#due to the 30 image limit

[intuitive-revelations]

FLUXES [Celestis: Engineered Participants / Technologies] Example: "DOCTOR, The"

[Image description, courtesy of @quailfence: a series of pictures of text, alternated with screencaps and gifs from Doctor Who.

1: Text: Fluxes: [Celestis: Engineered Participants/Technology] Individuals transposed backwards in time but not too far in space, using a very high chaotic limiter setting and tied to their home period by a thread of biodata

2: The Eleventh Doctor stands in the future corpse of his TARDIS, looking and a pulsing stream of light that has replaced the console. He says, "That is the scar tissue of my journey through the universe. My path through time and space."

3: Text: He raised a finger. 'Look. There.

Now she could just make out the thread in the moonlight. It was just a faint reflection, maybe a foot or two long, about a metre off the ground. A taut strand of spiderweb hanging in the air, not attached to anything.

'What is it?' Fitz asked.

'It's only partially rotated into three dimensions,' he said. He pushed his finger right through the glimmering line, without affecting it. 'That's why it looks one- or two-dimensional. The rest is still perpendicular to what we can see - woven into higher space, or the time vortex…'

'Yes,' said Fitz, 'but what is it?' 'It's what your friend mistook for a ley line.' The Doctor was scuttling around the silver thread, peering at it from every angle, getting more and more agitated. 'It's part of the fabric of space-time itself. What DNA is to your genetic code, this stuff is to biodata. And it's all just exposed here now. Personality, history, memory, perception, all vulnerable…'

'I'm going to have to ask you again, aren't I?' said Fitz.

The Doctor said, 'It's me.'

4: The Fourteenth and Fifteenth doctors in the TARDIS. 14: "But you're fine?" 15: "I'm fine, because you fixed yourself. We're Time Lords, we're doing rehab out of order."

5: Text: The subject is turned loose in his or her own history, and the limiter setting allows tiny actions taken by the future version to have considerable effects on the past version. The biodata link then transfers these changes to the future version, which alters it, and thus alters the changes made to the past version. Therefore, the individual's history is kept constantly in flux.

6: The Fugitive Doctor says, "Let me take it from the top: Hello, I'm the Doctor."

7: Text: Let me finish. Think back to that time when you went to see your previous selves.

8: Ten, Eleven, and War talk to each other. Ten: "You're not actually suggesting that we change our own personal history?" Eleven: "We change history all the time. I'm suggesting far worse."

9: Text: 'Maybe there's no one home on Gallifrey,' said the boy softly. There was just the one of him.

The Doctor looked at him, cupping the small white cube in his hands. The boy said, Maybe they all left. Or maybe the whole planet's being destroyed, and undestroyed, and destroyed, and you just caught them at the wrong moment.

10: The TARDIS by the ruins of Gallifrey

11: Text: 'It's impossible,' said the Doctor. 'It's impossible for my people. Our past is unreachable. What's written can't be unwritten.'

'Who said your history can't change?'

Another boy answered, 'Someone from his history.'

And another: 'Maybe it's the second-biggest lie in Time Lord history.'

12: Dhawan!Master tells Thirteen, "You are the Timeless Child."

13: Thitreen stares at a ruined house. Swarm whispers in her ear and tells her, "All the memories you've lost, all the people you've been. It's all in there, contained within that house."

14: Text: And it was like the Doctor's home. As if his ship understood the loss of the House and had compensated to fill the emptiness. Shadowy corridors, alcoves and stairways, a secret at every turn. Like being in the Doctor's head. Like his life, for that matter, the details of which were strewn like flotsam across the floor.

15: Text: 'Sweet,' said the little boy. 'That's my favourite of your origin stories, too.'

The Doctor opened his eyes. He had been laughing, he realised, he felt that lightness in himself. The boys had all moved away, behind him, leaving him facing the empty dark of the warehouse.

'What do you mean?' he asked. His voice sounded very small.

'Is this the version where they banned all mention of his name, and yours, for consorting with aliens? Or the one where he got every record of himself deleted from the files?'

'Feel free to believe either of them,' snapped the Doctor, 'or both of them, or neither of them. If you're curious about my past, I want there to be as many wrong answers as possible.'

16: The Eighth Doctor tells someone, "I'm half human. On my mother's side."

17: Text: 'Well he's a hybrid, you know that. A Gallifreyan not born of Gallifreyan, the one who unites the two races and brings good old human niceness into their alien society. Aliens need that, y'know.'

'A human hybrid? She saw the contempt in his curling lip. 'Pseudoscientific nonsense. There's no evidence,' he repeated.

'He's allowed to be different. He's got a prophecy and everything.'

18: Lady Me says, "By your own reasoning, why couldn't the Hybrid be half Time Lord, half human?"

19: Text: Someone giggled. 'Let's play pin the tale on the donkey.'

'Maybe you didn't use to have a father.'

'Maybe you're living in the middle of a time war. Maybe there's an Enemy out there -'

The Doctor shouted, 'I'm not listening!'

'- who's rewriting you when you're not looking!'

'Maybe you weren't always half human.'

'But now you've become always half human.' 'Maybe you weren't always a Time Lord.'

But now you've always been a Time Lord.'

'Maybe you originally came from some planet in the forty-ninth century. Fleeing from the Enemy who'd overrun your home -'

'I said I'm not listening! Laa laa laa laa laa -'

'- and you've just been written and rewritten and overwritten, ever since.'

'Pin the tale!'

'How d'you know it's not true?'

'How could you know it's not true?'

The voices crowded in. 'How would you know, huh?'

'How would you know?'

'How would 'How would you 'How 'How would you know? you know? you know? know?'

'Why would I care?' shouted the Doctor.

The boy fell silent.

20: Lady Me asks, "Am I right? Is it true?" Twelve replies, "Does it matter?"

21: Text: However, the one group from the Homeworld which has excelled at flux-engineering is the Celestis.

22: Two asks the Time Lords, "Now then… what about me?"

23: Tecteun tells Thirteen, "Which is ehy we engineered the Fluyx: Shut the universe down and you within it."

24: Text: Even Mictlan itself can be considered a kind of enormous flux, an endlessly-shifting realm so cortosive to the rest of history that its heartland has to be kept on the outer skin of the universe

24: The Fourteenth Doctor tells Donna, "I invoked a supersition, at the edge of the universe, where the walls are thin and everything is possible."

25: The space station from Wild Blue Yonder

26: Text: There are suggestions of a stable middle-ground between the two fates, in which the physical matter of the flux is lost but the meaning of the subject/ victim is retained, a series of memetic connections with no flesh to support it. Yet this entity exists only on a purely theoretical level, relying on the perceptions of others to survive at all.

27: The Twelfth Doctor walks up to the TARDIS console. He says, "Can't wait to hear what I say." Glancing at the viewer, he adds, "I'm noting without an audience."

28: Text: You know what Sam represents. If a tree falls in a forest and no one's there to hear it, does it make a sound? Stop me if I'm getting too abstract here, but if a Time Lord saves the world and nobody witnesses him doing it, does history care? She's your witness. The thing you need to make you whole.

29: The First Doctor looks at the viewer and says, "Incidentally, a Happy Christmas to all of you at home!" End description.]

[Plain text: Fluxes [Celestis: Engineered Participants / Technologies] Example: "Doctor, The". End plain text.]

@dw-described

#Doctor Who #DW Meta #DW Theory #First Doctor #Second Doctor #Eighth Doctor #Tenth Doctor #Eleventh Doctor #Twelfth Doctor #Thirteenth Doctor #Fourteenth Doctor #Fifteenth Doctor #Martin!Doctor #Tecteun #The Division #The Flux #Faction Paradox #Doctor Who EU #The Book of the War #Unnatural History #just some random thoughts #linking together some of the parallels and headcanons over the years into a chain #actually was spurred by me thinking about the 'destruction of the universe' line in Class and connecting it to the Flux #but had to cut it #as well as a lot more #due to the 30 image limit #so consider also the Solitract; the Great Old Ones from the previous universe; the Doctor as a 'virus'; “once upon several times” etc. #DW Spoilers #Doctor Who Spoilers #for Tennant and Gatwa together

[forecast-rain]

hiiiiii. So I was thinking about wilardo and like... wouldn't all his problems get solved if he just made a pact for the witch's heart. so I made an au about that! Except, he gets Lime as his demon and well... things don't work out as he'd hoped <3

(also, note: this conversation is operating with the idea that wilardo had made some sort of impression on lime while she was still alive.)

(The moment of truth.)

(This better not have been a waste of my time...)

*spooky sound effects, the summoning works*

"Hmm? Who, oh who is the human who has summoned me here?"

"Ooooooh! It's you!"

"...Me?"

"Whaaat? You don't recognize me?! How cruel!"

"Sorry, lady, but I'm pretty sure this is my first time meeting you."

"I knew I changed but to not remember widdle owd me... How horrible!"

"But despite the decades that passed, you look the same as you did back then."

"..."

"Hmph. Not going to respond, I see how it is."

"...You're a demon, right?"

"Oooo, right on the money! I see you've done your research!"

 "Now what could you want with adorable little me?!"

"I want to enter into a demonic pact with you."

"A demonic pact?! With me?!"

"Yes." 

"Is that possible?"

"Hmm, hmm. Yes, it is certainly possible. Are you aware of the requirements?"

"Yes. I have everything ready."

(pact writing commences)

#cloud posts #due to the 30 image limit I had to split it into 2 parts #anyways #to be continued in a reblog. #wilardo pact partners au #whnoc

[weepingmilkshakedreamer]

the amateur surge0n hunger gamez experience l0l

bit 0f a c0ntinuati0n 2 my lazt p0zt. l0l

The bl00dbath:

damn z0 many pe0ple ran away fr0m the c0rnuc0pia- l0l

Day 1:

w0w dwayne juzt killed my b0i [i excepted karl t0 lazt l0nger fr0m what i zaw but ig it'z n0t happening with me rn], and then bluebris killz my girl.

Night 1:

Rashid x Bradley + bluebris x killa bee [real], and then hurbiz killz my 0ther fav0rite character.

