#every year i tell myself i will finish the series before discworld day

[robotbirdhead]

We get, rightfully imo, pretty sad and somber and naval-gazey about Discworld and Sir Terry on the 25th of May but I need everyone who might be discovering this series through this annual outpouring of love and sadness to know that these books are mostly just really fucking funny. Like, they're heart-wrenching and poignant but really they can only pull that off because they're also the funniest books ever written. There's a line near the end of Hogfather that, when I read it, made me feel more deeply connected to, like, the concept of humanity then I ever have before, but the book was only able to deliver that because the rest of it is about what if Santa Claus got kidnapped and a Big Skeleton had to take over his job? It's a patently ridiculous series but that is absolutely also where it's power comes from.

#discworld #Terry Pratchett #the glorious 25th of may #lilac day #gnu terry pratchett #speak his name #ive been reading these books for three years now #and im still not done 😣 #every year i tell myself i will finish the series before discworld day #but once again i am made a liar #only two to go now though #if i manage not to finish the series by next year something might have gone wrong

[lizziestudieshistory]

Books of 2021: The Way of Kings - Brandon Sanderson

I have a few things to acknowledge here before we get into the proper review - this is REALLY LONG and VERY CRITICAL. I promise you I do genuinely love The Stormlight Archive, but if you are someone who doesn’t like to see criticism of Sanderson or Stormlight, then please don’t read this.

This review has spoilers for The Stormlight Archive - you have been warned.

I’ve made no secret of my love for the Stormlight Archive - it’s my favourite ongoing fantasy series. I’ve also avoided reviewing it, and I’ve been putting it off since I first read it back in 2016 (could be 2017? It was a while ago.) How could I review something I love so much? How do I approach reviewing a 1,100 page epic fantasy novel? I just didn’t know. To be honest, I still don’t. I adore this series, it’s become part of my identity - if you asked any of my friends what’s Lizzie’s favourite book they would probably say Stormlight. Maybe Lord of the Rings but that’s a different kettle of fish.

I’ve reread The Stormlight Archive annually for the last five years. I promise myself I won’t reread it and let myself come back in anticipation for the next book. I’ve failed miserably every year. And these aren’t small undertakings - they’re each 1,000 pages and there’s four of them now! For context I usually only read 2,500 pages a month. 

So, I’ve finally decided to review these doorstoppers dressed up as fantasy novels. These reviews are mainly for myself, they’re going to be self indulgent, long, and focus on what I want to discuss like characters, structure, and prose - rather than reviewing the things I should probably talk about (like the actual plot…) I want to work through all the things I love about this behemoth of the modern fantasy genre, but also focus on its flaws. The praise for Sanderson is everywhere, so I want to work through my honest opinion of these books, work out why I love them, and I’ll invite you on this journey of self discovery with me. 

Structure

I’m yet to work out why I’m starting with structure but we are, I guess it helps with the framing. In case you’re reading this having not read The Way of Kings, each book in the Stormlight Archive is made up of 5 main parts that follow major viewpoint characters, and the parts are split up with small interludes that expand the worldbuilding, follow important secondary characters, or foreshadow future moments. Everybook is centred on a key character - in The Way of Kings it’s Kaladin - who we follow in the present day as a major viewpoint character and explore their backstory through a flashback sequence. Each book also has a prologue which retells the assassination of the Alethi king, Gavilar Kholin, and an epilogue from Wit. 

Firstly, this book takes FAR too long to get going and even longer to get into as a reader. I’m not joking when I say there are FIVE introductory chapters: the prelude, a prologue, Cenn’s second prologue (technically the first chapter but it’s a prologue), Kaladin’s introduction, and Shallan’s introduction. It’s too much. We’re jumping around, nothing really makes sense, and we’re not sure how these characters are related. They could be taking place in different worlds for all you know on a first read.

When I first read this book I was a lot more patient with long introductions and multiple false starts - I had the time to dedicate to getting into the story. I could, and did, forgive the THREE false starts to this story before we get to Kaladin’s first chapter. However, the opening structure of this novel is a mistake. If someone gives up in this section I honestly don’t blame them - if I was reading this for the first time in 2021 I probably would too.

The prelude and prologue are both excellent. The prelude in particular is weird and confusing but also sets up a clear mystery and sense of the sheer scope of this story. Szeth’s prologue, the first time we see Gavilar’s assassination, is flawed but still wonderful. The fight scene needed a bit of cutting, for my tastes, and I think the introduction to the magic system is clumsy - there’s far too much obvious info dumping and it needed some serious editing, especially as the complicated use of the magic that Szeth uses is barely relevant in this book. However, I think the Herald’s giving up the Oathpact and a magical assassin is great! They’re a bit weird and you’re not sure what’s going on, but it’s engaging. 

Then there’s Cenn. Poor, innocent Cenn. I’m sorry but he’s completely unnecessary. Independently of the rest of the introduction to the Way of Kings Cenn’s chapter would be a pretty good prologue as he’s there to set up our main hero Kaladin from an outside perspective. We love Kaladin and Cenn’s chapter is fine for establishing him as a typical fantasy hero – he’s a warrior, cares about the people, and so forth.

However, Cenn’s chapter in the context bogs down the opening too much. It’s too long, not particularly relevant, and adds yet ANOTHER prologue to this already enormous book. Cenn’s chapter offers nothing to the reader that we don’t learn later on in the text when the content of Cenn’s chapter makes more sense. We even see the exact same sequence of events from Kaladin’s perspective in a flashback! Not having Cenn’s chapter would add more interest to Kaladin’s character and add more weight to the flashback sequence because we wouldn’t have met Kaladin at his peak (sort of…?) 

Kaladin’s flashbacks aren’t that engaging as it is, he’s a fairly standard fantasy hero from a small village who ends up leaving his happy family to go to war. So leaving a small mystery around him in addition to ‘how did he become a slave’ would help with my engagement. It would leave me wondering how reliable is Kaladin as a narrator, is he really as good with the spear as he claims? I wouldn’t know but Cenn’s chapter removes all the mystery apart from ‘how does Kaladin become a slave’. It needs to go to make Kaladin more interesting and cut down on some of the unnecessary page count.

While we’re at it… Just cut out ALL the interludes in this book, except for the Szeth through line. I KNOW they are here for the Cosmere connections and to foreshadow things much later in the series. However, new readers and Stormlight only readers don’t know this and, quite frankly, they SUCK. In later books the interludes make sense but here they add so much tedious, pointless crap to an already bloated book. They’re too much and add next to nothing – other than seeing Szeth lose it as he kills people, that was fun (in a disturbing, creepy way… Can you tell I like Szeth?) Either this stuff needs to be relevant to the book we’re in now, or painfully obvious that we’re coming back to this stuff in later books. I still don’t know why we got Ishikk’s interlude with the Worldhoppers, and I completely forgot Nan Balat had an interlude. I’ve read this book 5 times… THAT IS HOW POINTLESS THEY ARE! Sanderson should weave the necessary foreshadowing into the main text, intersperse the perspectives we do need for THIS story into the main sections, or cut them out. When I get to the interludes I physically sigh and sometimes put the book down - now I just skip everything but Szeth - but on a first read they’re really off putting. 

To finish up with my complaints about the structure, and this is a big one for me - why do we have huge chunks of this book without major viewpoint characters? I’m biased here but Dalinar is probably the most important POV character in the story because he introduces the real stakes of the story. He has the groundbreaking visions of the past, he is the viewpoint we get into the politics of the war, he is the character who does and continues to have the most impact on the development of the story on his own.Yet, we don’t meet him until we’re 190 pages in… 

Sanderson alternates Shallan and Dalinar’s chapters between the five different parts and that means they vanish for 400 pages at a time. Why? I ended up caring about them right as we’re about to lose their viewpoint again for the next part. We needed to see the three major POV characters interwoven together throughout the five parts, not randomly dropped and picked back up again. The structure of this book was a mistake. 

Okay, I promise I do actually like this book…

Worldbuilding

Something I do love is the worldbuilding of Roshar, and I usually don’t care that much about worldbuilding. I can really appreciate good worldbuilding, especially on the history side of things, but for most novels it’s just fine? If I roughly know what’s going on with the world then we’re good, I can just get on with the story and not worry about it. However, Roshar is genuinely beautifully built! It takes A LOT to get me to visualise a world as I’m not a visual reader. I can feel the atmosphere, get to know characters, but can I imagine a face or setting? No.

