#era: grey suit

[lockscreenxd]

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#lockscreen #lockscreenxd #wallpaper #taylorswift #taylor swift #tswift #tswiftedit #the eras tour #eras tour lover #2023 #the man #pink dress #eras tour #grey suit #march 24 #eras tour las vegas #eras tour:lover #eras tour folklore #eras tour: folklore

[the-deadlock-south]

wrist working again time to draw scion hanzo as much as i can

#overwatch #overwatch 2 #art tag #evidently nothing too extreme im still trying to take it easy #i didnt have anything in particular in mind- aside from the first ones anyway #i just wanted to draw han with his hair slicked back and then i was like 'i wanna see what that looks like in his scion suit' #and then i was like 'lol i like blood' #blood dont even look that good tbh but im tryin not to stress bout it im just suppoed to be doodlin and gettin back into drawin #third one's just 'i should draw his normal hair' #now im just thinkin a the bull i rambled bout couple posts ago #maybe i should try writin that out.. know damn well i aint drawin all that AHA #i wonder how old hanzo is durin his scion era: he doesnt have any grey hairs yet.. #makes me wonder... Dangerously wonder even lmao

[mel-loves-kdramas]

I can feel the way I breathe, The day I had a long dream of, Slowly, becoming anew: My heart is filling up, Oh, wake me up. {Morning Star}

#exosnet #suhosnet #exo #exo suho #suho #junmyeon #suho grey suit #suho grey suit era #so much pretty #my s-gifs #my s gifs #my suho gifs

[suuho]

the way i was literally having fever visions the day this dropped like it cannot be fucking replicated. my entire mind wiped blank.

#i thought i was gonna lose my mind like it was insane #the grip this man has on me… embarrassing #Anyways. #just wanted to reminisce because i miss grey suit era #even though i was delirious with covid the entire time lol #good nite!!! #kaz talks

[todayisafridaynight]

Nah Daigo looks like Majima level of skinny tbh 💀 Those Roblox shoulders are for nothing. Bro can’t fit through doorways normally but if he turns to the side he could become invisible like a sheet of paper

an impossible feat: rgg loves to go out of their way to emphasize how much of a Creature majima is

#snap chats #will never forget them making all of the ishin plushies pale as hell but ESPECIALLY making okita more grey #like man the fuck is that EW #also its like. A Given everyone's got the same body model #or at the very least everyone in the same body-type class has the same body model (i.e. ryuji and saejima have the same build) #i genuinely think majima has his own unique body model though. from the ps3 era anyway. without his shirt on #with a suit of course it's the same as everyone else but without it he really does just look ESPECIALLY skinny #idk i aint a majima expert idc i just know i have eyes and sometimes they see things right

[cruelsummer-ficfest]

Can I get a prompt for dramione please? Thanks so much!! I’m excited to give this a go!

We're excited for you!

Your Ship: Dramione

Your Song: I Know Places

#asks #grey and andie answer! #cruel summer fic fest #song assignments #1989/evermore #era number two #Dramione stans are winning this summer #1989 is so suited for them? who knew

[kozachenko]

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

#touhou project #art #fanart #touhou fanart #touhou 19 #touhou #東方project #zanmu nippaku #unfinished dream of all living ghost #reimu hakurei #東方

[lycanthropicture]

i am such a late seasons spn girly but i cannot deny the attention to detail in the way they film angels in kripke era made that show watchable. like ok what if we frame this shot so that there is a street light over the angel's head like a halo but hes experiencing doubt in his faith so the light is flickering. but we're a cw show. like as a concept the "just some guy" angle IS actually genuinely really cool bc it allows you to use lighting and costuming and props to pepper in angelic imagery in a much more subtle way that really fits the vibe of the show AND lends an element of horror to scenes where they do actually need to be intimidating (it is a horror show fyi). but then if your show goes on for too long then the aesthetic and feel of the show will shift and you will forget to do that and all ur angels will literally become Just Some Guys with special powers and matching grey suits. and again i say this as a late seasons girly. i miss her (well-directed episodes)

#500 #1k

[inky-duchess]

Etiquette of the Edwardian Era and La Belle Époque: How to Dress

This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI.

I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.

