for The French Revolution, the sentence doesn't actually make sense but that's because it's designed to sound like something of a casual reply to the surface question about The French Revolution but this conversation is now happening more on the second, hidden level and there, it really means:

We had all the sex in Paris in 1793, angel. Talk to me more about what's got you all hot for The Bastille. I remember all of it but want to know what's lighting you up here so to keep us talking about it, I'll start throwing out some options from Paris under the guise of pretending I'm talking about who is responsible for The French Revolution. Was that one of ours or one of yours? Meaning: do you want to fuck each other later or am I fucking you? By tossing these both out as options I'm obviously also saying that, if you're up for it, I'm in the mood for "ours". I currently have both the need to be inside you *and* the need to get done into next Thursday right now...

"Can't recall." Aziraphale's response to "one of ours or one of yours?" A blatant lie on every level lol. He remembers that the humans were responsible for The French Revolution and, based on how quickly he reached for it when asked what he wanted for lunch on an especially harrowing day, Aziraphale remembers every damn minute of the two of them in bed in Paris in 1793. He knows as much as Crowley what they got up to. "Can't recall" is a reply designed to sound like he can't remember who is responsible for The French Revolution on the surface level but answers Crowley's question on the hidden language level by using "can't recall" to signal that he doesn't have a preference. It's whatever you would like is fine with me. He's definitely noted the "ours" request, though, as we'll see later on.

But Aziraphale also still needs to answer Crowley's underlying question of what's he's wanting that's got him all hot and he keeps the euphemistic, hidden sex chat going by telling Crowley what he's picturing from Paris exactly that he wants later on:

"We had crepes."

Did Crowley and Aziraphale go to lunch-the-midday-meal in Paris after Crowley rescued Aziraphale from The Bastille and have crepes-the-food for lunch? They absolutely did. Lunch-the-midday-meal (or, really, *any* food/meal that is probably not breakfast, which they seem to had yet to sort out by S2 because of Crowley not staying the night) is part of lunch. But we know that this conversation in this scene in 2008 is not really about lunch-the-meal so crepes is our next bit of Ineffable Husbands vocabulary. We can tell at this point that this is a sexual euphemism. That The Guardian of the Eastern Gate and The Serpent of Eden use types of food as euphemisms for types of sex because of course they do lol...

Does the show get into what, exactly, "crepes" are in Ineffable Husbands Speak? Oh yeah. They do lol. But it's mostly on the other side of kinky lunch so we're going to come back to it...

Off of Aziraphale's crepes declaration, they get into The Bentley and peel off and the next time we see them, we're at...

The Ritz-Carlton, London. One of the finest restaurants in the world; known for their famed afternoon tea and world-class service. The origins of the word 'ritzy.' Where Crowley and Aziraphale have lunch in 2008, for what we will learn in the subsequent scene between them is the first time. We won't know that this restaurant is The Ritz until the S1 finale, when they return there after specifying that it's where they are going. We won't begin to understand fully what it means to them in their language to do so until then. The first hint happens around midway through S1 in the 1967 scene, when it becomes apparent that they are speaking to one another in a coded way-- even while alone, as they are just used to their own language by this point-- and that Aziraphale's "dine at The Ritz" aspiration was something tied to the idea of them taking some more steps towards being more openly and fully together.

In 2008, Crowley and Aziraphale decided to go to The Ritz while in The Bentley after the "let's have lunch" scene, in a scene we aren't shown, likely because the decision to do so would include directly referencing their relationship in a way the show has avoided doing so far but, as the 2.06 kiss showed us, won't be doing forever. (We also are never shown them past a certain point at night-- the show choosing to leave them in 2008 after the "godfathers" conversation in the bookshop and again in 2019 after we last see them holding hands during the ride back to Crowley's flat in London from Tadfield. This seems likely to change in S3, especially because there is almost certainly a The Blitz, Part 3 and we last left them late at night drinking wine alone in the bookshop making eyes at one another.)

Right, so, back to The Ritz in 2008 and the kinky lunch part of lunch...

Foreplay. Activities between partners-- physical, psychological, emotional, or all of the above-- that are designed to stimulate sexual arousal, in order to put the mind and the body in the mood for sex.

Kinky lunch is a form of foreplay, as Aziraphale is into the pleasure of being watched by Crowley as he enjoys the pleasure of his food and Crowley is into watching Aziraphale enjoy himself. This is also where the anticipatory kink starts to make even more sense as if they've already decided a bit of what they're going to get up to in bed later on, then they know what each other is thinking about all afternoon-- but especially during kinky lunch.

First date. There's also something of a romantic element to this, which a partner scene in S2 provided, which is that kinky lunch is essentially repeating what first happened thousands of years earlier in Job's cellar in 2500 B.C.. That night was, more or less, Crowley and Aziraphale's first date. Not all the sex they have is tied to lunching but part of lunching is, essentially, weaving their first date into these little sexy dates they're going on throughout different periods in history. Pretty romantic stuff for these two who also literally cannot say the word 'couple' but are basically married.

Biblical "fruits of knowledge." In Good Omens, what happened in The Garden of Eden is canonically known and it's that our Serpent of Eden Crowley tempted Eve into eating an apple from The Tree of Knowledge, which she then shared with Adam. The two of them then followed up the pleasure of eating with exploration into other sensual pleasures, discovered sex, and Eve-- whose biology really is something-- was basically eight months pregnant about two days later when Aziraphale snuck them out of Eden, jumpstarting humanity. Humans, though, have had ongoing debate over Genesis in The Bible as to what, exactly, the "fruits of knowledge" were that Adam and Eve consumed.

One argument is over what kind of food it was that Eve actually ate. In Good Omens, it is the most commonly thought food-- an apple-- but arguments have been made for everything from grapes to different berries to figs to even wheat. While Crowley does eat and different things than this, most of what we've been shown that he's consumed is humorous because it's almost all things related to speculated foods of the Biblical fruits of knowledge (wine-- grapes/berries; whisky-- wheat; an apple-looking tea in the S1 finale at The Ritz, etc..)

The other argument that is made is whether "ate fruit from The Tree of Knowledge" is actually just a metaphor for having sex. In Good Omens, the answer to this question is the opening of its story and it's not an either/or. It's both, with one leading to the other. Crowley and Aziraphale are more than aware of this and of the parallels with Adam and Eve to their own relationship and, like with everything else, they're very dryly funny about it. The two who are responsible for all sensual and sexual pleasure for all of humanity since the literal beginning of time have kinky lunch and a language full of food euphemisms for sex and flirty innuendo mixing the pleasures of eating with the pleasures of sex ("constitution of an ox!") because they're witty and playful like that.

Scrumptious. How Aziraphale describes his dessert at The Ritz. Means both "delicious" and "attractive/sexy enough to eat." Is basically the foremost adjective that describes human, physical beauty in terms of taste. It's kinky lunch-- a mix of the the sensual pleasures of eating food with sexual desire-- in a word.

Scrummy. Shortened version of 'scrumptious.' How Aziraphale describes the grapes he buys at The Globe Theatre in 1601, which he then spends the scene eating in front of Crowley, who flits around him like the horny little murder hornet he is, trying to flirt his way into Aziraphale's bed. 192 years before The Bastille.

Affirmative consent. Verbalized, informed and positive consent to participate in a sexual act. Needs to be direct and clear-- the more explicit and enthusiastic, the better. Good sexual practice is checking in with your partner before and periodically during to ensure that you're both still on the same page and having a positive experience. True of every relationship-- but especially true if one or more partners has had their autonomy violated in any way in the past, as Crowley has (and as Crowley had again the night before in 2008, when attacked by Satan in The Bentley, which was one of his many motivations for wanting to lunch with Aziraphale the next day.)

A cleverly-worded partner check in need not break the mood but is still equally important to do, even if everything seems to be fine. A sense of safety brings about trust and trust is sexy, after all.

"So, what are you in the mood for now?" Aziraphale's pitch-perfect partner check-in after he finishes dessert at The Ritz. He knows Crowley well enough to know that he's alright so this is flirtier than it might have otherwise been had Crowley not been. Still, it's presenting an opportunity to stop and giving Crowley the same sense of control and choice that he gave Aziraphale at the start of their lunch date. It's all done with a practiced ease and a subtle, sexy confidence that highlights that Aziraphale is very good at this and probably undid Crowley even more than watching Aziraphale eat lunch did.

Alcohol. Fermented fruit, wheat/grains or the like. Consumption of alcohol can lower inhibitions and the ability to be fully in control of yourself. To drink with someone then is to let them experience your most vulnerable self and to trust them to keep you safe and unharmed while you're not in a state of full control. It's intimate. It's sex, in food/beverage euphemistic terms, and we already know that Crowley and Aziraphale have a whole food-related sexual vocabulary... which Crowley jokes about in this scene.

When Aziraphale asks Crowley what he's in the mood for now that they've finished their dessert course, the point of the initial shot of the scene comes into focus-- the way the camera swoops a little over the surface of the table before settling back to show us Crowley and Aziraphale. The swooping shot illuminates what's on the table. It shows us that they've already eaten lunch, as Aziraphale is on the last forkful of his dessert. The key bits, though, are the beverages-- the coffee and the wine glasses.

Aziraphale has a larger, cappuccino-sized mug of some form of coffee drink while Crowley's dessert was a dessert coffee, based on the size and shape of the mug he's drinking it from. This is also where it's fun to point out that Mr. Six Shots of Espresso in a Big Cup has drunk half of what would be less than two shots of coffee, in a normal-for-the-drink-sized cup, and that the coffee is light in color, suggesting that it's cut with cream. But while the coffee and its symbolic freedom tied to S2 is fun to look at, the point here is that Crowley's coffee looks to be a dessert coffee, most of which frequently contain alcohol and, even more prominent in the shot, are two, empty wine glasses-- one in front of each of them-- that each have a little hint of red wine stuck in the spot above the stem in each glass, confirming that they both had at least one glass of a red wine with lunch.

The point is that they had wine with lunch and Crowley's likely been sipping an alcoholic coffee with dessert, and they're literally surrounded by bottles of wine behind them, as they're in a restaurant lol-- they're at The Ritz, which is known for their service and isn't exactly rushing them out. They could sit there for hours drinking more alcohol, should they want to... so, when Aziraphale asks Crowley what he's in the mood for now and Crowley-- who has spent this scene looking like he's considering freezing time and throwing Aziraphale over the table-- picks up the spoon from his likely Irish coffee and uses it to ding his wine glass-- that is empty of the alcohol he already drank out of it--to get the check lololol and says he wants "alcohol-- quite extraordinary amounts of alcohol", well...

Alcohol (in Ineffable Husbands Speak). Literal, surface level: Alcohol. Hidden language level: Sex.

"Alcohol. Quite extraordinary amounts of alcohol." "Sex. Quite extraordinary amounts of sex." Enthusiastic, affirmative consent from Crowley over here. He loves kinky lunch and he's glad you asked, Aziraphale, but he's very, very okay at the moment and wants to go to the bookshop now for more alcohol and, later, for quite extraordinary amounts of alcohol.

"An extremely alcoholic breakfast at The Ritz." A complete sentence in Ineffable Husbands Speak in S2 that Muriel doesn't understand but that we can by this point. Muriel not being able to speak Ineffable Husbands is the point of the moment-- it's to highlight that Muriel is missing information because they don't have the information needed to decode what Crowley is saying or to even realize that there is something to be decoded. It's to point out to us that we have this information and that's why we can understand what Crowley is saying. It, along with "no nightingales", is a moment designed to point out the language and how we can't interpret what we're seeing without being able to understand it. The context of the "us time" scene in S2 helps to reinforce that we have this language correct then also makes it an additional partner scene to the 2008 minisode, as it reinforces this interpretation of the language and the relationship between Crowley and Aziraphale that suggests.

Why does Muriel need to leave the bookshop in 2.06 if Crowley and Aziraphale are going for breakfast at The Ritz? We know it's because breakfast is the latest step they want to take when it comes to dining at The Ritz and alcohol is also sex so the Inspector Constable needs to leave because Crowley is out to have some lunch for breakfast.

Right, so, after kinky lunch at The Ritz back in 2008, we then catch up to Crowley and Aziraphale as they are walking up Whickber Street towards the bookshop.

Romantic stroll. They seem to like to go for a little walk together as part of lunch, if they can swing it. In 2008, they're caring a little less because they've just dined at The Ritz for the first time and they have 11 years left until the end of the world, so they're taking some moderate more risks. This might not be always typical of lunch but it is in 2008. They did this on their first date in the Land of Uz, sneaking out of the cellar to take a walk under the cover of night after the storm stopped. They also take a little stroll from the park to The Ritz in 2019 at the end of S1. All three of these times are possible exceptions-- it was night in 2500 B.C. on their first date and 2008 and 2019 are examples of not just lunching but dining at The Ritz, in the sense that they are in an era of being a little less guarded, if still cautious enough to maintain a sense of secrecy. There is a practical reason for the walk, though, as well as well as a romantic one, and that's related to:

The Bentley. Parked nowhere near the bookshop. On a side street somewhere, like we see Crowley has been doing ahead of S2 and is doing during S2 (including the night before the season began.) Crowley staying in the bookshop late into the evening is a given since they're lunching and have already planned to have some alcohol after their alcohol. The Bentley cannot be parked for hours in the evening in front of the bookshop without them running the risk of being caught so, even if they are coming back to the bookshop during the daylight of the mid-afternoon, The Bentley is already parked away from the shop because lunching comes with an understanding that Crowley will be staying in the shop well into the night.