There are three fantasy worlds that have allowed me to actually see the world and it’s landscape: Middle Earth, Discworld, and Roshar. The bleak, storm weathered landscape of the Shattered Plains is so embedded in my mind it’s ridiculous, the only place I can picture more is the Shire – and Lord of the Rings has a film to help it!

Now, to be fair it’s hard for me to separate the worldbuilding in The Way of Kings from the rest of the series, so I now have 4,000 pages worth of worldbuilding in my head… However, it’s certainly strong and I distinctly remember having a vivid image of understanding this world, the atmosphere, landscape, and so forth, on my first read. Although it did take me until Oathbringer to realise that everything, except humanity, was basically a crab… (I think that was just me being dense.)

I do think Roshar needs much more of its history to be expanded on. We don’t have much between the Last Desolation (don’t ask me to spell it's in-world title!) and it shows at times. I don’t expect something on the level of The Silmarillion for Roshar, however, I do think we need to see something more substantial in the period between the Desolations and the present day. We know about the Recreance, the attempted takeover of the Vorin Church, and the Sunmaker? That’s 4000 years! To put it into context it’s the distance between us and Jesus’s birth TWICE, it’s like we know about the end of the 11th Dynasty of Egypt, the Reformation, and the British Empire in our own history... We need to find a balance, especially as we get so much development of science in the later books. More history please - but this is a personal issue and a series wide problem, not just The Way of Kings.

Magic System

Now, this is controversial for Sanderson, but I’m going to skip this for now. This review is already well over 1,000 words long and I’ve not even started on the meat of the novel yet. The magic system isn’t really fleshed out in The Way of Kings, we only really know stuff about the Windrunners (in an abstract kind of way) and the very basics of the Knights Radiant in general. So I’m going to discuss the magic when I get around to reviewing Words of Radiance, Oathbringer, and Rhythm of War, basically whenever I have the energy and more space.

Safe to say I actually really like the magic system in the Stormlight Archive. I usually dislike hard magic systems (I think I’m the only person who dislikes Mistborn’s Allomancy - while very well developed, it’s a bit silly and is far too much for my tastes...) as they often take some of the wonder, mystery, and excitement of fantasy out of the story for me. However, I think surgebinding is a fun system and there is a lot more of it for use to discover, preserving some of that mystery. Oh and, if you were wondering, I would be a Skybreaker!

Prose

Okay if you read the structure section and were wondering - why is this woman still reading these books, you’re in for another head scratcher. 

If you’ve ever talked to me about literature you’ll know that there are two things I look for in a really good book: characters and prose. Now characters are something Sanderson does phenomenally well in the Stormlight Archive, but that’s not something you can tell 100 pages into a 1,000 page tome. You have to sit with the characters for a long time and give the author some page time to familiarise you with the people you’re following. If you trust him, Sanderson pulls off some stunning character arcs, especially in the long term and I’ll talk more about characters later on (or you can just skip this section? Up to you really!).

However, prose is something you notice immediately, and Sanderson’s is…utilitarian at best. At worst it’s abysmal. These days I’m very picky about prose, a utilitarian style is fine but a book is unlikely to become a new favourite of mine without good writing. This doesn’t mean I want or expect the writing to be flowery or elaborate, but it does mean I want, and appreciate it when, the prose suits the tone of the narrative and world. I must acknowledge that I’m in a (vocal) minority here, a lot of people either don’t notice Sanderson’s style or like it - I certainly didn’t mind it when I first read ther series - so this is definitely a subjective opinion but one I’m certainly not alone in. 

Nevertheless, for me Sanderson’s prose is overly simplistic, repetitive, and very American. Okay so the American is probably only noticeable if you’re not American. However, I’m used to fantasy having a certain Britishness to the writing style, even when the author isn’t British, but to me (as a Brit and fantasy reader) the Americanisms are painful at times… There is no way in hell I’m ever going to acknowledge that aluminium is aluminum no matter how many times Sanderson uses it! 

Yet it goes beyond a spelling issue because, let's be honest, in this day and age American English is widely spoken and regularly used in fantasy literature - you can’t escape from it as much as I want to. It’s in the style of writing and construction of sentences. The entire narrative reads like an American has decided to tell me a story using their colloquial, everyday speech. It’s a deliberate choice on Sanderson’s part to make things accessible and digestible, and for some people this works. I do think he has a fantastic style to get readers in, especially readers who are getting to grips with high epic fantasy as it’s one less barrier to entry in an already difficult novel. But it does mean rereading isn’t always the best experience and sometimes the writing can jar me out of the story. 

In places it’s too simple and colloquial, so much so the writing becomes clunky, clumsy, and unrealistic to the world he’s creating, especially in descriptive passages and dialogue. It reads like Sanderson could have used more lyrical or formal writing but deliberately chose not to - at the detriment of the prose. This is particularly noticeable with characters like Jasnah Kholin. Jasnah is a princess, brilliant scholar, and political mastermind, she’s known for her poise, elegance, and intelligence. Yet she often speaks like an everyday 21st century American and other characters who haven’t had the same education or training as she has? I can’t believe this for a moment, her dialogue is so egregious in places that it’s like I’ve been hit over the head with my own book! I physically cringe when she says things like ‘“scoot over here”’ (chapter 70, p.1083). WHY is Jasnah talking like this?! It doesn’t make sense to me – Shallan maybe, but Jasnah? No. It doesn’t fit with what we’ve been told about her character.

(Just as an aside, I loathe the word ‘scoot’ – it should be burnt from the English language as an abomination!)

Part of the issue with this is Sanderson usually doesn’t distinguish between the character's voices, both in the dialogue and prose. Most of the time if you dropped me into a random section of the Stormlight Archive with no context I honestly couldn’t tell you who’s speaking or narrating without the signposts Sanderson gives us. This isn’t a huge issue as he’s writing in third person limited, and with context and the chapter icons we know who we’re following. However, it does mean we don’t have any idea of character voice – in the general prose, internal narration/thought, or speech. What’s the difference between Kaladin’s dialogue and Jasnah’s? I have no idea from the sentence construction or speech patterns. Certain descriptions of how characters speak help to differentiate (Jasnah is commanding, Shallan squeaks, Kaladin grunts, etc.) but from their speech patterns I wouldn’t have a clue.

All of this comes back to Sanderson’s overly simple and Americanised style. It’s his choice and it does work for many people, but personally it doesn’t always work with the characters or story. I’m not expecting him to write like Robin Hobb or Guy Gavriel Kay, but some finesse and awareness of character would be appreciated, especially if it helped to differentiate character voices.

I’m also going to throw this out as a very personal issue because I’m not sure where else to put it… Sanderson has the worst sense of humour I’ve ever had the misfortune to read. The comedic moments are occasionally amusing… However, Shallan’s puns are worse than my Dad’s jokes. Every time she says something apparently ‘witty’ and someone else remarks how clever and funny she is I want to hit them... At best she’s mildly amusing, at worst she’s cruel. It’s never funny. (This only gets worse with Lift, I almost DNFed the entire series because of the Lift interlude in Words of Radiance. And don’t get me started on Lopen.)

Characters

At last! Something I genuinely love and the reason I read these books! Sanderson has created some of the best characters in modern fantasy in this series and they are the only reason I’m still going. I like the worldbuilding and plot, but I adore the character work in this book and the series as a whole. The characters are generally so good that, even when I dislike them, it's because I dislike them personally, not that they’re badly written characters! Usually I love Sanderson’s characters though, even when they’re incredibly flawed (looking at you Dalinar!) because he’s particularly good at complex character arcs. 

Szeth – I love Szeth, slightly irrationally for how much he’s in both this book and the series as a whole, but he’s one of my favourite “secondary” characters in the series! Szeth is actually the character who made me fall in love with the series in the first place, which feels weird to say because he only has five or six chapters in the entire novel. However, a magical assassin with a strong, if morally dubious, sense of duty and obligations? Sign me up! The opening prologue from Szeth’s perspective is wonderful - it’s far too info-dumpy but it’s highly engaging and one hell of a way to open the series. 

What really intrigued me about Szeth was his role as the interlude throughline character for The Way of Kings. His internal conflict between his obligation to follow the Truthless’ laws and his personal morality is fascinating. Szeth’s character development has been one of the highlights of the entire series for me, especially as we explore his personal morality, questioning of power, and commitment to law and justice. This conflict is one of the reasons I love the Skybreakers in general and I sincerely hope we get to see more of this (and their conflict with the theoretically similar, although realistically very different, Windrunners) in book 5. However, Szeth is a promise that Sanderson hasn’t kept yet. So much has been built up around his character and we haven’t explored him properly (as of Rhythm of War) and I’m mad about it! He’s an incredibly interesting character, morally and thematically, and I hope Sanderson can live up to the hype he’s built up around him in the first four books of the series. 