Day 2:

i w0nder what p0ssezed ignaci0uz II t0 attack hiz grandniece th0-

Night 2:

shit juzt g0t real with that suicide pact h0neztly-

Day 3:

Hubriz: *fuckin diez* Me: Good! bitch dezerved it.

alz0 why did Bradley get scared 0f a cat 0ut 0f n0where?- l0l

Night 3:

0k i take that back bluebris x mileena [real], alz0 i w0nder what that c0nverzati0n with Dwayne n me0wingt0n muzt be like. l0l

Day 4:

h0ly fuckin shit- what made Alan j0in the gr0up t0 kill 0phelia like that?! like he ether A: waz f0rced int0 it 0r B: waz a witnezz. but ether way 0phelia juzt g0t murked [which bleed w0nt be t00 happy b0ut ig], alz0 why cant me0wingt0n juzt uze hiz m0uth 0r vacuum t0 get the fish?

Night 4:

w0w aure0la juzt recreated that b0mb scene in act 3 fr0m the firzt game. l0l

#amateur surgeon #adult swim #brantsteele #hunger games simulator #part 1 of 2 #separating this into 2 parts due to the 30 image limit lol #long post #bit of a long post

[x-on-the-calendar-business]

exploring panic!'s a fever you can't sweat out/live in denver boxset

a couple of years ago, i managed to snag this for $150, which is still crazy to me, and it's definitely my favorite thing i've ever owned. i feel like i haven't seen many people detailing the contents of it, and since it's such a cool relic, i wanted to share this beauty with everyone.

it comes with the live in denver dvd (left) and a fever you can't sweat out cd (right). the cover art and discs are SO fucking pretty and cool i'm so obsessed with them. i love how it really feeds into that 20s/30s theme they had going on this era.

then it has these 4 photo cards which are all such beautiful photos. the first one especially is one of my all time favorite panic photos. the b&w filter also fits this era so well.

this is a phenakistiscope. you stand in front of a mirror and spin it around while looking through the cracks so it looks like the girl is dancing (instructions are included on the back).

this is a tour program for the live in denver tour. it includes all the tour dates, as well as a guide to their discography. including pictures of the inside would exceed my image limit, so if anyone wants a post detailing this item, i'd be more than happy to post that!

self explanatory but it's a mask reminiscent of the but it's better if you do music video.

there's this SUPER cool poster that i'd love to hang up on my wall but i'm too scared to in case it ruins it. i'm actually so obsessed with this thing.

this is something else i can't include detailed pictures of due to the image limit, but honestly there isn't a lot of lore or super interesting stuff inside of it. however, i'd still be happy to detail it more in another post.

there's this GORGEOUS notebook that i'm also too scared to actually do anything with. it is actually quite a thick notebook. i looove the detail of the "PANIC!" barely visible in the middle of the pages.

now onto my absolute favorite part of this thing:

these cards for each song on fever are SO fucking cool and i love them so much. they're printed on really nice material too; they don't feel cheap and have this grainy feel to them too (idk how else to describe it) and it works so well. luckily i'm able to post individual pictures of each one.

so the back of all of them have the lyrics printed like that but i won't be able to post pictures of that for each one.

they just all encapsulate the theme of each song perfectly while also fitting so well with the aesthetic that they had this era. like my jaw dropped when i saw these for the first time. (side note: i'm not sure why they numbered intermission as number 12 when it should be 8 based on the album. i also don't know why they skipped introduction since they included intermission).

all in all, this is the coolest piece of merch a band has ever put out imo. like no one is doing it like this anymore. i'd been yearning for it since i was 14 so i'm so glad i was able to find it as such a steal of a price. i'll never shut up about owning it and if you're able to get your hands on it i cannot recommend it enough.

#panic! at the disco #panic at the disco #ryan ross #jon walker #spencer smith #brendon urie #patd #live in denver #a fever you can't sweat out #afycso #now i just need the pretty odd boxset and it will be complete #but thats consistently $400 so it's gonna be a while #sorry it took me so long to post this btw

[adisquietfollows]

The reporters interviewed Amit Soussana for eight hours and doctors she spoke with immediately after her release. They also reviewed medical records, videos, text messages and photographs.

Full text under the cut.

March 26, 2024

Amit Soussana, an Israeli lawyer, was abducted from her home on Oct. 7, beaten and dragged into Gaza by at least 10 men, some armed. Several days into her captivity, she said, her guard began asking about her sex life.

Ms. Soussana said she was held alone in a child’s bedroom, chained by her left ankle. Sometimes, the guard would enter, sit beside her on the bed, lift her shirt and touch her, she said.

He also repeatedly asked when her period was due. When her period ended, around Oct. 18, she tried to put him off by pretending that she was bleeding for nearly a week, she recalled.

Around Oct. 24, the guard, who called himself Muhammad, attacked her, she said.

Early that morning, she said, Muhammad unlocked her chain and left her in the bathroom. After she undressed and began washing herself in the bathtub, Muhammad returned and stood in the doorway, holding a pistol.

“He came towards me and shoved the gun at my forehead,” Ms. Soussana recalled during eight hours of interviews with The New York Times in mid-March. After hitting Ms. Soussana and forcing her to remove her towel, Muhammad groped her, sat her on the edge of the bathtub and hit her again, she said.

He dragged her at gunpoint back to the child’s bedroom, a room covered in images of the cartoon character SpongeBob SquarePants, she recalled.

“Then he, with the gun pointed at me, forced me to commit a sexual act on him,” Ms. Soussana said.

Ms. Soussana, 40, is the first Israeli to speak publicly about being sexually assaulted during captivity after the Hamas-led raid on southern Israel. In her interviews with The Times, conducted mostly in English, she provided extensive details of sexual and other violence she suffered during a 55-day ordeal.

Ms. Soussana’s personal account of her experience in captivity is consistent with what she told two doctors and a social worker less than 24 hours after she was freed on Nov. 30. Their reports about her account state the nature of the sexual act; The Times agreed not to disclose the specifics.

Ms. Soussana described being detained in roughly half a dozen sites, including private homes, an office and a subterranean tunnel. Later in her detention, she said, a group of captors suspended her across the gap between two couches and beat her.

For months, Hamas and its supporters have denied that its members sexually abused people in captivity or during the Oct. 7 terrorist attack. This month, a United Nations report said that there was “clear and convincing information” that some hostages had suffered sexual violence and there were “reasonable grounds” to believe sexual violence occurred during the raid, while acknowledging the “challenges and limitations” of examining the issue.

After being released along with 105 other hostages during a cease-fire in late November, Ms. Soussana spoke only in vague terms publicly about her treatment in the Gaza Strip, wary of recounting such a traumatic experience. When filmed by Hamas minutes before being freed, she said, she pretended to have been treated well to avoid jeopardizing her release.

Ms. Soussana said she had decided to speak out now to raise awareness about the plight of the hostages still in Gaza, whose number has been put at more than 100, as negotiations for a cease-fire falter.

Hours after her release, Ms. Soussana spoke with a senior Israeli gynecologist, Dr. Julia Barda, and a social worker, Valeria Tsekhovsky, about the sexual assault, the two women said in separate interviews with The Times. A medical report filed jointly by them, and reviewed by The Times, briefly summarizes her account.

“Amit spoke immediately, fluently and in detail, not only about her sexual assault but also about the many other ordeals she experienced,” Dr. Barda said.

The following day, on Dec. 1, Ms. Soussana shared her experience with a doctor from Israel’s National Center of Forensic Medicine, according to the center’s medical report, which was reviewed by The Times.

Siegal Sadetzki, a professor at Tel Aviv University medical school who is helping and advising Ms. Soussana’s family as a volunteer, said Ms. Soussana first told her about the sexual assault within days of her release. Professor Sadetzki, a former top Israeli health official, said Ms. Soussana’s accounts have remained consistent.

Ms. Soussana also spoke to the U.N. team that published the report on sexual violence, but The Times was unable to review her testimony.

A spokesman for Hamas, Basem Naim, said in a 1,300-word response to The Times that it was essential for the group to investigate Ms. Soussana’s allegations, but that such an inquiry was impossible in “the current circumstances.”

Mr. Naim cast doubt on Ms. Soussana’s account, questioning why she had not spoken publicly about the extent of her mistreatment. He said the level of detail in her account makes “it difficult to believe the story, unless it was designed by some security officers.”

“For us, the human body, and especially that of the woman, is sacred,” he said, adding that Hamas’s religious beliefs “forbade any mistreatment of any human being, regardless of his sex, religion or ethnicity.”

Mr. Naim criticized The Times for insufficient coverage of Palestinian suffering, including reports of sexual assault by Israeli soldiers on Palestinian women, which have been the subject of investigations by U.N. officials, rights groups and others. He also said “civilian hostages were not the target” of the raid and said “we have from the first moment declared our readiness to release them.”

A Hamas planning document found in one village shortly after the Oct. 7 raid, which was reviewed by The Times, said: “Take soldiers and civilians as prisoners and hostages to negotiate with.” Video from Oct. 7 shows uniformed Hamas militants abducting civilians.

The Abduction

Ms. Soussana lived alone in a cramped single-story home on the western side of Kibbutz Kfar Azza. After hearing sirens warning of rocket attacks on Oct. 7, she said, she sheltered in her bedroom, which was also a reinforced safe room. From her bedroom, Ms. Soussana listened as the attackers’ gunfire grew closer.

The small kibbutz stands roughly 1.5 miles from Gaza, and it was one of more than 20 Israeli villages, towns and army bases overrun that day by thousands who surged across the Gazan border shortly after dawn. Some 1,200 people were killed that day and about 250 abducted, Israeli officials say, setting off a war in Gaza that local health officials say has killed at least 31,000 Palestinians.

Ms. Soussana was at the kibbutz almost by chance. Sick with a fever, she had been recuperating the previous day in the nearby city of Sderot, with her mother, Mira, who pressed her to stay the night. But Ms. Soussana drove home to Kfar Azza to feed her three cats, she said.

The youngest of three sisters, Ms. Soussana had grown up in Sderot. She qualified as a lawyer at a local college and worked for a law firm specializing in intellectual property. Her colleagues considered her a diligent, quiet and private person who kept her distance, her supervisor, Oren Mendler, said in an interview. In Kfar Azza, Ms. Soussana said, she rarely involved herself in village life and was not part of the local WhatsApp groups, which left her unaware of the extent of the attack on the kibbutz.

At 9:46 a.m. that day, she heard gunmen outside, prompting her to hide inside her bedroom closet, according to messages on her family WhatsApp group reviewed by The Times. Twenty minutes later, her phone died.

