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yourfavoritehouseplant · 5 months

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I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

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yuujies · 5 months

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jujutsu kaisen episode 44 ⨯ right and wrong, part 3

#jujutsu kaisen #jjkedit #shounenedit #animangahive #anisource #*gif

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enavstars · 9 months

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King and Lionheart - Of Monsters and Men

Do not tag as Greenflame! They are brothers!

Here it is another song :D. I heard it and inmediately thought of them and somehow managed to do this.

I wanted to use Possession scenes for the chorus but I ended up using the 3 big events of the show. I also wanted to use canon things but I had to invent some because there aren't enough on the show and it's in chronological order so I couldn't add more dragons rising scenes.

More details:

For the final part I also had to invent them but the hugs are most of them after the fight of the season, which are, in order:

-Dragons rising (episode 2)

-Crystalized

-March of the Oni

-Possession

-Tournament (after the staff scene before the end)

-Rise of the snakes

-Rise of the snakes (after Kai's true potential episode)

As always there are a few details in some drawings, have fun looking for them :)

The other song, Daylight, had 44 drawings which some of them were repeated, so it was around 35 original drawings; this one had 55 all different drawings and it took me 2 weeks

Again, some of my favourite drawings:

#art #ninjago #ninjago kai #kai smith #ninjago lloyd #lloyd garmadon #rgb siblings #i love them so so so much

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kolomo · 5 months

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呪術廻戦 | episode 44 → right and wrong: part 3

“So long as we continue to live, our dead comrades have not truly been defeated!”

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bluebelleisabelle · 1 year

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Free G3 Monster High Episodes (to be continued)

SEASON 1

1. The Monstering or option 2 (for those who may not have access to the Nick website)

2. Food Fight or option 2 (for those who may not have access to the YouTube channel)

3. Unfinished Brain-ness or option 2 (for those who may not have access to the YouTube channel)

4. Case of the Moondays or option 2

5. Portrait of a Monster or option 2

6. Witch Hitch

7. Part of the Pack

8. That Thing You Deuce or option 2 (preferred option, as it’s through an official medium)

9. Werewolf Weekend or option 2 (same information as #8)

10. Paw-zzle Pieces or option 2 (same information as #8)

11. Nightmare Nightmore or option 2 (same information as #8)

12. Out of Step or option 2 (same information as #8)

13. Pyramid Scheme or option 2 (same information as #8)

14. What’s Up, Watzie?

15. So Familiar

16. Crushed

17. Over Bro-tective

18. Horoscare

19. Flaunt Your Skeleton

20. Creepover Party

21. Creature Clash

22. Monster Movie

23. Earworm

24. Spell the Beans

25. Growing Ghoulia

26. Casketball Jinx (same link as above)

27. Cleo in the Kitchen

28. Case of the Missing Squeak (same link as above)

29. Pet Problems

30. License to Rock (same link as above)

31. Power Heist

32. Monster Midterms

33. Fur-mergency

34. Boogey Nightmare (same link as above)

35. Best Fiends

36: Scareer Day (same link as above)

37. Stone Alone

38. Horsin’ Around (same link as above)

39. Moonlit Fieldtrip

40. A Little Boost (same link as above)

41. Fresh Waters Run Deep

42. Sew Fierce

43. Witchful Thinking

44. Monster Match

45. The Monster Way

SEASON 2

1. Rule School

2. New Witch in Town

3. Play It Again, Clawd (same link as above)

4. Mummy in the Mirror (part of the beginning is missing; the first few minutes can be found in this video)

5. How to Scare a Banshee (same link as above)

6. So Chill

7. Mixed Up Meowlody

8. The Haunted Sand Castle Caper

9. Fangs for the Memories

10. Two-Riffic

11. Monster High-Jinks

12. Vamps Just Wanna Have Fun (same link as above)

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beansprean · 11 months

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Oh, there he is.

My Familiar’s Ghost part 44

Masterpost

(ID in alt and under cut)

ID: 1. Shot of Nandor from the rear as the lights to the break room suddenly click on, the table with the dead female vampire in front of him. He whirls around in surprise, eyes wide, and chokes out, ‘G-‘ 2. Close up at last of vampire Guillermo standing in the doorway, the hall dark behind him, arm retreating from having flipped on the light. His skin has lost color, his cheeks are tinged blue, his eyes are a deep orange with slitted pupils, his hair is slightly mussed, and he is wearing the same blue-striped button down that his ghost has been stuck in this whole time. Blood, new and old, stains his collar and all down his front, more smears on his neck and flicks on his face and chin. His expression is impassive, gaze steady on Nandor. Offscreen, Nandor manages to continue: ‘Guillermo!’ 3. Close up of Nandor on the same beige background as the walls of the break room as he turns, eyes shining, a small, hopeful smile twitching onto his face. In the background, a memory of ghost Guillermo fades into view, teary and desperate, crying 'Please! Please find vampire me! Please don't give up on him!' Nandor breathes out in relief, 'You're-' 4. Repeat. Nandor drops the smile for a nervous grimace, tucking in his chin and holding out one hand, palm out, towards Guillermo as if to halt him in place. He says, 'Hold on, before you say anything, let me speak, please!' 5. Reverse shot of Guillermo again in the same position, gaze steady on Nandor. He furrows his brow a bit and raises one in confusion, lip slightly curling as if in disgust or disbelief. Nandor continues from offscreen: 'I know that you have been very angry with me, and I forgive you for that. I even forgive you for letting that Eric guy bite you.' 6. Full body of Nandor in profile, his shadow stretching out long and dark behind him. Darkness behind him, light ahead. He is holding his hands out palm-up and staring at them pensively, sadness and regret taking over his expression. Nandor says, 'Despite my reservations on the matter... Guillermo, I... If it had to be anyone... I wanted it to be me. I know that is what you wanted too, and I may have taken it for granted that you would wait until I was ready to...to let you go. ...I regret not being your sire. If I had known the lengths you were about to go to...' In front of Nandor on the lighter side of the panel are three faded flashbacks of Guillermo in sepia tone from times he asked to be turned: A disappointed frown as he holds his collar open in the pilot episode; a desperate plea, hands out, bundled up and flushed from the cold, from the wellness center episode; and a teary, grateful smile, rosary bunched up in his hand, from the season 3 finale. /end ID