This all seems routine for them at this point. As speculated in another post, this is probably how Crowley became friends with Mrs. Sandwich, whose work has her outside a bit in the early morning hours just outside the side door to the bookshop. Either way, the car is away from the bookshop so Crowley can stay most of the night with Aziraphale.

1921. The year in which Aziraphale bought a dozen cases (144 bottles) of Chateauneuf-de-Pape "for special occasions", as he either tells or reminds Crowley on their walk up Whickber Street. Twenty years before The Blitz.

This is an interesting comment for this exact moment here because one of the two pretty large gaps of time in the last few hundred years in their history is 1862-1941, right? We don't know much about what transpired between their whole breakup mess in St. James Park in 1862 and The Blitz. One of the flashbacks that was cut from S2 might have illuminated some of this, as it was the one set during The Gold Rush in America, which means it would have had to have taken place before about 1893. We know about Aziraphale learning to gavotte in The Hundred Guineas Club in Portland Place in the 1880s, we know that Maggie's great-grandmother started The Small Back Room with Aziraphale's help in the 1920s and we know that Crowley bought The Bentley sometime around 1933. In the midst of all of that, though, there's this one reference to 1921 here in the 2008 minisode that is pretty interesting when you consider why Aziraphale might be bringing it up in this moment.

Aziraphale is saying that he made an investment in the idea of them having a future of special occasions to celebrate together-- in whatever way they could manage to do so-- in 1921, which is a year in which, as far as we can tell so far, he might not have had a lot of hope that this would be possible. They do seem relatively incapable of breaking up for very long but it's also evident that they don't really fully start to get beyond 1862 until 1941 from what we've seen so far so it might have been a bit slow to heal. We do know that they were in contact and not just from the deleted America flashback but from the canonical reveal that Aziraphale got his driver's licence in the early 1930s, after Crowley bought The Bentley. But Aziraphale might be trying to say to Crowley that things didn't seem especially hopeful for them in the early 1920s, either, but Aziraphale has always held out hope.

1941. A special occasion, as that is Chateauneuf-de-Pape that they are drinking in The Blitz, Part 2.

2008. Year in which this minisode about lunching is taking place, when Aziraphale says that there "are a few bottles left" of the Chateauneuf-de-Pape he bought 87 years earlier, implying that they've drunk their way through almost 144 bottles worth of *just* "special occasion" wine *alone* in the last just under 90 years.

"For special occasions." Would be a truly insane way to refer to learning that the world was ending so safe to assume that Aziraphale is wanting to bust out the Chateauneuf-de-Pape in 2008 because what we see in 1.01 is the first time they dined at The Ritz. It was maybe not the most ideal way they'd ever wanted to as it was largely reactionary to learning they were almost out of time but they did it so time for the Chateauneuf-de-Pape.

Chateauneuf-de-Pape. Wine with quite the holy history. Translated from French, means "The Pope's New Castle". The Catholic papacy in early 1300s were big fans of the Burgundy wines in the area, spearheaded their popularity, and used the church to help spur the economic growth of the Avignon viticulture in that area. They drank the wine exclusively themselves and the papacy had been relocated to Avignon so, to an extent, Chateauneuf-de-Pape is something of a "holy water", symbolically. Maybe the antithesis of it-- holy water (water blessed through the power of Heaven) can kill Crowley, Chateauneuf-de-Pape (wine made by humans; symbolic of sex and love and a lifetime of special occasions with Aziraphale) is the stuff worth living for.

Wine is alcohol is, therefore, in Ineffable Husbands Speak, sex.

"Not very big on wine in Heaven, are they?" What Crowley says on their walk to the bookshop, in response to Aziraphale's suggestion that they break out the Chateauneuf-de-Pape.

A very funny line made even funnier by this partner scene in S2:

Well, you'd better pop off and get it then, haven't you, Aziraphale? lol

What, exactly, was going on between these two Influencer Brats of Job and their usual angels-- do we even want to ask? Probably not. The way Keziah says "they haven't brought the wine" with that little emphasis makes it feel like it's possible that their usual angels bring some Heaven-blessed wine as a pretense but that 'bringing the wine' is sexually euphemistic. Ennon hitting on Aziraphale adds to that sense by giving us the feeling that Job being God's favorite human means that, prior to the bet, Heaven was sending angels to see to the needs of the family and the elder two siblings have a pair of usual angels who service their, uh, beverage needs. All of which is, objectively-speaking, against what Heaven says it disapproves of (sex, alcohol/drunkenness, etc.), emphasizing the hypocrisy of the fascist state of Heaven.

The Job minisode then serves to reiterate the wine/alcohol = sex throughout the series and makes even funnier the fact that Crowley then drank the rest of the house's existing wine in revenge for these older kids being such brats and Ennon treating Aziraphale like a whore.

What it shows, though, is that maybe the only consumable beverage that Heaven *is* very big on-- if not on drunkenness-- is wine, like many big religions on Earth, right? As a result, Crowley's "not very big on wine in Heaven" line is then emphasized to really be "not very big on sex in Heaven, are they?"

Ok, back to 2008...

"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes... Or single-malt scotch... Or frou frou cocktails with little umbrellas..." Crowley's full response to Aziraphale's Chateauneuf-de-Pape discussion on their walk. Translated from the Ineffable Husbands Speak below.

"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes..." Not very big on sex in Heaven, are they? Forget music and food and books and our life here with our human things and our special occasions and spending time together, you are going to spend an eternity trapped in a open-floor-plan office building in the clouds with a bunch of prudish religious zealots. Forever and ever and ever... We have, potentially, eleven years until we'll never make love again. You *love* sex and if we don't stop Armageddon somehow, you're never going to come again...

"...Or single malt scotch..." Scotch is whiskey made in Scotland. Talisker, Crowley's favorite whiskey and recurring drink order, is a single malt scotch. So, this is: Not very big on *me*, either. Not exactly like I can just ride the elevator up for a visit... if I even survive Armageddon. You might have noticed Heaven is not tagging everything on their Tumblr #bildaddy. In case it wasn't obvious that this entire time, I've been listing other things you like about life on Earth while under the surface basically screaming "WE WON'T BE ABLE TO BE TOGETHER, ANGEL..."

"...Or frou frou cocktails with little umbrellas..."

Frou frou. American slang for "fancy", sometimes overly so. The American English sister word/answer word to "ritzy". Spoken by Crowley after they've just left The Ritz and as they walk past what will be the American-themed Give Me Coffee or Give Me Death in S2. Comes from America's longest allies--the French-- where it means the rustling sound made by skirts as they move and is onomatopoeia (words derived from the sound they make, rather than rooted in a language.) To reference Scotland, the United States and France within two sentences while bashing Heaven is very Crowley, who doesn't see Heaven as The British Empire or anything lol.

Cocktails. Mixed drinks. What you get when you combine alcohols. Also ties to the scene in S2 with Mr. Brown of Brown's World of Carpets in The Dirty Donkey, which is now a partner scene to this as well. Crowley's "a sherry for you, a whisky for me." It's another example of alcohol as symbolic of sex as Crowley bringing Aziraphale his preferred drink is their attempt at getting Mr. Brown to get the hint that they are a thing and they like now to keep the alcohol just to the two of them.

A cocktail, though, being a mixed drink, can refer in the context of discussion of Heaven and their relationship to the fact that they are an angel and a demon and Heaven is not very big on that particular cocktail.

Frou frou cocktails with little...

Umbrellas. Canopies.

Canopies. The essential setting component of Crowley's Vavoom in S2, as we heard him talking about (while having a drink) with Aziraphale in S2: "You mean like a sudden rainstorm forces them together beneath a canopy... and they look into each other's eyes and realize they were made for each other."

Vavoom. Alternatively: va-va-voom. Voluptuously sexy. Of or portending to sensual pleasure. How Crowley described his hypothetical-for-Maggie-and-Nina erotic-gazing-into-a-passionate-kiss-while-sheltering-from-rain-together-under-a-canopy thing that is absolutely not Crowley and Aziraphale's first kiss recounted back to Aziraphale by Crowley as his definition of romance. Not at all. Crowley just has a thing about tree canopies and their modern rain-sheltering cousins, umbrellas, ok? We didn't just spot The Vavoom hidden there in 1.01 a bit, too. Absolutely not. ;)

"Or frou frou cocktails with little umbrellas" (in Ineffable Husbands Speak). Heaven is definitely not very big on opulent mixed angel-demon drinks like us and our little romance... We're never going to kiss again, angel. Do you really want to spend *eternity* without ever kissing one another again?

According to S2, the answer to that question is that Aziraphale cannot handle the thought to a point of having a complete breakdown of 'what if you were an angel again so we never had to worry?' desperation, so this is probably why Aziraphale's downward hands of 'argh, not right now-- I can't handle this' show up at this point in 2008, as they finish crossing the street and arrive at the entrance to the bookshop.

This is when Aziraphale starts in on his whole "I'm an angel; you're a demon" stuff again but the tone of it is pretty soft and he adds this bit into it:

"We're hereditary enemies." Something which is hereditary is something which you've inherited through no fault of your own and without your agreement. Often, something foisted upon you that you would not have chosen. Aziraphale's comparing their situation to things like hereditary disease-- they didn't ask for it. It's not their fault. The reality of it, though, is still present. This is a way of reassuring Crowley that, even though Crowley could see through the Yay, Heaven! from the earlier St. James Park scene, that Aziraphale doesn't see him as the enemy and would never have chosen this whole mess. He's not yet agreeing to help Crowley stop Armageddon-- the odds are good that he never was going to while they were outside of the bookshop anyway and Crowley knows that. Everything Crowley has said so far is preamble to his argument for stopping Armageddon later on, when they're inside, sobered up, and Aziraphale is ready to work on a potential plan with him.

After "hereditary enemies"...

"Get thee behind me, foul fiend." Blasphemous Bible-speak delivered flirtatiously as a sexual invitation. Not the only scene in the series with blasphemous innuendo but this one line alone could be its own meta so, in an effort to keep this at under 4 billion words lol, we're just going to look at how this is relevant to lunching.

Foul fiend is just Biblical speak for wicked demon. "Wicked" and "demon" are words in the same vein as "wily", "thwart" and "smitten"--words with dual layers of contradictory meanings that Crowley and Aziraphale love to use in their language. To be "wicked" is to be evil in the sense of in line with Satan, yes, but it's also to be playfully mischievous and is a positive adjective used in place of "excellent" at times. To be a "demon" is to be a familiar of the Devil, yes, but it's also to be extremely skillful and talented at a particular thing.

Aziraphale does the whole "I'm an angel. You're a demon. We're hereditary enemies" thing but then turns around and uses "foul fiend"/"wicked demon" in the non-satanic definitions of it through his fond and suggestive tone. He's not calling Crowley evil-- he's calling Crowley playfully mischievous. He's calling him trouble in a light and fun way. He's not calling him a demon in a derogatory sense but in the skillful sense. The same words that mean "evil ally of Satan" also mean "playful and talented"-- Aziraphale has added context by situation and tone of voice/delivery to essentially turn "foul fiend" into calling Crowley "a demon" in bed, in the "skillful" sense of the word. It becomes fuck me, my very wicked demon by use of a suggestive tone.

But it's the use of "get thee behind me" that is most relevant to 2008 here because remember when I told you we'd come back to crepes?

Crepes. Thin, French pancakes. Can be had almost anytime of the day because they are quite versatile-- savory, sweet, for lunch, for dessert, you name it lol. As sexual euphemism, though, we are really looking at how 'pancakes' have been used traditionally by people using food as euphemisms for sex and that is, unsurprisingly, in relation to how a pancake is cooked. I think we've all probably made actual-pancakes-the-food before or at least have seen it done so it probably will not come as a surprise to you that you have to turn a pancake over to griddle it on both sides for it to be done.

As a result, any sexual euphemism involving pancakes is referring to sex that involves a switch from an initial position to a second position that is literally just the receptive partner turning over. So, in order to fully get Aziraphale's love of his romantic French pancakes here, we'd have to have the starting position of crepes and that is something the show actually gives us because why not at this point lol.

"Get thee behind me" after they've spent the afternoon setting up this 1793-inspired crepe-a-palooza indicates that the starting position of crepes is Aziraphale getting done from behind but he'll turn over because he likes to finish his French pancakes facing Crowley.

Vavavoom Yellow. The color of Crowley's eyes and the actual name of the actual paint the actual people involved with this show painted the actual walls of the bookshop. The color Aziraphale turned The Bentley after making it take off its black and silver sunglasses. Crowley's only out here trying to seduce Aziraphale in every other scene by looking at him over his glasses or taking them off or going on about their tantric eye sex into their first kiss... Seems possible Aziraphale might have a thing for Crowley's eyes, no?

"After you." Aziraphale wants crepes for dessert, though. After "get thee behind me, foul fiend", he gestures Crowley into the bookshop with a very witty "after you", which is both politely letting him go first into the bookshop and insisting he is in bed later as well.

Inviting Crowley inside the bookshop with the "after you" in tandem with inviting him inside with the "get thee behind me" is also then using the fact that Crowley is allowed into the bookshop as sexual metaphor for being allowed inside, well, Aziraphale. This gives it a partner scene in S2, when Aziraphale turns The Bentley into a sexual metaphor and is going for the innuendo gold when he then again uses the bookshop to euphemistically refer to himself with "... just as that bookshop is, technically, my shop... but we both get *plenty* of use out of it, don't we?"

God. The only other character on Good Omens aside from Crowley and Aziraphale themselves who speaks Ineffable Husbands Speak. Character responsible for teaching us one of its most important code words-- "nightingales"-- and who ships it so hard that She had a literal nightingale singing as a joke on their dual-meaning-happy language in the S1 finale. Our narrator in S1.