Today will be focusing on the rules of clothes with this time period.

A Cut for Every Occasion

As you may know, the wealthy elite and their servants lived extremely regimented lives and every aspect was governed by careful rules. They would be expected to wear the right outfit at the right time, every minute of the day. Any misstep would be noticed at once and be subject to scruntiny.

In the circles of the elite, one would be expected to change for every occasion. One simply wouldn't wear the same outfit they've been lying around the house in to attend tea at somebody's house. Fashion in this era was dictated by the clock and by the event diary of the wearer.

Ladies

Women of the upperclass would be expected to change at least six times a day. When she would rise for a morning of repose around the house, she would simply wear a house gown or a simple blouse and skirt. If planning a morning stroll, she would change into a walking suit which is a combination of blouse, skirt and jacket along with her hat usually of tweed. If running errands or paying a visit to friends, she would wear another walking suit. If riding, she would wear a riding habit and a hat. If hosting tea or taking tea in her own home, she would change into a tea gown with is a lighter more airier gown more comfortable for chilling in. If attending a garden party, one wears a pastel or white formal day gown accompanied by a straw hat and gloves. For dinner, she would change into an evening gown which would be more elaborate and show off a little more skin than her day wear. After dinner and ready for bed, she would change into her nightgown.

Female servants had an easier time of it. A housekeeper and lady's maid would simply wear a solid black gown for the entire day. A cook and kitchen maids would wear a simple day dress for working with an apron. Housemaids would usually wear a print dress with an apron and cap, changing into the more formal black and white attire you would associate with a maid.

Gentlemen

The gentlemen had an easier time but they too were subject to changes throughout the day. Men were expected to wear a suit. The most popular day time suit was a sack suit. These were comprised of plain and loose fitting jackets, worn over a starched shirt with a high collar, waistcoat and straight trousers with ironed creases. These suits were exclusively wool with cheaper ones made of a wool and cotton blend. Grey, green, brown, navy were usual but sine younger men preferred louder colours such as purple which was a trend for a time in the 1910s. These suits were worn about the house or in the city accompanied by a coat. Men would change into tweed if shooting or walking. For garden parties, a gentleman would wear a light coloured suit, usually white and a straw hat. For dinner, a man had two choices: his tails or his dinner jacket. A dinner jacket was for less formal suppers say if dining at home. This was a collection of a jacket, trousers, waistcoat, a bow tie, a detachable wing-collar shirt and black shoes. Lapels of these jackets were edged with silk or satin. Tails were worn at a formal dinner party, at White Tie events. This was made up of a tailcoat, white piqué waistcoat, a starched dress shirt with a pique bib and standing wing collar with a white bow tie. Trousers were lined with trim to hide the seams.

Male servants were soared changing. Footmen would wear their livery around the clock which would resemble white tie to a certain extent or mimic court dress of palace servants. Butler's would wear a variation of a gentleman's evening suit throughout the day. When a male servant is dressed, he usually stays that way. However, a valet or a footman may be taken to pick up during shooting parties where they would wear tweed walking suits.

Jewellery

Jewellery was an important sign of status in society. Upperclass women of this time has access to untold caches of sparklers but there were rules concerning their use and meaning. Earrings were usually clip ons as women of high status would not pierce their ears. Simple, understated earrings were worn during the day with more ostentatious sets were worn in the evening time. Broaches were popular at this time, usually worn at the throat of a gown or blouse or walking suit or affixed on hats. Large stoned rings were worn over gloves while slender bands were worn under. Jewellery was intricate and understated amongst old money whole the nouveau riche went for chunkier stones and larger settings. Tiaras were only worn at White Tie events, held after six pm and almost never by unmarried girls. One would not wear a larger tiara than that most senior lady present. Men would wear tie pins, cufflinks and pocket watches to match any occasion be it for a jaunt on the town or at a formal evening party.

Hats

Hats were a staple in this period. Anybody respectable from any class wouldn't venture out of the door without a hat.

Men would wear hats when heading out but always remove them when entering a building, and never wear one without removing it for the presence of a lady. The bowler was seen as more a servant's headwear while a top hat was reserved for gentlemen. Flat caps would be only seen on gentlemen at shooting gatherings or in the country, they were popular among the common class for any informal occasion.