#wwdits #my familiars ghost #nandermo #mlm #vampire guillermo #guillermo de la cruz #nandor the relentless #what we do in the shadows #what we do in the shadows fx #blood tw #my art #fanart #fan comic #image described

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indigovigilance · 8 months

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Every single minisode is Aziraphale's memory, and why that's [not?] important

There is extensive meta-analysis, my own included, that Before the Beginning is a doctored memory resulting from erasure of Angel!Crowley, and that the trace of him that is left in Aziraphale's memory is the Starmaker, so that this is what we see at the opening of S2. With this foundation of "some scenes are altered memories," we can critically examine the minisodes and see that, in fact, they are ALL Aziraphale's memories that are potentially subject to doctoring.

Evidence (and exploration) below the cut:

A Companion to Owls

The largest part (S2E2 22:10 to 44:00) Book of Job flashback is book-ended by Aziraphale leaning over the physical Book of Job in his bookshop. We enter the memory when Aziraphale enters it, we leave it when he leaves it. Pretty straightforward.

The Ressurrectionists

Similarly, in S2E3, we begin the first flashback to 1827 with Aziraphale's "dear diary" entry. We flash out each time to Aziraphale: in the car to Edinburgh, getting out of the car at the Ressurrectionist Pub, and with Aziraphale staring up at the statue of Gabriel while standing in the graveyard in Edinburgh, respectively for each of the three flashbacks. This all strongly indicates that we've been in his memory.

Nazi Zombie Flesheaters

I didn't even notice until I was doing research for this that basically the entire episode takes place in 1941. From the end of the main title at 5:00 to 37:50, we never come out of the 1941 story. But what is interesting is what bookends this minisode.

Before the main title, Shax has tricked her way into Aziraphale's car and alludes to a time when a rumor started about our ineffable husbands:

Sometime in the last 80 or 90 years I remember hearing that you and Crowley were an item. I didn't believe it then. Not really. Poor old Furfur.

And when we flash back to modern day, we first go to Hell with Shax proposing a full frontal assault on the bookshop, and then we get:

Aziraphale has arrived back in SOHO, and has spent the 8 hour drive reminiscing about what Shax alluded to.

But this part gets even weirder. Because the final line of the episode is:

You're really hosting the meeting? Absolutely! And I can guarantee you: it will be a night to remember!

What this means in context of the 3 memory sequence

This line has been taken by a lot of analysts as a reference to A Night to Remember by Walter Lord, a collection of first person accounts of passengers of the Titanic. Most notably, the thematic ties of this work to the cinematographic design of Good Omens are captured by this quote:

A key to Lord's method is his technique of adopting an unconventional approach to the chronology of the event, "[taking] an imaginative approach to time and space in which hours and minutes prove extremely malleable, the ship itself seems almost infinitely complex, and the disaster assumes order and unity from far away."

Which is an amazing connection, and probably true, in that it was a deliberate reference by the writers. "Malleability of time and space" describes well how this show is put together for us the viewer. But it also illustrates how Aziraphale experiences his relationship with Crowley; skipping over centuries at a time, while dwelling on and protracting intimate moments spent together, create a cohesive whole when viewed from a distance. That whole is their relationship. [Which is about to go down like an unsinkable ship.]

But absent the literary reference, we could even take this line for its literal meaning. Aziraphale is talking about forming new memories, after we have spent the last three episodes living in his memories of times with Crowley that were key to shaping their relationship. This isn't a S1E3-style series of allusions to a furtive, flirtatious, and organically blossoming intimacy; these are rough events where the two are shoved into moral quandaries and forced to make some really difficult decisions that bring them closer together and define "their side." These are core memories, and incredibly precious to Aziraphale. And now, after a few short days in which he has spent a lot of time ruminating on these intense memories, he is embarking upon the task of making another important memory, that is, dancing with Crowley.

Why We Care

Because memories can be altered, all of the information we get from these episodes is subject to a reliable narrator problem. As of the Gabriel trial, we know that memories can be doctored even when the person in question isn't present. Crowley knows that his memories have been removed or altered, and has put painful effort into retrieving them. Aziraphale may not realize that he has suffered the same fate. These memories that he holds so dear might not even be true.

Memory, Identity, and the Relevance of Fidelity

We would probably expect to get some "corrections" to these memories in S3, to see exactly what kind of manipulations our heroes suffered and what that reveals about the motivations of the perpetrators. That's how a paranormal mystery story with a memory manipulation element would normally proceed.

But it will be even more significant if we don't; it would speak to a philosophy-of-self that you are not the product of your objective past, but of what you remember, and so we don't get to know what actually happened because it doesn't matter to informing us about who Aziraphale is.