"...while, in London SoHo, an angel and a demon had been drinking solidly for the last six of them." As we cut away from Crowley & Aziraphale's scenes in 2008 to see The Youngs leave the satanic nunnery with their new baby, God points out-- with a hilarious 'oh my stupid children, scared of a baby' tone-- that "The Antichrist had been on Earth for 24 hours." If we can assume that The Youngs were not sent home from the hospital with a new baby in the middle of the night and that it's closer to the more civilized option of a dinner hour, then that would also go with the fact that Aziraphale was having dinner during all of this the night prior, right? Which means it's dinner time, if we're at 24 hours later. Which means that if, in London SoHo, an angel and a demon have been "drinking solidly" for the last six hours, then God is counting the entire afternoon since Crowley and Aziraphale met up for lunch as "drinking solidly" and that's because "drinking" in Ineffable Husbands Speak isn't just alcohol but sex. Yes, that's God making a sex joke. (She has a few more in S1, too.)

"Baby." Term of endearment for a romantic and/or sexual partner that has been documented as having been in existence since at least around the 1830s but was mainstreamed by American jazz, soul and rock 'n roll music and cinema.

While Crowley and Aziraphale are in the alcohol stage of their alcohol, they get plastered on Chateauneuf-de-Pape and Crowley, in a drunken ramble that we will realize by S2 is inspired by Aziraphale's magic words and their conversation in 1941, is going on about what is going to happen to the creatures of Earth when the world ends. He begins to try to say that the fish will be "turned into bouillabaisse" but that word is too difficult for him to say while drunk. While attempting to, he gets distracted gazing at Aziraphale and calls him "baby" in a low voice and then we get their hilarious very drunk kissy faces. Crowley manages to translate "bouillabaisse" in his mind enough to "fish stew-- anyway!" and they sober up soon afterwards to have an actually semi-coherent conversation and some actual alcohol.

In the context of lunching, this becomes getting drunk and distracted by thoughts of later in the middle of trying to talk-- and we know now thanks to S2 that Crowley is also distracted by thoughts of 1941 here at the same time, as he's going on about bananas, fish, and gorillas. We've never heard him call Aziraphale anything but his name or "angel" with the exception of this scene, when they're alone in the bookshop with alcohol on the brain. Aziraphale is drunk but he also doesn't react like it's unusual-- if he heard it, to be honest, as he seemed a bit devoted to stringing together his thoughts related to The Kraken... that great, bigggg bugger, as Aziraphale described him, not at all thinking about the quite extraordinary amounts of buggery they were going to get up to later on.

But, anyway, there's the scene where Crowley calls Aziraphale "baby" in 2008 and that might suggest that he does if they're alone and there's no risk of anyone overhearing it. (As "angel", at least, is theoretically meant to be calling Aziraphale by what he is in a semi-derogatory way but Crowley's honestly never made that work a day in his life lol.)

Thwarting. See: separate meta on my blog on "wily", "thwart" and "smitten" as examples of words with contradictory, dual meanings that Crowley and Aziraphale like to use in the 'angel-and-demon' sense on the surface but in their 'sexy/romantic' connotations in their hidden language. While talking about a plan to stop Armageddon, Crowley uses "wiles"-- the enticing and feminine-leaning-in-connotation definition of "wily"-- in a dry joke where the surface level is about how it's the role of an angel to stop the Evil One (his demon counterpart) at every turn but is really using "wiles" in its seductive definition. He also uses "thwarting" in a way that is substituting it in a sentence for "fucking" on the hidden language level: "You can't be certain that thwarting me isn't part of The Divine Plan, too."

Indeed, Crowley. Indeed.

"...at every turn." Ha. Crowley has crepes jokes. Think of all the French pancakes we can have for eternity if we thwart Armageddon, angel...

Godfathers. The 2008 minisode scenes end with them deciding to have a baby. Crowley's like I have a plan to stop the end of the world and it's that we crash this mansion and live together raising a kid like a little family and I've thought of a way you can sell it to Heaven-- whaddya say? And Aziraphale melts into a puddle of sparkly-eyed joy and they have some quippy lines about being damned that feel like foreshadowing for Aziraphale something fierce but this is where we leave 2008. Right here.

After alcohol, but before alcohol, ya dig?

Lunch (in Ineffable Husbands Speak). A recurring date of kinky lunch and spending time together that is pre-determined to end hours later with sex that is at least somewhat decided upon at the start of lunch, often euphemistically through discussion of " lunch food" and/or their romantic encounters in their shared past.

Off of this, let's go look at our partner scene of The Bastille again, now using 2008 to illuminate parts of it.

Paris, 1793. Crowley and Aziraphale playing 'damsel in distress and dashing hero rescuer' in The Bastille. Seven years before Aziraphale opens the bookshop; thirty years before Crowley's dragged to Hell in Edinburgh. They've been getting away with this forever at this point, to a point that while they're still overall cautious and terrified of getting caught, they're starting to think it's possible they never will because they've managed to keep it a secret this long. Aziraphale is dry and arch when referencing the recent "strongly-worded note" he apparently received from Gabriel about doing "frivolous miracles". Even though the note might not exist as this whole scene is, basically, a roleplay game, the attitude there is that they're getting one over on Heaven & Hell and are taking advantage of it.

We all know things like Aziraphale lighting up when Crowley shows up and the "oh, good Lord" while raking his eyes over him-- we're just going to look at some bits here that have more significance in Ineffable Husbands Speak.

As a side note here: the buttons on the black part of Crowley's outfit in Paris also are very similar in style to the jacket he's wearing in the Let's Have Lunch scene in 2008, in a fun bit of visual paralleling between the partner scenes via the costuming. This scene is also a great one for the consistent thing in the series where Aziraphale will casually reference God and Satan ("oh, good Lord"/"luck of the devil" in the Tadfield Manor scene) but Crowley will not ("what the deuce are you doing locked up in The Bastille?").

So, Crowley does his whole haughty and faux-put-upon thing upon arriving and S2 actually makes how he arrives even funnier because he spends the first half of the scene lounging on the floor across the room, which has real Job's cellar vibes. Later in the scene, we get the "well, you're lucky I was in the area" and Aziraphale's reply of "I was", both lines of which are arch as all fuck. They ring with a kind of knowing playfulness that honestly signals the whole thing is not exactly an organic situation. Crowley has come to Aziraphale's rescue out of nowhere before and odds are solid that led to Aziraphale's whole rescue kink awakening here lol but this scene in 1793 is not that. Crowley was absolutely "in the area" with his calendar cleared for whatever sexual hijinks the angel wanted to get up to that afternoon. He's committed to the bit and asks near the start: "what the deuce are you doing locked up in The Bastille?", prompting Aziraphale's response of "I got peckish."

"Peckish", meaning "slightly hungry", but you don't wade through a revolution because you could use a snack so Aziraphale's downplaying it for humor-- he's fucking starving. And not really for food. They have food in England. Aziraphale has intentionally got himself locked up in The Bastille because he's horny, which he's expressing using food terms because of course he is. Ineffable Husbands Speak was created by this dry-humored and self-deprecating duo, one of whom is the Serpent of Eden and the other of whom is a bit of a raging gourmand and, together, they've never met anything consumable that they can't make into sexual innuendo.

To learning that Aziraphale on the surface needed a snack and, in Ineffable Husbands Speak, needs a snack, Crowley has this hilarious response:

Go on, Crowley, keep pretending like you're offended that this is all just because Aziraphale is horny and like you think it's not specific to you, like you wouldn't let him nibble on you whenever he wants lol.

Tell him he's special, Aziraphale, and not just one of your favorite toys. You dragged him to a prison cell feet away from a guillotine for this.

"Well, if you must know, it was the crepes. And the brioche. Can't get decent ones anywhere outside of Paris." is Aziraphale's quite illuminating reply.

Paris is France and anything Parisian or French is coded as romantic and as related to love to them, even if we know how much they speak around those words. We know what crepes are now from the 2008 scene and we'll look at brioche in a moment but we can already see that this sentence, translated from Ineffable Husbands Speak, is Aziraphale saying that he can fuck his way around the world (and we know it's suggested that he has at times) but he feels that it's never as good for him as it is with Crowley because the crepes and the brioche are better when they're had in Paris-- because sex with Crowley is better for Aziraphale than with anyone else because of how they feel about each other.

Probably also worth mentioning that crepes and brioche both originated in France (many societies around the world have versions of crepes but the crepe itself is French) so this is also really saying it's just always been Crowley for Aziraphale since the start and Aziraphale was alluding to that to Crowley in the Paris, 1793 scene.

Brioche. A bit of a bread, a bit of a cake, it is a bit sweet and rich like a pastry and falls mostly somewhere there on the French deliciousness spectrum between the two and treated by chefs and bakers as a bit of both. As a result, can wind up in many different meals throughout the day, in different ways. Brioche = Crowley, in food form. Can be used to make sandwiches (ha) but is most well-known as the signature bread used to make French toast. French toast is traditionally made the same way as crepes-- involving turning, like pancakes.

Brioche (in Ineffable Husbands Speak). Both Crowley himself, in food form (bread is necessary for sandwiches, after all) and crepes-as-sex reversed between them with Crowley as the receptive partner.

[Crowley is also suggested to be black bread, according to God's narration, in the St. James Park scene, leading me to believe that he's just every kind of bread Aziraphale likes, which is probably most of them.]

Aziraphale invites Crowley to lunch and we know now that lunching was already a thing for them then. True to form, the scene ends with their first step of lunch-- the anticipatory part-- with Crowley asking "what's for lunch?", which we now understand to mean the same thing as "I still owe you one from..." in 2008. He's asking Aziraphale what he would like for lunch and we know already from 2008 that they went out for crepes and had a whole French buffet.

Armageddon: Round One. 2019. Averted. Afterwards, they meet up in a park and swap bodies back unnoticed because we didn't have enough secret sexual relationship stuff already happening on this show lol so yay metaphor and now there's a full-circle back to the bench at St. James Park in 1.01 but now with them having survived and at least temporarily halted Armageddon. Then, as they start to adjust to the whirlwind being over, it's Crowley with:

"Time to leave The Garden." Crowley likening Aziraphale and himself to Adam and Eve-- and just prior to proposing that he and Aziraphale go get their Garden on with a little lunch. Shows that Crowley and Aziraphale are more than aware of how much they parallel the first humans and reinforces that all of the Eden references and related humor in their romantic relationship that we've seen is not coincidental but intentional.

To ask Aziraphale if you can "tempt him to a spot of lunchchch" while opening up your hip to spread your thighs and angle yourself to suggest that your body is also on the menu. Complete with the 'wanna go to bed?' head tilt of 1601 and 2008 fame. I mean...

Meanwhile, Aziraphale's barely conscious of the fact that he's rubbing his thighs and looking at Crowley's lips...

To reply "Temptation accomplished." with a cutely dorky little laugh to Crowley's invitation to lunch. To never be one to say no to a spot of lunch and accept the invitation, while joking around about how neither of you ever actually tempt each other, you just find each other tempting, in the 'attractive' sense of the word.

Anticipatory kink. The first part of lunch.

To say that a table at The Ritz has miraculously come free. To suggest that you have 2008/Eleven Years Ago for lunch, coming full circle back to 1.01 in the S1 finale. 2019 is 2008 is 1793 is...

Champagne tea/high tea. The meal that Crowley and Aziraphale are actually eating when they go to lunch in the S1 finale. Features champagne and macarons, both of which are French, adding to the romance and the ties to 1793. There also appears to be an apple-hued tea on the table, nodding to Eden.

PTSD. What causes Crowley to sometimes go quiet and zone out. In 2008, we came in on the end of their meal at The Ritz and Crowley was in the moment. In 2019, we see the start of their lunch part of lunch and Crowley is not at all present. He's facing ahead and staring into space at nothing, exhausted and not in the moment. Aziraphale's partner check-in is different this time, as he can tell that Crowley is not with him. He draws him back to the now with a bit of romance.

"...if you weren't, at heart, just a little bit of a good person." I love you, you know.

"And if you weren't just enough of a bastard worth to be worth knowing." I love you, too.

"A Nightingale Sang in Berkeley Square." Romantic 1940 song containing the lyric "angels were dining at The Ritz" that formed the basis for Aziraphale creating "dining at The Ritz" as a code phrase meaning a more acknowledged and somewhat more open relationship in the future... which they then celebrate agreeing to try by literally dining at The Ritz, in line with their dual layers of meaning-happy language. We're still awaiting the origins of the song as their song but it is to a point that one of them has the pianist playing an instrumental version of it during this afternoon tea lunch in 2019. We also get Tori Amos' cover playing over the scene because dual layers of everything.

Literal nightingale singing. God showing only us the bird that Crowley and Aziraphale don't know is actually singing is the show acknowledging that our perspective is, like God's, on the outside of the relationship but we are now able to understand it. To see the literal nightingale but know what it means both symbolically and in Ineffable Husbands Speak is to see that there are different levels of meaning beneath the surface of what we've been watching.

Nightingales (in Ineffable Husbands Speak). Romantic love. Specifically, Crowley and Aziraphale's word for their love for one another.