Kaladin – Okay the real reason we’re all here, the shining beacon of the Stormlight Archive, everyone’s favourite heroic bridgeman: Kaladin Stormblessed. Confession time – I didn’t love Kaladin the first time I read The Way of Kings. Don’t get me wrong I liked him but I’m generally not a massive fan of underdog superhero narratives. (I’m still not a fan of Bridge Four in general for the same reason, I would apologise but I’m not sorry…)

Kaladin spends most of this novel running bridges for Highprince Sadeas on the Shattered Plains. Unjustly enslaved by a corrupt member of the aristocracy, Kaladin is fighting to keep himself and his bridgecrew alive during one of the most pointless “wars” I've read in a fantasy novel - the pointlessness isn’t actually a criticism. He’s facing systematic oppression and disregard for human life, as well as battling his own depression and forming a bond with a spren named Syl (I absolutely adore Syl! But I want to talk about her in my review for Words of Radiance.)

So… I’ve always been frustrated with Kaladin’s fundamental drive to save people and take responsibility for people’s deaths, even when there was nothing he could have done to save them. This book is probably the worst for it out of the four currently published and I just found it a bit much because I personally struggle to relate to his attitude. This level of personal responsibility is a completely alien concept to me, at least to this level, and it’s Kaladin’s entire thing - his driving personality trait - and I just didn’t get it. Kaladin and I are very different people and for a long time I really struggled to relate to him on the same level everyone else seems to in this book. It also didn’t help that the main plot around Kaladin running bridges, struggling with his depression, and trying to keep his men alive is very repetitive… So when you’re in the midst of it and struggling to connect quite so deeply with Kaladin this book can become a slog - yet, the pay off for his struggles is so satisfying and it is very much worth it for making the end feel earned. 

However, my issues with connecting to Kaladin is definitely on me and this is by no means to say Kaladin is a badly written character, I’ve always admired how well Kaladin is drawn in this book. Within a few chapters I understood who Kaladin is, and really loved the conflict he had with his depression and role as a fantasy hero. It's beautifully painful to watch and, even when you’re a bit ambivalent about Kaladin, you really care about whether he and Bridge Four are going to survive the bridgecrews – and the climax sequence with Kaladin becoming Stormblessed again at the Tower is still one of my favourite moments in the entire series!

However, on this reread of the series I had a completely different experience to what I’ve had on previous reads, and a lot of this is down to Rhythm of War. I don’t want to say too much here because it’ll involve spoilers for Rhythm of Warm but having seen Kaladin confront his, as Ron Weasley would say, “saving people thing” and really struggle to keep functioning as Stormblessed, I was so much more on board with this book. Rhythm of War’s much more personal approach to Kaladin really helped me understand him as a person, not just the underdog hero. The struggle with his sense of self, the way his depression impacts his ability to act, and the way he’s moving forward in Rhythm of War let me appreciate the character work for Kaladin in The Way of Kings. The struggle, graft, and determination, especially given his mindset, is much more admirable when I can strip away the focus on doggedly protecting everyone no matter the personal cost. 

Kaladin and I are very different people, but that’s okay and I’ve come to appreciate him a lot more in the last 7 months. Now I can happily adore him alongside everyone else, and not just nod along with the rest of the fandom because I understand he’s objectively a well written character. Also Kaladin’s mental health rep is some of the best I’ve seen in an epic fantasy series. However, I would approach this book, and series, carefully if you’re sensitive to depression.

Shallan – confession time round two: I hate Shallan. I really loathe her on a deeply personal level. And I’m still bitter about it because I used to love her, when I first read this book she was my favourite character! This was partly due to relating to her and partly due to my frustration with Kaladin. However, as I read Words of Radiance I grew uncomfortable with her and by Oathbringer it became a full on HATED of her…and it’s never gone away.

I first met Shallan when I was a shy 18-year-old, budding historian and scholar. I got Shallan, I loved her plotline, and found Khabranth a lot more interesting than the endless bridgeruns with Kaladin (sorry Kaladin!) I connected with her because she represented (projected) a lot of what I was at the time - and still am today, just an older version of that person. She was the main character that really drew me into the story - yes I loved Szeth and thought he was brilliant, but Szeth is largely absent from this novel and Shallan is the main female lead. 

And then I got hit in the face by the infamous Words of Radiance “Boots” chapter, and I immediately got iffy vibes, then there was the Chasm sequence, and so many other moments that made me uncomfortable. I’ll avoid spoilers and, for now, just say I got hit in the face by Shallan’s innate privilege, her causal abuse of social rank, and complete lack of social and self awareness. To top it off the narrative gives her no consequences for this and even rewards her for her behaviour, rather than making Shallan work through the issues around classism (something I, as a Brit, am hyper aware of and it SHOULD NOT under ANY circumstances be ignored, especially with Kaladin’s narrative running parallel to Shallan.) However, this is later book issues and a major dropped theme that I’m fuming about, but I still found I liked Shallan in THIS book when I reread the series.

Not this time. 

There are moments in The Way of Kings where we can already see Shallan’s privilege and complete disregard of anyone who is remotely lower than her in the Vorin hierarchy. The scene with the book merchant stands out. No one in that scene is innocent, and I’m much less annoyed by it than I am at the “Boots” scene, however, it shows an early form of Shallan’s complete inability to reflect on her own behaviour towards those with less power than herself. She’s casually abusive and manipulative, but no one really calls her out on it. The few moments when someone does confront Shallan about it, and the narrative consistently forgives her because Sanderson allows her to come across as the victor in each of the arguments. This isn’t to say Shallan’s causal abuse of the Vorin social system shouldn’t be present in the book. It’s actually very realistic, in our world white people (especially white women) have behaved like Shallan for centuries. However, what does matter is the narrative framing. However, I’ll dig into this when I get to reviewing Words of Radiance because a lot of my planned review for that book is centred around this issue.

I’m also resentful that Shallan’s character in The Way of Kings is a complete lie – we don’t know her at all, but not in the same way as Dalinar? We KNOW something is off with Dalinar, we KNOW he was a terrible person and a warmonger from the way people talk about the Blackthorn – but Shallan’s reveal largely comes out of nowhere in some respects and I HATE that the person I loved so much 5 years ago was a complete lie. I’m a bitter person and I will continue to hold a grudge until Shallan dies or the series ends, whichever comes first.

Jasnah – my problematic QUEEN. Is Jasnah a shitty person? Yes. Do I love her anyway? Yes. Difference is I knew Jasnah was shitty from the start… I like problematic characters, I just hate being lied to (*cue insincere smile at Shallan*)

Jasnah is a difficult character to talk about in this book because we don’t know much about her other than her public persona, however, she’s a large part of why I love it so much. I just like brilliant women who would kill me, okay? It also helps that she's an historian, I have a soft spot for murderous historians. I’ll talk more about Jasnah when I review Oathbriner, hopefully that won’t be in another 5 years…! I just wanted to highlight that I do love a female character in this book!

Actually on the topic, Sanderson is still a shitty author for female friendships – he has included more female characters in Stormlight but why are there no female friendships that aren’t rooted in backstabbing and lies?!

Dalinar – if Jasnah is my problematic Queen then Dalinar has to be the problematic King. Dalinar is my favourite Stormlight Archive character. I could wax lyrical about what a BRILLIANT character he is. You may not like Dalinar, you may not forgive him, but you have to admit he is the best written character in ANYTHING Sanderson has written, and one of the best in modern fantasy. Nevertheless, much like Jasnah I’m going to wait until I review Oathbringer before I talk about Dalinar because I can’t do him justice without his flashbacks. However, I will tell you a story about the time I first met Dalinar Kholin.

So, I first read The Way of Kings on my commute back and forth to Worcester Cathedral because I had a work placement in the Cathedral’s archives. I’d been doing this commute for months and reached the point where I knew when to get off the train by feeling, no need to check the stations (this is relevant).

 I was on my commute home, and as I was walking to the train station I started part two. I met Adolin and he was fine. I was a bit confused because this was a whole new perspective and set of characters, but I was doing okay. (Yes I was walking and reading, no I do not recommend this arrangement for health reasons.)

And then I met Dalinar. As I got on the train we got into his own head, with the mystery of the visions just starting, the hints towards his complicated relationship with Elhokar, and the amazing fight with the Chasmfiend. Bearing in mind I was automatically doing my commute through this – I’d become so invested in Dalinar, I missed my transfer on the train. I’ve never done anything like this before in my life. I’m paranoid about it! But I was so engrossed in this aged general, who was potentially going mad, that I missed the stop on my train and didn’t even notice until we hit Birmingham New Street.