Aziraphale's love for Crowley springs from what he remembers about their shared past; it doesn't necessarily matter that the memories aren't true, because the love is.

~~~

I realize that I kinda buried the lead, so if you reblog, please tag appropriately? I'm taking suggestions.

If you want to read more on this topic, this meta by @ineffable-suffering is a good place to go.

#good omens #good omens 2 #good omens meta #aziraphale #crowley #memory #good omens memory #erasure theory #ivoc

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meshlasolus · 2 years

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House Of Memories MASTERLIST

Series Rating: T

Obi-Wan Kenobi x Padawan!Reader

Summary: Obi-Wan Kenobi reflects on his years, his losses and his gains, his strengths and weaknesses, and in the middle of it all.... you.

If you're a fan, maybe consider buying me a coffee :)

If you'd like to see what the Padawan looks like, come here and here

PLAYLIST

PRINTED BOOK AVAILABLE

Episode 1 Episode 20 Episode 39

Episode 2 Episode 21 Episode 40

Episode 3 Episode 22 Epsiode 41

Episode 4 Episode 23 Episode 42

Episode 5 Episode 24 Episode 43

Episode 6 Episode 25 Episode 44

Episode 7. Episode 26 Episode 45

Episode 8 Episode 27 Episode 46

Episode 9 Episode 28 Episode 47

Episode 10 Episode 29 Episode 48

Episode 11 Episode 30 Episode 49

Episode 12 Episode 31 Episode 50

Episode 13. Episode 32. Episode 51

Episode 14 Episode 33. Episode 52

Episode 15 Episode 34. Episode 53

Episode 16 Episode 35 Episode 54

Episode 17 Episode 36. Episode 55

Episode 18 Episode 37 Episode 56

Episode 19 Episode 38 Episode 57

EXECUTE ORDER 66:

PART I PART II PART III FINALE

#obi wan x padawan #obi wan x reader #obi wan kenobi x reader #obi wan series #obi wan kenobi #ewan mcgregor #hayden christensen #anakin skywalker x reader #anakin x reader #obi wan kenobi x padawan!reader #obi wan x you #obi wan angst

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b3achysurfer · 6 months

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I really wanna talk about this scene where “Logan saves Ashlyn” because I really believe it’s more than just that

I’m gonna be referencing mostly episodes 34, 35, 43, and 44 just in case you want to do your own digging 😋!

for starters I kinda bugs me when people brush this whole scene off as ‘Logan saving ash’ because 3 things:

1.) Logan saving Ashlyn didn’t really feel natural! mans was allllll the way in the graveyard, he was scared, it was dark, and he didn’t have any prior experience with using guns. but he still somehow did it in 1 shot. I honestly feel like that bit was so that he can’t be excluded from the later celebration and so that him being left behind had a purpose.

2.) ASHLYN WOULDVE SURVIVED WHETHER OR NOT HE MADE THE SHOT!!!!! if anything we’d probably learn a lot more about the phantoms if Logan had never shot his gun.

3.) I feel like Logan making the shot was suppose to distract us from the important lore aspect we see during the scene. we already know red loves throwing in foreshadowing and small hints for us. Especially when these hints get covered by other scenes so that we only notice them after we get the new information and we re-read old chapters. We can see an example of this in the same episode when Taylor offers to go see why Aiden was screaming and Tyler quickly takes action instead and sends her upstairs. it’s obvious that going back outside was the more dangerous option which is why Tyler told her she shouldn’t do it. But at the time many people brushed this off as Tyler caring about his sister as much as any brother would, and a part of his ‘jock/I’m bigger and better than everyone’ attuide seeping through. then later on in chapter 49, we learn about Tyler’s promise to always take care of Taylor and their mom, and we see how their safety is always his priority even if it’s to much for him. Taylor’s frown makes a lot more sense after we get this context.

Anyways what I’m trying to say is that I think Logan saving ash was suppose to draw away our attention to the whole reason he was even able to get the shot in the first place.

Ashlyn is convinced she’s gonna die here and this is her last effort to live. So very strong emotion. But pay attention to her voice box thing. It’s black and has the red streaks around it.

The phantom immediately pauses, as if it understands her. Also, it’s aggression vanished as soon as she spoke. This being LITERALLY TRYING TO KILL HER pauses and starts to question her!! In some twisted way Ashlyn can communicate with phantoms, or at the very least they can tell there is also a connection between her and them. This is literally so important and it’s not talking about enough. Even though no one has ever tried speaking directly to the phantoms before this, I do think this trait only belongs to ashlyn. For starters we already know that she has the strongest connection to the phantom world, and she’s the only one who can actually hear them. Her parents also said that they saw the phantoms after ashlyn was born. This is important for later on.

The only other time we ever see the black text bubble is here when Logan is mad (chapter 42) his shadow has also changed to his phantom world-self. Notice that even though his actions are connected to the phantom there is no red streaks next to his text box?

The fight obviously shows again that they affect the real world because their emotions and phantom and blah blah. This is all stuff we know. But hear me out! View their actions as if they are part phantom.

Ashlyn’s commanding them to do something while feeling strong emotions. Her text box is black with the red streaks again. Just like it was during the scene that ‘Logan saves her’.

And just like the phantom, all of them freeze and their violent behavior disappears. The fact that it’s all in sync and they all stop immediately shows that they didn’t just stop because their friend told them to. They stopped because Ashlyn’s commands have some strength to them. And remember earlier when I said think of them as part phantom? It makes sense why her commands would work, because it’s frozen a phantom before.

AND LOOK!!!! THEY SOUND JUST LIKE THE PHANTOMS! The fact that this guy doesn’t react to that statement means that his organization already knows this. They already know that the kids are partly related to the phantoms. Ashlyn’s especially.