#ineffable husbands #good omens #crowley #aziraphale #good omens 2 #good omens meta #aziracrow #good omens s2 #crowley x aziraphale

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ohmytyong · 8 months

Text

mark me in your heart

PAIRING: drug dealer!mark x bartender!reader (female!reader)

GENRE: angst, smut, kinda friends with benefits au, bartender!renjun, best friend!renjun, action au, open-ended narrative

WARNINGS: mentions of alcohol, explicit description of drug use (don't do drugs kids), use of pet names, trust issues, explicit language, mentions of food, smoking, emotionally unavailable characters, both mark and y/n are kind of assholes, explicit sexual content, angry make-up sex, rough-ish sex, unprotected sex (!always use protection!), heavy make out, choking, lip biting, nipple play, pussy slapping, spitting, oral (both m and f receiving), degradation, praise, spanking, crying, hair pulling, incredibly cringey dirty talking, aftercare (?), not proofread (let me know if i missed any!)

WC: 13k (12,975)

‣[PLAYLIST]: 505 by arctic monkeys, bad omens by 5 seconds of summer, slow down by chase atlantic, why do you only call me when you’re high? by arctic monkeys, a little death by the neighborhood, okay by chase atlantic

SUMMARY: when a sensitive and broken heart meets another one of the same nature, their instinctive reaction is to seek comfort in each other, and in order to heal themselves, they both need to be equally strong and willing to put all their broken pieces back together. but sometimes, some hearts aren’t strong enough to be saved; the only way to save them is if the stronger heart of the two is willing to take the risk and try for the both of them, whatever it takes.

A/N: it's finally here! it took me too long to finish this one but here it is! i know it might seem a bit fast paced or vague in certain parts, but remember this is all about the vibes and i deeply hope that you will enjoy it and give it some love because it definitely needs it <3

read on wattpad / ao3

“Hey Renjun, pass me that glass” you said as you wiped the thick tall glass completely dry before you put it back on the shelf behind you. You were moving mechanically at this point, the exhaustion of the long night at the bar taking over your entire body. It was 5 in the morning and you had just barely managed to kick out some of the remaining drunk nobodies who were so wasted, that their toxic-infused brains couldn’t even give them the signals to move their own bodies.

Working at the bar wasn’t your dream job but it’s not as if you had a better choice. It was either a bartender or a stripper. Both of them sounded equally bad, so you decided to opt for the slightly better one. If you could even say it like that.

It wasn’t a particularly ideal job but it was enough to get you by. It earned you enough money to buy you food and pay the rent at the motel you were staying at, it got you as many free drinks as you needed to help your mind escape from all your worries and you also got to meet some relatively cool people, so that was somewhat good. The working hours weren’t such a big of an issue either, you couldn’t really sleep anyway. So you were fine with it.

Most nights, the bar usually closed at around 3 am. There wasn’t a set rule on this; it usually depended on how many customers there were and how much they were drinking. Your boss had suggested that you shouldn’t keep the bar open all night long, so you kinda decided that it was best to close a few hours after midnight. You weren’t complaining about this though; the sooner it closed, the more time you’d have to get high with your co-worker Renjun at the alleyway behind the bar.

Unfortunately, tonight luck wasn’t on your side, as a group of friends kept on drinking more and more as the hours passed by, which meant that you and Renjun had to keep the bar open until later. You weren’t opposed to this idea, it only meant that you would earn a little bit more money. It was Renjun who started complaining, so he decided to take action into his own hands and practically dragged the drunks out of the bar.

This is how you ended up cleaning up the place this late, rather this early in the morning, with your co-worker. The two of you were too tired to speak, so neither of you made any efforts to spark up a conversation. You both just attended to your respective tasks, waiting for a specific somebody to show up.

Luck surely wasn’t on your side tonight. He would usually show up at around 3:30 am, right after the bar closed, and he would have all the stuff ready, just at the exact moment you needed it. Why was he late today?

It didn’t take a genius to understand that Renjun was clearly affected by the lack of the stuff. He moved around the place nervously, tugging at his hair and stomping his foot rhythmically. He was in a desperate need of it, and you would honestly lie to yourself if you said you didn’t need it half as much as Renjun did.

You put the last clean glass on the shelf behind you and went over to the storage room to grab a broom, so that you could clean the floor a bit while Renjun was still wiping the bar counters. As soon as you closed the door of the storage room, the little bell that hung above the bar’s front door rang with a tinkle and soon after it followed the sound of the so familiar footsteps you were waiting for all night.

“Hey kids, Santa’s here,” his voice resonated in the empty room as he waved a small transparent plastic bag that looked white because of its content. Renjun threw the handkerchief he was holding to the other side of the counter and dramatically jumped over it to go and hug the male who just entered. All of that just at the sight of the clear plastic bag with the snowy content.

“Mark, what took you so long my guy, I’m literally a dead man walking! Give this beauty to me,” Renjun exclaimed and snatched the plastic bag straight out of Mark’s hand. Mark smirked at what Renjun said and immediately started grinning at the sight of the boy’s eagerness.

Renjun went to sit on the bar stool closer to him and placed the bag on top of the counter he had just wiped clean. With slender fingers, he opened the plastic bag and dredged some of the content on the counter. With nervousness in his movements, he set the bag aside and shuffled through his back pocket to find his ID card. He started scattering the white dust all over the counter before he gathered all of it in a straight line with the help of his ID card. When he was satisfied with the result, he put his ID card back into his pocket, lowered his head to the level that his nose touched the cold surface of the counter, took a deep breath and snorted the entire line of crack, the product going straight up into his nostrils.

Renjun blinked several times before he slowly lifted his head. He scrunched his nose and wiped it with the back of his hand, his drowsy eyes looking surprisingly bright considering his state. “Man, whoever hasn’t done crack, never, they haven’t known the beauty of life yet” he chuckled. Mark smirked at Renjun’s comment and you couldn’t help but shake your head amusingly, a small smile creeping up at your face.

Renjun took the plastic bag with the rest of the cocaine and put it in his pocket. “This baby’s for me, thank you,” he amused and turned his heel towards the storage room. “Don’t come look for me, I’ll be right here. If I take too long to come out, then you should be concerned,” he said and closed the storage room door behind him; a scene that was surprisingly quite familiar to you.

You then set the broom down and walked towards Mark. “Hey” you whispered and Mark greeted you back in a low husky voice. “What took you so long? We were expecting you to come earlier” you asked him.

Mark shrugged and leaned his elbow against the counter. “I came by at our usual meeting hour and saw that you guys were still open. I couldn’t risk anyone seeing me so I decided to drop by later,” he said and you nodded in understanding.

“You do have more of those plastic bags on you, don’t you?” you asked him and he chuckled. “Of course I do, pretty. Let’s go outside and treat ourselves a bit, shall we?” he suggested and you nodded again, walking beside him towards the alleyway behind the bar.

The sky was painted in a deep hue of light blue, the moon and the stars still visible in the early morning sky, the sun barely seen in the horizon. You huffed in a sharp breath and put both your hands inside the pockets of your jeans as a reaction to the crispy air of the early morning, as you leaned your back on the damp wall behind you. Mark followed right after you and did the same. He shuffled into the inside pocket of his jacket and pulled out a clear plastic bag full of crack, two crack pipes and a lighter. With almost automatic motions, he filled the pipes with crack and lit them up. He handed you one of them and kept one for himself.

You looked at the crack pipe as if it were an oasis in the middle of an infinite desert and you were so thirsty that your dried up mouth and throat were already relieved just by the sight of it. It only took you one second to react to the visual stimuli in front of you, quickly removing your right hand from your pocket and pulling the pipe straight from Mark’s hand. You brought the pipe to your lips, closed your eyes and took a long, slow drag. This was exactly what you needed.

You immediately felt your body relax and your mind clearing up. The moment you took the drag in, all your worries and problems completely vanished, even if it were only temporary. It was your brief sweet escape from the huge bitter world you were forced to live in.

A chilly breeze flew and you lifted your shoulders at the shivering sensation. Mark noticed immediately and he pulled you closer to him, removed one of the sleeves of his jacket and draped it over your shoulder, slinging his arm over it too.

"So," Mark spoke up, breaking the easing silence, "how was work today?"

You shrugged your shoulders. "Eh, like usual. Bunch of random people came in to drink their problems away and give us their money in exchange for adulterated alcohol. But Renjun had to drag some of them out of the bar, he literally grabbed them by their collar and feet and dragged them out of the store, you should have seen it. It was way too funny" you said and chuckled at the memory of the incident that happened a couple hours ago.

Mark giggled at your statement. "Damn," he dragged out the word, "too bad I missed that" he said and brought the crack pipe to his lips and squinted his eyes in pleasure and relief when he inhaled the poisonous content.

The next few minutes remained silent. There was only the sound of cars passing by being heard in the distance, it was probably people going to their early shifts at work. Normal types of work. Unlike the one you had, unlike the fate you brought upon yourself. That’s when the realization of your situation hit you like a truck. How could your family cut you off so easily when they found out that your dreams were different from what they were expecting of you? Were you just a tool for them? Another burden to take care of?

"You seem unhappy" Mark broke the silence. He was looking straight ahead in the distance, his eyes focusing on nothing in particular, probably because he was a bit too high to notice anything.

"Because I am" you responded to his comment, turning your head to look at him, searching for a sense of home into his soulless eyes.

Mark smirked and turned his attention to his heels. "You know, I wanna help. Right? You know that" he said with a raspy voice due to his sleeplessness. "But I don't think that feeding you drugs is any help" he now turned his head to look you in the eyes.

You pressed your lips into a thin line before you spoke. "I ask for the drugs Mark, you're not feeding me anything. It's my only escape, what else am I supposed to do?"

"I love you, Y/n" Mark said.

You winced at his confession and turned your head to avoid his gaze and fixating yours on the wide sky ahead of you.

"You're high, Mark. Cut the crap" you said in a bitter tone.

"Do you think I'm lying? I mean it, Y/n. I fucking love you, for whatever reason I do. And I care about you, so come with me and let's get out of this shitty town. I’m running out of time too, they’ll soon find where I live" Mark defended himself.

You turned again to meet his eyes. "And go where, Mark? Where the fuck should we go, huh? I don't have anything else to do other than this shitty job. I only keep it because I need the money to survive and it's the only way to keep myself sane. The people I used to call family kicked me out of my house and this was the easiest solution I could come up with before I would collapse entirely and before it would become too difficult to get back on my own feet. So what else is left for me to do?" you were clearly getting angrier now, but not at Mark. At yourself.

Mark's eyes darkened in sadness. "That's what I'm saying! You deserve better than this! Look, we have enough money. I do deals, but I know this is a job I can't have forever. I told you, I’m on thin ice. If I’m seen doing deals again, I’ll go to jail. You know I play the guitar, right? I can join a band or something. I know a friend downtown, he might be of help" he said.

"And you," he continued, "you're a great bartender. You could make a career out of it" he said.

You shut your eyelids and shook your head in denial. "It won't work out. I'm a mess, you're a mess. We can't make this work. It's impossible" you said, turning your head away.

Mark sat up straight and put his hand below your chin to turn your attention towards him. "Look at me, Y/n. We can make it work. Believe me. Trust me. I can't leave you living like this. And I certainly can't live a life like this myself. You're the only person I can make a change with. I need you" he said.

You gulped and stared right into his eyes, unable to form a response. "So you just need me as a means to get you out of town and help you start your magical new life. No thanks, Mark, I'll pass" you said and shoved his hand away to release his grip on you.

Mark became frustrated and moved to stand right in front of you. The half of his jacket that was wrapped around your shoulders dropped and it hung behind his back.

"Okay, look Y/n, you're tired and you're high. We'll have this conversation again in the morning" Mark said defeated.

Your energy was running low despite the boost of energy you had just inhaled, so you let yourself loose. "Let's get you back to your room. You need some rest. Come on, I'll drop you off" Mark suggested and you gave in to him completely.

You took a step towards him and stumbled a bit. Mark, with his rapid reflexes, caught you firmly by the forearm and guided you to his car. The last thing you remembered was the faint sound of the car door closing, before you were engulfed into pretty sleep.

The next day you woke up to the sound of light guitar strumming from across the dim lit motel room. It was already past noon; the curtains were still drawn closed but the midday sun rays found their way in between the curtain folds and peaked through the dirty motel room windows to light up the inside of the place.

Mark was sitting on a wooden chair across the bed with a concentrated look on his face. With his jaw clenched and his cheekbones popping, he strum his fingers through the guitar strings, playing random chords in an attempt to create a melody he liked.

You shuffled between the bedsheets and stretched your body all over the old bed. A squeaky sound echoed in the room due to your sudden movement, which caught Mark’s attention. His strumming stopped abruptly and his head jolted up in surprise, his eyes opened wide and his lips dropped to a pout.

“Did I wake you up? Shit, I’m sorry” he whispered, trying to be as quiet as possible.

You rubbed your eyes to clear your vision and looked at him. “No, you didn’t. I like what you’re playing. Sounds pretty” you reassured him. “Good morning, Mark”

His previously guilty expression was taken over by a wide grin appearing on his face, which turned into a bright smile. “Good morning, pretty,” he said.

You smiled at him and he went back on strumming random chords on his guitar. His eyebrows scrunched in concentration and you couldn’t help but giggle at the sight of his messy hair and wrinkly t-shirt due to the, apparently, good quality sleep he just had. Your obsessive thoughts took over once again and didn’t let you enjoy this glimpse of happiness in the abyss of misery you were engulfed in. Your lips gradually dropped to a frown and your vision became blurry again.

Mark wasn’t perfect, but neither were you. He came into your life at the perfect moment, when you needed him the most. It was your first day at the bar, your first time as a bartender. Renjun had been training you all day, teaching you the basic parts of the job and giving you tips on how to handle weird or creepy customers. You were completely drained out that day, so your co-worker and soon-to-be best friend had promised you a pleasant surprise by the end of your shift.