I was so in love with Dalinar Kholin that I travelled to the wrong city… And my love for him has only gotten stronger*.

Conclusion

Overall I have a complicated relationship with The Way of Kings, and The Stormlight Archive in general. I love this series, I particularly adore the characters and character work Sanderson is doing as the books continue. However, it is severely overhyped. There are a lot of flaws in this book, especially with the writing and structural aspect of this novel. It’s poorly paced, clumsily written, and lacking finesse. For me Sanderson is an okay writer but a wonderful storyteller. As a storyteller he’s made a huge contribution to the fantasy genre and I’m here for the major improvement he’s made in popularising more complex character work and the inclusion of mental health representation. We’re just seeing the start of this shift in the fantasy genre and I’m excited to see where Stormlight and fantasy are going to go with this movement. 

However, as a writer he has a long way to go in improving his craft of writing. These are big books, and I will often forgive mistakes with narrative structure in books of this size because they are so huge. However, this doesn’t mean we shouldn’t acknowledge them when reviewing the novel. Mistakes were made, especially in The Way of Kings, and are still being made but Sanderson has been slowly improving with the later books.

There’s a lot to love in The Stormlight Archive - the worldbuilding is insane, the characters are incredible, and the plots are gripping. I love them, and I will continue to eagerly await the next installments! But they’re far from perfect, and that’s okay. Sanderson has captured the imaginations of thousands of fantasy readers and I would highly recommend you give these books a go, despite my critical review. This is a fabulous time to be a fantasy reader and The Stormlight Archive is one of the most exciting reasons to be reading the genre!

*Dalinar and I are going to be on thin ice if Sanderson continues with his character as he did in Rhythm of War, but again I’ll address that when I review Rhythm of War.

#the way of kings #the stormlight archive #brandon sanderson #cosmere #book review #kaladin stormblessed #dalinar kholin #jasnah kholin #szeth son son vallano #not tagging a certain character because last time I had really nasty comments #i promise i really do love this book #i'm just critical of everything I read these days #especially when I've read it five times

[the-lincyclopedia]

Fic Questions

I’m pretending I got tagged by @doggernaut. Thanks for the open call!

1. How many works do you have on AO3? 

132, babey. 

2. What’s your total AO3 word count? 

338,778 words. 

3. How many fandoms have you written for and what are they?

According to FFN (I’ve been there a heck of a lot longer than I’ve been on AO3), I’ve written for 23 fandoms: Artemis Fowl, Hoot, Harry Potter, Maximum Ride, the Odyssey, Protector of the Small Quartet, Song of the Lioness, Percy Jackson and the Olympians, Sherlock, Discworld, Downton Abbey, Legally Blonde, Pride and Prejudice, Carry On, Paper Towns, Turtles All the Way Down, Yuri!!! on Ice, Maleficent, Six of Crows, Trials of Apollo series, Good Omens, Check, Please!, and Chronicles of Narnia. 

4. What are your top five fics by kudos? 

Love in the Time of Influenza (Carry On)

Face the Future with You (Check Please)

Nightmares (Carry On)

The Aftermath of Angelic Assumptions (Good Omens)

Christmas Planning (Carry On)

5. Do you respond to comments? Why or why not? 

Yes, almost always. Less so if it’s just a smiley face or a single word, but almost always if it’s longer than that. 

6. What’s the fic you’ve written with the angstiest ending? 

I don’t think I’ve ever written an ending with zero hope, but I have a few ones on the grim side. It’s probably a tie between “A Few Things, Maybe Several Things,” a genderbent Check Please fic where Jacqueline Zimmermann is recovering from an eating disorder and fighting with her parents, and “You’ve Saved Me from Another World,” a Narnia fic about Susan not returning to Narnia. 

7. Do you write crossovers? If so, what is the wildest one you’ve written?

So, my most popular fic ever was a crossover of Harry Potter and Sherlock in which Remus Lupin and John Watson were the same person. It’s called “The Jumper Chronicles” and it’s only on FFN. (Fair warnings: I wrote it in high school and then abandoned it, so it’s both awful and unfinished.) Other than that, I’ve got a Check Please/Lizzie Bennet Diaries crossover called “A Little Help” where Bitty and Lizzie meet at VidCon and become close friends, a Check Please/Carry On crossover called “Checking You Out” where Holster and Baz work on an econ project together and Holster encourages Baz to ask Simon out, and a Check Please/Harry Potter crossover called “You Won’t Grow Out of It; You Will Find Clothes That Fit” where Ginny and Lardo are roommates and both realize they’re nonbinary.

8. Have you ever received hate on a fic?

I once received 17 consecutive hate comments from the same person on one of my multi-chapters over the course of two days. It was awful. Like, I got pretty used to one-off flames and concrit when I was on FFN, and I rolled with that pretty well, but I have no idea why someone would read 17 chapters of a fic they hate and then tell the author how much they hate it 17 times. 

9. Do you write smut? If so, what kind? 

Not really. I’ve written a bit of grinding once or twice, but never actual sex. 

10. Have you ever had a fic stolen? 

Not to my knowledge. I can name at least three spinoffs of my fics, though. That’s always gratifying. 

11. Have you ever had a fic translated?

I don’t think so. 

12. Have you ever co-written a fic before? 

Not officially, but I’ve had friends help me figure out what happens next in my fics and/or give me ideas and prompts, so there are definitely fics I couldn’t have written entirely independently. 

13. What’s your all-time favorite ship? 

All-time? Don’t put that kind of pressure on me! I feel like the ship I’m least likely to ever stop loving is Elizabeth Bennet/Darcy, but I’ve never been as obsessed with them as I’ve gotten with some of my other ships. 

14. What’s a WIP that you want to finish but don’t think you ever will? 

I feel like there’s a decent chance I’ll finish the WIPs I’m invested in, or I’ll stop being invested in the ones I don’t finish. Although I do currently have a Nurseydex fic that might never see the light of day . . .

15. What are your writing strengths? 

I’ve said this before and I’ll say it again: perseverance. I’ve averaged a fic every two weeks for the past two years, and I also write original stuff. I don’t know that I’m particularly stellar at any individual aspect of writing, though I’m at least okay at several things. I really do think that my main strength is just that I keep writing. 

16. What are your writing weaknesses? 

Too few sensory details, too many logistical details, and no consistent ability to predict human behavior. Pretty sure all of this is my autism coming through. 

17. What are your thoughts on writing dialogue in other languages in a fic? 

I try to avoid it, especially when I don’t speak the relevant languages. I used to do it and it didn’t work out well. I will say that I’ve tried writing entire fics in both Swedish and Spanish before. They were bad, partly because that was like eight years ago and partly because I’m not 100% fluent in either of those languages, but like. I have given it a shot. (I’d love to write more stuff about Louis being Swedish, one day, and that might involve some Swedish dialogue, but I’m pretty confident in my own translation abilities there.)

18. What was the first fandom you wrote for? 

So, I got an FFN account in 2011 and immediately posted stuff for Artemis Fowl, Hoot, Harry Potter, and Maximum Ride, but the first time I wrote fanfiction was back in fifth grade, when my teacher read us Time for Andrew by Mary Downing Hahn and I was so unsatisfied with the ending that I decided to write a sequel. I worked on the sequel for over a year and it wound up being probably about 30k (typed, 1.5 spacing, 12-point font, it was like 90 pages). 

19. What’s your favorite fic you’ve ever written? 

Probably my 2020 Fandom Trumps Hate fic, “Man Oh Man, You’re My Best Friend.” It was my first (only?) attempt at the fake dating trope and I had a blast writing it, and I feel like I ticked my own boxes when it comes to insecure characters receiving love.

I tag @weneedtotalkaboutfic @ivecarvedawoodenheart @shitty-check-please-aus @birlcholtz @cricketnationrise @khashanakalashtar and anyone else who wants to play! (I can feel myself forgetting people and I’m pre-emptively sorry!)

#mine #my writing #about me #fanfiction #tag game

[relishredshoes]

Interview taken from The Severus Snape and Hermione Granger Shipping Fan Group.  (Admin approved)

 https://www.facebook.com/groups/199718373383293/

Hello Loten and welcome to Behind the Quill, thank-you for letting us get to know you a little better.

Many of our members will know your works with Post Tenebras, Lux and Chasing the Sun being considered classics for the SS/HG pairing.

Thanks for the invitation, hello everyone.

What's the story behind your pen name?