Moments later, “I heard an explosion, a huge explosion,” she said. “And the second after that, someone opened the closet door.”

Dragged from the closet, she said, she saw roughly 10 men rifling through her belongings, armed with assault rifles, a grenade launcher and a machete.

Part of the house was on fire — a blaze that would ruin the building.

Over the next hour, the group dragged her through a nearby field toward Gaza. Security footage from a solar farm near the kibbutz, which was widely circulated on the internet, shows the group repeatedly tackling her to the ground as they struggled to restrain her. At one point, a kidnapper picked her up and slung her across his back. The video shows her flailing so hard, her legs thrashing in the air, that the man tumbled to the ground.

“I didn’t want to let them take me to Gaza like an object, without a fight,” said Ms. Soussana. “I still kept believing that someone will come and rescue me.”

The Abuser

The kidnappers attempted to restrain her by beating her and wrapping her in a white fabric, the video shows. Unable to subdue her, the attackers tried and failed to carry her by bicycle, she said. Finally, they bound her hands and feet and dragged her across the bumpy farmland into Gaza, she said.

She was badly wounded, bleeding heavily, with a split lip, she said. The hospital report prepared shortly after her release said that she returned to Israel with fractures in her right eye socket, cheek, knee and nose and severe bruising on her knee and back. The report stated that several injuries were related to her abduction on Oct. 7, including punches to her right eye.

After reaching the edge of Gaza, Ms. Soussana said, she was shoved into a waiting car and driven a few hundred yards into the outskirts of Gaza City. She was untied, dressed in a paramilitary uniform and transferred to another car filled with uniformed militants. A hood was placed over her head, though she could still catch glimpses of her surroundings from under it, she said. After a short drive, she was hurried up a staircase and onto a rooftop, she said.

After the hood was removed, Ms. Soussana said, she found herself in a small structure built on the roof of what she would later realize was an upscale private home. She remembered that militants were busy taking more guns from a box. Then the gunmen hurried downstairs, and she was left alone, facing a wall, with a man who said he was the owner of the house and called himself Mahmoud, she recalled.

“After a couple of minutes, he said I can turn around,” Ms. Soussana said. “And I was shocked,” she added. “I find myself sitting in a house in Gaza.”

She said Mahmoud was soon joined by a younger man, Muhammad. She remembered Muhammad as a chubby, balding man of average height with a wide nose.

Later that day, they dressed her in a thick brown garment that covered her body, she said. They gave her three pills, which they said were painkillers. It was the only time that she remembers receiving any kind of medicine in Gaza, let alone medical treatment.

Fitted with a fan and a television, the room appeared to have been prepared for her arrival, she said. There were three mattresses, she said, one for her and two for the guards.

Early in her captivity, her guards chained her ankle to the window frame, she said. Around Oct. 11, she said, she was led by the chain to a bedroom downstairs. She understood that it belonged to one of Mahmoud’s sons, and that his family had been moved to another place.

The chain was reattached to the door handle, she said, next to a mirror. For the first time since her capture, she could see what she looked like.

“I saw the chains and I saw that my face was all swollen and blue,” she said.

“And I just started to cry,” she said. “This was one of the lowest moments of my life.”

The Jail

For the next two and a half weeks in October, Ms. Soussana said, she was guarded exclusively by Muhammad.

She recalled that the room was almost permanently shrouded in darkness. The curtain was usually drawn shut and there were rolling power outages for most of the day, she said.

She said Muhammad slept outside the bedroom, in the adjacent living room, but frequently entered the bedroom in his underwear, asking about her sex life and offering to massage her body.

When he took her to the bathroom, Ms. Soussana said, he refused to let her shut the door. After giving her sanitary pads, Muhammad seemed particularly interested in the timing of her period, she said. She said she had spoken in a mix of basic English and Arabic; she had learned a little Arabic at school and her mother’s family — Jews from Iraq — had sometimes spoken it during her childhood.

“Every day, he would ask: ‘Did you get your period? Did you get your period? When you get your period, when it will be over, you will wash, you will take a shower and you will wash your clothes,’” Ms. Soussana recalled.

When it arrived, Ms. Soussana said, she was exhausted, afraid and undernourished; her period lasted just one day. She managed to convince him that her menstruation continued for nearly a week, she said.

She tried to humanize herself in his eyes by asking the meaning of Arabic words she heard on television. She also promised that her family would reward him financially if she was returned without further harm to Israel, she said.

In the afternoons, two associates of Muhammad would join him at the apartment, bringing him a cooked meal, she said. Some of this food was given to her as her one meal of the day.

The Israeli strikes on the neighborhood became more frequent and frightening, Ms. Soussana said, noting that some shattered the windows. As the bombing intensified, she said, she started feeling sorry for the civilians, wondering why Hamas had never built bomb shelters for its people.

“I felt for them,” Ms. Soussana said. “Just think about growing up like this — it’s scary.”

The Assault

Early on the morning of the assault, she said, Muhammad insisted she take a shower, but she refused, saying the water was cold. Undeterred, he unchained Ms. Soussana and brought her to the kitchen and showed her a pot of water boiling on the stove, she said.

Minutes later, he brought her to the bathroom and gave her the heated water to pour over herself, she said.

After washing for a few minutes, she heard his voice again from the door, she said.

“‘Quickly, Amit, quickly,’” she recalled him saying.

“I turned around and I saw him standing there,” she said. “With the gun.”

She remembered reaching for a hand towel to cover herself as he advanced and hit her.

“He said, ‘Amit, Amit, take it off,’” she recalled. “Finally, I took it off.”

“He sat me on the edge of the bath. And I closed my legs. And I resisted. And he kept punching me and put his gun in my face,” Ms. Soussana said. “Then he dragged me to the bedroom.”

At that point, Muhammad forced her to commit a sexual act on him, Ms. Soussana said. After the assault, Muhammad left the room to wash, leaving Ms. Soussana sitting naked in the dark, she said.

When he returned, she recalled him showing remorse, saying, “I’m bad, I’m bad, please don’t tell Israel.”

That day, Muhammad repeatedly returned to offer her food, Ms. Soussana said. Sobbing on the bed, she turned down the initial offerings, she said.

Knowing that Ms. Soussana craved sunlight, she said, he refused to open the curtains, leaving the room in darkness. Desperate for daylight, she accepted the food, believing that she had no other option but to placate her abuser.

“You can’t stand looking at him — but you have to: He’s the one who’s protecting you, he’s your guard,” she said. “You’re there with him and you know that every moment it can happen again. You’re completely dependent on him.”

The Israelis

Ms. Soussana said her captors moved her away from the border after a major, hourslong bombardment overnight. Based on the extent of the explosions and snippets she caught on television, she later concluded it was around the start of Israel’s ground invasion of Gaza on Friday, Oct. 27.

On the following day, she was hurried into a small white car, she said. The driver headed southwest toward what she would later be told was the central city of Nuseirat.

“Muhammad is sitting in the back seat next to me, and with the gun pointed at me,” she said.

The car stopped outside what looked like a United Nations school and Ms. Soussana was ushered into a busy street, she recalled.

She said she was handed over to a man who called himself Amir. He marched her up the stairs of a nearby apartment block and into another private home, she said.

For the first time in weeks, she was free of Muhammad — but terrified to be entering yet another unknown. “‘Oh my God,’” she remembered wondering. “‘What’s going to happen to me?’”

The man ushered her into a bedroom and shut the door behind her, she recalled. Inside, she found two young women playing cards, next to an older man lying on a bed and an older woman sitting in a chair, she said. Ms. Soussana was wearing traditional clothes from Gaza, she recalled.

“They looked at me and I looked at them, for like half a minute,” she said. “Then I asked, ‘Are you Israelis?’”

“Are you Israeli?” Ms. Soussana remembered one of the women replying.

The Tunnels

Three weeks after her kidnapping, Ms. Soussana had been united with four other hostages. Hugging them, Ms. Soussana broke down in tears, she said.

The identities of the four others were shared with The Times on the condition that their names would not be used to protect those still in captivity.

A few days after her arrival, she was summoned to the apartment’s living room, Ms. Soussana recalled. Amir often played here with his children.

On that day, the guards wrapped her head in a pink shirt, forced her to sit on the floor, handcuffed her, and began beating her with the butt of a gun, she said.

After several minutes, they used duct tape to cover her mouth and nose, tied her feet, and placed the handcuffs on the base of her palms, she said. Then she was suspended, hanging “like a chicken” from a stick stretching between two couches, causing her such pain that she felt that her hands would soon be dislocated.

They carried on beating and kicking her, focusing on the soles of her feet, while simultaneously demanding information they believed she was hiding from them, Ms. Soussana said.

She still doesn’t understand what exactly they wanted or why they thought she was concealing something, she said. At one point, the head guard brought over a spike, and made as if to poke her eye with it, pulling away just in time, she said.

“It was like that for 45 minutes or so,” she said. “They were hitting me and laughing and kicking me, and called the other hostages to see me,” she said.

Ms. Soussana recalled that the kidnappers untied her and returned her to the bedroom, telling her she had 40 minutes to produce the information they wanted or else they would kill her. She said one of the young women was so frightened that she asked Ms. Soussana if she had any last messages for her family.

In mid-November, the hostages were separated: The two youngest women were taken to an unknown location, she said, while Ms. Soussana and the older couple were driven to a house surrounded by farmland.

They found the house full of gunmen, who ordered them to sit on the floor. Suddenly, the older woman began to scream, Ms. Soussana said.

The woman was looking into a shaft that descended into the ground, Ms. Soussana said. “I hear one of the drivers telling her: ‘Don’t worry, don’t worry. It’s a city down there.’”

“Then I realized,” Ms. Soussana said. “We’re going into the tunnels.”

The Release

A ladder, several stairs and a series of narrow sloping passageways led the three hostages deep underground, she said.

By the time they reached the bottom, the guards said they were 40 meters deep, something they hoped would reassure the hostages, she said: The Israeli bombs could not reach them there.

Ms. Soussana said a big gunman in a mask was waiting for them at the bottom. Initially, he started shouting at them, telling them that Israel had killed his family, she said, but then quickly stopped, removed his mask and took a different tone.