Renjun’s definition of a “pleasant surprise” was slightly different from yours. That night, Mark walked into the empty bar with steps full of confidence. You didn’t know him back then, but from the very first second you saw his figure enter your life, there was only one word that kept circulating your mind; trouble.

Mark was trouble. With his sharp gaze and well-defined features, captivating aura and assertive moves, it was more than obvious that this guy would mean nothing but trouble to you. For some inexplicable reason, this was exactly why you were instantly attracted to him.

Mark came in carrying all the usual stuff Renjun wanted and gave them over to him without talking much. The two guys seemed to share a lot of past memories together, and you were right. Renjun had filled you in later that night on his relationship with Mark and how they helped each other stand back up on their own feet after they were forced to leave home. A story very familiar to you.

Mark came by the bar every single night. He didn’t give Renjun drugs every time, but he sure enjoyed both your and Renjun’s company. It’s not as if he had anywhere else to go.

That’s how you grew quite fond of him very easily. You found yourself looking forward to the end of your shift just so you could see him. He once offered you drugs but immediately took back his offer when he saw your shocked expression. You were at the lowest point in your life and doing drugs wouldn’t be the wisest habit to take up, even though this was, at the same time, the exact reason why you should do drugs. Eventually, reality hit you and you caved in, waiting for Mark to come at the end of your shift for one more reason other than just seeing him. He was reluctant at first. Mark didn’t want to drag you into this lifestyle, so you annoyed him and begged for it until he finally gave you the lethal medicine.

You and Mark were surprisingly very similar. Maybe that’s why you bonded so fast with each other. And maybe that’s exactly why you were equally bad for each other. You could see so much of yourself in him, just at a more put-together version. Sure, he was a drug dealer, which was certainly not a better job than yours, but he at least seemed to have a purpose in his life. Unlike you.

As time passed, you started spending more and more time with him. You would smoke crack, get high, talk endlessly until your mouths dried up, go back to your motel room, have sex with each other, and repeat. You found comfort in his presence and became attached to him without even noticing.

But you didn’t love him. No, you couldn’t call this love. Rather, you were depending on him, no matter how much you hated that. He acted as an emotional support beacon to you, you enjoyed his company and, if you were honest, you genuinely liked him. But it was hard for you to admit to any deeper feelings, so you repeatedly tried to convince yourself that you didn’t love him, so that it wouldn’t hurt as much if he ever decided to switch on you. You hoped it wouldn’t turn out like that.

You lightly shook your head to get rid of all these thoughts and got out of bed to wash up a bit. “I’m starving, I’ll go down to the diner to grab some breakfast, do you want anything?” you asked Mark as you were heading towards the humid bathroom.

“Let’s go eat there. Together” Mark suggested and you stopped at your steps.

He always avoided going out in places that were too public because he was at risk of being outed as a dealer. Especially now that he was caught selling drugs once and the guy who saw him threatened to report Mark to the police.

“Are you out of your fucking mind? You’re on thin ice, you said that yourself” you raised the tone of your voice and walked towards him.

Mark put down his guitar to focus on you. “You worry too much Y/n, like, what are the odds? We’re in the middle of nowhere, I doubt anyone knows this place apart from us and the customers of your bar. I think we’ll be fine,” he cleared his throat, “I mean, I’ll be fine. Relax, I wanna spend some time with you.”

You decided against protesting and trusted Mark’s certainty of his words. Besides, he was right. The diner was out of town, it wasn’t very popular among people who weren’t familiar with the bar. Most customers at the diner were either drunk people from the bar or passersby. So you simply just nodded and whispered a soft “okay” before you went inside the bathroom, the door emitting a creaking sound as you closed it shut behind you.

The screeching sound of the fork scratching the surface of the porcelain plate turned your facial expression into a wince, which went completely unnoticed by Mark whose attention was entirely devoted to the pancakes in front of him.

The old diner was relatively empty despite it being lunch time. Other than you and Mark, there was only a group of friends and a guy sitting on a barstool. You were actually very satisfied with the quietness of the place, which was only disrupted by sounds of forks scraping plates and glasses thudding on the tables.

The diner was situated right down the same road your motel was at, so anytime your stomach growled in annoyance you would stop by and fulfill its needs. You were practically a regular customer now and probably the one who kept the place from going bankrupt. It was old, cheap and dirty; the perfect place for you.

Mark gulped down the last bite of his pancakes and thirstily drank the entire glass of water. He then set the glass down and leaned back on the booth, fixating his gaze on you.

You noticed his eager eyes on you and you set down your fork, mimicking his stance and staring right back at him, waiting for him to speak.

"That was a pretty good meal" Mark sighed and you smiled a bit. This wasn't what he wanted to say.

Since Mark seemed to be unwilling to speak his mind, you decided to take matters into your own hands instead.

"Why did you want to have lunch with me?" you asked him with your voice calm and your eyes searching for an answer in his.

Mark crossed his arms and scrunched up his nose before he answered your question. "’Cause I wanted to spend time with you. Actual time. You know, like normal people?" he said.

You rolled your eyes at his response and mimicked his body language once again, crossing your arms over your chest. "I don't buy it, Mark" you said.

Mark sat up straight and leaned closer to the table, resting his elbows on top of it. "Why are you always like this, Y/n? Whenever I tell you something, you never believe me! What's up with you?" Mark's frustration started building up in his attempt to defend himself.

"It's not that I don't believe you-"

"It's that you don't trust me" Mark interrupted you and you stood there with your mouth still open. You didn't know what to say.

Mark's gaze was piercing, his sharp eyes were darker than usual and his lips quivered at the blank stare you were giving him. "You don't trust me," he concluded.

The truth is that you weren't sure if you trusted him or not. You wanted to trust him and he had proved to you numerous times that he was someone who cared and didn't lie. Yet sometimes, you were afraid that if you trusted him too much, he would end up hurting you. So every time he said something you weren't expecting him to say, you immediately assumed that he was lying.

"Mark, listen to me," you started to say and Mark sat back against the booth, rolling his eyes. "I-I do trust you, it's just that-"

"What? You think I don't mean what I say? If I didn't meant what I fucking said then I wouldn't fucking say it! When I say I care about you, Y/n, I fucking mean it. When I say I fucking love y-"

"Don't get mad" you were the one that interrupted him now. Mark was clearly way too frustrated by you now, his voice was getting gradually louder, his eyes were full of fire and his nostrils were fuming.

At the sudden raise of Mark’s voice, the guy who was sitting at the barstool turned to look at your booth with a brief glance and then returned back to eating his food.

"Mark, just let it go, please" your voice came out almost like a whisper. You hated when Mark became angry at you and you hated it even more when he did it in public, even though it was practically just you and him in that diner.

Mark's jaw visibly relaxed and he lowered his eyes to his lap, nodding to himself. He lifted his head to look back at you with pleading eyes, much in contrast with his previous fiery gaze.

"Then why don't you come with me? Out of this fucking town? You deserve to live a better life than this. We deserve it. Look, I know I don't have an exact plan on how we'll do it, but I know that we can figure it out together. Please, Y/n" he said, taking your hand in his from across the table, rubbing your knuckles with his thumb.

You lowered your eyes at the spot your hands were joined together. Did you really love Mark? No, actually, did you really trust him enough to depend your entire life on him?

You couldn't give him an answer at that moment. Not a yes, not a no. Not even I don't know. Forget that, it would complicate things even more.

Mark noticed that you weren't going to give him an answer to his question soon, so he let go of your hand and started putting on his jacket. He reached into the inside pocket and took out some cash. He slammed it on the table and got up from the booth ready to leave.

"I have to go to work now, alright? I've arranged some deals. I'll come back later at the bar tonight. If you ever decide what you want to do with me, you know where to find me" he said and without even turning to look at him, you heard the sound of his footsteps grow fainter as he walked out the diner.

The bar was relatively full tonight. From behind the counter, you could spot only two empty tables. That was the fullest the bar has been in the last month. At the far back of the bar, you spotted Renjun already counting the tips he had earned and it was still midnight.

All the customers were busy chatting and enjoying their drinks. You found yourself craving some alcohol too, the need for an intoxicant substance was growing stronger and stronger, so you decided to mix just a little bit of something to treat yourself.

As you were filling in your glass, Renjun walked behind the counter and leaned close to your ear to speak, otherwise you wouldn’t be able to hear him through the loud chatting of the customers. “Man, I think we are in heaven, I lost count of my tips and I’m not even high yet” he said and you giggled at him.

He noticed the bottle of vodka you were holding and nudged you on your forearm. “Hey, pour me some of that too” he asked and your response was to grab a glass from the shelf behind the counter and fill it with the toxic liquid.

You had barely stopped filling in the glass when Renjun grabbed it and downed the liquid in an instant. He placed the glass on top of the counter with a thud and licked his lips, savoring the bitter taste. “What’s up with you and Mark?” Renjun asked you. You contemplated whether you should answer him or pretend you didn’t hear him just to buy you some time. A good couple of seconds passed so you just caved in and answered him.

“I don’t know. Go and ask him.” you said in a tone filled with nonchalance, sipping on your drink.

Renjun rested his elbows on the counter, his eyes scanning the place around him. “He said the exact same fucking thing when I asked him about you. You can’t be running in a vicious circle all the time. Just fuck it out, you’re both acting like little kids” he said and you sighed at his scolding tone.

Renjun wasn’t just your co-worker, he had also grown to become your best friend, a person you could talk to freely without fear of judgment because he always understood your intentions. Engulfed in your misery and loneliness, he was the person who helped you get back on your feet and have hope that things will somehow get slightly better. That sounds like something a friend would do.

You brought the glass to your lips to drink the last sip of vodka that was still inside, leaving it empty waiting to be filled with more of that toxic liquid. “You wanna know what, Renjun? Even though I hate the life I’ve made for myself, I enjoy having Mark in it. But I can’t do what he asks me to do. I can’t depend my entire life on him. I can count on him for some of it, yes, but starting anew with him? I don’t know. I really don’t. I’m not the kind of person you want to start a life with. I will fuck everything up. And he shouldn’t count on me as much as he does. It’s for the better. For both of us.”

Renjun kept staring at you, waiting for your little rant to be over so that he could take his turn to speak. He gulped and looked at your burnt out figure. Your eyeballs were turning a bit crimson due to the line of cocaine you snorted earlier, even though you promised you’d wait until Mark came later, and the lack of sleep provided you with dark hues under your eyes and skin as pale as the moon.

“Look, Y/n,” Renjun started and came a bit closer to you so that he wouldn’t have to strain his vocal chords in order to be heard, “I see your point. And I understand exactly what you mean because I felt the same way when I came here. But in my case, I had nobody to lean on. I became an addict, left home and the rest of the story is familiar to you. But you and Mark have each other and, trust me, your future is looking way brighter than mine.”

You looked into his eyes searching for honesty. Renjun has always been honest with you and you never doubted any of his words. He really cared about you. Mark too, as it seemed. And he was right. Living in a cheap motel, starving and working long hours to barely make ends meet, depending on drugs and more specifically on an exceptionally lovely drug dealer wasn’t the life you imagined to have. But fate had different plans for you and now you ended up here, whatever this here is supposed to be.

Mark didn’t seem to be ill-intentioned. From the very first moment you met him, he was protective and caring, he had always treated you nice. He spoke to you softly and touched you in a just as smooth way. But the life he was living wasn’t that much better than yours; in fact, you could say it was even worse. He depended on you as much as you depended on him.

You didn’t know what was the thing that made you keep a sort of distance from him. Emotional distance. Part of it might be because you weren’t available to be fully devoted to him, because of fear that one day he would leave you, just like everyone else did. Part of it might be because the two of you weren’t so different and two broken souls mending together doesn’t necessarily make a fully healed one.

“I’ll talk to him when I’m ready. I could do it later but I’m afraid I’ll be too high to think rationally. Or maybe this will give me more insight, I don’t know, I’ve never thought of it. Do you think clearer when you’re high?” you asked Renjun but he was preoccupied, looking at the screen of his phone which radiated such brightness his eyes squinted as a reflex.

Scanning his features more carefully, you realized that the reason for his scrunched expression wasn’t lying solely on the brightness of the screen. You took half a step closer to him and Renjun tilted his phone away from you, hiding the screen from your eyesight.

“What’s wrong, Renjun?” you asked with worry lacing the tone of your voice. Renjun shook his head and put his phone away in his back pocket. “Mark won’t be coming by later. Something came up, I’m afraid we’re in trouble too. Listen, can you handle the bar for a couple hours by yourself? Mark needs some help” Renjun said, searching for his jacket underneath the counter.

Your eyes widened at Renjun’s words and you felt your heartbeat racing and your fingertips trembling. “Is Mark okay? Tell me, is he okay?” your rising voice quivered, betraying the nervousness you felt.

Renjun squeezed your shoulder and pressed his lips together in an attempt of a reassuring smile. “Yes, he is alright. He’s fine. He just needs some help with the cops. If you see anyone suspicious showing up, flash the stashes down the toilet, we don’t want them finding anything. I’ll be back soon.”

With swift movements, Renjun turned his heel to walk out the bar in a hurry, muttering something under his breath that, due to your shocked and nervous state, you failed to hear, “How am I gonna save your ass this time, Mark?”

As soon as you heard the bell on top of the bar’s front door tinkle, you knew that Renjun was already outside and you were left alone in the bar. You were left standing frozen behind the counter, staring into nothingness. Your vision became blurry due to the tears that threatened to spill from the corners of your eyes, your hands curled into fists and your nails were digging deep into your palms, cold sweat forming at the sides of your forehead.