There's a werewolf novel, Bareback by Kit Whitfield. In one scene a character is looking at the moon and mentions that in Old English poetry they would use the term loten to describe a night when the moon was bright enough to see by. I haven't been able to verify it since the author may well have invented it, but I love nights like that and I liked the word, and the rest is history.

Which Harry Potter character do you identify with the most?

I get asked this a lot, actually. There is no one character, I don't think - I identify to some extent with most of the characters that feature more frequently in my fics, or I wouldn't be able to write them (the exception is Lucius, as far as I can tell he's truly fictional and not derived from anything in me). I probably have more in common with Hermione than the others, at least my version of her, but it's hard to say for sure.

Do you have a favourite genre to read? (not in fic, just in general)

Fantasy all the way. My mother nagged me into reading The Hobbit when I was around seven or eight, and that was it. I do read other genres but a good 85 per cent of my reading material almost certainly has magic or dragons somewhere in it.

Do you have a favourite "classic" novel?

I have a few. I like all of Austen's works, my favourite is probably Sense & Sensibility. I've just finished re-reading Jane Eyre. I like Elizabeth Gaskell's novels as well.

At what age did you start writing?

My mother is one of those parents who hoards everything her offspring do, and among the boxes of paper is a short story I wrote and illustrated when I was maybe five, about a flying shoe (imaginatively titled The Magic Clog). And when I was six I had a poem published in an anthology of children's verse (I don't remember how that came about; I think my school was asked to get involved, had a competition and picked out a few that ended up in the book) - my contribution was a piece of free verse about a dripping tap. So it's something I've always done, though I started taking it more seriously as a teenager developing roleplay characters.

How did you get into writing fanfiction?

My best friend when I was around thirteen was into fanfiction, she wrote Stargate SG-1 and Buffy the Vampire Slayer fiction at the time. I don't know how she got into it herself but she introduced me to reading it, though it was a year or two before I found the courage to try writing any. My early stuff was... not very good, and I will never admit to being the author of any of it now!

What's the best theme you've ever come across in a fic? Is it a theme represented in your own works?

Oh, that's a hard one. I like seeing consequences being explored - often authors will give a character the backstory or motivation they need them to have for the sake of the plot, but if it's not one of the main characters they won't pay it any more attention after that. When it's done well, I do like stories exploring the realism of just how a character would be affected by what happens to them. It adds a new dimension to their personality, and the psychology behind it is interesting in its own right. We're a product of our experiences, and so are fictional people. I try to show it in my writing as well - why a character does something is as important as the thing itself.

What fandoms are you involved in other than Harry Potter?

I read fics from all sorts of fandoms, but Discworld was where I first started writing (badly). It's a pretty small fandom despite the legions of fans worldwide, so I got to know a few writers there and learned more about what I was doing. Took a break for a while due to personal reasons, and when I returned under this name I started off in the even smaller Tamora Pierce fandom, trying my wings before entering the madness of Harry Potter. These days the Potterverse is still my first love along with the other two, but others include the Wheel of Time, Good Omens and too many smaller ones to list. I don't write for them or anything so active, though.

If you could make one change to canon, what would it be? Do you have a favourite piece of fanon?

Snape surviving, and the HG/SS ship, naturally! Do you listen to music when you write or do you prefer quiet?

Music, or Youtube videos (I watch a lot of Let's Plays), or just having the TV on. I can't concentrate in complete silence, my mind wanders to other things. I also talk to myself if there's no other source of noise and I'm trying to break the habit.

What are your favourite fanfictions of all time?

This would have been far easier to answer a few years ago, but I read less and less fanfiction as time goes by and I don't read Potter fics at all any more. My personal headcanons have developed more and more over the years, and nobody's headcanon is the same as anyone else's, so I end up disagreeing with fics these days because it's not how I would have done it and it makes it difficult to enjoy them.

The best fic I ever read was also the one that introduced me to HG/SS, but at some point, along the way, it was deleted and the author removed their account, and I've never managed to remember the title or pen name to look for it elsewhere. I don't remember the plot either after so long, but the characterisation was absolutely superb and the ship just made so much sense that I never looked back.

Are you a plotter or a pantser? How does that affect your writing process?

A plotter, definitely. I always have a first draft mostly complete before I start uploading anything. Initially, it was just because I realised I was writing longer stories and didn't want to risk hitting writer's block or real-life delays and having to go on hiatus in the middle of uploading a story, but later I realised I preferred it. I don't have to worry about writing myself into a corner or contradicting myself, I can take the time to make sure things are coming across the way I want them to. And it means I never have to force myself to write 'the next chapter' to a deadline - if I don't want to work on whatever comes next, I can jump ahead and write something later in the plot that I do want to work on. I also find it a lot easier to plan a story around a timeline to get the overall pacing right.

What is your writing genre of choice?

I don't really know what you'd call it. Slice of life, I suppose? I like stories about characters rather than about plots.

Which of your stories are you most proud of? Why?

Most of them, in their own way. My Tamora Pierce series, even though they're nothing groundbreaking and even though I know I could write them far better now, because they were the first things I wrote that I felt truly pleased with and because the overwhelmingly positive responses gave me the confidence to keep going, to try for something completely original rather than a retelling, and to venture into a far bigger and much more terrifying fandom.

Post Tenebras Lux, because it's (almost) exactly the story I wanted to tell and (almost) exactly the way I wanted to tell it. Chasing the Sun because it's the best written of anything I've done and I can see how much I've improved over the years, although I prefer the content of PTL. And I'm incredibly proud of the thousands upon thousands of positive and constructive reviews both of them gathered along the way,

I never expected to attract much notice at all and it's been a tremendous help to me both as a confidence boost and helping me see more about how others view storylines and characters in ways that I'd miss. I think overall it's PTL I'm most proud of, with CTS a close second.

Did it unfold as you imagined it or did you find the unexpected cropped up as you wrote? What did you learn from writing it?

Talking about CTS and PTL both, they're more or less the way I imagined them. Sometimes I'd get a review showing me a perspective I'd never considered, and one or two of them ended up having quite a long-running impact. Sometimes I'd reach a point, particularly in CTS, and realise that what I had planned for that part of the story wasn't going to work and I'd end up writing something completely different.

During the writing of both of them I mostly learned about how my brain works and how to organise myself to write at my best - I think I've learned more after they were done; I re-read both of them every year or so and see things I could have done differently and things that work and things I no longer agree with.

How personal is the story to you, and do you think that made it harder or easier to write?

Back to PTL for this one, since most of CTS' plot isn't completely mine. I never planned it to be particularly personal to me; at the time I just wanted to write about my favourite character and give him a better ending than canon did, and enjoy myself telling the story. As I went along and started touching on different subjects it became more personal - I've experienced bullying and depression, amongst other things, though fortunately not on the same scale as the characters I write about. I think it made it both harder and easier; stirring up old memories wasn't particularly pleasant, but it meant less time researching and rewriting those particular parts because it felt more real, to begin with.

What books or authors have influenced you? How do you think that shows in your writing?

That's another hard one. Subconsciously I think almost everything you read influences you at least a little. I tend to divide books into three categories - ones I don't enjoy and don't finish (which is rare but does happen), ones that were good but ultimately forgettable, and ones that deserve to be re-read, and I've probably learned something from almost all of the latter kind.

If I had to name one author it would be Terry Pratchett. His writing spanned such a vast spectrum it blew my mind wide open from the first time I picked up one of his books (I think I was ten or so) and he's still the author I come back to time and time again and find something to enjoy and appreciate no matter what my mood is. He's known for humour but there's so much more in everything he wrote. As for how outside influences show in my writing, I really don't know but I can guarantee they're there.

Do people in your everyday life know you write fanfiction?

Not really. Some of my school friends did, but over the years I've lost touch with all of them. Of my family and current friends, the ones that would understand fanfiction don't share the fandoms I write for, and the others just wouldn't understand the concept. I'm not ashamed of it, I just don't know how to explain it to someone who has no overlap with this world. Some of my online friends know, but half of them I met via my fanfics in the first place, so I'm not sure that counts!

How true for you is the notion of "writing for yourself"?

Where fanfiction is concerned, there's no point doing anything else. If you're trying to make a career out of writing you do have to write for your audience at least to some extent, but one of the joys of something not for profit like fanfiction is that you can tell the stories you want to tell and don't need to impress anyone.

The whole reason PTL exists is that I couldn't find a fic that told the story I wanted to read, so I wrote it myself. CTS primarily exists so I could fix a lot of the parts of canon I had the greatest problems with. The fact that other people agree is amazing and I still get warm fuzzies from every review from someone sharing the same opinion, but that wasn't the point.