Women had more stricter rules concern hats. Hats for women were more a day accessory worn while out and about. A woman would not wear a hat in her own home even when entertaining and nor would any of the other female occupants if joining the gathering. A woman would not remove her hat when attending a luncheon or tea or any activity. Hats were held in place by a ribbon or sash tied under the chin or by a hat pin, which is essentially a large needle thrust through the hair. This was the period where women's hats became more ornate and rather large, leading to some critisism. Among servants, housekeepers and lady's maids would not wear a hat while indoors and working but a housemaid or cook or kitchen maid would cover their hair with a cap with housemaids changing into a more elaborate one come evening time. Male servants would not wear hats unless travelling or outdoors.

Gloves

Gloves are a staple in this period and worn only at the opportune time. Among servants, only footmen would wear gloves and usually only when serving. Butlers would never wear gloves. Female servants did not wear gloves.

Men did wear gloves, usually woollen or leather while outside or riding gloves when out on horseback.

Women wore gloves whenever outside. Day gloves were usually wrist length, with evening gloves stretching to the elbow. During dinner, evening gloves would be removed at the first course and laid across the lap, replaced at the last course when the ladies leave for tea and coffee after where the gloves are then removed again. Gloves are always worn when dancing and at the theatre or opera. If one is sitting in ones box and sampling some chocolate, one can remove their gloves for that.

Hair and Makeup

Make up was a no-no amongst the upper crust and for their servants in England and America, as it was seen as licentious but in France, the use of rouge was accepted. Perfume and cologne were acceptable but excessive use was frowned upon.

Hair was dressed by one's lady's maid. Bouffant updos were popular in this time period for married women. During the last years of this period, women began adopting the 'bob' but this was seen as radical and sometimes scandalous. Unmarried girls could wear their hair down, often with accessories like a bow to adorn their tresses. Servants would always tie up their hair and never be seen with it down or uncovered (though this depended on their job).

Men would comb their hair, slicking it back for dinner. Most men were clean shaven but if they wore beards, they were usually well groomed. Hair was kept short for grown men and teenagers but young boys may wear their hair longer whilst in the nursery.

#This bitch loooonnnnggg #Etiquette of the Edwardian Era and La Belle Époque series #Fantasy Guide #Early 20th Century #late 19th century #Great houses #writing #writeblr #writing resources #writing reference #writing advice #ask answered questions #writing advice writing resources #writers #Writing advice writing references #Writing references #Historical fiction #1900s #1890s #Fashion

[north-noire]

I just had an urge to make my own designs/redesigns on TSE charlie and henry (ofc it's them), so feel free to read my notes/general character designs I had about them! (a little messy, but whatever)

also thought that drawing them with my designs from Hidden Hands AU would be a fun little compare and contrast!! (as my FNAF AU is more game-universe adjacent but still have a few of the novel elements such as Aunt Jen = Jennifer Emily, etc. Tbh I generally treat the FNAF novels and games as NOT the same universes at all, they're completely separate universes in my mind, I feel like it makes the fandom's interpretations a lot more creative/interesting in my opinion since there's really "no canon" universe, I mean we have THREE canons to work with now come on xD)

TSE Character Design notes and my own ramblings below the cut! I mostly just relied on the book descriptions of them and nothing much else other than my own inspiration gathering from 2000s fashion/horror games/media.

TSE charlie character design notes: in the novels' description, TSE charlie had frizzy hair and it was light brown. I found it strange that the graphic novel design overlooked that, so I had to add that in (nothing wrong with charlie's design, I actually quite like TFC Charlie). anyway, my TSE charlie design wears a patchwork denim because I thought it'd give her a little bit more character (and I like the symbolism of patchwork for her - being a person that Henry stitched up together with memories, etc etc. Although I don't like the TSE Charlie = robot twist, it just kinda grew on me) I also wanted her to have a 2000s horror protagonist vibe - although most of the characters I looked at for reference/inspiration had short skirts, so I did a "skirt-like" vibe with her tying TSE henry's flannel to her waist. I like the idea that she kept something of a memento from her father's stuff with her :]

TSE henry notes: his pants are pajamas. man is the ABSOLUTE face of depression. also wanted him to have not seen better days and really look like he's just wallowing in his basement with greying hairs and wrinkles and eyebags and definitely hasn't gone out in weeks, probably a month or so. also thought that glasses would suit him nicely - and I thought him having a long-sleeved flannel and his fit makes him look pretty much from the 2000s/Y2K era. Personally I feel like TSE Henry looked too plain and a problem I had that I had while reading the graphic novel is that they tended to make William and Henry look similar (I straight up thought that one William scene with Elizabeth's memory was Henry. That's how ungodly confused I was) which made it really look uninteresting to me, so I tried my best to make his design describe him a little better.