You were terrified. Mark was already caught selling drugs very recently, so your mind went to the worst case scenario which made you extremely terrified; that Mark was caught selling drugs by the police.

You dreaded this moment at the exact same time your eyes met Mark’s sharp ones. You knew that, once you became thick as thieves with a drug dealer, you would be in for a lot of trouble.

But you also knew how careful Mark was and this gave you hope that, whatever the case is right now, he would find a way to get himself out of there. Mark was a smart guy. You wanted to trust him, you wanted to believe that he would be smart enough not to get himself in trouble.

Yet something didn’t add up. Mark has been doing these types of deals for a long time now, he knew all the tricks of the job and he knew very well how to protect himself. So it sounded almost impossible that he would do something so reckless and irresponsible to get him caught.

There was only one possible and logical answer to all of your questions. That somebody ratted him out.

Your train of thought was disrupted by the husky voice of a man. “Excuse me, miss, would you mind pouring me a drink?”

Your head snapped at the sudden sound of a voice other than the one inside your head. Your eyes met with a man sitting on a barstool at the other side of the counter, looking at you with wary eyes. Your gaze was roaming all over his figure when your eyes halted for a second as soon as they spotted something shiny at the right side of the man’s chest; a badge.

You cleared your throat to cover up the anxiety and fear that started to appear in your voice. “Officer! What can I get you?” you greeted him with bright eyes and a cheerful voice that masked your intense heartbeat and the trembling state of your hands behind the counter.

“Actually, I don’t want a drink,” he started and moved his hand inside his jacket to pull out a file with pictures and papers, “but I do want you to help me with something. Have you ever seen this guy?” he asked you, placing the file on the counter and turning it to your side.

You gulped at the sight in the front of you and your eyes quivered from side to side. A mugshot of the face you grew to almost love was staring back at you. Sharp gaze and popping cheekbones, defined jawline and dark eyes were presented in front of you and you knew more than well enough who the person in the picture was.

Your heart sank at the sight of Mark’s mugshot and you knew what you had to do. You drew in your eyebrows together and lifted the picture with your hand in order to bring it closer to your eyes and examine it better. “I don’t think I recognize this man, officer” you said.

You set the picture down on top of the counter and looked at the police officer, not trying to avoid eye contact. You wanted to seem as less guilty as possible.

The police officer took the picture and put it back inside the file. “Really? That’s a shame. But I’ve been informed that you do know this guy because you were seen with him this morning.”

You froze immediately. Your brain tried to put all the pieces of the puzzle together, you tried to digest and connect everything the cop just said in order to form your answer.

“Are you sure about this, officer? A lot of other girls look like me, maybe it was a mistake?” you asked with a rising intonation in an attempt to defend yourself by adding another lie to your previous one.

You tried to remember where you could be possibly seen with Mark, especially during the day. You always met with him at night and you avoided seeing each other in the morning. There was no way anyone saw you with Mark.

The moment you had this thought, the answer to your question suddenly popped up in your head as if a lit up light bulb. That morning, you and Mark had breakfast down at the diner. And you specifically remember that suspicious guy who kept staring at the two of you.

That’s when you knew you had to do something drastic to get you out of this situation, and you had to do it relatively fast.

The police officer didn’t seem to buy the lie you had just uttered and continued to pressure you more. “Is this where you keep all the drinks? Can I take a look inside your storage room?”

The rhythm of your heartbeat kept increasing more and more by each word the police officer said and you were running out of lies and excuses.

“Sure, it’s this way officer” you said with a nonchalant tone, gesturing towards the door behind the counter.

The cop stood up and turned his heel to walk behind the counter and towards the storage room door. Your trembling hands had barely managed to hide the stashes you kept behind the cash register under your oversized shirt, and you followed the cop inside the storage room with uncertain steps.

The police officer could not find the rest of the stashes. It shouldn’t happen, and you had to act smart in order to prevent it. “Can I help you with something, officer? We can’t stay in here for too long, my co-worker finished early and we’re not allowed to leave the bar without having anyone to tend to the customers” you said in an attempt to speed up the process and get rid of him before he could find anything that could put you in jail.

“You can go back to your work, miss. This is my job here, you can go and do yours” the cop said as he had already taken a bottle of vodka in his hand to examine it for anything suspicious.

“Okay, I just wanted to help. Call me if you need anything,” your answer was convincing enough for him, but it wasn’t good enough for you to buy you more time.

You left the storage room and stood right outside the door, leaving it so open as to let you peek through it so that you were able to see what the police officer was doing.

With your still trembling fingers, you took out your phone from your pocket and dialed Renjun’s number with quick movements. Without taking your eyes away from the cop, you kept tapping your foot waiting for Renjun to pick up his phone.

The constant beeping sound in your ear signaled that Renjun wasn’t going to respond soon, so you put your phone back in your pocket and tried to think of what to do.

“Fuck, fuck, fuck” you muttered under your breath, running your fingers through your hair. Your eyes were wavering from the police officer to the customers in the bar and then back to the police officer. You had to do something to get everyone out of there.

Your eyes followed the cop’s figure and certainly didn’t like what you were seeing. The cop squatted down so that he could reach the boxes under the shelves and stretched his arm to pull out one of them.

“No, no, no, fuck” you whispered. Those are the boxes in which you hid the drugs.

You turned your head to look at the inside of the bar. It was fully packed. There was not any chair or barstool that was empty and, just at that moment, the door opened to reveal a group of friends who wanted to get drunk and have fun just like the rest of the people inside the bar.

The only person who wasn’t having any fun right now was you. And obviously Mark and Renjun as well, who you had no idea about their whereabouts or their well-being. On any random night, all these people in the bar would equal a pretty satisfactory amount of tips that would make your life slightly easier to get by. However, you could definitely not say that for this particular night, when your main priority was your and your friends’ safety.

Shifting your gaze from the customers to the police officer and back to your phone for any missed calls or unread messages from either Renjun or Mark, you were completely on your own on this one. Cold sweat engulfed your entire body as the seconds passed and the cop was one step closer to finding the thing that could turn your entire life upside down.

You swallowed thickly and looked at your phone one last time. No sign of anybody.

“Okay, I got this” you muttered to yourself and walked behind the counter where you usually stood. A middle-aged woman was sitting on one of the barstools, smoking and sipping lightly from the cocktail you mixed for her earlier. You picked up the first bottle of alcohol you saw on the counter - you didn’t have the time to care what it was - and walked towards her.

“Excuse me, miss, would you like a refill?” you asked politely to gain her attention. Before she even opened her mouth to speak, your actions were faster than her words. You quickly snatched the cigarette from her hand and put it out on the counter, immediately pouring some alcohol right on that spot.

Soon enough, flames started building up and the counter caught on fire. The smell of smoke became suffocating and it was hard to breathe in such a small space full of people. Your plan worked.

Muttering a string of “sorrys” to the woman, you turned around to pull the fire alarm. Every customer turned their heads to the direction of the piercing sound full of worry. “Everyone must get out, the building is on fire!” you yelled as loudly as you could, motioning everyone out the door.

Very quickly, you managed to evacuate the building by leading all the panicked customers outside the bat through the front door. In the midst of all this chaos, you noticed with the corner of your eye the police officer you rushed out of the storage room without looking any scared at all.

You ushered the last customers outside as the fire grew bigger, eventually leaving you and the cop as the only ones inside the flaming place. As he passed by you to get out the bar, he leaned closer to your face and whispered. "That was smart, young lady," he said and walked outside towards his car.

So he knew, you thought. He knew all along about the drug deals happening in this place and mainly the drug possession. He almost tricked you into thinking you tricked him. How amateurish of you.

You walked out the bar and shut the door behind you, watching the police officer drive away. A sigh of temporary relief escaped your lips and you pulled out your phone to dial a phone number you weren't particularly happy to call. Waiting for a few seconds, you heard the dreadful voice on the other line. "Hey boss, um, is it easy for you to come down to the bar? We kinda have a small problem" you said with a rapidly beating heart.

The time was already 3:16. You were pacing around your motel room, patiently waiting for any news about Mark. You had already called and texted him multiple times, but all of your efforts to reach him went in vain.

A few minutes after you called your boss, she arrived at the bar, totally shocked and deeply saddened upon seeing her not-so-small business all up in flames. You explained to her what happened, shaping the story so as not to sound guilty, and luckily she didn't blame you for anything.

After the firefighters arrived, your boss encouraged you to go home, saying that you already went through a lot for the night, so you needed to get some rest.

So now you were back to your motel room, unable to get some rest because you were still scared about yourself and your previous interaction with that police officer. But most importantly, you were anxious about Mark.

You were terrified for him. And your fear only increased because you couldn’t do anything to help him or save him. You realized that you depended on him twice as much as he depended on you and that made you feel useless in situations like this. Knowing that Renjun was - probably - with him eased your nerves a bit, but, at the same time, knowing that you didn’t do anything to help him made you feel selfish and hopeless.

Everything you did tonight was to save no one else but yourself. The entire night, you kept worrying about yourself and how you could avoid going to jail when during those very same moments in time you had no idea how Mark was or what he was going through.

Mark wasn’t the helpless one in this situation; it was you.

As you picked up your phone to call Renjun again, a loud thumping noise on the door startled you. Your body jolted up upon hearing the sudden sound and you walked nervously towards the door to look outside through the peephole.

Your eyes widened in shock and surprise at the sight of the face that was constantly on your mind. You didn’t waste any time opening the door and pulling the boy you were aching to see all night long inside the motel room, wrapping your arms around him in a tight hug.

You rested your head in the crook of Mark’s neck and he reacted to your touch in an instant, stretching his arms to the small of your back to hug you as tightly as he physically could.

Tears fell from the corners of your eyes and you pulled back just as much as you needed in order to look into Mark’s exhausted eyes without breaking the embrace. “You can’t imagine how scared I was,” you whispered.

Mark stared deeply into your watery eyes. He moved his hands to cup both of your cheeks and nodded his head when he processed what you just said. “I know, I was terrified too. Renjun came to help me but we kinda fucked it up" he said with a stinging tone in his voice.

“What happened?” you asked and Mark let go of you and walked towards the bed in the middle of the room, sitting on the edge of it. You copied his movements and sat down right next to him, turning your head to his side as you waited for him to fill you in on what you had missed.

“That bastard ratted me out. That asshole from the diner. I had a deal with some teenagers and he called the cops on me. I don’t even know how he tracked me down.” Mark confessed looking straight, his eyes full of void, focusing on nothing in particular.

“Anyway, they took me to the police station and started questioning me about all this bullshit. There was no way I could excuse myself, they literally busted me, they saw me doing the deals. I texted Renjun and, I don’t know what he said to them but it didn't go well," he stopped to take a deep breath despite the desert that formed inside his mouth and the waterfalls that were forming in the corners of his eyes, "so we basically ran away and sooner or later the police will find me. I had nowhere else to go and I knew that your place would be relatively safe." Mark finished reciting you the events of the last few hours, tears staining his cheeks like the raindrops of a drizzle.

The dried tears that stained your cheeks became wet again when the new set of them fell down your face. You were staring at Mark through your teary gaze, trying to find any emotion in his void expression. He had never looked so soulless and it terrified you even more.

But the truth is that Mark himself was trying to mask his fear and anxiety by not showing them. The tears that traveled from his bambi eyes down to his popping cheekbones felt empty and the sight of him in such a state brought a stinging pain to your heart.

“So w-what does that mean?” your voice trembled at each word you uttered as you faced Mark with nothing but fear and another emotion that, at that moment, resembled love.

Mark made an attempt to wipe most of the tears off his face with the palms of his hands so that he could face you with clear vision. “It means I might go to jail. I will go to jail, unless I get out of here” he said. “Fuck, those bastards gave me an excuse to leave this fucking place” Mark scoffed as he sat up from the bed and started roaming around the narrow room, hands resting on his waist.

Your eyes trailed on every single one of his moves. You blinked several times to prevent any more tears from falling and cleared your throat to avoid your hoarse trembling voice. “So you’re really leaving” you said quietly, more to yourself than to Mark.

Mark turned around to look at you. “Yeah, I am. First thing in the morning. I don’t have many things to pack so it won’t take me long. And I can help you pack your things too, it will be quicker if-”

“Who said I’m coming with you?” you interrupted Mark and you immediately regretted doing so once you met his fuming gaze, which was now completely taken over by anger but was previously filled with nothing but emptiness.

“Y/n, we agreed to this. You’re coming with me and that’s it.” Mark growled as he took a step closer to you.

You stood up and started walking nervously around the place you called home, running your fingers through your hair in an attempt to ease your nerves. “We never agreed to anything. I told you I can’t-”

“Bullshit, that’s what you told me. Everything you said is bullshit. I want nothing but the best for you, we’ve been meaning to do this for such a long time and now that we have every reason to leave, you don’t want to! What’s wrong with you Y/n?” Mark clapped back at you.

A tear dropped down to your feet as you looked at Mark’s reddening face. Your lips trembled in your attempt to voice out your feelings, unfamiliar to your vulnerable state. “I’m scared, Mark,” you paused to sniff your nose, “I’m so fucking scared. For you, for me, for everything.”

Mark’s features softened at your sudden confession. He remained silent, gesturing to you to move on.

It was hard and unusual for you to open up to him like this. You hated the fact that he made you weak, that he had such a strong effect on you to make you eventually do as he says. But there was always this evil little voice in your head that told you not to trust him because, in the end, he would act just like everyone else and leave you.