She said the man introduced himself in English as Jihad and told them his father had worked in Israel and had even had his Israeli boss to dinner, in the years when Israeli civilians could still enter Gaza. He spoke in Hebrew at times. Jihad said he had learned some from watching Israeli television and sang them a famous song that he had heard on a children’s show, Ms. Soussana remembered.

“I was shocked,” Ms. Soussana said. “Suddenly, he was the most humane guy we met there.”

The ground shook every time a missile struck nearby, making her fear they might be buried alive, she said. The tunnels were dark, damp and too narrow for two people to pass each other. And their subterranean cell was so short of air that they were left dizzy and panting after taking a few steps, she said.

Israeli troops would later capture and photograph the tunnel. Ms. Soussana identified fabrics and mattresses in the pictures.

Their captors spent little more than an hour a day in the tunnel, ascending to higher levels overnight for fresh air, Ms. Soussana said. The hostages pleaded with the guards to bring them, too.

After several days, the kidnappers gave in, brought them back to the surface and drove them to another private house, Ms. Soussana said.

They were still there when Israel and Hamas agreed to a hostage deal and a temporary truce, which went into force on Friday, Nov. 24. The following day, the three hostages were driven to an office in Gaza City — Ms. Soussana’s final detention site.

Every day brought hope and disappointment. It was never clear which hostages would be freed, or when.

On Thursday, Nov. 30, which turned out to be the last full day of the truce, the guards were making lunch when one of them finished a phone call and turned to Amit.

“He says: ‘Amit. Israel. You. One hour,’” Ms. Soussana recalled.

Within an hour, Ms. Soussana said, she was separated from the older hostage and driven through Gaza City. The car stopped, and a woman in a hijab climbed inside. It was another Israeli hostage: Mia Schem, who was also being released.

They were taken to a junkyard, Ms. Soussana recalled. Around them, she said, their guards changed from civilian clothes into uniforms.

Finally, the two women were driven to Palestine Square, a major plaza at the heart of Gaza City, where a raucous crowd waited to see them handed over to the Red Cross. Social media video showed that Hamas struggled to control the onlookers, who surrounded the car, pressed up against its windows and at one point began to rock the vehicle, Ms. Soussana said.

After a tense few minutes, the Red Cross officials managed to transfer the women to their jeep.

As they approached the Israeli border, a female Red Cross official handed Ms. Soussana a phone. A person who said he was a soldier greeted her in Hebrew.

“He said, ‘A couple more minutes and we’re going to meet you,’” Ms. Soussana said. “I remember, I started to cry.”

Aaron Boxerman and Isabel Kershner contributed reporting.

Patrick Kingsley is the Jerusalem bureau chief, covering Israel and the occupied territories. He has reported from more than 40 countries, written two books and previously covered migration and the Middle East for The Guardian. More about Patrick Kingsley

Ronen Bergman is a staff writer for The New York Times Magazine, based in Tel Aviv. His latest book is “Rise and Kill First: The Secret History of Israel’s Targeted Assassinations,” published by Random House. More about Ronen Bergman

A version of this article appears in print on March 27, 2024, Section A, Page 1 of the New York edition with the headline: Israeli Hostage Tells of Sexual Assault in Gaza. Order Reprints | Today’s Paper | Subscribe

#jumblr #antisemitism #bring them home

[snekberry]

scenes from my body terror song pmv in chronological order (except i only included 30/32 scenes due to tumblr's image limit)

#this part of the video took me waaay too long so im making a separate post for it #tma #the magnus archives #jon sims #jonathan sims #tma fanart #magnus pod #snekberry draws #blood tw #tma spoilers

[roodles03]

Huntlow Grom Redraws (The Aftermath)

Huntlow Grom Masterpost:

Previous: The Dance

Video:

Bonus: Overview + The Aftermath

IM FINALLY DONE THANK GOD. NEVER ASK ME TO DRAW THIS MUCH FOR THIS LONG EVER AGAIN.

Anyway, admittedly, this will look a bit more awkward on tumblr since I'm not including the overview shots. But I'm only combining them on insta out of nessecity since I can't make the combined posts I want to make on there due to the 10 images limit. If I can only make one version on insta, I'm gonna post the combined version. You can go up to 30 images on tumblr on PC, so I will be making extra tumblr exclusive posts where I combine redraws from the overview into other parts to make everything flow even better. Yippie!

As for usual I changed some expressions. First panel I made Willow less happy (but still happy) and changed Hunter's mouth from :O to a smile.

Second panel I made them blush because its cute, but I made Willow a bit more flustered due to her being nervous for what she's about to ask Hunter.

Third panel I made Hunter have an "Oh shit" face... because idk I felt like Amity's expression in the OG was weird for the situation.

Mainly changed Willow's face in the 4th one because Luz looked really bad in the OG screenshot. Also slightly older King design I had to make up on the spot.

Last panel, they're more flustered because... I think you get the jist. Every time I add blush or flustered expressions, it's because It's cuter, damn it!

#huntlow grom redraws #the owl house #the owl house fanart #the owl house comic #the owl house season 1 #the owl house season 3 #enchanting grom fright #the owl house hunter #toh hunter #hunter the owl house #hunter toh #hunter deamonne #willow park #huntlow #hunter noceda #hunter park #the owl house willow #willow the owl house #willow toh #toh willow #hunter x willow #willow x hunter #golden garden #wintery junk #king clawthorne #king toh #toh king #king the owl house #the owl house king

[okiroash]

ARTFIGHT 2023 !!!!!! due to tumblr's image limit, I can't post all of the attack jsdkmdfsdf

CHARACTER OWNERS:

1 @s00r00me 2 @kiaroou @s00r00me WispyWishes 3 @kiaroou 4 WispyWishes 5 Dirge 6 @rmsebi 7 @puzzling-angel 8 @starquake-shatter 9 @crispy-sand-gator 10 @dinner-rol 11 + 12 @8redphoenix8 13 @the-river-of-light 14 @sunnyclownn 15 Kunpyon 16 Myauchelo 17 @pleasantchimera 18 @puppet-cat @pwupers @tinytoniichka Rozie 19 @alleesaur 20 @yami-yomiel 21 Zavixel 22 SallyWalterson 23 @sketchy--d00dles 24 @lemmykirby 25 @snailsnaps 26 crysallis 27 BilboBaggins 28 @daytea 29 Pastellbunnu 30 Fenrissen

#Artfight 2023 #team vampire #cw body horror #I hope u guys don't mind the ping #my love for one eye is very visible here LOL #👁‍🗨!

[ckret2]

I give you... The Sims 4 Mystery Shack. Work in progress.

This isn't done-done, so I'm not gonna show off the whole thing—just some shots that show off just how much I'm trying to match up the details. I'm working with a 30 image limit here so I can't show EVERYTHING, mainly I wanna brag about how accurate it is with some comparison pics.

The reason the cellar door next to the gift shop is so much bigger in my version is because it camouflages an actual functioning doorway to the cellar seen in Bottomless Pit. The back porch currently has a window that's gonna be moved; I put the attic window there based off of its location in Headhunters, but I've now made the executive decision that Headhunters doesn't know what it's talking about and I'll make that window the one under the roof hangout spot.

The Sims 4 doesn't give you the ability to walk on roofs. You have no idea what kind of finagling I've been doing to try to sneak a subtle ladder onto this roof.

Please notice that Bill rug made out of seven other rugs. The blanket-covered table in the middle of the gift shop isn't show-accurate, but it's a yard sale table—so, you can load it up with knickknacks and collectibles, start a yard sale, and let people come in to buy them, thus actually running the Mystery Shack like a business while keeping it a residential lot.

There's no swinging vending machine so I put the hidden staircase behind a bookcase door instead, but I still need to experiment to see if I can't do something tricky with a vending machine.

I even included the hidden safe in the living room, but I'm trying to sample this house with a 30 image post limit, so you'll just have to trust me. There's a LOT of little details like that, but I'm proudest of that one.

Due to the restrictions of making this house fit in a 3D space with walls that line up and converting from cartoon proportions to Sims 4 proportions, the dimensions of a lot of spaces get adjusted—and I think you feel that the most in the kitchen, which is pretty squished. But even squished, it's got everything it's supposed to, in the right places. (Except a wolf head on the fridge. I had a statue up there that the game deleted, I'll put something back up there later.

And I've hit my 30 image limit, so I'm subjecting you to a part two in a moment.

[greater-than-the-sword]

How to Back up a Tumblr Blog

This will be a long post.

Big thank you to @afairmaiden for doing so much of the legwork on this topic. Some of these instructions are copied from her verbatim.

Now, we all know that tumblr has an export function that theoretially allows you to export the contents of your blog. However, this function has several problems including no progress bar (such that it appears to hang for 30+ hours) and when you do finally download the gargantuan file, the blog posts cannot be browsed in any way resembling the original blog structure, searched by tag, etc.

What we found is a tool built for website archiving/mirroring called httrack. Obviously this is a big project when considering a large tumblr blog, but there are some ways to help keep it manageable. Details under the cut.

How to download your blog with HTTrack:

Website here

You will need:

A reliable computer and a good internet connection.

Time and space. For around 40,000 posts, expect 48 hours and 40GB. 6000 posts ≈ 10 hours, 12GB. If possible, test this on a small blog before jumping into a major project. There is an option to stop and continue an interrupted download later, but this may or may not actually resume where it left off. Keep in mind that Tumblr is a highly dynamic website with things changing all the time (notes, icons, pages being updated with every post, etc).

A custom theme. It doesn't have to be pretty, but it does need to be functional. That said, there are a few things you may want to make sure are in your theme before starting to archive:

the drop down meatball menu on posts with the date they were posted

tags visible on your theme, visible from your blog's main page

no icon images on posts/notes (They may be small, but keep in mind there are thousands of them, so if nothing else, they'll take up time. Instructions on how to exclude them below.)

Limitations: This will not save your liked or private posts, or messages. Poll results also may not show up.

What to expect from HTTrack:

HTTrack will mirror your blog locally by creating a series of linked HTML files that you can browse with your browser even if tumblr were to entirely go down. The link structure mimics the site structure, so you should be able to browse your own blog as if you had typed in the url of your custom theme into the browser. Some elements may not appear or load, and much of the following instructions are dedicated to making sure that you download the right images without downloading too many unnecessary images.