If you've read this far, thanks so much for reading this! It's just a little fun character design exercise I did and it was really fun having some creative freedom with these two characters!

#these redesigns were fun to draw! #the silver eyes #fnaf the silver eyes #fnaf tse #fnaf henry emily #fnaf charlie emily #fnaf charlotte emily #tse charlie emily #tse henry emily #tse charlotte emily #henry emily #charlie emily #charlotte emily #fnaf #fnaf fanart #my art #artists on tumblr

[blingblong55]

Can't catch me now- Simon "Ghost" Riley

Photo credits: @ave661 ---- No mentions of reader, angst, comfort? fluff? death of character ----

"GHOST!" 

It was too late, the body hit the ground. Simon Joseph Riley was pronounced dead. Gunshot to the head, his heart penetrated by the bullet and the ones to witness this are his mates from the team. His blood ran down the rocky mountain. The team witnesses something. During this whole mission, they only experienced rain and thunder, to their surprise, the second Simon dies, the sun shines through the clouds. A rainbow was born over the horizon. "Enjoy your new home, soldier," Captain Price nods at his own words as with glee he knows his comrade is finally home. "Take it easy," Gaz takes his cap on and looks at the sun that pours from the clouds. "Tell Soap we'll meet him for drinks someday," Price adds and fights back tears.

 It's the end of an era but the beginning of a good life for the two past comrades. 

Three days later, there he is, his body in that casket, a proper military funeral given to him and he is laid to rest with the rest of his family. 

Simon opens the door to his childhood home, the sun rays casting through the window, the walls grey and white "Welcome home, son," his mum greets him. There is confusion in Simon. Why was he here? is this a dream? Before he can even gather his thoughts, his brother, nephew and even his sister-in-law walk into the entryway and hug him. "Welcome home, brother," Tommy whispers as he hugs a confused Simon. 

Why is his dead family here? Welcome home! what does this mean?

Oh...

Oh by all luck, he's dead. 

"Mum?" 

"Yes, Simon?" the woman's sweet voice rings in his ears. 

All of a sudden, he is excited and happy. A smile creeps into his lips and there it was, that good feeling. He is home. His body doesn't ache, the scars are gone and all that is left with him is a smile and an afterlife where in this one, he finally has it all. 

"The girls are in the kitchen," his mum whispers. 

His wife and girls? There it is, that smile. He hasn't seen them since their funeral, this must mean he truly is in heaven. 

He walks past his mother and goes into the kitchen. The sight is too much to not just stop and idolise. His wife, his three daughters and those smiles and giggles. "Girls?" His voice is raspy. There is a knot in his throat. He is home with them too. "Daddy!" His youngest smiles and runs to him with her small arms open, his two other daughters follow suit. 

"Oh, my loves," his big arms wrapping over all of his daughters. Tears run down, happy ones. It's been two years since he last held them this way. "My lovie," Simon holds his arm out so his sweet wife can join this moment. That gentle and soft hand of hers, god it's like the heavens finally gave him peace. He sobs, it's uncontrollable and how can a man like him control such tears when after so long of losing his family...families to his job he finally has both? 

He gives kisses to all their foreheads. "Daddy, what took so long?" His eldest little princess asks. "I don't know princess, but I'm finally home," he reassures and hugs her again. Those tears run down yet again and he won't stop them. 

This is his heaven. The walls, the giggles, the hugs, and that familiar scent. Heaven is not clouds and a pearly gate for him, no, but it is this. A kitchen, his four loves, his mum, Tommy, Joseph and even Beth, everyone that has ever mattered to him is here and for once, he is in heaven. 