“Do you know how scared I was tonight? I almost risked my fucking life for you! I had no idea where you were, I didn’t know what happened or why, and you know why? Because you never tell me anything! You only care about yourself,” all your fears and anxieties exploded and the outburst was so big you didn’t know how to stop. And you couldn’t stop even when you took a glimpse of Mark’s furrowed eyebrows and frowned lips, which you couldn’t tell if they were the result of sadness or anger.

You didn’t want to hurt him. But at this state, you couldn’t remain silent anymore. It wasn’t Mark’s fault, but you had reached a point where you couldn’t bottle up anything you felt anymore, so he just had to take everything you said.

You took a deep breath before you licked your dry lips to speak again in a calmer but still bitter tone. “If only you would disappear from my life I would-”

You never completed your sentence because Mark dashed towards you and grabbed you by the neck, squeezing the sides just so, so you could breathe a little bit, his face only a couple inches away from yours. “Shut the fuck up” Mark spat out with a growl which immediately kept you quiet.

His blackened eyes were piercing right through you, his fully black pupils bore into your wavering ones. You stood frozen there, completely locked in your place under Mark’s forceful hold on you, a position which made your lower stomach twitch.

Neither of you spoke for a few seconds. Mark’s face was painted in crimson, his eyebrows fully drawn in together and his nostrils flaring out, as he tried to keep his breathing steady. His angry state scared you even more; not because he would hurt you, but because he could hurt himself. Behind the mask of the angry man he presented himself as, you were the only one who could see the sad little boy who wanted nothing else from you but to love and trust him.

With Mark’s hand still pressing on your neck, your voice barely came out when you tried to speak. “Mark please, say someth-”

Mark interrupted you once again by smashing his lips on yours with the same force he held you under him and the same desperation he hid behind his bloody gaze. You didn’t waste a second, responding in an instant to him, moving your lips to the pace and rhythm he settled. You slightly parted your lips to allow him access to deepen it even more, as he slid his tongue in your mouth to dance with yours.

His presence and strong grip was too much to endure, so you stretched your arms to grab his hair. Mark sensed your need for more support, so he lessened the pressure on your neck and moved his free arm to the small of your back.

The previously quiet room was filled with the lewd sounds of your lips and tongues and the soft grunts and whimpers that left your lips in between each violent connection between them. You hadn’t realized how much you needed Mark, how much you had missed his touch and his burning essence on you until this very moment. Your body reacted to him almost immediately, as you felt your blood flow from your heart down to your aching core.

The heated argument from earlier was now completely forgotten and transformed into a passionate battlefield between two broken souls. Mark's crack infused breath, the bitter taste of alcohol on his dry lips and the lust overtaking his brain and controlling his actions electrified your entire body. There was not a single part of you that didn't want Mark, that didn't desire him and you couldn't help but want more of him.

Your brain, too foggy from the bold emotions and the alcohol you had consumed earlier, couldn't work properly, so your primal instincts took over you entirely. You kept kissing Mark while biting on his lower lip, which resulted in low whines coming out of him, his hardening length growing more inside the pressure of his pants.

You could sense him struggling to keep his cool and you were trying to give yourself some friction too by rubbing your thighs together. You reached your hand down to Mark's pants, cupping his dick outside the thick fabric of his jeans, the teasing action causing him to roll back his eyes.

Mark stopped kissing you abruptly and without wasting any time, he threw you on the bed with all his strength, watching you with hungry eyes. You plopped down on the bed, the sheets creasing at the sudden force and you looked at him with a lustfull gaze that invited him in.

"Wanna fuck you so dumb right now" Mark growled lowly as he took off his shirt from the back of his neck in a swift motion and continued to unbuckle his belt, his eyes never leaving your pleading ones.

You followed along, removing your own shirt and shorts, lying in bed only in your underwear. Mark had now discarded himself completely off of all his clothes except from his boxers, which had an undeniably visible precum stain on them.

Mark's body hovered above yours, connecting his lips with yours for a brief moment before he pulled back to attack your neck, biting and nipping on the spot right under your ear, which earned a loud gasp from you.

His lips kept on abusing your neck area, as you locked your fingers in his hair, tugging and pulling at it with every bite on your neck and chest. The hot sensation of his lips, tongue and wet saliva all over your body made you whimper under him, a sound that made his cock twitch inside his underwear.

Mark traveled lower down to your chest. He slipped his hand behind your back to undo your bra, removing the bra straps off your shoulders eagerly and tossing the piece of clothing somewhere in the dirty motel room. He was quick to attack your hard nipples, dropping his head to suck on one of them, and reaching the other one with his hand, twisting and rubbing it between his fingers.

Your moans and whimpers echoed in the room, the sound and smell of your bodily fluids polluted the small space, everything about the inside of the place being purely filthy.

The heat in your body kept rising and you could feel the stickiness in your panties. You wanted Mark, all of him. You wanted him to treat you however he wanted to, you wanted to please him by giving him all of you and you wanted to feel desired by him.

"Please Mark," you breathed in a soft moan, "please fuck me" your face reddened in your pathetic confession, but it didn't seem to stop Mark from ripping your panties apart, leaving your dripping cunt exposed to the dirty cold air of the room.

Your drowsy eyes and rapid breathing fueled Mark and all his inner needs, as he lifted his body off yours and parted your legs with his hands, pushing your thighs apart. You were breathing heavily in anticipation of his next move, which was a sharp slap to your pussy that sent a strong bolt of pleasure through your whole body. You moaned in pleasure and surprise and Mark repeated his action at the sound of your whiny moans.

"You're a pathetic little slut after all, aren't you?" Mark lowered his head and spat on your pussy, which had you clenching around nothing. "Look at you, begging to be fucked" he brushed one finger up and down your clit, just enough to tease you and elicit a sharp intake of breath from you. "You really pissed me off, you know?" he muttered.

"Please Mark, I want you. I need you so bad, please fuck me" you whined with a high-pitched voice, the one you knew that Mark could never resist, as you pouted your lips at him.

Mark rested his hands on your knees, holding your legs as far apart as possible, so as to have full access to your glistening cunt. His dark eyes were filled with nothing but hunger and lust, unable to control himself any longer from how bad he wanted to taste you. He lowered his head even further, brushing his lips over your clit.

"As you wish, princess" he mumbled to your wet core before he attacked your swollen bud, licking and sucking on your clit with absolutely no remorse.

A loud moan escaped from your lips at the abrupt touch of Mark's wet tongue on your pussy, your hands intertwining in his hair, grabbing and pulling at every licking stripe Mark left on you.

He kept on licking and sucking on your clit, mumbling sweet nothings and small praises, which reminded you more of the Mark you knew rather than the cold and hungry man that was presented in front of you a few minutes ago.

The lewd sounds of Mark's lips and tongue on your pussy mixed with your whiny moans turned him on to the fullest, as he pulled one of his hands away from your knee and dropped it down to slowly pump his dick underneath his underwear.

The burning desire rising up in his body was becoming too much for him, so he pulled away from your clit with one last sucking pop and took off his underwear, setting free his painfully hard length.

Mark positioned himself between your legs and with a swift motion, he turned you over to your stomach, pulling you by your hips so that your ass was higher up towards him.

"Need to fuck you so bad" Mark growled as he smacked your ass cheek with a sharp slap, your pussy clenching at the burning sensation.

"Please, Mark" you whined in the pillow, a tear rolling down your face and landing on the sheets as a response to the overstimulation taking over your body.

The way you kept whining his name and the juices almost dripping down your thighs had Mark gritting his teeth. He gave himself a few more light strokes as he positioned his dick right at your entrance. Without giving you any warning, he dived into your pussy with a sharp stroke.

You shut your eyes in pleasure and gripped the sheets tightly until your knuckles went white as Mark pounded into with sharp rhythmic strokes, each one pushing your head further into the pillow.

Your moans were coming out as crying mumbles as your face was buried deep in the sheets. Mark kept his pace and force, his head lolling back at the intensity of the moment. He kept his one hand on your hip in order to keep you steady while, with the other one, he reached down to grab a fistful of your hair, tugging at it and pulling it roughly, an action that triggered your hot tears to spill from your eyes at the pure sense of pleasure.

Mark's breathing was heavy and sharp at the sound of your soft growns and the sight of your ass jiggling at each stroke he left. "Is this what you wanted, pretty? Me fucking you so good you end up a crying fucking mess?" Mark provoked you in a voice as deep as the ocean, his groans low and hot like the pits of hell.

The sound of skin slapping on skin echoed inside the four walls of your motel room. Mark's hips connected with your ass in an intense force and a static speed, as he hit the spot that always brought you closer to the edge.

"I-I'm close, Mark, p-please" you whined as he gradually took you closer to your limits, your lower stomach twitching in pleasure and your jaw going slack as you felt your climax rising more and more.

"Let this pretty pussy cum on my dick, come on baby" Mark growled and with that, you let out a high-pitched groan into the pillow as your pussy clenched around Mark's dick, the forceful grip of your hands on the sheets was slowly loosened.

You felt Mark's strokes become sloppier as you coated his length with your warm fluids. He quickly pulled out and turned you over so your back was touching the soft mattress. He moved his body closer to you, pumping his dick slowly as he brought the tip to your lips, brushing softly against them as an invitation to take in his dripping cock.

"Open up for me, pretty" his fully blackened eyes bore into your teary ones. You slowly opened your mouth and Mark quickly pushed his cock into it, moving his hips as you bobbed your head up and down, sucking on his veiny length.

"That's right, baby. Such a good girl" Mark whimpered as he slowly released into your mouth, his hot cum dripping down your throat. You swallowed all of it completely before he pulled out and laid down on the bed next to you, both of your heavy panting echoing in the now quiet room.

Mark took a few seconds to ease his breathing and turned to the nightstand above his head to search for the pack of cigarettes you kept hidden in the small drawer. He took one cigarette out of the box and brought it to his lips. With the lighter you kept inside that very same drawer, he lit it up, smoke immediately coming out of it. The room now smelled like a mix of sex and smoke, and you winced at the odd yet satisfying combination. Mark took a long drag out of the cigarette and then puffed the smoke into the filthy air.

As soon as you caught your breath, you turned your body towards Mark's, looping your arm around his waist and resting your head on his chest. Mark responded to your intimate touch, wrapping his free arm around your shoulders, stroking your hair lightly. He pressed a soft kiss on your forehead and then brought the cigarette again to his lips.

After the long and terrifying day you had, you finally felt at ease. Your heart was beating normally, your breathing was steady and your mind was blank. All you could do was savor this moment with Mark, wrapped around his arms and listening to his beating heart, a sound that promised you that everything would be alright.

"Please don't leave me, Mark. I wouldn't know what to do without you" you whispered to him as you slowly drifted away to deep sleep. Mark didn't say anything back. He kissed your forehead again instead and inhaled deeply, exhaling in a long sigh, as his eyes were fixed outside the window, looking over at the bright city lights.

Your eyes fluttered open at the sound of chirping birds outside your window. From the way the room was illuminated and from the shadows that formed behind every object, you could tell that it was only a few minutes after sunrise, and the bright orange sun confirmed your speculation.

With your eyes still half-open, you stretched your arms above your head and groaned, a soft yawn leaving your pouty lips. You then shifted between the sheets, turning your body to the other side of the bed, moving your arms around in search of the drug dealer’s toned body, the one that hugged you tight to sleep.

“Good morning, Markie” you mumbled, still half asleep. You rested your head on the pillow, still patting the mattress when you couldn’t sense the male beside you. Your eyes widened in an instant and your body quickly adjusted to the awake state. You were focused on the other side of the bed, where the boy you spent the previous night with would be lying sound asleep. Instead, you were met with nothing but tangled bedsheets.

“Mark?” you called again, in hopes that maybe he was in the bathroom and he couldn’t hear you. No response.

You yanked the sheets off you and rushed to the bathroom, opening the squeaky door with more force than you intended. “Mark?” you called, but the calling was in vain.

Maybe he went down to the diner to get us breakfast, you thought. It was still very early in the morning, but the diner never closed during the night, so there might be some leftovers or, if you were lucky, some fresh food at this hour.

So you decided to wait for him, thinking that his whereabouts were probably the old diner. Since you were now fully awake, you decided to take a shower and change into some fresh clothes. It will only be a few minutes, Mark will probably be back by the time I’m finished, you thought.

So you hopped into the shower, letting the warm water fall down your tense shoulders in order to ease your nerves and help your body physically relax. Your mind brought up the memories of the previous night you spent with Mark. You thought about the cop that came to the bar, you thought about the fact that Mark was in serious danger, you thought about your argument with him and how you made up afterwards by having steamy sex, just like every other time.

You didn’t know how to label your relationship with Mark, or whatever you had with him. He was more than a friend but less than a lover. He protected you, cared for you, helped you with any troubles you had and was always there for you, whatever it took for him. And what did you do for him in return? Nothing.

You did absolutely nothing, at least nothing that could compare to what he did for you. And you hated yourself for not being able to pull him out of his misery, even for the slightest bit, when he could even go as far as to move mountains just to see you crack a smile.

You didn’t deserve him; yet you were too selfish to let him go. He was a soul that wanted to fly and be free, but his wings were weighed down by your annoying fears and anxieties for the unknown.

The water dripping down your body suddenly turned cold and you immediately turned off the faucet and ran out of the shower, wiping your body dry with a towel. There was still no sight of Mark, so you quickly put on some fresh clothes and searched throughout the room in order to find your phone and call him.