There will be a fair bit of redundancy as it will save:

individual posts pages for all your tags, such as tagged/me etc (If you tend to write a lot in your tags, you may want to save time and space by skipping this option. Instructions below.)

the day folder (if you have the meatball menu)

regular blog pages (page/1 etc)

How it works: HTTrack will be going through your url and saving the contents of every sub directory. In your file explorer this will look like a series of nested folders.

How to Start

Download and run HTTrack.

In your file directory, create an overarching folder for the project in some drive with a lot of space.

Start a new project. Select this folder in HTTrack as the save location for your project. Name your project.

For the url, enter https://[blogname].tumblr.com. Without the https:// you'll get a robots.txt error and it won't save anything.

Settings:

Open settings. Under "scan rules":

Check the box for filetypes .gif etc. Make sure the box for .zip etc. is unchecked. Check the box for .mov etc.

Under "limits":

Change the max speed to between 100,000 - 250,000. The reason this needs to be limited is because you could accidentally DDOS the website you are downloading. Do not DDOS tumblr.

Change the link limit to maybe 200,000-300,000 for a cutoff on a large blog, according to @afairmaiden. This limit is to prevent you from accidentally having a project that goes on infinitely due to redundancy or due to getting misdirected and suddenly trying to download the entirety of wikipedia.

Go through the other tabs. Check the box that says "Get HTML first". Uncheck "find every link". Uncheck "get linked non-html files". If you don't want to download literally the entire internet. Check "save all items in cache as well as HTML". Check "disconnect when finished".

Go back to Scan Rules.

There will be a large text box. In this box we place a sort of blacklist and whitelist for filetypes.

Paste the following text into that box.

+*.mp4 +*.gifv -*x-callback-url* -*/sharer/* -*/amp -*tumblr.com/image* -*/photoset_iframe/*

Optional:

-*/tagged/* (if you don't want to save pages for all your tags.)

-*/post/* (if you don't want to save each post individually. not recommended if you have readmores that redirect to individual posts.)

-*/day/* (if you don't feel it's necessary to search by date)

Optional but recommended:

-*/s64x64u*.jpg -*tumblr_*_64.jpg -*avatar_*_64.jpg -*/s16x16u*.jpg -*tumblr_*_16*.jpg -*avatar_*_16.jpg -*/s64x64u*.gif -*tumblr_*_64.gif -*avatar_*_64.gif -*/s16x16u*.gif -*tumblr_*_16.gif -*avatar_*_16.gif

This will prevent the downloading of icons/avatars, which tend to be extremely redundant as each image downloads a separate time for each appearance.

Many icons are in .pnj format and therefore won't download unless you add the extension (+*.pnj), so you may be able to whitelist the URLs for your and your friends' icons. (Honestly, editing your theme to remove icons from your notes may be the simpler solution here.)

You should now be ready to start.

Make sure your computer doesn't overheat during the extremely long download process.

Pages tend to be among the last things to save. If you have infinite scroll on, your first page (index.html) may not have a link to page 2, but your pages will be in the folder.

Shortly after your pages are done, you may see the link progress start over. This may be to check that everything is complete. At this point, it should be safe to click cancel if you want to stop, but you run the risk of more stuff being missing. You will need to wait a few minutes for pending transfers to be competed.

Once you're done, you'll want to check for: Files without an extension.

Start with your pages folder, sort items by file type, and look for ones that are simply listed as "file" rather than HTML. Add the appropriate extension (in this case, .html) and check to see if it works. (This may cause links to this page to appear broken.)

Next, sort by file size and check for 0B files. HTMLs will appear as a blank page. Delete these. Empty folders. View files as large icons to find these quickly.

If possible, make a backup copy of your project file and folder, especially if you have a fairly complete download and you want to update it.

Finally, turn off your computer and let it rest.

#long post #httrack #tumblr #tumblr hacks #archiving #archive #back up your shit #backing up your shit

[genericpuff]

weird question but how do you size your comic when drawing and when posting it on tumblr? the quality looks so nice

All my files are created in Clip Studio Paint at 2400px width. The length isn't as important because it's webtoon format and its designed to be long, but by default I usually start with a minimum of 15k px length and adjust from there depending on the sketches.

Once the pages are finished, I export them as PNG's to a smaller resolution at around 1200px width (again length doesn't matter here haha) and then from there, for Tumblr specifically due to how they deep fry preview images (as in, before you click on them to zoom them in) I actually take the PNG's and cut out the panels myself with the rectangle marquee tool. This ensures whatever images I upload are as crisp as possible by reducing their length by hand so that people can read the comic just ny scrolling without having to open the images and zoom. This does put certain limitations on me as I can't upload more than 30 images, but with the typical length of Rekindled episodes that's rarely ever a problem !

For Dillyhub though I just post the PNG's as is without cutting them, because they're designed for vertical scrolling so I don't need to go through and chop up the panels by hand.

And of course, I always ALWAYS make sure my root files (whether they're .clip, .psd, etc.) stay at their original resolution! Draw big, export small !

Hope that helps! <3

#ama #anon ask me anything #ask me anything #anon ama

[lacefuneral]

hi reddit. here are some tips.

i will be putting these below a "readmore" - which is the first lesson. on desktop there is a button for this. on mobile you type :readmore: followed by a linebreak. it is considered common ettique to shorten your long posts in this way.

by the way, are you reblogging a long post that isn't under a readmore? tag that as #long post so users can blacklist it and not have to scroll for five years.

(weird gaps in bullet points due to character limits lmao)

Title. Icon. Banner. blog description. (look around if you need an idea for what to put in your blog description.) Blogs without this information (ESPECIALLY the no icon + no title combo) gets you blocked immediately. This is because tumblr has always had a severe bot problem. Just grab a meme from your camera roll or a picture of a character you like from google.

also, because most users have their pronouns in their bio, it is expected that you will look there to check before addressing them, out of courtesy. don't just default to "they" - only do that if a person's pronoun's are unclear or if the pronouns listed ARE "they."

Disable public likes. the like button is for personal bookmarking. very often, people will like posts they have not read yet, so that they can read them later. a person's likes is not always reflective of their stances, and if your likes are public, people may use them against you in an argument. think of your likes as your browser history. tumblr users value privacy in this instance.

unrelated to the above point: likes are also used to show compassion for a user going through a tough time, or to say "hey, i thought this joke you made was funny." this use of likes is more for friend-to-friend communication.

Disable anything in your settings that is algorithmic including seeing posts based on other people's likes (one, because algorithms exist to make you mad and two, as part of respecting privacy)

set "following" to appear before "for you" (and overall avoid "for you")

Snooze Tumblr Live (sorry. you have to do this once a week bc tumblr sucks.)

Open your askbox so people can communicate with you. Decide if you want to allow anonymous asks and/or public DMs.

Enable the desktop version of your blog. This makes it so that when you use a computer and go to [yourusername].tumblr.com you can have a website with HTML and CSS. tumblr has tried very hard to kill blog personalization but you can find many helpful users posting in the tags, as well as pre-made themes you can install. tumblr users are the ones making the bulk of neocities websites, and in general tend to be friendly in redirecting you to resources.

enabling your desktop blog also allows you to insert links and do very basic editing (like inserting line breaks) in your blog description (we call "bio") which translates to the mobile version of your theme. you have to do this in the editor for the desktop on a computer. also, editing your theme on mobile (like changing color, font) will undo your HTML. your best bet is to edit your mobile theme first and THEN do the HTML/link stuff on a computer. i know it sounds a bit convoluted but you'll figure it out. (this website is made of duct tape)

also while you are on desktop: download xkit rewritten. it won't work on mobile but it gives you a lot of helpful features. also consider installing ublock origin if you haven't already, because tumblr will sometimes add annoying widgets to their website and that tool will allow you to block them. i also use "palettes for tumblr" to customize my dashboard color. tumblr DOES have built-in dashboard themes but i do not like them personally.

pinned posts. you can pin any post you make or reblog. some people use this to pin a funny meme, and other people use the pinned post as an extended bio (or otherwise an alternative to it). a tumblr post made on desktop can hold up to 30 images (the limit is 10 on mobile.) you can also embed links, a video, and even audio. you can change text color, have bullet points, and increase font size. as such, you can express yourself much more in a pinned post than in your mobile blog description. a typical pinned post may include information about the user, a link to an external website (like a carrd, neocities, or linktree), and sometimes an image or two. tumblr allows you to disable reblogs for a post, so most pinned posts are set this way so it just stays on a user's blog.

DNIs (also called "BYF"). not everyone uses them, and they can be divisive. it stands for "Do Not Interact" - and is a boundary set to keep people away. this may include age (example: "minors DNI"), political opinions (example: "prolifers DNI"), and sometimes deeply niche online discourse. DNIs are also sometimes a joke (example: "DNI if you like tuna salad"). there is actually a meme where someone will write a post with a very long, unreasonable DNI and users will count how many apply to them.

If you would upvote a post on reddit, you would reblog it here. If you see something and you think it is cool, you think it is funny, or you think it is helpful, reblog it. Some users have sideblogs (you can have infinite sideblogs attached to your main account) to organize all of the posts they reblog. Others simply use a tagging system for organizational purposes (and so users can blacklist ("filter") those tags in their settings if they don't want to see the post). For example, if I followed a user for Star Trek, but they also posted a lot of Star Wars, I might add "#star wars" to my list of filters. This way, I am only seeing the Star Trek posts. Tumblr's default way of handling this is to display a box that says "this post contains #Star Wars" and you can choose whether or not to open it. on desktop with xkit rewritten, you can have it hide those boxes entirely. please use filters. your sanity will thank you.

In a reblog, Organizational Tags are for /you./ I see a lot of confusion about this from new users. If you reblog someone else's post and add 500 tags..... it's not going to get picked up in tumblr search. You're not going to get any sort of exposure. Because it is not your post. Those tags are only for /you/ - if you want to find the post again.

tags are also used for commentary. most tumblr users do /not/ talk in post replies or in the comments of a reblog. most of them talk in tags. tags have a character limit so these messages are broken up in fragments. tumblr uses a comma (,) to make a new tag, so users often use either no punctuation or a period (.) or a hyphen (-) to break up thoughts. two apostrophes ('') are used instead of quotation marks (because they dont work in tags). this is also where "tumblr writing style" comes from. we all began to write in lowercase and use punctuation in. a weird way. like. for emphasis. there is also the Tumblr Comma, a special unicode character that resembles a comma and works in tags when copy+pasted or put there with a keyboard shortcut. but this is often not used. here it is: ‚

also here's an example of tags. you will notice that commentary goes before organizational: #GOD DHSHSKDDJDL #i cannot BELIEVE i forgot about this. what the fuck #star trek #spock

when leaving tags, most users talk to themselves. but please remember that tags can be seen by anyone, including the original poster. in general, it is discouraged to traumadump or be rude.