"Uncle Soap!" Joseph smiles. 

Soap?...Johnny?

"About time you came to the party, LT," Soap pats Simon's back. 

"Great to see you, mate." 

"Likewise. I held onto a good bottle for ya, yer girl won't let me open it though," Soap sends a teasing annoyed look at Simons's wife and a small chuckle escapes Simon. 

"She's a stubborn one, like yer, Lt." Soap teases. "I married her for a reason, isn't it right, love?" Simon can't help but smile as he gets to finally say that nickname again. "Very, Si." What a sweet delight, to have his pretty girl call him that again. 

"Price and Gaz joining?"

"Not yet, give them a few good years."

"Daddy, let's go play outside!" 

This is what he missed. The demands from his princess, the giggles, the big eyes and that pout when he would say no. "Okay, but only before your mum wipes that chocolate stain from your nose." He chuckles. "Deal," the little girl runs back to Simons's wife. 

From a corner, Simon sees Tommy. He's playing catch with his son, laughing at some dumb joke. 

It's beautiful. It's painfully beautiful how one can die on Earth but live in their heaven. 

One soldier dreams of this, they yearn for it and that is what Simon did for nearly 28 years. Now, all he has is this. No more war, no more aches, no one to chase. He can grow in this home again. He will live the life he always dreamed and right now, that is all he wants and needs. 

Yeah, you thought that this was the end

A/N: I honestly don't know where this was heading so....im sorry if it's shit

Tags:

@joyfulmarvelofavengers @ghostnna22 @hermizery @liyanahelena @ghostslillady @moonsua1 @rvivienner @krinoid24 @iruzias @idklols @saoirse06 @vampsquerade @juneonhoth @tiredmetalenthusiast @jinxxangel13 @enarien @Simonssweetgirl @luvecarson @willowaftxn83-87 @ikohniik @nobodys-coffee @strawberrychita @sae1kie @queen-ilmaree @pbcartii @Llelannie @macnches2 @bbyfimmie @avidreadee123 @talooolaaloolla @skelletonwitch @bittermajesties @Nyx_Flower @honestlyhiswife @who-can-appease-me @ghostwifeyy @konigssultwithghost @kaoyamamegami @the_royal_bee @beansproutmafia @soapybutt17 @asianbutnotjapanese @a-goose-with-a-knife @foxface013 @anonxasian @born4biriyani @thegreyjoyed

#cod mw2 #cod #mwii #ghost cod #simon riley headcanons #simon riley imagine #simon riley cod #ghost mw2 #ghost call of duty #ghost simon riley #cod ghost #simon ghost riley #simon ghost riley headcanons #simon ghost riley x reader #simon ghost riley imagine #simon ghost riley fanfiction #call of duty #cod mwii #cod angst #simon riley angst #ghost angst

[mel-loves-kdramas]

SUHO- I’m going to Busan for the first time in a while. I’m feeling light-hearted. [Grey Suit' ONEDAY CAFÉ EVENT Behind the scenes]

#exosnet #suhosnet #exo #exo suho #suho #junmyeon #suho grey suit era #grey suit oneday cafe event #my s-gifs #my s gifs #my suho gifs #dude how are you so handsome??

[spacecapart]

Here's something a little bit different for the Glorious 25th this year. I've had this Vimes animatic/AMV in my head for years set to the song 'Eight' by Sleeping at Last that I'll probably never have the time to do proper justice to, so here's the rough planning versions of the first six panels, which are all Night Watch-era tiny Vimes. I dare you to go and listen to that song and not have a lot of emotions about Vimes and his character arc throughout his backstory in NW, the years after, and then the main plot of Guards! Guards!, it's such a good song for him.

Image description: Rough pencil sketches of the following scenes:

Young Vimes stands at the front of a crowd of watchmen as John Keel draws a line across the training yard ground with his sword. Text: "I remember the minute…"

Young Vimes gets sworn in as a watchman, saluting while holding the King's Shilling in his other hand. Text: "It was like a switch was flipped"

Young Vimes sits in front of Captain Tilden at his desk, in a patched old-fashioned suit that's too big for him, awkwardly interviewing for his first job. Text: "I was just a kid"

Young Vimes looks at his reflection in a battered but well-polished breastplate that he holds in both hands. Text: "who grew up strong enough"

Young Vimes stands at the front of a small line of watchmen, in full armour, holding a wicker shield and looking nervous. Text: "to pick this armour up"

Young Vimes stands in front of a barricade, holding his sword and looking determined. He has a lilac blossom tucked behind one ear, and there is a lilac tree just in frame behind him. The lilac flowers are coloured in purple, standing out against the grey of the rest of the image. Text: "And suddenly it fit."