Your eyes scanned every corner of the room where you could have possibly left your phone, when your gaze dropped to the wooden chair across the bed, the one where Mark usually sat when he played the guitar, only to find a folded piece of paper.

You stepped closer to the chair, picking up the piece of paper and turning it around. With shaky hands, you slowly unfolded it and a shiny bright red guitar pick fell on the floor. You picked it up, bringing it closer to your eye only to recognize it as one of Mark’s favorite ones.

You held the pick between your fingers and sat down at the wooden chair, looking at the wrinkly piece of paper. Written with a dark pencil, you recognized the sloppy handwriting and the small neat letters as none other than Mark’s and you couldn't help but feel your eyes sting in threatening tears as you slowly read and processed each heartfelt word he wrote:

Dear Y/n,

You’re probably reading this because you can’t see me in your room. But don’t bother look, because I have already left for a better, safer life and I won’t be coming back.

So here’s everything I couldn’t bring myself to say last night.

I love you deeply, Y/n. And I know your feelings towards me differ from my feelings towards you, but I’m not scared to hide it. You’re afraid of the power your heart holds and I understand that. For that, I will give you time, as much as you need to learn how to use this power.

I don’t know if I am a strong man or a coward for leaving; that I’m not sure of. But what I’m sure of is my life, and right now my life is in danger. I always spoke to you about how I wanted to have a normal life, to escape from this hell hole and build a different path for me.

Most importantly, I wanted to build this path with you. You’re the only thing that made this hell hole bearable, the only thing that gave me purpose, the thing that made my life have a meaning.

But I took some time to think and I realized that I can’t force you to follow the same path as me, no matter how much I need you or how much I want only what’s best for you.

So I left. I left to build this new path and I will try as hard as I can. I don’t care if I fail, because I know I can keep on trying and, no matter where you are, just the thought of you gives me strength.

I’m leaving you a piece of me behind though. My favorite guitar pick. I want you to have it. You can keep it, burn it, destroy it, I don’t care what you’ll do with it. I just want you to have something to remember me, something that means to me as much as you do.

So, for the meantime, mark me in your heart like I have marked you in mine, and think about what makes you truly happy. If you ever change your mind, you already know where to find me.

Your beloved,

TAGS: @peachjaem00 @matchahyuck @bbyyhyuck @vdollys @positionslab @renjun-fairy @back2jisung @xxxx-23nct @uwuheeseungie @markleefuckme @kittydollzz @kkaye02 @dear-97 @mrkluvv @meloncremesoda @stargrll13 @koyrx @nuttie-nv-blog @markspetal @assholemimi @budibbly @chardonnayyyy

join my taglist here !!

#kflixnet #k-labels #mark lee smut #nct smut #nct mark #mark lee #mark x reader #nct dream smut #nct 127 smut #nct fanfic #nct scenarios #nct fic #nct drabbles #nct imagines #nct timestamps #nct angst #mark lee angst #nct dream #nct 127

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theminecraftbee · 5 months

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task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.

Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.

Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.

Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.

Mumbo: NO RESPONSE GIVEN.

Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.

Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.

Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!

Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.

Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.

Lizzie: NO RESPONSE GIVEN.

Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!

Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?

Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?

Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.

Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?

BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.

Jimmy: NO RESPONSE GIVEN.

#secret life smp #a bee fic #not tagging everyone in this because it's. everyone #anyway i have wanted to write this for like TWO WEEKS so i figured that now's as good a time as any #anyway this is probably as thinly disguised as my character meta gets #we talk a LOT in this fandom about curses #we talk about whether we like them as fanon we talk about whether we dislike them we talk about who has them we talk about why #we talk about if they're here or broken or anything else #so i'd like to think the characters have an opinion on curses too after how much talking about them we've been doing #...at least the characters around to tell us their opinions do.#(anyway for all I claim this is thinly disguised character meta it IS actually of note that this isn’t actually about if they believe)#(but instead about how they’d respond if they were asked)#(hence why half of them don’t even answer the right question)#(this is why I’m not good at character meta btw)

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luvvyouforever · 4 months

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hc: acotar boys + s/o with illyrian wings

↳ including rhysand, cassian, azriel, lucien, and tamlin.

↳ some mentions of nsfw content but majority sfw, does not go into detail.

a/n: i have not read the entirety of the series nor have i wrote for acotar before. but this was stuck in my mind and i just had to see it through. enjoy, dears ❀

rhysand:

-adores taking leisurely flights with you across the night court lands, velaris, you name it and you're going. on days where you both need to get away and find some peace, you would fly away to some peak of a mountain or to a wide open field of flowers. smiles at you the whole time you glide easily next to him.

-definitely compares wing spans all the time. "no, i swear mine are bigger! look!" as he's straining and stretching the tips of them out to elongate his wingspan. you laugh and play along because you know that yours are without a doubt bigger but you'll let him win this time.

-his already large bed expands when you sleep in it together, ensuring that your wings rest on the sheets comfortably. he knows how annoying it is to tuck them in tightly or let them droop off the ends.

-if you've had a bad day, he'll ask for your permission before massaging the spots of skin surrounding your wings before gently running his hands along them, sending shivers down your spine. sometimes this will lead to more as his apt hands cause you to whimper but if it has been a particularly rough day, he is content to give you physical comfort and nothing more.

-feels incredibly proud to have you. while he hates entering the court of nightmares and putting on his persona, he secretly loves walking in to the city with you as his partner, wings fiercely on display.

-and just for some small self-indulgence, i think rhys loves wing play. when the two of you are close in bed, passionate and sweaty, he loves running his hands along your wings and he flares his out so you can do the same to him. he just can't help groaning at your reaction. enough said (i am so perfectly normal about this)

cassian:

-races with you in the air. some days he is just bounding with energy and adrenaline and nothing helps him more than leaping off of the balcony of your townhouse and soaring high in the air, dodging one another, doing tricks, etc. while rhys loves peaceful flights with you, cassian is the exact opposite.

-if you ever feel insecure about your wings, he'll encourage you to be confident about them and let them out. he may notice that a party, you get insecure about taking up so much space and you try to tuck your wings in as close as possible, placing yourself in corners. he'll come to your side, spread his wings out and tap your back to tell you to do the same. "don't feel bad about them, sweets. you look glorious."

-your sleep habits are definitely...interesting. two people in one bed with enormous wings sprouting from the backs? yeah, it's a little hard to maneuver. but you manage and usually, in the morning, you end up sprawled on the bed, limbs tangled, hair in faces, pillows off the bed, but rested and comfortable nonetheless.

-cassian loves being a tease and throughout the day, anytime he sees you, he'll sneak on you and run a finger down the most sensitive part of your wings, causing reactions that make those around you just slightly uncomfortable. he laughs and giggles and you don't stay mad at him for long.

-he would find it really attractive if your wings were bigger than his or if you could take him down in a fight. he's spent his life being a fearsome warrior, stronger than everyone, and if his partner can spread their wings and tackle him to the ground, he'll be so excited.

-you know that scene in good omens where aziraphale covers crowley's head with his wing? yeah, cassian does that. if you're walking anywhere and it starts raining, snowing, etc. he will gladly place his wing over top of your head to keep you from getting wet. you appreciate it more than anything.

azriel:

-i like to headcanon azriel as being a little fancy and bougie. he definitely has piles of oils, lotions, and skin care products for his wings that he will share with you. he likes keeping them shiny, moisturized, and clean. more often than not, he'll have you sit down in the bathroom while he does a mini skincare routine for your wings alone. you love it and look forward to it every night.

-azriel's wings are canonically the largest of the bat boys and i think he feels a secret sense of pride about this. no matter how good of a warrior cassian is or how good of a leader rhysand is, he holds that over them and this reflects in your relationship. he doesn't feel threatened by them, both because he trusts them and because he knows your affinity for his wings.

-oh my god...his shadows dance all over your wings when you're together. they tickle and give you goosebumps along every part of your body. azriel pretends to rein them in but he loves seeing you giggle at the feeling and sometimes sends his shadows out to run along your wings when you need to cheer up.

-if anyone ever hurt your wings or damaged them in any way, he'd see red and nothing else. he knows how much wings matter to an illyrian and if you come home from a battle with your wings bleeding, ripped, or scarred, he'd immediately find them and make them wish they didn't do such a thing to you.

-when crowds and people and senses become too much for either of you, you'll slip off to some secluded place, usually your home, and wrap each other in your wings, enveloping you in darkness and quiet. it's a great remedy for headaches or overstimulation. in general, i think azriel hugs with his wings. his arms will be wrapped tight around your body and his wings will encase you as much as they can.

-some more self indulgence here...i think azriel isn't as fond of his wings being used in the bedroom but as for yours...shew. you know how his shadows like to play with your wings? he revels in your sounds, gasps, and surprise at the feeling of your most sensitive spot being touched so delicately.

lucien:

-lucien has always been fascinated with illyrian wings. i think he'd ask you so many questions about them, about how they feel, how it feels to fly, etc. he'd very politely ask for your permission before grazing them with his hands, taking in the beauty of them.

-he always wanted to fly like the illyrian warriors he was familiar with but he never asked you out of embarrassment. the first time he flew with you was out of pure need as you escaped from some kind of danger together. he couldn't get away fast enough so without thinking, you picked him up and soared into the sky with him. after that moment, he looks for any chance to fly with you.

-lucien is a fast learner when it comes to learning how to care for your wings. he picks up on the spots that ache the most and pays special attention to those after long days. he speaks to cassian and azriel about caring for them, and he takes their advice to heart, buying whatever he needs.

-sometimes, he feels insecure and wonders if you'd prefer to be with someone who can match your skill set and keep up with you better. you shut down those thoughts as soon as they come up and make some joke that illyrians are a cocky breed and that you'd much prefer to be with him. you even offer to train him in some illyrian fighting techniques which he quickly takes you up on.

-if someone stares at your wings while you're at some kind of spring court high society function, he'd shoot them an evil glare which is particularly intimidating. he reassures you that there is no need to hide the beauty of your wings and that he'd deal with anyone who says something bad about them.

-lucien can't help but blush when you casually use your wings to help him throughout the day. if he shivers at a draft blowing through open windows, your wing will find a spot behind him to block the cool air. you will block the bright sun when you're walking together, barely caring about the intense warmth. if you're fighting together, your wing blocks hits and acts as a barrier between him and an enemy. when he questions himself, he thinks about those small moments that show your love and smiles.

tamlin:

-i think that tam can feel a little threatened sometimes by your wings and skills as a warrior. he places a lot of importance in his position as a protector and it takes him some time to get used to having a partner that can defend themselves. once he does, though, you two are practically an unstoppable force.

-he tries to act very nonchalant about your wings out of fear of offending you by staring at them or touching them. the first time you catch him looking at them in the sunlight, you smile and tell him that you'd never be offended by him admiring them. after that, he's constantly raking his eyes along your wingspan, creating poetic lines in his head about how the stars reflect on the silky black skin.

-tam is possessive by nature and if he sees someone complimenting them or, gods forbid, touch them, he couldn't hold back the claws emerging. he knows very well that you will stand your ground but nobody touches his partner like that and he will let them know very quickly.

-he will never really admit it but he loves seeing you in the light, pastel colors of the spring court, especially when they contrast so heavily with the dark wings on your back. he thinks one of his favorite views is you laid out in the rose garden, soaking in the sunshine with your wings laid out entirely on the ground. his love for you swells and he wishes he had a camera to keep the view preserved forever.

-he loves to spoil you with the best wing care you've ever seen. i'm talking expensive oil infused with gold that creates the most beautiful sparkle along the wings. i'm talking handmade soap sourced from velaris that smells divine which he uses while you take a bath together. he thrives when he gets to spoil you like this.

-his first calanmai after you became partners is an entire story in itself. even while ferociously charged with power, he asks for your permission to touch your wings while in the heat of things. his delicate hands are so different from the rest of the way he's taking you and he draws sounds from you that bounce off the cave walls and echo for likely miles.

i hope you enjoy this! i really like writing headcanons so if you have any requests, please let me know! <3

#acotar #acotar series #acotar x reader #rhysand #rhysand x reader #cassian #cassian x reader #azriel #azriel x reader #lucien vanserra #lucien x reader #tamlin #tamlin x reader #acotar headcanon #headcanon #wings #fluff

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feathered-serpents · 3 months

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God queerbaiting really fucked us didn't it?

Not only do I still have a lingering disbelief over the fact that the Kiss really happened in season 2, when I saw the EVERY spoiler, I gaslit myself into believing it was fake. Aziraphale and Crowley were always a queer couple, but I never thought it would be that in your face, I never let myself hope.

And even now, AFTER the kiss, I get people telling me they don't think it's gonna end with them involved romantically. They don't see them having a happy ending. It doesn't matter what Neil says, it doesn't matter what the themes of the story are, people refuse to have hope because we've been conditioned not to. That's what decades of queerbaiting have done to us, just made so many of us refuse to have hope because why would we?

Obviously, season 3 is going to end with the South Down's Cottage, and it breaks my heart to see people so USED to disappointment brought on by queerbaiting that they refuse to look forward to that. That they just go "No. There's no way. This doesn't happen" it's just. Sad

Obviously, I don't know the ending of the entire show, but I would shocked if it didn't have a happy ending. That's just not the story Good Omens is, that's not what it feels like we've been promised. But we're so used to stories burning us in the last second I can't blame people for their doubt

I dunno, I don't really have a point to this rant other than being like "Damn... they really fucked us over so many times we've started to expect disappointment. That's pretty fucked up actually"

#good omens #ineffable husbands #crowley x aziraphale #aziracrow #good omens 2 #i'm tagging this like a tiktok why's that upsetting me

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