"prev tags" (which tumblr staff is trying their damnest to erase sadly) is when a user reblogs a post from another user and tags it simply ''prev'' or ''prev tags" (meaning "i agree with the previous user's tags"). sometimes it's because a thoughtful observation was made, but usually it's a way of saying "hey! that was a funny joke!" without putting the user on blast by screenshotting the tags. it's most common between friends and mutuals (users following each other). i would say it is equivalent to users whispering to each other and giggling rather than getting up on a table and shouting. "prev tag chain" is when users reblog "prev tags" "prev prev tags" - and so on. however, sadly, tumblr has removed the feature of moving backwards in a reblog chain on desktop. i have not updated my app and refuse to, so i so not know if it is gone on mobile as well, but it probably is. EDIT: the browser extension Xkit Rewritten has an option now, in "tweaks" called "restore links to individual posts in post header." it should be the first option. prev tags, on desktop at least, is saved!

screenshotting someone elses tags and adding the image in a reblog is known as "passing peer review." it is, however, considered to be Greatly Annoying to accompany those tags with unnecessary commentary (ex: "these tags pass peer review!" "WHY WOULD YOU LEAVE THIS IN THE TAGS" "LMAAOO THIS IS SO FUNNYYY"). the tags can stand on their own. the only instance in which this is different is during a serious discussion, when you want to build off of another user's perspective. in which case, you address them as normal. some people credit taggers, some people don't. crediting tends to occur in discussions.

when making an original post, do not use irrelevant tags for Exposure. this is Greatly Hated by the userbase and is also against the TOS. you will get blocked at best, reported or yelled at at worst. only add relevant tags, and do not go overboard.

reposting other people's artwork is highly discouraged and is considered the Highest Offense. if you do any sort of reposting, you should credit and link to a creator directly. however, tumblr loves reposted videos, especially ones from tiktok. there are entire accounts dedicated to posting those.

sideblogs! it is possible to have multiple blogs under one email address. tumblr treats these blogs as proxies of your main blog. this means that sending someone an ask/commenting in the replies of a post will always appear with the name of your main blog, your likes will appear with the name of your main blog, and that if you follow someone you will appear on their followers list as your main blog (so you may be mutuals with someone and not even know it because their sideblog interacts with you, but isn't on your follower's list... because their main blog is listed there instead.) however, DMs DO appear as the sideblog name. you cannot swap your main blog with your sideblog. and right now, there is a bug where deleting a sideblog will delete your entire tumblr account so. don't do that lol. anyway, the amount of sideblogs you can make is literally infinite and i think there's just a Daily Limit of creating 10 of them or something. some users make a sideblog for each interest they have. others have no sideblogs and reblog everything to main. and then you have people like me that do both. somehow. some users will make sideblogs to hoard URLs. also sorry i'm just introducing this now, but that is what our usernames are called. because when tumblr was more desktop-oriented, every blog was literally a Personal Website. so ya. we call them "URLs." anyway, if someone wants to hang onto a URL for later, they might save it on an empty blog. this usually pisses people off. a "canon URL" is when someone has a URL that is like One Word or a Company Name or a Fictional character. hypothetical examples: "ketchup" "burgerking" "lukeskywalker." these are highly rare, coveted, and you look cool as hell if you have one.

tumblr's /\/SFW policy (/\/ is an N. i've censored it.) is best described as ???. posts that are safe for work get marked as /\/SFW and hardcore p0rn somehow persists. in general, be very wary of posting even artistic nvdity (even though it is supposedly permitted.) never deliberately mark your own posts as Mature. this is essentially like walking directly into a bear trap and waving a big sign at tumblr staff saying "hey! make it so people can't find my blog and i'm far more likely to get banned!" also do not tag posts with "/\/SFW." too many of those will get your entire blog marked as mature (which makes your posts pretty much invisible to other users.) tumblr users used /\/SFT (/\/ot safe for tumblr) for a long time, but staff caught on. there is now no consensus and people use their own personal tags for it. just pick something and people will catch on and blacklist it if need be. (btw you CAN type whatever you want on this website. i am only censoring in the hopes that this will allow my post to appear in the tags. this isn't tiktok lol)

while it is possible to disable reblogs on a post, this is a very RECENT addition and most users forget it exists. as such, please use common sense. if someone has written a post about, say, how sad they are feeling because they got in a fight with their family... that's not a good post to reblog. a like would be better here, like a pat on the back.

we LOVE polls. we love them. they are like sports to us. most of them are popularity polls - who is the better character? but people also use polls for, say, making bug emojis "race" each other. or "lets build a cake." other people use polls to write poetry, or learn about regional differences, or even to draw a pen!s. if you tag a poll as "poll" it will most likely be seen and voted in, because users look in the tag to find buttons to click.

there is unfortunately a T3RF (this one censored specifically to protect my notifs lmao. 3 is E) presence here. report, block, ignore, move on. common courtesy for users to inform each other if one is accidentally reblogged from. it also helps to blacklist tags related to them to avoid them. use shinigam! eyes browser extension on desktop.

there is NO equivalent to reddit awards on this website. as the userbase hates the staff, it is considered blasphemous to spend your money on checkmarks, etc. - buying them as a gift for another user is seen as a hostile act. it's like receiving a "kick-me" sign. once owned, badges cannot be deleted. thankfully, tumblr now allows you to disable checkmarks and other badges from appearing publically. that said, some users also give checkmarks unironically to show appreciation??? and others buy checks for themselves???? so yeah. tumblr doesnt actually have a verification system - these exist to mock twitter and to make a quick buck.

tumblr blaze. essentially, tumblr has a system in place to showcase user posts instead of advertisements sometimes. this is done by the user paying money. the higher the amount, the more impressions. tumblr users can now also blaze OTHER PEOPLE'S POSTS. MAKE SURE YOU HAVE BLAZE DISABLED!!! blazing another person's post (without asking first) is seen as a hostile act. why? because most blazed posts result in rude comments from strangers who are annoyed to see the post on their dashboard. unless it's like, a cute picture of a cat. or something genuinely helpful. boosting your soundcloud or a selfie or a rant about fandom does not typically garner positive responses. you can blaze just like. watch out. and also always ask the OP if you want to blaze someone else's post. (there is a reason this feature is called "blaze pvp")

tumblr merch is also frowned upon, as tumblr staff steals ideas from the userbase and profits off of them without financially compensating or crediting the users. there was a meme on here, "vanilla extract", that tumblr turned into water bottles while the person who made the meme was having to fundraise to survive :(

BLOCK. LIBERALLY.

umm i think thats it for now. but like if you have questions feel free to launch them into The Void with some tags and users are pretty quick to help out! hopefully i covered some stuff that other ppl haven't

#reddit #196 #reddit migration

[exhausted-archivist]

Art Used in the Dragon Age: Official Cookbook: Tastes of Thedas

While there was some new art, previously seen concept art, there was also the use of ending credit slides. Some possibly denoting certain world states that I briefly referred to in the master post here.

I've split it into sections of:

New Art

Previously Shown Art

Character Art and Slides

General World State Ending Slides

Everything is going below the cut because this will be long. I will also note which page and recipe each image accompanies in the book for easy reference. (Here's to hoping tumblr doesn't mess with the image layout.)

Edit 10/30/2023: Added the page numbers that were missed because it glitched out and deleted things when I tried to go over 30 images and didn't notice till now.

New Art

Page numbers from top left to right going down:

Orlesian Woman: Sour Cherries in Cream, p. 121, Tevinter Pumpkin Bread, p. 151

Building Etching: Crow Feed, p. 43, Antivan Sip-Sip, p. 161

Spider Design: Posion Stings, p. 115

Sea Creature: Lamprey Cake, p. 147

Smoking Meat Racks: Smoked Ham from the Anderfels, p. 95

Antaam Spearman: Unidentified Meat, p. 37

Admiral Isabela: The Hissing Drake, p. 157

Etching of Bowl: Rivaini Couscous Salad, p. 19

Etching of Platter: Nevarran Blood Orange Salad, p. 13

Table Setting: Goat Custard, p. 127

Red Bear: Conversion Charts, p. 172

Giant: Lamprey Cake, p. 149

Blue Building: About the Authors and Photoghraphers, p. 175

Mabari and Army: Roasted Turkey with Sides, p. 99

These are all new images with three of these looking to be concept art: the presumably Orlesian woman looking at Andrastian themed items, the antaam spearman preparing to throw a spear, and the table setting of what looks like it might be for Rivain or Tevinter based on the aesthetic. Though I lean more Tevinter due to the snake on the basket.

The bowl and platter look to maybe be prop designs, and they are distinctly bird themed with what looks like feathers around the base of the bowl and then mirrored crows on either side of the platter with a dagger etched in the center.

The red bear shown here is new, though it is similar to a mural in Dragon Age: Inquisition in the barn where there is a green-ish bear with stars on its muzzle breathing what might be fire, while holding the white silhouette of a figure with antlers. (Couldn't attach it due to there being a photo limit.)

Then to further note that the dark blue building image looks similar to some concept art/Development images from Dragon Age: Dreadwolf (DA4)

Previously Shown Art

The piece below have been shown elsewhere before, but there are some new additions so I am showing it here separately from the new art.