I guess this can split into two ideas:

1.) Ashlyn’s becoming part phantom the fastest. And I don’t mean that she’ll eventually become a full phantom but idk how else to phrase it. Her words can already be understood by phantoms and they have enough impact to confuse and stop phantoms in place. The phantom tilting their head at Ashlyn was kinda like ‘how did you do that?’ .

2.) Ashlyn’s connection gives her semi-control over phantoms. This could be a skill she has to develop over time but the fact that her words were able to break that main cast out of their anger and brought them back into reality shows that they CAN listen to her commands. Either she’s not strong enough yet to control real phantoms or she can only stun them, ash was still able to communicate with the phantom.

That scene is such an important building block that people just brush over. I just don’t see a lot of people talking about the fact that Ashlyn can talk/control phantoms in a way. Or maybe she can’t and all of this means smth else but it’s still so important.

Also before ppl jump on me for saying Ash would’ve lived w/ or w/o logan:

Aiden was literally two seconds away from getting to ash. Plus the phantom was stunned. We don’t know if this hesitation would’ve lasted long or not, but it would’ve been enough time for Aiden to crawl to the top of the roof or for Ashlyn to kick it away. Ashyln was also in shock though so I’m not sure she would’ve been able to do much. But if Aiden saw the phantom on her he would’ve went crazy bro. Do not touch his girl ❌🙅‍♀️❌ All jokes aside though, we definitely would’ve learn more about the connection between Ashlyn and phantoms if Logan didn’t shoot. Not blaming him or anything but I’m just saying.

ANYWAYS THATS ALL THANKS FOR READING!!

#school bus graveyard #school bus graveyard webtoon #schoolbus graveyard #sbg #sbg theories #sbg posts

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zoe-oneesama · 23 hours

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You're not foolin' Ladybug and you're not foolin' me!

Episode 53 Part 24 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52

Ko-fi | Patreon

#I! Am the Queen! Of Callbacks!!!#scarlet lady #scarlet lady au #scarlet lady comic #blue blood #episode 53 part 24

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toreii · 9 months

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Lost in the Book with Stitch Masterlist [Complete]

Episode 1

Part 1 | Part 2

Episode 2

Episode 3-1

Part 13 | Part 14

Episode 3-2

Episode 3-3

Part 21 | Part 22 | Part 23 | Part 24

Episode 3-4

Part 25 | Part 26 | Part 27 | Part 28

Part 29 | Part 30 | Part 31 | Part 32

Part 33 | Part 34 | Part 35

Episode 3-5

Episode 4

#twisted wonderland #disney twst #twst spoilers #lost in the book with stitch #floyd leech #twst floyd #lilia vanrouge #twst lilia #riddle rosehearts #twst riddle #azul ashengrotto #twst azul #ace trappola #twst ace #jack howl #twst jack #translations not 100% accurate #masterlist

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bnhaobservation · 5 months

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BNHA Observations, speculations and assorted info: The facts taking place during the year that ends with Rei's hospitalization and Tōya's assumed death

So, in order to write my fic, I spend much time observing canon scenes, comparing the manga and the anime version, take note of details, translations and info in them as well as finding out how are some things called.

Since what I noticed/speculated/found out can be of use for other fic authors I thought to share as well.

Resources:

Chapter 31 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Chapter 39 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Chapter 44 Relaxing Day Off (休め振替休日 Yasume Furikae Kyūjitsu) Chapter 93 One For All's Ember (残り火ワンフォーオール Nokoribi One For All) Chapter 166 Be Proud, License Trainees (ホッコれ仮免講習 Hokkore Karimen Kōshū) Chapter 187 Flaming Roar! vs. Nomu: High-End (燃えよ轟け！VS脳無：ハイエンド Moeyo Todoroke! Versus Nōmu: High-End) Chapter 188 Your Father, the Number One Hero (父はNo.1ヒーロー Chichi wa Number One Hero) Chapter 192 The Todoroki Family (轟家 Todoroki-ke) Chapter 202 Match 3 (第3セット Daisan Set) Chapter 204 Tuning Up (チューニング Tuning) Chapter 249 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi Chapter 250 Ending (エンディング Ending) Chapter 290 Dabi's Dance (ダビダンス Dabi Dance) Chapter 302 The Wrong Way to Put Out a Fire, Part 2 (火の不始末後編 Hi no Fushimatsu Kōhen) Chapter 350 Bound to a Fiery Fate (エン En)

Episode 19 The Boy Born with Everything (全てを持って生まれた男の子 Subete o Motte Umareta Otoko no Ko) Episode 23 Todoroki Shōto: Origin (轟焦凍：オリジン Todoroki Shōto: Origin) Episode 25 Todoroki vs. Bakugō (轟VS爆豪 Todoroki versus Bakugō) Episode 49 One For All (ワン・フォー・オール) Episode 88 His Start (始まりの Hajimarino) Episode 90 Vestiges (面影 Omokage) Episode 95 Match 3 (第３試合 Daisan Shiai) Episode 96 Match 3 Conclusion (第３試合決着 Daisan Shiai Ketchaku) Episode 105 The Hellish Todoroki Family (地獄の轟くん家 Jigoku no Todoroki-kun-chi) Episode 106 The Unforgiven (許されざる者 Yurusarezaru-mono) Episode 124 Dabi's Dance (ダビダンス Dabi Dance) Episode 130 The Wrong Way to Put Out a Fire (火の不始末 Hi no Fushimatsu)

Series 4th Outro2 "Shout Baby" by Ryoku Oushoku Shakai

My Hero Academia: School Briefs I (僕のヒーローアカデミア雄英白書 I Boku no Hīrō Akademia U.A. Hakusho I) - Part 2 Notice from School My Hero Academia: School Briefs V (僕のヒーローアカデミア雄英白書祝 Boku no Hero Academia Hakusho Iwai) - Part 3 Awkward Year's-End Soba

OBSERVATIONS, SPECULATIONS AND ASSORTED INFO:

Fundamentally the year that lead to Rei's hospitalization and Touya's death is narrated into two different moments, chap 31/39, in which we've a retelling of how bad it was from Shouto's point of view and chap 290/302, in which we learn instead of Touya's side.

However, there's a fundamental difference in the two narrations. When the story tackles Touya's side, we can more or less pinpoint the dates of when this is happening, the same can't be said for when the story tackles Shouto's side. There's probably a narrative reason for this, Touya's whole story (which covers much more than just this year) is a progression of things going from good to terrible, while Shouto's story is likely meant to narrate the constant horror in which he and his mother lived until Rei lost it. So there's not really a need to pinpoint when a scene took place because that scene likely kept on repeating in similar variants for days, until Rei became unable to take it any longer.