Starting out in small fandoms meant I had no expectations for reviews so I never felt the need to try and court them, and every piece of feedback was a pleasant surprise rather than a main motivation. It's also a lot easier and more enjoyable to write for yourself; my other fics are mostly small one-shots based on prompts from other people, and many of them were a real struggle to write.

How important is it for you to interact with your audience? How do you engage with them? Just at the point of publishing? Through social media?

I'd say it's pretty important. I try to answer every signed review where possible, and it's always surprised me when people tell me they weren't expecting it - it seems to be something most fic authors don't do. It never occurred to me not to at least thank someone for taking the time to leave a review, and for those who leave longer reviews with questions or observations or (constructive) criticism I like the chance to explain some of my reasons for a particular decision or to talk about something in the fic or the wider fandom or writing in general.

That said, I don't have much contact with readers outside review responses and FFN messages. I don't really use social media (hence the format of this interview). Nothing against it, but introversion and a lack of much free time (and, it must be said, a little laziness) mean it's not for me at this point in time. I do have a blog but it's not very active.

What would you most like your readers to take away with them when they've finished your stories?

Honestly? I'm happy if someone finishes and thinks 'that was a good read, I enjoyed it'. Anything else is icing on the cake. Sometimes I get lovely messages from people who've been going through rough times and they tell me something in my stories resonated with them and helped them feel a bit better, and that's an incredible feeling. Others tell me they've been inspired to work on their own writing or to read more about a subject I mentioned. Some just want to let me know they've checked out a song or book I referenced or quoted and they liked it. All those are great, but as long as someone likes the story and enjoys reading it, that's enough.

What is the best advice you've received about writing?

The most specifically useful was probably "when you're writing dialogue, read it out loud". Time after time I've done that and realised a piece of a conversation was very awkward and strange and been able to rewrite it. In a more general sense, the best thing I've seen was "don't force it". If you're not in the mood to write something, don't try to, because it'll be far lower quality than if you wait until you're excited to write it down.

What do you do when you hit writer's block?

That ties into the previous question. Usually, I leave that piece of writing alone and either work on something else or move away from writing entirely and give myself a break for a few days to clear my head. Sooner or later something will shake loose and I'll see my way past whatever the problem was. (This usually happens either in the shower or while driving, when I can't do anything about it, because the universe just hates people sometimes!)

Has anything in real life trickled down into your writing?

Oh, absolutely, though I can't give many specific examples. As I mentioned before, my experiences with bullying and depression definitely added an extra dimension to the way I write about those issues, but that's the only obvious thing. I haven't consciously included any specific incidents from my life anywhere in my writing, but I'm sure there are a lot of small things I haven't even noticed. And there are definitely some details that are me, such as certain characters' music tastes (or a preference for black forest gateau...)

Do you have any stories in the works? Can you give us a teaser?

I get asked this one a lot! Yes, I do plan on at least two more long Potter fics, if possible. I'm fairly sure at least one of them is going to happen. I have some concrete writing and a lot of notes. But it's difficult to avoid treading ground I've already covered in existing fics, I don't want to produce anything that feels too similar. I also wrote both PTL and CTS while I was unemployed and living with my parents, and now I'm living on my own and working, so I have much much less free time. No teaser, I'm afraid :)

Any words of encouragement to other writers?

The only way to get better at writing is to write, so write. Don't worry about not being good. That can come later. You can always rewrite anything. My early fics under other names range from thoroughly amateur to absolute trash that I've disowned, and there's plenty of original writing that will never, ever see the light of day.

If you write something down and hate it, leave it for a while and then go back and look at it and figure out why you hate it. Try not to be afraid. It takes real courage to let other people see your writing for the first time, and nothing hurts like your first negative review, but the world won't end. Criticism comes in three forms - misunderstandings that you can address; genuine criticisms that you can learn from; and, very rarely, flames or trolling that you can ignore. Most people will have a valid point, and most of them will genuinely be trying to help you.

And READ. Read everything you can get your hands on. Fics, books, blog posts, newspaper articles. If you don't like something, try and work out why. If you do like something, try and work out why. Exercise your imagination and the rest will follow.

Thank you so much for spending some time with us Loten, it was a genuine pleasure getting to spend some time getting to know you better.

#snape #severus snape #pro snape #snamione #hermione #hermione granger #sevmione #snanger #fanfic #fanfiction

[terselylove]

30 Escapist Reads To Distract You From Your Real Problems

1. Circe and The Song of Achilles by Madeline Miller.

I am a fan of any Greek Myth interpretation or re-telling, but the way that Miller portrays and gets inside the heads of characters that have existed for thousands of years is incredibly unique and powerful. These books do not have to be read together as they just share a world, but would highly recommend both! Though just a side character in both, her Odysseus might be my favorite.

2. Contact by Carl Sagan, about a radio astronomer named Ellie Arroway who discovers extraterrestrial life. (There was a movie too which is also good, but different enough that I think the book is worth reading.)

3. Thud! by Terry Pratchett. Really all of the Discworld books, particularly the City Watch series.

But for me, Thud!- particularly the crescendo of the action in the last act of the book- it hit me in a way that’s hard to describe. I was crying from laughter, frustration, nervousness, and release. It was a truly great book.

4. The Martian. Hard (reality based) science fiction with a smartass protagonist in a desperate struggle for survival. Watney displays constant problem solving that shows real resilience of character, punctuated with moments of stupidity like anyone would have and humor that anyone would need to live through a disaster.

5. Hyperion by Dan Simmons. Fabulous scifi imagination, filled with characters, worlds, technology, politics, and innocence which invoke the most vivid movie reel of a story in my mind each time I read it and the others in the trilogy.

6. The Road by Cormac McCarthy. The first time I read it I thought it was the best post-apocalyptic book I’d ever read.

The second time I read it I realized it was the best love story I’d ever read.

The third time I read it is when I knew it was the best book I’d ever read.

7. All The Light We Cannot See. It was beautifully written and I could not put it down.

8. The Left Hand of Darkness by Ursula K Le Guin. Really shows how much possibilities there can be in scifi genre, it’s not always just spaceships and lasers. It talks about a completely separate alien culture where the concept of genders do not exist, and the different societal norms that come with it, it goes into some more stuff too, the premise of the story is very intriguing and it’s very well written.

9. American Gods from Neil Gaiman. It has lots of surprises.

10. The Percy Jackson series is my favorite series of all time. I’ve always been really interested in Greek mythology and right around the time I learned enough about it to get a grasp I got handed The Lightning Thief. Fantastic story to read as a kid and still a good nostalgia read nowadays.

11. The Series of Unfortunate Events series. I remember in 5th grade someone else was reading it and started where he left off last year which was at book 8 and I started at book 1. I ended up finishing the series before him. It’s a really fun series of books.

12. Hatchet by Gary Paulsen. I love the story of survival and perseverance. I have read this book many times in my life and have referenced it throughout my lifetime. I am now a social worker and I work in a psychiatric hospital and when I do my groups I will ask an ice breaker and have the patients tell me their favorite book. After that I’ll give them this book, tell them what it’s about, and use it as an example to continue on in life, to push through adversity and never quit.

13. Jurassic Park is the only novel I’ve sat down with and consumed within twenty-four hours. I love the movie, but the book is so much more detailed, and the characters so much deeper, and in some cases totally different.

14. The Time Traveller’s Wife, by Audrey Niffenegger. I’m a sucker for time travel stories at the best of times, but it’s also comfortably my favorite fictional romance, as well as having some of the most beautifully lyrical prose. Henry and Clare are such a sweet couple dealing with what are truly exceptional circumstances, and the ending… yeah, it’s a tough one, but the fact that it hits me every read through (and I’ve read it at least ten times) is proof to me that it’s a classic in the making.

(There’s also a HBO series in the works with Steven Moffat as the showrunner, which I could not physically be more excited for.)

15. The Night Circus by Erin Morgenstern. I can’t even put into words how magical and enchanting this book really is. Absolutely mesmerizing.

16. Snow Crash. Real dystopian and Matrix. I love it. The Babylonian stuff is pretty interesting.

17. The Life of Pi. I read it in two goes, the first 10 or so chapters, and then the other 90 the next day, completely gripping.

18. Never Let Me Go by Kazuo Ishiguro. I remember enjoying reading it but when I finished it I didn’t think it would become my favorite book. However I found myself thinking about it pretty much every day for the next year. I then stopped and thought if a book has made me stop and think about it so frequently for such a long period of time and so much more than any other book then how can it not be my favorite book.