Ferelden Spread: Roasted Wyvern, p. 85

This is was first shown in The Art of Dragon Age: Inquisition and is labeled as "Fereldan Fineries". It was coloured and lacked the two figures in the back left of this image. (Below)

Character Art

Cole and Maryden: The Emerald Valley, p. 169

Sera: Sera's Yummy Corn, p. 103

The Iron Bull and Krem: Hot Chocolate, p. 159

Varric and Aveline: Varric's Favorite Pastries, p. 143

Josephine and Inquisitor: Fish Chowder, p. 59

Leliana: Grilled Poussin, p. 77

Cullen: Croissants, p. 137

Morrigan and Keiran: Nettle Soup, p. 65

King Alistair: King Alistair's Lamb and Pea Stew, p. 67

These were mostly character specific ending slides you could get in DAI, going from the top left to right they are slides for: Trespasser: Human Cole ending up with Maryden. Trespasser: Partial image of a slide for an Inquisitor who agrees to become a red jenny with Sera and the Inquisition is disbanded. Trespasser: Iron Bull and the Chargers are alive and taking jobs throughout Orlais and Ferelden. Trespasser: Varric is Viscount Trespasser: Josephine, her personal quest completed. This is the romanced Josephine version. Trespasser: Leliana, not Divine Trespasser: Cullen, having not taken lyrium during Inquisition Inquisition: Morrigan and Keiran leaving Skyhold World of Thedas vol 2: King Alistair

Ending Slides

Antaam Slide: Lentil Soup, p. 63

Halamshiral Slide: The Hanged Man's Mystery Meat Stew, p. 57

Grey Warden Slide: Sweet and Sour Cabbage, p. 61

Disbanded Inquisition Slide: Sugar Cake, p. 145

These were all ending slides you could get at some point in Inquisition, from the top left to right: Trespasser: The Qunari threat Inquisition: Kicked out of Halamshiral with low approval Inquisition: Grey Wardens were kept in southern Thedas to rebuild, they are estranged from the Wardens in Weishaupt Trespasser: The Inquisition was disbanded

Final Thoughts and Implied World State

Overall the world state makes a lot of sense I think, they went with the one that would be less quantum - so no one is dead or could be dead and is in an important role; hence Cassandra being Divine,

Summary

Inquisition is disbanded

Grey Wardens are divided; though as of the comics and Tevinter Nights we know regardless all Wardens have been called back to Weisshaupt. Unclear if the civil war mentioned in DAI is actually happening.

Morrigan has Kieran and he doesn't have the old god soul anymore

Cole is human

Josephine had her personal quest done.

Leliana wasn't killed in Origins, she is fully human and now retired.

Alistair is king

Cassandra is Divine, no clear answer on the state of the Seekers.

Cullen is retired and established the sanctuary for former templars.

#dragon age #dragon age official art #dragon age tastes of thedas #da: tot #josephine #josephine montilyet #morrigan #cullen #cullen rutherford #the iron bull #krem #sera #leliana #cole #varric #varric tethras #alistair #king alistair #alistair theirin #isabela

[extremelyputridfishbreath]

An Unreleased Pick Your Path Book...?

Wow, look at this unused concept art I found while looking for reference photos...it even has a synopsis!

On a dark and stormy night, a penguin is dared into venturing into the Puffle Hotel alone after hours by their friends, armed with only their wits and a storm lantern… But perhaps deciding to do so on Friday the 13th was a mistake when they realize they can't escape by themself- but (un)luckily enough, a friendly bellhop named Skip offers his services to the reader…so long as they help him out with a few things here and there. Will the reader escape this haunted hotel? Will they doom Club Penguin to being terrorized by Skip forever? Can they convince him to use his powers for GOOD!?

…Or will they go home after they realize their friends stink for trying to peer pressure them into entering the hotel when they were scared, and miss out on the adventure entirely?

It's the readers choice!

Just kidding! This is a limited time, unlimited slot Club Penguin YCH (Your Character Here) that will be available until November 1st!

More info can be found on the listing itself, the base price is 25$ USD with up to two characters that cost 5$ USD per addition (a grand total of 30$ if you add both character slots)! This will not be flat color and will be shaded. More info can be found here at it's listing, but I will copy paste it again for convenience!

PROVIDE AN IMAGE REFERENCE! It does not have to be drawn by you as long as it is your character (playercards are fine) but this is mandatory! (If it's a canon character just say which one- though you will need to provide an image IF you want me to use your headcanon/redesigned version of them!)

If you absolutely can't provide a photo reference of any kind, please make sure you are VERY specific in your written description for the best results! Additionally, if you have a specific penguin breed in mind for Skip (or your penguin, but you're using a playercard or other reference image that does not accurately show your penguin's species) please let me know!

Characters will be drawn in what is considered to be akin to the 'AS2' era (if you are unfamiliar with this terminology, look up club penguin artwork from 2010 to get a grasp on what I am working with)! Please specify if you want this artwork to be in the artstyles of 'AS3' or 'AS1' instead! (Or you can ask for my art style.)

The character doesn't need to be a penguin as long as they are a fan character for Club Penguin, Club Penguin Island, or a CPPS (Club Penguin Private Server). Polar bears, seals, whatever! They just need to be Club Penguin related in some way. -If you have a pose in mind for Skip and your character, please specify what you want! Otherwise I will use the example pose.

Up to two additional characters can be added on!

Complex clothing items (i.e: the Waddle On Hoodie, crosshatch hoodies, etc) may be simplified due to their complexity.

(Also since this will be my pinned until the month's over, insert plug for my other two commission styles here- which can also be spooky if you so desire! Also the only things that were NOT drawn by me are the 'Unlock Item Codes' and Club Penguin logos. And also the text!)

#club penguin #club penguin oc #club penguin ocs #skip the bellhop

[demitsorou]

Open for Commissions through Boosty!

Hi! I'm open for commissions and donations! This is currently pretty much the only way to financially support me and my family.

I can't offer regular commissions due to sanctions imposed on Russia because of invasion of Ukraine (PeaceForUkraine!); paypal, stripe, and many other avenues of monetary transactions and invoicing are not available, and I don't know if it ever will return.

I can only do sketches for $100. Payment upfront. Some examples:

I will require a few references of a character of your choosing, with minimal guidance and input. You are free to request redesigns, and I ask for double the rate in that case.

Commission will be completed within a few days; guaranteed within the 30 day period, with the following details met:

The image will depict your character in style up to my choosing, with about 50% or more of your character visible in frame.

The image will have clear edges.

The image will have color, which may be a limited-palette style, or close to the reference provided.

The image may have shading, either close to cel-shaded or softer painterly style.

The image may have a simple background.

#demi-commissions #commissions open

[quokki]

Full giffing process - tutorial (*≧ω≦*)

Due to little demand, i will be going thru my complete process for making gifs. so this will cover all the basics i hope! keep in mind this is just the way I personally do things! please feel free to send me asks or dms if you have any doubts or questions!

☆☆☆☆☆☆☆☆ DISCLAIMER: Everything I know about giffing, I've learned from other tutorials, including the VapourSynth Resources I'll be using in this tutorial so I'll leave links to those tutorials I've used here as well!

In Depth Giffing Tutorial (link here) How to use VapourSynth (link here) ☆☆☆☆☆☆☆☆

(o´▽`o) I'm a windows user so idk if this works exactly the same on mac!

First things first, you will need:

☆ 4k video downloader (download it here!) ☆ Vapoursynth (download it here!) ☆ Photoshop (download it here! -64bit version only)

Okay! The first thing you need to do is make sure you're working with the highest quality material possible to ensure a decent looking gif!

I'd say the minimum quality needed for decent gifs is 1080px. But if you really want to gif that low quality 2 frame milisecond of your fave, i respect that

☆ lives / streams and tiktoks are typically not very high quality ☆ for stage performances such as music shows, ts/tp files are preferred but those can be really hard to get a hold of (this is a whole deeper level of giffing hell and more of an advanced class topic so nevermind this for now!) ☆ those occasional 4k facecams on youtube work fine tho! ☆ for mvs, variety shows etc, you can download the video with good quality from youtube using 4k video downloader

_(:3 」∠)_

Now let's talk about tumblr and it's pre-requisites for a good looking gif post :D

Tumblr can be sooooo annoying about gifs okay.... I find it's best to plan my whole set before I actually start doing anything but hey that's just me. Some things to keep in mind are: dimensions, file size, number of frames and post layout!

☆ Dimensions

You have 3 main options here and it's all about the width!

☆ 1 collumn: single gifs! these should be 540px wide ☆ 2 collumns: split that in half! 268px wide so there's a lil breathing space between the gifs! ☆ 3 collumns: 3's a party! 177px for each gif please

You can go crazy on the height but the width should mostly stick to one of those 3 unless you want tumblr to pull and squeeze your gif around like a piece of gum.

☆ File Size

This is really important because tumblr has a single image size limit of 10mb. Which means that every single gif you make has to be under that size or you won't be able to post it. The other thing about this is that the dimensions, number of frames and ammount of varying colors throughtout your gif will greatly impact on the final file size. Basically, the larger the dimensions and the more frames it has, the bigger the final file will be. Later on I will show you how to check your gif's final size before exporting it!

☆ Number of frames

This has more to do with the length of your gif, the longer it is, the bigger the final file will be. Typically gifs should be under 3 seconds long. So if you are making a set, try to break the moments you want to include in your set by increments of up to 2 - 3 seconds each, otherwise it might not fit all into one single gif. The number of frames is also extremely important when making combined gifs but that's for another tutorial.

☆ Post layout

If you want to make a cool looking gifset (where some gifs are larger in dimension than others, or when you want to have a single gif followed by a line of 2 gifs next to each other), then it might be worth it to plan out the layout before you start making the gifs. This way you ensure you won't have to remake gifs down the line because they don't fit together the way you wanted to.

☆ﾐ(o*･ω･)ﾉ

Timestamping

For this step, you will go through the video you want to gif from and you will just write down all the sections you want to use, down to the exact seconds. Example: 02:30 - 02:32.

(^◕ᴥ◕^)

VapourSynth (VS) - Clipping the video

I know VS can look pretty intimidating with it's bare coding and all but I promise it can be your friend. You just have to set it up correctly and pay close attention whenever you're using it. This software is a must for giffing, it will do all your cropping, resizing, sharpening and denoising for you, making sure your gifs look good. It is also indispensable when giffing ts/tp files because it deinterlaces those files so you can clip them.

First, let's set it up. This is the most annoying and difficult part of this tutorial so make sure you pay full attention to every single step!

☆ step 1) download a version of VS here (link).

☆ step 2) unzip the file on your desktop area.

☆ step 3) open the folder and find the file named "vapourscript (drop video file on me)" - make a shortcut of that file and move it to the desktop.

☆ step 4) find the folder named "gifs" - make a shortcut of that file and move it to the desktop.

☆ step 5) drag your video file you want to gif from and drop it on top of the "vapourscript (drop video file on me)" shortcut on your desktop.