As a result I'll narrate some fact that are part of Shouto's side first, so as to give the idea they likely repeated over and over through that year, while I'll follow the timeline of Touya's side of the story more closely.

So anyway let's dig on what happened that year.

Warning: as tumblr now has an image limit (no more than 30 per post), I had to turn more images into a single one so as to show the full scene. The result is that the image quality in some scenes is pretty low... Please, use the images solely as a visual reference of which scene you need to look at and, for the text check your own copy of BNHA.

TIMELINE

January 11: Todoroki Shōto is 5.

January 18: Todoroki Tōya is 13.

April: Todoroki Tōya starts his second year at Middle school - Todoroki Fuyumi starts Middle school - Todoroki Natsuo starts his 3rd year at Elementary school. - Todoroki Shōto attends preschool.

[Preeschool in Japan isn't mandatory but we know Shōto attended to it as Chap 166 shows on its cover the photo taken at the preschool entrance ceremony... the photo might not be necessarily taken in this year as kids can start preschool from when they're 3 but it just confirms Shōto went at it]

Sometime during the year: Endeavor and All Might talked for the last time.

A note on the translation:

‘Chō hisashiburi! 10-Nen mae no taidan furi ka na! ? Mikaketakara aisatsu shi tokou to omotte ne.’ 「超久し振り！10年前の対談振りかな！？見かけたから挨拶しとこうと思ってね。」 “It’s been a long time! It's from the talk/conversation show from 10 years ago, right! ? I saw you and thought I'd say hello.”

Endeavor and All Might's conversation is called ‘taidan furi’ (対談振り) where ‘taidan’ (対談) means “a discussion between two people which is usually set up as a special occasion and whose topic is set in advance”… while ‘furi’ (振り) is “show”. So basically, 10 years ago they didn’t have a casual chat but ended up together in some sort of talk show / combined interview. The anime makes it even more obvious because in it the sentence is:

‘10-Nen mae, media de taidan shite irai ka na! ? !’ 「10年前、メディアで対談して以来かな！？！」 “I think it's been since we had a conversation on the media 10 years ago!?”

During the year: Shōto watches All Might on television when his father isn't around [shown in chap 39 and 206. We see that Shōto's clothes are different in the two scenes and so is his position, meaning he did it more than once which "School Briefs" also confirms]

“You always were a fan of All Might, weren’t you, Shōto? But you had to wait until your father wasn’t around to watch those video clips in secret. Remember?” [Rei from "My Hero Academia: School Briefs I"]

During the year: Shōto's training is so severe it causes him to throw up. Rei tries to get in between him and Enji protesting he's only 5 and gets hit. [shown in chap 39, 202, 204]

Actually we don't know if Chapter 202 & 204 are placed in this same year (Shōto is still small but Rei isn't present and Shōto and Enji are dressed differently so it's not the same time as chap 39... and likely chap 202 and 204 show two different scenes as well since in one Enji has his moustaches on fire while in the other is his beard... never mentioning in chap 202 Shōto already has his scar so this likely happened post him being burn and could as well take place in the following year, though the fact that Enji has long sleeves might imply it's still winter...) but they seems to show other scenes of Shōto's training which still sees him throwing up and crying, which surely confirm an abusive pattern.

A note on the translation:

'Tōya wa oshikatta. Ore ijō no karyoku o sonaete irunoni. Rei no taishitsu o motte shimatte… Aitsu wa… oshikatta' 「燈矢は惜しかった。俺以上の火力を備えているのに冷の体質を持ってしまって… あいつは…惜しかった」 “Tōya was close/disappointing/something I feel regret for/deserving better. Even though he has more firepower than me. He had Rei's constitution… That guy… was close/disappointing/something I feel regret for/deserving better.”

Oishikatta (惜しかった) has quite a bunch of meanings like to feel regret for, to find something a pity/pitiful, to mourn but also to cherish, to love dearly, to be precious... and is used to express pity/regret of an "almost but not quite" situation, in "a damn it, you were so close" kind of way.

Very likely the emphasis in the sentence isn't that Tōya could almost do it, but that it was so unfortunate Tōya couldn't do it.

This doesn't necessarily mean Tōya was already dead because it was decided Tōya couldn't fulfill Enji's ambitions way prior his death and way prior Shōto's birth.

BTW, Tōya started burning himself before Natsuo was conceived. In order for their age difference to work, it means Enji started training Tōya when Tōya was 3 (yeah, it's possible he started earlier than this age but I find difficult that a child of 2 could pull it out successfully). As a result it's possible he started training Shōto at that age as well. In case someone doesn't remember it, Quirks don't appear when one is 4 but can appear even earlier (luminescent baby anyone?), Shōto could freeze his own snot as an infant and it's implied that Enji knew Tōya had a fire Quirk when they conceived Fuyumi (meaning when Tōya was 2 months or younger) so starting their training before 4 wasn't impossible.

During the year: While Shōto is scared at the idea of becoming like his father, someone who abuses his mother, Rei comfort him saying he can decide who he'll become. [Chap 39... I pieced back the scene for better visual]

During the year: Tōya is desperate because he can't figure his reason to exist and search comfort in Natsuo [Chap 290]

Likely in sprind, anyway prior to July (as Natsuo isn't 9 yet): Tōya, Natsuo and Fuyumi play together while Shōto can only watch them. Enji refuses to let him join them saying he needs to train and they belong to different worlds. [Chap 302 & 39 & 250]

July 1: Todoroki Natsuo is 9.

Likely summer, though it could be still spring: Natsuo refuses to listen to Tōya’s complains during the night, telling him to go talk with Fuyumi. [Chap 302]

August 8: Todoroki Enji/Endeavor is 36.

Likely autumn (Rei's sleeves are longer): Rei tries to stop Tōya from leaving the house and the two have an argument. [Chap 302]