I found the story so warm but so painfully sad and the ending just absolutely destroyed me. It was a crazy ending which was worded so beautifully and was set in a beautiful place. I live in England and I do this weird thing where if I’m driving down a country lane and I see a beautiful field I will stop the car and go out and look at it for a while. That is exactly what the main character was doing when she remembered her friends and considered her fate. Seriously… it utterly destroyed me.

19. Stephen King’s The Stand. It’s big and intimidating but the story is so good and written so well I found myself wanting to savor it. The story and world change throughout the book. I’m excited to leave it a few more years so I can read it again without knowing quite what is going to happen.

20. Norwegian Wood by Haruki Murakami. Fuck, I don’t even know how to explain it. This is some real stuff that’ll make you hurt in places you never knew you could hurt. If you’re a sucker for a sad/melancholic, but real and honest novel this is what you need.

21. The Ingenious Gentleman Don Quixote of La Mancha by Miguel de Cervantes. Absolutely fabulous novel that is a greatly entertaining read. It’s hilarious, relatable, and enthralling. It shows that we are connected to each other across centuries. Written in the early 1600s, but it still holds up!

22. The Book Thief. It’s equally heartbreaking as it is wondrous in showing the strong bonds we can make with one another.

23. Slaughterhouse-Five. It reads like silk poetry. So it goes.

24. I, Robot by Isaac Asimov. If you actually enjoy troubleshooting as a hobby, it’s a wonderful book.

25. Walk Two Moons. I feel like I lost my innocence with the main character.

26. Dune by Frank Herbert. If there ever was a book that could guide my life choices, this is it. It teaches me resilience, and that there is a big wide universe out there. There’s a lot of philosophical and spiritual guidance out there, and I’ve been exposed to a fair bit. But the Dune series is one of enduring wisdom. And the layer upon layer of world building! Herbert was a linguistic genius.

27. Catch 22 because I love satire and no other book I’ve read captures the absurdity of things quite like Heller did.

28. Flowers for Algernon. That book was a roller coaster of emotions at the end.

29. The Redwall series by Brian Jacques. I love the adventure and questing and figuring out riddles. The way he described the feasts… god I always wished I could experience a feast like that. The way he would write the different dialects for the different animals was so much fun. They are young adult books, but I’m nearing 4 decades and still love them. Been reading them since I was just a wee lad.

30. The Phantom Tollbooth. It was fun to read as a kid and then I picked it up again as I got older and noticed so many little details that kept it fun and interesting.

[inkshares]

Q&A with Space Tripping author Patrick Edwards, winner of the Nerdist Space Opera Contest

Patrick Edwards is the author of Space Tripping, one of the top three winners in last year’s Nerdist Space Opera Contest. His debut sci-fi comedy hits bookstores (real brick-and-mortar ones) March 7th. In the following Q&A, Patrick’s reveals the secrets to his creative method, his inspiration for writing the most hilarious and absurd sci-fi comedy this side of the universe, and his upcoming projects.

Patrick was born and raised in Chicago, went to Augustana College in IL, where he majored in business studies, with a minor in amateur libation studies (“mostly of the beer variety”). He currently lives in Cincinnati with his wife, Katie, and new baby, Gabriella Rose, who was born in the midst of the Nerdist Space Opera Contest.

Inkshares: To start, please describe your book in one haiku.

Patrick:

Surviving in space

Much easier when sober

But that's not much fun

Inkshares: OK, now let’s get serious: which Hogwarts house do you belong to?

Patrick: Hang on a sec. Let me finish this online quiz. Oh! Oh dear… It says Slytherin.

I’m going to try a different one… and here we go, clicking “submit” and...Hufflepuff?! What?! No, that can’t be right.

Let’s try one more. Okay, this one says I’m a Lumberjack from District 7… I don’t even think that’s the right literary universe.

I’m just going to create my own. I am a member of House… Chucklesworth.

Inkshares: That must be at Ilvermorny. At Hogwarts, I’d say you’re a SlytherPuff. Where were you when you thought of this book idea?

Patrick:  Physically? Planet Earth.

Mentally? Three glasses deep into a cheap bottle of wine.  

Inkshares: Would you tell us about your writing process? Are you the binge-writing type? Caffeine addict? Coffee shop writer?

Patrick:  Ha, calling it a "process" is giving me way too much credit. I'm an "anytime, anywhere" writer. Those picturesque writing scenarios where you have three hours to yourself, a quiet room, and a cup of coffee don't happen in my life. I realized early on that if I only write under "ideal" settings, I'd never finish the book. I probably wrote at least half of Space Tripping on my phone. I'd have fifteen or twenty minutes, and hammer out a few sentences in an email to myself. Later, I'd piece it all together and clean it up. It wasn't something that came naturally, but I was determined to finish the book, so I found a way.

Inkshares: How long did you work on this book from forming the idea to finishing the manuscript?

Patrick:  It was about fifteen months from the day I wrote the first line, to the day I wrote "The End" on my first draft. Funnily enough, I was on my honeymoon when I finished... but don't judge me! My wife likes to sleep in. I'm an early riser. So for once, I actually had a few of those mythical "picturesque writing scenarios" I mentioned in the previous question.

Inkshares: Do you believe in aliens?

Patrick: There's a conspicuous gentleman in a black suit and sunglasses looming over me, so let's just say that I don't not believe in aliens.

Inkshares: Writing is hard. Why do you do it? Is there a piece of literature that inspired you to become an author?

Patrick: It's so eye-rollingly cliché, but it just feels like what I'm supposed to be doing. Trust me, I want to punch myself in the face for that answer too. I've been interested in creative matters (art, writing, etc.) since childhood. I actually started college with the intention of majoring in art and literature. I even convinced one of my freshman professors to let me write a short story for my final essay instead of the research paper he'd assigned.

But somewhere along the line, I got it in my head that it'd be more reasonable and realistic to go into business. So, that's what I did. Then through most of my twenties, I never felt fully together. When I got back into writing... brace yourself for another lame cliché... it felt like I was myself again.

Regarding books that inspired me, anyone who's read Space Tripping could guess I'm big fan of The Hitchhiker's Guide to the Galaxy. Additionally, I absolutely cherish Terry Pratchett's (R.I.P.) Discworld series. I love anything that dumps the tropes and clichés of an established genre into a sandbox and plays around with them in a humorous manner.

My biggest childhood influences were the Calvin and Hobbes comic strip —so much fun re-reading those as an adult and picking up the stuff I missed as a kid—and Bruce Coville's Aliens Ate My Homework series.

Inkshares: What was the first thing you ever wrote?

Patrick: In 5th Grade, I wrote a comic that was a shameless Wolverine knockoff. I'm pretty sure the hero's name was "Razor" and his nemesis was "Doomcla."

Inkshares: A little alien told me that you are an illustrator as well. How does your love for comics influence your writing?

Patrick: That little alien needs to keep his three mouths shut. But yes, I am a huge comics fan. Most of what I write starts with me visualizing the scene, as if it were a comic. Then I try to write out what I'm picturing. A lot of my ideas start as comics, but illustrating takes more time than I have these days.

So, if you're reading this and you're an illustrator, hit me up. Let's make something weird and cool.

Inkshares: What advice would you give to writers trying to hit a funding goal on Inkshares?

Patrick: It is not a passive endeavor. You are going to have to work as hard, if not harder, than you worked on the actual book. Slick cover art and a gripping synopsis won't cut it. You need to get out there and spread the word. It's like having another job.

Inkshares: What do you hope readers take away from your book?

Patrick: A stomachache from laughing too much. Seriously. I'm not looking to achieve any literary breakthroughs here. I just like writing things that make people smile.

Inkshares: What are you reading right now?

Patrick: The Wise Man's Fear by Patrick Rothfuss, because he has a great first name. And I guess it's also because, you know, he's an exceptional writer... or whatever.

Inkshares: If your story was made into a TV show or movie, who would be cast to play Chuck and Jopp?

Patrick: While they'd each bring a distinctly different vibe to Chuck, my first thoughts went to either Elijah Wood or Dave Franco. I'd also be interested to see what Riz Ahmed from HBO's The Night Of could do in the role.

For Jopp, my first choice would be Kevin Hart. Though I could also see Adam Devine from Workaholics play him as well.

Inkshares: Was there a particular moment or event that was harder to write than the rest of the story?

Patrick: Action sequences. They were definitely the hardest. There's a lot of moving parts to a big fight or chase scene. You want to clearly describe what is happening without writing so much text that it slows down the pace of the scene. It was a tricky balance to find.