☆ step 6) enter the timestamp input, in the first line it will be the starting of your timestamp, in hours format, then hit enter. in the second line enter how long your timestamps lasts, in seconds, also in hours format. then hit enter and let the code run.

☆ step 7) the resizer tab should now load on a web browser, then you will set the dimensions of your gif on the top left corner. you can also adjust the position of your gif within the video screen and zoom in if wanted.

☆ step 8) choose the preprocessor, denoise and sharpening options on the left and tick the boxes on. I usually just stick to the settings i'm using in my video down below.

☆ step 9) now in the VS box, go to file > load, choose the script saved in the gifs folder.

☆ step 10) copy the code from the resizer into the code in the vs screen, under the designated line.

☆ step 11) alter the code exactly like I did in my video down below. save it. this is now your default vs script for clipping your gifs. what you are doing by adding the hastag and the quotation marks is you're disabling those sections of the code. the reason you do that is in case you want to run the preview before exporting. this is because those lines involve some heavy graphic processing which can make the computer slow. I will talk about the script in more detail later on.

☆ step 12) i don't usually use this option but you can also preview your gif and set specific frames to start and end your gif. This is around the 4:30 mark in the video.

☆ step 13) time to export your clip! now you will temporarily remove the marks you added to disable the code and then go to script > encode video. in the popup box, you will select the option "export to MOV", then start so that you can use that video file in photoshop later.

☆ step 14) after you are done exporting, close the encoding box and then close vapoursynth, never agree to save the script when closing it, or that will override your default script.

☆ step 15) now you need to rename the encoded file for your gif. go to the gifs shortcut folder you created on your desktop, then go to output. this is the folder where VS will save all your encoded files. but everytime it saves the file with the same name so you need to come to this folder and change the name for every gif file you encode before you clip a new one, otherwise VS will just replace the previous clip with the new one you just finished.

Here's a detailed walk through of each step in this video tutorial:

IMPORTANT

After you are done processing your first clipped file, now you have your default script already built in VS, so whenever you run it to clip more videos, this script will already be in your VS screen. So now all you need to do whenever you want to clip more files (to make more gifs) is to adjust the dimensions, positioning and zoom of the video in the resizer screen and then change a few numbers in your script! then run encode to save the clipped file.

☆ To make new clips: go thru steps 5- 7, also do 8 if you want to mess with the denoise and sharpening filters again, but I don't really know much about how those work so I can't help you with this.

Now what you need to alter in the code, each time you are making a new gif: after you run VS and change the settings in the resizer to what you want, you need to change the zoom numbers and the video positioning in the code.

you need to replace the numbers in the VS script on the left so they match the numbers in the resizer on the right.

Do step 12 if you want to set specific frames to clip. Then steps 13 - 15 and you are done! You need to do all this every single time you want to make a new gif.

Now let me talk a bit more about some of the lines in this script:

☆ line 14: #video = core.std.Trim(video, a, b) this line is to set specific frames to trim your video section, your final encoded file will be only the frames inbetween the numbers you input here. a = first frame, b = last frame. you will need to run the preview option in VS in order to see every single frame of your clip and select your first and last frame. I usually do this in photoshop later instead so I don't bother with it on VS unless i'm making combined gifs, in which you need all the clips to have the exact same number of frames. the hashtag at the beginning of this line means that the script won't follow this command when executed. so if you want to include it, you need to remove the hashtag before encoding your file.

☆ line 18: #video = haf.QTGMC(video, Preset="Slower", TFF=True) this line is for the preprocessor option in VS, that tool is mainly only used when giffing ts/tp files because you need to deinterlace them before you can use them on photoshop. so you will only need to remove the hashtag and enable it when giffing those types of files. when im giffing those files, i usually always keep it with this setting:

I don't really understand much about this so I never mess with it. If you want to know more, I believe there's more info about it in the tutuorials I linked at the beginning of my post.

☆ line 22: video = descale.Debilinear(video, 786,442) this line is for the zoom of the video screen. you just need to match what you have in your VS script to what you end up with in your resizer.

☆ line 25: video = core.knlm.KNLMeansCL(video, 1, 2, 4, 2.5, channels="YUV") this line is for the denoising filters, in my case I always use KNLM and this is what it's line looks like. I know you can change those numbers to change the filtering settings but I never messed with it so I'd usually just have it like that.

☆ line 27: video = fun.FineSharp(video, sstr=2.5) this line is for the sharpening, in my case I always use FineSharp and this is what it's line looks like. I know you can change the number to change it's settings but I never messed with it so I'd usually just have it like that.

note: lines 25 and 27 (which have to do with denoise and sharpening) are the ones within quotation marks in your default script. I believe the quotations work in a similar way as the hashtag, in which the script only executes the lines when the quotations are removed. Which is what you do everytime you are about to encode your clip, otherwise they stay on. I think you should also remove them if you want to test how they affect your gif in the preview screen but i think these filters also require heavier graphic processing which my computer can't handle well so I never do that.

☆ line 30: video = core.std.CropRel(video, left=303, top=16, right=215, bottom=26) this line is for the positioning of your video screen within the gif dimensions. you just need to match what you have in your VS script to what you end up with in your resizer.

ʕ •̀ o •́ ʔ

Photoshop (PS) - let's make a gif!

Now that we have clipped and preprocessed our video file, it's ready to go to photoshop!

☆ step 1) after you have opened PS, go to File > Import > Video Frames to Layers. Then choose the clipped file you created through VS.

PS should open a box like this:

Keep those options ticked and hit OK

☆ step 2) now you need to go to Window > Timeline to bring up the timeline tool box. This window will always be necessary when making gifs. Let's take a look at it, I've marked down all the important buttons you will need:

timeline menu: there are several commands in here, you will need to use some of them later on.

convert to video / frame timeline

play controls to watch your gif

trash can to delete selected frames. (when deleting frames, first delete them here and then delete it's matching layers which are still there after deleting the frames)

frame delay time: this is where you set the time for how long that frame will be visible in your gif

☆ step 3) remember how I mentioned the preview option in VS and how i don't usually use it to trim the frames of my clip? That's because I usually do that at this step of the process, in PS. Notice how each frame is also a layer, and when a frame is selected, the matching layer has the eye symbol next to it turned on. So now you should play your gif and see if there are any frames you don't want to keep, then delete the frames and it's matching layers.

Since we applied sharpening filters back when we were clipping the video on VS, your clip should probably already look pretty decent even before the next steps, so steps 4 - 9 are optional. The coloring part of my video has been sped up.

☆ step 4) click on the timeline menu and select "Select all frames", then go to the select menu at the top of the PS screen and select "All layers". Now click on button 2 of the timeline at the bottom left, switching from the frame timeline to the video timeline.

☆ step 5) before you do anything else, make sure the blue holder is at the beginning of the track before you do anything else. Then go to Filter (at the top of PS) and select "Convert for smart filters". This will convert all the layers into one single layer.

☆ step 6) now make sure the layer is selected, then go to Filter > Sharpen > Smart Sharpen. A box will open with several options:

I usually keep the amount to around 30, I don't touch on radius and you can also mess with reduce noise if you think your gif is looking too sharp. Hit OK when you're done.

Since this is a filter applied to a smart object (the converted layer that contains all our layer - frames), this means you can turn this filter on or off as long as the layers are in the form of a smart object. You can also go back to it and alter it's settings (like I've done in my video down below)

☆ step 7) now while making sure the blue holder is still at the beginning of the track and the layer is selected, click on the timeline menu that i mentioned above. Then go to Convert Frames, then select Flatten frames into clips.

☆ step 8) again go to the timeline menu, Convert Frames, but now select Make Frames from Clips. Now click on the button at the bottom left of the timeline box, to convert the video timeline back into a frame animation. Then hit continue in the pop up box.

☆ step 9) now you are back to the frame timeline screen from before, but now the first frame is empty. You need to delete that first frame and then check the final frame because sometimes PS also creates another empty frame at the end at this point.

☆ step 10) PS also created a new layer under the layer 0, where the filter is still applied, you can delete this new layer as well. Now for organizational purposes, select all remaining layers (that contain your frames) and group them (you can see how in the video).

☆ step 11) This step is also optional, now I like to add the coloring to the gif. I have a separate tutorial exclusively on this topic. You can check it here:

☆ step 12) This is the time when I also add my signature. This is optional. You need to have the signature layer(s) on top of all the other layers. I usually have it in all black or all white, with lowered opacity of around 40%.

NOTE:

When adding elements (such as a signature) to a gif, it's important to always make sure you have the first frame selected, otherwise PS can move your newly added elements around the canvas on different and random frames. This also applies to anything in the layers pannel that has specific opacities. It's best to already add the elements with the final wanted opacity with the first frame selected.

Exporting + Delay time

☆ step 13) To export: go to File > Export > Save for web (Legacy). PS will open this box:

First I just use the exporting screen to test the delay time of my gif, and to check the gif's final size.

About the size: The final size is displayed at the bottom left. Remember it needs to be under 10mb. If it's above that, then you will have to go back and delete frames and test again until the size is within the limit.

About the delay time: To test the delay time, hit that play button and the gif will play at it's default delay time. If it's too fast or too slow, you will hit cancel and change the delay time (at the next step).

For actual exporting: The highlighted box at the top right of the screen is very relevant now. Make sure the first box has the GIF option selected. At the next box, you can select either perceptual, selective or adaptive. I usually like to use adaptive. At the next box you need to choose either diffusion or pattern. I like to use pattern. Tick the transparency box and then select either pattern or diffusion transparency dither.

Once you are satisfied with all aspects of your gif, hit save to export your final gif.

To fix the delay time: After you have exited the export box, go back to your timeline, click on the menu button at the top right and select "Select all frames". Then, on any random frame, click at the small arrow next to the numbers under the frame. Select the option "Other". That will open a pop up box to alter the delay time. To test it again, use the export box explained above. Once you are satisfied, save your gif! I've also altered the delay time in my video to show you the process.

☆ step 14) After your gif is done and saved, I'd suggest to save your psd file if you added any coloring to it. This is so you can reuse the coloring later in other gifs without having to redo it all. This is useful if mking a set of gifs from the same moment / video.

Here's a detailed walk through of each PS step in this video tutorial:

I hope this tutorial is helpful! Feel free to send me any asks if you have doubts or need extra help! (つ≧▽≦)つ

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