During the year: Rei begins to break starting to cry way too often to the point Shōto will end up remembering her solely crying and will forget her smiling. [Chap 31]

December 6: Todoroki Fuyumi is 13.

Winter: Tōya’s flames turn blue. [Chap 302]

A note on the translation:

'Hayaumare no chīsana karada ni yōyaku otozure hajimeta nijiseichō’「早生まれの小さな身体に漸く訪れ始めた二次性徴」 "Secondary sexual characteristics have finally begun to appear in the small body of the hayaumare.”

'Hayaumare' isn't a premature kid but someone born between January 1 and April 1. In Japan this is relevant because in order to start school you need to be 6 by the time the 2 of April comes around, meaning the Hayaumare are the youngest kids in the class as they're born in the year following the one in which the other kids, or ‘Osoumare’ (遅生まれ "born in between April 2 and December 31"), were born.

Winter (likely in a different day as the black bars on the corner hint at time passing by... possibly because when Tōya came back home Enji wasn't there yet?): Tōya asks his father to come to Sekoto Peak with him his next day off. [Chap 302]

Winter (likely in the same day): Todoroki Enji/Endeavor hits Todoroki Rei for not stopping Todoroki Tōya from training. [Chap 302]

Winter (the morning of another day as Todoroki Shōto has just woken up): Rei snaps and burns Shōto. [Chap 31, 39, 249, 302]

“Shōto?” he said, facing the sliding fusuma screen. No response. Natsuo slid the screen aside, not expecting to find his brother inside, but there he was-fast asleep on the Futon that he’s clearly plopped down onto without much care, all askew. Moving quietly so as not to wake Shōto, Natsuo crept over and peered at his brother’s face. He looked surprisingly young, despite the burn scar that sat heavily on his face like a shadow. Having been abused by Endeavor-who’s been fixated on his own ambition. Todoroki Rei had snapped one day and thrown scalding water in Shōto’s face. Natsuo would never forget the pair of tear-filled screams he’d heard that day. How painful it must have been, he thought. Natsuo caught himself extending a finger toward the scar but quickly curled it away when he realized what he was doing. Shōto��s scar probably wouldn’t exist if only the boy hadn’t inherited aspects of both his parents’ Quirks. Maybe Shōto could have enjoyed a normal childhood, full of carefree days playing with his siblings. And yet I couldn’t do a thing… Natsuo had been in elementary school when it had happened. Their father, Endeavor, had ignored his family well-being in pursuit of his ambitions-ambitions he’d projected onto young Shōto. Even now, Natsuo would beat himself up over how he used to be before the abuse really began, recalling the period in his life that had made him feel pathetic and ashamed. Before Shōto was born, Natsuo had sought his father’s love and care, and when Endeavor was around, he would turn into an excited ball of energy, eager for attention. But that love never came. It was only thanks to his warm and caring mother that Natsuo had survived those early years and learned to cope with rejection from his other parent. But after Shōto was born, even their mother grew distant, though not out of indifference. Natsuo could sense how much energy she had to devote to protecting her youngest, her baby, from her husband’s so called training-which most would label abuse- but at that age, Natsuo couldn’t help but feel that his mother had been stolen from him. After witnessing his mother and brother crying and screaming on that horrible day, Natsuo had been overcome with crushing shame. [My Hero Academia: School Briefs V]

Winter (the same day or the one after it... Shōto's clothes are different but he might have had to change because he got wet... on the other side it's also possible that Rei's hospitalization wasn't done the same day but Enji had to do preparations for it): Rei is consequently hospitalized and put in isolation. After learning about his mother's hospitalization Shōto decides to blame his father for this. [Chap 39]

A note on the translation:

'Omae ni kigai o kuwaetanode byōin ni ireta. Mattaku… daijina tokida to iu no ni…' 「おまえに危害を加えたので病院に入れた。全く…大事な時だと言うのに…」 "I put her in a hospital because she hurt you. Good grief... even though it's an important time..."

Enji is actually more specific in what he says to Shōto about Rei's fate, saying he put her in a hospital and didn't call her a fool but uses an expression of general exhasperation 'mattaku'.

Winter (likely on Todoroki Enji/Endeavor’s day off, Tōya's clothes are also noticeably different from the ones he had when he asked his father to go with him on Sekoto Peak): Tōya goes on Sekoto Peak, waiting for his father. When his father doesn’t arrive and the lights go down he ends up setting himself on fire losing his lower jaw before he manages to enter in a stream. He is then found and taken away by All for One. Enji reaches Sekoto Peak but can’t find his son except for a piece of his jawbone. Tōya is assumed dead even if Enji at first claims he didn't want to accept it. However this will lead him to focus even more on Shōto. [Chap 291, 302, 350]

Winter (after Tōya's death): After Rei's hospitalization Shōto will never visit her until he'll be in U.A. High school. Rei's psychological condition will get worse. Fuyumi, despite knowing about her family's sad situation was and will remain too scared to do anything beyond keeping up appearances. Natsuo will gradually forget things but will keep on resenting Enji for what happened to his mother and to his siblings. [Chap 39, 187, 250, 302]

TIMELINE CONSISTENCY PROBLEMS

Either Horikoshi didn't plan the Todoroki timeline or decided to change things along the way as, occasionally, what the characters say happened in a chapter get contraddicted in another... or make them seem uncaring of Enji's neglect of Natsuo (and Fuyumi) and of how he eventually casued Tōya's death.

Mind you, I'm sure they all cared about Tōya's death and about the neglect Natsuo and Fuyumi suffered because otherwise the characterization wouldn't make sense. This is likely a problem in the narration, not an attempt of the narration to deny the care.

Anyway I'm gonna list the problems in narration now. Do with them what you want. I'm sure plenty of people has headcanons that solve them just fine. This though isn't a page for theories so I didn't list any of mine either.