Inkshares: What surprised you about the publishing process?

Patrick: The amount of time and number of steps involved. Space Tripping’s publishing date is March 7th. The Space Opera contest ended last year on March 14th, and I already had a finished manuscript at that point. I found it to be a pleasant surprise. It was comforting to see how much professionalism and effort Inkshares puts into the process.

(So...uh... when do I get my fifty bucks for that shameless promotion?)

Inkshares: Haha you can take that up with the boss. What would you like to say to your Inkshares backers?

Patrick: Thank you. A million times, thank you.

Also, your next round of drinks is on me.

Inkshares: Would you like to tell us about any upcoming projects?

Patrick: Well, of course I'm working on a Space Tripping sequel, but we have quite a while until that could conceivably be released. There are a number of events/conventions later this year that I'll be attending, some in a professional capacity, some as simply a fan. If you want updates on all that, by all means, feel free to follow me on Twitter @RamblingWaffle, or check out my sites: ramblingwaffle.com & spacetrippingbook.com

And before you ask, that Twitter handle has a long and uninteresting back story. Please trust me, it is not worth the time it takes to explain it. Ok, fine, you twisted my arm. Here's the story:

So there I was, trapped in the Syrup Swamps of the Lost Peninsula. I had a half-drunk bottle of maple rum in one hand, and the ancient book of Blessed Recipes in the other. The Great Pancake loomed over me... his rows of teeth glistening in the early morning light. I knew if I didn't stop him here and now, he would consume every innocent resident of the nearby village, Breakfast Bluffs. So, without a moment's hesitation, I took a swig of rum, held the sacred book high, and-

Oh, would you look at the time? I gotta run. We'll have to finish this story later.

A big thanks to Patrick Edwards for putting up with these hard-hitting questions! Interested in his work? Space Tripping is available March 7th.

To pre-order, visit: https://www.inkshares.com/books/space-tripping, or find a paperback copy anywhere books are sold.

#Space #outer space #drunk #alien #fiction #comedy #aliens #patrick edwards #inkshares #interview

[i-dream-of-fairytales]

Having realised that it’s been two months (!!!) since my last update I decided that its about time I posted a life update to explain my absence. One word can explain it all…

Dissertation.

Since May I have been buried in research and journals and surveys, all to help me complete a 15,000 word paper on crowdfunded publishing. A topic that I, thankfully, have been finding incredibly interesting. But I’m also thankfully that I can almost see the end coming, with 2,500 words left to write (final chapter AND conclusion, I’m an over writer apparently) and edits to complete.

But in the past few weeks I’ve also been preparing for my temporary bookshop job that starts next week, and finding a place to live so I can stay in Edinburgh for said job (flats are expensive, I’d been told but now I finally see, ahahaha *hysterical laughter*), and looking for publishing jobs or internships that will let me get my real dream job. It’s been a busy few months, and it also feels like this summer has been going on forever. I love University and my student flat, but I can tell it’s time to get back into the real world, but this time I’m not moving home and I have a MSc under my belt too!

Yet that doesn’t mean I haven’t been reading, because reading has actually been one of the only things that has truly let me relax and get lost in someone else’s worries for a while. I’ve still managed to read 10 books since May so I’m pretty pleased with myself.

The Bear and the Nightingale by Katherine Arden I’ve been waiting to read this book for ages, and thankfully it didn’t disappoint. It was atmospheric, intriguing and unique. Arden built the word so clearly and I was so immersed, though it took me a while to get into the story, once I finally did I loved it. Can’t wait to read the sequel, it just needs to come out in paperback first…

Mort by Terry Pratchett My friend bought me this book for my birthday, I’d never ventured into Terry Pratchett or the Discworld until now but I’m glad she recommended it to me. It was exactly what I needed at the time, fun and light but still so well-built and developed. It actually made me chuckle at points, which is rare in the books I read, and I realised that not all books have to have complex overly detailed books to create a whole new world. It was fun. Which is exactly what reading is supposed to be. I’ll definitely be reading more of the Discworld.

Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert

Around the same time I was also reading this non-fiction novel that the same friend recommended to me. I don’t read a lot of non-fiction (or any really) but this was a breeze to read. There were points that didn’t hit the write note with me, especially when it came to writing, yet I still found inspiring and soothing? That sounds like the wrong word but in a way my soul felt soothed at having read this. Especially at a point when my writing had gotten away from me.

Scythe by Neal Shusterman Another birthday present! One I’d requested, I’d heard so many good things that I wanted to know what it was all about. Although the beginning was slow, the pace and intrigued picked up towards the middle which it desperately needed. I enjoyed the different take on a futuristic world (I’ve read a lot of dystopia so some twisted utopia was a nice change). But I didn’t see what everyone has been raving over? Maybe that will change with the second book, which I will be reading because overall I did enjoy it.

The Shadow of the Wind by Carlos Ruiz Zafon Another recommendation from my friend, though this one had been on my TBR list for quite some time. It wasn’t what I was expecting, it was slower paced, darker, and if I’m honest not as magical realism as I expected it to be. I figured out the mystery quite quickly and wasn’t that attached to the main character, I did however, love the character of his friend who’s name escapes me. It was a good book, but it didn’t blow me away.

The Sudden Appearance of Hope by Claire North

This was the biggest disappointment that I’ve had while reading in a long time. I didn’t even finish it I was so not into it. The concept had intrigued me for ages, a girl who is forgotten every time she’s out of view? What a novel concept with so much potential! And yet… it was slow and boring and nothing ever seemed to happen. Hope could’ve been such a sympathetic main character but she wasn’t, the plot didn’t revolve around her being forgotten, rather a commentary of the idea of being “perfect” and not one that interested me at all. I’m just thankful I picked it up in the library.

Children of Blood and Bone by Tomi Adeyemi After that I went back to good old fantasy, and this book was exactly what I needed. Interesting conflict, plot, characters, and world. And such a badass book with great and much needed representation. It was refreshing to read a fantasy novel based on a culture that has hardly been touched upon, and it worked so well. The only thing that brought it down for me was the romance. It was too quick a turn around and frankly a little unbelievable from both characters. However, it does seem to be setting something up for the next book so I’m willing to let it go because it was a great novel and a much needed read.

Assassin’s Apprentice by Robin Hobb A fantasy writer that I hadn’t read and felt I should. The world was, again, well-built and even though the plot was slow and often unclear, probably more along the lines of a bildungsroman than I expected, I liked the book. I enjoyed Fitz’s narrative and his unusual connect with animals (though – spoiler – I nearly threw my kindle in sea every time a dog died, it was too much Hobb, leave the dogs alone). It was a slow burning book and not the most amazing fantasy I’ve ever read, but extremely enjoyable and I probably will pick up the rest of the series but I’m not rushing and eager to collect them just yet.

The Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton

Pretty sure I read this book in a day. I’ve tried to start it before but didn’t get past the few 20 pages, I think having that level of concentration dedicated to the novel was exactly what I need to get into the story. It was another book I’d heard a lot about, however, I didn’t think it as amazing as everyone else seemed to. The writing was beautiful and I thoroughly enjoyed all of the characters (except for that creep near the end, if you’ve read it you know who I mean). But it didn’t hit all the right notes with me.

 Legendary by Stephanie Garber

I love these covers. It was one of the reasons I picked up the first last year and I’m so glad they kept up the theme. I also really enjoy the story, purely engaging, and so unashamedly YA is something that I like to read every now and again. The plot is interesting and fun, the characters and so loud and bright but I like them anyway, and the world of Caraval is well thought out. I especially liked the further world building that Garber did in this novel with the Fates. I also enjoyed hearing from the sister I kinda disliked in the first book, though I think Scarlett kind of slipped a little in this novel. However, I eagerly wait the conclusion and hope the cover is just as gorgeous.

Currently Reading – The Way of Kings by Brandon Sanderson I’m not even half way through this novel and I love it so much. Sanderson is a master at fantasy world building and getting me to care about every narrator in his books. I’m so glad this is living up to the hype and I cannot wait to reach the end and start the second one.

Time Flies – A Life and Reading Update. Having realised that it's been two months (!!!) since my last update I decided that its about time I posted a life update to explain my absence.

#2018 books #a few thoughts #about me #adventure #assassin&039;s apprentice #Book review #books #books i love #books ive read #books of 2018 #bookstagram #brandon sanderson #carlos ruiz zafon #catch up #change #children of blood and bone #claire north #currently reading #disc world #discworld #fantasy #just read #katherine arden #legendary #leslye walton #life of a postgrad #life update #literature #looking forward #love