#the glorious 25th of may #discworld #gnu terry pratchett #sam vimes #night watch #terry pratchett #john keel #mine: fanart #glorious 25th of may

[saintbleeding]

[ID: Digital art of Jon and Martin from TMA set in the Victorian era. Jon is a tall, thin, British-Indian man with short, greying, curly hair, dressed in a green morning jacket and brown suit, with a wooden walking cane hooked over one arm. Martin is a short, fat, white man with ginger hair, dressed in a more informal brown suit. They are facing one another, with Martin on tiptoe, his hand grasping Jon’s shoulder. Jon holds his hat beside their heads, obscuring their faces completely from the viewer. Behind them is a clear blue sky above a vast garden of willow trees, with a faint breeze visible. End ID.] 

one thing about me is you can simply utter the words “victorian au” in my vicinity and i simply start barking and black out.

for day 3 of @jonmartinweek !! <3

#tma #the magnus archives #jmart #jonmartin #jonmartinweek 2023 #factual particulars tag #<- well i mean. adjacently. #also i am very much still gonna post the fic today just. Later. uwu #my #saint draws

[gravity-falls-fanatic89]

I genuinely feel there is something to color scheme between the older Pines' men in terms of wardrobe at the very least.

Very much through the episodes where backstory is provided for Ford, yellow, blue, or gold hues of shirts are worn. Gold, or yellow are typically variations that are associated with royalty, and I feel it shows he was "the golden child"...Which also correlated later when Bill made him the only statue that was gold. He was considered special at certain points.

The blue, from what I gathered, symbolized peace, and innocence, which he did wear in college, and while working with Bill in the mind scape. And, you see, after the betrayal, he stops wearing blue. His innocence was lost, and his peace was taken.

Stan, on the other hand, had a touch of gold to his wardrobe, but I always associate him with maroon, which is associated with being steadfast. And quite frequently in the show, that maroon does show up for both men(Ford's signature sweater and Stan's fez). They both at the end of the show wear maroon as sea grunks, showing they both are steadfast, and parallel.

He also does wear the blue Hawaiian shirt, and tries to pose like he's a frail old man when he wanted on Cash Shower(innocence once again), then the gold and maroon suit in The Stanchurian Candidate (I see as power and determined).

I could be reading into this far too much, but either man's wardrobes fascinate me in the different eras of their lives. I'm sure I could keep digging, but I probably as sound loony 😂

EDIT: I also thought about Stan wearing white at points, where it's a color of purity and clean. When he's younger, he wears a white shirt through high school. Then, as he becomes a drop out, at various points, and up to the portal fight with Ford, it's dirty and worn, so tainted and weathered.

He returns to the white with his suit, and then, is typically portrayed as a sea grunk in cream, to me, personally translates to a "grey" area: he isn't pure like he was as a high school kid, but he's not a criminal anymore; the color is mixed now, a blend of old and new.

And Ford's return from the portal clothes, total black, is absolutely a reflection of his travels and where his mind probably sat for 30 years: In the dismal and hopeless hellscape, both literally and mentally.

#stan pines #stanley pines #post about stan #grunkle stan #gravity falls #ford pines #stanford pines #color schemes #i'm done rambling

[hypogryffin]

ok but like so you know how portable had that one yukiko cameo. so like OBVI the remake is going to have p5 characters appear also <-straight copium. anyway here are my pitches

Image ID:

Three pages of rough sketches with colour blocks. Image 1 has Maruki (coloured blue) standing awkwardly with a seemingly nervous smile on his face, looking younger and wearing Gekkoukan High School's uniform. A smaller drawing next to him shows himself and Rumi (red) smiling and laughing together. The text next to them reads "If Maruki was school-age at the time of P3's story he'd be about 22-25 years old [during P5 canon]". The number 22 has an arrow pointing to it that reads "1st year HS", and 25 has another that says "3rd year HS". The text continues, "Since he's supposed to be older (I think), it wouldn't make sense for him to show up". A wailing emoji with its hands up in the air is added next to the block of text. From there, an arrow with the caption "But!" points to another sketch of Ichinose (green) in Gekkoukan's summer uniform. The message continues next to another drawing of Ichinose, this time in the regular/winter uniform, "I do think Ichinose is probably the right age for it! Definitely not because I've been wanting to draw her recently nope no siree". Further notes continue down, reading "One or two [ear] piercings, none on the face" with a drawing of an earlobe, "Shorter hair" with a dotted line and a sketch of scissors depicting that her hair is about shoulder-length, and finally, "She'd still be in her stoic era so no smiles here, LOL." Additionally, back near the drawings of Maruki, there is another sketch of Rumi in Gekkoukan's uniform, with a note that says, "Were Maruki and Rumi canonically high school sweethearts? Or did I just hallucinate that information"

Image 2: A drawing of Zenkichi (dark blue) in an unbuttoned suit. He has his hair in a ponytail, and his arms folded behind his back. The text next to him reads, "Zenkichi, approximately mid-to-late 30s. / He can't be aware of the Dark Hour for [the sake of] continuity in Strikers, obviously, but he could still be reasonably(?) involved? I.E. assisting Kurosawa with something? Maybe related to a request from Elizabeth, a social link story(???), or main story things like [A block that reads "Spoilers" in all capital letters]'s death or Fuuka's "disappearance". I don't know, man." There are a few asides written next to it, reading "Maybe [he and Kurosawa are] friends" and "Investigating Apathy Syndrome?" respectively. Then the text continues, "Could be [Public Security], or maybe a career police officer (as in pre-promotion or something, I don't know I'm not a pig, myself". An additional doodle has the information "Akane would be about 7 years old" alongside a drawing of Zenkichi blabbering senselessly about his daughter, showing off a set of pictures, to the Persona 3 Protagonist (light blue), who looks awkward and has "Go away" written behind him as his internal thoughts several times.

Also, there is a sketch of Mitsuru (red) in plainclothes, smiling as she holds up two tickets, saying "I have received tickets to a gallery by Madarame Ichiryuusai, I was wondering if you wanted to accompany me there." The next drawing is of Yukari (pink) smiling and looking up from the book she's reading, though visibly apprehensive. She says, "Uh, yeah, sure, that sounds fun!" While her inner monologue yells "That sounds so fucking boring holy shit". It then cuts to her gripping the protagonist's shoulders, saying, "I need you to come with me to this stupid ass art museum I can't say no to Mitsuru-senpai." The protagonist says, "I, like, could not want to do anything less-" but is interrupted by Yukari adding, "I'll buy you dinner after and you can bring Aegis." The protagonist says, "Deal."

Image 3: A drawing of the lobby of the dorms. The protagonist (blue) sits on one of the couches with Koromaru (grey) sleeping with his head in his lap. The TV is on, showing a picture of someone standing at a podium with microphones pointed at them, and blares "Diet member Shido Masayoshi makes bold new proposal on foreign policy..." The protagonist watches, seeming disinterested. The next drawing is of the Big Bang Burger logo, with someone saying, "'Big Bang Burger'?", getting the reply, "Yeah, they just opened a shop last week. Wild Duck's got competition now, I guess." The next panel is of Ryoji Mochizuki (teal) and the protagonist standing together, revealing Ryoji to have been the first one to speak, now continuing, "Eeh, wow, that name is so lame!" as he smiles genially. He then turns to the protagonist, pointing to himself as he says, "Hey, you wanna try it? I'll pay!" The protagonist shrugs and says, "Sure."

End ID.

#persona 3 #p3 #persona 3 reload #p3re #persona 5 #p5 #minato arisato #makoto yuki #takuto maruki #persona rumi #kuon ichinose #ichinose kuon #zenkichi hasegawa #hasegawa zenkichi #sakuya shiomi #wont tag anyone else lol #i will fill the p5s tag my fucking self if i have to #described