Not all of the problems are terrible (the only ones really bad are the ones that consistently change the timeline/why things happened) but some of them can undoubtedly confuse a reader about the characters' feelings.

Let's start with chap 350.

For start this establishes that Tōya assumed his father didn't come to him on Sekoto Peak because he was too busy with work... so the fire took place not after the discussion they had (which fits with how the timeline decided Rei needed to be hospitalized before Tōya were to burn) but neither on Enji's free day apparently... unless Tōya assumed his father gave up on his free day to work some more which is something he had already done in chap 301, when Enji left and refused to train Tōya even though it was his day off... and this can be Tōya's own way to excuse his father for not coming to Sekoto Peak.

However, after this the chapter has Tōya say he has to go back home because he did and say some awful things so he should apologize to his mother and the others and shows his father what he can do.

The problem is... we didn't really see him doing something awful. Yes, he argued with his mother but this was PRIOR to his flames turning blue, as for his siblings his argument with Fuyumi dated to PRIOR Natsuo's birth and the one with Natsuo to PRIOR his argument with his mother and wasn't even a real argument. He just begged his little brother to hear him out.

If there was an argument that day before Tōya left for Sekoto Peak... if he did something... well, this is completely discharged by the plot. It won't even be mentioned when he and his siblings will meet again... not even mentioning his mother was hospitalized and put in isolation PRIOR to him going on Sekoto Peak, so if he had an argument with her we didn't see, it still was way prior to that.

And the same goes for whatever he did of awful... as I've hard time thinking he's referring to accidentally burning down the peak.

Even his discussion with his father doesn't seem to fit the description and if he blames himself for how his father hit his mother... well, that just feel messed up especially since he wasn't even shown being there to see.

Going on.

Chap 39 said Shōto didn't visit Rei because he blamed himself, while chap 250 says it was due to Rei's psychological condition worsening after Tōya's death... to go back on chap 302 volume version which said she was put in isolation PRIOR to Tōya's death (and therefore likely couldn't see anyone even if she wanted to) and then, AFTER Tōya's death she got even worse.

In the magazine version of chap 302 Horikoshi had Rei state that Enji basically became abusive AFTER Tōya's death, and this is what eventually lead Rei to snap and be eventually hospitalized... the whole thing was corrected in the volume version so now the volume version too agrees that Rei was hospitalized FIRST and then Tōya died.

While the thing got 'fixed', the whole correction was done in a sloppy manner... it would have worked much better if the dialogues in whose two scenes were swapped because, if Rei was already hospitalized and put in isolation, she wouldn't have known if, after Tōya's death, Enji got worse. It's hard to think she's referring to the time prior Tōya's death because it feels like a non sequitur since they were talking of the time AFTER IT.

Since the narration was changed retroactively it's possible that in the first planning for the chapter Tōya's flames turning blue, him telling his father, his father abusing Rei and him running to Sekoto Peak (instead than waiting for Enji's day off) took place all in the same day... or better all in the same night as it's dark when Tōya's flames turn blue and it's dark when Tōya burns on Sekoto Peak.

This however becomes impossible when it was decided Rei was hospitalized PRIOR to Tōya dying.

It doesn't help how Rei in chapter 39 focus especially on how she shouldn't stay with Shōto due to his left side being repulsive to her, when chap 302 magazine version also implied Natsuo's look was repulsive to her and the volume version instead change things and made it all about the way they looked at her (but Shōto never looked at her in such a way though okay, she might have been losing it but she should have still worried more about Tōya who glared at her like Enji and also about Natsuo). Of course the problem of chap 39 is likely that what happens in chap 302 was likely not planned and the story was possibly meant to focus solely on Shōto so, of course, she wouldn't want to be near him and wouldn't be troubled by the other kids.

Shōto is supposed to be kept isolated by his siblings, which is also why Natsuo had no idea Shōto liked Soba as, evidently, they never ate together before. However, when Enji attack Rei from the furniture we see they seem to be all in the same room, the television one.

In chap 291 Enji claims he kept searching for Tōya, unable to believe in his death... but chap 302 presents him as resigned and completely focused on Shōto.

Either because Tōya's storiline wasn't planned yet or to keep the secret, the story in its early stages avoid mentioning him... with confusing results.

Shōto, in chap 39, won't mention to Midoriya how his father might have lead to his older brother's demise. The manga will try to excuse it by saying

'Sotsu-sen shita hanasu mon ja nēdaro' 「率先して話すもんじゃねエだろ」 "I wouldn't take the initiative to speak (about it)."

Only... during his first discussion with Midoriya Shōto:

Asked Midoriya if he was All Might illegittimate son

Told him about his father buying his mother for Quirk Marriage

Told him about his mother's depression and how she ended up burning him

Told him about how he was raised to fulfill his father's expecations and how he hated it and how he'll deny his father by refusing to use his Quirk

That's quite a lot he decided to mention, but the fact he didn't mention how his father also lead his oldest brother to his demise made it seems as if Shōto didn't see Enji responsible for it... which also seems confirmed by how, when Fuyumi asks Shōto how he feels about Enji, he replies he blames him solely for his scar and driving his mother to madness, not a word for his dead older brother or for how his siblings suffered of neglect even if Natsuo made clear he still suffers for it.

Shōto is a VERY caring boy. This narrative choice seems to imply he didn't care about his siblings when it's likely the opposite. He cared for Natsuo and likely for Tōya and Fuyumi too. The way the story is told though, is misleading because it makes him look like he only cares about himself and his mother when I don't think that's the case.

Probably though, back in chap 31 Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret and here he didn't want to repeat the whole narration or give too many hints about Tōya's death so he had Shōto skip it and focus on Rei. It's a choice... but it's not a great one.

Enji also for a long while won't show concern for how he caused Tōya's death.

In chap 93 Enji thinks at how his despair lead him to ruin his family... only again there's no mention of Tōya not even visually, again likely because Horikoshi either hadn't planned Tōya's storyline yet or wanted to keep it secret. Still it seems as if Enji doesn't care he lead his son to death for his own ambition.

Chapter 188 is a little better as, at least, Tōya is shown along with his siblings... but it's still not great because, even though Enji is in the middle of his attempt at being a better person, here he worries about his overheating and seems to focus solely on how he married Rei and with her he had three kids who didn't have the Quirk he wanted and then to a kid who had the Quirk he wanted to fight the over heating, and doesn't concern at all with how, in the process, he also abused his family, lead Rei to madness and Tōya to death, but it can work narratively... even if it's not so great because it remarks something we already knew and doesn't focus on his regret (which would have been more important since Enji is trying to be a better person). But okay, it can work.

Probably the worst part is chap 192 because by then Enji is making clear he plans to atone but when he worries about the lives he had cut short, even though Tōya was mentioned, the visual shows us only Rei, as if she were the only life he had cut short (as she ended up in a hospital), skipping the one of his son WHO DIED.

Yes, this is probably to keep the mystery about Tōya but it's still not a great choice since he doesn't seem concerned.

Also probably because Horikoshi either hadn't planned Tōya's (and Natsuo's) storyline yet or wanted to keep it secret in "Ultra Archive" it was said Fuyumi became a teacher solely because she felt bad about the mistreatment Shōto suffered, apparently not caring about the neglect Natsuo suffered or of how Tōya ended up dead.

Fuyumi is also showed 'not caring' when no changes are done regarding to her in chap 302.

In the magazine version Fuyumi saying "I knew our family was broken" with an image of Enji dragging away Shōto and her mother trying to stop it, can be read as "(After Tōya's death) I knew our family was broken" and this allows her to sound like she's in pain for Tōya, Shōto and her mother.

However when the manga version changes things and have Rei hospitalized before Tōya's death, showing her having a flashback of how Enji was dragging away Shōto and her mother trying to stop it, remarks she knew her family was broken PRIOR to Tōya's death but not her feelings in regard to it. This combines negatively with how it was said she became a teacher for what Shōto suffered and paints her as uncaring for what Tōya suffered.

Again, I'm sure Fuyumi cared. It's just when "Ultra Archive" was written either Horikoshi didn't think about this part of the storyline or we weren't meant to know about it so he skipped it, and in chap 302 he merely adjusted things poorly so they ended up having implications he didn't plan.

Shōto going to preschool, where other children are, but being kept isolated by his siblings because they aren't part of the Hero world, seems a contraddiction in the story. While part of it can be due to Tōya's actions when Shōto was a baby, even after Tōya's death it will be said Shōto was kept apart from Natsuo (it's unclear if the same applies to Fuyumi) but then we see that when Shōto is in U.A. he's free to also go out without supervision so it becomes weird how (or why) Enji managed to keep him apart from his siblings, when he was allowed to spend time with whoever he wanted outside of his house... and even in his house he apparently wasn't controlled.

It also doesn't speak so great of Natsuo never attempting to connect with his little brother even if "School Briefs" tries to excuse it by saying it was due to Natsuo's grief.

When giving the green sign to "Vigilantes" Horikoshi likely completely forgot that All Might and Endeavor supposedly didn't meet for 10 years as, in chap 122, the two will cooperate to stop a Villain attack. Since “Vigilantes” takes place AFTER All Might and All for One’s big fight that injured both, it can’t be more than 6 years at the very best but, much likely, it’s less as this takes place at the end of “Vigilantes”. It’s true they didn’t really talk but still, they met.

Also both the anime and the coloured version of the manga give him red hair when, by then, his hair were while.

Credits when it's due though, I don't know if Horikoshi is behind the coloured manga version or another person does the colouring and that person took the anime as inspiration. In the black and white version Horikoshi's design for Tōya is consistent as his hair aren't coloured (while he colour red hair in black), so this could be not Horikoshi's fault.

The anime seems to confirm many scenes took place during night (except for Endeavor searching for Tōya after Sekoto Peak burned)... clearly no one was keeping an eye on Tōya if Enji never noticed how late his son got home and Rei, despite knowing Tōya went on Sekoto Peak to train, never worried about her son being up on a peak alone till late at night...

That's all I could remember/find for now.

The Todoroki storyline remains my favorite in the manga but there's no deny it was handled in a way that ended up contradicting itself, likely sometimes by mistake and sometimes due to change of plans or plot reasons. It's still a great story so don't think I believe the fact it has shortcoming means it's not enjoyable.

#boku no hero academia #bnha spoilers #Todoroki Enji #Todoroki Rei #Todoroki Touya #Todoroki Shouto #Todoroki Fuyumi #Todoroki Natsuo #All for One #bnha observations

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